Embed Size (px)
DESCRIPTION
Guitar
Citation preview
MASTEREFFECT SEND
MASTERAUX SEND
LEFT RIGHT
AUX SEND
B
C
EFFECT 1 can be used as a high quality effect processor on this send.
EFFECT 2 can be used as a high quality effect processor on this send.
D
STEREO EFFECT PROCESSOR
STEREO EFFECT PROCESSOR
STEREO
EFFECT 2 can be used as a dynamic processor on the stereo output.
LEFT
ANALOG DIGITAL
RIGHT COAXIAL
STEREO OUT
A
STEREO DYNAMICS PROCESSOR
INPUT SUBMIXER
The submixer can be assigned to the stereo buss. If not in use, it can be unassigned.
LEVEL
PAN
LEFT RIGHT
LEVEL
PAN
LEFT RIGHT
LEVEL
PAN
LEFT RIGHT
LEVEL
PAN
LEFT RIGHT
LEVEL
PAN
LEFT RIGHT
LEVEL
PAN
LEFT RIGHT
LEVEL
PAN
LEFT RIGHT
CUE
LEVEL
PAN
LEFT RIGHT
CUE
The TRACK CUE mix feeds directlyinto the MONITOR section of the
788, and can be turned on and offwith the CUE button.
E
CUE
LEVEL
PAN
LEFT RIGHT
CUE
LEVEL
PAN
LEFT RIGHT
CUE
LEVEL
PAN
LEFT RIGHT
CUE
LEVEL
PAN
LEFT RIGHT
CUE
LEVEL
PAN
LEFT RIGHT
CUE
LEVEL
PAN
LEFT RIGHT
EQ
IN/OUT
HI GAIN
-12dB +12dB
HI FREQ
1.7kHz 18kHz
LOW GAIN
-12dB +12dB
LOW FREQ
32Hz 1.6kHz
MID GAIN
-12dB +12dB
MID FREQ
32Hz 18kHz
MID Q
.25 16
EQ
IN/OUT
HI GAIN
-12dB +12dB
HI FREQ
1.7kHz 18kHz
LOW GAIN
-12dB +12dB
LOW FREQ
32Hz 1.6kHz
MID GAIN
-12dB +12dB
MID FREQ
32Hz 18kHz
MID Q
.25 16
EQ
IN/OUT
HI GAIN
-12dB +12dB
HI FREQ
1.7kHz 18kHz
LOW GAIN
-12dB +12dB
LOW FREQ
32Hz 1.6kHz
MID GAIN
-12dB +12dB
MID FREQ
32Hz 18kHz
MID Q
.25 16
EQ
IN/OUT
HI GAIN
-12dB +12dB
HI FREQ
1.7kHz 18kHz
LOW GAIN
-12dB +12dB
LOW FREQ
32Hz 1.6kHz
MID GAIN
-12dB +12dB
MID FREQ
32Hz 18kHz
MID Q
.25 16
EQ
IN/OUT
HI GAIN
-12dB +12dB
HI FREQ
1.7kHz 18kHz
LOW GAIN
-12dB +12dB
LOW FREQ
32Hz 1.6kHz
MID GAIN
-12dB +12dB
MID FREQ
32Hz 18kHz
MID Q
.25 16
EQ
IN/OUT
HI GAIN
-12dB +12dB
HI FREQ
1.7kHz 18kHz
LOW GAIN
-12dB +12dB
LOW FREQ
32Hz 1.6kHz
MID GAIN
-12dB +12dB
MID FREQ
32Hz 18kHz
MID Q
.25 16
EQ
IN/OUT
HI GAIN
-12dB +12dB
HI FREQ
1.7kHz 18kHz
LOW GAIN
-12dB +12dB
LOW FREQ
32Hz 1.6kHz
MID GAIN
-12dB +12dB
MID FREQ
32Hz 18kHz
MID Q
.25 16
PRE / POSTFADER
EFF/AUX
PRE / POSTFADER
EFFECT
PAN
LEFT RIGHT
AUX
PAN
LEFT RIGHT
EFF/AUX
PRE / POSTFADER
PRE / POSTFADER
EFFECT
PAN
LEFT RIGHT
AUX
PAN
LEFT RIGHT
EFF/AUX
PRE / POSTFADER
PRE / POSTFADER
EFFECT
PAN
LEFT RIGHT
AUX
PAN
LEFT RIGHT
EFF/AUX
PRE / POSTFADER
PRE / POSTFADER
EFFECT
PAN
LEFT RIGHT
AUX
PAN
LEFT RIGHT
EFF/AUX
PRE / POSTFADER
PRE / POSTFADER
EFFECT
PAN
LEFT RIGHT
AUX
PAN
LEFT RIGHT
PRE / POSTFADER
PRE / POSTFADER
EFF/AUX
EFFECT
PAN
LEFT RIGHT
AUX
PAN
LEFT RIGHT
EFF/AUX
PRE / POSTFADER
PRE / POSTFADER
EFFECT
PAN
LEFT RIGHT
AUX
PAN
LEFT RIGHT
EFFECT 1 can be inserted into any singlechannel for use as a multi-effect processor.
DISTORTION NOISE GATE FLANGER DELAYCOMPRESSOR
EFFECT 2 can be used as a multichannel dynamicprocessor, inserting a single dynamic processor
into every channel of the main mixer.
CH 1 CH 2 CH 3 CH 4 CH 5 CH 6 CH 7/8
THRESHOLD
ATTACK
GAIN
RATIO
THRESHOLD
ATTACK
GAIN
RATIO
THRESHOLD
ATTACK
GAIN
RATIO
THRESHOLD
ATTACK
GAIN
RATIO
THRESHOLD
ATTACK
GAIN
RATIO
THRESHOLD
ATTACK
GAIN
RATIO
THRESHOLD
ATTACK
GAIN
RATIO
RECREADY
TRACK 1
RECREADY
TRACK 2
RECREADY
TRACK 3
RECREADY
TRACK 4
RECREADY
TRACK 5
RECREADY
TRACK 6
RECREADY
TRACK 7/8
SOLO
CH 1
PAN
LEFT RIGHT
CH 2
SOLO
PAN
LEFT RIGHT
CH 3
SOLO
PAN
LEFT RIGHT
CH 4
SOLO
PAN
LEFT RIGHT
CH 5
SOLO
PAN
LEFT RIGHT
CH 6
SOLO
PAN
LEFT RIGHT
SOLO
PAN
LEFT RIGHT
PAN
LEFT RIGHT
CH 7/8
Channels will feed associated tracks. (i.e. Channel 4feeds Track 4.) If a track is put into RECORD READY,the associated channel is disengaged from the stereomix so that it can be monitored through the CUE mix.
TRIM
LINE MIC
TRIM
LINE MIC
TRIM
LINE MIC
INPUT A INPUT B INPUT C
TRIM
LINE MIC
LEFT RIGHTIMPEDANCEMIC GUITAR
INPUT D AUX INPUT
INPUT A INPUT B INPUT C INPUT D AUX INPUT TRACK 1 TRACK 2 TRACK 3 TRACK 4 TRACK 5 TRACK 6 TRACK 7 TRACK 8STEREO
Inputs on the 788 can be routed directly to a mixer channel, or theycan be assigned to the submixer. On the main mixer, any input can
be assigned to any channel.
The stereo mix can be assigned to mixer
channels for live submixing or
bouncing tracks.
Tracks from the recorder section can be assigned to the main mixer. Tracks can
only be assigned to their associated mixer channels. (i.e. Track 1 to channel 1) Tracks
are always active in the TRACK CUE mix.
P 8
P 9
P 9
P 13
P 20
P 20
The monitor section offers the ability to listen to different locations in the mixing process. The letters in the chart below match up with the letters in the chart at left to indicate where the audio is being monitored
.
The page markers to the right of each section indicate locations in the 788 Operational Tutorial where there is detailed information about each function.
LEFT RIGHT PHONES
MONITOR OUT
A
B
C
D
E
P 10
P 20
P 7P 7
P 10P 10
P 7
788 Road Map
