11
Relationship between sound pro- duced in a space and its listeners, of particular concern in the design of concert halls and auditoriums. Good acoustic design takes into ac- count such issues as reverberation time; sound absorption of the finish materials; echoes; acoustic shad- ows; sound intimacy, texture, and blend; and external noise. Architec- tural modifications (e.g., orchestral shells, canopies, and undulating or angled ceilings and walls) may act as focusing elements to improve sound quality. © 2014 Encyclopedia Britannica, Inc. ARCHITECTURAL ACOUSTICS 1 | PORTFOLIO TM

ARCHITECTURAL ACOUSTICS - arquison.com · ARCHITECTURAL . ACOUSTICS. 1. TM | PORTFOLIO. 2 3. THEATRE / DES BORN. About the external envelope: re-cover the original configuration,

  • Upload
    others

  • View
    9

  • Download
    0

Embed Size (px)

Citation preview

Page 1: ARCHITECTURAL ACOUSTICS - arquison.com · ARCHITECTURAL . ACOUSTICS. 1. TM | PORTFOLIO. 2 3. THEATRE / DES BORN. About the external envelope: re-cover the original configuration,

4

Relationship between sound pro-duced in a space and its listeners, of particular concern in the design of concert halls and auditoriums. Good acoustic design takes into ac-count such issues as reverberation time; sound absorption of the finish materials; echoes; acoustic shad-ows; sound intimacy, texture, and blend; and external noise. Architec-tural modifications (e.g., orchestral shells, canopies, and undulating or angled ceilings and walls) may act as focusing elements to improve sound quality.

© 2014 Encyclopedia Britannica, Inc.

ARCHITECTURAL ACOUSTICS

1

| PORTFOLIOTM

Page 2: ARCHITECTURAL ACOUSTICS - arquison.com · ARCHITECTURAL . ACOUSTICS. 1. TM | PORTFOLIO. 2 3. THEATRE / DES BORN. About the external envelope: re-cover the original configuration,

2 3

THEATRE/ DES BORN

About the external envelope: re-cover the original configuration, not only for being the initial and oldest but also having a major typological and compositional co-herence.Inside the building: recover the configuration and original ambi-ence of the theatre. It recovers the original horseshoe wall which were eliminated in 1929.

ARCHITECTJosé M. Forteza Oliver

ARQUISON

ACOUSTICAL ENGINEERING

ARQUISON

LOCATIONCiutadella de Menorca, Baleares,

Spain

PROJECT YEAR2014

Page 3: ARCHITECTURAL ACOUSTICS - arquison.com · ARCHITECTURAL . ACOUSTICS. 1. TM | PORTFOLIO. 2 3. THEATRE / DES BORN. About the external envelope: re-cover the original configuration,

4 5

PERFORMING ARTS CENTER / EL CANAL

In order to solve the problem of the same volume for different configurations it was proposed to build a variable acoustic sys-tem. Behind the skin formed by wooden board with large holes, there are installed cotton cur-tains with a motorized track.By moving the curtains the ab-sorption available in the room may increase or decrease and, consequently, the reverbera-tion time may change too.This space is destined to be a workshop, scenic arts factory, dedicated especially to text the-atre and contemporary theatre.

ARCHITECTJosé M. Forteza Oliver

ARQUISON

ACOUSTICAL ENGINEERINGARQUISON

LOCATIONSalt, Girona, Spain

PROJECT YEAR2012

Page 4: ARCHITECTURAL ACOUSTICS - arquison.com · ARCHITECTURAL . ACOUSTICS. 1. TM | PORTFOLIO. 2 3. THEATRE / DES BORN. About the external envelope: re-cover the original configuration,

6 7

Valencia will be the first Berklee campus outside of Boston. It will be devoted to advancing contemporary mu-sic education; studying and applying leading-edge music technology and international music business models. Ad-ditionally it will be focused on promotion of the diverse musical traditions of Europe,

North Africa, and the Middle East that have come together in Valencia and its surround-ings.

ACADEMIC AREAPlanned to be operational in January 2012, the academ-ic area includes ensemble rooms, classrooms, private instruction rooms, and prac-

tice rooms. All rooms have been specifically built with the highest standards of acoustic room treatment, through the use of absorption and diffu-sion materials on the surfaces of the room, and soundproof-ing, to provide sonic isolation between the rooms.

COLLEGE OF MUSIC/ BERKLEE

ARCHITECT

José M. Forteza Oliver ARQUISON

Lola Romera Martinez (Grupotec)

ACOUSTICAL ENGINEERINGARQUISON

LOCATION

Valencia, Spain

PROJECT YEAR2012

Page 5: ARCHITECTURAL ACOUSTICS - arquison.com · ARCHITECTURAL . ACOUSTICS. 1. TM | PORTFOLIO. 2 3. THEATRE / DES BORN. About the external envelope: re-cover the original configuration,

8 9

AUDITORIUM / LA NAU

ARCHITECTJosé María Forteza Oliver

ARQUISON

ACOUSTICAL ENGINEERINGARQUISON

LOCATION

Denia, Alicante, Spain

PROJECT YEAR2012

ARCHITECTJosé Mª Tomás Llavador

ACOUSTICAL ENGINEERINGUPV & ARQUISON

LOCATION

Torrevieja, Alicante, Spain

PROJECT YEAR2011

AUDITORIUM/ TORREVIEJA

Page 6: ARCHITECTURAL ACOUSTICS - arquison.com · ARCHITECTURAL . ACOUSTICS. 1. TM | PORTFOLIO. 2 3. THEATRE / DES BORN. About the external envelope: re-cover the original configuration,

10 11

AUDITORIUM/ DUBAI BRITISH SCHOOL

ARCHITECTArchen Engineering

ACOUSTICAL ENGINEERINGARQUISON

LOCATION

Jumeirah Park Campus, Dubai

PROJECT YEAR2014

Page 7: ARCHITECTURAL ACOUSTICS - arquison.com · ARCHITECTURAL . ACOUSTICS. 1. TM | PORTFOLIO. 2 3. THEATRE / DES BORN. About the external envelope: re-cover the original configuration,

12 13

THEATRE/ CAPITOL

AUDITORIUM/ REX

ARCHITECTHoracio Fernandez del Castillo

ACOUSTICAL ENGINEERINGARQUISON

LOCATION

Cieza, Murcia, Spain

PROJECT YEAR2013

ARCHITECTOpta. Arquitectura y Urbanismo S.L.

ACOUSTICAL ENGINEERINGARQUISON

LOCATIONVillanueva de Castellon, Valencia,

Spain

PROJECT YEAR2011

Page 8: ARCHITECTURAL ACOUSTICS - arquison.com · ARCHITECTURAL . ACOUSTICS. 1. TM | PORTFOLIO. 2 3. THEATRE / DES BORN. About the external envelope: re-cover the original configuration,

14 15

/ BERKLEE COLLEGE OF

MUSIC

/ ILLOGICALESTUDIO

RECORDING STUDIOS

/ XIX PRODUCTION

HOUSE

ACOUSTIC DESIGNJosé M. Forteza Oliver ARQUISON

LOCATIONTavernes BlanquesValencia, Spain

PROJECT YEAR2008

ACOUSTIC DESIGNJosé M. Forteza Oliver ARQUISON

LOCATION

Puzol, Valencia, Spain

PROJECT YEAR2013

ACOUSTIC DESIGNWSDG

ACOUSTIC CONTROL/

SITE SUPERVISION

ARQUISON

LOCATION

Valencia, Spain

PROJECT YEAR2012

Page 9: ARCHITECTURAL ACOUSTICS - arquison.com · ARCHITECTURAL . ACOUSTICS. 1. TM | PORTFOLIO. 2 3. THEATRE / DES BORN. About the external envelope: re-cover the original configuration,

16 17

EDUCATIONAL

REHEARSAL ROOM OF MUSICAL SOCIETY

ALMORADI SCHOOL MUSIC

ACOUSTIC DESIGNARQUISON

LOCATION

Mota del Cuervo, Spain

PROJECT YEAR2010

ARCHITECTPilar Bosh

ACOUSTICAL ENGINEERING

ARQUISON

LOCATION

Almoradi, Alicante, Spain

PROJECT YEAR2011

Page 10: ARCHITECTURAL ACOUSTICS - arquison.com · ARCHITECTURAL . ACOUSTICS. 1. TM | PORTFOLIO. 2 3. THEATRE / DES BORN. About the external envelope: re-cover the original configuration,

18 19

ENVIRONMENTAL ACOUSTICS/ “GRAU” PP

Environmental acoustics is concentrated on the control of noise and vibrations caused by traffic, aircraft, industrial equipment, recreational activities and anything else that might be considered a nuisance.

LOCATION

Valencia, Spain

PROJECT YEAR2008

Page 11: ARCHITECTURAL ACOUSTICS - arquison.com · ARCHITECTURAL . ACOUSTICS. 1. TM | PORTFOLIO. 2 3. THEATRE / DES BORN. About the external envelope: re-cover the original configuration,

20

JOSE M. FORTEZA OLIVER Cofounder & CEO at ARQUISON architec-tural acoustics.In 1997 he collaborated in his first acoustic project, the Palace of Beaux Arts in Altea (Alicante), as a student of architecture at the Acarma group (UPV-Spain).

In September 2001 he graduated as archi-tect specializing in building, from the Poly-technic University of Valencia - Spain. In November 2001 he started his own archi-tectural firm. In November 2004 he created ARQUISON with specialization in architec-tural and environmental acoustics.

Currently he has more than 100 works of any kind regarding architectural and envi-ronmental acoustics.

ABOUT US

TM

Borrull 17 - 1, 46008 Valencia, Spain | T./F. +34 963 921 481 | arquison.com