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,
:
:
,
, 2014.
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..........................................................................................................................................5
1.
.............................................................6 1.1.
.........................................................................................................................6
1.2.
..............................................................................................................12
2.
.................................................................17
2.1.
.........................................................................................................18
2.2.
......................................................................23
3.
........................................................................................................................................36
4. ......38 4.1.
..........................................................................................................................................41
4.2.
..........................................................................................................................................45
4.3.
.................................................................................................................................46
4.4.
-...................................................................................................................................47
5. XX XXI ........48 6.
(1996-2014).................................................................79
6.1.
......................................................................................................................79
6.2.
....................................................................................................................85
6.3.
.....................................................................................................86
6.4.
Nocturnality..............................................................................................................................89
6.5.
I..........................................................................................................................94
6.6.
.................................................................................................................95
6.7.
II.........................................................................................................................99
6.8.
...............................................................................................................109
7. - ...........................................................111
7.1.
..............................................................................................................111
7.2.
..................................................................................................................113
7.3. -
........................................................................................113
7.4.
..............................................................................................................114
7.5. (
II)................................................................................116
7.6.
..............................................................................................................119
7.7.
...................................................................................120
7.8. (web site)
......................................................123 7.9.
.........................................................................................................................126
.................................................................................................................................132
.....................................................................................................................134
...........................................................................................................................136
......................................................................................................138
.............................................................................................................................140
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4
ABSTRACT
The goal of the ARCHITECTURE OF MEMORY art project was to record
the artists personal
relationship with the city and immediate surroundings in which
she resides, witnessing the
daily changes in urban planning and architecture, at a given
historical moment, and also the
changes that these processes leave on the mental maps of the
individual and the community,
with specific emphasis on personal family history and the
earliest childhood memories.
The starting point is the house, which can be understood as a
sort of pattern of specific inner
topography of each individual, and which is responsible for all
future models of intimacy that
one forms during ones lifetime. The beginning of the project
coincides with the first visible
transitional changes in the citys architecture. In an attempt to
preserve the imprints of the old,
already destroyed dwellings from falling into oblivion, a
photo-documentary approach leads
to the processing of personal, emotional material stored in the
family archives, which are
presented to the public in the forms of ambient installation,
website and video work.
The project was realized through the illustration of a personal
relationship with the house of
birth, which reflects the relation with the city in general as
well as the relation with individual
and collective memory, and with all the changes which
architecture and memory succumb to.
The conclusion is that the place/the object may have an aura,
and that this aura, when it comes
to the places/the objects physical disappearance, transfers and
lives in our memories.
Key words: architecture, memory, recollection, city, personal,
emotions, photography,
ambient installation, video, time, topophilia, topography.
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Arts, Cambridge, Massachusetts / London, England, The MIT Press,
2007. p. 21
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2002, p. XII
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Fabrika knjiga, 2008. . 35 - Umberto Eco, Ars oblivionalis. Sulla
dificolt di costruire unArs oblivionalis, Kos 3 (1987) 40/53;
engleski: An Ars oblivionalis? Forget it, Publications of the
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34 : http://www.warhol.org/TC21/main.html 35
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-
50
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