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This is my typeface promotion book for type 4, for the typeface Luggage by T-26. If intelligent life from another world saw the earth, what would they think? What kind of judgments would they make about us and how we treat each other and our would? If these intelligent life forms came, would they share their knowledge with us? Would that feel we are ready? This book is the data collected for earths review
Citation preview
PLANET REVIEW # 316
A W
ORLD T
HEY C
ALL E
ARTH
Ge
nd
ic
il
i
us
ci
ti
um
f
ug
a.
A
t
vo
lu
pt
ae
l
am
q
ua
s
pl
at
ur
ia
eu
m
qu
is
m
ol
up
ta
t
io
ne
st
is
t,
q
ui
i
ni
mi
ni
h
ic
il
ib
us
e
x
et
eo
s
mo
lu
pt
at
io
.
Ab
i
s
au
t
as
r
er
ru
nt
o
cu
m
qu
os
si
ti
us
c
on
no
ns
eq
uo
v
ol
up
ta
e
ve
ro
t
em
q
ua
tu
s
re
pe
d
et
q
ua
te
mo
d
et
eu
m h
ar
ch
il
ic
im
us
es
ti
ae
ct
a s
im
us
nu
lp
ar
ch
it
hi
ci
as
pe
li
s d
us
v
ol
en
es
t,
q
ue
v
ol
up
ta
tu
r?
I
ci
di
t
em
qu
e
si
ti
d
ol
or
at
ei
c
to
ta
t
qu
os
a
rc
hi
ti
n
ne
m
au
t
et
e
ve
le
ni
s
no
ne
t
qu
is
vo
lo
rr
or
um
nu
lp
a i
nu
m q
ui
qu
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up
ta
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ct
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us
am
qu
i n
on
e r
eh
en
di
a
ve
ni
en
da
c
us
an
is
u
lp
a
qu
as
si
t
eu
m
en
t
la
bo
.
Et
la
bo
ri
o.
Ne
qu
is
no
s s
ol
es
ti
st
i b
la
bo
re
, q
ua
m n
ih
ic
ia
ap
e-
ru
m
au
te
ni
en
i
do
lo
r
au
t
hi
ci
d
ma
gn
is
n
on
et
,
co
ns
eq
ua
me
t o
mn
im
od
is
q
ua
m
re
pt
at
em
s
in
ve
le
nt
v
en
ih
il
i
nt
e
t
la
ce
pr
o v
it
at
ii
s
eo
st
io
.
Ca
er
um
q
uo
di
t
re
he
ni
en
t
re
st
p
ra
q
ue
vo
le
st
is
d
ol
up
ta
tu
m
fu
gi
ta
t
em
pe
ra
tu
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e
ar
ci
ti
o.
I
ta
ti
-a
ep
ud
ae
n
on
em
e
s
et
e
x
eo
ss
in
p
ed
m
in
t.
Te
nd
el
la
ti
s
do
lu
pt
at
qu
i
cu
m
er
um
qu
is
e
s
et
o
d
mo
di
t a
ci
ps
am
c
on
r
ep
ud
am
e
t
vo
lu
t
om
ni
hi
ci
me
t
fa
cc
at
ur
?
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nt
en
t
po
s
re
st
,
qu
as
pe
ru
m
ar
um
e
nt
i
nv
en
te
s
an
di
s
na
te
mp
o-
re
ct
o
de
st
or
e
pl
ab
i
d
qu
i
su
s
nu
s
ma
n
im
i
pi
et
e
st
e
ni
mu
s i
ps
am
us
s
im
a
di
ps
um
h
it
is
ci
a
ve
ni
hi
ti
d
un
ti
or
e,
q
ui
c
or
re
m
la
m
vo
lu
pi
st
iu
r
re
ro
m
os
n
ul
li
s
ea
c
on
e
se
a
ce
st
ia
qu
i
ut
e
ll
es
s
i
om
ni
o
ff
ic
t
em
qu
ae
s
e
qu
ae
n
ul
la
ni
m
pe
-r
ia
n
de
rs
pi
t
er
o
ex
ce
pr
at
i
co
ns
er
up
ta
t
in
ci
et
e
aq
ui
a
ut
ad
it
at
v
ol
ut
v
el
m
ol
ut
e
mi
nt
ib
us
a
ut
d
ol
up
ta
q
ui
sc
ie
nt
di
t
a
vo
lu
pt
a
ab
or
ei
ci
v
er
o
op
ta
te
m
re
s
ol
or
it
v
ol
up
ta
no
s p
or
at
re
he
ni
s m
ol
or
er
a v
ol
up
ta
s e
ss
im
en
im
ol
o r
er
ia
ec
es
ti
at
io
be
a c
om
ni
en
du
nt
ia
sp
is
ex
er
ib
us
ti
o.
Ob
is
al
iq
ui
s d
ol
up
tu
r,
o
pt
at
ur
a
ut
ae
e
xe
rs
pi
c
te
cu
sc
i
du
ci
li
t
ha
ru
pt
i n
ve
nd
ae
pe
l
an
is
qu
e
no
bi
s
re
s
am
e
ic
im
il
it
is
v
er
ch
il
e
s d
ol
or
ib
us
a
ut
a
ut
i
ps
an
t
es
e
t
en
du
ci
t
ex
e
t
re
ni
mo
di
t r
eh
en
is
i
di
ti
nt
l
ab
or
er
f
er
up
ta
e
po
r
re
nd
i
te
ca
bo
r
re
-p
er
ci
mp
or
er
um
qu
i d
ol
up
ti
s e
t e
xe
ru
m q
ue
pr
or
at
em
. A
ce
ru
m d
ol
up
ta
c
on
n
is
n
us
a
vo
lo
r
ra
ta
tu
r
au
t
au
t
es
a
pe
p
or
po
-r
ia
te
m
nu
s,
c
om
ni
mo
le
s
re
e
sc
il
i
us
d
es
a
ut
a
ut
l
au
t
et
la
bo
r
si
d
it
at
is
in
n
es
e
nd
us
s
i
qu
i
be
rn
am
a
ut
o
di
o
ma
io
s r
eh
en
ti
s e
os
si
n e
os
el
is
di
s n
on
nu
lp
a c
on
cu
pt
as
do
lu
pt
a t
ur
ib
us
, s
eq
ua
e l
an
da
nt
ip
su
nd
em
in
cu
sa
pe
di
ta
e n
es
t,
cu
m s
eq
ua
s
mi
nu
ll
am
e
at
io
e
ll
am
,
co
ru
me
ni
s
ex
er
um
e
ss
in
ia
m,
ex
pl
it
ia
s a
m,
ut
la
ci
ur
se
qu
e q
ui
no
bi
ta
vo
lo
ru
m e
st
er
ia
s a
pe
c
on
e
ve
ni
en
ih
il
e
x
ex
e
os
tr
un
te
st
i
ut
o
pt
ae
c
us
q
ui
ut
l
ab
or
i
od
m
in
r
ep
ta
m
fa
cc
ae
.
Di
a
vo
lu
pt
a
co
re
m
ai
o.
Qu
is
si
ti
um
qu
i a
co
n n
on
se
qu
at
iu
m a
sp
ed
is
mo
lu
pt
i d
ol
up
ti
on
se
qu
ae
n
ec
at
e
om
ni
ss
e
qu
ae
pt
am
f
ac
es
ti
os
e
ar
ia
tu
r,
a
ut
This is a
signal from earth, w
e are a peaceful people looking for indigent life in the universe. This is a signal from earth, we are a peaceful people looking for indigent life in the universe. T
his is
a s
ignal f
rom e
arth, we are a peaceful people looking for indigent life in the universe. This is
a s
ignal from e
arth, we a
re a p
eacefu
l pe
ople
loo
king f
o
r indigent l
ife in t
he univ
erse.
sdss
This is a
signal from earth, w
e are a peaceful people looking for indigent life in the universe. This is a signal from earth, we are a peaceful people looking for indigent life in the universe. T
his is
a s
ignal f
rom e
arth, we are a peaceful people looking for indigent life in the universe. This is
a s
ignal from e
arth, we a
re a p
eacefu
l pe
ople
loo
king f
o
r indigent l
ife in t
he univ
erse.
sdss
This
is a
signa
l fr
om e
arth
, we
are a
peaceful p
eople looking for indigent life in the universe. This is a signal from earth, we are a peaceful
peopl
e
lo
ok
in
g
fo
r
in
dig
en
t
lif
e
in
th
e u
niverse. This is a signal from
e
ar
th
,
we
a
re
a
p
e
a
c
e
f
u
l
p
e
o
p
le
l
oo
ki
ng
This
is a
signa
l fr
om e
arth
, we
are a
peaceful p
eople looking for indigent life in the universe. This is a signal from earth, we are a peaceful
peopl
e
lo
ok
in
g
fo
r
in
dig
en
t
lif
e
in
th
e u
niverse. This is a signal from
e
ar
th
,
we
a
re
a
p
e
a
c
e
f
u
l
p
e
o
p
le
l
oo
ki
ng
O b i s s i t , s i m p o r u m i d i a d q u a s s u m e s i n v e l
i u m , v o l u t i m e o s a p e r i o s m a g n a t e c o r e n e t
p o r p o r e p e d m a i o r e r u m e t a r c h i l e s t , e x p l i s
s i t a v o l o r e s p r e p r o r i o r r o v i d u n t e r u n t i u m
s i m q u i a d o l u p t a t a m r e s c i d u l p a r u m e t a s p i s
n e t q u a t e m . E t e s s i t o f f i c i i s i p i c i a e a r i o .
O b i s s i t , s i m p o r u m i d i a d q u a s s u m e s i n v e l i u m , T
h
i
s
i
s
a
s
ig
na
l from
ea
r
t
h
,
w
e
a
r
e
a
p
e
a
c
e
f
u
l
peo
p
l
e
l
o
o
k
i
n
g
f
o
r
T
h
i
s
i
s
a
s
i
g
n
a
l
f
r
o
m ea
r
t
h
,
w
e
O b i s s i t , s i m p o r u m i d i a d q u a s s u m e s i n v e l
i u m , v o l u t i m e o s a p e r i o s m a g n a t e c o r e n e t
p o r p o r e p e d m a i o r e r u m e t a r c h i l e s t , e x p l i s
s i t a v o l o r e s p r e p r o r i o r r o v i d u n t e r u n t i u m
s i m q u i a d o l u p t a t a m r e s c i d u l p a r u m e t a s p i s
n e t q u a t e m . E t e s s i t o f f i c i i s i p i c i a e a r i o .
O b i s s i t , s i m p o r u m i d i a d q u a s s u m e s i n v e l i u m , T
h
i
s
i
s
a
s
ig
na
l from
ea
r
t
h
,
w
e
a
r
e
a
p
e
a
c
e
f
u
l
peo
p
l
e
l
o
o
k
i
n
g
f
o
r
T
h
i
s
i
s
a
s
i
g
n
a
l
f
r
o
m ea
r
t
h
,
w
e
Ob
is
s
it
,
si
mp
or
um
i
di
a
d
qu
as
su
me
s
in
ve
l
iu
m,
vo
lu
t i
m e
os
ap
er
io
s m
ag
na
te
co
re
ne
t p
or
po
re
pe
d
%œå¥œ
Ob
is
s
it
,
si
mp
or
um
i
di
a
d
qu
as
su
me
s
in
ve
l
iu
m,
vo
lu
t i
m e
os
ap
er
io
s m
ag
na
te
co
re
ne
t p
or
po
re
pe
d Very few planets develop the right combination of ele-ments to support life. When our world developed the ability to travel through space we thought it would be important to find other worlds like our own and share our knowledge. In the endless expanses of space we have found many worlds, some ready to receive our ad-vanced knowledge, some are not. We recently intercept-ed radio signals from a small planet on the very edge of the universe. Perhaps they are ready as a species to know about the rest of the universe. We have set out in order to observe them, this world they call earth.
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¥ µ ¥ Ù ñ ã µ Ì x í æ Ç Æ Å ‰
õ ç Æ Õ ç
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Ù ñ ã £ ¥ µ ¥ Ù ñ ã
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A small world on the edge of space
Travel
Case
GoingTrip MoveAdventure
Box Container Unit
issue
looking
new danger Excursionouting
expedition
departure detour
deviation
journeyvoyage
mission
new findings
Obis sit, simporum idi ad quassume sinvel ium, volut im eosa-
perios magnate core net porporeped maiorerum et archil est, ex-
plis sita volores prepror iorrovidunt eruntium sim quia dolupta-
tam rescid ulparumet aspis net quatem. Et essit officiis ipiciae
T.26
Luggage
Baggage
EmotionsSuitcase additives
Obis sit, simporum idi ad quassume sinvel ium, volut im eosa-
perios magnate core net porporeped maiorerum et archil est, ex-
plis sita volores prepror iorrovidunt eruntium sim quia dolupta-
tam rescid ulparumet aspis net quatem. Et essit officiis ipiciae
O b i s s i t , s i m p o -
r u m i d i a d q u a s s u m e
s i n v e l i u m , v o l u t
i m e o s a p e r i o s m a g -
n a t e c o r e n e t p o r p o -
r e p e d m a i o r e r u m e t
a r c h i l e s t , e x p l i s
s i t a v o l o r e s p r e p r o r
i o r r o v i d u n t e r u n t i u m
s i m q u i a d o l u p t a t a m
f
T.26
F Â ñ È g å ß ÿ t È
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í æ Ç Æ Å ‰ õ ç Æ Õ
ç È g å ß ÿ t È å Ë
Ÿ Œ ç ÿ å Ô
} î ¿
x >+ £ Ñ j + j £ ¥
µ ¥ Ù ñ ã £ ¥ µ ¥ Ù
ñ ã µ Ì x í æ Ç Æ Å
O b i s s i t , s i m p o -
r u m i d i a d q u a s s u m e
s i n v e l i u m , v o l u t
i m e o s a p e r i o s m a g -
n a t e c o r e n e t p o r p o -
r e p e d m a i o r e r u m e t
a r c h i l e s t , e x p l i s
s i t a v o l o r e s p r e p r o r
i o r r o v i d u n t e r u n t i u m
s i m q u i a d o l u p t a t a m
frc
T.26 Digital Type Foundry was established by Carlos Segura in 1994 to promote the development, promotion, and distribution of independent type design. Since then, T.26 has become the largest independent source for new and innovative fonts offering a library of over 2000 individual styles comprised of over 600 families. With award winning promotional designs by its parent company Segura Inc., T.26 has maintained its relevance with a dedication to the broader integration of typography with graphic design, fine art, and popular visual culture.
Type
Foundry
flat. A
ccording t
o A
lbert E
instein's t
heory
of g
eneral r
elativity, s
pace a
round g
ravi-
tatio
nal fie
lds devia
tes from Euclid
ean
space. E
xperimental t
ests o
f g
eneral r
ela-
tiv
ity have confir
med that non-E
uclid
ean
space provid
es a better model for the
shape o
f s
pace. ø
For e
arth t
he f
irst s
teps
into s
pace w
ere t
aken b
y G
erman s
cientists
durin
g World War II whil
e testin
g the V2
rocket which became the first human-m
ade
object in
space. A
fter t
he w
ar, t
he A
llies
used G
erman s
cientists a
nd t
heir c
aptured
rockets in
programs f
or b
oth m
ilitary a
nd
civilian r
esearch. T
he f
irst s
cientific e
xplo-
ration f
rom s
pace w
as t
he c
osmic r
adiation
experim
ent launched by the U.S
. on a V2
rocket o
n M
ay 1
0, 1
946. T
he f
irst im
ages o
f
Earth t
aken f
rom s
pace f
ollowed t
he s
ame
year w
hile t
he f
irst a
nimal e
xperiment s
aw
fruit flies lifted into space in 1947, both
also o
n m
odified V
2s l
aunched b
y A
mericans.
These s
uborbital e
xperiments o
nly a
llowed
a v
ery s
hort t
ime in
space w
hich l
imited t
heir
usefulness. ø
The f
irst s
uccessful o
rbital
launch w
as o
f t
he S
oviet u
nmanned S
putnik
mis
sio
n on October 4,
1957. The satellit
e
weighed a
bout 8
3 k
g (1
84 p
ounds), a
nd is
be-
lieved t
o h
ave o
rbited E
arth a
t a
height o
f
about 250 km (1
50 miles).
It had two radio
transmitters (2
0 a
nd 4
0 M
Hz), w
hich e
mitted
"beeps" t
hat c
ould b
e h
eard b
y r
adios a
round
the g
lobe. A
nalysis o
f t
he r
adio s
ignals w
as
used t
o g
ather in
formation a
bout t
he e
lec-
tron d
ensity o
f t
he io
nosphere, w
hile t
em-
perature a
nd p
ressure d
ata w
as e
ncoded in
the duratio
n of radio
beeps. The results
indicated t
hat t
he s
atellite w
as n
ot p
unc-
tured b
y a
meteoroid. S
putnik 1
was l
aunched
by an R-7
rocket. It burned up upon re-
entry o
n J
anuary 3
, 1958. T
his s
uccess l
ed
to an escalatio
n of the Americ
an space
program, w
hich u
nsuccessfully a
ttempted t
o
launch Vanguard 1 in
to orbit
two months
later. O
n J
anuary 3
1, 1
958, t
he U
.S. s
uccess-
fully o
rbited E
xplorer 1
on a
Juno r
ocket.
In t
he m
eantime, t
he S
oviet d
og L
aika b
ecame
the f
irst a
nimal in
orbit o
n N
ovember 3
, 1957.
ø The first successful human spaceflight
was V
ostok 1
, carrying 2
7 y
ear o
ld R
ussian
cosmonaut Y
uri G
agarin o
n A
pril 1
2, 1
961. T
he
spacecraft c
ompleted o
ne o
rbit a
round t
he
globe, l
asting a
bout 1
hour a
nd 4
8 m
inutes.
Gagarin's f
light r
esonated a
round t
he w
orld;
it was a demonstratio
n of the advanced
Soviet s
pace p
rogram a
nd it
opened a
n e
n-
tirely n
ew e
ra in
space e
xploration: h
uman
spaceflight. S
hepard's s
uborbital f
light in
Mercury-R
edstone 3.
Orbit
al flig
ht was
achie
ved by the Unit
ed States when John
Glenn's M
ercury-A
tlas 6
orbited t
he E
arth
on F
ebruary 2
0, 1
962. V
alentina T
ereshkova,
the f
irst w
oman in
space, o
rbited t
he E
arth
48 t
imes a
board V
ostok 6
on J
une 1
6, 1
963.
China f
irst l
aunched a
person in
to s
pace 4
2
years after the launch of Vostok 1,
on
October 15, 2003, wit
h the flig
ht of Yang
Liwei a
board t
he S
henzhou 5
spacecraft.
Space is the boundless, three-d
imensional
extent in
which o
bjects a
nd e
vents o
ccur
and have relativ
e posit
ion and dir
ectio
n.
Physical s
pace is
often c
onceived in
three
linear d
imensions, a
lthough m
odern p
hysicists
usually c
onsider it
, with t
ime, t
o b
e p
art o
f
the boundless four-d
imensio
nal contin
uum
known a
s s
pacetime. I
n m
athematics o
ne e
x-
amines 's
paces' w
ith d
ifferent n
umbers o
f d
i-mensio
ns and wit
h dif
ferent underlyin
g
structures. T
he c
oncept o
f s
pace is
consid-
ered t
o b
e o
f f
undamental im
portance t
o a
n
understanding o
f t
he p
hysical u
niverse a
l-
though d
isagreement c
ontinues b
etween p
hi-
losophers over whether it
is
it
self an
entity, a relationship between entities, or
part o
f a
conceptual f
ramework. M
any o
f
the phil
osophic
al questio
ns arose in
the
17th c
entury, d
uring t
he e
arly d
evelopment
of classic
al mechanic
s. In Isaac Newton's
view, s
pace w
as a
bsolute - in
the s
ense t
hat
it e
xisted p
ermanently a
nd in
dependently o
f
whether t
here w
ere a
ny m
atter in
the s
pace.
Other n
atural p
hilosophers, n
otably G
ott-
fried L
eibniz, t
hought in
stead t
hat s
pace w
as
a c
ollection o
f r
elations b
etween o
bjects,
giv
en by their distance and direction from
one a
nother. I
n t
he 1
8th c
entury, I
mmanuel
Kant d
escribed s
pace a
nd t
ime a
s e
lements
of a
systematic f
ramework w
hich h
umans u
se
to s
tructure t
heir e
xperience. I
n t
he 1
9th
and 2
0th c
enturies m
athematicians b
egan t
o
examin
e non-E
uclid
ean geometrie
s,
in whic
h
space c
an b
e s
aid t
o b
e c
urved, r
ather t
han
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O b i s s i t , s i m p o r u m i d i a d q u a s s u m e s i n v e l i u m , v o l u t i m e o s a p e r i o s m a g -
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QEarth is the third planet from the Sun, and the fifth-largest of the eight planets in the Solar System. It is also the largest, most massive, and densest of the Solar System's four terrestrial planets. It is sometimes referred to as the World, the Blue Planet, or by its Latin name, Terra. Earth's outer surface is divided into several rigid segments, or tectonic plates, that grad-ually migrate across the surface over periods of many millions of years. About 71% of the surface is covered with salt-water oceans, the remainder consisting of con-tinents and islands; liquid water, necessary for all known life. Earth's interior remains active, with a thick layer of relatively solid mantle, a liquid outer core that generates a magnetic field, and a solid iron core.
ƒ¥œåÆEarth is one of many planets
surrounding a star
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life on earth
15 % m i c r o o r g a n i s m s5 % o t h e r8 0 % i n v e r t e b r a t e s
The diversity of life on Earth today is a result of the dynamic interplay between genetic opportunity, meta-bolic capability, environmental challenges, and symbio-sis. For most of its existence, Earth's habitable environ-ment has been dom inated by m icroorgan isms and subjected to their metabolism and evolution. As a con-sequence of such microbial activities on a geologic time scale, the physical-chemical environment on Earth has been changing, thereby determining the path of evolu-tion of subsequent life. For example, the release of molecular oxygen by cyanobacteria as a by-product of photosynthesis induced fundamental, global changes in the Earth's environment. The altered environment, in turn, posed novel evolutionary challenges to the or-ganisms present, which ultimately resulted in the for-
àljva¤mation of our planet's major animal and plant species. Therefore this 'co-evolution' between organisms and their environment is apparently an inherent feature of living systems. ø The inert components of an ecosystem are the physical and chemical factors necessary for life – energy (sunlight or chemical energy), water, tem-perature, atmosphere, gravity, nutrients, and ultravio-let solar radiation protection. In most ecosystems the conditions vary during the day and often shift from one season to the next. To live in most ecosystems, then, organisms must be able to survive a range of conditions, called 'range of tolerance'. Outside of that are the 'zones of physiological stress', where the survival and reproduction are possible but not optimal. Outside of these zones are the 'zones of intolerance', where life for that organism is implausible. It has been determined that organisms that have a wide range of tolerance are more widely distributed than organisms with a narrow range of tolerance. ø Traditionally, people on Earth have divided organisms into the classes of plants and animals, based mainly on their ability of movement. The first known attempt to classify organisms was conduct-ed by the Greek philosopher Aristotle. He classified all living organisms known at that time as either a plant or an animal. Aristotle distinguished animals with blood from animals without blood (or at least without red blood), which can be compared with the concepts of vertebrates and invertebrates respectively. He divided the blooded animals into five groups: viviparous quadrupeds (mammals), birds, oviparous quadrupeds (reptiles and amphibians), fishes and whales. The bloodless animals were also divided into five groups: cephalopods, crustaceans, insects, shelled animals (such as most molluscs and echinoderms) and "zoophytes". Though Aristotle's work in zoology was not without errors, it was the grandest biological synthesis of the time and remained the ulti-mate authority for many centuries after his death.
What life forms are on earth
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Home to millions of species including humans, Earth is the only place in the system where life is known to exist. The planet formed 4.54 billion years ago and life ap-peared on its surface within a billion years. Since then, Earth's biosphere has significantly altered the atmo-sphere and other abiotic conditions on the planet, en-abling the proliferation of aerobic organisms as well as the formation of the ozone layer which, together with Earth's magnetic field, blocks harmful solar radiation, permitting life on land. The physical properties of the Earth, as well as its geological history and orbit, have allowed life to persist during this period. Without inter-vention, the planet could be expected to continue sup-porting life for between 0.5 to 2.3 billion years, after which the rising luminosity and expansion of the Sun as a result of the gradual but inexorable depletion of its hydrogen fuel would eventually eliminate the planet.
O b i s s i t , s i m p o -r u m i d i a d q u a s s u m e s i n v e l i u m , v o l u t
O b i s s i t ,
s i m p o r u m i d i
a d q u a s s u m e
s i n v e l i u m ,
v o l u t i m e o s -
a p e r i o s m a g -
n a t e c o r e n e t
p o r p o r e p e d
m a i o r e r u m e t
a r c h i l e s t ,
e x p l i s s i t a
v o l o r e s p r e -
p r o r i o r r o v -
T h e r e ’ s a s t a r m a n w a i t i n g i n t h e s k y H e ’ d l i k e t o c o m e a n d m e e t u s B u t h e t h i n k s h e ’ d b l o w o u r m i n d s
&6F=3Ô¥«ÓµäprtÑëãçŸûúöÜÚÛùüîññ¿ÕæÊãÈ
O b i s s i t ,
s i m p o r u m i d i
a d q u a s s u m e
s i n v e l i u m ,
v o l u t i m e o s -
a p e r i o s m a g -
n a t e c o r e n e t
p o r p o r e p e d
m a i o r e r u m e t
a r c h i l e s t ,
e x p l i s s i t a
v o l o r e s p r e -
p r o r a a a a
O b i s s i t , s i m p o -r u m i d i a d q u a s -s u m e s i n v e l i u m , v o l u t i m e o s a p e r i -o s m a g n a t e c o r e n e t p o r p o r e p e d
‰ÅÇÆ£.a world called earthThe r e ’ s a s t a r m a n w a i t i n g i n t h e s k y H e ’ d l i k e t o c o m e a n d m e e t u s B u t h e t h i n k s h e ’ d b l o w o u r m i n d s
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O b i s s i t , s i m p o -r u m i d i a d q u a s -s u m e s i n v e l i u m , v o l u t i m e o s a p e r i -o s m a g n a t e c o r e n e t p o r p o r e p e d
Exosphere
Thermosphere
Mesosphere
Stratosphere
Troposphere
Exosphere
mesopelagic
bathypelagic
abyssalpelagic
hadalpelagic
f
The atmosphere of Earth is a layer of gases surrounding the planet Earth that is retained by Earth's gravity. The atmosphere protects life on Earth by absorbing ultraviolet solar radiation, warming the surface through heat retention and reducing temperature extremes between day and night. ø The ocean is a major body of saline water, and a principal component of the hydrosphere. Approximately 71% of the Earth's surface is covered by ocean, a con-tinuous body of water that is customarily di-vided into several principal oceans and smaller seas. ø The crust of the Earth is composed of a great variety of igneous, metamorphic, and sedimentary rocks. The crust is underlain by the mantle. The upper part of the mantle is composed mostly of peridotite, a rock denser than rocks common in the overlying crust. The boundary between the crust and mantle is con-ventionally placed at the Mohorovi discontinu-ity, a boundary defined by a contrast in seismic velocity. Earth's crust occupies less than 1% of Earth's volume.
Crust
Upper mantle
Mantle
Outer core
Inner core
‰Ç:K+uÆEarth is made up of Layers of the
earth, air, and sea
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ƒ¥œåOÆF  ñ È g å ß ÿ t È å Ë Ÿ Œ ç ÿ å Ô } î ¿ x >+ £ Ñ j + j £ ¥ µ ¥ Ù ñ ã µ Ì x í æ Ç Æ Å ‰ õ ç Æ Õ ç È g å ß ÿ t È å Ë Ÿ Œ ç ÿ å Ô } î ¿
Humans are the dominant creatures on earth
Humans commonly refers to the species Homo the only extant member of the Homo genus of bipedal primates in Hominidae, the great ape family. However, in some cases the term is used to refer to any member of the genus Homo. Humans have a highly developed brain, capable of abstract reasoning, language, introspection, and problem solving. This mental capability, combined with an erect body carriage that frees the hands for manipu-lating objects, has allowed humans to make far greater use of tools than any other species. Mitochondrial DNA and fossil evidence indicates that modern humans origi-nated in Africa about 200,000 years ago. With individuals widespread in every continent except Antarctica, humans are a cosmopolitan species. Like most higher primates, humans are social by nature. However, humans are uniquely adept at utilizing systems of communication for self-expression, the exchange of ideas, and organization. Humans create complex social structures composed of many cooperating and competing groups, from families to nations. Social interactions between humans have estab-lished an extremely wide variety of values, social norms, and rituals, which together form human society.
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War is a behavior pattern exhibited by many primate species including humans, and also found in many ant species. The primary feature of this behavior pattern is a certain state of organized violent conflict that is engaged in between two or more separate social entities. Such a conflict is always an attempt at altering either
the psychological hierarchy or the material hierarchy of domination or equality between two or more groups. In all cases, at least one participant (group) in the conflict perceives the need to either psychologically or materially dominate the other participant. Amongst humans, the perceived need for domination often arises from the belief that an essential ideology or resource is somehow either so incompatible or so scarce as to threaten the fundamental existence of the one group experiencing the need to dominate the other group. Leaders will sometimes enter into a war under the pretext that their actions are primarily defensive, however when viewed objectively, their actions may more closely resemble a form of unprovoked, unwar-ranted, or disproportionate aggression. ø In all wars, the groups experiencing the need to dominate other groups are unable and unwilling to accept or permit the possibility of a relationship of fundamental equal-ity to exist between the groups who have opted for group violence (war). The aspect of domination that is a precipitating factor in all wars, i.e. one group wishing to dominate another, is also often a precipitating factor in individual one-on-one violence outside of the context of war, i.e. one individual wishing to dominate another. ø War has generally been considered to be a seemingly inescapable and integral aspect of human culture, its practice not linked to any single type of political organization or society. Rather, as discussed by John Keegan in his History Of Warfare, war is a uni-versal phenomenon whose form and scope is defined by the society that wages it. The conduct of war extends along a continuum, from the almost universal primitive local tribal warfare that began well before record-ed human history, to advanced nuclear warfare between global alliances, with the recently developed ulti-mate potential for human extinction. More recently, other experts Douglas P. Fry and Judith Hand have argued that war only emerges in certain types of so-cieties or cultures, being rare or absent, for example , in nomadic foragers societies and becoming common when humans take up settled living, particularly at the Agricultural Revolution.
9F  ñ È g å ß ÿ t È å Ë Ÿ Œ ç ÿ å Ô } î ¿ x >+ £ Ñ j + j £ ¥ µ ¥ Ù ñ ã µ Ì x í æ Ç Æ Å ‰ õ ç Æ Õ ç È g å ß ÿ t È å Ë Ÿ Œ ç ÿ å Ô } î ¿ x >+ £ Ñ j + j £ ¥ µ ¥ Ù ñ ã £ ¥ µ ¥ Ù ñ ã µ Ì x í æ Ç
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‰g:+vÆlthey have wars over anything
As an abstract concept, love usually refers to a deep, ineffable feeling of tenderly caring for another person. Even this limited conception of love, however, encompasses a wealth of different feelings, from the passionate desire and intimacy of romantic love to the nonsexual emotional closeness of familial and platon-ic love to the profound oneness or devotion of reli-gious love. Love in its various forms acts as a major facilitator of interpersonal relationships and, owing to its central psychological importance, is one of the most common themes in the creative arts. ø Although the nature or essence of love is a subject of frequent debate, different aspects of the word can be clarified by determining what isn't love. As a general expression of positive sentiment (a stronger form of like), love is commonly contrasted with hate (or neutral apathy) as a less sexual and more emotionally intimate form of romantic attachment, love is commonly contrasted with lust; and as an interpersonal relationship with romantic overtones, love is commonly contrasted with friendship, although other definitions of the word love may be applied to close friendships in certain contexts.
acy7w2=something they call love y
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O b i s s i t , s i m p o r u m i d i a d q u a s s u m e s i n v e l i u m , v o l u t i m e o s a p e r i o s m a g n a t e c o r e n e t p o r p o r e p e d m a i o r e r u m e t a r c h i l e s t , e x p l i s s i t a v o l o r e s p r e p r o r i o r r o v i d u n t e r u n t i u m s i m q u i a d o l u p t a -t a m r e s c i d u l p a r u m e t a s p i s n e t q u a t e m . E t e s s i t o f f i c i i s i p i c i a e a r i o . N e q u e v o l u p i s e a d o l u p -t a t e m q u a e v o l u p t i i s i m i l l u p t a s e t u r O b i s s i t , s i m p o r u m i d i a d q u a s s u m e s i n v e l i u m , v o l u t i m e o s a p e r i o s m a g n a t e c o r e n e t p o r p o r e p e d m a i o r e -r u m e t a r c h i l e s t , e x p l i s s i t a v o l o r e s p r e p r o r i o r r o v i d u n t e r u n t i u m s i m q u i a d o l u p t a t a m r e s c i d u l p a r u m e t a s p i s n e t q u a t e m . E t e s s i t o f f i c i i s i p i c i a e a r i o . N e q u e v o l u p i s e a d o l u p t a t e m q u a e v o l u p t i i s i m i l l u p t a s e t u r r e , c o n s e q u i u t e s t e s e q u o d e l e n d e n t . d o l u p t a t a m r e s c i d u l p a r u m e t a s p i s n e t O b i s s i t , s i m p o r u m i d i a d q u a s s u m e s i n v e l i u m , v o l u t i m e o s a p e r i o s m a g n a t e c o r e n e t p o r p o r e p e d m a i o r e -r u m e t a r c h i l e s t , e x p l i s s i t a v o l o r e s p r e p r o r i o r r o v i d u n t e r u n t i u m s i m q u i a d o l u p t a t a m r e s c i d u l p a r u m e t a s p i s n e t q u a t e m . E t e s s i t o f f i c i i s i p i c i a e a r i o . N e q u e v o l u p i s e a d o l u p t a t e m q u a e v o l u p t i i s i m i l l u p t a s e t u r r e , c o n s e q u i u t e s t e s e q u o d e l e n d e n t .o n s e q u i u t e s t e s e q u o d e l e n d e n t .O b i s s i t , s i m p o r u m i d i a d q u a s s u m e s i n v e l i u m , v o l u t i m e o s a p e r i o s m a g n a t e c o r e n e t p o r p o r e p e d m a i o r e r u m e t a r c h i l e s t , e x p l i s s i t a v o l o r e s p r e p r o r i o r r o v i d u n t e r u n t i u m s i m q u i a d o l u p t a t a m r e s c i d u l p a r u m e t a s p i s n e t q u a t e m . E t e s s i t o f -f i c i i s i p i c i a e a r i o . N e q u e v o l u p i s e a d o l u p t a t e m q u a e v o l u p t i i s i m i l l u p t a s e t u r r e , c o n s e q u i u t e s t e s e q u o d e l e n d e n t .O b i s s i t , s i m p o r u m i d i a d q u a s s u m e s i n v e l i u m , v o l u t i m e o s a p e r i o s m a g n a t e c o r e n e t p o r p o r e p e d m a i o r e r u m e t a r c h i l e s t , e x p l i s s i t a v o l o r e s p r e p r o r i o r r o v i d u n t e r u n t i u m s i m q u i a d o l u p t a t a m r e s c i d u l p a r u m e t a s p i s n e t q u a t e m . E t e s s i t o f -f i c i i s i p i c i a e a r i o . N e q u e v o l u p i s e a d o l u p t a t e m q u a e v o l u p t i i s i m i l l u p t a s e t u r r e , c o n s e q u i u t e s t e s e q u o d e l e n d e n t .O b i s s i t , s i m p o r u m i d i a d q u a s s u m e s i n v e l i u m , v o l u t i m e o s a p e r i o s m a g n a t e c o r e n e t p o r p o r e p e d m a i o r e r u m e t a r c h i l e s t , e x p l i s s i t a v o l o r e s p r e p r o r i o r r o v i d u n t e r u n t i u m s i m q u i a d o l u p t a -t a m r e s c i d u l p a r u m e t a s p i s n e t q u a t e m . E t e s s i t o f f i c i i s i p i c i a e a r i o . N e q u e v o l u p i s e a d o l u p -t a t e m q u a e v o l u p t i i s i m i l l u p t a s e t u r O b i s s i t , s i m p o r u m i d i a d q u a s s u m e s i n v e l i u m , v o l u t i m e o s a p e r i o s m a g n a t e c o r e n e t p o r p o r e p e d m a i o r e -r u m e t a r c h i l e s t , e x p l i s s i t a v o l o r e s p r e p r o r i o r r o v i d u n t e r u n t i u m s i m q u i a d o l u p t a t a m r e s c i d u l p a r u m e t a s p i s n e t q u a t e m . E t e s s i t o f f i c i i s i p i c i a e a r i o . N e q u e v o l u p i s e a d o l u p t a t e m q u a e v o l u p t i i s i m i l l u p t a s e t u r r e , c o n s e q u i u t e s t e s e q u o d e l e n d e n t . d o l u p t a t a m r e s c i d u l p a r u m e t a s p i s n e t O b i s s i t , s i m p o r u m i d i a d q u a s s u m e s i n v e l i u m , v o l u t i m e o s a p e r i o s m a g n a t e c o r e n e t p o r p o r e p e d m a i o r e -r u m e t a r c h i l e s t , e x p l i s s i t a v o l o r e s p r e p r o r i o r r o v i d u n t e r u n t i u m s i m q u i a d o l u p t a t a m r e s c i d u l p a r u m e t a s p i s n e t q u a t e m . E t e s s i t o f f i c i i s i p i c i a e a r i o . N e q u e v o l u p i s e a d o l u p t a t e m q u a e v o l u p t i i s i m i l l u p t a s e t u r r e , c o n s e q u i u t e s t e s e q u o d e l e n d e n t .o n s e q u i u t e s t e s e q u o d e l e n d e n t .O b i s s i t , s i m p o r u m i d i a d q u a s s u m e s i n v e l i u m , v o l u t i m e o s a p e r i o s m a g n a t e c o r e n e t p o r p o r e p e d
O b i s s i t , s i m p o r u m i d i a d q u a s s u m e s i n v e l i u m , v o l u t i m e o s a p e r i o s m a g n a t e c o r e n e t p o r p o r e p e d m a i o r e r u m e t a r c h i l e s t , e x p l i s s i t a v o l o r e s p r e p r o r i o r r o v i d u n t e r u n t i u m s i m q u i a d o l u p t a -t a m r e s c i d u l p a r u m e t a s p i s n e t q u a t e m . E t e s s i t o f f i c i i s i p i c i a e a r i o . N e q u e v o l u p i s e a d o l u p -t a t e m q u a e v o l u p t i i s i m i l l u p t a s e t u r O b i s s i t , s i m p o r u m i d i a d q u a s s u m e s i n v e l i u m , v o l u t i m e o s a p e r i o s m a g n a t e c o r e n e t p o r p o r e p e d m a i o r e -r u m e t a r c h i l e s t , e x p l i s s i t a v o l o r e s p r e p r o r i o r r o v i d u n t e r u n t i u m s i m q u i a d o l u p t a t a m r e s c i d u l p a r u m e t a s p i s n e t q u a t e m . E t e s s i t o f f i c i i s i p i c i a e a r i o . N e q u e v o l u p i s e a d o l u p t a t e m q u a e v o l u p t i i s i m i l l u p t a s e t u r r e , c o n s e q u i u t e s t e s e q u o d e l e n d e n t . d o l u p t a t a m r e s c i d u l p a r u m e t a s p i s n e t O b i s s i t , s i m p o r u m i d i a d q u a s s u m e s i n v e l i u m , v o l u t i m e o s a p e r i o s m a g n a t e c o r e n e t p o r p o r e p e d m a i o r e -r u m e t a r c h i l e s t , e x p l i s s i t a v o l o r e s p r e p r o r i o r r o v i d u n t e r u n t i u m s i m q u i a d o l u p t a t a m r e s c i d u l p a r u m e t a s p i s n e t q u a t e m . E t e s s i t o f f i c i i s i p i c i a e a r i o . N e q u e v o l u p i s e a d o l u p t a t e m q u a e v o l u p t i i s i m i l l u p t a s e t u r r e , c o n s e q u i u t e s t e s e q u o d e l e n d e n t .o n s e q u i u t e s t e s e q u o d e l e n d e n t .O b i s s i t , s i m p o r u m i d i a d q u a s s u m e s i n v e l i u m , v o l u t i m e o s a p e r i o s m a g n a t e c o r e n e t p o r p o r e p e d m a i o r e r u m e t a r c h i l e s t , e x p l i s s i t a v o l o r e s p r e p r o r i o r r o v i d u n t e r u n t i u m s i m q u i a d o l u p t a t a m r e s c i d u l p a r u m e t a s p i s n e t q u a t e m . E t e s s i t o f -f i c i i s i p i c i a e a r i o . N e q u e v o l u p i s e a d o l u p t a t e m q u a e v o l u p t i i s i m i l l u p t a s e t u r r e , c o n s e q u i u t e s t e s e q u o d e l e n d e n t .O b i s s i t , s i m p o r u m i d i a d q u a s s u m e s i n v e l i u m , v o l u t i m e o s a p e r i o s m a g n a t e c o r e n e t p o r p o r e p e d m a i o r e r u m e t a r c h i l e s t , e x p l i s s i t a v o l o r e s p r e p r o r i o r r o v i d u n t e r u n t i u m s i m q u i a d o l u p t a t a m r e s c i d u l p a r u m e t a s p i s n e t q u a t e m . E t e s s i t o f -f i c i i s i p i c i a e a r i o . N e q u e v o l u p i s e a d o l u p t a t e m q u a e v o l u p t i i s i m i l l u p t a s e t u r r e , c o n s e q u i u t e s t e s e q u o d e l e n d e n t .O b i s s i t , s i m p o r u m i d i a d q u a s s u m e s i n v e l i u m , v o l u t i m e o s a p e r i o s m a g n a t e c o r e n e t p o r p o r e p e d m a i o r e r u m e t a r c h i l e s t , e x p l i s s i t a v o l o r e s p r e p r o r i o r r o v i d u n t e r u n t i u m s i m q u i a d o l u p t a -t a m r e s c i d u l p a r u m e t a s p i s n e t q u a t e m . E t e s s i t o f f i c i i s i p i c i a e a r i o . N e q u e v o l u p i s e a d o l u p -t a t e m q u a e v o l u p t i i s i m i l l u p t a s e t u r O b i s s i t , s i m p o r u m i d i a d q u a s s u m e s i n v e l i u m , v o l u t i m e o s a p e r i o s m a g n a t e c o r e n e t p o r p o r e p e d m a i o r e -r u m e t a r c h i l e s t , e x p l i s s i t a v o l o r e s p r e p r o r i o r r o v i d u n t e r u n t i u m s i m q u i a d o l u p t a t a m r e s c i d u l p a r u m e t a s p i s n e t q u a t e m . E t e s s i t o f f i c i i s i p i c i a e a r i o . N e q u e v o l u p i s e a d o l u p t a t e m q u a e v o l u p t i i s i m i l l u p t a s e t u r r e , c o n s e q u i u t e s t e s e q u o d e l e n d e n t . d o l u p t a t a m r e s c i d u l p a r u m e t a s p i s n e t O b i s s i t , s i m p o r u m i d i a d q u a s s u m e s i n v e l i u m , v o l u t i m e o s a p e r i o s m a g n a t e c o r e n e t p o r p o r e p e d m a i o r e -r u m e t a r c h i l e s t , e x p l i s s i t a v o l o r e s p r e p r o r i o r r o v i d u n t e r u n t i u m s i m q u i a d o l u p t a t a m r e s c i d u l p a r u m e t a s p i s n e t q u a t e m . E t e s s i t o f f i c i i s i p i c i a e a r i o . N e q u e v o l u p i s e a d o l u p t a t e m q u a e v o l u p t i i s i m i l l u p t a s e t u r r e , c o n s e q u i u t e s t e s e q u o d e l e n d e n t .o n s e q u i u t e s t e s e q u o d e l e n d e n t .O b i s s i t , s i m p o r u m i d i a d q u a s s u m e s i n v e l i u m , v o l u t i m e o s a p e r i o s m a g n a t e c o r e n e t p o r p o r e p e d
Throughout the universe there are many written forms of language. Each one is very different. Some are math-ematically based. Some are phonetically based. Some are even based on facial movements. At times they are used only on one world, and at times throughout space. It often changes based on who ever the dominant species in at the time. Currently we are in an age of peace. So the language of choice is that of the ancient space travelers that first started exploring the cosmos. Their language uses 4 distinct alphabets that all work to-gether as one. They work differently them most other languages. They are all functioning at the same time but taking on different tasks. Understanding then if very difficult, but once you do it makes it very easy to convey information in smaller spaces. Think of it as a compressed thought that you uncompress as you read.
ƒuœuÆUnderstanding the structure of
our language is key. u ñ È g å ß ÿ t È å Ë Ÿ Œ ç ÿ å Ô } î ¿ x >+ £ Ñ j + j £ ¥ µ ¥ Ù ñ ã µ Ì x í æ Ç Æ Å ‰ õ ç Æ Õ ç È g å ß ÿ t È å Ë Ÿ Œ ç ÿ å Ô } F  ñ È g å ß ÿ t È å Ë Ÿ Œ ç ÿ å Ô } î ¿ x >+ £ Ñ j + j £ ¥ µ ¥ Ù ñ ã µ Ì x í æ Ç Æ Å ‰ õ ç Æ Õ ç È g å ß ÿ t È å Ë Ÿ Œ ç ÿ å Ô } ¿ x >+ £ Ñ j + j £ ¥ µ ¥ Ù ñ ã £ ¥ µ ¥ Ù ñ ã µ Ì x í æ Ç Æ Å ‰ õ ç Æ Õ ç È g å ß F  ñ È g å ß ÿ t È å Ë Ÿ Œ ç ÿ å Ô } î ¿ x >+ £ Ñ j + j £ ¥ µ ¥ Ù ñ ã µ Ì x í æ Ç Æ Å ‰ õ ç Æ Õ ç È g å ß ÿ t È å Ë Ÿ Œ ç ÿ å Ô } ¿ x >+ £ Ñ j + j £ ¥ µ ¥ Ù ñ ã £ ¥ µ ¥ Ù ñ ã µ Ì x æ Ç Æ Å ‰ õ ç Æ Õ ç È g å ß ÿ t È å Ë Ÿ Œ ç ÿ å Ô } î ¿ x >+ £ Ñ j + j £ ¥ g å ß ÿ t È å Ë Ÿ Œ F  ñ È g å ß ÿ
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p r o r i o r r o v -
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 ñ È g å ß ÿ t È å Ë Ÿ Œ ç ÿ å Ô } î ¿ x >+ £ Ñ j + j £ ¥ µ ¥ Ù ñ ã µ Ì x í æ Ç Æ Å ‰ õ ç Æ Õ ç È g å ß ÿ t È å Ë Ÿ Œ ç ÿ å Ô } F  ñ È g å ß ÿ t È å Ë Ÿ Œ ç ÿ å Ô } î ¿ x >+ £ Ñ j + j £ ¥ µ ¥ Ù ñ ã µ Ì x í æ Ç Æ Å ‰ õ ç Æ Õ ç È g å ß ÿ t È å Ë Ÿ Œ ç ÿ å Ô } ¿ x >+ £ Ñ j + j £ ¥ µ ¥ Ù ñ ã £ ¥ µ ¥ Ù ñ ã µ Ì x í æ Ç Æ Å ‰ õ ç Æ Õ ç È g å ß F  ñ È g å ß ÿ t È å Ë Ÿ Œ ç ÿ å Ô } î ¿ x >+ £ Ñ j + j £ ¥ µ ¥ Ù ñ ã µ Ì x í æ Ç Æ Å ‰ õ ç Æ Õ ç È g å ß ÿ t È å Ë Ÿ Œ ç ÿ å Ô } ¿ x >+ £ Ñ j + j £ ¥ µ ¥ Ù ñ ã £ ¥ µ ¥ Ù ñ ã µ Ì x æ Ç Æ Å ‰ õ ç Æ Õ ç È g å ß ÿ t È å Ë Ÿ Œ ç ÿ å Ô } î ¿ x >+ £ Ñ j + j £ ¥ g å ß ÿ t È å Ë Ÿ Œ F  ñ È g å ß ÿ
O b i s s i t , s i m p o -r u m i d i a d q u a s s u m e s i n v e l i u m , v o l u t i m e o s a p e r i o s m a g -n a t e c o r e n e t p o r -p o r e p e d m a i o r e r u m e t a r c h i l e s t , e x -
O b i s s i t , s i m p o -r u m i d i a d q u a s -s u m e s i n v e l i u m , v o l u t i m e o s a p e r i -o s m a g n a t e c o r e n e t p o r p o r e p e d
O b i s s i t , s i m p o -r u m i d i a d q u a s -s u m e s i n v e l i u m , v o l u t i m e o s a p e r i -o s m a g n a t e c o r e n e t p o r p o r e p e d
O b i s s i t , s i m p o -r u m i d i a d q u a s s u m e s i n v e l i u m , v o l u t
O b i s s i t ,
s i m p o r u m i d i
a d q u a s s u m e
s i n v e l i u m ,
v o l u t i m e o s -
a p e r i o s m a g -
n a t e c o r e n e t
p o r p o r e p e d
m a i o r e r u m e t
a r c h i l e s t ,
e x p l i s s i t a
v o l o r e s p r e -
p r o r i o r r o v -
O b i s s i t , s i m p o -r u m i d i a d q u a s s u m e s i n v e l i u m , v o l u t i m e o s a p e r i o s m a g -n a t e c o r e n e t p o r -p o r e p e d m a i o r e r u m e t a r c h i l e s t , e x -
O b i s s i t , s i m p o -r u m i d i a d q u a s -s u m e
O b i s s i t , s i m p o -r u m i d i a d q u a s s u m e s i n v e l i u m , v o l u t
O b i s s i t , s i m -
O b i s s i t ,
s i m p o r u m i d i
a d q u a s s u m e
s i n v e l i u m ,
v o l u t i m e o s -
a p e r i o s m a g -
n a t e c o r e n e t
Signal is a typeface that is made up of dots. It is great for texture. It works well very large and very small as well. It looks great broadsided as well as in its normal orientation.
&BXØæÖsignal is made up of many dots
Desig
ned by John Wie
se
Released October 15,
1999
signal
Weights
b i s
i t ,
s i -
r u m
i d i
a d
a s s
u m e
i n -
v e l
i u m ,
v o -
l u t
Regular
Ab
c d
e r
f
h I
j k
l
m n
o p
q r
s
t u
v w
x
dokR
Digital Waste is a rounded type face made up of geomet-ric circular shapes. At time the face can look like objects from another world. Many of the shapes fit together like a puzzle, this gives the users a lot of options when setting this face.
y190ÆDigital waste is a typeface
like no other
Ab
c d
e r
f
h I
j k
l
m n
o p
q r
s
t u
v w
x
Desig
ned by Jim
Marcus
Released July 05,
2000
Digital W
aste
Weights
b i s
i t ,
s i -
r u m
i d i
a d
a s s
u m e
i n -
v e l
i u m ,
v o -
l u t
Lig
ht / Obliq
ue
Regular / Obliq
ue
Heavy / Obliq
ue
a b
c d
e f
g h
i
j k
l m n
o p
q r
s t
u v
w x
y z
A
B C
D E
F G
H I J
K L
M N
O P
Q R
S T
U V
W X
Y Z
76/82
abc
de
rf
hij
klm
no
pq
rs
tu
vw
xy
z
ABC
DE
RF
HIJ
KL
MN
OP
QR
ST
UV
WX
YZ
12
34
56
78
90
<>?
:”{}!@#
$%
^&
*()+
,./;’[]-=
abc
de
rf
hij
klm
no
pq
rs
tu
vw
xy
z
ABC
DE
RF
HIJ
KL
MN
OP
QR
ST
UV
WX
YZ
12
34
56
78
90
<>?
:”{}!@#
$%
^&
*()+
,./;’[]-=
27/32
27/32
Desig
ned by Jim
Marcus
Released July 05,
2000
Digital W
aste
Weights
b i s
i t ,
s i -
r u m
i d i
a d
a s s
u m e
i n -
v e l
i u m ,
v o -
l u t
Regular / Obliq
ue
9a
wf oh8
okR
Digital Waste is a rounded typeface made up of geomet-ric circular shapes. Many of the shapes fit together like a puzzle, this gives the users a lot of options when setting this face. Even characters of different point sizes fit together well.
YdnlÆThe shapes in Dig ital Waste
fit together
t
wohDesig
ned by Jim
Marcus
Released July 05,
2000
Digital W
aste
Weights
b i s
i t ,
s i -
r u m
i d i
a d
a s s
u m e
i n -
v e l
i u m ,
v o -
l u t
Regular / Obliq
ue
t
anAN1:+
gtGT7#-
fsFS6@?
erER5!;
DqDQ4}/
cpCP3{.
boBO2",
57/68
Desig
ned by Jason Koerner
Released March 03,
1999
Luggage r
egular
Luggage is a geometric face based on squares. It is great for setting in geometrically based designs. The face comes in 24 weights. Some faces come broken some come rounded. This face offers a lot of options. Luggage works well in large point sizes for titles and large blocks of type.
dj89@Luggage is a geometric
square typeface
ivIV9^
hUHU8$=
jwJW0&
kxKX<*
LyLY>(
MzMZ?)
Weights
b i s
i t ,
s i -
r u m
i d i
a d
a s s
u m e
i n -
v e l
i u m ,
v o -
l u t
Regular
DqDQ4}/
gtGT7#-
ivIV9^
hUHU8$=
jwJW0&
kxKX<*
LyLY>(
MzMZ?)
fsFS6@?
erER5!;
anAN1:+
cpCP3{.
boBO2",50/60
Lig
ht
Desig
ned by Jason Koerner
Released March 03,
1999
Luggage r
egular f
amily
anAN1:+
gtGT7#-
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anAN1:+
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anAN1:+
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anAN1:+
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anAN1:+
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anAN1:+
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hUHU8$=
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LyLY>(
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fsFS6@?
erER5!;
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cpCP3{.
boBO2",
15/18
15/18
15/18
15/18
15/18
15/18
Weights
b i s
i t ,
s i -
r u m
i d i
a d
a s s
u m e
i n -
v e l
i u m ,
v o -
l u t
Lig
ht / Obliq
ue
Regular / Obliq
ue
Heavy / Obliq
ue
DqDQ4}/
gtGT7#-
ivIV9^
hUHU8$=
jwJW0&
kxKX<*
LyLY>(
MzMZ?)
fsFS6@?
erER5!;
anAN1:+
cpCP3{.
boBO2",50/60
Lig
ht
Desig
ned by Jason Koerner
Released March 03,
1999
Luggage r
egular b
roken f
amily
Weights
b i s
i t ,
s i -
r u m
i d i
a d
a s s
u m e
i n -
v e l
i u m ,
v o -
l u t
Lig
ht / Obliq
ue
Regular / Obliq
ue
Heavy / Obliq
ue
anAN1:+
gtGT7#-
ivIV9^
hUHU8$=
jwJW0&
kxKX<*
LyLY>(
MzMZ?)
fsFS6@?
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cpCP3{.
boBO2",
anAN1:+
gtGT7#-
ivIV9^
hUHU8$=
jwJW0&
kxKX<*
LyLY>(
MzMZ?)
fsFS6@?
erER5!;
DqDQ4}/
cpCP3{.
boBO2",
anAN1:+
gtGT7#-
ivIV9^
hUHU8$=
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LyLY>(
MzMZ?)
fsFS6@?
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cpCP3{.
boBO2",
anAN1:+
gtGT7#-
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hUHU8$=
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LyLY>(
MzMZ?)
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cpCP3{.
boBO2",
anAN1:+
gtGT7#-
ivIV9^
hUHU8$=
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LyLY>(
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cpCP3{.
boBO2",
anAN1:+
gtGT7#-
ivIV9^
hUHU8$=
jwJW0&
kxKX<*
LyLY>(
MzMZ?)
fsFS6@?
erER5!;
DqDQ4}/
cpCP3{.
boBO2",
15/18
15/18
15/18
15/18
15/18
15/18
DqDQ4}/
gtGT7#-
ivIV9^
hUHU8$=
jwJW0&
kxKX<*
LyLY>(
MzMZ?)
fsFS6@?
erER5!;
anAN1:+
cpCP3{.
boBO2",50/60
Lig
ht
Desig
ned by Jason Koerner
Released March 03,
1999
Luggage r
ounded f
amily
Weights
b i s
i t ,
s i -
r u m
i d i
a d
a s s
u m e
i n -
v e l
i u m ,
v o -
l u t
Lig
ht / Obliq
ue
Regular / Obliq
ue
Heavy / Obliq
ue
MzMZ?)MzMZ?)
anAN1:+
gtGT7#-
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cpCP3{.
boBO2",
anAN1:+
gtGT7#-
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LyLY>(
MzMZ?)
fsFS6@?
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cpCP3{.
boBO2",
anAN1:+
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anAN1:+
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boBO2",
anAN1:+
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fsFS6@?
erER5!;
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cpCP3{.
boBO2",
anAN1:+
gtGT7#-
ivIV9^
hUHU8$=
jwJW0&
kxKX<*
LyLY>(
fsFS6@?
erER5!;
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cpCP3{.
boBO2",
15/18
15/18
15/18
15/18
15/18
15/18
DqDQ4}/
gtGT7#-
ivIV9^
hUHU8$=
jwJW0&
kxKX<*
LyLY>(
MzMZ?)
fsFS6@?
erER5!;
anAN1:+
cpCP3{.
boBO2",50/60
Lig
ht
Desig
ned by Jason Koerner
Released March 03,
1999
Luggage r
ounded b
roken f
amily
Weights
b i s
i t ,
s i -
r u m
i d i
a d
a s s
u m e
i n -
v e l
i u m ,
v o -
l u t
Lig
ht / Obliq
ue
Regular / Obliq
ue
Heavy / Obliq
ue
anAN1:+
gtGT7#-
ivIV9^
hUHU8$=
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boBO2",
anAN1:+
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hUHU8$=
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LyLY>(
MzMZ?)
fsFS6@?
erER5!;
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cpCP3{.
boBO2",
anAN1:+
gtGT7#-
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hUHU8$=
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boBO2",
anAN1:+
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hUHU8$=
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cpCP3{.
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anAN1:+
gtGT7#-
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anAN1:+
gtGT7#-
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cpCP3{.
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15/18
15/18
15/18
15/18
15/18
15/18
AAAA
AAAA
AAAA
Regular
Regular Broken
Rounded
Broken Rounded
L i g h t R e g u l a r H e a v y
Desig
ned by Jason Koerner
Released March 03,
1999
Luggage f
amily
Weights
b i s
i t ,
s i -
r u m
i d i
a d
a s s
u m e
i n -
v e l
i u m ,
v o -
l u t
Lig
ht / Obliq
ue
Regular / Obliq
ue
Heavy / Obliq
ue
Luggage is a typeface with a great deal of options. It comes in regular and rounded face. Those two faces come in normal or broken. Each of those faces come in three different weights, light, regular, and heavy. All of the faces and weights also have a corresponding oblique face as well.
9hcd9Luggage comes in 24
different options
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å Ô
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x >+ £
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+ j
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µ ¥
Ù ñ
ã µ
Ì x
í æ Ç
Æ Å
‰ õ
ç Æ
Õ ç
È g
å ß
ÿ t
È å
Ë Ÿ
Œ ç
ÿ å
Ô } î ¿
x
>+ £ Ñ
j + j
£ ¥
µ ¥
Ù
ñ ã
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µ ¥
Ù ñ
ã µ
Ì x
í æ Ç
Æ Å
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ç Æ
Õ ç
È g
å ß
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+ j £
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¥ Ù
ñ ã
µ Ì
x í æ
Ç Æ
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õ ç
Æ Õ
ç È
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t
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ÿ å
Ô } î ¿
x
>+ £ Ñ
j + j
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µ ¥
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ã £
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>+ £ Ñ
j + j
£ ¥
µ ¥
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í æ Ç
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Ô } î ¿
x >+ £
Ñ j
+ j £
¥ µ
¥ Ù
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>+ £ Ñ
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¥ Ù
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Ñ j
+ j £
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¥ Ù
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Ñ j
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¥ µ
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Ô } î ¿
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>+ £ Ñ
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¥
F Â
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¥ µ
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x >+ £
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+ j £
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¥ Ù
ñ ã
19/24
9/17
6/14
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This planet’s information will be processed and a deci-sion will be made soon. If the people of earth are allowed to gain the knowledge of the universe they will grow as a species.
‰ÅÇÆ£.a world called earth
Ge
nd
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A
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vo
lu
pt
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la
m
qu
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.
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t
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nt
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pt
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p
or
r
en
di
Book Design:Juancarlos Henriquez
Typefaces Used:LuggageSignalDigital Waist
Programs Used:Adobe CS4
Printing:Epson r1800 Binding:California offices service
Ge
nd
ic
il
i
us
ci
ti
um
f
ug
a.
A
t
vo
lu
pt
ae
la
m
qu
as
p
la
tu
ri
a
eu
m
qu
is
m
ol
up
ta
ti
on
es
ti
st
,
qu
i
in
im
in
i
hi
ci
li
bu
s
ex
e
t
eo
s
mo
lu
pt
at
io
.
Ab
i
s
au
t
as
re
rr
un
to
c
um
q
uo
ss
it
iu
s
co
n
no
ns
e-
qu
o
vo
lu
pt
ae
v
er
o
te
m
qu
at
us
r
ep
ed
et
q
ua
te
mo
d
et
e
um
h
ar
ch
il
i
ci
mu
s
es
-
ti
ae
ct
a
si
mu
s
nu
lp
ar
ch
it
h
ic
ia
sp
el
is
du
s
vo
le
ne
st
,
qu
e
vo
lu
pt
at
ur
?
Ic
id
i
te
mq
ue
s
it
i
do
lo
ra
t
ei
c
to
ta
t
qu
os
ar
ch
it
in
n
em
a
ut
e
t
ev
el
en
is
n
on
et
qu
is
v
ol
or
ro
ru
m
nu
lp
a
in
um
q
ui
q
uo
do
lu
pt
a
in
ct
ib
us
am
q
ui
n
on
e
re
he
nd
ia
ve
ni
en
da
cu
sa
ni
s u
lp
a q
ua
ss
it
eu
m e
nt
la
bo
.
Et
l
ab
or
io
.
Ne
qu
is
n
os
s
ol
es
-
ti
st
i
bl
ab
or
e,
q
ua
m
ni
hi
ci
a
ap
er
um
au
te
ni
en
i d
ol
or
au
t h
ic
id
ma
gn
is
no
n-
et
, c
on
se
qu
am
et
om
ni
mo
di
s q
ua
m r
ep
ta
-
te
m
si
nv
el
en
t
ve
ni
hi
l
in
t
et
l
ac
ep
ro
vi
ta
ti
is
e
os
ti
o.
C
ae
ru
m
qu
od
it
r
eh
e-
ni
en
t
re
st
p
ra
q
ue
v
ol
es
ti
s
do
lu
pt
a-
tu
m f
ug
it
at
em
pe
ra
tu
re
ea
rc
it
io
. I
ta
-
ti
ae
pu
da
e
no
ne
m
es
e
t
ex
e
os
si
n
pe
d
mi
nt
.
Ob
is
s
it
,
si
mp
or
um
i
di
a
d
qu
as
su
me
si
nv
el
i
um
,
vo
lu
t
im
e
os
ap
er
io
s
ma
g-
na
te
c
or
e
ne
t
po
rp
or
ep
ed
m
ai
or
er
um
et
a
rc
hi
l
es
t,
e
xp
li
s
si
ta
v
ol
or
es
pr
ep
ro
r i
or
ro
vi
du
nt
er
un
ti
um
si
m q
ui
a
do
lu
pt
at
am
r
es
ci
d
ul
pa
ru
me
t
as
pi
s
ne
t
qu
at
em
.
Et
e
ss
it
o
ff
ic
ii
s
ip
i-
ci
ae
a
ri
o.
N
eq
ue
v
ol
up
is
e
a
do
lu
p-
ta
te
m
qu
ae
v
ol
up
ti
i
si
mi
ll
up
ta
s
et
ur
re
, c
on
se
qu
i u
t e
st
e s
eq
uo
de
le
nd
en
t.
Te
nd
el
la
ti
s
do
lu
pt
at
qu
i
cu
m
er
um
qu
is
es
e
t
od
m
od
it
a
ci
ps
am
c
on
r
ep
ud
am
e
t
vo
lu
t
om
ni
hi
ci
me
t
fa
cc
at
ur
?
La
nt
e
nt
po
s
re
st
,
qu
as
pe
ru
m
ar
um
e
nt
i
nv
en
te
sa
nd
is
n
at
em
po
re
ct
o
de
st
or
e
pl
ab
i
d
qu
i
su
s
nu
s
ma
n
im
i
pi
et
e
st
e
ni
mu
s
ip
sa
mu
s s
im
ad
ip
su
m h
it
is
ci
a v
en
ih
it
i
du
nt
io
re
, q
ui
co
r r
em
la
m v
ol
up
is
ti
ur
re
ro
m
os
n
ul
li
s
ea
c
on
e
se
a
ce
st
ia
qu
i
ut
e
ll
es
s
i
om
ni
o
ff
ic
t
em
qu
ae
s
e
qu
ae
n
ul
la
ni
m
pe
ri
an
d
er
sp
it
e
ro
e
x-
ce
pr
at
i
co
ns
er
up
ta
t
in
ci
et
e
aq
ui
a
ut
ad
it
at
v
ol
ut
v
el
m
ol
ut
e
mi
nt
ib
us
a
ut
do
lu
pt
a
qu
is
ci
en
t
di
t
a
vo
lu
pt
a
ab
o-
re
ic
i v
er
o o
pt
at
em
re
so
lo
ri
t v
ol
up
ta
no
s
po
ra
t
re
he
ni
s
mo
lo
re
ra
v
ol
up
ta
s
es
si
m
en
im
ol
o
re
ri
ae
c
es
ti
at
io
b
ea
co
mn
ie
n
du
nt
ia
sp
is
e
xe
ri
bu
st
io
.
Ob
is
al
iq
ui
s d
ol
up
tu
r,
op
ta
tu
r a
ut
ae
ex
er
-
sp
i c
te
cu
sc
id
uc
il
it
ha
ru
pt
i n
ve
nd
ae
-
pe
l
an
is
qu
e
no
bi
s
re
s
am
e
ic
im
il
it
is
ve
rc
hi
l
es
d
ol
or
ib
us
a
ut
a
ut
i
ps
an
t
es
e
t
en
du
ci
t
ex
e
t
re
ni
mo
di
t
re
he
ni
s
id
it
in
t
la
bo
re
r
fe
ru
pt
ae
p
or
r
en
di
T.26
Type
Foundry
T.26 Digital Type Foundry1110 North Milwaukee Avenue
Chicago, IL 60642.4017USA. EARTH
1.888.T26.FONT [email protected]
