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5 Must-Have Camera Settingsfor Concert Photography
“Use fast lenses and shoot them wide open”. You’ll hear this quote
a lot from concert photographers. Due to the low light situation
on stage, it’s crucial to set your aperture to the smallest f/number
on your lens e.g. f1.8 or f2.8. This allows the most possible light to
hit the sensor and is one of the must-have concert photography
settings. For beginners on a budget, I highly recommend the 50mm
f1.8, which is a no-brainer (available for both Nikon and Canon).
Gogol Bordello N i ko n D 7 0 0 7 0 m m @ f 2 . 8 1 / 2 5 0 s e c I S O 6 4 0 0
1. APERTURE
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Have you ever been to a concert where the artist was hyperactively
jumping from one side of the stage to the other? To freeze movements
like these, you have to use a fast shutter speed. In general, I set my
shutter speed to 1/200 sec or faster. Otherwise, you’ll run the risk of
getting blurred photos. If you’re shooting singer/songwriters who are
sitting on a chair and barely moving, you can try longer shutter speeds,
such as 1/60 sec. Some people prefer motion in their photos, but my
personal photography style entails me wanting to freeze the action and
so I choose a fast shutter speed as one of my camera settings.
2. SHUTTER SPEED
ISO, or film speed, refers to the sensitivity of analog film. These days, the
term is used to quantify the sensitivity of your digital sensor. The higher
the ISO setting, the less light is needed for a proper exposure, but the
more noise you‘ll encounter in your photos. Depending on the capabilities
of your camera, an ISO setting of 1600-3200 is a good starting point for
concert photography.
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3. ISO
When I started out as concert photographer, I used the Aperture
priority mode (Av). This mode allows you to set the aperture and your
camera will automatically set the shutter speed to get the correct
exposure. In the beginning, it can all be a bit overwhelming. Standing in
front of the stage is a great experience, but you might find you have too
much to think about.
So, I would suggest starting out in Av mode and, once you feel more
comfortable with the situation, change to manual mode, which will
give you more freedom to set your exposure. Both options work great
and I know a lot of music photographers who only use one of these two
settings.
Atari Teenage Riot N i ko n D 7 0 0 5 0 m m @ f 1 . 8 1 / 2 5 0 0 s e c I S O 1 6 0 0
4. APERTURE PRIORITY VS. MANUAL MODE
The last setting I choose is the burst mode. The situation in font of the
stage is really challenging for your camera. It’s a low-light situation and
fast movements are not the easiest things to deal with, so therefore
you’ll need to take lots of photos during the concert. Using the camera’s
burst mode allows you to take 3-4 frames over a short time period, which
increases the probability of getting the shot.
5. BURST MODE
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YOU WANT TO REACH THE NEXT LEVEL?GRAB MY STEP-BY-STEP GUIDE AND GET STARTED IN CONCERT PHOTOGRAPHY TODAY!
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With these 5 camera settings in mind, you’ll be able to get
awesome results from your camera.
These pages cover the main points for all kinds of low-light stage
photography and can be achieved by any DSLR (Digital Single Lens
Reflex) camera with an ISO setting of at least 1600 and a fast lens
e.g. 50mm f1.8.
Do you want to know more about how to become a Rockstar
Photographer and live your passion in THE coolest field of
photography? If your answer is YES, then keep an eye out for my
upcoming emails.
I started How to Become a Rockstar Photographer with only one
aim in mind - to share my experience and tactics that work, and
to help you kick start your concert photography career, whether
you’re a hobbyist, a semi-pro or you’re just starting out (and you
don’t even need professional photography training!).
www.howtobecomearockstarphotographer.com
Feel free to contact me! If you have any questions, comments or
you want to send your feedback to my project, drop me a line:
Rock on!
Matthias
Copyright © 2016 Matthias Hombauer. All rights reserved.