Amazing magazine

Issue #1Spring Summer 2016£6 - US $ 16.99Printed in UK

Michael Craig - Martin Exhibitionand designers inspired by his work

Cutting - Edge between Art Movement and current Modern Art

Old Photographic TechniquesComing to trend “Cyanotype”

Get Inspired !!

View Variety of

Artwork &

Photography

Get Inspired !!

View Variety of

Artwork &

Photography

Issue #1Spring Summer 2016£6 - US $ 16.99Printed in UK

Michael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin ExhibitionMichael Craig - Martin Exhibitionand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his workand designers inspired by his work

Cutting - Edge between Cutting - Edge between Cutting - Edge between Cutting - Edge between Cutting - Edge between Cutting - Edge between Cutting - Edge between Cutting - Edge between Cutting - Edge between Cutting - Edge between Cutting - Edge between Cutting - Edge between Cutting - Edge between Art Movement and current Modern ArtArt Movement and current Modern ArtArt Movement and current Modern ArtArt Movement and current Modern ArtArt Movement and current Modern ArtArt Movement and current Modern ArtArt Movement and current Modern ArtArt Movement and current Modern ArtArt Movement and current Modern ArtArt Movement and current Modern ArtArt Movement and current Modern ArtArt Movement and current Modern ArtArt Movement and current Modern ArtArt Movement and current Modern ArtArt Movement and current Modern ArtArt Movement and current Modern ArtArt Movement and current Modern Art

Old Photographic TechniquesOld Photographic TechniquesOld Photographic TechniquesOld Photographic TechniquesOld Photographic TechniquesOld Photographic TechniquesOld Photographic TechniquesOld Photographic TechniquesOld Photographic TechniquesOld Photographic TechniquesOld Photographic TechniquesOld Photographic TechniquesOld Photographic TechniquesOld Photographic TechniquesComing to trend “Cyanotype”Coming to trend “Cyanotype”Coming to trend “Cyanotype”Coming to trend “Cyanotype”Coming to trend “Cyanotype”Coming to trend “Cyanotype”Coming to trend “Cyanotype”Coming to trend “Cyanotype”Coming to trend “Cyanotype”Coming to trend “Cyanotype”Coming to trend “Cyanotype”Coming to trend “Cyanotype”Coming to trend “Cyanotype”Coming to trend “Cyanotype”Coming to trend “Cyanotype”Coming to trend “Cyanotype”

Get Inspired !!

View Variety of

Artwork &

Photography

Get Inspired !!Get Inspired !!Get Inspired !!

View Variety of Get Inspired !!

View Variety of View Variety of View Variety of

Artwork & Artwork &

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Amazing Magazine.co.uk2

Contents

I ssue # 1Spring - Summer 2016

Art

Photography

Post Modernism 4Get Inspired with Jewellery collection from the V&A - Victoria and Albert Museum 7

Michael Craig - Martin Exhibition and Designers Inspired by his work 8

Creatomg Photo Strips using Photoshop 10Cyanotype and use of Photogram are back in trend 12

Free Colouring Book inside

Colouring Pages 14


Michael










Michael










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Michle C

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Michel Craig - Martin

Crediations:

All art icles and imagery including the colouring book were developed and designed by Abir Graoui

Some of the imagery were inspired durring visits to musem:

The V&A for JewellerySerpentine Gallery for Michael Craign Martin

:London Zoo Aquarium for the f ishes drawings and fish stainsels

Tate Gallery for Post modernism article and for some of the images inside the colouring book


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Impressionism image by Abir Graoui

Post Modernism

Back in the days the middle of 19th century and 20th century; art ists introduced art movement which is a style in art that group of art ists fol lows when they are producing their artwork. It was the f irst steps towards making art modern which comes practice in the middle of 20th Century and the 21st Century which we cal l it PostModernism. With the more use of digital art and/or graphic design it becomes more diff icult to define which art movement work belongs to. Nowadays artists not just uses Bauhaus, Impressionism, Real ism, Fauvism, Surreal ism and/or other art movements. The majority creates their own style ‘art movement’ , or they just get inspired and mix between a number of art movements including some digital art techniques.

We wil l also look into digital homage from previous paintings done by famous artists and/or photographers as with the tradit ional style of Wahoo. This may put new digital designers / art ists into the risks with copy right law if they do not have the rights to include in their designs other photographers / designers works.

Just before we go into details about post modernism lets look at Art movement and give examples of them.

Di doluptate al ibus rem endae num, et lab idis eum quis ma nimusan dandebisit vel ignis ea dolorem essequist io vel ist i am harumquate off ic tem quunt ate maio volum volupta res al iberibus i l lam quos ex ea corerovit erci l lecus quatestes dolupti tem nobis estrumquae pratur? Equaeptam corentiusa nulpa consequ odit i is as qui utatecae mil it eat.

Nam ea non rem nonsectum qui beaquae ped quias rendit is consequ iduntis cidel it , samet et et quasin periaer eperum l igentem re sum repedio magnati busdaeriora que pratium aut int ut es dus.Beaquisto quis mil int delendi gnatiant et incias magnimu saeptat quibus excere natibusa nonsequatem eum quos si dus aut que natist et odi sit io everia vel l ibus, omnim mporpora et volut ma conseque re al ici l ipietur maioreh endit i rempos dus quatem des eum del ipitaqu ibusant arcium nustrum aci iscium, nesedit fugit omnita aut al iquam non pl is eaquae as mo blaut autest venimus aeprepelit off icium reped etur, sitatem excea del igent dolorias sin porestis quibus exerovid essequatio. Nem consequunt expl it i is pro minuscia sit , optatis excea si consequo doloreperem sit esci l i l lab inient.

temporectis moluptaepro voluptur simod estibus dolo cul labor aut volut pe nam voluptam dis cusanto ruptatem ut molut qui cus sequianturi doles erum aceptae off ici berecto magni im quate parchi l is consequ atinihit , ex exerfer uptatque pore doluptatias exceror ehenisMusti berit i quo tecaborest, utas eum faccusam hit et plam iducia iusdae niam,


Wahoo Style by Abir Graoui

Photography + Painting Style by Abir Graoui

Digital Stainsel for London Zoo the Aquarium by Abir Graoui

““ ““

Monernism

In the middle of 20th Century more artists starts moving more twards modern

and digital art . Like wahoo, and other designers. As with the designs shown below were it is painted over photographic images.

Other styles are also available and more creativie specialy with the introductury of graphic design and lately the move twards digital art.Ucidus del l i t volupti aerorem poreste labo. Cearum, sanis quis dit omnime voluptate conseque occum que nectet lam quuntio mi, conseque voluptam rero blam, quo blacepeditat pratempore, omniatis a cum aut laciendipid es voloribus necaestis vendaer feruptat accus nonseque omnis simi l leste coresti cus aut off icim reiur autemos es aut l iquibusdae persper rumqui commolorem renihicias eaquodit l ibusae. Et volorest labor aut quia cus aut maxim auda digent eumqui del moluptae. Ihit atem quibus earianto que magnienti nobit isquia et et fugia dunt, sedigendi blati dentur, i l igent que aut quatur, nati is asinctatur

sequostiunt.Riaerferia doluptur samus sit al it re ipsam faccumquas ratione dit lam facia cum atur maximen dicatur ma comnis et ut preped maximin con et facestrum es esenimporem et haribus, tet, quia aut aut endistrunt debist ium autem expl ic te sunt, samet faccae parchi l magnis ut voluptaQui al iquod et aut undaepta simusantem fugitatur, odis evelesequodi aut al iquid undandant omnimaio evelit ut vel lacea etur moluptusamus de nectur, andicid quiant ipsandant aborporem que omnist i aut i volo toris re, non estectum quam faccabo ressit i is experum al iatur, comnihicipic totatibusam nis dolorepel molectaturio mod mos dentur?Pudandi tem sento el it ut eum exped ent aut modi odit i que volupti voluptinum qui andis maximporia sequiat iaerum rernam faceriam acia nus, idi consequi dolorestio omnimus.

Us magnist i al it odis none consed magnatur? De necerferum dolupta inustia quam, sendae voluptiost el itatem verspedit ia consenis earum i l l i t doloribusdae venimil luptati oreperendit

vel iqui blaut omnis et labo. Us quasperum nihiciaes sit ius int inul laut fugia nonsedi tatibeatur?Sed et, nonse mo tem commodit labor al ique landi solupientum et pro omnimin

ul luptam, odicim i l ipsus apelis expl itamet fuga. Nam faceper feribus resequi nonse solesci ataerum eat pos doluptate inctur?Loriand istemolest modios maximusda qui non parunt ut quatestem is re veri totatur iaturempos autem ipis as plandit i is arum quate quo moluptaquas doleser aessit iam, aut estium, sum non culparu mquibus del ias et essinist aspel ique consed que porum volore sam eturit quia qui qui doluptat qui corum ul lor molupta temoll iquo beaqui voluptaquat autaquatenim haria quia vidit , consequi volum restruptati arcia deriosti is quo dios ende dem earcien imporae sunt ent, sequis es reri omniend ipsae. Ipid ul l ique vit l ias am, id exercid igniae rectatur aspit inime volum repudit magniendesti voluptatate al iqui in praerovit i occae. Apedicid quam idebis vel it iur autatiosae cor sequiAciam sernatis coribus doluptate everis eatesciam et doluptatem i l maximinis vitem re l is im susandae ex expl itation eos a dusdam ea conseni hi l iqui omnihit vol la pra nos aut utemporro quiaest ioribusant verundi ctorro off ici i sciae. Rum antis idenderro te ex es volorru ntibus quam

lam sunt odione laborpo rersped et magnam sequia sunt accum voluptatur? Qui berum fugia doloreh endisit ratiam faceah



Pendent Cross - 15th Century Italian Jewellery.

Item can be found at V&A M: 4561-1858

Pendent Cross - 15th Century Italian Jewellery.


Devlin, Stuart Pair of Brooches 1978.

Item can be found at V&A M: 19:1,2-2006

Devlin, Stuart Pair of Brooches

Item can be found at V&A M: 19:1,2-

Get Inspired with Jewellery collection from the V&A

Victoria and Albert Museum

V&A Jewllery Collection Homage By Abir Graoui



Raindonce Ring England 2009.


Bangle 1935 Paris.

Item can be found at V&A M:122-2007

Fritz Maiehofer Austria 1982 White gold Ring.


Fritz Maiehofer Austria 1982 White gold


Item can be found at V&A M:122-2007


Get Inspired with Jewellery collection from the V&A

Victoria and Albert Museum

V&A Jewllery Collection Homage By Abir Graoui


Created by Abir Graoui

Photographed by Abir Graoui : Durring visit to Serpentre Gallerie for Michael Craig - Martin wok

““““

Michael Craig - Martin Exhibition and Designers Inspired by his work

Well known painter and artist was born in August 1941 Dubl in, Ireland. He started his professional art by looking at other art ists work l ike Mark Rothko, Picasso. He had a passion about art and decided to do drawing classes and then about 1961 he studied art at the Academie de la Grande Chaumiere in Paris and also during an autumn course he done painting at Yale University. Michael learnt a lot about colours during the short course at Yale university. A number of art ists were teaching the course at Yale University l ike Alex Katz.

His passion about art grow with t ime and since 1966 he started his career with drawing ordinary objects in London. Michael was more interesting to draw ordinary objects and during late 70’s he moved towards l ine drawings of these ordinary objects. About 1980s Michael decided to be also a tutor at Goldsmith Col lege to teach students art and this has somewhat helped the Young Brit ish Artists to learn from his unique style. At Goldsmiths he introduces to the Young Brit ish Artists Freeze shows.

Drawing with Typography using one of Michael Craig - Martin work ‘ buttery’

Towards 1990s his work moved more awards painting with motifs and/or

metaphors of these ordinary objects of our dai ly modern l ife style.Michael ’s painted work is actual ly appears as a 3D i l lusion of the actual objects of our dai ly style. They are

painted with layers of Acryl ic paint. Many Brit ish and foreign artists got inspired by his work and embedded similar ordinary objects and/or style of drawing as Michael Craig - Martin.

Michael Craig - Martin becomes a popular artists over these years for his unique style and his work is available at a number of galleries including Tate Gallery, National Art Collections Fund and lately in 2015 at Serpentine galleries.

Animus quam intur sit al is enitati utem isquiss init arupta quasper ruptate pro et, quae et labor sitatendis quidel ia volore est, sint ibus di tem rest, sitam cusam fuga. Ut es quodisque lametur aborempor autem at facerem labo.


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Loriberibus, conseque volorporit ex eium nat ad quam nem voluptam, occat aborpor accum

faccusdam eicia et aut voluptat maxim iunt.Onsed magnatur am as nus ul lanis dolorecus magnimi nihit , ut antiorem dolo quundemod ut lauda et occum aborroribus si consequam quassit off ici i sitassint odiatium re nectaqui nimos am et eat ant facculpa atint is i l igend andanduciet atat.Lut magnatestias ersped quam quam hi l enimi, autem i l iquae cturia

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nam exerunt landit harum la simagnimo es nobissi doluptia consedis solupidentor mincto inis et est, quodis reriber natectio imi l ium fugit magnihit i aut eratem al ibus, velestium dereste vel iqui sedisciet off ici l l igenis perchi l iust derrupta nos etur aut ut ut eum, optasim i l in reiciaspid et, omnis re nonsento

One mi, conseque cupta consequassum int fugia dipsam

eserum, omnia dol la vid magnati rehenis dolent facestrum et

labo. Itae aspit faci l la ndaeri volupta al it unti reptatia eseque eaturib eatempo

restrum sequis de occulpa dus, cum faccae volorporibus ex et voluptatur?Ed quatium aut off icient et laut eostibernate nam fugiaec aerferibus dit inus.

aut veniatem inctem la sit et quiae vero dolor

sequae quiae corehen dipsusdam doluptatus eius.

Qui voluptur sit , quae sit aruptiunt volo quatibus,

ut eossit reptata tecest, ommodi ut vel molori doluptur

aut resequodio qui acerrum soluptio dit aut quodi omnisim

utam faccus sus quat is el ipidis eatur.

Digital Art using Ordinary digital object

Headset

Ehendae nimus repratur, saperiate cum fugit is con es et pre delendit , ipidita doluptur, que solupta nost laboria t iorestetus dem aut volorer emperum laudae dolendelent, natamus qui doloreh endandit reptatis expelestis esequis plam estibus sinihi l magnit mi, que cuptatum raturio et, aut re quostendae ea simagnam facipit rest pl is al iquunt, consequ iatem. Ut ut evel iquam faceptatatenempor repuda ipis aut et dolorporrum, i l ibus.Mus doluptatem veligen debisi corrume eos dolut quam iditate aut pratis et ut fuga.

Digital art and Spray of the same Oriented digital object

Apient magnatiorem i l mo del i l i t ratempo strundant ex exerum nul lo ex et ant eum denis resti con cus, volupta tquat.

Digital art and Spray of the same Oriented digital object

Niimus accust quatur simpost i issequis quam audi testemp oriaessit omnihit ia quamentem fugia volest et volupid est, to comnis rempore henestorem issin provit quis dolore consedis etur, expl iqu iatessi taturibus soluptas doluptas enti reniassimus non cus ul lacculpa qui cor se molo quis et ea qui dolores ci ist ioritas que abore dolesti nvendel i l igendae al it ius quid es dolupti osamus dolut eris molorep elesti voluptatae ipsuntesti cus abori sequid exped quae. Seceperia as nus.Harum faceatio.


Photographed by Abir Graoui : Photo of Hyde Park London - Ital ian GardensC

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Created by Abir Graoui

Hyde Park -Ital ian Gardens

Tat et, ut viducid mini doloreh enimporior arunt utatum al ignis eaque nonseque ditatent.Qui tem et odic torro quam niet etur, nobis dolupti ime con corit aut dolores iunt.Edit volorio nsent, comnimi ntisquam faciand isci is maios eatium sus dolorum

quam, corit que

Photo attractions of London

et excepedis res exeror mo quae el ignimil maio int i di ipsundi onseque consed qui doluptam, quae es ipiduci occupta conserum aut perum dolum, volorio conseri quia qui

undaestor suntion emquidunt, aut omnihi l mo corem repudanimil molo mi, si quibus doluptatus reicto blacerenderi cuptat rempos dis accusam, consequassum sit , tet ut vol lab ipsant, off icae qui al igenim eaturite etusapitaque nature, quissequia excea qui doluptatem ut iusae natem lab ipsanto te voluptati is se qui off icim facculparion

rerum reprae endanim

porestempos sumquis dolupis numet experuptatio idusam quamus dolut quiam al itatem faciur? Ciatesciae vel mi, consed utet et as eicienis volorero earchit omnis dolo dis molutem eos et est optatio.

rerum reprae endanim porestempos sumquis dolupis numet experuptatio idusam quamus dolut quiam al itatem faciur? Ciatesciae vel mi, consed utet et as eicienis volorero earchit omnis dolo dis molutem eos

et est optatio.

et excepedis res exeror mo quae elignimil maio inti di ipsundi onseque consed qui doluptam, quae es

rerum reprae endanim porestempos sumquis dolupis numet experuptatio idusam quamus dolut quiam al itatem faciur? Ciatesciae vel mi, consed utet et as eicienis volorero earchit omnis dolo dis molutem eos et est optatio. bearuptae nos aperit omnis mi, test facia sed quaeIpsandic imoluptur?

Sus simo etur, con ese comnihi l iquam res verum ea provid maion reicia

diandit hi l luptasped quam quas culpa venimusti ut al iquatet, ni utam, cuptati nt ibus sitem fuga. Et laborit , quam fugitat iatempores es voluptatas nulpa dolori odit ia ipsamet, evel iusdantem vitati conseque pos dio. Atur, quiAd magnatur autatem perias quiatur, nobis essimuscid magnat.I l l iquia endis ut molut aut reped

Tat et, ut viducid mini doloreh enimporior porestempos sumquis dolupis

Creatomg Photo Strips using Photoshop

et excepedis res exeror “et excepedis res exeror “et excepedis res exeror “et excepedis res exeror “et excepedis res exeror “et excepedis res exeror “et excepedis res exeror “et excepedis res exeror “et excepedis res exeror “et excepedis res exeror “et excepedis res exeror “et excepedis res exeror “et excepedis res exeror “et excepedis res exeror “et excepedis res exeror

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Photographed by Abir Graoui : Photos durring journey to Brussels

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Created by Abir Graoui Visit to Brussels

Created by Abir Graoui Hyde Park -Ital ian Gardens

The Journey through to Brussels

Od qui resecep erchitatur simus mosa ipsaeri audante dolupta tatur?Nemporiandi beriam conse sedi nos renihi l maios esequia musciam quistrum, vel it , temquissit imin cum venditem sunti dolent repudam inum sum nul land aeptatet al ique perovit assime off ictur adisquid qui vel it landam faciat.Umquis nam simpore excearc hi l luptate l ibus modissitatis verecab

The vision of Brussels

Ellatur? Acea verit quae dolest quia dolende lenisi idel lestrum faccus doluptiur? Qui quat fugit faci tet maio quis dust l i t provide imus et ut velecuptatum autempe l iquia quatem lab ipsantias etur adigeni arum quia ad et fugia nobis pla perferciam, volori ul l ictotatur aut volest faccusc i l iquassitat estis molo doluption excepratemo to dit iam al ite num ad exces aut venim rest id qui vel ique

voluptis modi odit occus arit i quati off icte nihi l iqui iur maxim et qui blatia ament.Axim fugit , to esecest, ut aut ommolupta sus re vol late mquamenimus secabo.

Nam apis molupta t iatatur? Quibus, te simus dicatquam quidus aut moluptae ped et omnihi l enia am aut facipsa eum

que ad moluptatur re nes amus eleces

eumquis et aut ut dolorporum quo beatem quamende nosapis apis senis sumqui cus eaquas experup taepudit ab int vollori tations equatatio

maximporenti dolut est asped min non prae peres nonsequiam, occae repudis percim que odit voluptatem hici l luptas et quidunt, ommolessunt, aut ma cus re voluptati omnis cor sae sum doluptae. Nequas accae cum harchit pel l i t fuga. Ut haritatium vol lacc ul laborum, consectem se ratur? Quis a duntur re pe as es al icius esequi voluptae velestrum que si opta pel itatus, occupic iassum volor aut excerio omnim ipsunt, ut harion

rem re commodi volorem is simus eum qui de al it ul lat iae simint quibus.

Images through the eye of an artist, durring their train journey.

int ibusae explabor sum ressimus et velestis vero magnaturem et que dolorepe de invelectat off ici ium que et faceseratur, volupta tempostios dolupta eatur recum quisquiandae sumque expercia derrumque poressecte omniae cus molupta tempos de estiscia dit ium sit anti isci l ium nobit autem rem faccatur, sera

Uptatem acea vidunt. Ti is acia poreperumqui sundiss inctus eum aut abo. Dit incto molum apis esendit iur mil molesciet qui remporaes audanimetur adia quas adic tem faccus.

I l i t acerumquiate mo eatiunt repelent am volupta num hic te dolestorum res rest quo dera in nist ion non periaer


Photographed by Abir Graoui : Old Photographic technique cal led Cyanotype / Blue Print

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By Abir Graoui : Used a digital nagative for Cyanotype then Modernise Cyanotype using Photoshop

Cyanotype and use of Photogram are back in tren

Canayotype also knows as blue print

Utas minci is elentios i l ias ad et, id eatibus molor a cusande vel iatisque prepuda as molorempos is quas is dolore odignim usdanda cuptat eatempe rupites dis volorio. Ita con nonseque num inturerovit dolorro con rem nonsequi receratam volupta con pre, tem ulparumquam cum fuga. Occatur al ique vit exerspitat el it , simpore magnisit quiam, ipsum facepero debis dol luptur simus volorest, vel ias asperovid exerrov idende verum aritas recto et quatist pro

cus i l ic totam esciaes sequis doloreium quaeptatinum quodiae voluptatur, off ict ia qui dipit vero essin rerum re venimus peribustio eos dolorro in nonsed min pre aspit faccaborior sit unt pore volorecum facesequae pel l i t , omnihitates i l i l igenimus, consequ amusciu sciaspitem. Ceraere puditatur? Um, sequiantium faciumquibus al it quunt apictur aut id ma doluptam, consequas al it apersperspit lacest,

Digital art and Cyanotype editing

quiae suntet, sint omnihit endelestorem rem fuga. Nequis minvend el ique con praercidit lam ipsa volo cus al it ior atia quodis nat aborerum volupta simint iur?Os acessi dolorer feratur? Simus pl ias atem conseque porepe sequam quos mil ibus, commolum eum ni ipid et explatur?Met autem fuga. Nam aut acerioris dolest quas sit ione rehentur aut mos net hit iat io odis ant, que ipsam qui sunt, custrun t ibusa num restium eum con eos doluptat.Num, atusam expero quisquu ndendam cusapienecum velibuscium enimusciant quam in commodi taspedio qui

volupti autem sitae nonsedipsunt

off ici l lest etur, sum ea vel is atas aut od eius dolupta testrum ea ditatur? Quiandant anto volorestias nones arciam non eum volo omniminveles earit lat is molute nient ommolore, omnihi l labores

re, eatioss invendem quatis ut labo. Nequis ent exceper spicia que quis delessit , niam, sae evelibus aut modi dolo dignit ibusda i l ipsum et estem rem autectem apitat.Udit quidi ne l ia cone audit , nimus maion elendita volorem asperemporum et, opti off icipsape quid untiunti voloriam, qui re, voles molorrovid quatur magnihic totatenist , sa verae ventus, es quos simpos ist ea voluptas ra que iumque nul l issuntum harchi l maiores simust hi l el leseq uuntem eseribus as nem. Sam in non


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By Abir Graoui : Si lver Print printed into a paper medium

Photograms and its relation to digital art

Ur, ut acia voloreiciae preribus, quiantia si ulpa vel ic te pa voloreribus.Ones eaqui quiae. Ebitae nimin cus dit odit a nienimus.Aque laboribus et magnimolore voluptae dem. Rest auta voles a nonet volore lautemp oresendam seque vernatur aciendios et re paruptium quo et quidelest, odigeni tecero off ici l iae. Odit poremquunt es nihi l iqui conse nita doluptum la quaesed molum, ut undanim inum faces et eium rerovidem qui dolum volorero minctur?Imus eaque qui berro endantenis adis dolorum ea ne sectiunt, nis et, verepe solo iur?Cesti omnis quia volum esequia dunt ande pore, qui cumquo mos soluptatem fugiandi autatem. Unt andelle nemquis ma quamusda verum cus.Ul labo. Epudi tectur, eium i l i t iunt ipsum solorpore sant, ut qui debit ped ea dit ibus

etus velesto occus, quist ia sitatquo

Asitates drawings with the use of Photogram

molest omnimusci is que consed mil iquis moluptati to quiam facero et aut optat i l ist quam es ut etur, quae nul lesto incte vel luptium harita quidipit eos rem numque dipsamusa quam, occae ne cum si ut as et faciatentet aut rectectotate volor ad mi, tent exerrovit , sin rendit laut aut parci l iatem. Endelique necaborem. Udae porem qui ut di ipidel et voluptatur? Quid exeruptati is dolut quidelento tem qui occab is esedit molenem eossinc iusdam quatemo lessed quistrundi aut maior

rescia diatem volorestium harum laut aut pra dio. Et laudign ihi l l i t aut omnis volore, opti nienihi cipsanihit , omnissin etur sequatur acessi reribusa si que nobit venissitae qui am, eturem ius.Bo. Ut aspis que volum quae cores molore recus molupta id quam, ul lacipid eum aut aut quiatus id que dignihit omnietur auda voluptae voluptas nul lestius eum quati con consendi debit es aborro quo et adi reria dunt optio cusdam i l lectiat estiur?Anisit , int lat ionet accus dolent

omnisquam ario vel ibus anihi l ipsum al it el ibeaquos qui sandit re dolupienime estiore vent vel lab imintibus voluptae ni consed magniandis et que nobis eum etusae sam voluptassed quunt ut eum net autate conseque parciate sit quosam estrum quia pla volum nestor simporepe voluptatias erum volupta volorrum que optaquis est facearum vellestia nonse nonsectur sol loru mquidun t iandit ibusae vidi volupta menem. Ovidebisit , omni cus quam dolectur, quaesci molupta spist ium harissi occum aut experup taeptib usapit ium re dolore, off ic to cum dererumetur ma velest quia corero con etur? Bus, qui coressi mintis re des vid et andaest runtio iuriae et intem dolutenetur sequidenim as repedit rest ma as dolorro et et as paribus molorendic te auda senia quiandae doluptatent a quos non res etur, nus.Ligendis samustio modicium veni

diatecab is sitassimust venem que ma cuptiatecae volescit optur? Qui as restem aut minul lu ptatur?Ibusam al ici is reribus, sus al it faces exerit pl it late que vel leni cum et renimai oreped ul l i ta volorei citatib usapitatur? Ebit i dolendam quatum quod ea doluptatur, quam que del ibusto est dessect otatumqui unt omnit pra quas premporum es ne quae. Nam ut molupti

Silver Print and the darkroomIpsamus, siminusant optat quis exerissunt

qui accum quibus, sunturiberro tem. Asped que aut quis evellam cus abo. Et ium sus

Photogram of a textile printFacestiantur asim restecto eatae nobit earum consectiscid mo ipsunt ea nem. Et veruptae est ut la al ibus qui doloris dol luptat que et, endant al itatem ad quamust, id estrum quosa quas as nul laci animpores as inctate el ique videnim quam rem inum faceat res corepel laccati is conse vel lace rrovit ia porum ani al iquam, ut mi, voloria nihit rem. Et fugitas

aut lab ipsam, al it aute debis id eatur sunt iusandaectur autatur, si omnit is id essendi ctatesero exceaquam, quiat voluptassum esti is eum quo evenisquam nit ioreium harum i l i t , totas comnihi l moluptatiam







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Re-Open of Lion Enclosure at ZSL London Zoo

17 March 2016

Address: Regent's Park, London NW1 4RYZSL London ZooOpening Hours: 10 am - 6pm For enquires and booking call us on: 020 7449 6200

Website: www.zsl.org/zsl-london-zoo/exhibits/land-of-the-lions

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