A World in Constant Motion: Thomas Adès' In Seven Days · 2019. 11. 7. · A World in Constant Motion: Thomas Adès' In Seven Days (2008), Bauer, SMT Columbus 2019 In Seven Days,

A World in Constant Motion: Thomas Adès' In Seven Days (2008), Bauer, SMT Columbus 2019

1. In Seven Days, I, cycle of chords in phrase 1, introduction


In Seven Days, I, “creation theme” in Brass, Reh F: B, F#, A#, F#, rotating around B


In Seven Days, I, “creation theme” in Brass, progression heralding piano entry after Reh E


In Seven Days, I, contrary motion interval cycles in outer voices at Reh I


In Seven Days, IV, transformational network final section: Reh G and H

In Seven Days, IV, piano solo on Stravinsky’s “Augurs of Spring” chord


In Seven Days, V, Fugue, creatures of the sea and sky. opening subject

In Seven Days, II, first rhythmic cycle in piano: 1/8+7/12+7/8+7/12+7/16


In Seven Days, IiI, Land – grass – trees, opening row P4 and its transposition by fourth (order no. 11 = order no. 1 of succeeding row); order numbers indicated by colors 0 1 2 3 4 5 6 7 8 9 10 11


In Seven Days, VII, contemplation, Harmonic structure

Documents

A World in Constant Motion: Thomas Adès' In Seven Days · 2019. 11. 7. · A World in Constant Motion: Thomas Adès' In Seven Days (2008), Bauer, SMT Columbus 2019 In Seven Days,