Anno Student Design 2010: New York

Student Design Annual 2010:11

Category Judges

advertising Ogilvy Mather 3

architecture Bohlin Cywinski Jackson 21

Fashion Three as Four 41

graphic design Interbrand 67

Illustration Yoko Furusho 89

Industrial design Droog 115

Photography Chris Buck 133

tHe JudgIng Panel

Anno is proud to present to you our judging panel for our inaugural publication. These people represent some of the finest design talent in the world. If your work has made it into the annual, then it has been chosen by these institutions. As the competition had so many fantastic entries the staff at Anno decided to include ‘Anno Picks’ - a couple of entries in each category that they felt was worthy of publication, based purely on presentation.

Anno would like to thank our judges for their support and participation.

Issue 1. 2011.

annobooks.com

email: [email protected]

Copyright 2011©

All rights reserved. No part of this publication may

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been reproduced with the prior consent of the

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Published by Sprout Productions

Designed and typesetting Owen Walsh.

contents | 1

IntroduCtIon

Welcome to the inaugural Anno Annual. We are very happy to present to you a selection of the winning works as chosen by you the voter and our select panel of judges. Our judging panel represent some of the top industry talent, in their respective categories, and with around 600 entries from 80 of the top design colleges in the world they have had their work cut out. The general consensus among the judging panel is that the work has been fantastic.

Anno plans on sourcing our judging panel from different parts of the world each quarter and in 2011 the competition goes to Sweden, Barcelona, Hong Kong and London. The details will be posted on the website and in the newsletter. It’s been a lot of blood, sweat and tears that have gone into getting this off the ground (sounds a bit unhygenic really) but I personally have very much enjoyed seeing the work from all categories. Design is an inter-related discipline and being able to see work from the different categories enables a great cross-pollination of ideas and influences.

Thank you to all who participated in this first round and a big thank you to my partner Luisa who is expanding rapidly and about to give birth to our first child. Could not have done this without her support.

Owen Walsh Creative Director, Publisher

ogIlvy & MatHer. FOuNDED IN 1948 BY DAvID OLgILvY THE AgENCY OgILvY & MATHEr

IS NOW ONE OF THE LArgEST MArKETINg COMMuNICATIONS COMPANIES IN THE WOrLD.

WITH BrANDS SuCH AS AMErICAN ExPrESS, FOrD, IBM, KODAK AND uNILEvEr IN ITS

STABLE THE COMPANY HAS PrODuCED SOME OF THE MOST ICONIC ADvErTISINg IN THE

WOrLD. ArguABLY THE MOST FAMOuS BEINg THE AMErICAN ExPrESS “DON’T LEAvE

HOME WITHOuT IT” CAMPAIgN WHICH FEATurED CELEBrITY KArL MALDEN. IT WENT ON TO

FEATurE JErrY SEINFIELD, MArTIN SCOrSESE, rOBErT DE NIrO AND ELLEN DEgENErES.

BASED IN MANHATTAN THE COMPANY OPErATES NEArLY 500 OFFICES IN 125 COuNTrIES

THrOugHOuT THE WOrLD AND EMPLOYS 16 000 PEOPLE. THEY ArE BIg. THrOugH ITS

SPECIALTY uNITS, THE COMPANY PrOvIDES A COMPrEHENSIvE rANgE OF MArKETINg

SErvICES INCLuDINg: ADvErTISINg; PuBLIC rELATIONS AND PuBLIC AFFAIrS; SHOPPEr

AND rETAIL MArKETINg; HEALTHCArE COMMuNICATIONS; DIrECT, DIgITAL, PrOMOTION,

rELATIONSHIP MArKETINg AND DIgITAL PrODuCTION.

Advertising | 3

sMart Car

Small is good.

sCott WolF

Miami Ad SchoolCopywritingunited States

Advertising | 6

vIsIt JaMaICa

This campaign positions Jamaica as a destination like no other - a mysterious outpost of pirates, a place where you shall expect unexpected, in a good way. It refers directly to its old heritage and popularity of everything that’s Arrr! (about pirates). We wanted to come up with an idea that not only avoids all of the cliches of travel and tourism industry but also is attractive to the parents as well as to the kids.

WoJCIeCH KoWalIK

London College of CommunicationMarketing and Advertisingunited Kingdom

Concept & copy - Wojciech Kowalik Art Direction - Monika Walczak

Advertising | 8

nIKe WrIte tHe Future 1

This is an advertisement I did for Nike. My concept is to show clarity of the brand and for it to be catchy as well.

PrudenCe dJaJadI

Design and Arts College of NZDiploma of Communication DesignNew Zealand

KevIn BaCHtIar

AuT universityAdvertising CreativityNew Zealand

XBoX WeatHer BoMB

This is a topical ad of a news article about a 4-day weather bomb forecast in Auckland, New Zealand. good weather for xboxing.

Advertising | 10

tHInKId.

‘thinkid’ is an organisation that works mainly with kids within the range of 5 to 14 years old. Our main focus is to educate and motivate kids to find and pursue their passion on things to avoid making the wrong career choices as they grow up.

andrIanto KWan

Billy Blue CollegeBA Communication DesignAustralia

Our main focus is to educate and motivate kids to find and pursue their passion

Advertising | 12

Frenz eggs

How do you prove your eggs are genuinely free range?

HadleIgH sInClaIr and aleX tyler

Media Design SchoolCreative AdvertisingNew Zealand

Advertising | 14

Bluenote - We don’t sell MusIC, We sell souls.

This is a print campaign for Bluenote. The finest Jazz music label.

santIago

Miami Ad School MadridPortfolio ProgramSpain

Advertising | 16

tesla roadster

A series of magazine ads for the Tesla roadster, the world’s fastest all-electric vehicle.

Jorge e tornerIa

The Creative Circusgraphic Designunited States

Advertising | 18

David Ma - Copywriter, Jorge Torneria - Designer

santIago

Miami Ad SchoolPortfolio programSpain

Borders – Feed your CurIosIty

Print ad for Borders. Borders is considered to be the best store to buy books, music, DvDs, Blu-ray, gifts, toys & games in the uS.

Advertising | 20

WItH Coal We dIg our oWn grave

This is an exploration of the concept of propaganda and how it relates to design. The concept is pro-nuclear energy and the target to point out the dangers of coal energy.

JoHn HIeMenz

Savannah College of Art and Designgraduate Final Projectunited States

BoHlIn CyWInsKI JaCKson. FOuNDED IN 1965, THE FIrM HAS OFFICES IN WILKES-BArrE,

PITTSBurgH, PHILADELPHIA, SEATTLE AND SAN FrANCISCO. THE ArCHITECTurAL

PrACTICE ArE KNOWN FOr CrEATINg BuILDINgS THAT ACKNOWLEDgE THEIr SurrOuNDINgS

WHILE MAINTAININg THE HIgHEST ENvIrONMENTAL STANDArDS. THEIr WOrK

rANgES grEATLY IN SCALE AND CONTExT FrOM rESIDENTIAL HOuSINg TO gIANT

COrPOrATE HEADquArTErS WITH THE COMMON DENOMINATOr BEINg AN ACuTE

AWArENESS OF THE PLACE, THE INDIvIDuALS AND THE INSTITuTIONS THEY rEPrESENT.

MAJOr PrOJECTS COMPLETED BY THE FIrM INCLuDE THE LIBErTY BELL CENTrE, THE

APPLE STOrE ON FIFTH AvENuE, SEATTLE CITY HALL AND THE BEAuTIFuL vISITOr

CENTrE AT grAND TETON NATIONAL PArK. // APPLE’S STEvE JOBS IS ON THE BCJ CLIENT

LIST AND THEY, NOT ONLY, DESIgNED THE FANTASTIC APPLE 5TH AvENuE STOrE BuT

rECENTLY DESIgNED HIS NEW PrIvATE rESIDENCE. THE FIrM ALSO DESIgNED THE PIxAr

HEADquArTErS SITuATED IN EMErYvILLE, CA. // PrINCIPAL ArCHITECTS OF THE FIrM

INCLuDE PETEr BOHLIN, BErNArD CYWINSKI, JON JACKSON, W. DANDrIDgE HADEN,

FrANK grAuMAN, WILLIAM LOOSE, COrNELIuS rEID, KArL BACKuS, grEgOrY MOTTOLA,

rOxANNE SHErBECK, rOBErT MILLEr AND rAYMOND CALABrO. // BOHLIN CYWINSKI

JACKSON HAS rECEIvED MOrE THAN 460 rEgIONAL, NATIONAL AND INTErNATIONAL

AWArDS FOr DESIgN. IN 1994, THE PrACTICE rECEIvED THE ArCHITECTurE FIrM

AWArD FrOM THE AMErICAN INSTITuTE OF ArCHITECTS. THE FIrM’S WOrK IS

PuBLISHED rEguLArLY IN PrOFESSIONAL JOurNALS WOrLDWIDE.

Apple Computer retail store on Fifth Avenue in New York City. The glass cube is the only portion of the Apple Store that stands above plaza level. The main body of the store is housed below the plaza and is accessed via a transparent glass elevator.

Architecture | 22

gunaWan WIBIsono

OTIS College of Art & DesignArchitecture/Landscape/Interiorunited States

revealIng godIva

Modern chocolate retail “godiva” interior project with 2 different atmospheres within one long narrow space. The angles that each slice is set on creates an episodic system of conceal and reveal on the retail space.

Architecture | 24

traCey Fong

The university of NottinghamBArchunited Kingdom

After developing the second conceptual model the ribbon is worked into a series of 1:200 sketch models which start to emphasise circulation and entwinement

tHe MetallIC Beauty College

A metal ribbon winds itself around the glass façades successfully creating gestural elements in architecture. The use of metal plays with the idea of being groomed and pampered amongst this heavy duty industrious materiality of the site.

Architecture | 26

seung-HWan

Manchester School of ArchitectureBA (Hons) ArchitectureuK

MusIC PraCtICe rooM – ConCePt desIgn

The structure divides both public and private space however, with the help of the building skin, public could hear the performance made in the practice room and eliminates the noise from outside to the practice room.

Architecture | 28

CaItlIn Conley

Deakin universityBachelor of Design (Architecture)Australia

tHrougH tHe graPevIne

The Barwon ridge vineyard, required a suitable design of a venue accommodating the processing and production of wine. utilising the landscape to the best advantage an ambient refuge appropriate to the sales of wine is created.

JeFFrey Montes

Northeastern universityBachelor or Science in Architectureunited States

eXPosure and Progress

Two things were pursued and refined from the beginning: the durability of tectonic expression and the prescriptive open plan. This fueled the attitude: seek an imposing yet thoughtful site strategy that makes the case for progress in sustainability.

3

4

1

2

FutureUse Architecture/ Chestnut Hill, Newton, MA/ 2010

3

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1

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Architecture | 30

Designed by Jeffrey Montes & John G. Martin.

black sideclosed

black sideopen

white sideclosed

white sideopen

use A: Classrooms and Faculty Offices

use B: Student Center

open

programed

USE FLEXIBILITYAND



open

programed

USE FLEXIBILITYAND

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4

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open

programed

USE FLEXIBILITYAND

andreW varendorFF

queensland university of TechnologyBachelor of Design (Architectural Studies)Australia

HyBrId desIgn sCHool + WorK + sleeP

The project, situated in the heart of Brisbane’s Fortitude valley, hybridises normative building typologies in order to generate a new building type.

Elevation legend1 - Exposed Services2 - Awning3 - Retail Frontage4 - Connecting Walkways5 - Formal Dining

Architecture | 32

design school synopsis: The project, situatedin the heart of Brisbane’s Fortitude valley,hybridises normative building typologies inorder to generate a new building type.Fortitude valley is seen as a hub forcreative industry and an incubation centre forsmall businesses. This site gives anopportunity to colocate start up companieswith a design school, utilising shared commonfacilities, creating a community environment.The built form gives back to the city though alane way, which functions to heighten andintensify activity though pinching thepedestrian realm. This realm is serviced byretail where the residential buildings touch theground in a permeable filigree of columns. Thetaller compact office/studio building preemptsand sets precedent for future densification ofthe precinct. To respect the fine grain tenureof the Fortitude valley context, this building ispositioned back from the street, locatedadjacent the rail capping. Here it receivesvisual amenity from a green public space andskate park. Existing buildings on this blockcurrently turn their backs to the rail and look tothe street. As the backs of buildings have notbeen altered by passing trends and thecontinual change of shop front advertisingthey hold the communities’ originalidentity. The scheme plans to expose thisoriginal identity through the rail capping whichalso provides an opportunity for newinterventions that will also interface with thenew public space.

Plan Legend Library - aVertical Circulation - bHorizontal Circulation - cStudios - dOffices - eCommunal Meeting - f.Gymnasium - g

Section Legend1 - Wickham Street2 - Theatre3 - Sun Shading4 - Exposed Services5 - Solar Chimneys6 - Visual Circulation7 - Slab Thickening8 - Retail Frontage

alIson Kolster

Milwaukee Institute of Art & DesignInterior Architecture & Designunited States

503 e erIe st - an eXPloratIon oF tHe urBan HoMe

Through re-purposing a site characteristic of Milwaukee’s industrial roots but left abandoned in the modern age, 503 e Erie St explores the individual urban home. The design is directed by the site’s unique qualities to amplify their presence.

Architecture | 34

WIssaHICKon valley CHaPel

The nondenominational chapel stimulates spiritual thoughts through its emphasis on height and the dependence on the rock face it clings to. It utilizes the serenity of the park and the soothing sounds of the nearby rippling creek.

tIM sMIroldo

Philadelphia universityDesign vIIIunited States

Architecture | 36

Choosing the site. The Wissahickon valley Chapel is a non-denominational chapel in Wissahickon valley Park. The valley was chosen to take advantage of the serene park and soothing sounds of the creek. The cliff is adjacent to the creek and provides magnificent views across the valley. The chapel clings to the side of the cliff to stimulate spiritual thoughts through its emphasis on height and dependence on the rock.

dessen HIllMan

Pratt InstituteAdvanced Designunited States

1920 BroadWay toWeranno PICK

Located between the Lincoln center for performing arts and central park,the project is driven mainly by its form. Soaring at 1,200 feet up, the skyscraper can be seen from everywhere in the NYC area, thus creating importance on its visual aspect.

Architecture | 38

Commercial office

Commercial retail

Performing arts

Private residences

Hotels and suites

Summit restaurant and observatory

Edge perimeter observation and restaurant towers

Public (lower level) and semi-private (upper level) semi-indoor parks

Private residences and gardens

HosseIn nagHavI

uPM universityMaster of urban DesignIran

arCHIteCture unIversIty

repairing the skyline of the site, damaged by unbalanced buildings and constructions was one of the most important aspects of the project.

Architecture | 40

fAshion | 42

tHree as Four. THrEE AS FOur IS A FASHION DESIgN COLLECTIvE BASED IN CHINATOWN,

NEW YOrK CITY. THE LABEL INITIALLY BEgAN IN 1998 AS A FOurSOME, AS FOur.

AFTEr THE DEPArTurE OF ONE OF THE DESIgNErS KAI KÜHNE, THrEE AS FOur WAS

ESTABLISHED IN 2005 BY THE THrEE rEMAININg DESIgNErS gABI, ANgE, AND ADI, WHO

HAIL rESPECTIvELY FrOM LEBANON, TAJIKISTAN AND ISrAEL. INNOvATION THrOugH

COLLABOrATION DrIvES THE CrEATIvE TrIO. // THrEE AS FOur IS KNOWN FOr ITS

uNIquE ANATOMIC TAILOrINg, SIgNATurE CurvILINEAr PATTErNMAKINg TECHNIquES

AND THE INCOrPOrATION OF MATHEMATICS AND SCIENCE IN ITS PrINTS AND DESIgNS.

// WITH A vISION OF FASHION MEETS ArT IN MIND, THE THrEE EMPLOY A SCuLPTurAL

APPrOACH TO CLOTHINg, rEDEFININg CLASSICAL TAILOrINg.THrEE AS FOur’S WOrK IS IN

THE PErMANENT COLLECTIONS OF THE WOrLD’S MOST PrESTIgIOuS DESIgN MuSEuMS,

INCLuDINg THE METrOPOLITAN MuSEuM OF ArT COSTuME INSTITuTE, THE COOPEr

HEWITT DESIgN MuSEuM IN NEW YOrK, AS WELL AS THE vICTOrIA & ALBErT MuSEuM

IN LONDON AND THE MuSEE DE LA MODE ET Du COSTuME. THE TrIO HAvE BEEN INFLuENTIAL

IN rEFININg AND rEDEFININg THE DOWNTOWN NEW YOrK FASHION SCENE.

fAshion | 44

sIlas lIeW

raffles Design InstituteAdvanced Diploma in Fashion DesignMalaysia

CoalItIon

Emulating the angularity of aerodynamic structure and the precise folding of a paper airplane, this capsule collection has its instincts coerced into a dialogue between Far Eastern ceremonial costume and the realm of aerial warfare.

fAshion | 46 fAshion | 46

alIson rasCH

Central Saint Martins, LondonMA Fashion Design: Menswearunited Kingdom

PIlot’s Coatanno PICK

A casual look of elegance in a coat made from suiting fabric. A key piece from the spring summer 2011 menswear collection centred around desert explorers and combining casual jersey with more formal suiting textures.

Photography by Craig Watkins

zuzana serBaK

Academy of Arts Architecture and Design in PragueFootwear and Fashion DesignCzech republic

CoMPosItes

An experimental work using composite materials such as carbon fibre for heels and specially developed silicone reinforced fabric/ suede. Composites allow to define a new innovative construction replacing common reinforcements with hi-tech materials.

fAshion | 48

aPrIl elIzaBetH travell

University of the Arts London, London College of FashionFashion Design Technology; Surface textilesUnited Kingdom

asCetICs and asCetICIsM anno PICK

SS11 pays homage to queen Marie Antoinette. Drawing inspiration from Baroque and rococo, SS11 embodies all that is feminine mixed with juxtaposition of old and new styles. Attention to detail and hand printed garments make SS11 relaxed but luxurious.

JC

university of Technology SydneyBD Fashion and Textiles; BA in International Studies (Italy Major)Australia

“to aestHetICIze” 2011

I am interested in the moment flat forms becomes clothes. Simple 2D shapes that wrap the body; not 3D garments that encases and wears the body. In other words, I am looking at the moment when fabric and the body interact and then tells his or her story

…I am looking at the moment when fabric and the body interact and then tells his or her story

fAshion | 50

stella aCHenBaCH

university of applied arts viennaFashion DesignAustria

radIolarIa

This accessory collection is inspired by small sea animals called radiolarien. Since they have such an awesome detailed body structure I connected the idea with tesselation origami. The following accessories and jacket is what I came up with:

This accessory collection is inspired by small sea animals called radiolarien.

fAshion | 52

This accessory collection is inspired by small sea animals called radiolarien.

fAshion | 54

laura aleXandra anderson

rMIT university, MelbourneBA Design (Fashion)Australia

Inter : related

Inter: related, a collection inspired by the process of design and the idea of connection and relationships. A literary exploration of the way things relate and how these words inform and influence the actual making of garments.

Inter: Related, a collection inspired by the process of design and the idea of connection and relationships.

fAshion | 56

terrI MartIn

university of Cincinnati, DAAPSenior Thesisunited States

voId

I found inspiration in the adaptations of the animals that exist in the abyss-specifically their empty eye sockets and soft shells. The pattern pieces are a series of circles or a strip that spirals into itself to create single seam garments.

Wardrobe Styling: Meagan CafarelliHair: Phillip SaundersMake-up: Erica StewartPhotographer: Rachel Schwarz

PorCelaIn Wear

My designs chart a course between hard and soft, whole and fragment, and trace feminine and elegant blue and white porcelain patterns. My aim – to transform porcelain ware into porcelain wear.

CIndy WeI zHang

rMIT university - MelbourneBA of Fashion DesignAustralia

fAshion | 58

fAshion | 60

CIndy WeI zHang

rMIT university - MelbourneBA of Fashion DesignAustralia

sHyo JIeruI CuI

university of the Arts London, London College of FashionBA (Hons) WomenswearSingapore

urBan Metaverse

The fusion of denim with other materials. Entwining of urban high fashion with a touch of denims with details. Who says denim can only be worn as jeans or pants or jackets? This is a revamp of denim!

fAshion | 62

fAshion | 64

nIKIta sutradHar

raffles Design InstituteAdvanced Diploma In Fashion DesignIndia

lInes In arCHIteCture

“Lines in architecture” as the collection is called is the inspiration for my mini collection, researching over the works of the artist and a very well known architect ‘Santiagio Calatrava’ in particular. garments include layering, panels & pleats.

fAshion | 66

reneé BoCK

rMITBachelor of Design (fashion)Australia

Personal sPaCes

unravelling a common item reveals a hidden core and latent functions. A series of spaces and points of interaction, awaiting user investigation and activation. Languid explorations highlighting the intrinsically personal and intimate nature of wearing.

grAphic design | 68

InterBrand. FOuNDED BY AN ENgLISHMAN JOHN MurPHY IN THE EArLY 1970’S

INTErBrAND BEgAN IT’S LIFE AS NOvAMArK. THE FIrST INTErBrAND OFFICE OPENED

IN 1979 IN NEW YOrK AND SHIFTED IT’S FOCuS FrOM PrODuCT NAMINg TO BrAND

STrATEgY AND DESIgN. THrOugHOuT THE 70’S AND 80’S INTErBrAND BEgAN TO

OPEN OFFICES THrOugHOuT THE WOrLD, INCLuDINg TOKYO, FrANKFurT, MILAN, LOS

ANgELES AND MELBOurNE. ALL THESE OFFErINg A FuLL rANgE OF BrANDINg SErvICES

AND BrAND EvALuATION – A CONCEPT THAT INTErBrAND DEvELOPED DurINg THE 80’S.

// IN 1993 MurPHY SOLD INTErBrAND TO OMNICOM AND THE FIrM FurTHEr ExPANDED

IT’S rEACH BY ACquIrINg LEADINg BrAND, DESIgN AND IDENTITY BuSINESSES IN THE

uK, ASIA-PACIFIC, SOuTH AMErICA, gErMANY AND IN SOuTH AFrICA. TODAY INTErBrAND

HAS OFFICES IN 30 CITIES IN MOrE THAN 20 COuNTrIES ArOuND THE WOrLD.

// INTErBrAND’S TOP 100 BrANDS PuBLICATION IS IN IT’S 11TH YEAr AND IS rEgArDED

AS THE INDuSTrY’S MOST rEPuTABLE guIDE TO THE TOP gLOBAL BrANDS. THE BrAND

vALuE IS MEASurED uSINg A METHODOLOgY DEvELOPED BY INTErBrAND AND INCLuDES

KEY FACTOrS SuCH AS THE WAY THE BrAND TOuCHES AND BENEFITS IT’S OrgANISATION,

THE STrENgTH OF THE BrAND TO INFLuENCE PurCHASINg DECISIONS AND THE

STrENgTH OF THE BrAND TO DELIvEr FuTurE EArNINgS. // THIS COMPANY uNDErSTAND

THE vALuE OF EFFECTIvE grAPHIC DESIgN AS AN vITAL PArT OF BuILDINg A STrONg BrAND

IDENTITY AND HAvE CrEATED A METHADOLOgY TO MEASurE THAT EFFECTIvENESS.

Best gLOBAL BrAnds 2010

www.BestgLOBALBrAnds.COM

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HeInz

grAphic design | 70

darIo verrengIa

Politecnico di MilanoCommunication DesignItaly

InFograPHICs

The design of these infographics is intended to summarize the discussed subjects of a range of lectures held by representatives of agencies and magazines, stressing relations between concepts and the exposition path that was followed.

lIaM Bonar

Duncan of Jordanstonegraphic Design BDes (Hons)united Kingdom

IMBalanCe In tHe dIaMond trade

A dual case-bound publication consisting of two sections, each with seven purely typographic spreads which explore the injustice in the diamond industry. The typographic execution in both of the sections are contrasted to heighten this imbalance.

grAphic design | 72

lIaM Bonar

Duncan of Jordanstonegraphic Design BDes (Hons)united Kingdom

grAphic design | 74

Kern

My challenge was to explain the concept of kern only using the word kern. No colors were allowed.

vIKtor angWald

Miami Ad SchoolArt Directionunited States

grAphic design | 76

sCott MarC Berry

Leeds College of ArtBA (Hons) graphic Designunited KIngdom

WHy use and WHen you Can use &.

This is a campaign to encourage the use of the ampersand over the three character word ‘and’. The strap-line was applied to a variety of products that were handed out as promotion for the form of the ampersand and it’s many forms within typography.

tHe F Word CreatIve

Let your imagination flow with the ‘f’ word.

grAphic design | 78

Petty Hartanto

raffles College of Design and Commercegraphic DesignAustralia

grAphic design | 80

Jenny davIes

Manchester School of ArtBA (hons) Design and Art Directionunited Kingdom

otHer PeoPle’s strangers

Are we in control of how we are perceived and can we forge our own boundaries that determine who we let in and who we keep at a distance? We can define ourselves in many ways, sister, brother, friend. The words we use to define ourselves depend on how we are perceived by other people. If we are to define ourselves based on the perceptions of others then ultimately we are 99.9999972079 % stranger.

grAphic design | 82

FelICIty Case-MeJIa

Monash universityBachelor of visual CommunicationAustralia.

BerlIn

Identity for the city of Berlin. A series of billboards, vehicle liveries and publications and stamps designed to promote the exploration of the entire city.

grAphic design | 84

trIne seJtHen

Shillington CollegeCertificate Iv in DesignAustralia

BFI tyPograPHy

Typeface created for a Sci-Fi Film Festival brochure. It was inspired by a children’s version of stars - Triangle on triangle. And that when it comes to Sci-Fi anything is possible.

grAphic design | 86

raMona todoCa

Savannah College of Art and Designgraphic Design united States

36

The book visually links the type I see everyday to the 36 people I see everyday - strangers, workers and lovers. Each are linked to the typography of their environments in meaningful ways.

grAphic design | 88

XavI garCIa

Central Saint Martins, LondonFdA Art & Designunited Kingdom

XHIBIt 2010

Communication campaign for an art exhibition of the university of Arts London, taking its motif “a creative constellation” further. Flyers were distributed separately and the catalogue can be turned into a celestial globe once used. The feature stars correspond to the locations of the colleges of London and the dashed line represents the river Thames.

iLLustrAtion | 90

yoKo FurusHo. YOKO WAS BOrN AND rAISED IN TOKYO, JAPAN. AFTEr THrEATENINg

TO ruN AWAY FOr EvEr, HEr PArENTS FINALLY CONCEDED WITH HEr WISH TO ATTEND

ArT SCHOOL IN NEW YOrK. SHE MOvED TO NEW YOrK STuDYINg ILLuSTrATION AT THE

SCHOOL OF vISuAL ArTS, grADuATINg IN 2008, AND HAS quICKLY BECOME A HIgHLY

SOugHT AFTEr ILLuSTrATOr WHICH HAS, NO DOuBT, MADE HEr PArENTS vErY HAPPY.

HEr CLIENTS HAvE INCLuDED MAYBELLINE NEW YOrK, KEDS COLLECTIvE AND gLAMOur

MAgAZINE IN PArIS. rECENTLY SHE WAS CHOSEN FOr AMErICAN ILLuSTrATION 27, SOCIETY

OF ILLuSTrATOrS 51 AND IMAgES 33. SHE ALSO WON THE THIrD PLACE OF POPuLAr

vOTE AT ALTPICK AWArD. // DrAWINg INSPIrATION FrOM HEr LOvE OF FASHION AND

ENOrMOuS COLLECTION OF FASHION MAgAZINES, YOKO INCOrPOrATES TExTILE DESIgN

AND PATTErN IN HEr WOrK AND THE IMAgES HAvE AN ALMOST EMBrOIDErED FEEL TO

THEM. THE DrEAM-LIKE FANTASY IMAgES LAYErED WITH LAvISH TExTurE AND PATTErN

IMMErSE THE AuDIENCE IN A WHIMSICAL WOrLD WITH A DECIDEDLY EAST MEETS WEST

STYLE. // MANY OF YOKO’S CLIENTS ArE FrOM THE FASHION INDuSTrY AND SHE HAS

uNDErTAKEN PrOJECTS FrOM FASHION MAgAZINE EDITOrIAL ILLuSTrATIONS TO FABrIC

DESIgN. YOKO LIKES TO BEgIN HEr IMAgES WITH INK AND THEN PAINTS WITH ACrYLIC.

IF TIME IS TIgHT SHE WILL PuT THE FINISHINg TOuCHES ON THE PIECE WITH PHOTOSHOP.

iLLustrAtion | 92

IllustratIon ColleCtIon

A collection of illustrations I did during 2009~2010. Some are for school projects and some are personal creations. These illustrations also vary in styles, in order to adapt the nature of the project.

yangtIan lI

qantm collegeBachelor of Interactive EntertainmentAustralia

iLLustrAtion | 96

yun Feng CHen

rMITBachelor of Communication DesignAustralia

dIgItal PaIntIngs

1. English is strange with its double meanings and complex rules, I wanted to remind people of that. Next Page: Amelia Owl: A personal project.

iLLustrAtion | 100

CHao tsz KIng Joan

The Hong Kong Polytechnic universityHD in Multimedia Design and TechnologyHong Kong

WHat Made My days

visual diaries of a 20-year-old kid.

HuI Peng

rMIT university, MelbourneBachelor of Communication DesignAustralia

trIBute Poster

A tribute poster for the finish illustrator Sanna Annukka.

antHony PalaMaro Mr.

Savannah College of Art and DesignDrawing for Illustrationunited States

Il Carnevale dI venezIa

Circus Poster 11x17 Pen & ink, Digital

iLLustrAtion | 102

vJeKo suMIC

Online school for Design at New YorkMultimedia Design MasterCroatia

rav ProJeCt (rage agaInst vIolenCe)

The rAv meaning (rage Against violence) is a “call to stop” the meaningless slaughter and inhuman breeding of unnatural domes-tic animal farms. These farms are seriously endangering our health, future and the moral code of our society.

iLLustrAtion | 104

iLLustrAtion | 106

HsIang-yIng CHang

Pratt InstituteCommunication Designunited States

FIndIng love In nyC

This is a 50-paged illustration book about Ying (me) trying to find love in NYC. It is a personal journal that illustrates how I started feeling bad about myself to realizing I need to love myself first, and about self healing, finding myself.

iLLustrAtion | 108

iLLustrAtion | 110

reBa BraMMer

queensland university of TechnologyBachelor of Design (Architectural Studies)Australia

one | duo | 3 | quatro | CInq.

Watercolour lead pencil digital tweaking fashion illustration of another kind. . .

roBert tHoMPson

Art Center College of DesignIllustration-designUnited States

HalF gIraFFe In a georgIan rooManno PICK

gouache on illustration board.

iLLustrAtion | 112

MelIssa lIng

Pratt InstituteIllustrationunited States

tHe sPaCe In BetWeenanno PICK

I am inspired by the loud silences in life.

KuHu KoCHar

National institute of fashion technologyFashion CommunicationIndia

CreatIon. PreservatIon. destruCtIon.

A craftsman reflects the trilogy of creation, preservation & destruction an epitome of Brahma, vishnu & Mahesh through the process of creation, preservation & eventually destruction that will lead to creation anew.

iLLustrAtion | 114

JosHua lue CHee Kong

Savannah College of Art and DesigngrDSunited States

MystIC BeIngs

This is a screen printed book about how man represents nature like earth, wind, sun and water though the use of deities. Therefore I illustrated a deity for each element and used glow in the dark inks and gold inks as a way to give it more meaning.

industriAL design | 116

droog. COFOuNDED AND DIrECTED BY CurATOr AND AuTHOr rENNY rAMAKErS, DrOOg

CrEATES PrODuCTS, PrOJECTS AND EvENTS ArOuND THE WOrLD IN COLLABOrATION

WITH DESIgNErS, CLIENTS AND PArTNErS. DrOOg HAS BASES IN AMSTErDAM AND NEW

YOrK, AND rETAIL PArTNErS WOrLDWIDE. // OFFErINg A SELECTION OF ACCESSOrIES,

LIgHTINg, FurNITurE AND STuDIO WOrK THAT CHANgES YOur ExPErIENCE OF DAILY

LIFE, DrOOg PrOJECTS PIONEEr NEW DESIgN DIrECTIONS, NEW COLLABOrATIONS,

CrEATIvE TOOLS AND BuSINESS MODELS THAT OFFEr A uNIquE PErSPECTIvE. rENOWNED

FOr THEIr quIrKY TAKE ON THE EvErYDAY DrOOg PrODuCTS ENgAgE THE AuDIENCE

WITH THEIr uNIquE AND OFTEN HuMOrOuS DESIgNS. IN FACT ‘DrOOg’ IS THE DuTCH

WOrD FOr ‘DrY’ AS IN ‘DrY’ HuMOur. // WOrKINg WITH INDEPENDENT DESIgNErS TO

DESIgN AND rEALISE PrODuCTS, PrOJECTS AND ExHIBITIONS DrOOg HAS WOrKED WITH

DESIgNErS SuCH AS MArCEL WANDErS, HELLA JONgErIuS, TEJO rEMY AND JurgEN BEY.

ALWAYS LOOKINg TO CrEATE NEW DESIgN AND NOT SIMPLY rEPEAT AND rEFINE THE PAST

DrOOg HAS CONTINuED TO WOrK WITH NEW DESIgNErS AND NEW INDuSTrY PArTNErS FrOM

MANDArIN DuCK TO LEvI’S. THE COrE OF DrOOg’S WOrK IS IT’S COLLECTION OF PrODuCTS,

WHICH WErE EITHEr CrEATED BY ONE OF ITS grOuP PrOJECTS Or COMMISSIONED FrOM

DESIgNErS BY THE COMPANY.

Droog for Premsela Foundation / Cafe Dutch room at Baltic House Theatre, St. PetersburgPhotographer: Alexey Kompaniichenko


PHIll seagraM

university of Cincinnati, DAAPIndustrial Design Transportation Trackunited States

Honda IndIvIdual artICulatIng CoMMuter

2060: Single passenger electric vehicle that articulates to save space in the crowded city. Pod is guided by a grid embedded in the city street system. vehicle is charged in individual garages. Split door system to keep vehicle compact.

entry/egressRight: Split door system keeps vehicle compact while doors are open.

reCHargIngBelow: Charges when parked inside IAC Garage.

stuart FIngerHut

Art Center College of DesignEnvironmental Designunited States

KIneMa

Kinema is a pendant luminaire designed to allow a user to control the intensity of light based on their mood or the environment.


lIsa dotzauer

Thames valley universityThree Dimensional Design and Craft Studiesunited Kingdom

re/traCe [MuseuM arteFaCt]

Close your eyes to see the world: An exploration in grey into the role of sight and its potential hierarchy over the other senses with the possibility of Braille being a three-dimensional representation of the written and spoken voice.


JulIan loMBardo

university of CanberraIndustrial DesignAustralia

Cut aWay laMP

A bed-side lamp to suit the modern interior. Inspired by the form of a traditional lamp the Cut Away Lamp uses both concave and convex elements to produce striking mood lighting. The lamp is constructed from thin aluminium sheeting.


stress WatCH

Take a deep breath… It`s time to relax! This watch, in addition to keeping the time, reports the Biofeedback of several body functions. If the display shows waves kept in warm colors, and the stress line is full, you need to change your breathe.

gavarI gerda

university of applied arts viennaIndustrial DesignAustria


Jesse leeWortHy

Swinburne university of TechnologyProduct Design EngineeringAustralia

WHIte BIKe - BICyCle sHare systeM

The bicycle rental system has been designed specifically for convenience of use and efficiency; it is an economic and ergonomic approach to transportation; with a solution to helmet storage.

Designers: Jesse Leeworthy, Ryan Baker and Lauren McLean.


danIel nIKonCHIK

College for Creative StudiesSenior Transportation Designunited States

2050 BMW M3

The idea of this project was to slay our preconceptions of what an automobile should be and redefine the proportions of the next generation of vehicle, getting away from the standard four wheels and a solid body and working more with negative space.


danIel Hull

Swinburne university of TechnologyIndustrial DesignAustralia

vENA MICrO-HYDrO TurBINE

The vena is a complete system for harvesting and storing electricity from rivers, while remaining portable and easy to set up.

294

144

202

162

159

100 185

121

584

871

238

184

268

The generator and fabric blades unscrew for storage.You can see the flexible blades rolled in preparation tobe transported

The anchor ensures that the otherelements sit securely in the widest range of river conditions. It is based onmore traditional river anchors, whilebeing collapsible when not in use.

All components are stored in the backpack casefor transport, as well as thebattery and inverter.

natalIe saMPson

university for the Creative ArtsBA (Hons) Degree Applied Artunited Kingdom

WHIsK laMP

repurposing: Whisk Lamp made from 300 wire whisks with a light fitting in the centre with a circular 10ml plexiglass laser cut base.


CoPenHagen CHaIr

Sensual, dynamic, and modern, the Copenhagen Chair is meant to bring energy into space. The chair flows naturally, reflecting the beauty of the material and the craftsmanship. Made of beach veneer, and oak wood, the chair tests the technique to new limits to achieve its harmonious curves and build structure and strength.

alvaro urIBe

Pratt InstituteBA Industrial Design united States

CHrIs BuCK. CHrIS BuCK LIKES TAKINg PICTurES, HE HAS BEEN DOINg SO PrOFESSIONALLY

FOr 22 YEArS. HAILINg FrOM CANADA HE COMPLETED HIS PHOTOgrAPHY STuDIES IN

1987 AT rYErSON POLYTECHNICAL INSTITuTE LOCATED IN DOWNTOWN TOrONTO. NOW

HE IS BASED IN NEW YOrK AND LOS ANgELES AND HIS CLIENTS INCLuDE DIESEL, xErOx,

MICrOSOFT, gq, ESquIrE, NEW YOrK AND THE guArDIAN WEEKEND MAgAZINE. IN 2007 HE

WAS THE FIrST rECIPIENT OF THE ArNOLD NEWMAN POrTrAIT PrIZE. // CHrIS INCLuDES

DAvE HEATH & MurrAY POMErANCE (TWO OF HIS TEACHErS AT COLLEgE) AS INSPIrATIONS

AS IS IrvINg PENN, ANTON COrBIJN AND THE MuSICIAN PETEr gABrIEL. HIS ADvICE TO

STuDENTS IS “IT’S MOrE IMPOrTANT TO KNOW WHAT YOu WANT TO SHOOT, THAN HOW YOu

WANT TO SHOOT IT.” // CHrIS’S OTHEr INTErESTS INCLuDE MAKINg COCKTAILS, DrINKINg

SAME COCKTAILS, rESEArCHINg rICHArD NIxON, STrEET HOCKEY, AND ADMIrINg HIS CATS.

BuT HIS FAvOrITE ACTIvITY IS TrAvELINg TO POrTuguESE SPEAKINg COuNTrIES WITH HIS

WIFE, MICHELLE gOLDEN AND THEIr ONE YEAr OLD DAugHTEr. // HE HAS BEEN CALLED

“DAMAgED”, AND SEPArATELY, “CLEvEr” BuT DONALD TruMP PuT IT BEST WHEN HE SAID

TO CHrIS “MAKE THIS quICK, I HAvE MANY IMPOrTANT PEOPLE WAITINg FOr ME”.

photogrAphY | 134

MIKe HaFtel

The Creative CircusCopywritingunited States

photogrAphY | 136

tHIs Is My love For you

A study of facial expression, emotion and relationship.

photogrAphY | 138

sWadHa JaIsWal

Symbiosis Institute of DesignPhotographyIndia

PHotograPHy

My only absolute rule is “faith” & my approach to photography reflects that perspective: from carefully structured nature imagery to chaotic, semi-abstract street photography, it all expresses something essential to me.

…from carefully structured nature imagery to chaotic, semi-abstract street photography…

photogrAphY | 140

MarIe galantI

Central Saint Martins, LondonMA Communication Designunited Kingdom

uneXPeCted untItleds

I consider photography like a ready-made, capturing a surrealistic moment inspired by reality. In my work, I seek to transcend the photography medium in order that the image has it own presence.

rene MaJeWsKI

university of South AustraliaMasters of ArchitectureAustralia

MultIPle eXPosures

I still shoot film. Here’s a picture of a boy, a picture of a girl, a picture of a street.

photogrAphY | 142

danny Boyd

Moorpark CollegePhotographyunited States

MIXed

Medium format + 35mm

gold neCKlaCe.

A first year photography study. Different photographic techniques featuring the same object. Panning, Indirect Lighting, Depth of Field, Freeze Frame and Point of view.

JessICa M

The university of South AustraliaBachelor of Design (visual Communications)Australia

photogrAphY | 144

reBeCCa laM

university of Technology Sydneyvisual Communications/International StudiesAustralia

sHoWer serIes.

Inspired by the work of Manjari Sharma, the series explores the sense of relief associated with falling water.

photogrAphY | 146

aleX WeIn

Maryland Institute College of ArtPhotographyunited States

dreaMsCaPes

The body of work is titled Dreamscapes. My intentions within this work were to question reality using familiar landscapes in contrast to having the figure placed in surreal situations. The work questions the judgment of truth behind the images with the underlying notion that all things are possible. For each scenario each figure is alienated to give a feeling of isolation in the subconscious self. The work is intended to motivate the viewer to interpret their own separate narrative for each piece. To reinforce the idea of truth behind the work, I photographed using 35mm slide film and used no digital manipulation in the creation of the images. I believe there is no meaning in the world beyond what we humans give it.

nICK PetCH

rMIT university - MelbourneInteractive Digital MediaAustralia

I/o dIgItal Montage

I/O represents on & off in the world of electronics. To me as a creative it values illuminated ignition, the application and consequence of creative thought and is a base definition of life and death.

photogrAphY | 148

aMIe Parsons

Sheffield HallamB.A. Hons Photography Degreeunited Kingdom

photogrAphY | 150

PuPPet sHoW anno PICK

This series questions to what extent that the fashion industry and the dominant male controls what is the ‘desired’ female image. Women look at other women and aspire to be just like them to the point we are all clones of one another… just like dolls

untItled (Head) anno PICK

Showing the back of someone’s head only gives a hint to what their race, culture, or gender is. It manifests myriad ways of interpretation which aids to the untruthful aspect of what somebody looks like on the surface.

Joe soBel

Cranbrook Academy of ArtStudio developmentunited States

photogrAphY | 152

santIago

Miami Ad SchoolPortfolio ProgramSpain

tree alPHaBet

The trees in Madrid lose layers in the spring. When you look closely, you see the most amazing shapes. I decided to search until I completed this lovely alphabet. Another proof that we should save our trees.

Anno is an online design competition and annual publication for students with dreams as vast as their talent, and for the industry heavy-hitters looking for the next generation of superstars. The competition and annual publication encompasses the disciplines of advertising, architecture, fashion design, graphic design, illustration, industrial design and photography. These winning works were chosen by a group of judges, who represent some of the best in the industry, from a pool of nearly 600 entries from 80 of the top design schools in the world.

All industry professionals are encouraged to view the work, register and vote. Not only is Anno an important launch pad for students to get their name and the work out into the world, but it is also gives industry professionals the chance to see the future stars and unearth talent.

For more information go to annobooks.com

tHe JudgIng Panel 2011

Advertising Ogilvy Mather Architecture Bohlin Cywinski JacksonFashion Three As Fourgraphic Design InterbrandIllustration Yoko FurushoIndustrial Design DroogPhotography Chris Buck

ISBN 978-0-9870921-0-6

Student Design Annual 2010:11

Documents

Anno Student Design 2010: New York