46
P. Bruschi - Analog Filter Design 1 Analog Filter Design Part. 1: Introduction

Analog Filter Designdocenti.ing.unipi.it/~a008309/mat_stud/AIF/2018/lecture...Brief Filter History: Resonance P. Bruschi - Analog Filter Design 4 1898 –Sir Oliver Lodge: Syntonic

  • Upload
    others

  • View
    9

  • Download
    0

Embed Size (px)

Citation preview

Page 1: Analog Filter Designdocenti.ing.unipi.it/~a008309/mat_stud/AIF/2018/lecture...Brief Filter History: Resonance P. Bruschi - Analog Filter Design 4 1898 –Sir Oliver Lodge: Syntonic

P. Bruschi - Analog Filter Design 1

Analog Filter Design

Part. 1: Introduction

Page 2: Analog Filter Designdocenti.ing.unipi.it/~a008309/mat_stud/AIF/2018/lecture...Brief Filter History: Resonance P. Bruschi - Analog Filter Design 4 1898 –Sir Oliver Lodge: Syntonic

Definition of Filter

• Electronic filters are linear circuits whose operation is defined in the frequency domain, i.e. they are introduced to perform different amplitude and/or phase modifications on different frequency components.

• Digital Filters (or Numerical Filters) operates on digital (i.e. coded) signals

• Analog Filters operate on analog signals, i.e. signals where the information is directly tied to the infinite set of values that a voltage or a current may assume over a finite interval (range).

P. Bruschi - Analog Filter Design 2

Page 3: Analog Filter Designdocenti.ing.unipi.it/~a008309/mat_stud/AIF/2018/lecture...Brief Filter History: Resonance P. Bruschi - Analog Filter Design 4 1898 –Sir Oliver Lodge: Syntonic

Brief Filter History: The Basis

P. Bruschi - Analog Filter Design 3

Harmonic Analysis

200 BC: Apollonius of Perga theory of “deferents and epicycles”

(the basis of later (100 AD) Ptolemaic system of astronomy),

maybe anticipated by Babylon mathematicians intuitions

1822 Joseph Fourier: Théorie Analytique de la Chaleur. Preceded by

Euler, d’Alembert and Bernoulli works on trigonometric interpolation.

Electrical Network Analysis

1845 Gustav Robert Kirchhoff: Kirchhoff Circuit Laws (KCL, KVL)

1880-1889 Olivier Heaviside developed the Telegrapher's equations and coined the terms

inductance, conductance, impedance etc.

1893 Charles P. Steinmetz: “Complex Quantities and Their Use in Electrical Engineering“ In

the same year, Arthur Kennely introduced the complex impedance concept

Page 4: Analog Filter Designdocenti.ing.unipi.it/~a008309/mat_stud/AIF/2018/lecture...Brief Filter History: Resonance P. Bruschi - Analog Filter Design 4 1898 –Sir Oliver Lodge: Syntonic

Brief Filter History: Resonance

P. Bruschi - Analog Filter Design 4

1898 – Sir Oliver Lodge: Syntonic tuningMarconi RTX with syntonic tuning

Acoustic resonance was know since the invention of the first musical instruments. Acoustical (i.e. mechanical) resonance allows selecting and enhancing individual

frequencies. It suggested the first FDM (frequency division multiplexing) application to telegraph lines based on electrical resonance.

Electrical resonance was first observed

in the discharge transient of Leiden Jars

Not suitable for telephone

FDM, but sufficient for Radio

tuning

Page 5: Analog Filter Designdocenti.ing.unipi.it/~a008309/mat_stud/AIF/2018/lecture...Brief Filter History: Resonance P. Bruschi - Analog Filter Design 4 1898 –Sir Oliver Lodge: Syntonic

Brief filter history: The beginning of the electronics era

P. Bruschi - Analog Filter Design 5

1904 – John Ambrose Fleming Valve (Vacuum Diode)

1906 – Lee De Forest “Audion” Vacuum Triode

1912 – Lee De Forest: cascaded amplifier stages

1915 – G. A. Campbell – K.W. Wagner “wave filters”first example of filter theory: Image Parameters Theory

1911 – First Triode-based Amplifiers and Oscillators

Page 6: Analog Filter Designdocenti.ing.unipi.it/~a008309/mat_stud/AIF/2018/lecture...Brief Filter History: Resonance P. Bruschi - Analog Filter Design 4 1898 –Sir Oliver Lodge: Syntonic

Brief Filter History: Towards Modern Filter Theory

P. Bruschi - Analog Filter Design 6

1930 – Stephen Butterworth introduces maximally flat filters. (with amplifier to separate stages)

1917 – Edwin Howard Armstrong: First Superhetorodyne Radio

1927 – Harold Stephen Black: application of negative feedback to amplifiers

1920 – Introduction of the term “feedback” (referred to positive FB)

1920-30 – Diffusion of Frequency Division Multiplexing for telephone calls.

1925-40 – Progressive introduction of the Network Syntesysapproach to filter design. Primary contributors was Wilhelm Cauer

Vacuum tube era

Page 7: Analog Filter Designdocenti.ing.unipi.it/~a008309/mat_stud/AIF/2018/lecture...Brief Filter History: Resonance P. Bruschi - Analog Filter Design 4 1898 –Sir Oliver Lodge: Syntonic

Filter operation

The role of a filter can be:

• Modify the magnitude of different frequency components. These filters are by far the most commonly used.

• Modify the phase of different frequency components (i.e. to compensate for an unwanted phase response of a filter of an amplifier)

P. Bruschi - Analog Filter Design 7

Real filters generally change both the phase and magnitude of a signal

Page 8: Analog Filter Designdocenti.ing.unipi.it/~a008309/mat_stud/AIF/2018/lecture...Brief Filter History: Resonance P. Bruschi - Analog Filter Design 4 1898 –Sir Oliver Lodge: Syntonic

Analog filters: General properties

P. Bruschi - Analog Filter Design 8

Common properties:

Linearity

Time Invariance

Stability (BIBO: Bounded Input -> Bounded Output)

Filters may be:

Lumped / Distributed

Active / Passive

Continuous-time / Discrete-Time

Page 9: Analog Filter Designdocenti.ing.unipi.it/~a008309/mat_stud/AIF/2018/lecture...Brief Filter History: Resonance P. Bruschi - Analog Filter Design 4 1898 –Sir Oliver Lodge: Syntonic

Lumped element networks

P. Bruschi - Analog Filter Design 9

Lumped element networks are made up of components, whose state

and/or behavior is completely defined by a discrete number of

quantities.

Lumped element networks are simplifications or real systems, which

are spatially distributed (i.e. the relevant quantities are given as function

of space variables, defined over a continuous domain).

Lumped Distributed

(e.g. transmission line)

Page 10: Analog Filter Designdocenti.ing.unipi.it/~a008309/mat_stud/AIF/2018/lecture...Brief Filter History: Resonance P. Bruschi - Analog Filter Design 4 1898 –Sir Oliver Lodge: Syntonic

Passive and Active Networks (Linear)

P. Bruschi - Analog Filter Design 10

Passive network:

Includes only passive components (resistors capacitors, inductors, transformers)

When connected to external independent sources, the net energy flux into

the network is always positive

Passive network Active network

Page 11: Analog Filter Designdocenti.ing.unipi.it/~a008309/mat_stud/AIF/2018/lecture...Brief Filter History: Resonance P. Bruschi - Analog Filter Design 4 1898 –Sir Oliver Lodge: Syntonic

Continuous and Discrete Time

P. Bruschi - Analog Filter Design 11

Continuous time: the signal at all time

values belonging to a continuous interval

are significant

Discrete time: the signal assumes significant

values only at time intervals that form a

countable (i.e. discrete) and ordered set.

The signal is then a sequence of values s(n)

A sequence can be considered as the result of sampling a continuous-time signal

This relationship is not univocal

Page 12: Analog Filter Designdocenti.ing.unipi.it/~a008309/mat_stud/AIF/2018/lecture...Brief Filter History: Resonance P. Bruschi - Analog Filter Design 4 1898 –Sir Oliver Lodge: Syntonic

Time and Value Discretization

P. Bruschi - Analog Filter Design 12

Discrete

magnitude

(digital)

Continuous

magnitude

(analog)

Discrete Time Continuous Time

Page 13: Analog Filter Designdocenti.ing.unipi.it/~a008309/mat_stud/AIF/2018/lecture...Brief Filter History: Resonance P. Bruschi - Analog Filter Design 4 1898 –Sir Oliver Lodge: Syntonic

Filter types according to the ideal magnitude response

P. Bruschi - Analog Filter Design 13

fc synonyms:

Corner frequency

Cut-off frequency

fCL Corner Freq – Low

fCH Corner Freq – High

Page 14: Analog Filter Designdocenti.ing.unipi.it/~a008309/mat_stud/AIF/2018/lecture...Brief Filter History: Resonance P. Bruschi - Analog Filter Design 4 1898 –Sir Oliver Lodge: Syntonic

Real filters: the approximation function

P. Bruschi - Analog Filter Design 14

The Low Pass filter is

the reference for other

types

Frequency are general

given as angular

frequencies (w)

A Transition Band (TB) is

introduced

Note: wp is generally different from wc (-3 dB frequency)

3 dB

wc

Page 15: Analog Filter Designdocenti.ing.unipi.it/~a008309/mat_stud/AIF/2018/lecture...Brief Filter History: Resonance P. Bruschi - Analog Filter Design 4 1898 –Sir Oliver Lodge: Syntonic

Approximation parameters for high-pass, band-pass, band-stop filters

P. Bruschi - Analog Filter Design 15

Page 16: Analog Filter Designdocenti.ing.unipi.it/~a008309/mat_stud/AIF/2018/lecture...Brief Filter History: Resonance P. Bruschi - Analog Filter Design 4 1898 –Sir Oliver Lodge: Syntonic

P. Bruschi - Analog Filter Design 16

The approximation problem for

time-continuous analog filters

Page 17: Analog Filter Designdocenti.ing.unipi.it/~a008309/mat_stud/AIF/2018/lecture...Brief Filter History: Resonance P. Bruschi - Analog Filter Design 4 1898 –Sir Oliver Lodge: Syntonic

Approximation Problem

P. Bruschi - Analog Filter Design 17

)0(

)()(

jH

jHjH N

N

www

The reference filter, HN(jw), is: Low Pass

Normalized

)()0()(N

N jHjHjHw

ww

:)( wjH NN

SSNS

N

PPNP

w

www

w

www

The first step is reducing the wide variability in filter characteristics by designing

a “reference filter” from which the actual filter can be derived through

“transformations”.

Gain normalization

Characteristic frequency normalization

wN and H(j0) depend on the actual filter

Page 18: Analog Filter Designdocenti.ing.unipi.it/~a008309/mat_stud/AIF/2018/lecture...Brief Filter History: Resonance P. Bruschi - Analog Filter Design 4 1898 –Sir Oliver Lodge: Syntonic

Approximation Problem

P. Bruschi - Analog Filter Design 18

1|)(|

1|)(|

2

2

ww

jHjK

N

2

2

|)(|1

1|)(|

ww

jKjH N

Ideal Case:

wSB in the 0

PB in the 1|)(|2

jH N

w

SB in the

PB in the 0|)(|2

jK

In order to classify the filters, it is convenient to define the function |k(jw)| as

follows:

1

0 0∞

Page 19: Analog Filter Designdocenti.ing.unipi.it/~a008309/mat_stud/AIF/2018/lecture...Brief Filter History: Resonance P. Bruschi - Analog Filter Design 4 1898 –Sir Oliver Lodge: Syntonic

Approximation Problem

P. Bruschi - Analog Filter Design 19

Real Case:

w

SB in the1

PB in the 1 |)(|

2

2

2a

jK

2

2)(1log10

)(

1log10

)0(

)(log20 w

w

w jK

jHjH

jHA

NN

N

P

21log10 aAP Worst case: 110 10

PA

a

Similarly: 21log10 SA 110 10

SA

Page 20: Analog Filter Designdocenti.ing.unipi.it/~a008309/mat_stud/AIF/2018/lecture...Brief Filter History: Resonance P. Bruschi - Analog Filter Design 4 1898 –Sir Oliver Lodge: Syntonic

Approximation Problem

P. Bruschi - Analog Filter Design 20

We need to find a function K(s) such that |K(jw)|2 satisfies the conditions:

ww

www

for1

for 1 |)(|

2

2

2

SN

PNajK

Clearly:

There are infinite solutions to this mathematical problem

Solutions should lead to a feasible HN(s)

Lumped element filter: HN(s) should be a rational functions:

)(

)()(

sD

sNsH Where N(s) and D(s) are polynomial

Page 21: Analog Filter Designdocenti.ing.unipi.it/~a008309/mat_stud/AIF/2018/lecture...Brief Filter History: Resonance P. Bruschi - Analog Filter Design 4 1898 –Sir Oliver Lodge: Syntonic

Notable cases

P. Bruschi - Analog Filter Design 21

Maximally Flat Magnitude Filters (e.g. Butterworth Filters)

Chebyshev Filters

Inverse Chebyshev Filters

Elliptical Filters

Bessel Filters

General selection criteria:

The lower the polynomial order, the better the solution

Monotonic behavior in the PB can be required

Asymptotic behavior for w>>wS could be important

Phase response: a linear response is often required

Page 22: Analog Filter Designdocenti.ing.unipi.it/~a008309/mat_stud/AIF/2018/lecture...Brief Filter History: Resonance P. Bruschi - Analog Filter Design 4 1898 –Sir Oliver Lodge: Syntonic

Maximally Flat Magnitude (MFM) Approximation

P. Bruschi - Analog Filter Design 22

nssK )(

nnjKjjK

222)()()( wwww

nN

jK

jH222

1

1

)(1

1)(

w

w

w

....16

5

8

3

2

11

664422wwww

nnn

N jH

All derivatives up to the (2n-1)th are zero for w=0.

Page 23: Analog Filter Designdocenti.ing.unipi.it/~a008309/mat_stud/AIF/2018/lecture...Brief Filter History: Resonance P. Bruschi - Analog Filter Design 4 1898 –Sir Oliver Lodge: Syntonic

Maximally Flat Magnitude (MFM) Approximation

P. Bruschi - Analog Filter Design 23

nN jH22

2

1

1)(

ww

Since HN(s) is the Fourier transform of a real signal

(the impulsive response): HN*(jw)=HN(-jw). Then:

2 2

1( ) ( )

1N N n

H j H jw w w

Page 24: Analog Filter Designdocenti.ing.unipi.it/~a008309/mat_stud/AIF/2018/lecture...Brief Filter History: Resonance P. Bruschi - Analog Filter Design 4 1898 –Sir Oliver Lodge: Syntonic

Maximally Flat Magnitude (MFM) Approximation

P. Bruschi - Analog Filter Design 24

2 2

1 1( ) ( )

( ) ( ) 1N N n

H s H sD s D s s

s j jsw w

Thus, HN(s) is an all-poles function:

The roots of D(s)D(-s) are the solutions of 1+2(-s2)n=0

)(

1)(

sDsH N

2 2

1( ) ( )

1N N n

H s H ss

Page 25: Analog Filter Designdocenti.ing.unipi.it/~a008309/mat_stud/AIF/2018/lecture...Brief Filter History: Resonance P. Bruschi - Analog Filter Design 4 1898 –Sir Oliver Lodge: Syntonic

Maximally Flat Magnitude (MFM) Approximation

P. Bruschi - Analog Filter Design 25

2

1

2

12

2

2 111

1

njnnn

ess

integer :2

12exp

11

kn

nkjs

n

k

Radius:

n

1

1

oddn for 2

of multipleseven

evenn for 2

of multiples odd

:angle

n

n

Page 26: Analog Filter Designdocenti.ing.unipi.it/~a008309/mat_stud/AIF/2018/lecture...Brief Filter History: Resonance P. Bruschi - Analog Filter Design 4 1898 –Sir Oliver Lodge: Syntonic

Maximally Flat Magnitude (MFM) Approximation

P. Bruschi - Analog Filter Design 26

n even n odd

sk

n

k k

N

sssH

1)(

1)(

Page 27: Analog Filter Designdocenti.ing.unipi.it/~a008309/mat_stud/AIF/2018/lecture...Brief Filter History: Resonance P. Bruschi - Analog Filter Design 4 1898 –Sir Oliver Lodge: Syntonic

Butterworth Filters

P. Bruschi - Analog Filter Design 27

The Butterworth filter is a MFM filter with =1

It can be shown that the case ≠1 is identical to

=1 but with simple frequency transformation

nN jH

21

1)(

ww

n

N

jH2

1

1)(

w

w

wNon normalized (actual) filter

)(sDn are the Butterworth polynomials

Page 28: Analog Filter Designdocenti.ing.unipi.it/~a008309/mat_stud/AIF/2018/lecture...Brief Filter History: Resonance P. Bruschi - Analog Filter Design 4 1898 –Sir Oliver Lodge: Syntonic

Butterworth Filters

P. Bruschi - Analog Filter Design 28

Logarithmic

Magnitude

nN jH

21

1)(

ww dBjH N 3

2

1)(

1w

w1wCN

CN ww

Page 29: Analog Filter Designdocenti.ing.unipi.it/~a008309/mat_stud/AIF/2018/lecture...Brief Filter History: Resonance P. Bruschi - Analog Filter Design 4 1898 –Sir Oliver Lodge: Syntonic

Filter Parameter Determination

P. Bruschi - Analog Filter Design 29

110 10 PA

aajKjK PNSN ww |)(||)(| 110 10 SA

njK ww |)(|

w

w

w

w

110

110

10

10

p

S

A

An

P

S

n

PN

SN

a

w

w

P

S

n

log2

log

nPN

n

PN aa

1

wwn

PCNPN

N

P a

1

wwwww

w

Page 30: Analog Filter Designdocenti.ing.unipi.it/~a008309/mat_stud/AIF/2018/lecture...Brief Filter History: Resonance P. Bruschi - Analog Filter Design 4 1898 –Sir Oliver Lodge: Syntonic

Butterworth filter : example

P. Bruschi - Analog Filter Design 30

fP=1 kHz

fS=2 kHz

AP=1 dB

AS=60 dB

509.0110 10 PA

a

1000110 10 SA

1965

a

P

S

P

S

f

f

w

w

063.12

1

ww

Pn

PC fa

1194.10

log2

log

w

w

P

S

n

61086.3

Page 31: Analog Filter Designdocenti.ing.unipi.it/~a008309/mat_stud/AIF/2018/lecture...Brief Filter History: Resonance P. Bruschi - Analog Filter Design 4 1898 –Sir Oliver Lodge: Syntonic

Chebyshev Filters

P. Bruschi - Analog Filter Design 31

ww nCjK )( Cn(w): n-th order Chebyshev polynomial

ww

www

1harccoscosh

1arccoscos

n

nCn

21 )(2 nnn CxxCxC

xxCxC 10 ;1 122

2 xxC

Page 32: Analog Filter Designdocenti.ing.unipi.it/~a008309/mat_stud/AIF/2018/lecture...Brief Filter History: Resonance P. Bruschi - Analog Filter Design 4 1898 –Sir Oliver Lodge: Syntonic

Chebyshev polynomials: properties

P. Bruschi - Analog Filter Design 32

ww

www

1harccoscosh

1arccoscos

n

nCn

For 0<w<1 oscillates between 0 and 1

For w=0 : 0 if n odd, 1 if n even

For w=1 : 1 for every n

For w>0 increase monotonically

2

wnC

wChebyshev polynomial have the highest leading term coefficient than any other

Polynomial constrained to be less than 1 (in modulus) for w between 0 and 1

6w

For w=1.2

1st

2nd

3rd

Page 33: Analog Filter Designdocenti.ing.unipi.it/~a008309/mat_stud/AIF/2018/lecture...Brief Filter History: Resonance P. Bruschi - Analog Filter Design 4 1898 –Sir Oliver Lodge: Syntonic

Chebyshev filters: Pass Band Attenuation

P. Bruschi - Analog Filter Design 33

ww nCjK )(

)(1

1)(

22w

w

n

N

CjH

1)(1

110

2w

w jH N

PN ww 1)()0(

)(

1

1

2

w

w

w

N

N jHjH

jH

110 10 PA

a

1dB3

5.0dB1e.g.

P

P

A

A

Page 34: Analog Filter Designdocenti.ing.unipi.it/~a008309/mat_stud/AIF/2018/lecture...Brief Filter History: Resonance P. Bruschi - Analog Filter Design 4 1898 –Sir Oliver Lodge: Syntonic

Chebyshev filters: Stop Band Attenuation

P. Bruschi - Analog Filter Design 34

www SNSNnSN nCjK arccoshcosh)(

w SNn arccoshcosh

110

110

10

10

2

2

P

S

A

A

w

)(arccosh

)(arccoshmin

SN

n

Page 35: Analog Filter Designdocenti.ing.unipi.it/~a008309/mat_stud/AIF/2018/lecture...Brief Filter History: Resonance P. Bruschi - Analog Filter Design 4 1898 –Sir Oliver Lodge: Syntonic

Inverse Chebyshev filters (or Chebyshev type II)

P. Bruschi - Analog Filter Design 35

Target: Obtain monotonic behavior in the pass-band (no ripple) and ripple

In the stop-band

w

w1

1)(

nC

jK

)1

(

11

1)(

22

w

w

n

N

C

jH

2

11

1)1(

jH N

Page 36: Analog Filter Designdocenti.ing.unipi.it/~a008309/mat_stud/AIF/2018/lecture...Brief Filter History: Resonance P. Bruschi - Analog Filter Design 4 1898 –Sir Oliver Lodge: Syntonic

Elliptic (or Cauer) Filters

P. Bruschi - Analog Filter Design 36

ww nRjK )(

Rn : “elliptical” rational function : NR(w) / DR(w)

ww

221

1)(

n

N

RjH

1||for 1)( such that

oddn for

evenn for

2/1

122

22

2/

122

22

ww

www

ww

www

ww

ww

w

n

szkpk

n

k zk

pk

n

k zk

pk

n

RM

M

M

R

Page 37: Analog Filter Designdocenti.ing.unipi.it/~a008309/mat_stud/AIF/2018/lecture...Brief Filter History: Resonance P. Bruschi - Analog Filter Design 4 1898 –Sir Oliver Lodge: Syntonic

Phase, delay, group delay

P. Bruschi - Analog Filter Design 37

In order to maintain the shape of a generic signal, the following conditions

must be respected:

All the significant frequency components of the signal fall into the filter

pass-band, which should be as flat as possible:

The filter phase response in the pass-band should be of the type:

Rtw

If this condition is fulfilled, the input signal is simply delayed by time tR.

In other words, the group delay should be constant. The group delay

is defined as:

w

d

dG

Page 38: Analog Filter Designdocenti.ing.unipi.it/~a008309/mat_stud/AIF/2018/lecture...Brief Filter History: Resonance P. Bruschi - Analog Filter Design 4 1898 –Sir Oliver Lodge: Syntonic

Bessel Filters

P. Bruschi - Analog Filter Design 38

Constant group delay is very important in systems that has to handle digital

transmissions, where signal distortion may result in high BER (Bit Error Rate),

or even in unrecoverable signal.

The Bessel filter is obtained by considering an all-pole function:

sD

KsH N

We start from a generic polynomial D(s), substitute s=jw and than calculate

the phase of HN by:

w

w

jD

jD

Re

Imarctan

Page 39: Analog Filter Designdocenti.ing.unipi.it/~a008309/mat_stud/AIF/2018/lecture...Brief Filter History: Resonance P. Bruschi - Analog Filter Design 4 1898 –Sir Oliver Lodge: Syntonic

Bessel Filters

P. Bruschi - Analog Filter Design 39

The Bessel Filters are derived by:

Taylor’s expansion of the arctan() functionis calculated obtaining a

polynomial approximation of the phase;

The first derivative of the phase approximation is calculated

The constant term of the derivative is set to 1 (group delay=1)

Higher order terms are set to zero; this corresponds to setting the

derivatives of the group delay to zero. The number of derivatives that can be

nulled depends on the filter order.

The result is a maximally flat group delay

Can be used to purposely introduce a delay

Page 40: Analog Filter Designdocenti.ing.unipi.it/~a008309/mat_stud/AIF/2018/lecture...Brief Filter History: Resonance P. Bruschi - Analog Filter Design 4 1898 –Sir Oliver Lodge: Syntonic

Bessel filters, examples

P. Bruschi - Analog Filter Design 40

2

2

1

23

2

12

........

15;15156)(:3

3;33)(:2

1;1)(:1

nnn DsDnD

KssssD

KsssD

KssD

Denominators of various order for unity group delay

The Bessel filter is less selective than a Butterworth filter of same

order, but its phase response is much more linear

(Bessel polynomials, recursive expression)

)2ln(123 w ndB

Approximate

expression for n ≥ 3

N

D

N w

w

ww

1(pass-band group delay after frequency scaling)

Page 41: Analog Filter Designdocenti.ing.unipi.it/~a008309/mat_stud/AIF/2018/lecture...Brief Filter History: Resonance P. Bruschi - Analog Filter Design 4 1898 –Sir Oliver Lodge: Syntonic

Summary of filter characteristics

P. Bruschi - Analog Filter Design 41

Butterworth: maximally flat in the pass-band and monotonic

everywhere

Chebyshev: More selective than Butterworth (sharper transition),

but ripple in the pass-band (monotonic in the stop-band)

Inverse Chebyshev: Same selectivity than Chebyshev, but ripple in

the stop-band (flat in the pass-band). Magnitude do not

decrease asymptotically in the stop-band

Elliptic: Best selectivity, but ripple in both the pass-band and stop-

band. Magnitude do not decrease asymptotically in the

stop-band

Bessel: The least selective of all other filters, but the best in terms

of phase linearity (constant group-delay in the pass-band)

Page 42: Analog Filter Designdocenti.ing.unipi.it/~a008309/mat_stud/AIF/2018/lecture...Brief Filter History: Resonance P. Bruschi - Analog Filter Design 4 1898 –Sir Oliver Lodge: Syntonic

Other continuous time filters

P. Bruschi - Analog Filter Design 42

Optimum L-filter (Papoulis)

Obtains the best selectivity with a monotonic response. Compared with a

Butterworth of the same order filter it is sharper in the transition band, but

less flat (but still monotonic) in the pass-band.

All pass filters (phase equalizers). Their common characteristic is that for

each pole they have a zero with opposite real part. As a result, they have

RHP (right half plane) zeros and their step response is generally preceded

by a glitch in the opposite direction with respect to the final value.

For step-like signals, low-pass phase equalizers (e.g. Bessel filters) are to

be preferred.

Filters based on Padè approximations: The Padè approximation is the

best n-order rational function that approximate an arbitrary function. It is

used for the approximation of the ideal delay: exp(-jwtD). The all-pass

functions are a particular case of Padè approximation.

Page 43: Analog Filter Designdocenti.ing.unipi.it/~a008309/mat_stud/AIF/2018/lecture...Brief Filter History: Resonance P. Bruschi - Analog Filter Design 4 1898 –Sir Oliver Lodge: Syntonic

Frequency transformations

P. Bruschi - Analog Filter Design 43

The aim of frequency transformations are:

Change the characteristic frequencies with respect to the normalized case

Change the low pass response into an high pass, band-pass etc.

N

n

ss

w

w

w

w

s

s

Bsn

0

0

0

ss N

n

w

1

0

0

0

w

w

w

s

s

Bsn

All characteristic frequencies are multiplied by wN

High pass Band-Pass Band Stop

Page 44: Analog Filter Designdocenti.ing.unipi.it/~a008309/mat_stud/AIF/2018/lecture...Brief Filter History: Resonance P. Bruschi - Analog Filter Design 4 1898 –Sir Oliver Lodge: Syntonic

Pass Band transformation: meaning of B, w0

P. Bruschi - Analog Filter Design 44

w

w

w

ww

w

w

w

www 0

0

00

0

0

Bj

j

j

Bj n

w

w

w

www 0

0

0

Bn

BB

w

w

w

w

w

www 2

1

11

0

0

0

0

w

w

w

s

s

Bsn

0

0

0

10

w

wfor small variations around w0, such that:

Page 45: Analog Filter Designdocenti.ing.unipi.it/~a008309/mat_stud/AIF/2018/lecture...Brief Filter History: Resonance P. Bruschi - Analog Filter Design 4 1898 –Sir Oliver Lodge: Syntonic

P. Bruschi - Analog Filter Design 45

2211

2211

2

0

01

2

0

02

BBBBnn

wwwww

wwwww

Pass Band transformation: meaning of B, w0

Bww 12

0

2

0

012

21

2w

ww

ww B

0:for wB

Page 46: Analog Filter Designdocenti.ing.unipi.it/~a008309/mat_stud/AIF/2018/lecture...Brief Filter History: Resonance P. Bruschi - Analog Filter Design 4 1898 –Sir Oliver Lodge: Syntonic

P. Bruschi - Analog Filter Design 46

Pass Band transformation: meaning of B, w0

When w=w0, wn =0. Then, the response of the

pass-band filter at w0 is the D.C. value (wn=0)

of the prototype low pass filter.

For w variations from w0, wn moves away from

the origin. When w<w0, wn is negative, so that

H(w) is the complex conjugate of the values

at w>w0 (see the phase diagram in the figure)

The bandwidth B is the difference between

the frequencies w1 and w2, for which the

absolute value of the normalized frequency is

unity.

If the bandwidth B is much smaller than

frequency w0 (selective filter), than w1 and w2

are symmetrical with respect to w0. 0