1

ON THE MARK

Bob Eagle

OVERTURE

Piano

D=110

A F C C FC

BC

EC

AC

DC

8

C Fm=130

FE

m FD

m FC

m B m

C Fm FE

m D

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FC

m C

Fm FE

m FD

m FC

m B m C

Fm FE

m D

24

E DE

E F C

E B F C

A-PDF MERGER DEMO

2

BD

32

CE

F C

Fsus Fsus G7

C

=90

G7

Am Em F A7

40Dm D

Cm G

B

7C E

7Am D

7sus D

7

G7

FG

G7

C G7

Am Em F A7

48Dm D

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7Em Am D

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56

Em Am

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EB G

7

rall

3

A B C Cm=120

64

A7

Cm A7

Cm A7

Cm

72

A7

Cm

Cm

A7

Cm A7

Cm

80A

7Cm A

7Cm Cm

Em =100 E 7m A

7sus A

7D

88

CD

rall

4

G Em A7

D CD

G

Em A7

G

96

A F 7m Bm

G C7

F m A 7m D

G

104

F m G F m

G F m Bm Em A7

D Fm =130

112B

7E B

7A E

E B A

120

B B7

E F

5

B E F B B D E

Cm Fsus F7

128

B sus B7

E

BD

D A E

G

136

F 7m B

7E

BD

D A E

G

144

F7m B

7E

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A D A E

152

A

6

EB

A Csus C7

F CE

E

160

B

F A G 7m C

7

F CE

E

168

B

F A G 7m C

7

F A

176

C

7

HOSANNA HOSANNA

Bob Eagle

Vocal

E BF EC

Gm GF

AB

EB

EB

AB

BEB

B8

EB

EB

BEB

B

BF

FC

FC

BC

CFC

C CFC

F CG16DmAm G

7

Piano

=120

8

16

8

A BC

Hail

FC

FC

Mess-

C

i-

FC

ah!

C BC

FC

Son

FC

of

C

Da-

FC

vid.

C BC

Hail

FC

FC

Mess-

C

i-

FC

ah!

C24B

CF

C

C C

WeYou

F

real-and

lythe

hangprai-

G

onses

eachbe-

wordlong

C

thatto

youeach

say.oth-

Am

er.We

We're

Dm

ratein

soa

high-trance

G

lywhen

eachwe're

mo-wor-

Asus

mentship-

weping

spend.you,

A7

Wefeel-

Dm

wanting

theseyou

mom-close

G

mentsas

towe're

32

gomarch-

C

oning

forto-

e-geth-

Am

ver.er.

24

32

9

Can'tAre

Dm

bearwe

thejust

thoughtdream-

Em

thating

someor

daycan

F

theythis

mightbe

end.true?

G

Ho-

A

san- na. Ho- san-

E

na. Ho- san-

D

na. Ho- san-

E

na.

Ho-

A

san- na. Ho-

40

san-

E

na. Da-

F

vid's great-

G

est son.

A F CG Am

Dm AG7

48B

C

Hail

FC

FC

Mess-

C

i-

FC

ah!

C

40

48

10

BC

Son

FC

FC

of

C

Da-

FC

vid.

C BC

Hail

FC

FC

Mess-

C

i-

FC

ah!

C

BC

CFC 56

C

We

F

can't i- ma-

G

gine the

fu-

C

ture with- out

Am

you. There'd

Dm

be a space

G

that we just

Asus

could- n't fill.

A7

We

Dm

want the mu-

G

sic to play

C

on for e-

Am

ver. As

Dm

time goes by

Em

we'll be prais-

64 F

ing still.

G

Ho-

A

san- na. Ho- san-

E

na. Ho-

56

64

11

san-

D

na. Ho- san-

E

na. Ho-

A

san- na. Ho-

san-

E

na. Da-

F

vid's great-

G

est son.

72A

Ho-

A

san- na. Ho- san-

E

na. Ho- san-

D

na. Ho-

san-

E

na. Ho-

A

san- na. Ho- san-

E

na.

Da-

F

vid's great-

G

est son.

80A

72

80

12

WEASLE WORDS

Bob Eagle

Narration: Then Judas Iscariot, one of the twelve disciples, went off to the Chief Priests in order to betray Jesus to them.

Vocal

Dm

C C DmA

C8

C A7

Judas

Ev'-All

Dm

rythe

dreampro-

Ii-

e-ses

verhe

hadmade

isme

shat-van-

C

teredished

inthro'

aan

mill-o-

ionpen

parts.door.

Dm

Piano

=75

8

13

WhyAll

Dm

shouldthe

hecom-

con-pli-

cernments

him-he

selfpaid

withme,

justlike

C

a-con-

noth-fet-

erti

bro-on

A7

kenthe

heart.floor.

Dm

Ev'-Ev'-

Gm

ryry

thingpro-

C7

thatmise

wehe

F

e-e-

verver

had,made;

allall

Gm

thee-

timesmo-

C7

whention

hehe

madee-

F

vermedis-

glad,played,

Theythey

D

don'tjust

countmel-

forted

a-in-

Gm

ny-to

thingnoth-

now.ing.

16

IAll

E

wasthat's

justleft

BD

aof

onewhat

Cm

timehe

fad.gave

F

is

wea-

C

sle words and poor

Am

ex- cu- ses. Shat-

Dm

tereddreams and cru-

G7

el lies.

I

C

be- lieved but he

Am

de- ceived me. I

Dm

was lost in com-

G7

pro-mise.

16

14

A A AE

AF

AG

Dm24

C

C DmA

C C A7

Rap

Well I

joined

Dm

in his cir- cus and he showed me the way. He said he

24

15

32

knew

C

how to treat me and he knew what to say.

Dm

And he

made

Dm

me feel so good when he first came on the scene. It was

all

C

so ar- ti- fi cial but it seemed just like a dream.

Dm

But

that

Gm

was yes- ter- day

C7

and now ev'-

F

ry- thing is chang- ing. My

life

Gm

was oh so good

C7

but now it all

F

needs re- a- rang- ing. He

32

16

faked

D

all his sin- ce- ri- ty, He cheat-

Gm

ed and He lied. He

want-

E

ed a goodtime,

BD

so He took

Cm

me for a ride.

F

Wea-

C

sle words and poor

Am

ex- cu- ses.

40

Shat-

Dm

tereddreams and cru-

G7

el lies. I

C

be- lieved but he

Am

de- ceived me.

I

Dm

was lost in com-

G7

pro-mise.

Dm G7

A DmAE

AF

AG

40

17

WILD MESSIAH

Bob Eagle

Narration: Judas arrived with a crowd armed with swords and clubs. He went up to Jesus and kissed him. So they arrested

Jesus and brought him to the High Priest’s house. Many witnesses told lies about Jesus. The High Priest asked, “Have you

no answer to the accusations they bring against you? Are you the Messiah, the son of the blessed God?” “I am”, said

Jesus. The High Priest said, “We don’t need any more witnesses. You have heard his blasphemy”.

Fm Fm Fm

You

Cold

were on-

pass-

ly

ion,

Piano

=130

F C BD

CE

F C

Fsus

8

18

play-

schem-

FE

m

ing

ing

games.

ways,

FD

m

You did-

you

n't

who

mean

prac-

FC

m

a

tice

thing

to

FB

m

you

de-

said.

ceive.

B m

C

You

This

just

is

used

how

us

you

16

as

spend

Fm

a

your

toy,

days,

FE

m

lay-

D

ing

kept

out

us

ther

danc-

tan-

ing

gled

on

web

FC

m

a

you

thread.

weave.

C Fm

In

Cool

your

se-

small

duc

de-

-tion

men-

on

FE

m

ted

the

mind

line,

FD

m

ev'-

like

ry

a

plot

hunt-

FC

m

and

er

plan

stalks

FB

m

you

its

hatch.

prey,

B m C

All

like

your

a

cheat-

spi-

ing

der

24

and

traps

Fm

your

a

lies,

fly,

FE

m DE

just

you

to

can

bring

take

a-

the

bout

breath

E

your

a-

catch.

way.

16

24

19

Wild

F

Mess- i- ah of end-

C

less night, writ-

E

ten on your head like a

ne-

B

on light.

F

Your ob- sess- ion

32

leads

C

you to a fix-

a-

BD

tion to con- trol

CE

the things de- nied

F

you but you have de- ci-

C

ded to make them your own.

Fsus

Fm40

32

40

20

Fm FE

m FD

m FC

m

FB

m CB m Fm FE

m

D48F

Cm FmC

In your small de-

men-

FE

m

ted mind

FD

m

ev'- ry plot

FC

m

and plan

FB

m

you hatch.

B m

C

All yourcheat- ing and

Fm

your lies, just

DE

to bring a-

48

21

56

bout

E

your catch. Wild

F

Mess-i- ah of end-

C

less night,

writ-

E

ten on your head like a ne-

B

on light.

F

Your ob- sess- ion

leads

C

you to a fix- a-

BD

tion to con-

64

trol

CE

the things de- nied

F

you but you have de- ci-

C

ded to make them your own.

Fsus F

56

64

22

TEARS

Bob Eagle

Narration: Peter was still in the courtyard when one of the High Priest’s servants came by. She said, “You too were with

Jesus in Nazareth”. But he denied it. Just then a cock crowed. Twice later the bystanders accused Peter again. Peter said

“I do not know the man you are talking about”. Just then a cock crowed a second time, and Peter remembered how Jesus had

said to him, “Before the cock crows twice, you will say three times that you do not know me”. And he broke down.

Vocal

C AmG7

FEm DmAE

DC

m

GB

CG7

DmAm8

Dm G7

TearsFol-

C

loware

whereall

G7

theI

wa-have

tersto

flow,give,

Am

thethere's

chanceno

Em

ismore

thereI

tocan

takesay,

F

andthe

for-chance

AE

tune'shas

withcome

theand

Piano

=85

8

23

brave.gone.

Dm

WhereThen

DC

m

theI

freshtried

G

greenso

grass-hard

esto

grow,win,

C

andbut with

heartsno

E

aregames

hardleft

toto

break,play

Am

Ithe

feelmem'-

Dsus

thery

lovelin-

D7

Hegers

16

gave.on.

G

WhereHope

C

thee-

pastvap-

G7

can'tor-

hurtates

mea-

nowway

Am

andthe

allma-

Em

Igic

wantdis-

toap-

dopears

F

isthe

letlone-

AE

thely

wavenight

washex-

mytends

Dm

e-its

mo-sha-

DC

m

tion.dow.

LeftIn

G

tothe

getdawn-

a-ing

longof

some-a

how,new

C

day farorbe-

may-yond

Am

bethe

mud-was-

dleted

throughyears

Dm

thismy

passlone-

G

-ingli-

good-ness

24

bye.ends.

C

FarThrough

Dm

be-the

yondline

G

theof

pointev'-

ofry

nomis-

Em

re-spent

turn-mo-

Am

ingment.

InPast

Dm

athe

timepain

G

that Iof

can'ta

16

24

24

com-bro-

Em

pre-ken

hend.heart.

Am

ThereIn

Dm

be-the

yondsi-

G

thelence

reachof

ofthe

allemp-

Em

to-ty spa-

mor-

Am

rowces;

Fari-

F

be-mag-

yondes of

pain

CE

ora

fear,life,

32B

allfall-

G

mying

lovea-

ends.part.

A CB

Far

Dm

be- yond

G

the point of no

Em

re- turn-

Am

ing In

Dm

a time

G

that I can't

com-

Em

pre- hend.

Am

There

Dm

be- yond

G

the reach of

40

all

Em

to- mor-

Am

row

Far

F

be- yond pain

CE

or fear,

B

all

G

my love ends.

A CB

32

40

25

ICE JESUS

Bob Eagle

Narration: They put Jesus in chains, led him away and handed him over to Pilate. Pilate questioned him: “Are you the King

the Jews? Aren’t you going to answer their accusations?” Jesus refused to say a word.

Dm

Ice Je- sus. Cool

GD

man.

Dm

Stand

CD

on dig- ni- ty, so neat

so fine.

Dm16Dm

Stay- ing a- loof, re- tain-

CD

ing a dis- tinc-

Dm

tion.

Piano

=120 Dm

Dm AD

7m sus

8 Dm AD

7m sus

16

Drums

26

CD

Head up high, throw- ing a line.

Dm Dm

Ice Je-sus. Cool

CD

man.

Dm

CD

How can I un- der- stand the scene.

Dm24Dm

What does it take to

break

CD

the ice?

Dm CD

Are you list'- ning, do you knowwhat I mean?

Dm

F

You're in a world of your own, you're on a sep-

FA

ar -ate plane,

B

you-re in a new

DA

di- men

Gm

sion.

32C

EG

Fm

What is this bar-

C

ri- er be-

24

32

27

tween

Am

us?

Dm

How

G 7m

can I cross the great

C7

di- vide?

Csus

F

You're in a world of your own, you're on a sep-

FA

ar- ate plane,

B

you're in a new

DA

di- men-

G 7m

sion.

40C

EG

F

7m

What is this bar-

C

ri- er be-

tween

Am

us?

Dm

How

G 7m

can I cross the great di- vide?

Asus A7

Well

I'm

Dm

not get- ting through to you al- though

C

I try so hard.

F

I'm

40

28

try-

Dm

ing ev'- ry av- en- ue but ev'-

CE

ry one is barred.

F

And

48

ev'-

FA

ry thing I try

B

just ne- ver

seems

C

to find its place.

Dm

Cos you

FA

just stand there si-

B

lent ly and

star-

C

ing in- tospace.

D D Gm DmA

Gm56

DmA

Ice Je-sus. Cool

CD

man.

Dm Dm

Ice Je-sus.

Cool

CD

man.

Dm Dm

Ice Je- sus. Cool

CD

man.

D

48

56

29

CHARADE

Bob Eagle

Narration: The soldiers took Jesus to the courtyard. They put a purple robe on him, made a crown out of thorny branches and

put it on his head. Then they began to salute him saying, “Long live the King of the Jews”. They beat him, spat at him,

and mocked him. Then they took him out to crucify him.

Vocal

Gm E Gm

E Gm E8

Gm E

F

Tra-Part

cesop-

ofti-

dark-mis-

ness.tic.

E +9

Sha-Part

dowsin

anddes-

night.pair.

F

CloseLight

in-in

ter-a

leav-tun- nel.

ing

16E +9

with sweet-Of-

nessfer

anda

light.prayer.

Piano

=130

8

16

30

AndOn

thethe

sha-line

Dm

dowsof

makehon-

pre-est

tenceact-

Gm

thation

inthere's

thea

lightcur-

CA

m

theyi-

dimous

andblock-

fade.ade.

Dsus

ButAnd

D

itad-

seemsvance-

E 9M

asment

ifis

they'rede-

grow-pen-

Gm

ingdent

andon

in-the

24

creas-dark-

CA

m

ingness

infront's

thede-

shade.lay.

Dsus

It'sIt's

allall

aa

cha-cha-

rade.rade.

Gm E Gm ERap

Wellthe

dark-

F

ness is gath'- ring and the thun-

EF

der cloudsform. But the

32

light

F

is re- ced- ing and we're

in

EF

for a storm. And a-

F

pa- thy'sgrow- ing and there's trou-

EF

ble in store. Is it

24

(Second time)

32

31

true

F

it's al- waysdark-est just

EF

be- fore the dawn. All I see

F

is con- fu- sion, I couldbe

rid-

EF

dled with fear. Whose

40

side

F

am I on, and who's

EF

with me here? And

who's

A

a good Sa- ma- ri- tan and who's

BF

a phi- lis- tine? Which

A

of you's my e- ne- my and

which

A

of you's a friend of mine?

Dm G 7m

48C

Am

Dsus E 7M Gm Cm F

40

48

32

Gm E56Gm E F

Po- si- tive ac-

tion

E +9

ri- ding thewaves.

F

Skim-ing the sur-

face

64E +9

of neg-a-tivegraves. It's a sign

Dm

that all that's good

Gm

is march-ing for-

CA

m

ward on par-ade.

Dsus D

But it's en- tan-

E 9M

gled with the sor-

Gm

rowmak-ing

72

up

CA

m

the mas-que-rade

Dsus

it's all a cha-rade.

Gm E

Oh it's all a cha-rade.

56

64

72

33

Gm E

Yes it's all a cha- rade.

Gm

E

Come on and see the cha- rade.

80Gm E

Oh can't you see the cha- rade?

Gm E

Oh it's all a cha-rade.

Gm

Ev'-

E

ry- bo- dy see the cha-rade.

Gm E

Ev'- ry- thing's a cha-

88

rade.

Gm E

Oh it's all a cha-rade.

Gm

It's no good,

E

yes it's all a cha-rade.

Gm E

There'snoth-ing to it.

80

88

34

HAVE YOU GOT WHAT IT TAKES

Bob Eagle

Narration: It was 9 o’clock in the morning when they crucified him. They also crucified two others. People passing by

hurled insults at Jesus. He saved others, but he cannot save himself.

Vocal

Cm

Cm A7

Cm

A7

Cm8

A7

Cm CmA7

Cm

Piano

8

35

Have you got

Cm

what it takes to set the

whole

A7

world swing-ing Haveyou got

Cm

what it takes to let the

16

good

A7

times roll? Do you

know

Cm

what it means to do the things

A7

you pro- mised? Have you

got

Cm

what it takes to take on full

A7

con- trol?

Cm

Cm

I'mI hear

sim-theply

dri-wait-

vinging,

rhy-watch-

16

36

24 Fm

thming

pound-ev'-

ingry

onmove

Cm

andyou

on.make.

IAre

Cm

stillyou

hearin-

theto free-

mu- sicdom,

e-or

ven

whenare

A

theyou

bandjust

hasa fake?

gone.

Cm

ICan

Cm

senseyou

thecall

vi-on an-

bra-gels?

G

tions. IThat

CE

7

canwould

seebe

thequite

light.neat.

F

Sens-Can

Fm

ingyou

thechange

op-the

press-mo-

Cm

ionment?Can

ofyou

1.

turn

A7

on the heat?

G G

1.32

Haveyou

2.

ev-

A7

er- last- ing night.

G

Have you got

Cm

what it takes to set the

24

1.

1.32

2.

37

whole

A7

world swing-ing Haveyou got

Cm

what it takes to let the good

A7

times roll? Do you

40

know

Cm

what it means to do the things

A7

you pro- mised? Have you

got

Cm

what it takes to take on full

CmA7

con- trol?

1.1.Cm

1.1.

Have you

2.Cm

48

40

1.1.

1.1. 2.

48

38

TIME AFTER TIMEBob Eagle

Narration: At Midnight the whole country was covered in darkness. At three o’clock Jesus cried out, “My God. My God.

Why did you abandon me?” With a loud cry Jesus died. Some women were there looking from a distance. Among them

was Mary Magdalene.

Vocal

D CD

G Em A7

D CD

G8Em A

7

D

There'll be a time

CD

whenthe pain

G

is all be- hind

Em

us.

A7

D

Time af- ter time,

CD

when there'll be

G

no tears to

16

blind

Em

us.

A7

Piano

=100

8

16

39

G

Deep in the mist

A

of hope for- got-

F 7m

ten as a dream.

Bm

G

Bathed in themorn-

C7

ing light we see

F m

a diff'-rent scene.

24Am D

7

G

Long af- ter tears

F 7m

and cry- ing.

G

When in- no-centlove

F 7m

is dy- ing.

G

We can seethrough

F 7m

it all.

Bm Em

Time

A7sus

af- ter

A7

time.

32D

D

Fash-ion the past.

CD

Re- ar- range

G

the child- hood mean-

Em

ing.

A7

24

32

40

D

Sha- ping the line

CD

to the end

G

of bit- ter

40

feel-

Em

ing.

A7

G

Dawn of an age

A

to come, the sun-

F 7m

set of our fears.

Bm

G

Hopeof a fu-

C7

ture to re- claim

F m

the was- ted years.

48Am D

7

G

Checkout the pass-

F 7m

ing mem'- ry.

G

Free of des- pair

F 7m

and en- vy.

G

We can seethrough

F 7m

it all.

Bm Em

Time

A7

af- ter time.

56D

40

48

56

41

B

There'll be a time

C

when ev'- ry breath

F

of in- spi- ra-

Dm

tion

Gm

gath-ers it- self

C7

out- side his door.

F 7M

64

F

Gone as the breeze, but ev- er- last-

Bm

ing as the moun-tains.

Bet-

BE

m

ter than each time, each time

E

be- fore.

Asus A72

Oh:

A7

D

Paint-ing in gold,

CD

all the clouds

G

of re- col- lec-

Em

tion.

A7

64

72

42

D

Chang-ing the mold

CD

from a world

G

of im- per-

80

fec-

Em

tion.

A7

G

Freefrom the li-

A

mit of the shack-

F 7m

le and the chain.

Bm

G

On- ly the best

C7

of all that's gone

F m

can now re- main.

88Am D

7

G

Fac- ing a new

F 7m

be- gin- ning.

G

Lo- sers out there

F 7m

are win- ning.

G

We can seethrough

F 7m

it all.

Bm Em

Time

A7

af- ter time.

96D

80

88

96

43

SOME1

Bob Eagle

Narration: The curtain hanging in the Temple was torn in two, from top to bottom. The Army officer who was standing there

in front of the cross saw how Jesus had died, and said, “This was surely the Son of God”.

Vocal

Am G

Am

G8

Rap

And all

Am

theworld's a stage, and

all of us are bit part act- ors. All

G

the world's a stage, and

Piano

=100

8

44

all of us are bit part act- ors. We

Am

just read the lines of

some- one el- se's play. We're in

G

a real life dra- ma but the

16

au- thor stays a- way.

Dm

But I

won-There's

B

dera

whyman

thewho

worldholds,

goeswho

offholds

atthe

tan-whole

C

gentsworld

likein

ithis

does.hands.

IfAnd

it'sI'm

nottold

B

whatthat

heev'-

in-ry-

ten-thing

dedthere

thenis

whyac-

don'tcords

C

hewith

makehis

a fuss?com- mands.

AreAnd

weI

16

45

li-guess

Am

vingthere

inmust

abe

thrill-some-

Em

er?one,

Arecos

weit's

24

act-hard

C

ingto

outsee

ahow

plotelse

D

a-we'd

longall

thebe

way?here.

Em

DoesIt's

it allall

Am

reachso

acom-

con-plex,

clusure-

Em

-sionly

andnot

re-the

solvecon-

C

in-se-

toquence

someof

greatone

D

andgreat

glo-ran-

riousdom

day?steer.

Em

Am32

G

Am

24

32

46

G Rap

And all

Am

the world's a stage, and

40

all of us are bit part act- ors. All

G

the world's a stage, and

all of us are bit part act- ors. We

Am

just read the lines of

some- one el- se's play. We're in

G

a real life dra- ma but the

1.

au- thor stays a- way. And

2.

au- thor stays a- way.

48Am

40

1. 2.2. 48

47

THINKING OF YOU

Bob Eagle

Narration: After the Sabbath was over, Mary Magdalene, Mary the mother of James and Salome brought spices to go and

anoint the body of Jesus. Very early on Sunday morning they went to the tomb.

Vocal

E

Why d'ya have to leave me, ev'- ry- thing I knew is gone.

DE

With

no

Fm

hope for to- mor-

Gm

row I don't think

G7

that I can car-

C7

ry on,

Piano

=75

48

Fm

with- out you

B

be- side

E

me,

8Fm

with- out your love to help

B

and guide me,

E

got- ta face a fu- ture all a- lone.

Cm

And I

won-

Fm

der if I can make it on my own.

B sus B7

Well I guessI'm gon- na

have to learn to get a- long with-

E

out you here. And I guess I'll have to

try

B7

to pick the pie- ces up and

16

start

E

a- gain.

C 7sus C

7

I'm

8

16

49

1.

try-

Fm

ing so hard to keep

B7

con- trol but its hard

Gm

to do.

Cdim

Noth-

EB

ing I try can stop this lone- ly mind from think-

FB

ing of you.

E

E

Have to pull my- self to- geth- er

24

this is such a waste.

DE

But

emp-

Fm

ti- ness sur- rounds

Gm

me. Your mem'-

C7

ry leaves a bit-

C7

ter taste.

1.

24

50

Fm

A shot you could-

B

n't call.

E Fm

No leav- ing note that says it all.

B

Inn- er strengthplease don't de- sert me now.

Cm

I've got- ta

find

Fm

a bet- ter way to cope with things some-

32

how.

B sus B7

Well I guessI'm gon- na

try-

Fm

ing so hard to keep

B7

con- trol but its hard

Gm

to do.

Cdim

Noth-

EB

ing I try can stop this lone- ly mind from think-

FB

m

ing of you.

32

51

ED

E

Fm40

C7

G7

Gm

F7m

A shot youcould-

B

n't call.

E Fm

No leav- ing note that says

B

it all.

E

Inn- erstrengthplease don'tde- sert me now.

Cm

I've got- ta

find

Fm

a bet- ter way to cope with things some-

40

52

how.

Csus C7

Well I guessI'm gon- na have to learn to get a- long with-

48 F

out you here. And I guessI'll have to try

C

to pick the pie- ces up and

start

F

a- gain.

Dsus D7

I'm try-

Gm

ing so hard to keep

C7

con- trol but its

hard

Am

to do.

Ddim

Noth-

FC

ing I try can stop this lone- ly mind from

think-

GC

m

ing of you.

F56

EF

48

56

rall

53

ALL OVER THE WORLD

Bob Eagle

Narration: They looked up and saw that the stone had been rolled back. They entered the tomb and saw a young man wearing a

white robe. He said, “He is not here. He is risen”. After Jesus rose from death he appeared to Mary and the twelve

disciples. He said to them, “Go throughout the world and preach the good news”.

8 G Fm B7

All o- ver theworld.

E

All o- ver theworld,

B

the mu- sic is clear;

D

a new song is heard.

A

A flick- er- ing flame

Piano

E

BD

D A E

8

Drums

54

E

has burst in- to light,

16G

a new day hasdawned.

Fm

B7

All o- ver the world.

E

All o- ver the world,

B

the peo- ple are march-

D

ing out hand in hand.

A

The can- dle thatglowed

E

is burn- ing so bright,

24 G

a new hope is born;

Fm B7

all o- ver the world.

E E

InThe barr-

ev-ierse-

arery

break-na-

16

24

55

B

tioning and

there'sthea

cur-base

A

tainfor new

isbe-

32

lift-gin-

E

ing.nings.

TheA

peo-sense

pleof

areex-

danc-cite-

B

menting to

isthede-

mutec-

A

-sicted

ofin

re-the

lease.air.

B

WindsCries

E

areof

F7

blow-free-

B

ingdom

allring-

theing

oldout

E

re-through

gimesall

F

a-the

40

way,lands,

B

andand

there'sthere's

aa

newju-

B

a-bi-

D

ware-la-

E

ness,tion

we'rein

a

world-ev'-

Cm

widery

fa-ci-

F7

mi-ty

ly.square.

B sus B7

All o- ver the world.

32

40

56

E

All o- ver the world,

B

the mu- sic is clear;

48D

a new song is heard.

A

A flick- er- ing flame

E

has burst in- to light,

G

a new day hasdawned.

Fm B7

All o- ver the world.

E

All o- ver the world,

B

the peo- ple aremarch-

56D

ing out hand in hand.

A

The can- dle thatglowed

E

is burn- ing so bright,

G

a new hope is born;

Fm

48

56

57

B7

all o- ver theworld.

E

Power

64A

to the

peo-

D

ple. That's

A

what we see.

E

Ev'-

A

ry- one ful-

fil-

E

ing their own

A

des- ti- ny.

Csus

72 C7

All o- ver the world.

F

All o- ver the world,

C

the mu- sic is clear;

E

a new song is heard.

B

A flick- er- ing flame

F

has burst in- to light,

646464

72

58

A

a new day hasdawned.

Gm80C

7

All o- ver the world.

F

All o- ver the world,

C

the peo- ple are march-

E

ing out hand in hand.

B

The can- dle thatglowed

F

is burn- ing so bright,

A

a new hope is born;

Gm88C

7

all o- ver theworld.

F

All o- ver the world.

A

All o- ver the world.

C

80

88

59

MARK - MEGAMIX

Bob Eagle

FINALE

Vocal

=140 F G

C DmAm AG7

BC

FC

8

Hail

FC

Mess-

C

i-

FC

ah!

C BC

Son

FC

FC

of

C

Da-

FC

vid.

C BC

FC

Hail

FC

Mess-

C

i-

FC

ah!

C BC

CFC

C

Piano

8

Drums - Disco style

60

16

We

F

can't i- ma-

G

gine the fu-

C

ture with- out

Am

you. There'd

Dm

be a space

G

that we

just

Asus

could- n't fill.

A7

We

Dm

want the mu-

G

sic to play

C

on for e-

Am

ver.

As

Dm

time goes by

Em

we'll be prais-

F

ing still.

G24

Ho-

A

san- na. Ho-

san-

E

na. Ho- san-

D

na. Ho- san-

E

na.

Ho-

A

san- na. Ho- san-

E

na. Da-

F

vid's great-

G

est son.

16

24

61

A32

Ho-

A

san- na. Ho- san-

E

na. Ho-

san-

D

na. Ho- san-

E

na. Ho-

A

san- na. Ho-

san-

E

na. Da-

F

vid'sgreat-

G

est son.

A40

F C BD

CE

F C

32

40

62

Fsus48

Fm Fm Fm

Cold pass- ion,

schem-

FE

m

ing ways,

FD

m

you who prac-

FC

m

tice to

FB

m

de- ceive.

B m

C

This is how you

56

spend

Fm

yourdays,

FE

m

lay-

D

ing out ther tan- gled

web

FC

m

youweave.

C Fm

Cool se- duc -tion on

FE

m

the line,

48

56

63

FD

m

like a hunt-

FC

m

er stalks

FB

m

its prey,

B m C

like a spi- der

64

traps

Fm

a fly,

FE

m

you

DE

can take the breath

E

a- way.

Wild

F

Mess- i- ah of end-

C

less night, writ-

E

ten on your head like a

ne-

B

on light.

F

Your ob- sess- ion

72

leads

C

you to a fix-

a-

BD

tion to con- trol

CE

the things de- nied

F

you but you have de- ci-

64

72

64

C

ded to make them your own.

Fsus

80

Gm E Gm E

Gm E Gm88E F

Tra- ces of dark-

ness.

E +9

Sha-dows and night.

F

Close in- ter- leav-

80

88

65

ing

E +9

with sweet-ness and light.

96

And the

sha-

Dm

dows make pre- tence

Gm

that in the light

CA

m

they dim and fade.

Dsus

But it

seems

E 9M

as if they're grow-

Gm

ing and in- creas-

CA

m

ing in the shade.

104Dsus

It's all a cha-rade.

Gm

Have you got

Cm

what it takes to set the

whole

A7

world swing-ing Haveyou got

Cm

what it takes to let the good

A7

times roll? Do you

96

104

66

know

Cm

what it means to do the

112

things

A7

you pro-mised? Have you got

Cm

what it takes to take on

full

A7

con- trol?

Cm 1.

Cm

I'm sim- ply wait-ing, watch-

Fm

ing ev'- ry move

Cm

you make. Are

Cm

you in- to free- dom, or

120

are

A

you just a fake?

Cm

Can

Cm

you call on an- gels?

G

That

CE

7

wouldbe quite neat.

F

Can

Fm

you changethe mo-

Cm

ment?Can you turn

A7

on the heat?

G G

112

1.1.

120

67

Haveyou

2.128

Em

AAsus D

There'll be a time

CD

when the pain

G

is all be-

hind

Em

us.

DA7

Timeaf- ter time,

CD

when there'll be

G

no tears to

136

blind

Em

us.

GA7

Deep in the mist

A

of hope for- got-

F 7m

ten as a dream.

Bm G

Bathed in themorn-

C7

ing light we see

F m

a diff'- rent scene.

2.2.128

136

68

144 Am GD7

Long af- ter tears

F 7m

and cry- ing.

G

When in- no- cent love

F 7m

is dy- ing.

G

We can see through

F 7m

it all.

Bm Em

Time

A7

af- ter time.

152D B

E

The barr- iers are break-

B

ing and the cur-

A

tain is

lift-

E

ing. The peo- ple are danc-

B

ing to the

144

152

69

160

mu

A

-sic of re- lease.

B

Winds

E

are

F7

blow-

B

ing all the old

E

re- gimes

F

a- way,

B

and there's a

new

B

a-

D

ware-

E

ness, we're a

168

world-

Cm

wide fa-

F7

mi- ly.

B sus B7

All o- ver the world.

E

All o- ver the world,

B

the mu- sic is clear;

D

a new song is heard.

A

A flick- er- ing flame

160

168

70

E

has burst in- to light,

176G

a new day hasdawned.

Fm

B7

All o- ver the world.

E

All o- ver the world,

B

the peo- ple are march-

D

ing out hand in hand.

A

The can- dle thatglowed

E

is burn- ing so bright,

184 G

a new hope is born;

Fm B7

all o- ver the world.

E

Power

A

to the

176

184

71

peo-

D

ple. That's

A

what we see.

192E

Ev'-

A

ry- one ful- fil-

E

ing their own

A

des- ti- ny.

Csus C7

All o- ver theworld.

F

All o- ver theworld,

C

the mu- sic is clear;

200E

a new song is heard.

B

A flick- er- ing flame

F

has burst in- to light,

A

a new day hasdawned.

Gm

192

200

72

C7

All o- ver the world.

F

All o- ver the world,

C

the peo- ple are march-

208 E

ing out hand in hand.

B

The can- dle thatglowed

F

is burn- ing so bright,

A

a new hope is born;

Gm C7

all o- ver the world.

F

All o- ver the world.

216A

All o- ver the world.

C

208

216