5.HmH Book of Abstracts 2013

ARHITEKTONSKI FAKULTET U SARAJEVU | CICOP BIH | CICOP ITALY | CICOP SERBIA | GRAEVINSKI FAKULTET U SARAJEVU

SARAJEVO | 22-24 APRIL 2013

BOOK OF CONFERENCE ABSTRACTS - Importance of Place (CD-ROM)

I M P O R T A N C E O F P L A C E

5th International Conference on Hazards and Modern Heritage

EditorsNina AvramidouAmir Causevic Nerman RustempasicAida Idrizbegovi-Zgoni

Technical editorsErdin SalihoviMevludin Zeevi

Published by CICOPBH, SarajevoVol. 2 No. 2, 2013ISSN 2232-965X

3ABOUT

Conference is organized as Pre-Congress ac# vity of 2nd Biennial of Architectural and Urban Spaces, BRAU2, 15 - 30 October 2013, under patronage of UNESCO.

Conference as a main goal has to introduce modern approaches for the preserva# on and management of cultural heritage and introduce Young People to the Protec# on of Heritage Sites and Historic Ci# es. Ac# ons that contains management plan, with long-term goals, may include ac# ve and passive use, in order to achieve the sustainability of heritage and involvement in modern trends of life and to sa# sfy main demands regarding aesthe# c values, comfort of living areas and environmental sustainability.

It is also an opportunity to coordinate, promote and encourage the exchange of informa# on for a historical cultural heritage, and de ne mechanisms for the protec# on of modern architectural heritage.

We must add the sense of the rela# on between memory, territory and the quality of a meaningful life which underlies the associa# ve heritage work in considering the importance of place; we highlight the concepts of community resilience and risk management, key aspects of a response to change, while we de ne the word sustainability, the responsibility of us living people towards the heritage we received and towards the heritage we will leave to our successors, in order to play a pivotal role.

All this leads us to a conclusion that there is a need for a new responsible architectural ethical design that will surpass the ego, the preten# ous and apstract architectural concepts, but will result in a dynamic process through design and buildings life cycle.

The best way to preserve a historically valuable modern building is if one you can make the house owner be aware of the values of the building, see to that he gets the needed knowledge how to maintain the building and that he is proud of being the owner. It is also important that the building is used and that it is used in a way that respects the historical values of the building.

4CICOP.NET CONFEDERATIONCICOP ITALY, BH CICOP AND CICOP SERBIA

IN COOPERATION WITH

FACULTY OF ARCHITECTURE AND FACULTY OF CIVIL ENGENEERING, UNIVERSITY SARAJEVO

Organize Pre-Cogress Ac! vity of 2nd Biennial of Architectural and Urban Spaces, BRAU2, 15-30 October

2013

under the patronage of UNESCO

5The 5th Interna! onal Conference on Hazards and Modern HeritageThe Importance of Place

Conference theme

MODERN HERITAGE BETWEEN UPGRADING AND PRESERVATIONRisks and Remedies

22 - 24 April, 2013 in Sarajevo

Heritage and ideals, our code and standards the things we live by and teach our children are preserved or diminished by how freely we exchange ideas and feelings.

Walt Disney

7GENERAL SPONSOR:

GOLD SPONSORS:

8SPONSORS

9ORGANIZING COMMITTEE

Head Dr. Sci. Amir auevi, Faculty of Architecture, University of Sarajevo, BiH

Prof. Dr. Rada ahtarevi, Dean of Faculty of Architecture, University of Sarajevo, BiH

Dr. Sci. Nerman Rustempai, Faculty of Architecture, University of Sarajevo, BiH

Mr. Sci. Mevludin Zeevi, Faculty of Architecture, University of Sarajevo, BiH

Doc. Dr. Lemja Akamija, Faculty of Architecture, University of Sarajevo, BiH

Prof. Dr. Nina Ugljen-Ademovi, Faculty of Architecture, University of Sarajevo, BiH

Prof. Dr. Erdin Salihovi, Faculty of Architecture, University of Sarajevo, BiH

Dr. Sci. Aida Idrizbegovi Zgoni, Faculty of Architecture, University of Sarajevo, BiH

Arch. Benede& a Maio Miranda, University of Florence (IT), Florence, Italy

Mr. Sci. Adnan Veli, Arch.-country manager Aluknigstahl d.o.o. Sarajevo, BiH

Arch. Vedad Islambegovi, Faculty of Architecture, University of Sarajevo, BiH

Dr. Sci. Amira Salihbegovi, Faculty of Architecture, University of Sarajevo, BiH

Mr. Sci. Merjema Zatri, Faculty of Architecture, University of Sarajevo, BiH

Dr. Sci. Nermina Zagora, Faculty of Architecture, University of Sarajevo, BiH

Dr. Sci. Mladen Burazor, Faculty of Architecture, University of Sarajevo, BiH

Dr. Sci. Lana Kudumovi, Faculty of Architecture, University of Sarajevo, BiH

Arch. Vila Sutovi, Editor-in-Chief of the AGD pro Magazine

Arch. Lejla Hadi, Regional Coordinator of Cultural Heritage without Borders

Arch. Nadira Kuljuh-Boli, Faculty of Architecture, University of Sarajevo, BiH

Arch. Lejla abi, Faculty of Architecture, University of Sarajevo, BiH

Mr. Sci. Lejla Kreevljakovi, Faculty of Architecture, University of Sarajevo, BiH

Arch. Asja Damadi, Faculty of Architecture, University of Sarajevo, BiH

Mr.sci. Senka Ibriimbegovi, Faculty of Architecture, University of Sarajevo, BiH

Arch. Edvin Bari, Faculty of Architecture, University of Sarajevo, BiH

10

SCIENTIFIC COMMITTEE

Prof. Arch. Nina Avramidou, President of CICOP.NET CONFEDERATION, President of CICOP-Italy, University of Florence, Florence, Italy

Prof. Dr. Zeynep Ahunbay, Istanbul Technical University (ITU), Faculty of Architecture, Turkey

Prof. Dr Grn Arun, Yildiz Technical University, Istanbul, Turkey

Prof. Dipl.-Ing. Jos Luis Moro, Faculty of Architecture and Urban Design, University of Stu& gart, Germany

Prof. Ma' as Rotner, Faculty of Architecture and Urban Design, University of Stu& gart, Germany

Prof.Dr. Giorggio Mon# , La Sapienza University, Rome , Italy

Prof. Dr. Rada ahtarevi, Dean of Faculty of Architecture, University of Sarajevo, BiH

Prof. Dr. Mustafa Hrasnica, Dean of Faculty of Civil Engineering , University of Sarajevo

Prof. Dr. Amir Pai, Faculty of Architecture, University of Sarajevo, BiH

Doc. Dr. Denis Zvizdi, Faculty of Architecture, University of Sarajevo, BiH

Doc. Dr. Lemja Akamija, Faculty of Architecture, University of Sarajevo, BiH

Doc. Dr. Aida Idrizbegovi Zgoni, Faculty of Architecture, University of Sarajevo, BiH

Dr. Sci. Amra Hadimuhamedovi, Commission to Preserve Na# onal monuments, Sarajevo, BiH

Arch. Valen# na Satolli, Municipality of Orvieto

Arch. Antonino V.Pirozzi, President of CICOP Chile

Prof. Dr. Neriman Sahin Guchan, Dep. of Architecture, METU, Ankara

Doc. Dr. Samir Dolarevi, Faculty of Civil Engineering, University of Sarajevo, BiH

Doc. Dr. Nerman Rustempai, Faculty of Architecture, University of Sarajevo, BiH

Prof. Dr. Nina Ugljen-Ademovi, Faculty of Architecture, University of Sarajevo, BiH

Prof. Dr. Erdin Salihovi, Faculty of Architecture, University of Sarajevo, BiH

Doc. Dr. Amir auevi, Faculty of Architecture, University of Sarajevo, Head of BHCICOP

Prof.Dr. Mesud Hadiali, Faculty of Electrical Engineering, University of Sarajevo, BiH

Prof. Dr. Ahmet Turer, Dep. of Civil Engineering, METU, Ankara, Turkey

Prof. Milos Drdacky. Associate Professor, PhD, DrSc, C.Eng. Ins# tute of Theore# cal and Applied Mechanics, Czech Republic

Prof. Arch. Alberto Satolli, Secretary of CICOP-NET, Italy

11

Prof.Dr. Tadeja Zupani, Faculty of Architecure, University of Ljubljana, Slovenia

Prof.Dr. Borut Juvanec, Faculty of Architecure in Ljubljana, University of Ljubljana, Slovenia

Doc. Dr. Alan Topi, Faculty of Mechanical Engineering in Tuzla, University in Tuzla, BiH

Prof. Dr. Ugurhan Akyuz, Dep. of Civil Engineering, METU, Ankara, Turkey

Prof. Dr. Omur Bakirer, Dep. of Architecture, Graduate Program, METU, Ankara, Turkey

Doc. Dr. Selma Rizvi, Faculty of Electrical Engineering, University of Sarajevo, BiH

Ajna Zatri, M.S. Theory of Arts, Cicop Serbia

Eng. Mario Maio, CICOP-Italy

Dr. Sci. Nermina Zagora, Faculty of Architecture, University of Sarajevo, BiH

Dr. Sci. Mladen Burazor, Faculty of Architecture, University of Sarajevo, BiH

Dr. Sci. Dina ami, University of Sarajevo, BiH

Doc.Dr.Aleksandar Kekovi, Faculty of Civil Engineering and Architecture, University of Ni

Prof. Dr Fehim Hadimuhamedovi, Academy of Design, University of Sarajevo, BiH

Doc. Dr. Edin Jahi, IUS Interna# onal University of Sarajevo, BiH

Dr. Sci. Amira Salihbegovi, Faculty of Architecture, University of Sarajevo, BiH

Doc. Dr. Denana Bijedi, Faculty of Architecture, University of Sarajevo, BiH

Doc. Dr. Nana Palini, Faculty of Civil Engineering, University of Rijeka

Doc. Dr. Nihad engi, Faculty of Architecture in Sarajevo, University of Sarajevo, BiH

13

TABLE OF CONTENTS

ARCHITECTURAL LEVEL

JAKOBSGRDARANA HOUSING AREA * ENERGY EFFICIENT REVITALIZATION OF MODERN HERITAGE 25

Tina Wik

MARIBOR 1960 + 1980; SEVEN ORIGINALS, THREE RENOVATIONS 26Andrej mid

RESTAURATION OF THE MODERN FANUCHIS RESIDENCE, CAMBU, MG, BRAZIL 28

Benedito Tadeu de Oliveira

IMPROVEMENT OF THE BUILT ENVIRONMENT ON THE EXAMPLE OF THE REDESIGN CONCEPTS OF KINDERGARTENS IN SERBIA BUILT BETWEEN 1970 AND 1990 29

Ljiljana Jevremovi, Branko AJ. Turnek, Milanka Vasi

RESTAURATION OF THE MODERN FANUCHIS RESIDENCE,CAMBU, MG, BRAZIL 30

Benedito Tadeu de Oliveira

THE SARAJEVO SCHOOL OF MODERNISM ON THE EXAMPLE OF URBAN VILLAS + THE SARAJEVO WHITE PERIOD 31

Mirza Rustempai, Nerman Rustempai, Amir auevi

URBAN CHARACTERISTICS OF THE NI MODERNA 32Aleksandar Kekovi

PARALLELS BETWEEN THE SUSTAINABLE ARCHITECTURE AND ITS SOLUTIONS FROM ISLAMIC ARCHITECTURAL HERITAGE 33

Ambreen Saqib

MEMORIAL ARCHITECTURE BETWEEN WORLD WAR II AND 1990 34Orjana Lenasi and Amra arani Logo

MOSQUES OF 19TH AND 20TH CENTURY IN BOSNIA AND HERZEGOVINA 36Amra arani Logo

DESIGN OF NEW OBJECTS IN HISTORIC CITY CENTER REVITALIZATION PRECES 37Esad Muminovi

14

MODERNIST TRADITION: IDEA OF MEGASTRUCURE IN FEW SPECIFIC PROJECTS IN SARAJEVO, NOVI PAZAR AND PRISTINA 40

Demila Beganovi

CONTEMPORARY INTERIOR DESIGN APPROACH

CONSERVATION OF THE NINETEENTH AND TWENTIETH*CENTURY VERNACULAR DWELLINGS IN PRIZREN: FROM TRADITIONAL LIFESTYLE TO THE MODERN COMFORT 45

Nora Arapi Krasniqi

ARCHITECTURAL CONVERSION AND LOSS OF MEANING. THE CASE OF CATALONIA 46Gemma Domnech Casadevall

AD HOC STRATEGY AS CONTEMPORARY INTERIOR DESIGN IN DIALOGUE WITH A MODERN ARCHITECTURAL HERITAGE IN CASE OF PALACE TOKYO PARIS, FRANCE 47

Senka Ibriimbegovi

RE*EVALUATION OF MODERN ARCHITECTURAL HERITAGE IN SARAJEVO: HISTORICAL OVERVIEW AND THE QUEST FOR CONTINUITY 48

Nermina Zagora

PROBLEMS IN REMODELING OF RESIDENTIAL INTERIORS: KITCHEN DESIGN ISSUES 49Dragovi Danilo, Slavkovi Branko

CONSERVATION PRACTICE

A HOLISTIC CONSERVATION APPROACH TO MODERN HERITAGE: A READING ON HISTORIC ENVIRONMENTS 53

zlem Karakul

THE GREAT PUBLIC HOUSING ESTATES, THE CITY AND THE FUTURE 54Kers$ Berggren

THE EFFECTIVENESS OF SURVIVAL TOOLS FOR MODERN ARCHITECTURAL HERITAGE IN TURKEY 57

Duygu Saban kesli

STRUCTURE AND MATERIALS

A MODERN APPROACH TO STRENGTHENING AND REPAIR OF EXISTING REINFORCED CONCRETE STRUCTURES USING HPFRC 61

Mira Vasic, Valen$ na Sumini

15

MODERN APPROACH TOWARD THE USE OF GLASS IN THE MATERIALIZATION OF THE BUILDING SKIN 62

Branko Slavkovi, Danilo Dragovi

INDUSTRIAL ARCHAEOLOGY IN CAMPANIA /ITALY

16

AT THE ORIGINS OF MODERN CONSTRUCTION:EARLY APPLICATIONS OF REINFORCED CONCRETE IN THE FLOORSDESIGNED BY THE ITALIAN ENGINEERS CORPS 77

Emanuele Zamperini

STRUCTURAL LOGIC SOUNDLY INTEGRATED IN OVERALL ARCHITECTURAL DELIVERY PROCESS + REACHING THE SYNERGY WITHIN THE BUILT ENVIRONMENT 78

Denana Bijedi, Denis Zvizdi

THE LATE MEDIEVAL TOWER IN TESHOVO 80Radosveta Kirova

URBAN LEVEL

URBAN DEVELOPMENT RISK ON THE FIRST MODERN FABRIC OF KAYSERI: ORNEKEVLER AND SAHABIYE QUARTERS 85

Ceyhan YCEL

PRESERVATION OF ARCHITECTURAL HERITAGE OF THE 20TH CENTURY THROUGH A REVALUATION OF CULTURAL, HISTORICAL AND AESTHETIC ELEMENTS 86

Emilija Kastelic

INDUSTRIALIZATION AS THE GENERATOR OF MODERN SARAJEVO 87Denis Zvizdi, Mejrema Zatri, Nasiha Pozder, Pavle Krs$

IMPORTANCE OF SCALE AND COMPLEXITY IN GROWING FORM OF THE CITY 88Rada ahtarevi; Dana Spahi

FRAGMENTED TRANSFORMATION OF THE CENTRAL URBAN SPACE IN POST*DAYTON TUZLA TOWN 89

Edin Jahi

20TH CENTURYS HERITAGE OF BOSNIA AND HERZEGOVINA AS INTEGRATED PART OF CULTURAL ROUTES * AUTHENTIC BOSNIA AND HERZEGOVINA CASE STUDY: MINING TOWN BANOVII 90

Lana Kudumovi

URBAN FORM AND URBAN ETHICS IN CHANGING SOCIALISTIC DEMOCRACY 91Nihad H. engi

TRANSFORMATION OF TURKISH TRADITIONAL SETTLEMENT, AN EXAMPLE ODUNPAZARI 94

Guler Koca, Rana Karasozen

17

SUCCESSIVE INTEGRATION OF THE OLD AND THE NEW: AN ONGOING PROCESS 95Nadja Kurtovi-Foli

POST*MODERN HERITAGE IN NEW BELGRADE 97Simone Sante

LOCAL COMMUNITY

CONSERVING MODERN ARCHITECTURE IN POST*COLONIAL CONTEXT: MOZAMBIQUE 103

Lisandra Franco de Mendona

NEW MEMORY 104Lemja Chabbouh Aksamija, Lejla abi

PLANNED HOUSING DEVELOPMENTS IN THE MODERNIST MANNER IN BIH 106Maja Pliani, Adi orovi

PODGORICA /BUILT HERITAGE/ + INTEGRATION OR DISINTEGRATION = LEGEND OR BINDING REALITY? 107

Igbala abovi Kerovi

THE ROLE AND IMPACT OF PRESERVATION ARCHITECTURAL HERITAGE ON DOMESTIC TOURISM 108

Abdullah Al-nfeesi

TITLE: BOBOVAC* A MONUMENT INFLUENCING PEOPLE 109Katarina Bonjak

LANDSCAPE TRANSFORMATIONS

RECOVERY OF THE VACUUM: THE QUARRIES OF MASSACIUCCOLI 113Alessandra Beca& ni, Leonardo Benede&

THE RELATIONSHIP OF TRADITIONAL WATER RESOURCES EXPLOITATION AND SETTLEMENT 114

Emir Troi, Edin Smaji

KREMIKOVTZI METALLURGICAL PLANT + THE WASTED PAST OR THE WASTE OF THE PAST. POSSIBILITIES FOR ADAPTATION OF A POST*INDUSTRIAL TERRITORY 116

Dimitar Mehandjiev, Iliana Ovtcharova

18

GLOBAL/LOCAL

SARAJEVO MUSEUMS, REPRESENTING THE POST*WAR B&H SOCIETY IN TRANSITION 121Lejla Kreevljakovi

NEW MOSQUES=NEW CULTURAL HERITAGE?CONTEMPORARY PLACES OF WORSHIP IN BOSNIA*HERZEGOVINA AND TURKEY 122

Alma Hudovi

THE LEGACY OF MODERNIST SETTING AND ITS IMPORTANCE TO POST WAR DEVELOPMENT IN BOSNIA AND HERZEGOVINA 123

Mladen Burazor

FORMER INDUSTRIAL AREAS STUMBLING BLOCK OR DEVELOPING GENERATOR 124

Anica Tufegdi, Dejana Neduin

SEARCHING FOR THE LOST RESOURCES: HEMP + INVESTIGATION OF HEMP AS A BUILDING AND ISOLATION MATERIAL 126

atovi Nina, Dizdar Sanela, Durmievi Nejra

ETHICAL, SOCIAL, ECONOMIC, ECOLOGICAL

THE DESTINY OF TEMPLES OF CULTURE IN BANAT VILLAGES TODAY 131Maria Siladji, Nadja Kurtovic Folic

HERACLEA CITADEL. RISKS AND REMEDIES 132Valen$ n Feodorov

ITS NOT MY HERITAGE ANYWAY. SOME ISSUES SURROUNDING THE CONSERVATION OF MODERN HERITAGE ARCHITECTURE IN NEW SOUTH AFRICA. 133

Walter Peters

NATURAL HAZARDS

HOUSING AND HEALTH: A LOCAL AND TAILOR*MADE LOW*TECH APPROACH TO MINIMIZE DISEASES IN A RISING COMMUNITY OF HAITI 137

Sara Parlato, Roberto Pennacchio, Andrea Tulisi

NEW TECHNOLOGIES APPLIED TO PROTECT ARCHITECTURAL HERITAGE IN OASIS AND DESERT SETTLEMENTS 138

Ruiz Plaza, Angela; Moreno Adn, Carmen; Domnguez Mar' nez, Oriol

19

URBAN LANDSCAPE OF THE CITY OF VELIKO TARNOVO IN THE 19TH CENTURY: THE IMPACT OF THE NATURAL HAZARDS 140

Radosveta Kirova

MAN"MADE HAZARDS

BANDITRY AS A FORM OF CHANGE 145Erik Toth

MODERN SOCIAL CONFLICT AS HAZARD TO THE PRESERVATIONBUILT HERITAGE IN A HILL RURAL AREA OF PIACENZA PROVINCE /NORTH OF ITALY< 146

Valen$ na Cinieri

PRESERVATION OF ISLAMIC ARCHITECTURE, CORDOBA IN SPAIN 147Ambreen Chaudhary

CHALLENGES OF FAST GROWING CITIES 148Bujar Bajinovci, Kaltrina Thaci

EDUCATION

THE ROLE OF ARCHITECTURAL DISCOURSE IN PRESERVATION OF CULTURAL IDENTITY 153Nina Ugljen Ademovi, Ela Turkui

THE INFLUENCE OF TECHNICAL RULES OF THE OTTOMAN EMPIRE ENACTED AFTER THE TANZIMAT REFORMS, IN URBAN AND ARCHITECTURAL DEVELOPMENT OF CITIES IN KOSOVO 154

Vlora Navakazi, Florina Jerliu

CONTEMPORARY MEMORIAL: PERSERVING AND CREATING A SENSE OF PLACE 155Sabina Tanovic

SOCIALISTIC HERITAGE IN*BETWEEN THE DESIRE FOR PRESERVATION OF ITS ARCHITECTURAL SIGNIFICANCE AND THE NEED FOR TRANSFORMATION OF ITS CULTURAL CHARACTER 156

Nina Stevanovi

MODERN ARCHITECTURE AS CULTURAL HERITAGE 157Adnan Zorani

THE LEGACY OF MODERN ARCHITECTURE IN PRISHTINA 158Florina Jerliu, Vlora Navakazi

20

URBAN SPACE AND CULTURAL IDENTITY: CASE STUDY OF YADAV COMMUNITY OF HARYANA, INDIA 159

Shashi Bala

VIRTUAL HANDLING

HERITAGE CONSERVATION + ALIGNING TECHNOLOGIES 163Rand Eppich, Lejla Hadzic

ADVANTAGES AND DISADVANTAGES OF USING CLOUD COMPUTING ENVIRONMENT TO PROCESS AND SHARE HERITAGE HAZARDS DATA 164

Amir Hajdar

23

ARCHITECTURAL LEVEL 1

24

Architectural level

25

Architectural level JAKOBSGRDARANA HOUSING AREA " ENERGY EFFICIENT REVITALIZATION OF MODERN HERITAGE

Tina WikUniversity of Dalarna

$ [email protected]

Jakobsgrdarna housing area - energy e cient revitaliza# on of modern heritageAt the University of Dalarna we are ini# a# ng a research project about how to restore and revi-talize the residen# al area Jakobsgrdarna in Borlnge, central Sweden, to achieve be& er energy performance of the buildings as well as study maintenance problems for architecture from this period. The residen# al area was built in 1974 by the well-known architects Hasse Bckstrm and Bengt Hidemark, at the end of the million housing program in Sweden when one million residen# al units were built in ten years. It consists of a number of residen# al quarters around a small commercial centre adjacent to the centre of Borlnge. Jakobsgrdarna was built right a] er the million housing program was nalized when the program was strongly cri# cized as being monotonous and boring. Here the architects wanted to achieve low-cost small scale housing in wood based on the Swedish tradi# on, but s# ll modern in its expression for the workers in the expanding industrial town of Borlnge. Its architecture is an expression of what Kenneth Framp-ton calls a Cri# cal Regionalism, an architecture rooted in local tradi# on but based on modern ra# onality and technology.

The project su ers from lack of maintenance since the architecture from this period was expected to not require much maintenance. In this case, common in many projects from this pe-riod (due to the amount of buildings that were produced during a short # me), the buildings also su er from being badly built from the beginning. Today, many immigrants lives here, mostly from Somalia. They have di erent social codes which challenge the possibili# es of the original design.The research project aims at nding solu# ons to reduce hea# ng costs by 50 % of today without disturbing the architectural expression. Another aim is to nd solu# ons for the maintenance problems of speci c materials. A third aim is to study how the new residen# al groups use the buildings, as well as the site itself, in order to study the adaptability of this kind of an area. How can interest and awareness of quali# es from these areas be widened? It is easier to get support to preserve one building or a small scale residen# al area than a large scale area built in a ra# onal way. S# ll, these areas are important witnesses of the societal view on how new technol-ogy will create a be& er society in Europe post WWII. How many and how much of these areas should we preserve and how?

Keywords: modern heritage, energy e ciency, wood

26

Architectural levelMARIBOR 1960 # 1980; SEVEN ORIGINALS, THREE RENOVATIONS

Andrej midPhD Student, Doctoral school of Architecture, Graz University of Technology (TU Graz), Austria

and Deputy director of Komunaprojekt d.d. Maribor, [email protected], [email protected]

ABSTRACT

The role of architecture in Maribor, Slovenia, is similar to other post WW2 modernist urban city developments, yet the transforma# ons and architectures in the city centre are di erent. The postwar urban planning in Maribor, Slovenia begun with the Ljubo Humek urban regula# on plan for the whole city in 1949, but in the city fabric very concise architecture stories are wri& en: Maribor city structure was heavily bombed in 1944 and 1945 and the reconstruc# on of the ruined buildings allowed the urban planners to introduce a new series of public buildings to the city. Apparently the architects have done a sensible job in detailed urban planning they understood and followed the city elements of square, street and city block perfectly and built architecture with small gestures that are fully preserved on architectural and urban planning level.

The understanding that these architectural works create unchangeable urban situa# ons is essen# al for any future preserva# on procedures. The symbiosis of sensible architecture and urban planning will be presented on seven buildings:

Gospodarsko zavarovalna zadruga Drava, Saa Dev, 1937Vija ekonomsko komercialna ola, Branko Kocmut, 1960-62Restavracija Center, Rudi Zupan, 1960-62Hotel Slavija, Milan ernigoj, 1961-63Trgovska hia VeMa, Borut Peenko, 1965-68Trgovska hia Kvik, Borut Peenko, 1968-70Nova zgradba VEK, Borut Peenko, 1976The main preserva# on principle of the modernist architecture could be concealed in

understanding of the urban context created by the buildings. The three examples of the Maribor modernist architecture show that the renova# on and

even extensions can be done when adequate measures are taken to outline the modernist and clearly show the contemporary addi# ons to it:

Renova# on of the Talum o ce building, Kidrievo Danilo Frst, 1954, renewal Janko Zadravec, 2002

Renova# on and extension of Hotel Bellevue, Pohorje mountain Ivan Kocmut, 1956-62,

27

Architectural level renewal and extension Oskar Virag, Iztok Rajter, 2006Renova# on of the Kreditna banka Maribor headquarters 1979, renewal of the facade

Peter Kocmut, 2000, new interior of public bank hall Janko Zadravec and Branko epi, 2002

There are many renova# ons of buildings of modern architecture in Maribor, Slovenia only few show that the authors of the renewals are understanding the language of the authors of the original building mgs. Since renewal and restora# on of the modernist architecture are exquisite themes in the architectural cri# cs, new evalua# ng methods and criteria are to be invented and revealed.

Keywords: modern architecture, Maribor architecture, urban block renova# on, urban portal

28

Architectural levelRESTAURATION OF THE MODERN FANUCHIS RESIDENCE, CAMBU, MG, BRAZIL

Benedito Tadeu de OliveiraRen Rachou Research Center-Fiocruz Minas, Belo Horizonte, MG, Brazil

beneditoo@cpqrr. ocruz.br

ABSTRACT

The Fanuchi residence was conceived in 1981 by two architects who had just graduated at the Universidade de Braslia-UnB and was built in the city of Cambu, Minas Gerais state, Brazil. The construc# on was completed in 1983, In 2008 the Fanuchis residence was protected by the City Cultural and Patrimony Council of Cambu, as an important example of the modern architecture in this city and in 2011 the owners decided not only to restore and up-grade the modern building, but also to build on another wing to house leisure and support area. The restoring interven# on, which obeys the modern preserva# on principles of cultural patrimonies, is an important opportunity for a re ec# on in this Conference about the use of these principles which were conceived for an architecture of other # mes but that can also respond very well when used in the contemporary architecture.

Keywords: conserva$ on, restaura$ on, modern, heritage

29

Architectural level IMPROVEMENT OF THE BUILT ENVIRONMENT ON THE EXAMPLE OF THE REDESIGN CONCEPTS OF KINDERGARTENS IN SERBIA BUILT BETWEEN 1970 AND 1990

Ljiljana Jevremovi, Branko AJ. Turnek, Milanka Vasi Faculty of Civil Engineering and Architecture, University of Nis

[email protected]; [email protected]; [email protected]

ABSTRACT

This paper deals with the phenomenon of evolu# on of design principles in general, but then focusing on the kindergartens as a speci c building type. As a part of scien# c project Re-vitalisa# on of the Kindergartens in Serbia Program and Methods for Improvements of Ambi-ent, Func# onal and Energe# c Quality conducted by a group of scien# c researchers headed by Dr Danica Stankovic, at Faculty of Civil Engineering and Architecture, University of Nis, this paper for its research material takes a several kindergartens built in Nis from 1970 to 1990. The kinder-gartens examined in this paper were chosen according to their func# onal scheme of oor plan. For this analysis is taken only those ones with the atriums, that give a speci c architectural layout of the buildings. Firstly the thorough analysis of the exis# ng building was done, considering the architectural analysis of physical space, but as well the analysis of the building material quality. This implicated the needs for the renewal of those kindergartens as well rethinking of possible models of building transforma# on according to contemporary design paradigms.

The irregular maintenance of the buildings caused their low level of performance and sa# sfac# on that has emerged through this survey and conducted analysis. Reconstruc# on of the exis# ng kindergartens should be also guided towards reducing a number of occupants in a favour of bigger space per single unit within the kindergartens. The renova# on process of kin-dergartens may have di erent ranges. This is implicated with two key elements, condi# on of the buildings and nancial support for the reconstruc# on. First one is determining, while the other is limi# ng. Depending of the age and current condi# on of the building, it may be suggested large reconstruc# on opera# ons; otherwise the reconstruc# on can be focused on interven# ons in the interior, equipment and furniture, as elements that have short shelf life. The scope of the recon-struc# on is also condi# oned with amount of available nancial resources. Good nancial basis may give a free hand to architects and others involved in process of reconstruc# on to make a total makeover of the building, but in most cases this cannot be a case. Therefore it is suggested to strive towards crea# ve and ra# onal solu# ons. In order to do more with the less, the problem of reconstruc# on must be considered through priori# es.

Keywords: kindergarten, building reconstruc$ on, redesign, architectural concepts, atrium buildings, Serbia, children needs

30

Architectural levelRESTAURATION OF THE MODERN FANUCHIS RESIDENCE,CAMBU, MG, BRAZIL

Benedito Tadeu de OliveiraRen Rachou Research Center-Fiocruz Minas, Belo Horizonte, MG, Brazil

beneditoo@cpqrr. ocruz.br

ABSTRACT

The Fanuchi residence was conceived in 1981 by two architects who had just graduated at the Uni-versidade de Braslia-UnB and was built in the city of Cambu, Minas Gerais state, Brazil. The construc# on was completed in 1983, In 2008 the Fanuchis residence was protected by the City Cultural and Patrimony Council of Cambu, as an important example of the modern architecture in this city and in 2011 the owners decided not only to restore and up-grade the modern building, but also to build on another wing to house leisure and support area.

The restoring interven# on, which obeys the modern preserva# on principles of cultural patrimo-nies, is an important opportunity for a re ec# on in this Conference about the use of these principles which were conceived for an architecture of other # mes but that can also respond very well when used in the contemporary architecture.

Keywords: conserva$ on, restaura$ on, modern, heritage.

31

Architectural level THE SARAJEVO SCHOOL OF MODERNISM ON THE EXAMPLE OF URBAN VILLAS # THE SARAJEVO WHITE PERIOD

Mirza Rustempai, Nerman Rustempai, Amir aueviIns$ tute for Development Planning of Canton Sarajevo,

Faculty of Architecture, University of [email protected], [email protected], [email protected]

ABSTRACT

This Paper introduces the work of architects in Sarajevo between the two World Wars. Due to insu cient documenta# on and turbulent # mes, this period (1918-1941) has remained unexplored and almost forgo& en.

Urban (city) villas built in this period are the main focus of this Paper. Research proved that these buildings had a major impact on the development of a new approach to architecture. Construc# on of city villas laid the founda# ons of new architectural thoughts. Architects began applying new and contemporary space principles, where form was very important for achieving high quality standards.

The objec# ve of this Paper is to prove that all of the aforemen# oned led to establishment of the Sarajevo School of Modernism. The main thesis states that the residen# al architecture from this period is speci c for its elements and pa& erns, and can be said to belong to a period classi ed for the rst # me as the Sarajevo White Period.

Key words: The Sarajevo School of Modernism, the White Period.

32

Architectural levelURBAN CHARACTERISTICS OF THE NI MODERNA

Aleksandar KekoviFaculty of Engineering and Architecture, University of Ni

[email protected]

ABSTRACT

A contribu# on to the crea# on of quality urban matrix of a structure or group of structure in an environment can be considered par# cular town planning designing task, and the # me and people are the nal judges of the results and successfulness of the designs. Lapse of almost one century and temporal distance since the rst Moderne style structure appeared in Nis, is a su cient historical span for an objec# ve and quality analysis of their in uence and the contribu-# on of this movement in architecture for crea# on of urban matrix of Nis. This period is su cient to make a certain statement, whether the architecture of the Moderne in Nis managed to t in the inherited architecture of the city and create new urban values and city landmark locali# es. Through an analysis of certain solu# ons in respect to the environment and rela# onship of indi-vidual large en# # es which were designed in the spirit of the Moderne, an a& empt is made to an-swer whether the architecture of the Moderne & ed in the inherited environment and whether it created new and more quality urban segments and en# # es.

Keywords: Moderne of Ni, city core, street front, & ng in, Ni

33

Architectural level PARALLELS BETWEEN THE SUSTAINABLE ARCHITECTURE AND ITS SOLUTIONS FROM ISLAMIC ARCHITECTURAL HERITAGE

Ambreen SaqibUnited States Of America

[email protected]

ABSTRACT

There is a major dri] in the culture and technology of contemporary architecture as it has dissolved the link between the tradi# on, nature and human being. The advent of contemporary architecture with its technical innova# ons has severed that sacred rela# on which existed be-tween mankind and nature.

This research aimed at restoring what has been lost, taking inspira# on from the rich heri-tage of Islamic culture with special reference to the city of Cordoba in Spain. The city provides us a demonstra# ve paradigm to see the approach of two major religions to the same God, as depicted in its architecture of sacred spaces--Mosque and the Church. The Mosque is a low-built building, signifying Muslims emphasis on submission to Allah; the Church soars upwards, sugges# ng reach towards heaven itself. The wisdom of Islamic architecture absorbing a church within a mosque is a perfect metaphor of the symbio# c blending of the two cultures.

Cordoba has a hot and dry climate, which has made the citys residents to adapt the de-sign solu# ons to their needs. They have accomplished this by making the home centre around an inner courtyard, with a fountain in the middle. Every spring the city bursts into bloom with special fes# val. Pa# os, arches, staircases and courtyards with heavy oral planta# on show re-markable proximity of mankind to nature which seems to have lost its luster to the outrages of modern architecture. I have been immensely inspired to discover solu# ons to the modern architectural dri] s, by taking guidance from planning and structural innova# ons of Islamic heri-tage, and incorpora# ng them into contemporary sustainable design. Further proposed, how to maintain a posi# ve sterile air pressure will generate oxygenated environment for a be& er brain dwellers. Hence, the study was an a& empt to establish a bridge between tradi# on and future, and was conducted with a visit to Cordoba.

Keywords: sustainable design, Cordoba, natural ven$ la$ on, pa$ os, Andalusia, Moorish Architecture, courtyards, wind catchers, mashrabiya, cisterns.

34

Architectural levelMEMORIAL ARCHITECTURE BETWEEN WORLD WAR II AND 1990

Orjana Lenasi and Amra arani LogoCommission to Preserve Na$ onal Monuments, Bosnia and Herzegovina

[email protected], [email protected]

ABSTRACT

Memorial architecture, as architecture designed to preserve the remembrance of ideas, to commemorate historic events, or to honour vic# ms, may fairly be described as among the earliest forms of architecture, preceded only by residen# al, religious and military architecture.

Memorial architecture is one of the most striking and prominent physical markers of those moments in history that have had a signi cant or crucial impact, dicta# ng the future course of events. Their monumentality, signi cance, size, complexity, uniqueness and integrality are not to be wondered at, therefore. Nor is it surprising that in modern # mes, famous and recognized architects have been engaged in designing and shaping it.

This paper deals with the memorial architecture da# ng from between World War II and 1990 that was created in memory of the 1940-1945 War of Na# onal Libera# on. These memorial complexes are greatly under-represented and seldom described in exis# ng works on modern architecture. Their importance is beyond ques# on, and is corroborated by their having been recorded and entered in the Register of the immovable heritage of Bosnia and Herzegovina, and classi ed in the sec# on on natural and cultural assets in the 1980 Spa# al Plan for Bosnia and Herzegovina.

For this reason, the paper begins with an overview of memorial complexes and their ty-pology. Their types are determined on the basis of their loca# on (their posi# on in an urban or natural se' ng) and the reason for erec# ng them the event to which they are dedicated (war-# me o ensives, terror against the civilian popula# on), or to honour vic# ms, for instances.

Given the scope and type of the work, three memorial complexes have been selected to represent this typology. These are described and analyzed in detail with a view to determining their present state.

In the professional literature, memorial complexes are sketchily described, mainly as works of the War of Na# onal Libera# on and the former regime as Yugoslav works, in short. This is re ected in the rst problem iden# ed by this paper our a' tude towards the architectural of memorial complexes, which is considered in the paper from three perspec# ves:

can memorial complexes be regarded as genuine works of modern architecture of un-ques# onable value,

35

Architectural level does memorial architecture cons# tute living works of art of total design in their set-# ng, and

what is our cultural a' tude nowadays towards the memorial architecture commemo-ra# ng the War of Na# onal Libera# on what are the reasons for the scant a& en# on paid to their conserva# on and maintenance and for the deliberate vandalism or destruc# on of parts of these complexes by certain individuals.

Memorial complexes are examples of architecture that has no func# onal use, that primar-ily cons# tutes the integra# on of spa# al art installa# on, architecture and the natural se' ng or cultural landscape. This gives rise to the second problem iden# ed by this paper as crucial to the approach to memorial complexes their conserva# on and revitaliza# on, and their ac# ve, sustainable preserva# on. Given our present-day a' tude as a society towards the memorial complexes of the War of Na# onal Libera# on, the ques# on is what our approach to their revital-iza# on should be; how we can return to a view of these complexes as, above all, integral works of art, architectural points of reference and cultural landscape that have a crucial impact on the form and the experience of a town, and thereby put an end to the increasing indi erence with which they are regarded.

Keywords: War of Na$ onal Libera$ on, Memorial complexes,

36

Architectural levelMOSQUES OF 19TH AND 20TH CENTURY IN BOSNIA AND HERZEGOVINA

Amra arani LogoCommission to Preserve Na$ onal Monuments, Bosnia and Herzegovina

[email protected]

Paper, Mosques of 19th and 20th Century in Bosnia and Herzegovina is dealing with re-search of development of Islamic sacral facili# es mosques, throughout the 19th and 20th cen-tury.

The paper is making an e ort to determine whether the mosques from the 19th and 20th century are tes# mony of development of the architectural thought and local building tradi# on in the area of Islamic sacral architecture of Bosnia and Herzegovina or whether they are evidence of stagna# on and decadence.

Architecture that came to be in the period of decline of the O& oman Empire, frequent economic and social crises in Bosnia and Herzegovina, caught between struggles for indepen-dence and struggle against a new occupying force, is o] en men# oned as a less praiseworthy ar-chitecture, with less quality construc# on works and without special architectural features. Sacral Islamic architecture of the 19th century, its form and style, are o] en considered decadent and without prominent values. S# ll, given the extremely speci c social, economic and historic con-text in which it was made, as well as the fact on numbers of built facili# es and the size of a large number of them, sacral Islamic architecture of the 19th century deserves to be inves# gated and analyzed into details.

Speci c poli# cal, cultural and economic circumstances at the end of the 19th and the be-ginning of the 20th century gave birth to new approach toward mosques design.

Therefore, only on basis of objec# ve evalua# on, it is possible to determine the place of the Islamic sacral architecture of the 19th and 2oth century in the historic development of sacral Islamic architecture on territory of Bosnia and Herzegovina and, through a cri# cal analysis, to suggest the existence of stylis# c expressions of 19th and 20th century mosques.

With the aim to carry out a thorough examina# on of the problem of evalua# on of mosques of the 19th and 20th century, the paper gives, also, an brief overview of development of sacral ar-chitecture of the 19th century of two other most numerous religious communi# es in Bosnia and Herzegovina i.e. the Catholic and Orthodox churches.

Paper, Mosques of 19th and 20th Century in Bosnia and Herzegovina is largely based on the research and conclusions of the authors master paper, Islamic Sacral Architecture of 19th and 20th Century in Bosnia and Herzegovina.

Keywords: Mosque, Bosnia and Herzegovina, 19th century, Islam sacral architecture

37

Architectural level DESIGN OF NEW OBJECTS IN HISTORIC CITY CENTER REVITALIZATION PRECES

Esad MuminoviState University of Novi [email protected]

ABSTRACT

In this paper the ques# on is given how to relate to the exis# ng architectural heritage when designing new projects. There is no doubt that these new objects come in a complex rela# on-ship with the old buildings, besause the new con ict is born between the architects desire and community at all to give a impression of their # me and degrada# on of the current envoirment by adding too many new elements. As Robert Venturi said, the di culty and the beauty of this is-sue is in its duality, ambiguity, because the rela# on to the given physical environment, especially to the se& lement, street or square as the historic space where for a several decades or even centuries a cultural and architectural tradi# on is living, is at the same # me a image of our en# re architectural a' tude to the history at all, as one of the eternal issue for any architectural man-ner and the key of many results in architecture. In this paper the special a& en# on is given to the analysis of physical context, no ma& er if this term covers much wider area.

While searching for this answer, theore# cal overview of the history is given, where build styles are connected each to another with no nega# on of the value from the previous style. Examples where objects from di erent # me epochs are harmoniously adjusted are shown here. It looks like the respect of the aesthe# c principles were responsible for that the genera# on of unknown designers and ar# sans are respecingt the exis# ng urban environment, without leaving the originality and quality of the work.

All the way to the rise of modern, the con# nuity in the construc# on was alive. Modernists who preach abandonment of historical styles because they are not in the spirit of the # mes of-tenly uses contrast in their design. In some cases it seemed powerfully, but by an increase in the frequency of such examples, their power decreases.Ous towns were full of these exampels, so they turned into the chaos before drama [9]. In uenced by modernism many historic ambients will be signi cantly degraded and transformed. This was especially referred to the less valuable objects in historical sites, which were a part of a homogeneous complex and harmony with the monumental buildings. En# re ambients are destroyed and they are replaced with a new struc-ture that will negate the exis# ng environment. War destruc# ons brings his tremendous contribu-# on to that what modernists have been made with a conscious destruc# ve behavior.

Postmodern architecture has emerged as a reac# on to modern and all its imperfec# ons. As a resistance to any dogma# c and all canonical in exibility of prior periods in history of se& le-

38

Architectural levelments and houses, it is very precious. As Ranko Radovi alleges, the danger is in its lightness and none cri# cism towards to the basic arguments of architecture and its forms. A few basic thesis of this architecture style are not unknown: acceptance of history and extensive use of its lan-guage, emphasis on language and meaning of single architecture what seems more important to its use or func# oning, big resistance to all kinds of standardiza# on and typing, simultaneous ambiguity of form and its mul# ple transform as more complex thinking about envoirment in-stead of many earlier simpli ca# on. These boundaries are valuable for changing the conscious-ness about modern gesture of architecture and its changes, but they are not enough.

In examples that are shown, postmodernists answer about respec# ng of a tradi# on are given. The contrast about which will be discussed here, is not a literal interpreta# on of the term (sharply expressed opposite sides, overstate), but an opposing styles (actual to the previous). This means that in the process of revitalizing the cultural and historical beni ce any modern interven# on that does not imitate any previous style, but fully uses new technological develop-ments and expressions is allowed. By this method, the concept of envoirment, which are char-acteris# c for every epoch, including our, should re ect modern # me, and this also applies to the distribu# on of the volume in the ambiance and their rela# ons, as well as a way of separa# ng the outer and inner envoirment and their interac# on. This method This method also accepts the use of materials and structures that modern architecture o er complete opportunity to express and a rm. So the contrast method helps contemporary art to achieve full a rma# on in the process of revitaliza# on of legacy, only if it protects and highlights the inherent values and together with them achieves new quali# es and harmony in envoirment. That integra# on of old and new ambi-ences, structures and values is responsible, complex and an a rma# ve crea# ve act [11].

In this work paper, an analysis of visual criteria from the examples located in the German town of Kempten, with the compara# ve analysis of similar examples located in the city of Novi Pazar. The criteria that have been used in this analysis are: line construc# on, the width of the objects, contour, propor# on, ornaments, mass ra# o, the posi# on of aperture and colors. Conclu-sion from this analysis is that objects can act harmoniously and without respect rigid set of rules.

In last chapter the example from Novi Pazar is given, where in new buisness center which is located in central area, at Rifata Burdevia street, is using the value of local architecture, not with blind copying, but with one free interpreta# on. The architect carefully chose those ele-ments that re ect the true value of local tradi# ons that emerged from the lifestyle and clime. The applica# on of these fundamental values , which are keeping track to the way of one culture and people for centuries, and found a full jus# ca# on can not be considered simply as copying whle crea# ng a new structures in protected cultural and historical sites. The architect retained dimensions and design elements of the facade, without bringing confusion in rela# on to the authen# c inherited values and in the spirit of their # me.

39

Architectural level In our community, so o] en exposed to rapid and uncri# cal recep# on, with of many people desire for the a' tude, instead the whole and thorough and pa# ent work (even learn-ing and changing) always is the # me to take a thorough analysis of visual criteria and then take a ac# on in envoirment with that results.

There is only one area of architecture and important deciding life as itself and real people around us. When we accept that, we have the right on every experiment and every re-search. When a man is at a crossroads, rst he must to think deeply about his way and prepare himself for the chosen one.

Keywords : Revitaliza$ on, Historic city center, new objects, design criteria

40

Architectural levelMODERNIST TRADITION: IDEA OF MEGASTRUCURE IN FEW SPECIFIC PROJECTS IN SARAJEVO, NOVI PAZAR AND PRISTINA

Demila BeganoviState University Novi Pazar

[email protected]

Theory and prac# ce of modern urban studies imply research of origins of modern urban-ism in urban movements in late 18-th and beginning of 19-th century. Industrial revolu# on in Great Britain resulted in massive density intra muros of exis# ng medieval ci# es, and their exten-sion in suburbs with very poor hygiene and health condi# ons. On the other hand, variety of so-cialist and utopist ideas were developed o ering di erent models of living with the bene ts of a healthy and human dwelling and work. The ideas star# ng with Ledouxs Ideal city of Chaux, new ideal world of Robert Owen, ideal community phalange to live in phalansteries of Charles Fou-rier, linear city of Soria Y Mata, and garden ci# es of Ebenezer Howard lead to the new ideas of early modern urban planning in the beginning of 20-th century, such as: Toni Garniers Idustrial City, Berlages development of Amsterdam South and Antonio SantElias futurist Ci& a Nuova.

Spreading in space, weather wide (broad) or linear, combined with spreading in height, enabled forming di erent concepts of buildings from very simple programs of residen# al or of- ce buildings. Addi# on of di erent contents changed programs on and look of di erent parts of buildings to complex structures. The origin of such structures can be traced in early palaces (since Diocle# an Palace to Versailles). Modern movement has developed this idea in di erent direc# ons - one of the most interes# ng -.megastructures as an idea of city as a building.1

Le Corbusier, as one of most signi cant gures of Modern Architecture and Urban Plan-ning, had great in uence on Modern architecture developing this idea from his early work for-ward. One of the characteris# cs of his work was admira# on for engineering exac# tude, aesthe# c and values of nature (Sun, space and greenery). Combined with vernacular architecture research, this has resulted in di erent concepts through # me. He proposed a variety of projects with new concepts, from Ville Pilo# s (City on Columns) in the beginning, and later Ville Contemporaine for three million inhabitants, where a city was elevated above the con# nuous park. His Plan Voisin for the reconstruc# on of Paris proposed the incorpora# on of modern urban structures which prac# cally negated the existent historic city quarters. These ideas were further developed in Ville Radieuse with strictly divided city func# ons in horizontal parallel belts (adopted from linear city), and were widely adopted as Func# onalist City by 11th Congress of organiza# on CIAM (Con-

1Barne/ , J. The Elusive City, The Herbert Press, London 1987., pp 157-184

41

Architectural level gres Interna# onaux dArchitecture Moderne) in 1933.In early ] ies Le Corbusier developed concept of dwelling unity: Unit dHabita# on, rstly

built in Marseille, later in other ci# es, where he has promoted many of his conceptual, func-# onal, s tructural and aesthe# c ideas. The idea was self contained community, with shopping street on sixth oor, di erent contents on oors and roo] op of the building as hotel, kindergar-ten, and swimming pool, whose uni# ng with 337 dwellings made it as much social condenser as a Soviet commune blocks of the 1920s. This total integra# on of community services recalled the 19-th century model of Fouriers phalanstery not only through its size but also in its isola-# on from immediate environment.2 The idea was widely spread in ] ies and six# es in di erent worldwide projects implying di erent quali# es of Unite as model.

This paper will discuss the modern structures of Sarajevo, Novi Pazar, Pris# na. There, Mod-ernism has developed in di erent condi# ons. All three ci# es tradi# onally evolved inside O& o-man empire, Sarajevo and Novi Pazar founded by Isa-beg Ishakovi almost the same year. All of them have characteris# cs of oriental city structures with arija as a city center including manufacture, cra] s and trade, and most important public buildings, surrounded with mahalas - rela# vely independent neighborhoods, quarters with its own school, religious building, mayors representa# ve, local shop etc.

Mahalas were o] en named a] er the rst se& ler or, when ethnically separated, accord-ing to the dominant ethnicity. Size of mahala varied, but was approximately between 40 and 50 houses. Before WWII this structure had been signi cantly changed only in Sarajevo where, under Austro-Hungarian rule, the new parts of the city (both center and neighborhoods) in European style were added. Western in uences in Novi Pazar and Pris$ na were poor, due to very late lib-era$ on, in the beginning of 20-th century.

At rst, the changes a] er WW II were modest. The priority was given to the renewal of the badly a ected countryside. The condi# ons for extensive development improved in 60s when major ci# es got new city quarters and variety of new buildings. Three buildings from 80s will be treated as par# cularly illustra# ve in depic# ng in uences of Modern movement in context of transforma# on of neighborhoods from tradi# onal mahala towards modernist tradi# on of mega-structure. They are known as:

Papagajka (The Parrot Building) in Sarajevo, Lucna zgrada (The Curved Building) in Novi Pazar and Kicma (The Spine Building) in Pris# na.

Keywords: modernist tradi$ on, megastructure,neighborhood, mahala, Sarajevo, Novi Pa-zar, Pris$ na

2Frampton, K., Modern architecture a cri$ cal history, Thames and Hudson, London, 1985. p. 227

43 2CONTEMPORARY INTERIOR DESIGN APPROACH

44

Contemporary interior design approach

45

Contemporary interior design

approach

CONSERVATION OF THE NINETEENTH AND TWENTIETH"CENTURY VERNACULAR DWELLINGS IN PRIZREN: FROM TRADITIONAL LIFESTYLE TO THE MODERN COMFORT

Nora Arapi KrasniqiMinistry of Culture, Youth and Sports, Kosovo

[email protected]

Vernacular Heritage is the fundamental expression of the culture of a community, of its rela$ onship with its territory and, at the same $ me, the expression of the worlds cultural diversity.

Vernacular architecture stands as a tes# mony of long tradi# ons translated into pro-grammes, forms, materials, construc# on techniques, cra] smanship, and interrela# ons between the buildings. Kosovo possesses a valuable treasure of vernacular architecture that expresses the way of living in the past and the wisdom of the builders. Vernacular dwellings are par# cular be-cause of their posi# on, form, composi# on, building materials, construc# on methods, and ar# s# c decora# on. Prizren and the southern part of Kosovo have characteris# c tradi# onal dwellings from the 19th and beginning of the 20th century, combining a stone ground oor with wooden structure lled in with mud bricks at the upper levels and pitched roof with wide eaves.

Today, however, vernacular heritage in Kosovo is subjected to a con# nuing transforma# on process, depending on social, economic and environmental factors. Rapid changes of economic and social factors during the last decade caused new living concepts. Young genera# ons want to live be& er than their parents and transform their homes. While for centuries vernacular dwell-ings featured comfort and pres# ge, it is presently highly vulnerable to urban decay and physical degrada# on.

This paper is focused in the interrela# on between the social and economic condi# ons to the tradi# onal lifestyle in the 19th and beginning of 20th centuries and how this was translated to the func# onal programme and plot composi# on of the vernacular dwellings. Rapid social, economical and technological changes transformed the living standards as well as residen# al culture of the communi# es.

Main aim of this paper is to de ne how those vernacular dwellings in Prizren could be used in the present life in a way that respects their heritage values. Besides standing there as evi-dences from the past, the vernacular dwellings may play an important inspiring role in designing and building everyday environment of tomorrow. It is the role of the professionals dealing with heritage to understand the programme of vernacular architecture and use it as a base point for revitalisa# on of the old and designing of the new architecture.

Key Words: vernacular dwellings, 19th and 20th centuries, Prizren, tradi$ onal lifestyle, modern lifestyle, func$ onal programme, sensi$ ve and conserva$ ve interven$ ons.

46


ARCHITECTURAL CONVERSION AND LOSS OF MEANING. THE CASE OF CATALONIA

Gemma Domnech CasadevallCatalan Ins$ tute for Cultural Heritage Research (ICRPC). Spain

[email protected]

ABSTRACT

Now that there is consensus on the need to conserve modern architecture as part of our heritage, we wish to draw a& en# on to the new meanings arising from most contemporary conversions. We will focus on three di erent types of Catalan architecture (bullrings, lighthouses and slaughterhouses) to show how, in the interests of sustainability, the historic memory of the buildings is becoming completely lost.

The banning of bull gh# ng in Catalonia has endangered the con# nued existence of bullrings. Even before the ban, however, lack of public interest had already le] Catalan bullrings largely devoid of spectators. This situa# on, together with pressure from town planners, has led to the demolishing of several bullrings. Unfortunately, the few conversion projects carried out so far have only considered conserving the outer skin of the building. The new sports pavilions and shopping centres opened up in the former bullrings overlook the history of the buildings.

Each lighthouse is a living tes# mony of Catalan mari# me history, is part of the countrys heritage. Today, lighthouses have lost their original func# on as naviga# on aids. So far, the new uses have been of an eminently cultural nature, with lighthouses converted into museums and interpreta# on centres related to the sea. However, on the Catalan coast, there is no former lighthouse o ering visitors the opportunity to appreciate the space and daily life inside the lighthouse.

Approximately half of the historic slaughterhouses in Catalonia have been converted to new uses. In every case, this involved the total loss of the historic memory of the building. Saving a building from demoli# on implies nding a new use for it. Why must this new use be at odds with the memory of the original use? Maybe the # me has come to start thinking about how we transform our historical buildings into cultural heritage.

Keywords: cultural heritage, historic memory, architectural conversion, new uses, demoli$ on, bullring, lighthouse, slaughterhouse, Catalan architecture, iden$ ty.

47


approach

AD HOC STRATEGY AS CONTEMPORARY INTERIOR DESIGN IN DIALOGUE WITH A MODERN ARCHITECTURAL HERITAGE IN CASE OF PALACE TOKYO PARIS, FRANCE

Senka IbriimbegoviFaculty of Architecture, University of Sarajevo

[email protected]; [email protected]

ABSTRACT

Modern architecture that marked the 20th century is characterized by a new rela# onship that exists between architecture as art and architecture as a shelter. Industrial and technologi-cal development and the art of that period are the picture of the context in which architecture occurs and exists. That architecture ist determined and can not be analyzed without the knowl-edge of all the in uen# al factors and changing paradigms. Streamline Moderne, some# mes re-ferred to by either name alone or as Art Moderne, was a late type of the Art Deco design style which emerged during the 1930s. Its architectural style emphasized curving forms, long horizon-tal lines, and some# mes nau# cal elements. Buildings of this period are in todays 21st century stable and treated as modern architectural heritage, re ec# ng the new age paradigm mainly in their interiors. New paradigms are contemporary; they imply trend of globaliza# on, economic hardship, recession, architectural re ec# on that treat new strategies. This papre will show some of this strategies emphasising ad hoc strategy in contemporary interior design approach of the museums of contemporary art in dialogue with a modern architecural heritage. Architecture is seen as a materializa# on of philosophy, outer frame as human life, while its internal frame as core - philosophy. In constant integra$ ng past into the present and in their interpenetra$ on we can talk about con$ nuity of architecture. That does not mean the disrup$ on of exis$ ng, but steadily building and upgrading the exis$ ng, because only in this way it is possible crea$ ng con-di$ ons for the recogni$ on of the present moment in the future. (ehovin in Ugljen-Ademovi, 2004: 89)

Key words: historical con$ nuity, modern architectural heritage, contemporary interior de-sign, museum of contemporary art, ad hoc strategy

48


RE"EVALUATION OF MODERN ARCHITECTURAL HERITAGE IN SARAJEVO: HISTORICAL OVERVIEW AND THE QUEST FOR CONTINUITY

Nermina ZagoraFaculty of Architecture, University of Sarajevo

[email protected]

ABSTRACT

Modern architectural heritage from the post WW2 period is now at the threshold of the third age of maturity. The task of re-evalua# ng and revitalizing modern architectural legacy is par# cularly delicate in case of BiH and its capital city, partly due to the e ects of BiHs turbulent history in the 1990s and current economic and poli# cal instability. Therefore, this paper aims to highlight the necessity of rereading modern architecture from post-WW2 period in Sarajevo and iden# fy the new meanings which are generated in the clash between modernist values and nov-el# es of contemporary age. One of the tasks that architectural profession in BiH is facing today consists of bridging the gaps and discon# nui# es, and re-establishing con# nuity with the exis# ng context and historical precedents. The named task certainly includes revitaliza# on of modern-ist buildings (especially public buildings) and their integra# on in contemporary life and society, while at the same # me raising awareness among the general non-architectural public about the modern architectural heritage in BiH.

Keywords: modern architectural heritage, public buildings, evalua$ on guidelines, raising public, awareness, con$ nuity, interiors

49


approach

PROBLEMS IN REMODELING OF RESIDENTIAL INTERIORS: KITCHEN DESIGN ISSUES

Dragovi Danilo, Slavkovi BrankoState University of Novi Pazar, Serbia


ABSTRACT

This paper deals with the func# onal zone of the kitchen in apartment buildings, in terms of planning and designing this zone. More precisely, it is concerned with inadequacies of building layout design, which directly a ects the kitchen organiza# on. Downsizing the kitchen facili# es to the minimal needs of modern households is o] en accompanied by inadequate installa# ons which in most cases prevent from e ec# ve organiza# on and func# oning of the kitchen. Using the evidence gained from the experience with the common prac# ces applied in the kitchen design reveals that in most cases due to inadequate installa# on projects in modern residen# al buildings, it is not possible to remodel the kitchen according to the here proposed schemes. This paper will present several case studies in order to demonstrate these problems and point to possible solu# ons and changes in design prac# ces. Also, it will discuss contemporary trends in kitchen design and planning process, and comment on the dependency on the technological aspects of kitchen equipment and ' ngs.

Keywords: Residen$ al kitchen design, kitchen organiza$ on concept, kitchen technology, & ngs

51 3CONSERVATION PRACTICE

52

Conserva# on prac# ce

53


A HOLISTIC CONSERVATION APPROACH TO MODERN HERITAGE: A READING ON HISTORIC ENVIRONMENTS

zlem KarakulSeluk University, Faculty of Fine Arts

[email protected]

The conserva# on concerns to provide the cultural con# nuity from the past to the future. The selec# ve conserva# on approaches highligh# ng one period or one style have replaced with the contemporary approaches focusing on the vitality and con# nuity in historic environ-ments. Opposing to physical-led approaches, ensuring the con# nuity of the life of buildings and environments with all tangible and intangible aspects in the rapidly changing condi# ons is the main aim of the contemporary conserva# on approaches. The mutual and genuine interrela# ons of tangible and intangible values have power to transform space to place and to create the condi# ons of the authen# city in historic environments. As in the genera# ve process of the tradi-# onal buildings directed by the interrela# ons of tangible and intangible values, the design pro-cess of the modern buildings is also organized by various physical, social and cultural factors, like, the lifestyle of the society, economic, social structure, the cultural expressions of architects and customers synthesized through the cultural context lived in. So, the conserva# on of the modern buildings necessitates understanding the complex structure of their forma# on and transforma-# on process.

Historic environments are produced by master cra] smen interpre# ng the context, cul-turally and physically, and using local materials, considering cultural prac# ces and expressions. These complex interrela# ons between tangible and intangible values of the context and their handling way of the master cra] smen create the sources of authen# city and the quality of place. The modern buildings of the 20th century designed by the architects become worth to be conserved, as long as they meet these complex rela# ons between tangible and intangible values of their contexts in a genuine design work. Therefore, the conserva# on of modern build-ings needs to do a selec# ve process considering the rela# ons of tangible and intangible values in the iden# ca# on and documenta# on processes. So, it is clear that a comparison between the conserva# on processes of tradi# onal and modern buildings can be helpful to conclude the iden# ca# on principles of modern heritage

Keywords: Modern heritage, tangible and intangible values, conserva$ on

54


THE GREAT PUBLIC HOUSING ESTATES, THE CITY AND THE FUTURE

Kers$ BerggrenHead of Unit Vrmlands Museum, Sweden

kers$ [email protected]

ABSTRACT

A reporter from Radio Sweden prepared a feature about suburbs from the 1970s. She asked people she met at Stockholm city centre about the rst to come to their minds when thinking of suburbs.

A mixture, answered a young woman. There are both posi# ve and nega# ve aspects. And what are they?, asked the reporter. Oh. Rented apartments. High rise building blocks. Immigrants. And the nega# ve aspects? The public housing estates from the 1960s and 70s have forever changed the look of

Sweden. They were when built the answer to many severe poli# cal challenges; they tried to solve the problem with housing shortage, increase the low technical dwelling standards, create a child-friendly and safe environment as well as make it easier for people to live where the jobs were.

They were the symbol for Swedens welfare and a proof of the ra# onal planning. They were light, airy and spacious, in contrast to the dark, crowded and unsanitary old citys buildings. They were not planned to be urban, they were intended to be sub-urban. And the design chosen re ected this a' tude.

One million dwellings in ten years The great public housing estates were planned in a # me of ourishing op# mism in Sweden,

and almost a spiritual belief in the future, a # me of ever growing economic and social welfare. The poli# cal goal was to build one million dwellings for the working and middle class, in a 10-year period. The total popula# on at that # me in Sweden was seven and a half million. The ambi-# on a& racted Swedens most renowned planners, architects and engineers. When the ten years elapsed, 1 006 000 dwellings were raised (30% of them one-family houses). Whatever opinion you might have about the result, it cannot be treated as a mistake.

The built heritage le] by this epoch is impressive, rich and di eren# ated. The dwellings from the 1960s and 1970s were designed to be di erent from the rest of the building stock. They became kind of abnormal and s# ll are. And they were and are even today at the very edge of the city, at the end of the urban sprawl. In a world full of antagonism, the edge can be

55


treated as a fron# er of something that grows or as a dead end. Segrega# on and otherness Today, these housing estates are under the siege of poli# cal statements and shi] ing opin-

ions, mainly considered to be the very room of isola# on and otherness in the Swedish society. A short period of mostly construc# ve discussions, research and development work was some ten years ago succeeded by a much more par# al and alarmist debate about their future.

In her disserta# on In search of the good City from 2009, Moa Tunstrm a young urbanist, writes that the construc# on of contemporary urban ideals is star# ng from the understanding that they [the urban ideals] are constructed in rela# on to both an idea of an urban renaissance and one of a dissolving, or sprawling city.

The predominant European polemic urban discussion takes for granted that the suburbs are characterised by imperfec# ons according to the agreed norms; norms that are gathered from a very blurry concep# on of what a city was and should be. An invented historical city core is ascribed quali# es as diversity, varia# on, iden# ty and urbanity! At the same # me, the suburbs with their dwellings that house approximately 20 % of the urban popula# on are supposed to lack all good.

How to nd a long-las# ng solu# on on their own terms The present reality stonewalls the possibility for di eren# ated discussion. Even being part

of the urban landscape, too few urbanists and heritage professionals are interested in what qual-i# es and opportuni# es these great housing estates can bring to the city as a whole. This biased debate goes on with only a sporadic contribu# on from heritage professionals, as the majority of them seem to have retreated to a familiar comfort zone: the inner city and the single monu-ment. The human city. The rising interest for history has ironically seemed to turn the heritage professionals into hostages of the contemporary concep# on historical city core, a construc# on that underlines the widening of the social gaps in society.

A no# on gaining acceptance nowadays in Europe is that somebody in the enlightened past built ci# es, and then it came a stupid # me when somebody, instead, started building houses and suburbs. But have there ever been any planning principles behind what we now un-derstand as the best of urban environment, called the historical city core? Did anybody plan that the brick barracks, constructed for the working classes, with numerous one-room ats without any comfort, should become, a hundred years later, the symbol for the best urban life ever?

So, if it is share coincidence and historical circumstances that design the good city, what shall we as planners and heritage professionals do then? What will be our task?

Understanding is usually a key word in heritage protec# on. Most o] en it is used from the perspec# ves of the public (or private) professionals and is directed towards the general civil so-ciety. Through rising awareness and comprehension about heritage values, it is believed that the

56


civil society would support public restric# ons towards, for instance, listed buildings. But understanding is more than simply being au fait with facts. It is also sensing values,

mo# ves, loyal# es and a& achments. So, when it comes to the housing estates from the 1960s and -70s and their enormous importance for shaping the appearance and history of urban Eu-rope, how well understood are they by us, the heritage professionals?

The great public housing estates are s# ll forming the future of urban Sweden. At one hand, the suburbs house the world, a young world, a coming world. At the other hand, they re ect a deep segrega# on in our society, no# ced even by the European Union. According to the report

Racism and Xenophobia in the EU Member States: trends, developments and good prac# ce (2005), Sweden is a country with one of the highest indices of urban ethnic segrega# on. The situ-a# on has not developed in a be& er direc# on since 2005, on the contrary. A reality that is hard to face. A reality that is going to test our ability as professional planners and conserva# onist to commit ourselves in dealing with this part of the Swedish urban future.

57


THE EFFECTIVENESS OF SURVIVAL TOOLS FOR MODERN ARCHITECTURAL HERITAGE IN TURKEY

Duygu Saban kesliukurova University, Department of Architecture

[email protected]

Legisla# on in Turkey for lis# ng buildings that have a cultural value is mostly concerned with the ones built before 20th century; yet modern buildings can also be listed with the deci-sion of the Ministry of Culture and Tourism. A limited number of modern buildings are listed ac-cordingly; however ac# ons for their conserva# on vary depending on the interpreta# on of local, na# onal and some# mes interna# onal decision makers. Local authori# es are legally forced to ask for the opinion of the local conserva# on commissions before making a decision, and very o] en local conserva# on commissions even though its not statutory- ask for the opinion of Do.Co.Mo.Mo. experts in the country.

This paper is concerned with the decision-making process for conserva# on of modern architectural heritage in Turkey, focusing on a recent project developed for two neighbouring plots in the city of Adana including two listed modern buildings designed by the same architect. The business centre developed on the plots resulted in the reloca# on and reconstruc# on of one of the listed buildings, construc# on of a new high-rise building and a nega# ve while permanent transforma# on of the architectural context. This inves# ga# on showed that although lis# ng mod-ern buildings, making laws for their protec# on, crea# ng authorized o ces that have experts to make decisions for their preserva# on and asking for advice from the na# onal branch of Do.Co.Mo.Mo make a good combina# on of survival tools for modern architectural heritage, it is ascer-tained that the lack of a sound control mechanism for the decision-making process reduces the level of e ec# veness of the prac# ce.

Keywords: modern heritage, conserva$ on, Adana, Turkey

59 4STRUCTURE AND MATERIALS

60

Structure and materials

61


A MODERN APPROACH TO STRENGTHENING AND REPAIR OF EXISTING REINFORCED CONCRETE STRUCTURES USING HPFRC

Mira Vasic, Valen$ na SuminiPolitecnico di Milano (Technical University), Milano, Italy


ABSTRACT

This work presents a cri# cal review of current trends in strengthening and repairing of exis# ng reinforced concrete (RC) structures using modern materials. The a& en# on is par# cularly given to the applica# on of High Performance Fibre Reinforced Concrete (HPFRC) jackets, being in the focus of scien# c community in the past few years. Based on the literature review and state-of-the art in this eld, a comparison has been done with other widely used techniques, such as external bonding of Fibre Reinforced Polymer (FRP) composites or RC overlaying. Moreover, the technique e ec# veness has been discussed analysing experimental results available in the literature, not only in terms of engineering features (e.g. load capacity or re resistance), but also considering par# cular aspects in case of applica# on to the RC heritage structures, being an important part of Europes modern heritage.

Keywords: Preserva$ on, Strengthening, High Performance Fibre Reinforced Concrete (HP-FRC), Fire resistance.

62


MODERN APPROACH TOWARD THE USE OF GLASS IN THE MATERIALIZATION OF THE BUILDING SKIN

Branko Slavkovi, Danilo DragoviState University of Novi Pazar, Serbia

[email protected], [email protected] ABSTRACT

Development of technology in construc# ons and applica# on of new and improved materi-als became even more present in the construc# on of all types of buildings, from residen# al and commercial, to specialized and mul# func# onal. Sustainable architecture involves taking care of the environment, use of passive solar systems, protec# on from extreme climate, noise, micro loca# on.

There is a number of modern technological solu# ons that are available today in terms of building materializa# on. Glass industry over the past 30 years has substan# ally progressed. Dif-ferent types of glass with special characteris# cs in terms of leakage of light and solar heat has been developed. By using a proper type of glass adjusted to the speci c orienta# on of the build-ing and the climate in which the building is situated, it is possible to provide both thermal and vi-sual comfort in both summer and winter condi# ons. One of the most important inven# ons con-cerning facade industry, is certainly double-skin facade system, which present mul# func# onal solu# on in terms of energy e ciency and interior comfort. Transparent thermal insula# on have excellent performance in preven# ng heat loss and it is gran# ng heat gains, provision of adequate brightness and modern architectural designs.

Keywords: glass, modern architecture, solar architecture, technology development, energy e ciency, renewable energy

63


INDUSTRIAL ARCHAEOLOGY IN CAMPANIA $ITALY%: THE DISMISSED TANNERIES OF SOLOFRA

Pierfrancesco FioreUniversit degli Studi di Salerno

p [email protected]

ABSTRACT

In the inland areas of the region of Campania, the most widespread ac# vity has always been agriculture, with it being the primary source of income un# l the 1960s of the last century. The excep# on is a small town in the province of Avellino, Solofra, which, historically, based its economy on tanning. In fact, the rst tanneries date back to the fourth century and were then developed over # me, par# cularly in the area known as Toppolo.

The structures that s# ll exist, clearly highlight not only the need of the # me to use local materials as well as adapt to the produc# on process of the leather, but also the spontaneous adapta# on to the condi# ons and opportuni# es that the characteris# cs of the site o ered.

The state of abandonment of these interes# ng examples of industrial archeology and the fate of the dismissed tanneries have been the centre of discussion for a number of years.The study of the abandoned tanneries in Solofra gives the opportunity to understand how hu-man ability both in terms of construc# on techniques and produc# on requirements has been expressed through the construc# on of tanneries, as well as how the characteris# cs of the place have a ected these choices.

Keywords: Tanneries, Industrial archaeology, Solofra

64


THE APPEARANCE OF THE FLORA ON THE CONCRETE WALLS OF FILTER FIELDS IN THE TREATMENT OF DRINKING WATER

Emir Troi, Edin [email protected]

ABSTRACT

Modern facility for the treatment of drinking water is in use since 2004. Spring water is in the physical and chemical terms in accordance with the Regula# ons. Blur and the presence of bacteria uctuate during the year. The work is automated at the plant for the treatment of drinking water. Filter elds are open to the quartz sand and anthracite. Disinfec# on of the water is a] er treatment. On the concrete walls of lter elds has been developed ora.

Flora is intensively developed in brightly lit and airy places on damp walls of open chan-nels and lter elds. The depth of penetra# on of ora below water level is about 15 cm, with a tendency to decrease with sinking deeper into the water. From this it can be concluded that, in addi# on to light and oxygen concentra# on is an essen# al factor in the development of ora. Height above water level of ora from 15 cm to over 30 cm depending on the humidity of the substrate caused by water waves and created by the movement of the concrete channel by en-tering into lter elds.

One of the most striking possible causes of ora on concrete walls of lter elds may be direct light entering through a huge glass wall of the north facade. The intensity of development of colonies of ora increased transparency and embedded glass.

Through debate and discussion will be analyzed the possible causes of the ora on the concrete walls of lter elds. When analyzing the possible causes of development of colonies of ora it cant be just kept on ligh# ng as the cause. Causes the development of ora can be external in uences, as well as a de ciency in the produc# on process. Against external in uences that can facilitate the development of colonies of ora it can be: ven# la# on, ligh# ng, proper# es of concrete and cement topcoats. De ciencies in process that may accelerate or reduce the de-velopment of colonies of ora it can be: bacterial load of spring water, the pH value of the water a] er the addi# on of coagulant, irregular cycles are self-cleaning lter eld, in front of the lter steriliza# on phase chlorine dioxide or UV sterilizer, and so on.

In the conclusion will be suggested possible solu# ons to minimize the development of ora. At the sample of facili# es for treatment of drinking water is to explore cause of the de-velopment of colonies of ora on the concrete walls of lter elds. It discusses some possible causes of op# ons that are given comments can be directed to the further course of research. In addi# on to the excessive in uence of daylight and ven# la# on there are some weaknesses in the

65


process of treatment. Besides controlling the pH value of the water before entering lter eld it is necessary to pre- lter and sterilize water with UV sterilizer. A] er these correc# ons it can be ex-pected to stop the development of colonies of ora on the walls of lter elds. Further research will be useful in assessing the proper correc# ons made in further improving of the overall water treatment.

Keywords: treatment of drinking water, Filter elds are, quartz sand, anthracite, turbidity, bacteria, ora.

66


CONSERVATION OF REINFORCED CONCRETE SYSTEM; CASE TURKEY, KAYSERI SMERBANK LOCAL"THEATER

Hikmet EldekErciyes niversitesi, Mimarlk Fakltesi, Kayseri, Turkey

[email protected]

ABSTRACT

Kayseri Smerbank Tex# le Factory was built in 1935 with modern approach. It was the rst factory complex established by The Turkish Republic. Architects, who designed complex in a structuralism style, were Russian. Its manufacturing was stopped and it was resigned a property to Erciyes University in 1998. University has not used complex and le] the fate of it so factory was abandoned from 1998. It has serious structural and material problems because of lack of care and vandalism. Complex was formed by nine buildings such as produc# on parts (manufac-turing of tex# le, electric central, iron foundry and depots), other parts (local-theater, manage-ment, in rmary, public housing and entrance). This paper aim is determina# on of structural and material problems of local-theater building of factory,

Local-theater was constructed in 1935 like other parts of factory. It has reinforced con-crete system with brick walls. In spa# al organiza# on factories social system is also perceived. Workers and clerks had separate entrance for local and theater also manager of complex had a VIP entrance. This situa# on re ected discrimina# on of social status. It was located approxi-mately 400m2, has various heights spa# al. Local is nearly 4m, theater is 7 m height. Firstly build-ing was demolished by people who were tried to empty the building. Windows, doors and some walls were broken to move furniture to outside. Then lack of care and to be out of usage caused demolished in materials such as concrete plaster, # mber doors and windows, ceramic oor # les. In 2006 theater and worker entrance red. Building was also demolished by re and during the ex# nguishing. Its structural system was seriously demolished. Today this building is tried to restore. Its conserva# on project and restora# on decisions are going to be determined also structural and material deforma# on is inves# gated by civil engineers. This papers main aim is determina# on of structural problem especially concrete and reinforcement of deforma# on and de ni# on of conserva# on decisions for these problems according to conserva# on criteria.

Keywords: Reinforced Concrete System, Conserva$ on, Analyses, Moderniza$ on, Turkey

67


SEISMIC ASPECTS REGARDS UPGRADING OF MODERN HERITAGE FACILITIES

Amir auevi, Nadira Kuljuh-Boli, Asja Damadi Faculty of Architecture, University of Sarajevo

[email protected], [email protected], [email protected]

ABSTRACT

Nowadays, modern heritage objects usually experience changes during exploita# on. In areas of emphasized seismic risk, in cases of change of use, refurbishment, reconstruc# on, ex-tension, or addi# onal building to an exis# ng facility, it is necessary to analyze the seismic aspect of such interven# ons.

It is necessary to do all the steps regarding technical regula# ons, legal regula# ons, meth-ods of approach, theore# cal considera# on, methods of calcula# on, and in the end to determine the needs of that object.

In this paper we will show all the necessary steps in that process. At rst, well focus on the legal and technical regula# ons. For start well look back to UNESCOs Program on Modern Heritage, than domes# c and regional legal and technical regula# ons and with all of that de ne the rst step of the process.

Next step would be a detailed registra# on of the current state of the object, and also determining the characteris# cs of the embedded materials. This considers all detailed maps, plans, and details of the built in materials, and especially detailed record of all the damages on the structure.

Determining the actual load in the nal phases of interven# on on the object, including all the external and internal, both permanent and temporary loads, is very important step. This process includes the en# re calculated load, but also all the theore# cal load, based on knowledge and experience.

A] er determining loads, we have to choose best method and procedure of analyzing and calcula# ons. Calcula# ons, based on the planned and current state of the object, will show whether the strengthening and rehabilita# on are needed for the structure.

Theore# cal considera# on regarding the determined state of structure, from all the above men# oned aspects, is next step to be done. This also includes evalua# on of the viability of these interven# ons, regarding experience.

Keywords: masonry, aseismic building, upgrading

68


TRANSPARENT STRUCTURE IN THE SENSE OF PRESERVATION AND RESTORATION OF MODERN HERITAGE

Amira Salihbegovi Faculty of Architecture, University of Sarajevo

[email protected]

ABSTRACT

For sustainability of modern heritage is necessary rehabilita# on process both physical and sociological context. Physical context means mee# ng ecological and energy performances and sociological, less tangible context, is re ected in the values of psychosocial and func# onal trans-forma# on during the life cycle or period of # me. With the treatment of transparent structures through relevant examples, along with the synthesis of tradi# onal and modern achievements, we want to point to the possibility of transforma# on and restora# on of modern heritage vitality in the context of contemporary life and sustainable cons

Documents

5.HmH Book of Abstracts 2013