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7 18TH CENTURY FRANCE
• NEOCLASSICM– Classical language only– Neoclassicism was a reaction to flippant decadence
FOUR PHASES OF FRENCH NEO-CLASSICAL STYLE
• Structural Neo-classicism (1730 – 1750)
• Archaeological neo-classicism (1750 – 1760)
• Radical neo-classicism (1760 – 1770)
• Visionary neo-classicism (1770 – 1800)
STRUCTURAL NEOCLASSICISM
• Claude Perrault– Chief author of east façade of Louvre– Greco-gothic structural idealism
• Abbe Marc-Antoine Laugier – Theorist– Primitive Hut, ideal structure
ARCHAEOLOGICAL NEOCLASSICISM
• GOAL: Integration of antique models and French Classicism
• St. Genevieve (The Pantheon)– Jacques Germain Soufflot– Unites structural lightness of gothic with purity of
Greek– Greek cross plan with five domes– Interior, classical magnificence with slender arches– Exterior, massive geometric blocks
ARCHAEOLOGICAL NEOCLASSICISM
• Petite Trianon– Ange-Jacques Gabriel– Versailles– Cubic geometry, no
sculpture– Restrained
architectural language– Purification of
architecture
• Place de la Concorde– Gabriel– Multi-media spaces– Fusion of arts– Louvre-like Versailles
in city streets
RADICAL NEOCLASSICISM
• Fusion of antique and 17th Century• Purism – forms larger scaled than antiquity• Chief Architects
– Marie-Joseph Peyre– Charles De Wailly– Jacques Gondoin
• THEATRE FRANCAIS– Piranesi influence seen in foyer (gloomy)– Rusticated masonry – no frames on windows
ECOLE DE CHIURERIE
• School of Surgery, Paris, 1769 – 75• Jacques Gondoin• Anatomy Theater
– Principle interior space– Ancient theater with Panteon dome– Temple enshrines medical science