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American Romanticism 1800 -1860. American Romanticism For Rationalists – the city was a place of civilization…

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American Romanticism Sometimes, the journey might be into the mind. The works of Edgar Allen Poe show journeys into the imagination. The Romantic journey is both a flight from something and a flight to something.

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Page 1: American Romanticism 1800 -1860. American Romanticism For Rationalists – the city was a place of civilization…

AmericanRomanticism

1800 -1860

Page 2: American Romanticism 1800 -1860. American Romanticism For Rationalists – the city was a place of civilization…

American Romanticism

For Rationalists – the city was a place of civilization and opportunity

For Romantics – the city was a place of immorality and death.

For these reasons, the Romantic Journey often leads into the countryside. A place of independence, morality, and healthful

living

Page 3: American Romanticism 1800 -1860. American Romanticism For Rationalists – the city was a place of civilization…

American Romanticism Sometimes, the journey might be into the

mind. The works of Edgar Allen Poe show journeys into

the imagination. The Romantic journey is both a flight from

something and a flight to something.

Page 4: American Romanticism 1800 -1860. American Romanticism For Rationalists – the city was a place of civilization…

The Romantic Sensibility: Celebrating Imagination Romantics valued feeling over reason. Romanticism – originally a European

movement – began in late 1700s Spread throughout Europe into the 1800s. Came to America slightly later and took

somewhat different forms

Page 5: American Romanticism 1800 -1860. American Romanticism For Rationalists – the city was a place of civilization…

Romanticism First grew in response to rationalism. Rationalism had focused on reason and science.

Sparked the Industrial Revolution With Industrial Revolution came filthy cities and terrible

working conditions. Romantics distrusted pure reason and instead

turned to the imagination. Claimed that the imagination could see and understand

truths that the rational mind could not.

Page 6: American Romanticism 1800 -1860. American Romanticism For Rationalists – the city was a place of civilization…

Romanticism Romantics valued imagination, feeling, and

nature over reason, logic, and civilization. Romantics valued poetry above all other

works of the imagination. They contrasted poetry with science, which they

viewed as a destroyer of truth. Edgar Allen Poe once called science a “vulture”

with wings of “dull realities” that preyed upon the hearts of poets.

Page 7: American Romanticism 1800 -1860. American Romanticism For Rationalists – the city was a place of civilization…

Romantic Escapism: From Dull Realties to Higher Truths Romantics – explored exotic settings

In the more natural past or in locations far from civilization and industry.

Romantics – explored supernatural worlds Explored legends and folktales

Page 8: American Romanticism 1800 -1860. American Romanticism For Rationalists – the city was a place of civilization…

Romantics Tried to reflect on the natural world in order

to see truth and beauty. This approach is found in many lyric poems

In these poems, the speaker discovers in ordinary scenes or objects (flower by a stream, bird flying overhead) some important deeply felt understanding about life.

Like the Puritans, Romantics found truth in nature But rather than finding moral lessons, Romantics found

a more general feeling of mental and emotional health.

Page 9: American Romanticism 1800 -1860. American Romanticism For Rationalists – the city was a place of civilization…

Characteristics of American Romanticism Values feeling over reason Places faith in the imagination Shuns civilization and seeks nature Prefers innocence to sophistication Fights for individual’s freedom and worth Trusts past wisdom, not progress Reflects on nature to gain spiritual wisdom Finds beauty and truth in supernatural or imaginative realms. Sees poetry at the highest work of the imagination Is inspired by myth, legend, and folklore.

Page 10: American Romanticism 1800 -1860. American Romanticism For Rationalists – the city was a place of civilization…

The American Novel and the Wilderness Experience Some American writers imitated English and

European models of writing. Others believed that America should develop a

literary style of its own. The great American frontier provided a sense of

unlimited possibilities that was not available in Europe.

The first truly American novels looked westward.

Page 11: American Romanticism 1800 -1860. American Romanticism For Rationalists – the city was a place of civilization…

James Fenimore Cooper (1789 -1851) Wrote about unique American settings and

characters. Frontier communities American Indians Backwoodsmen Created the first American hero: Natty Bumppo

This character’s simple morality, love of nature, and almost superhuman inventiveness make him a true Romantic hero.

Page 12: American Romanticism 1800 -1860. American Romanticism For Rationalists – the city was a place of civilization…

A New Kind of Hero The typical Romantic hero is youthful and

innocent. He relies on common sense rather than

book learning and is close to nature. Because women represented marriage and

civilization (to many writers), Romantic heroes are often uncomfortable around them.

Page 13: American Romanticism 1800 -1860. American Romanticism For Rationalists – the city was a place of civilization…

Romantic Heroes In contrast to Romantic heroes, Ben

Franklin represents the rationalist hero. He looks to the city to better himself.

Today Americans still create Romantic heroes in the form of Superman, Luke Skywalker, and Indiana Jones, along with dozens of other western, detective, and fantasy heroes.

Page 14: American Romanticism 1800 -1860. American Romanticism For Rationalists – the city was a place of civilization…

Characteristics of the American Romantic Hero Is youthful and innocent Has a strong sense of honor Has knowledge that comes from

experience Loves nature and avoids town life Seeks truth in the natural world.

Page 15: American Romanticism 1800 -1860. American Romanticism For Rationalists – the city was a place of civilization…

American Romantic Poetry: Read at Every Fireside Goals of American Romantic poets were

different from those of Romantic novelists. Novelists looked for new subject matter Poets wanted to prove that Americans were not

ignorant hicks. To do this, they wrote poems is a style much like

the poems of England.

Page 16: American Romanticism 1800 -1860. American Romanticism For Rationalists – the city was a place of civilization…

Fireside Poets Henry Wadsworth Longfellow (1807-1882),

John Greenleaf Whittier, Oliver Wendell Holmes, and James Russell Lowell were known as the Fireside Poets. Poems often read aloud by the fireside In their time period and for a long time after, they

were the most popular poets America ever produced.

Page 17: American Romanticism 1800 -1860. American Romanticism For Rationalists – the city was a place of civilization…

Fireside Poets Because they preferred the old, established styles

of poetry, the fireside poets were unable to recognize the American poetry of the future.

In 1855, Whittier read the work of a young poet, Walt Whitman, and promptly threw it into the fire. After reading the same poetry, Ralph Waldo Emerson

wrote the young poet a letter. “I greet you,” Emerson wrote to Whitman, “at the

beginning of a great career.

Page 18: American Romanticism 1800 -1860. American Romanticism For Rationalists – the city was a place of civilization…

The Dark Romantics Nathaniel Hawthorne, Herman Melville, and Edgar

Allen Poe are known as the Dark Romantics.

Valued feeling over reason. Saw the events of the world as a signs or symbols that

pointed beyond.

Page 19: American Romanticism 1800 -1860. American Romanticism For Rationalists – the city was a place of civilization…

The Dark Romantics Did not agree with the optimism of the other Romantics. To create a greater balance, the Dark Romantics explored

both good and evil. Looked at the effects of guilt and sin on the mind, body and

soul, including madness. Behind the pasteboard masks of polite society, they saw the

horror of evil. From this vision, the Dark Romantics shaped a new, truly

American literature.