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Anna Obraztsova M.Arch GSAPP'12
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ANNA OBRAZTSOVAobraztsova @ gmail.com
347.789.7978
333 W. 76th St. #4A New York, NY 10023
LANGUAGE English. Russian.
SOFTWARE
Graphics and Presentation: CS 5 [Photoshop, Illustrator, InDesign, AfterEffects]
2D Drafting: AutoCAD3D Modeling: Rhino, 3DSMax, Revit, SketchUp
Mapping and Analysis: ARC GISFabrication: MasterCam X
Office: Microsoft Word, Excel, PowerPointOperating Systems: OS X, Windows
DESIGN . BUILD
woodshop and digital CNC fabrication experience
fast pace // slow space fabrication course participant: www.theneonprojct.orgTerra Incognita: Axios River Delta: selected participant in a fabrication workshop Thessaloniki, Greece
20122011
EDUCATION 2012
2008
2005
2001
COLUMBIA UNIVERSITYGraduate School of Architecture, Planning and Preservation
M.Arch.
CITY UNIVERSITY OF NEW YORKGraduate Center
Ph.D., Neuropsychology
CITY UNIVERSITY OF NEW YORKQueens College
M.A., Psychology
KNOX COLLEGEGalesburg, IL
B.A., Psychology magna cum laudeHonors Thesis: Effects of novelty seeking on cocaine conditioned place preference (CPP) and post-CPP cocaine seeking behavior.
More than just words: Verbatim, propositional and thematic measures of story recall in patients with Alzheimer’s Disease.
Effects of unembedded time- and event-based prospective memory tasks on ongoing working memory performance.
EXPERIENCE
2009 Urban Justice Center, New York, NY Translator and interpreter (freelance)
Summer 2009 creme design, Brooklyn, NY Summer intern
Fall 2008 STUDIOTEKA, Broolyn, NY Research associate for Vanessa Keith, principal
New York Methodist Hospital Cognitive function assessor and research assitant
Queens College, CUNY CUNY Writing Fellow developed workshops to enhance writing across the curriculum
Queens College, CUNY Graduate teaching fellow and Adjunct Lecturer developed and independently taught undergraduate courses:Advanced Experimenal Cognition, Neuroscience of Memory, Drug Action, Social Psychology, Developmental Psychology
NIH-funded project on Cobolamin (Vitamin B12) deficiency and cognition
assisted in materials and furniture research, and interior detail development
collaborated on architectural research projects published on UrbanOmnibusClip-on Architecture: Reforesting Cities; Clip-on Architecture: Climate Crisis Causes and Solutions
2003 - 2009
2007 - 2008
2002 - 2007
AWARDS 2005 Doctoral Research student grant, CUNYHarper Prize in Psychology, Knox College2001Freedom Support Act Fellowship 1996
PUBLICATIONS ABSTRACT: studio work selected for GSAPP annual almanacSchmap New York: photography included in online guide to New York City
2011
2008
ANNA OBRAZTSOVA obraztsova @ gmail.com347.789.7978M.Arch. 2012 GSAPP Columbia University
GSAPP Studio V, Fall 2011Critic: Amale Andraos
GSAPP HQ (X)
EXHIBITION SPACE
WORKSHOP + STUDIO
EVENT SPACE
STUDIO + WORKSHOP
GALLERY
PUBLIC EXCHANGE
In the Manhattanville expan-sion, GSAPP has a unique opportunity to advance the distributed learning network approach of studio X and operate as a constantly evolving laboratory which responds rapidly to the local condition by accelerating the research-understand-design-build approach as GSAPP-HQ(X): the workshop for the imme-diate future.
As a local studio-X node, GSAPP HQ will aspire to learn from the realities and resources of the community into which it is immersed, and serve as a platform for Moebius-like exchange: public/environmental concerns will meld with design /lab hypotheses to discover points of overlap and fuel collaboration and communal exploration. As a global test site, GSAPP HQ(X) celebrates the practical and the transient aspects of design education as a space for hypothesis testing, and embraces GSAPP’s experimental essence in the new campus.
The architectural manifestation of the space for collaborative design is a series of spatial sequences which contain moments of determinacy and opportunities for flexibility, thus expanding the programmatic repertoire first at the scale of the building, and potentially - via the studio-X network - at the global scale of public space infrastructure.
ANNA OBRAZTSOVA obraztsova @ gmail.com347.789.7978M.Arch. 2012 GSAPP Columbia University
Instructors:Anton Martinez andWinnie Kwan
Architectural Technology VSpring 2011
BX HIPSTER COMPLEX
MILES AVENUE BALCOM AVENUE
CALIFORNIA AVE
WINNIE WAY
Ph: 212-854-3414 F: 212-864-0410 www.TMHtD.com1172 AmsterdamAvenue, New York, NY 10027
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2500 MILES AVENUEBRONX, NEW YORK10465
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STRUCTURE ABOVE01.
PIN CONNECTION11.
1/8" CORTEN TRANSOM02.
GLAZING PANEL12.
STEEL C-CHANEL03.
MULLION13.
PIN CONNECTION04.
GLAZING PANEL14.
MULLION05.
MULLION15.
GLAZING PANEL06.
PIN RECEIVING BRACKET IN MULLION16.
PIN BEARING PIVOT ELEMENT07.
PIN17.
TOPPING SLAB08.
PIN BEARING PIVOT ELEMENT18.
1/8" CORTEN PANEL09.STEEL C-CHANEL10.
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Ph: 212-854-3414 F: 212-864-0410 www.TMHtD.com1172 AmsterdamAvenue, New York, NY 10027
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STRUCTURE ABOVE01.
PIN CONNECTION11.
1/8" CORTEN TRANSOM02.
GLAZING PANEL12.
STEEL C-CHANEL03.
MULLION13.
PIN CONNECTION04.
GLAZING PANEL14.
MULLION05.
MULLION15.
GLAZING PANEL06.
PIN RECEIVING BRACKET IN MULLION16.
PIN BEARING PIVOT ELEMENT07.
PIN17.
TOPPING SLAB08.
PIN BEARING PIVOT ELEMENT18.
1/8" CORTEN PANEL09.STEEL C-CHANEL10.
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EXTERIOR PAVING24.
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Ph: 212-854-3414 F: 212-864-0410 www.TMHtD.com1172 AmsterdamAvenue, New York, NY 10027
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STRUCTURE ABOVE01.
PIN CONNECTION11.
1/8" CORTEN TRANSOM02.
GLAZING PANEL12.
STEEL C-CHANEL03.
MULLION13.
PIN CONNECTION04.
GLAZING PANEL14.
MULLION05.
MULLION15.
GLAZING PANEL06.
PIN RECEIVING BRACKET IN MULLION16.
PIN BEARING PIVOT ELEMENT07.
PIN17.
TOPPING SLAB08.
PIN BEARING PIVOT ELEMENT18.
1/8" CORTEN PANEL09.STEEL C-CHANEL10.
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with Evan Bauer, Parker Seybold and Gustavo Bonet
The “BX HIPSTER COMPLEX” was designed as a sanctuary for young artists and designers to have ample space in which to design and fabricate. The building design takes inspiration from Louis Kahn’s Salk Institute inLa Jolla and his use of Vierendeel Trusses in order to creat open, column-free floor plates.
These spaces are indended as workshops, gallery spaces and design studios for young creative people in the Bronx. In order to accommodate the work produced in the building we have incorporated two large gallery and exhibition spaces.
At the ground level we have developed a clear-through lobby gallery space which can be entirely opened to the outside for events during warm months. Large pivoting doors along the north and south facades rotate to open the ground floor to the exterior. The Uppermost level has been designed as a flexible exhibit/gallery/event space where large parties and shows can take place, with open views.
Ph: 212-854-3414 F: 212-864-0410 www.TMHtD.com1172 AmsterdamAvenue, New York, NY 10027
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Ph: 212-854-3414 F: 212-864-0410 www.TMHtD.com1172 AmsterdamAvenue, New York, NY 10027
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Ph: 212-854-3414 F: 212-864-0410 www.TMHtD.com1172 AmsterdamAvenue, New York, NY 10027
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Ph: 212-854-3414 F: 212-864-0410 www.TMHtD.com1172 AmsterdamAvenue, New York, NY 10027
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Ground plan
Floor layout for four studios and two workshops
Floor layout for twenty BX hipster artists
Floor plan for open events space
Floor plan for mezanine loft
Roof plan
ANNA OBRAZTSOVA obraztsova @ gmail.com347.789.7978M.Arch. 2012 GSAPP Columbia University
NEW SPACEGREEN SPACEHOBOKEN TERMINAL YARD HOUSING
GSAPP Studio III, Fall 2010with Parker Seybold
Critic: Douglas Gauthier
NORTH
SOUTH
change depth of floorplates to optimize light access
modifed cell core supports floorplates flexible aggregation
pull floorplates = shared green space pull some floorplates apart for shared and private green space
inverse = circulationsub + superterranean
core housing circulationinterfaces with street circulation
double light exposurefor each unit
each unit has access to green space + light
Tower Taxonomy
COMMERCIAL COMMERCIALTRANSIT TRANSITRESIDENTIAL OPEN
NATURAL
SYNTHETIC
TEMPERED
VISUAL
TYPES OF GREEN
Extant green space in Jersey City and Hoboken is severely compromised and vanishing rapidly.
How can a 73-acre develop-ment provide 42.5 desired acres of green space and revitilize the entire area, while providing over 8000 housing units and over 5 million square feet of retail?
We explored the potential of a contained residential devel-opment to bridge adjacent communities into an inte-grated network of bicycle- and pedestrian-friendly circula-tion. Our proposal considered lifestyle networks that lace through the housing develop-ment, and expanded access to larger parks and more insular green spaces in this the new urban park paradigm.
Each housing building is built upon the plinth which forms an undulating green land-scape network across the site. The cores of the building are a geometrical inversie of the plinth cell, with the open space primed for commercial and recreational use. Floorslabs can achieve vari-able depth to optimize light and air penetration into the housing units.
The multi-prong plan of each unit also guarantees double light exposure and access to local green space, which emerges from the vertical cross-building cut. These vertical gardens serve as each building’s community space for the residents and as visual green accents for the entire neighborhood.
ANNA OBRAZTSOVA obraztsova @ gmail.com347.789.7978M.Arch. 2012 GSAPP Columbia University
Spring 2012, GSAPPFast Pace // Slow SpaceBrigette Borders and Mark Bearak
Evan BauerGustavo BonetKelsey LentsTom McKeoghMichaela MetcalfeAnna ObraztsovaMaria RizzoloAllison RozwatParker Seybold Jess Lewis Thomas
Design skethcesPrototypingFabricationProductionPreserntation drawings
TEAM:
ROLE
THE NEON PROJECT DESIGN.BUILD
SHEET 7
SHEET 5
SHEET 9
SHEET 1
SHEET 10SHEET 8SHEET 6
SHEET 3 SHEET 4
10 SHEETS OF 1” HDPE12835 drilled holes
FINAL BUILT FORM
SHEET 2
1.1
1.2
1.3 1.4
1.5
1.6
1.71.0
2.1
2.2
2.7
2.6
2.5
2.42.3
2.0
ROCKING RIB HDPE
CROSS BRACING STEEL
OUTER WEAVE CORD
INNER WEAVE NEON CORD
The Neon Project is a digitally designed and fabricated public installation created at The Graduate School of Architecture Planning and Preservation (GSAPP) – Columbia University, New York City, as part of the Fast Pace / Slow Space course taught here at GSAPP by Brigette Borders and Mark Bearak.
The Neon Project is a public mega-furniture installation which invites users to enter the Pod and enjoy a relaxing moment of lounging and rocking. Measuring approximately 18 feet in diameter and 6 feet tall, it can accommodate a group of peo-ple in its vertical hammocks. The cord which spans the gap between each HDPE rib creates a vertical resting space for the users of the Neon Pod. The construction of the Neon Pod incorporates a flexible joint at the base which allows each rib a 10 degree range of rotation and causes each Pod to react and deform to the bodies it supports.
The Neon Project was installed at the GSAPP End of Year Show dur-ing the week of May 12, 2012.