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Maney Publishing Front Matter Source: Journal of the American Institute for Conservation, Vol. 38, No. 1, Albert Bierstadt and 19th-Century American Art (Spring, 1999) Published by: Maney Publishing on behalf of The American Institute for Conservation of Historic & Artistic Works Stable URL: http://www.jstor.org/stable/3179832 . Accessed: 12/06/2014 22:07 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. . Maney Publishing and The American Institute for Conservation of Historic & Artistic Works are collaborating with JSTOR to digitize, preserve and extend access to Journal of the American Institute for Conservation. http://www.jstor.org This content downloaded from 91.229.248.152 on Thu, 12 Jun 2014 22:07:04 PM All use subject to JSTOR Terms and Conditions

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Maney Publishing

Front MatterSource: Journal of the American Institute for Conservation, Vol. 38, No. 1, Albert Bierstadtand 19th-Century American Art (Spring, 1999)Published by: Maney Publishing on behalf of The American Institute for Conservation of Historic &Artistic WorksStable URL: http://www.jstor.org/stable/3179832 .

Accessed: 12/06/2014 22:07

Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at .http://www.jstor.org/page/info/about/policies/terms.jsp

.JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range ofcontent in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new formsof scholarship. For more information about JSTOR, please contact [email protected].

.

Maney Publishing and The American Institute for Conservation of Historic & Artistic Works are collaboratingwith JSTOR to digitize, preserve and extend access to Journal of the American Institute for Conservation.

http://www.jstor.org

This content downloaded from 91.229.248.152 on Thu, 12 Jun 2014 22:07:04 PMAll use subject to JSTOR Terms and Conditions

JOURNAL OF THE AMERICAN INSTITUTE

FOR CONSERVATION Spring 1999 * Volume 38 * Number 1

Special Issue: Albert Bierstadt and 19th-Century American Art

From The Ground Up: The Ground in 19th-Century American Pictures

The American Artist's Tools and Materials for On-Site Oil Sketching

Bierstadt's Late Paintings: Methods, Materials, and Madness

Corcoran and Cody: The Two Versions of The Last of the Buffalo

Bierstadt and Other 19th-Century American Painters in Context --------- - ----- - ----------- - --~? - 1~---~ 1 -~ --~-- ~ - Paint Driers Discussed in 19th-Century British Oil Painting Manuals

Book Reviews

- .IMLIf I 1 I I I T ]

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Fresh Perspectives New from the Getty Conservation Institute

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JOURNAL OF THE AMERICAN INSTITUTE

FOR CONSERVATION Spring 1999 * Volume 38 * Number 1

SPECIAL ISSUE: ALBERT BIERSTADT AND 19TH-CENTURY AMERICAN ART

Ross Merrill 1

FROM THE GROUND UP: THE GROUND IN 19TH-CENTURY AMERICAN PICTURES

Joyce Zucker 3

THE AMERICAN ARTIST'S TOOLS AND MATERIALS FOR ON-SITE OIL SKETCHING

Alexander Katlan 21

BIERSTADT'S LATE PAINTINGS: METHODS, MATERIALS, AND MADNESS

Dare Myers Hartwell 33

CORCORAN AND CODY: THE TWO VERSIONS OF THE LAST OF THE BUFFALO

Dare Myers Hartwell and Helen Mar Parkin 45

BIERSTADT AND OTHER 19TH-CENTURY AMERICAN PAINTERS IN CONTEXT

Lance Mayer and Gay Myers 55

PAINT DRIERS DISCUSSED IN 19TH-CENTURY BRITISH OIL PAINTING MANUALS

Leslie Carlyle 69

BOOK REVIEWS 83

GUIDELINES FOR AUTHORS 97

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EDITOR-IN-CHIEF, Chandra L. Reedy

SENIOR EDITOR, Paul Whitmore

ASSOCIATE EDITORS Deborah Bede,Judith Bischoff, Meg Loew Craft,James Coddington, Frances Gale,Walter Henry,

Paul Himmelstein, Nora Kennedy, Jeffrey Maish,Julie Reilly, Ted Stanley, E Christopher Tahk, Christine Thomson, Lambertus van Zelst

BOOK REVIEW EDITOR, Catherine Sease

MANAGING EDITOR, Elizabeth E "Penny"Jones

PRODUCTION MANAGER,Jennifer A. Goff

ADVERTISING MANAGER,Jeanette Spencer

ASSISTANTS TO THE EDITOR,Andrew Robb, LydiaVagts

COPY EDITORS, Ellen Cochran Hirzy, Ann Hofstra Grogg

FRENCH TRANSLATORS French Translation Editor: Carole Dignard

Interim Editor: Bruno Pouliot; Translator: Sylvie Penichon

SPANISH TRANSLATORS Spanish Translation Editor: Amparo R. de Torres

Vera De La Cruz Baltazar, Silvia Adriana Centeno, Maria Esteva, Maria Auxiliadora Fraino, Sara Iturbe,Yasmeen Khan, Marta Silvia Maier, Ramon Sanchez, Alicia Marta Seldes,

Hilda Abreu Utermohlen

JAIC is published three times per year by the American Institute for Conservation of Historic and Artistic Works, 1717 K Street, N.W., Suite 301,Washington, D.C. 20006; (202)452-9545; fax (202)452-9328.

All correspondence concerning subscriptions, memberships, back issues, and address changes should be submitted to the managing editor.

Manuscripts should be submitted to the editor-in-chief in care of the AIC office. The editor-in-chief welcomes letters concerning specific contents of papers published in JAIC.

Letters accepted for publication will be printed in whole or in part at the editor's discretion. Advertising information is available from the advertising manager at the AIC office.

Responsibility for the methods and/or materials described herein rests solely with the contributors and should not be considered official statements ofJAIC.

The paper used in this publication meets the minimum requirements ofAmerican National Standard for Information Sciences-Permanence of Paper for Publications and Documents in

Libraries and Archives, ANSI/NISO Z39.48-1992.

Volume 38, Number 1, Copyright 1999

American Institution for Conservation of Historic and Artistic Works. Printed in the United States ofAmerica. All rights reserved. ISSN 0197-1360.

COVER PHOTO: Albert Bierstadt. The Last of the Buffalo. 1888, oil on canvas 152.8 x 245.2 cm (60 1/4 x 96 1/2 in.). Buffalo Bill Historical Center, Cody, Wyoming. acc. no. 2.60

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