AAWM&FMA Fifth Conference on

Analytical Approaches to World Music

 

Eighth Folk Music Analysis International Workshop

Hostedbythe

SchoolofMusicStudiesAristotleUniversityofThessaloniki

26-29June2018

PiraeusBankConferenceCenterKatouni12-14,Thessaloniki

CONCERTI•TUESDAY26JUNE20:00NikosDiminakis-BeatboxandWindsModal4-yaylitanburguitardrumsbassCONCERTII•WEDNESDAY27JUNE20:00ChoralLaboftheSchoolofMusicStudiesByzantineChoiroftheStateConservatorySTRINGLESS-femaleacapellavocalgroupCONCERTIII•THURSDAY28JUNE20:00A.Katsanevaki&D.Bakas-MoiroloiTrilogyBAHARí/FlamencoArabe

http://www.aawmconference.comhttp://fma2018.mus.auth.gr

CONFERENCETIMETABLE

Day1:Tuesday26June

8:00-17:00:Registration(Foyerofthethirdfloor)8:30-9:00 Welcome(Auditorium)

ParallelSessionsA:9:00-12:00 A1:Auditorium A2:Hall1 A3:Hall29:009:4510:3011:15

AAWMSessionA1:Non-isochronyChair:LawrenceShusterNasimAhmadianTheElasticityofMeterandTemporalityinPerformingIranianClassicalMusicMichailCholevasandJulianoAbramovayMakampedia:UnveilingtheLocallyRhythmicalandMetriccharacterofFreeRhythmTaksimImprovisationswiththeUseofMusicalAnalysisEshanthaPeirisTheoryandPerformancePracticeinSouthAsia:HaveChangingIdeasaboutMeterInfluencedHowRhythmsarePlayed?RainerPolakEmpiricalEvidencefortheTheoryofSwing-BasedMeterinMalianDance-Drumming

AAWMSessionA2:MediterraneanChair:DeirdreMorganAndreHolzapfelACaseStudyofEthnographyandComputationalAnalysisasComplementaryToolsforAnalyzingDanceTunesSpirosKalozakisandAnastasiaGeorgakiAcousticalCharacteristicsandVocalTimbreNuancesoftheCretanRizitikaSingingIdiomHarisSarrisandMarianthiKoiliaMusicandMusicNetworksintheAegean:TheExampleofNaxosIsland

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AAWMSessionA3:IndigenousTheoryandPracticeChair:CostasTsougrasFerhatÇaylıandCenkGürayABriefHistoryofOttoman/TurkishMusicTheoryviaItsMusic-TheoreticalInstrumentsPolinaDessiatnitchenko“ImprovisationisNottheRightWord!”:NativeTerminologyandPerformanceTechniquesofAzerbaijaniMughamCreativityEleniKallimopoulouandPetrosVouvarisArion:HarmonizingTheoryandIdeologyinPracticeNikosOrdoulidisDeconstructingDipoles:TheTerm‘Minor’inSmyrna

12:00-13:30 LunchBreak

ParallelSessionsB:13:30-16:30

B1:Auditorium B2:Hall1 B3:Hall213:3014:1515:0015:45

SessionB1:DrummingSensibilitiesandFormChair:MichaelTenzerAdamKingBalineseSoloDrummingandtheWesternDrumsetAndyMcGrawCello-DrumminginIndonesianKeroncongCarlosGuedes,KonstantinosTrochidisandAkshayAnantapadmanabhanChallengesinComputationalModellingandGenerationofCarnaticPercussionMusicNathanHesselinkCross-CulturalResonanceintheCadentialHemiola

SessionB2:MusicandMassMediaChair:NancyMurphyAnjniAminandRichardAshleyTheInfluenceofTimbreonEmotionPerceptionDimitrisTasoudisandPetrosVouvarisBuildingBridges:TwoCaseStudiesofMusicinFilmKostasChardas"GreeceGoesModern"orSearchingfortheRoots?OntheUseofGreekFolksongbytheGreekPop/RockScenePatrickSavage,CharlesCronin,DanielMüllensiefenandQuentinAtkinsonQuantitativeEvaluationofMusicCopyrightInfringement

SessionB3:MelodyandScalesChair:MartinClaytonMohammadR.AzadehfarANewApproachtotheAnalysisofMelodicMovementsinCollectivePieces:MelodicContoursofGūsheh-hainIranianDastgāhiMusicStefanPohlitMaqāmandBeyond:AUnifiedTheoryinJulienJalâlEd-DineWeiss’sLastCompositionAthenaKatsanevakiExploringaThree-LevelCompositionintheMusicalSystemofanOralTraditionSomangshuMukherjiBhatkhande,Schenker,Humboldt:AnEternalRagamala

16:30-17:00 CoffeeBreak

17:00-18:00 AAWMKeynoteAddress1(Auditorium)MartinStokes(King’sCollege,London)

TranslatingModes

18:00-20:00 Break

20:00-21:00 Concert1(Auditorium)NikosDiminakis:Beatbox&Winds

Modal4:Musicfromtheensemble'srecentCD

21:00-22:30 WelcomeReception-cheeseandwine

Day2:Wednesday27June

ParallelSessionsC:9:00-12:00 C1:Auditorium C2:Hall1 C3:Hall29:009:4510:3011:15

AAWMSessionC1:RegionsofEuropeChair:MartinStokesItziarNavarroTransformationsinBertsolarisSingingStyleinOiartzunthroughoutthe20thCenturyArgibelEubaUgarteBasqueTxalaparta:Meter,RhythmandPerformanceDeirdreMorganArchaicFusion:AnAnalysisofNorwegianMunnharpeStyleandRepertoireYannickWeyTransformationofToneSystemsofYodelingintheMuotatalValley,CentralSwitzerland:AMulti-generationalLongitudinalStudy

AAWMSessionC2:BritishForumforEthnomusicology:PapersonAesthetics,Timbre,andTranscriptionChair:LeslieTilleyChloëAlaghband-ZadehTheSocialAestheticinNorthIndianClassicalMusicRuardAbsarokaTimbralConsonanceandMusical"Flavor":SpectralDensity,TimbreSpaces,andtheCultivationofListenersintheWorldofJiangnanSizhuMorganDavies"Easy"AutomaticMelodyLineTranscriptions:AComparisonofTwoOpen-SourceSoftwareProgramsAndrewKillickCross-CulturalAnalysisThroughCross-CulturalNotation:TheLabanSolutionRevisited

FMASessionC3:RhythmandTimbreChair:AggelosPikrakis9:00-9:30 PierreBeauguitte,BryanDugganandJohnD.KelleherRhythminferencefromaudiorecordingsofIrishtraditionalmusic9:30-10:00 LuisJureandMartínRocamoraSubiendolallamada:NegotiatingtempoanddynamicsinUruguayanCandombedrumming10:00-10:30 OlofMisgeldandAndreHolzapfelTowardsthestudyofembodiedmeterinSwedishfolkdance10:30-11:00:BREAK11:00-11:30 MarceloQueiroz,KaterinaPeninta,RobertoBodo,MaximosKaliakatsos-PapakostasandEmiliosCambouropoulosPerceptionofasymmetricrhythmsintraditionalGreekmusic11:30-12:00AsteriosZacharakisandKonstantinosPastiadisTensionperceptioninGreektraditionalfolkmusic:Examiningtheroleoftimbralsemantics

12:00-13:30 LunchBreak

ParallelSessionsD:13:30-16:30 D1:Auditorium D2:Hall1 D3:Hall213:3014:1515:0015:45

AAWMSessionD1:WorldMusicinNewArtMusicChair:JuanDiegoDiazCostasTsougrasAnalyzingtheEpiroticVocalandInstrumentalMoirologi(Lament)anditsReflectioninTheodoreAntoniou'sLamentsforSoloInstrumentsNikolaosDiminakisAfricanandEuropeanInfluencesinChristianLauba’sSaxophoneCompositions(“NineEtudesforSaxophones”–1stBook)KristiHardmanMovingBeyondCulturalAppropriation:ReconciliationintheFinaleofChristosHatzis'GoingHomeStar(2014)GloriaWongMusicalSynthesisandCollaborationsinCanadianCompositionsusingChineseandWesternInstruments

AAWMSessionD2:PhysicalitiesChair:PanayotisMavromatisRosaAbrahamsButWe’reNotinZombieMode:MeterandSelectedAttentioninGreekOrthodoxMovementandMusicFrancescaLawsonandJoshuaSimsParticipationandPresentationinChineseCrossTalk:UsingELANforStudyingResponsestoMusicandSpeechLauraLeanteImagery,MovementandMeaninginNorthIndianMonsoonRagsToruMomiiParsimoniousTe-utsuri:ModelingInstrumentalSpaceinShōPerformance

FMASessionD3:TranscriptionandRecognitionChair:AndreHolzapfel13:30-14:00 SvenAhlbäckTheHiddenModes:Acomputer-assistedapproachtotonalityanalysisofSwedishFolkMusic14:00-14:30 GeertMaessenandDarrellConklinTwomethodstocomputemelodiesforthelostchantoftheMozarabicrite14:30-15:00 IslahAli-Maclachlan,CarlSouthall,MaciejTomczakandJasonHockmanPlayerrecognitionfortraditionalIrishfluterecordings15:00-15:30:BREAK BREAK15:30-16:00 EmirDemirel,BarışBozkurtandXavierSerraAutomaticmakamrecognitionusingchromafeatures16:00-16:30 SoniaRodríguez,EmiliaGómezandHelenaCuestaAutomatictranscriptionofflamencoguitarfalsetas

16:30-17:00 CoffeeBreak

17:00-18:00 FMAKeynoteaddress(Auditorium)EmmanouilBenetos(QueenMaryUniversityofLondon)

Automatictranscriptionofworldmusiccollections

18:00-20:00 Break

20:00-21:00 Concert2(Auditorium)ChoralWorkshopoftheAristotleUniversityofThessaloniki:

YannisConstantinidis's"8AsiaMinorsongs"ByzantineChoiroftheStateConservatoryofThessaloniki:SelectionofByzantinehymns

STRINGLESSfemaleacapellavocalgroup:SelectionoftraditionalBalkansongs

Day3:Thursday28June

ParallelSessionsE:9:00-12:00 E1:Auditorium E2:Hall1 E3:Hall29:009:4510:3011:15

AAWMSessionE1:AfricaandEmpiricismChair:SylvieLeBominColterHarperPerformingWisdom:GenerativeProcessesintheSeperewaMusicofOseiKorankyeDavidLockeHowtoListentotheResponseDrumPartinAgbadza(Ewe,Ghana/Togo):Form,Accentuation,andReciprocityJuanDiegoDiazMeasuringRhythmicComplexityintheWestAfricanStandardPattern:AnEmpiricalApproachMaisieSumGettingtheGroove:Variation,ExpectationandAffectiveResponsesAcrossCultures

AAWMSessionE2:MarkingandPerceivingSegmentationinEastandSouthAsianMusic(SocietyforMusicAnalysis)Chair:LauraLeanteSimonMillsAnAnalyticalStudyofMusicalSegmentationinSouthKoreanShamanRitualMusicLaraPearsonGesture,Segmentation,andMeaninginSouthIndianRagaPerformanceRichardWiddess,TudorPopescuandMartinRohrmeierAnalysisinRealTime?AnIndianMusicSegmentationStudyRainerPolakDiscussant

FMASession3:Culture,Analogy,Embodiment,CreativityChair:MatijaMarolt9:00-9:30:—9:30-10:00 StellaPaschalidou,MartinClaytonandTuomasEerolaEffort-voicerelationshipsininteractionswithimaginaryobjectsinHindustanivocalmusic10:00-10:30 CostasTsougras,MaximosKaliakatsos-PapakostasandEmiliosCambouropoulosCreativeharmonisationoffolkmelodies10:30-11:00:BREAK11:00-11:30 GeorgeAthanasopoulosImitations-transformations:BirdsofparadiseinperformancefromthecentralprovincesofPapuaNewGuinea11:30-12:00 ChristianBenvenutiAninformationethics-centredapproachtomusicasintangibleheritage

12:00-13:30 LunchBreak

ParallelSessionsF:13:30-16:30 F1:Auditorium F2:Hall1 F3:Hall213:3014:1515:0015:45

AAWMSessionF1:Cross-CulturalTheoriesChair:RichardWiddessMartinClaytonInterpersonalEntrainmentinMusicEnsembles:Cross-CulturalPerspectivesLeslieTilleyTheArtofPuttingCreativityinBoxes,orCanWeAnalyzeImprovisationCross-Culturally?CeciliaQuaintrellTestingBoundaries:EmpiricalandHermeneuticSymbiosisintheCross-CulturalStudyofMusicalEndingsLawrenceZbikowskiTheoriesofWorldMusic

AAWMSessionF2:OceaniaandSoutheastAsiaChair:AndyMcGrawTatAmaroAnalysisinContext:ContemporaryLannaRepertoryinthePiphatEnsemblesofModernSocietyinPhayao,ThailandGeoffroyColsonChantingRhythms:ExploringtheTahitianPeheLorenzoChiarofonteDoKoGyiKyaw:MusicStructures,InteractionProcesses,andPerformanceContextofaBurmesenat-chinJayRahnCyclicalStructuresinCentralJavaneseSkeletalMelodies

FMASessionF3:Similarity,RepetitionandSegmentationChair:MaximosKaliakatsos-Papakostas13:30-14:00 MatevžPesek,MancaŽerovnik,AlešLeonardisandMatijaMaroltModelingsongsimilaritywithunsupervisedlearning14:00-14:30 GeertMaessenandPeterVanKranenburgAnon-melodiccharacteristictocomparethemusicofmedievalchanttraditions14:30-15:00 ChrisWalshawVisualisingmelodicsimilaritiesinfolkmusic15:00-15:30:BREAK BREAK15:30-16:00 IrisYupingRen,HendrikVincentKoops,DimitriousBountouridis,AnjaVolk,WouterSwierstraandRemcoVeltkampFeatureanalysisofrepeatedpatternsinDutchfolksongsusingPrincipalComponentAnalysis16:00-16:30 MatijaMaroltGoingdeepwithsegmentationoffieldrecordings

16:30-17:00 CoffeeBreak

17:00-18:00 AAWMKeynoteAddress2(Auditorium)JohnRoeder(UniversityofBritishColumbia)

TimelyNegotiations:FormativeInteractionsinCyclicDuets

18:00-20:00 Break

20:00-21:00 Concert3(Auditorium)AthenaKatsanevaki:MoiroloiTrilogybyDimitrisBakas

BAHARí/FlamencoArabe:Flamencomusicwithkanun,flute,guitarandvocals

Day4:Friday29June

PlenarySession(G):9:00-12:00(Auditorium)9:00-12:00

PlenarySession:TranscriptionandRecentTheoriesofMusicStructureChair:MichaelTenzer(UniversityofBritishColumbia)EmmanouilBenetos(QueenMaryUniversityofLondon)BarışBozkurt(UniversitatPompeuFabra,Barcelona)PanayotisMavromatis(NewYorkUniversity)TaraBrowner(UniversityofCalifornia,LosAngeles)KalinKirilov(TowsonUniversity)SylvieLeBomin(Muséumnationald'Histoirenaturelle)

12:00-13:30 LunchBreak

ParallelSessionsH,I:13:30-16:30 H1,I1:Auditorium H2,I2:Hall1 H3:Hall213:3014:1515:0015:45

AAWMSessionH1:HistoricallyInformedApproachestoMediterraneanMusicChair:NathanHesselinkMariaAlexandruAnalyticalMethodsandApproachestoByzantineMusic:RetrospectivesandPerspectivesSokratisSinopoulosTheBigBangTheoryofMusic:AToolTowardstheUnderstandingofModalityinEasternMediterraneanMusicCultures

AAWMSessionH2:DanceMusicChair:ÁineHeneghanJanePiperClendinningWhat’sinaTune?ConstructionofCapeBretonFiddleTunesJudithE.OlsonInterdependentRolesofDancersandMusiciansinStructuringTransylvanianVillageMusic

AAWMSessionH3:RhythmicStrategiesChair:ChloëAlaghband-ZadehIljungKimUnderstandingTemporalStructureofGagokPerformance:AStudyofPeriodicityinUjoChosudaeyeopSaeidKordmafiĪqā‘:aCanontoRespectorBreak?TheDichotomybetweenRhythmMakingStrategiesinCompositionandImprovisationinClassicalMusicoftheArabMashriqLuisJureImprovisationTechniquesoftheRepiqueDruminUruguayanCandombeDrummingTiffanyNicelySpecificallyGenericAccompaniments:ClumpVectorsinGuineanMalinkeDanceDrumming

AAWMSessionI1:Workshop(15:00-16:30)DanielGoldbergAnIntroductiontotheMetricAdaptabilityofSoutheastEuropeanFolkDances

AAWMSessionI2:AmericanFolkandBluesChair:MaisieSumNancyMurphy“Old,WeirdAmerica”:MetricFlexibilityinHarrySmith’sAnthologyofAmericanFolkMusicGrantSawatzkyDynamicGroupingComplexesinJohnLeeHooker’sBlues:ACaseStudyinMetricParticularity