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A PICTORIAL HISTORY OF SANTA CLAUS
Contrary to what many believe, Santa Claus as
we know him today – sleigh riding, gift ‐giving,
rotund and white bearded with his distinctive
red suit trimmed with white fur – was not the
creation of the Coca Cola Company. Although
their Christmas advertising campaigns of the
1930s and 40s were key to popularising the
image, Santa can be seen in his modern form
decades before Coca Cola’s illustrator Haddon
Sundblom got to work. Prior to settling on his
famed red garb and jolly bearded countenance,
throughout the latter half of the 19th century,
Santa morphed through a variety of different
looks. From the description given in Clement
Moore’s A Visit from St Nicholas in 1822, through
the vision of artist Thomas Nast, and later
Norman Rockwell, Mr Claus gradually shed his
various guises and became the jolly red ‐suited
Santa we know today. Below we’ve put
together a little pictorial guide showing his
evolvement through the ages.
13TH CENTURY
The name Santa Claus has his roots in the
informal Dutch name for St.
Nicholas, Sinterklaas
(an
abbreviation
of
Sint
Nikolaas). St. Nicholas was a historic 4th ‐century
Greek saint (from an area now in modern day
Turkey) who had a reputation for secret gift ‐
giving, such as putting coins in the shoes left
out for him. He was also famous for presenting
the three impoverished daughters of a pious
Christian with dowries so that they would not
have to become prostitutes.
St. Nicholas “Lipensky” as he appears on a Russian icon dated to 1294
from Lipnya Church of St. Nicholas in Novgorod.
Being the patron saint of children St. Nicholas
has long been associated with giving gifts to
children. The parallels to the modern day Santa
Claus don’t end there. In his Dutch form
of Sinterklaas he was imagined to carry a staff,
ride above the rooftops (on a huge white horse)
and have mischievous helpers who listened at
chimneys
to
find
out
whether
children
were
being bad or good. These features all also link
him to the legend of Odin, a god who was
worshipped among the Germanic peoples in
North and Western Europe prior to
Christianization.
Although in Europe the feast of St. Nicholas,
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2 A Pictorial History of Santa Claus
typically on the 6th December, was very
popular throughout the middle ages, after the
reformation in the 16th century the celebration
died out in most Protestant countries, apart
from Holland where the celebration
of Sinterklaaslived on.
17th CENTURY
Another important tributary to the image of
Santa Claus was the phenomenon of Father
Christmas – also known as Old Father
Christmas, Sir Christmas, and Lord Christmas –
a traditional figure in English folklore and
identified with the similarly bearded Old
English god Woden. He typically represented
the spirit of good cheer at Christmas, but was not associated with either children of the
bringing of gifts.
Father Christmas as pictured in Josiah King’s The Examination and
Tryal of Father Christmas (1686).
The earliest English examples of the
personification of Christmas are thought to be
from a 15th century carol which refers to a “Sire
Christmas”. The picture above is from Josiah
King’s The Examination and Tryal of Father
Christmas (1686), published shortly after
Christmas was reinstated as a holy day in
England after being banned in post Civil War
England as a symbol of “Catholic superstition
and godless self‐indulgence.”
1810
Although the east coast of America was full of
Dutch settlers, it was not until the early 19th
century that the figure of “Sinterklaas” would
make his way properly across the Atlantic and
so give birth to the Americanised Santa Claus.
Following the Revolutionary War the already
heavily Dutch influenced New York City
(formerly of course named New Amsterdam)
saw a new surge of interest in Dutch customs,
and with them St. Nicholas. In 1804 John
Pintard, an influential patriot and antiquarian,
founded the New York Historical Society and
promoted St. Nicholas as patron saint of both
the society and city. On December 6th 1810 the
society hosted its first St. Nicholas anniversary
dinner and Pintard commissioned the artist
Alexander Anderson to draw an image of the
saint to be handed out at the dinner. In
Anderson’s portrayal he was still shown as a
religious figure, but now he was also clearly
depositing gifts in fireside stockings and is
associated with rewarding the goodness of
children. While “St. Nicholas day” never quite
took off in the way Pintard wanted, Anderson’s
image of “Sancte Claus” most certainly did.
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Print of St Nicholas by Alexander Anderson commisioned by John
Pintard (1810).
A year before the New York Historical Society’s
feast the author Washington Irving had written
about Santa in his satirical fiction Knickerbocker’s
History
of
New
York ,
describing
a
jolly
St.
Nicholas character as opposed to the saintly
bishop of yesteryear – one who flew in a
reindeer pulled sleigh and delivered presents
down chimneys. The next key step to securing
the image of Santa Claus was the 1822 poem
entitled A Visit from St. Nicholas written by
Clement Moore, later better known as The Night
Before Christmas. Moore drew upon Irving’s
description and Pintard’s New Amsterdam
tradition and added some more Odin ‐like
elements from German and Norse legends to
create the all‐winking, sleigh ‐riding Saint and
also the names for his flying reindeer.
1863
As time went by, more and more was added to
the Santa Claus legend. The cartoonist Thomas
Nast
established
the bounds
for
Santa
Claus’
current look with an initial illustration in an
1863 issue of Harper’s Weekly, as part of a large
illustration titled “A Christmas Furlough”.
Detail from Thomas Nast’s illustration “A Christmas Furlough” for
the front page of a 1863 issue of Harper’s Weekly.
In later Nast drawings a home at the North Pole
was added, as was the workshop for building
toys and a large book filled with the names of
children who had been naughty or nice.
1864
Although Nast had gotten the paraphernalia of
reindeer, sleigh, etc down to a tee, the famous
red suit
was
still
yet
to
be
set.
Over
the
decades
Santa would be depicted in a variety of colours
such as blue, green and the yellow as pictured
in this 1964 edition of Moore’s “A Visit from St.
Nicholas”.
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Illustration from the 1864 edition of Clement Moore’s poem A Visit
from St. Nicholas.
1868
In this 1968 advert for Sugar Plums we see the
red of the jacket, but the hat is green and he
appears to have no trousers on at all.
Santa Claus Sugar Plums, showing a red(ish) suited Santa Claus on sleigh with reindeer.
1881
In this later 1881 illustration by Thomas Nast
named “Merry Old Santa” the modern Santa
character really
begins
to
take
shape.
Present
is
the jolly rotundity and the all important red of
the suit.
Colour version of Thomas Nast’s famous image below.
Thomas Nast’s most famous drawing, “Merry Old Santa Claus”, from
the January 1, 1881 edition of Harper’s Weekly.
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1902
The Life and Adventures Of Santa Claus by author
of The Wizard of Oz , L. Frank Baum, with its
elaborations
and
much
added
detail
went
a
long way to popularising the legend of Santa.
However, in the cover to the first edition of
Baum’s book we see the red of his suit is still yet
to be ‘mandatory’.
The Life and Adventures Of Santa Claus (1902) by L. Frank Baum.
In this cover for Puck illustrated by the
Australian Frank A. Nankivell, we see perhaps
for the first time a depcition of Santa which is
indistinguishable from that of the present day.
Santa Claus as illustrated by Frank A. Nankivell in Puck, v. 52, no. 1344
(December 3 1902).
1906
In this Canadian department store brochure
from 1906 we see that Santa, with his black
trimmed suit and bobble ‐less hat, was still able
to deviate from his typical image.
Cover of the Eaton’s department store Christmas catalogue for 1906, showing
an image of Santa Claus. Toronto, Canada.
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1913
The illustrator Norman Rockwell, with his
many depictions throughout the 1920s, was a
key player
in
cementing
Santa’s
modern
look.
Here is an early illustration of his from before
the First World War.
Norman Rockwell’s cover of Boys’ Life published December 1913.
1914
An Japanese illustration from 1914, showing the
spread of the Santa legend had reached far
wider than just Europe and America.
Japanese illustration featuring Santa, artist unknown.
1918
Santa appears in classic form in this piece of U.S.
WW1 propaganda.
A poster by the U.S. Food Administration. Educational Division,
Advertising Section, ca. 1918 – Source
1920
Pictured here are just two of Norman
Rockwell’s many Santa themed covers for
the Saturday Evening Post. Like Sundblom’s
depictions for Coca Cola more than a decade
later, these pictures of Rockwell’s give a very
physiologically human and naturalistic aspect
to the character as opposed to the more cartoonish features which had gone before.
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Two covers for the Saturday Evening Post by Norman Stockwell, the left one from 1920, the right from 1922.
1930
Santa in Australia in 1930.
Illustrated front cover from The Queenslander, December 25 1930.
1942
In the U.S. Second World War poster below
Santa takes a radical departure from the jolly
red suit and dons the dour shades of war.
A poster from the Office for Emergency Management, War Production
Board, circa. 1942.
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A poster from the Office for Emergency Management, War Production
Board, circa. 1942 .
Sources and Further Reading: http://publicdomainreview.org/2012/12/13/a ‐pictorial ‐history ‐of‐santa ‐claus/
http://www.stnicholascenter.org/pages/origin ‐of‐santa/
http://www.unmuseum.org/santa.htm
http://www.the ‐north ‐pole.com/history/
http://www.hymnsandcarolsofchristmas.com/santa/the_father_of_santa_claus.htm
http://en.wikipedia.org/wiki/Sinterklaas http://en.wikipedia.org/wiki/Saint_Nicholas
http://en.wikipedia.org/wiki/Santa_Claus
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