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The School of Visual Arts’ Dusty Film & Animation Festival has become one of the world’s foremost events to discover exceptional new talent in film and animation. The Dusty Festival gives BFA Film & Video and BFA Animation thesis students the unique opportunity to exhibit their work to industry professionals, family and friends. The festival culminates in our eminent Dusty Awards, attended by celebrities and distinguished guests from the film and animation industries.
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film & animation festival
2015
2 • SCHOOL OF V ISUAL ARTS
For more than 68 years, SVA has remained true to the mission of its founder, Silas
“Dusty” Rhodes, to educate and prepare students for entering into the professional
world of art. In our celebration tonight, we honor his vision and the work of the
dedicated faculty and administration that continue to facilitate and foster that mission.
As we conclude yet another fantastic year, we are proud to honor the outstanding
work produced by the Class of 2015 in our magnificent home, the SVA Theatre.
Today, I am pleased that the festival has grown to a four-day event attracting an
audience of a few thousand, culminating with an awards ceremony with industry
celebrities, film and animation professionals, students and their families, and a
huge public attendance. However, this could not have grown without the support
and hard work of many. Therefore, I feel compelled to acknowledge those key
people to whom I feel incredibly grateful: SVA President David Rhodes, who
acquired the theatre and gave us a sizeable budget to support our vision; Kamil
Dobrowolski and Mark Minnig, who coordinate the technical support for our
students; Salvatore Petrosino, who has been instrumental over the years in the
development of the department and the festival; and our producer, Ms. Annie
Flocco, who elevated the Dustys to a high level of professionalism and excellence,
and through our sponsors has raised hundreds of thousands of dollars to support
the students’ films and animations. She has worked vigorously with our public
relations agency and SVA Communication, bringing recognition to our students,
our programs, and the College as a whole. There are many others to whom I am
extremely thankful, however, far too many to mention.
I am very proud of our accomplishments and the dedicated staff that got us here.
Thank you all for coming and sharing this wonderful achievement.
Welcome to SVA’s 26th Dusty Film & Animation Festival.
Reeves Lehmann, Chair
BFA Film & Video and
BFA Animation Departments
US Marine Corps
Combat Veteran
26TH DUS T Y FILM & ANIMATION FES T IVAL • 3
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4 • SCHOOL OF V ISUAL ARTS
The works shown in the screenings are examples of the creative energy and
abundant talent at SVA. This annual event celebrates a new assembly of filmmakers
and animators. We trust this will be the first of many such distinguished accolades.
A special thanks to the faculty and staff for their unceasing efforts on behalf of the
students is in order.
We would also like to thank our Headlining Sponsors for their generous support:
AbelCine, Adorama Rental Company, Animation Magazine, B&H Photo, Bryan
Singer, Carlos Saldanha/BottleCap Productions, Emmett/Furla/Oasis Films, Feature
Systems/Kits and Expendables, Foto Care, Gotham Sound, IFP, New York Women
in Film & Television, Nice Shoes, Nickelodeon, Rota6, SCS Agency, Inc.,
SVA Campus Store, Technicolor PostWorks New York and Toon Boom Animation.
Finally, we wish to thank all of the companies and individuals who have made
sponsorship contributions, which are represented in the Dusty Program Book. The
proceeds will be used to award special scholarships to students in the BFA Film &
Video and BFA Animation departments for completion of next year’s thesis projects.
To all of those individuals whose efforts made this important event possible, in
particular, the producer/director of the Dusty Festival, Annie Flocco, and her team:
Aimée Ramos, Michael Flanagan, Ashley Avila and Lauren McCall, I extend my
thanks and heartiest congratulations.
David Rhodes
President
School of Visual Arts
The Dusty Film & Animation Festival, now celebrating its 26th year, honors and celebrates the outstanding thesis film and animation students at the School of Visual Arts.
26TH DUS T Y FILM & ANIMATION FES T IVAL • 5
In 1947, Silas H. Rhodes (1915 – 2007) co-founded the Cartoonists and Illustrators
School, later renaming it the School of Visual Arts (SVA). At its inception, the
College had a faculty of three and a student body of 35 returning World War II
veterans. Mr. Rhodes himself had served in what was then Burma with the 1st Air
Commando Group, earning the nickname “Dusty.” Decades later, when the BFA
Film, Video and Animation Department, as the program was originally known,
launched the Dustys, the festival was named in tribute to him.
In 26 years of celebrating SVA’s finest filmmakers and animators, the Dusty Film &
Animation Festival has garned the support from prominent industry professionals.
Past award presenters have included distinguished alumni and other legendary
talents, like Danny Aiello, Ralph Bakshi, Ellen Barkin, Ed Burns, Ellen Burstyn,
Patricia Clarkson, Wes Craven, Michael Cuesta, Griffin Dunne, Randall Emmett,
Geoffery Fletcher, James Gandolfini, Lee Grant, James Ivory, Andrew Jarecki,
Yvette Kaplan, Harvey Keitel, Kevin Kline, Melissa Leo, Doug Liman, Daniel Minahan,
Mira Nair, Bill Plympton, Declan Quinn, Thelma Schoonmaker, John Patrick
Shanley, Bryan Singer, Tom Sito and John Turturro.
Mr. Rhodes’ pioneering vision for SVA included hiring professionals working in the
arts as faculty members and ensuring that humanities and liberal arts courses took a
prominent role alongside studio courses. He also served as the College’s first president
and longtime chairman. In the words of SVA Acting Chairman Milton Glaser, “Silas
Rhodes lived a rich and remarkable life. His unwavering devotion to art education has
benefited thousands of students and teachers over the last half-century.”
Silas Rhodes in 2007. (Photo by Mark Paris)
6 • SCHOOL OF V ISUAL ARTS
Dusty Outstanding Alumni Award Recipients
Alex Kupershmidt (BFA 1982 Film and Video) A native of L’viv, Ukraine, Kupershmidt
attended the School of Visual Arts in New York City where he earned his Bachelor
of Fine Arts in Film. At the age of seven, he was inspired to become an animator
when he watched a Russian version of The Jungle Book. Kupershmidt joined
Disney Animation in 1982 as an animator and character artist, working at the
studio’s animation arm in Florida on such films as Beauty and the Beast, Aladdin,
and The Lion King. He was nominated for an Annie Award for Best Character
Animation for his work as animation lead on the character Stitch in Lilo & Stitch. In
addition to his animation credits, Kupershmidt also contributed character designs
to Mulan, The Emperor’s New Groove, and Brother Bear. In 2004, Kupershmidt
moved to Walt Disney Animation Studios in Burbank, CA, where he continued
work as an animator on short films, including the Academy Award-winning
Paperman. He also contributed to feature films Bolt, Tangled, Wreck-It Ralph,
and Frozen, which won the Academy Award for Best Animated Feature Film,
Walt Disney Animation Studio’s first win in the category. Kupershmidt also served
as the supervising animator for Dr. Facilier’s shadows in The Princess and the
Frog. Kupershmidt currently resides in California and is working on Walt Disney
Animation Studios’ 2016 feature Zootopia.
Alex Kupershmidt
26TH DUS T Y FILM & ANIMATION FES T IVAL • 7
Daniel Minahan (BFA 1987 Film and Video) is currently the executive producer and
showrunner of the Netflix series, Marco Polo, now in production for its second
season. Additionally, he has directed multiple episodes of several HBO series,
including Game of Thrones, True Blood, The Newsroom and Six Feet Under, as
well as episodes of Showtime’s Homeland and The L Word. His feature directorial
debut was Series 7: The Contenders, which screened in competition at the
Sundance Film Festival and in the Panorama at the Berlin Film Festival. The film was
nominated for the Gotham Award’s Open Palm Award for Outstanding Directorial
Debut and won the Audience Award at the Sweden Fantastic Film Festival.
He first broke into feature films as the co-author (with director Mary Harron)
and second unit director of I Shot Andy Warhol. Minahan has also produced
documentary segments, profiles, and features for U.K. and U.S. television.
These have aired on Channel 4 and BBC II, and PBS, MTV, and the Fox News
Networks. The documentaries he directed for BBC II include String of Puppies, an
investigation of artists Jeff Koons’ landmark copyright infringement case.
Daniel Minahan
8 • SCHOOL OF V ISUAL ARTS
The School of Visual Arts BFA Film & Video and BFA Animation departments gratefully acknowledge support from faculty, staff and friends.
Marty Abrahams Jace AlexanderZoran Amar Joe Amorelli Matthew ArchambaultJim Arnoff Simona Auerbach Jesse AvernaDorinda Bagwell-AngelucciTerry BarbagalloLinda BeckHoward BeckermanWilliam Beckley David Bell Angel BeltreJulie BergDavid BerryMari Jaye Blanchard Rob BurgosLance CainRobert CampValentina CanigliaJohn Paul Catapano Marco ChierichellaJoongho Choi Douglas Compton Doug Crane Paul Cronin Terry DameDebbie De Villa Michael Del Vecchio Angelo DiGiacomo Kamil Dobrowolski, Sr. Robert Dress Don DugaTristan Elwell Chris FaulknerJerry Felix Jennifer FoxKerry Fulton Stephan Gaffney Jason GambrellWilliam Garcia Dejan Georgevich Gilbert Girion Michael Goldfried Paul Goodrich Nathan GreeneNicholas GreeneFrank GreshamJames Grimaldi Allan Gus
Cathy HaasePatrick Hanover Steven Harris Robert Haufrecht Elizabeth Helfgott Aurelio Voltaire Hernández Larry Hillier Joan Hollander William Hopkins Con HorganDeborah Hussey James Janowsky David KatzCotty KilbanksManfred Kirchheimer LynnAnn Klotz Biljana LabovicSteven Landau George LaVooChris Lawless Joie LeeReeves LehmannDestiny LillyKat Llewellyn Vincent LoBrutto Talia Lugacy Ruth Marshall Paul MasonMario Menjivar Mihaela Mihut Bill MooreGiovanni Morricone Dr. Robert Naud Luis Negron Chris Newman Tom Noonan Andrea OdezynskaSal OpedisanoAlbert Pardo Richard Pepperman Bill Plympton Stella PuloMark Ramos Audrey RapoportFrederick Rendina Gary RichardsJenna RickerSherese Robinson Steven Rogers Meryl Rosner Deborah Ross Keenya Scott
Robert Sedgwick Nana Simopoulos Amresh Sinha Brian SloanCourtney Smith Gary Smith Desiree StavracosTodd Stephens Vivian Stoll James C. Strouse Nina Summermatter Igor Sunara Amy Taubin Ralph Toporoff Lynn Vance Irra Verbitsky Elvera Vilson Frank Vitale Diana Vozza Mary WarjackTim Webster Roni WheelerSimonetta D’Italia Wiener Tien-Li Wu
AND SPECIAL THANKS TO:
Ashley Avila Celeste BarnesEd BowesJoan BrookerMelissa BrownCelia BullwinkelJoseph Cipri Michael FlanaganAnnie FloccoRoy FrumkesWilliam GarciaRichard GoreyMary Lee GrisantiGabriela IlijeskaJason KothLauren McCallMark MinnigCarl PaolinoSalvatore PetrosinoDonald PoynterAimée RamosValerie SmaldoneJon Todd
26TH DUS T Y FILM & ANIMATION FES T IVAL • 9
F. Murray AbrahamJace AlexanderJoan AllenAlan ArkinJacques AudiardRalph BakshiAlec Baldwin Christophe BarratierSusan BatsonJuliette BinocheBrad Bird Marshall BrickmanJosh BrolinGarrett Brown Steve BuscemiLaurent CantetPatrice ChéreauIvana ChubbuckPatricia ClarksonWillem DafoeMatt DamonClaire DenisArnaud DesplechinCameron Diaz Matt DillonRichard DreyfussDavid DuchovnyRandall EmmettTodd FieldGeoffrey FletcherAnne FontaineJames FrancoMark FriedbergJames GandolfiniCosta-GavrasAnne HecheAdam HolenderBenoît JacquotAndrew JareckiGlen KeaneCédric KlapischKevin KlineSatoshi KonJean-François LaguioniePatrice LeconteClaude LelouchMelissa LeoPeter LordBaz Luhrmann Branko Lustig
James Manos, Jr.Andrew McCarthyAnastas MichosDaniel MinahanMira Nair Gaspar NoéYuri NorsteinChazz PalminteriMinos Papas Matthew PennSean Penn Brothers Quay Aidan QuinnDeclan QuinnChristina RicciPeter Riegert Elisabeth RöhmPhilippe RousselotCarlos SaldanhaTerry SandersSusan SarandonHarris SavidesFred Seibert Henry SelickMichael ShambergStacey SherBryan SingerMichael SimmondsTom SitoOliver StoneDavid StrathairnMeryl StreepDavid SuchetWynn Thomas John TurturroMatt Tyrnauer Christian VolckmanPatrizia von BrandensteinDavid WainRandall WallaceGordon WillisDebra WingerBilly Zane
The film and animation students of the School of Visual Arts greatly appreciate the many directors, actors, producers, screenwriters, cinematographers and animators who have shared their wisdom, insight and experiences as special guests at SVA.
STU
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26TH DUS T Y FILM & ANIMATION FES T IVAL • 1 1
ANDREW ABBALLE | CINEMATOGRAPHY
FILM | Amarena
As a quiet person, images offer a special way for me to express
myself. Whether it is through photography, graphic design or other
forms of digital art, they all have their own unique appeal. However,
the one medium that I feel transcends all others is film. With the
culmination of story, characters, tone, cinematography and many
other aspects, I am able to convey my thoughts, ideas and emotions
when words seem to fail me.
KIRBY ALLEN | ANIMATION
ANIMATION | Brother
I like to make films for the same reason I like to make anything else,
to try and crystallize some kind of vague and important feeling
and then share it with others in a way that will hopefully feel more
specific and equally as important. It’s probably glorified emotional
manipulation, but people get paid to do a lot worse. Thanks Mom
and Dad.
KHALIFA AL-THANI | SCREENWRITING
SCREENPLAY | Land of the Brave
I want to craft an ideal world. After experiencing life in the city,
I have developed an immense love for its cultural diversity. It gives it
a flavor that no other city in the world has. In my world, our diversity
will never be a barrier but rather a reason for success.
JOSEPH ANTON | EDITING
FILM | Franz Kafka’s “A Hunger Artist”
Franz Kafka’s “A Hunger Artist” is my mission statement. It articulates
what I hope to accomplish in my career: experimenting with
animation, exploring the endless possibilities of adapting one
medium of art into another, collaborating amongst close friends
(Adam Pichardo, my brilliant animator, without whom this would not
be possible), and employing a do-it-yourself attitude in production.
MA XIMILIAN ARIAS | DIRECTING
FILM | Shatterheart
When I was a kid and I played with my action figures, I used my eyes
as cameras, similar to Wayne’s World, and from that, my directing
method and style was born.
STUDENTS
12 • SCHOOL OF V ISUAL ARTS
NAT TIEL ARIAS | DIRECTING
FILM | The Peasant Life
My art exists between two worlds. In the first, men are artifacts. They
are the result of mass production and capital. In the second, men are
bodies and possess the determination to break from objectification.
These are the dimensions that are fundamental to my process as
an artist. From my experimental films to my narrative work, it is my
greatest intent to challenge how we perceive the mind in this world
that constantly tries to desensitize us.
JOSHUA BARCL AY | EDITING
FILM | Gary
I thought adulthood would be fun; it isn’t. Telling stories is a way to
counteract the banality of the quotidian life.
PAOL A BERNARDINI | DIRECTING
FILM | Citta’ dei Sogni
The films I love are entertaining, influential and powerful. Those
same reasons inspired me to be a filmmaker. Art for me is the perfect
playground between my fantasies and reality.
OLIVER BEYER | DIRECTING
FILM | Jäger
Film is the glue that holds everything I do together. It gives me the
opportunity to take my interests and apply them to something great.
The littlest pastime can spark an idea that leads to a story that leads
to a script that finally leads to a film. Without film, I’d be a crazy man
spending my time on what some would call fruitless endeavors, and
without my hobbies, I’d be some hack with a camera who has no idea
what to do next.
MA X BIXBY | ANIMATION
ANIMATION | Kinetic Age
Art can take a jumble of lines and make people feel something
human. Growing up, I was an extreme loner, barely able to look at
other people when I spoke to them, let alone socialize. My art has
become a way to communicate and connect with people, even those
who don’t know me well. There isn’t much else I could ask for.
26TH DUS T Y FILM & ANIMATION FES T IVAL • 13
CHRISTOPHER BL ASKOVICH | EDITING
FILM | Suburban Fish Bowl
I am an aspiring deaf creative “visual artist” with a unique
perspective of the world. I hope to deliver a visual experience
that represents my own in the many ways it can be done. To that
end, I can only attempt to create an understanding about the deaf
community and a life in between. My message will be bold so that my
experiences may be shared and felt. Ultimately, I want to give people
something new to wonder about.
MAT T BROWN | DIRECTING
FILM | Nic Ellis and the Search for Plot
Today I could write a happy film where everything works out.
Tomorrow I could write a sad film where evil prevails. Each would still
be true to me because they correspond to different points in my life.
Just as I change, as I grow older, what film means to me changes with
time. For now, it’s comedy. Make ‘em laugh, then make ‘em think. All I
know for sure is that if you ask me again in five years, my answer will
probably be completely different.
NICHOL AS BURGOS | DIRECTING
FILM | New Men
Film is an art just like any other storytelling or conceptual medium
imaginable. My pursuit of filmmaking stems from an urge to
initiate a conversation. It ranges from personal feelings towards
relationships between people, struggles in life, or to any other
relatable concentration of humanity. I believe in filtering those
feelings into a physical product, and I choose to use film as my
medium of expression.
ALEX BURSTEIN | CINEMATOGRAPHY
FILM | Glass • Boy Code • Eighty-Six • Lady • VORT
The use of artistic self-expression is an effort to answer or validate
existential pursuits. Using concepts from the real world and mashing
them up into original art is a powerful way to affirm existence and also
emote even the most abstract. Practice makes perfect.
JAMES CAMALI | CINEMATOGRAPHY
FILM | Gary
Nothing I write could possibly sum up what it means to be in film or
why it’s so important to me. Let the films that I create with my team
speak for themselves. My production team, Out of Shot, and I are as
dedicated to this art as a clown to my nightmares.
STUDENTS
14 • SCHOOL OF V ISUAL ARTS
CHRISTOPHER CAR AGINE | CINEMATOGRAPHY
FILM | 16 Blocks
I was always interested in telling a story visually and having full
control in changing the mood of the character, location or scene.
It’s the vision you want to create in your head, like when you read a
book and take the pictures you created in your head from the writer’s
descriptions and recreate them visually.
ANGEL CARDENAS | SCREENWRITING
SCREENPLAY | Été à Paris
“Artist” is a very general term, whether you’re a painter, singer,
photographer or filmmaker. What we do is art. All artists have
something in them; they have something they want to say to the
world, a social commentary in one way or another. The artist will lean
toward one of the arts to vocalize that statement. I just happen to lean
toward film to vocalize what I want to say.
K AITLYN CARROLL | ANIMATION
ANIMATION | Cold Weather Cardigan
My brain is a bit too busy for my own good. I get overexcited and end
up spilling information everywhere. Animated filmmaking helps
me take my ideas and organize them into a story that can be easily
shared. Animation is such an accessible medium. With its broad
reach from exaggeration to subtlety, ideas can be communicated to
anyone and everyone. With this tool, I can produce something much
more palatable than I could express with words alone.
R AFAEL CETIN | DIRECTING
PROJECT | Nowhere to Disappear
This world is filled with an overwhelming amount of beauty. My job as
an artist is to collect the beauty that the world offers us and transform
it into an art form. As a kid, I filmed every moment of my day with
a digital camera. I never removed my eye from the viewfinder. I
experienced life through the lens of a camera. Today, the camera
views life through my mind’s perspective.
K AR AN CHHAT WAL | D I R E C T I N G
FILM | All About The $ • Discretion
Plato believed that the danger in art lies in its influence on a person’s
character. As artists, we carry a social responsibility to what we put
out into the world. Great art does not only entertain, it also educates.
Through my art, I am able to take the audience to diverse places,
cultures and peoples to suspend real life, yet encourage the viewer to
keep thinking or question the world around them once the film is over.
26TH DUS T Y FILM & ANIMATION FES T IVAL • 15
ANNA CHIAPPET TA | CINEMATOGRAPHY
FILM | Feel Good • The Three Month Bruise
Something that I have learned these past four years at the School of
Visual Arts which has really held true is do what you love. Do what
you want; because in the end, your decisions are the only ones that
will make you happy.
JAY CHOI | SCREENWRITING
SCREENPLAY | Glasses of Cyder
FILM | Screenbreaker
Everyone is the star of his or her own universe. This is one of my
beliefs. In my world, I’m the hero, but in yours, I’m an ally, enemy
or a cosmic speck in your entire journey. Either way, I appear as a
different version of myself to everyone I meet. That’s why I write. I
love to reach out into the infinite realities of possibilities and explore
them. Haven’t you ever thought to yourself, “What if?” I do. Then I
turn it into art.
ICHIEN CHU | DIRECTING
FILM | Velours Rouge
If I didn’t have a sense of humor in this industry, I’d go insane.
TIAUNA CL ARK | D I R E C T I N G
FILM | The Great Awakening
As dynamic as New York City is, my career interests evolved as I was
growing up. I had interests from dance to zoology, but I couldn’t
master all. As I got older, I focused on filmmaking. Film is not just
about representing the world with a story. Film demonstrates the
ability to transform. In film you can transform into anything and that
captivates me. You want to become a leader? Transform and direct
the perfect scene.
ME AGHAN CLE ARY | SCREENWRITING
SCREENPLAY | The Latchkey Kids
FILM | The Three Month Bruise
I write because it is my most pleasurable and effective form of
therapy. I find the behavior of human nature fascinating. It is
individually specific and yet cohesive. Victor Hugo once said, “A
writer is a world trapped inside a person.” When people read my
writing, I hope to make them think and feel something so strongly
that they lose themselves in my character’s world.
STUDENTS
16 • SCHOOL OF V ISUAL ARTS
GABRIELLE COLES | SCREENWRITING
SCREENPLAY | Clarissa
FILM | Perfect Stranger
Writing is my therapy. I create fantasies where I can play with people
and things that frighten me, to find closure with the people who have
hurt me, and vice versa. My goals in life are to meet a walrus and to
be happy!
MICHAEL CONDOLEON | EDITING
FILM | Holy Fire • No Room
I’ve been an artist all my life. I’m a musician, composer, visual
artist, film editor, and special effects makeup artist. I am constantly
working to improve my art; I love to challenge myself and absorb
new skills from the talented people I encounter. I strive to create
unique and distinctive work, and I want to stand out above the rest.
Art has always been my passion and continues to be my destiny.
Nothing can change that.
RICH COOK | DIRECTING
FILM | All On Black
I want to make films for myself and people like myself. I feel the more
personal a film is to the people behind the production, the better the
final cut will be. Since I have been at SVA, I have realized that I can
only work with people or on projects that I am passionate about. I
have a very specific view, which most wouldn’t agree with but that’s
the only way I see things. It may not be the easiest or most rewarding
way, but it makes movie making fun and entertaining for me and if
you’re not having fun, you’re doing something wrong.
JOE COZZ A | CINEMATOGRAPHY
FILM | Alvin
It’s pretty amazing how fascinated we are with ourselves.
In this world of oversaturated self-consciousness, art is the
only mediator.
Our only real voice of reason.
My art is my living epitaph.
Let me manipulate you.
KSENIYA CRESPO | DIRECTING
FILM | 6 ft Above Sea Level
There is nothing like the thrill of doing what you love.
26TH DUS T Y FILM & ANIMATION FES T IVAL • 17
R A ASHI DESAI | EDITING
FILM | Feel Good
The easiest way to reach people and make them smile is through
art so that is exactly what I aim to achieve. I have always aimed
to stay positive and put out a positive vibe into the world. I am
constantly inspired by the people in my life and their stories. If I
can add just a little bit of joy to society, I feel accomplished. I plan
to continue to create art that inspires others to make this world
a better place to be in.
Z ACHARY FALL AH | DIRECTING
FILM | Truck
I’ve always had an interest in all forms of storytelling, but my first love
has always been filmmaking. For me, being able to tell a compelling
story, one that can provoke all kinds of emotions, is the ultimate
reward. As long as people enjoy my work, that is all I can ask for.
K ARINA FAREK | ANIMATION
ANIMATION | Dirty Paws
Animation is one of the few things in the world I love more than
Billy Joel. I hope I can inspire others through my work, as Billy Joel
inspires me. God bless America.
JACK FINL AY | C I N E M A T O G R A P H Y
FILM | Lights Out • New Men
As a filmmaker/cinematographer, I strive to bring out the amazing
images that surround us every day and to amplify the everyday
beauty in order for others to notice. Honestly, though, making
movies is fun. It is the most fun thing you can do, and no matter how
stressful it can be at times, being able to do what I love for a career
makes all the hardships that go along with filmmaking 100% worth it.
BRIANNA FREESE | DIRECTING
FILM | Mustard Sandwiches
A moment. Capturing it in time and being able to turn that moment
into forever. That’s why I’m a filmmaker.
STUDENTS
18 • SCHOOL OF V ISUAL ARTS
ALLISON FRIEDMAN | EDITING
FILM | Mnemosyne • No Room
Growing up with a wondrous imagination, beginning with the end
was the only way to truly capture my attention. My art today follows
the same unorthodox principle in order to keep my viewers engaged.
To me, art is a weapon that is used to unite the masses, but it only
works if a balance between creation and destruction is found. They
gave us the end, but not where to start, not how to build, how to tear
it apart.
DYL AN GANTZ | SCREENWRITING
SCREENPLAY | Sons and Beasts
FILM | Citta’ dei Sogni
My name is Dylan Gantz and I like to write stories.
JOSEPH GHER ARDI | CINEMATOGRAPHY
FILM | The Green Lane • All About The $
My goal is to use the camera to take people to places they cannot go
to or see.
K AYL A GIBSON | EDITING
FILM | The Great Awakening • The Three Month Bruise
“Cause it’s amazing how much you can get if you quietly, clearly and
authoritatively demand it!” — Meryl Streep
DOMINIC GIELLO | CINEMATOGRAPHY
FILM | Well of Guilt
Art is timeless. Stay true to yourself, create, change the world, and
live forever through your work.
26TH DUS T Y FILM & ANIMATION FES T IVAL • 19
ANTHONY GRETINA | ANIMATION
ANIMATION | ecce homo
My film is all about exploring the unimaginable. Our lives are made
up of small journeys that we embark on every day to inevitably begin
the next one. It’s an endless loop. My journey through SVA has been
an unforgettable one! There are countless people to thank, with Mom
and Dad at the top of the list. I graciously welcome you, as a viewer, to
laugh, cry and be merry as we begin our journey into the imaginable.
MARISSA GRINSTE AD | DIRECTING
FILM | The Three Month Bruise
I have known since sixth grade that my dream was to be a movie
director. The way a movie can affect emotions so strongly made
me aspire to do just that using my own stories. I strive to make the
audience ponder about their lives, maybe even spark a change. I
write about what I am going through, my experiences. My films
change with me. Not knowing what I will create next is intriguing.
All I know is, “If you can dream it, you can do it.” (Walt Disney)
DIEGO GUANZON | ANIMATION
ANIMATION | Alpha Canis Majoris 7
Nothing is impossible in filmmaking, where everything is possible
and the impossible is possible.
LEONARDI GUZMAN | A N I M A T I O N
ANIMATION | Parasite
Having perseverance to do what you love to do may take you to
places you do not want to go, but in the end you’ll be thankful you’ve
endured it.
SIMON HACKER | EDITING
FILM | Martingale
With art, one constantly strives for the impossible: perfection. It’s
both daunting and alluring, a charm irritably irresistible. But great art
borders the unknown. It’s not the lines spoken or the colors painted
but how and what we the artists feel in the moment of creation. And
this moment is divine. No one knows what will work and what won’t.
There isn’t time in one’s life and there never will be. But that’s what
keeps you up at night.
STUDENTS
20 • SCHOOL OF V ISUAL ARTS
JACK T. HAGGERT Y | CINEMATOGRAPHY
FILM | Eighty-Six • The Not-So-Wright Brothers • Well of Guilt
I’m just doing my best to tame the untamable. Light can change
anything at any time. It’s always fun to use that to convey the story
better.
L AUREN HALL | CINEMATOGRAPHY
FILM | Two Years
“Art ain’t about paint, it ain’t about canvas. It’s about ideas. Too many
people died without getting their mind out to the world.” This quote
by Thornton Dial Sr. describes what art is to me. Through my work as
a cinematographer and documentarian, my goal is to tell compelling
stories that stay true to my own voice and move the viewer.
CONNOR HASSLER | CINEMATOGRAPHY
FILM | Eighty-Six • Nature & Nurture
No matter what the hell you go through, just remember that it wins
when you give up.
MEGAN HEON | DIRECTING
FILM | Here We Go • Brother, Sister • The Essay from Hell
I always knew I wanted to make movies when I grew up. You can
work on a hundred productions, and every experience will be
different from the last. There are always new things to discover, new
stories to tell or people to meet. You never know what you’re going to
get, and it’s what makes each opportunity exciting.
DALIA HOLLEY | SCREENWRITING
SCREENPLAY | Coitus Interruptus
In a world where I don’t have much control, writing gives me
some power.
26TH DUS T Y FILM & ANIMATION FES T IVAL • 21
SERENE HU | ANIMATION
ANIMATION | Tall Order
I’m fascinated by the process of visual development. It leaves
room for creativity to go wild, and I feel that there’s something
exhilarating about being able to conjure the nonexistent, which
includes everything from entire fantasy worlds to the creatures
and characters that inhabit them. I draw to stir curiosity and the
imagination, and I’d be happy to provide my audience with windows
to places where reality cannot take them.
ALEX ANDER HUTCHINSON | DIRECTING
FILM | Spiral Bound
Movies have always been my passion and motivation. They help
recreate that sense of innocence that I felt in my youth. Though
I have studied nearly all forms of art, film has always been my
preferred medium for expression.
SALVATORE IACCARINO | ANIMATION
ANIMATION | Howard at the Block Party
I’ve always loved animating and bringing a story to life. There’s such
great joy in not only seeing a project coming together but knowing
that it has entertained others as well. There’s always an assortment of
dry humor in my work because of that.
JI IN K ANG | E D I T I N G / D I R E C T I N G
FILM | Śrāmaņera • Velours Rouge
I studied painting when I was young. I found myself and started to
think critically. Now as an artist, I get my inspiration from how I see
the world through a camera and express my thoughts through my
films.
YANA K ARIN | CINEMATOGRAPHY
FILM | Keep it Simple • 6 ft Above Sea Level • Citta’ dei Sogni
Words, stories, photos, people, places, things… I have a knack for
taking anything apart given enough time and care. It started as
an insatiable curiosity when I was young and grew into a useful
adult skill that has taken me very far. If you take apart filmmaking,
however, you will find that there is no end to the depths of possibility
and maybe, for once, I have met my match. Maybe.
STUDENTS
22 • SCHOOL OF V ISUAL ARTS
A ARON KEBA | DIRECTING
FILM | The CHURCHofdaSKREETz: A Search for Religion in the
Internet Age • Suburban Fish Bowl
At times I find myself so thankful to have the mind that I have and
to think the way I do. I wish I could invite you all in because it’s truly
great up here. I can’t, unfortunately, and that’s why I have to create. If
I didn’t show the world at least a portion of what goes on in my mind,
I’d be the only one experiencing it. That would be a shame. It’s truly a
remarkable place.
PAUL KEIM | SCREENWRITING
SCREENPLAY | Red Equator
I like to create a giant world in my head and every piece I write
connects. Where one story ends, another begins with new people
and events. I want the stories to make people think, ask questions
about society, and acknowledge what goes on in the real world.
I want the audience to feel as pulled in as I am with my stories.
I see characters like us, flawed, not all good or evil, just different
levels of grey.
TAYLOR KENNY | EDITING
FILM | Clay of Indigo • Glass • Jäger
The most important part of the process is sitting down and starting.
Success comes as a byproduct of work. Concentrate on the work and
allow the rewards to come or not come.
SAMANTHA KIELMANOWICZ | CINEMATOGRAPHY
FILM | Brother, Sister
I’ve always believed that creating the base of a story should be an
intuitive process. It’s a unique and admirable ability to be able to
recreate a feeling or experience cinematically for an audience.
Growing up between two cultures, communication is a significant
part of my life. I’ve found that visual storytelling can diminish any
barrier. It’s crucial to incorporate elements of truth and realism for
each viewer to connect in his or her own way.
DA R AM KIM | DIRECTING
FILM | Śrāmaņera
I want to make realistic films that are relatable. I want my audience to
sympathize with my characters.
26TH DUS T Y FILM & ANIMATION FES T IVAL • 23
BRET T KODAMA | EDITING
FILM | Mnemosyne • No Room
Art does not have to be beautiful; art does not have to be kind. The
art that I want to make will open eyes. It will punch the glossy,
sugarcoated world in the face. Reality is rarely how the media
presents it to be. In order to appreciate things that are kind, things
that are beautiful, one has to know what is ugly, what is rotten.
ALEX ANDR A KOPEC | EDITING
FILM | The Artificial Womb
“To practice any art, no matter how well or badly, is a way to make
your soul grow. So do it.” — Kurt Vonnegut.
I am very drawn to spirituality and the growth of the “eternal self.”
This quote is important to me because it encourages people to do the
things they love, no matter what. It is motivation to push us through
our journey with a positive outlook. It makes us better people.
ANDREW KOZLOWSK Y | EDITING
FILM | The Gnat • Spiral Bound
Editing can be seen as an art, a craft, or even a process. For me, it is
a passion. It is what I see myself doing for the rest of my life. When
I sit down to edit, it isn’t a tedious task but a labor of love. In editing,
everything truly comes together. Cutting the story gives me the
opportunity to put my artistic imprint on the film. To edit is to create,
and I wouldn’t have it any other way.
KYR A KUPETSK Y | A N I M A T I O N
ANIMATION | The Thrill of the Haunt
I make art because it’s fun. It makes me happy, and I’m thankful
it has been able to make others happy as well. I’m inspired by
nearly everything, and animation from all around the world
greatly influences my work. I like trying different things. I think I’d
recommend that for any creative person. Do what makes you happy,
and always be up to try something new. You never know what you
might stumble across that helps you find something great.
CHRISTIAN L AMORTE | DIRECTING
FILM | Boy Code
Filmmaking has always been a way for me to express myself.
As a person with a lot of questions about life, I have an overall desire
to share my thoughts and visions with others.
STUDENTS
24 • SCHOOL OF V ISUAL ARTS
EVELYN LEE | DIRECTING
FILM | Perfect Stranger
“The aim of art is to represent not the outward appearance of things,
but their inward significance.” This quote from Aristotle is what art
is for me and what I strive to achieve with my films. I see art and the
films I make as explorations of people, relationships and society in
our daily lives. My hope is that by telling honest stories, it will allow
others to see beyond the apparent. It will allow us to see the truth.
SAM LEE | ANIMATION
ANIMATION | Piece of Mind
I want to make work that inspires the same way I’ve been inspired.
Keep creating, keep pushing, and surround yourself with positivity.
ROB LEV Y | CINEMATOGRAPHY
FILM | Discretion • Jäger • The Peasant Life
I don’t know if I was ever meant to be a filmmaker. It sort of just
happened. In life as well as filmmaking, I believe the best things
just happen when you surround yourself with people you love and
something you enjoy doing.
JACKSON WARNER LEWIS | CINEMATOGRAPHY
FILM | Lady • City of Counts • Glass • Mustard Sandwiches
I like nonsense. It keeps your imagination breathing and enables you
to laugh at life’s realities.
EDWARD LIN | CINEMATOGRAPHY
FILM | Aikido
I am interested in cinematography, editing, writing and directing.
For my thesis, I made a short film about a particular martial art.
I used different angles and lighting setups to capture the minor
details of movement.
26TH DUS T Y FILM & ANIMATION FES T IVAL • 25
CHRIS ANNE LINDO | ANIMATION
ANIMATION | PLUMP
I like to work hard every single day of my life. I do it for my art
because I love it. You have to fight for what you love. Never give up.
You have to chase your dreams.
ELENA MANET TA | ANIMATION
ANIMATION | On Schedule
You learn a lot from school. You learn a lot more staying up for
72 hours at a time to finish your work.
JOSEPHINE MARK | ANIMATION
ANIMATION | Tall Order
I like being curious. It urges me to explore and look for answers. It
encourages me to make mistakes and not be discouraged. But more
than anything, it is the escapist’s answer to the calls of adventure.
That escapist would be the child in me.
CODY MCAVEY | D I R E C T I N G
FILM | Discretion • All About The $
From an early age, I had the pleasure of being exposed to great
films, even ones I was probably too young to be watching. I fell in
love instantly. The art of storytelling stayed with me through my
adolescence, college years, and is now my career. Everybody likes a
good story, including myself, so I’m here to continue that trend by
telling entertaining, thought-provoking, real stories that capture the
attention of all audiences.
STUDENTS
26 • SCHOOL OF V ISUAL ARTS
MATHEW MCGEE | ANIMATION
ANIMATION | We Are Pirates
Whenever I’m asked about what my art means to me, I always
respond with, “Well, I just like to draw,” but why I like to draw is a
tough question for me to answer. I have always been inspired by
cartoons and animation, and in my work, I want to express my love
for the cartoons that I had grown up with and give back a little bit of
the joy that animation has given me.
AIDA MESTOUR | DIRECTING
FILM | The Circle
I believe that it is our legacy for future generations to share our
stories. The world is so vast; there is so much to know and learn
about each other. What better way to do that than through film?
Getting immersed into a motion picture is what I love the most.
Being able to share my films would be a dream come true. If I touch
someone, make someone laugh, or show things that have never been
seen, then my job is done.
JAN MOLINA | ANIMATION
ANIMATION | Feathered Down
It’s taken me so long to get home, but I’m finally here! I love what
you’ve done with the place.
KHODAYAR MOMENI | CINEMATOGRAPHY
FILM | Every Time A Bell Rings • Aikido
I do not believe in talent or genius, only interest, passion, discipline
and patience.
HENRY MYERS | SOUND
FILM | Here We Go • Jäger • Lights Out • Mustard Sandwiches •
The Three Month Bruise
I have always been an imaginative person, so it was only natural that
I chose to work in film. Creating new and sophisticated worlds has
always been a dream of mine. Whenever I read a script and it pulls
me in, I get a rush that I don’t get with anything else.
26TH DUS T Y FILM & ANIMATION FES T IVAL • 27
MICHAEL NAPPI | ANIMATION
ANIMATION | Rescued
I am a young animator with a wild imagination and a passion for
making drawings move. I like to blow peoples’ minds with weird
and surreal art. I break the animation rules and go beyond my ability
to show my ideas. I get a lot of inspiration through music, others’
art and the things that happen in my life. I take these things and
combine them to create a crazy exaggerated story. It’s my way of
escaping reality and living the surreal life I always imagined.
VICTORIA NIEVES | SCREENWRITING
SCREENPLAY | Knightly News
I like making people laugh and playing God with the people in my
life by making them characters in my stories.
HELENA PAK | SCREENWRITING
SCREENPLAY | 49 Days
I write in order to capture the complexity of humanity. Through
observation, experience, and a good dose of imagination, I create
characters that interest me and throw them in a world where they
can have some fun or suffer. I’m drawn to the idiosyncrasies of
people and seek to recreate both triumphs and struggles in my
writing. I create pieces that reflect what I see, feel and know. At times,
I also explore the things I don’t understand at all.
RENAPS PARISI | ANIMATION
ANIMATION | hIccUp
FILM | Alexa To Exa
Every morning I turn my socks outside in
and tuck in the tongues of my everyday pants pockets,
And after I’ve rung myself dry of upkeep,
I rush to turn my mind inside out //
It drips with worms, tying themselves in knots on the floor,
but they are always new knots,
and they are always mine.
STUDENTS
28 • SCHOOL OF V ISUAL ARTS
MIKE PAT TEN | ANIMATION
ANIMATION | Golf. Uniform. Lima. Lima.
The rest of my life will be dedicated to making people laugh and
smile, and I guess that’s pretty cool.
MICHAEL PERRONE | SCREENWRITING
SCREENPLAY | Burning Wild
FILM | Otra Vez, Por Favor
An artist must be a dreamer, a lover and a fighter. He or she must
fearlessly go out into this world dreaming of the impossible, loving
the unloved, and fighting against all odds. They must have the
imagination of a child, and somehow cloud their minds of all the
brutalities of this world, and the unjustifiable evils, and allow their
curiosity to ignorantly ramble through the fields of inspiration.
BRIAN PERRY | SOUND
FILM | The Essay from Hell • Feel Good • Gary •
The Not-So-Wright Brothers
Sound creates the mood of a film, and without it, the viewer may
have a totally different experience. Take the sound out of a horror
film, and you won’t get chills; remove the music from a drama, and
you lose the emotion. A lot of the feelings you are in touch with while
watching a film are because of the sound, whether you notice it or
not. I get to be a part of this hidden storytelling aspect of the industry,
and I couldn’t be happier doing so.
RORY PFOTENHAUER | DIRECTING
FILM | Japanese Fantasies
I get confused between style and substance and often do not know
within which hemisphere I am operating. My goal as director is to
create conditions that lead to manifestations of the ineffable. I like
departures from consensus reality in the form of techno operas and
science fiction anthropology. I hope that other people will see my
work and get in touch with me so that we can form the kind of cult
that is good.
JORDAN POUNDS | SCREENWRITING
SCREENPLAY | The Writing on the Wall
Studying screenwriting at the School of Visual Arts has been
a humbling and meaningful experience. Writing has taken on
a greater meaning that has become therapeutic and spiritual.
Ultimately, finding the balance between writing from life and writing
from imagination has been essential to my progression as a writer
and appears to have yielded worthwhile results.
26TH DUS T Y FILM & ANIMATION FES T IVAL • 29
CHELSE A QUINL AN | ANIMATION
ANIMATION | W NDERLUST
I love art that creates curiosity and inspiration for proactive
solutions. I use experimental animation and the concept of failing
to adapt systems and processes to contemporary issues. Living in
Alaska, I witnessed alarming land erosion and glacier meltdowns due
to global warming. In response I reassessed needs over wants and
found new insight. All systems are affected by the environment in
which they operate. What environment do you create and live in?
YOONJI REEM | ANIMATION
ANIMATION | No Room
I cringe when it comes to writing an artist statement. I would rather
leave the audience pondering than to talk about myself as an artist.
Whatever the audience gets out of my film, I want to leave it that way.
I don’t want an explanation about who I am as a director to change
the interpretation about my work. All I will say is, when I’m inspired, I
create art. I create art to inspire. It’s just a simple cycle. So, feel free to
be inspired.
CHRISTIAN MARSH REIMAN | SCREENWRITING
SCREENPLAY | Constellar
FILM | Alexa To Exa
I began to write at ten years of age, completing my first novella,
When Grandmas Attack! While the slightly disturbing grandmother
story was not an acclaimed success, discovering writing as a way
for me to communicate to others was a treasure. Today, I strive to
develop characters and stories based off of my life experiences, silly
habits, and flaws. My hope is that it will bring true joy, laughter, and
change to many.
SVEN RETHEMEIER | SOUND MIXER/ SOUND DESIGNER
FILM | City of Counts • Glass • Japanese Fantasies • Lady •
Otra Vez, Por Favor
I make it my challenge to use the invisible art of sound in order to
tap into the audience’s subconscious. This allows me to create a
unique perspective in storytelling, as sound is directly connected to
our emotional state. Music is a universal manipulator, and accessing
that primal form of communication allows for varied, complex and
imaginative filmmaking. I understand sound design as another
character interacting with the story and the audience.
STUDENTS
30 • SCHOOL OF V ISUAL ARTS
JA ZMINE RICHARDSON | ANIMATION
ANIMATION | Henry & Luna
Making art has always been a huge part of my life, and in the last four
years, my love of the arts has evolved into animated filmmaking. I’m
generally inspired by human emotions (positive and negative) in
not-so-everyday environments. I like to keep my storytelling simple,
yet still capable of stirring up feelings within an audience, and often
have my own personal experiences intertwined.
JONATHAN ROACH | ANIMATION
ANIMATION | Magicless
Art was always something I had fun with as a child but as I grew
older, drawing and creating art started to become more work and a
need to impress others, resulting in work that just lost its magic. So,
just relax and enjoy yourself when creating art; don’t lose sight of
what you’re creating art for, and the magic will show itself.
LE AH SAMUEL | CINEMATOGRAPHY
FILM | Babey
Film has always appealed to me in the way that it gives people the
freedom to imagine and create a universe that functions on their
own terms. Unlike in real life, there’s an ability in film to control how
a world works, how it looks, events that unfold, and how people react
to both the world and each other. In visualizing what the world can
be through film, people get to hope and expand their imaginations,
something that tends to fade with time.
JONATHAN FRED SCHNEIDER | DIRECTING
FILM | VORT
For me, to create a film, I sit still, trying to remember books I’ve read,
music I’ve heard, people I’ve met, in life, in stories and in my mind.
At once these things merge into a visual story that unfolds before me.
It’s hard to say why I am doing it. It’s almost like catching, drying and
pinning a butterfly to a spreading board, just so that I can display it to
people, point at it and say, “Here, this is my dysphoria, my beautiful
solitude.”
MAT THEW SCHWARTZ | ANIMATION
ANIMATION | The Unconscious Traveler
A true artist conjures ideas from the unconscious mind. When
starting an idea, I would not try and force an idea but let my mind
find it by accident. This is the bridge that will lead into one of my
stories. I am not trying to convey a specific message to society. It
all depends on how the piece unfolds, like opening a love letter. We
should not be cookie cutters, but instead be the three-year-old who
colors outside the lines.
26TH DUS T Y FILM & ANIMATION FES T IVAL • 31
ALEX ANDER SEEFRIED | CINEMATOGRAPHY
FILM | Living the Good Life • Brother, Sister
As an artist of light, my goal is to illuminate both vision and soul
through my captured images. Let them guide one to new thoughts
and journey to foreign places so one might see from a new light.
R ACHEL SEGAL | DIRECTING
FILM | Strokes of Sound
As a child, I would make up stories. However, it was not until I
experienced sonder that I realized the stories that move me and the
stories that I want to tell are the stories of the people surrounding me.
It is this that led me to documentary filmmaking and capturing the
untold stories of others that can prove monumental to the life of an
onlooker. Like the prophets did to the bible, in documenting these
stories they become legends.
MA X WELL SEILER | EDITING
FILM | The Essay from Hell • Here We Go
For me, the art of filmmaking is in the creative process, in the details,
in discovering which things work best and why.
SHAYNA SIEGEL | ANIMATION
ANIMATION | Joaillier
Since childhood, my eyes were glued to television, movies and
movement. Creating stories and characters in my mind was a natural
by-product. With animation, I finally got out of my own head. I was
hooked after seeing my drawings move for the first time. Soon my
dreams, and my reality, started taking shape on paper and screen.
I hope sharing such creations provides an escape for others or
reminds them that reality is not as boring as it seems.
JARED SIMON | EDITING
FILM | Citta’ dei Sogni • Lady • The Not-So-Wright Brothers •
Screenbreaker
They say if you do what you love, you’ll never work a day in your life.
Editing has never felt like work for me. I create art for the same reason
I feel we all do an inherent need to express ourselves. I chose editing
because I love puzzle solving, collaborating with others, and making
creative decisions. When I’m not editing, I can be found doing
comedy improv, toying with technology, or eating parfaits.
STUDENTS
32 • SCHOOL OF V ISUAL ARTS
GINTAUTE SIPAVICIUTE | ANIMATION
ANIMATION | The Sourcrème Family
When you’re passionate about something, there is nothing that can
stop you. You are in control and the world becomes yours. Animation
to me is more than a passion; it is an escape from reality. I get to tell
stories without ever having to say a word, make characters come to
life, and in a sense, create my own world, one that I can only dream
of living in.
KEN SIU | ANIMATION
ANIMATION | Clown with an Ingrown Frown
I like to explore aspects of the human experience through the guise
of my animated worlds, fantastical externalization of the abstract.
MALIK CONARD SOW | DIRECTING
FILM | Devour
To ask why an artist makes things is the same as asking why we need
food and drink. Art is a lot like life. We don’t know why we need to do
it; we only know that we do, in fact, need to do it or we die. Art, like
existence, can be wonderful and, at other times, tragic. In the words
of Harmony Korine, “Life is great. Without it, you’d be dead.”
The same applies to what I do.
PARIS STANISL AUS | CINEMATOGRAPHY
FILM | Feel Good
I love creating things. Anything. My mind is in constant motion. I’m
always questioning, always wondering. Art, of any kind, is a way to
express and evoke emotion. I strive to become an artist whose work
sparks great controversy and makes people think and feel, even after
I kick the bucket.
RONNEE SWENTON | CINEMATOGRAPHY
FILM | Gary • The Essay from Hell
The greatest feeling of accomplishment comes from creating
something. My father built his own home at roughly the age I
am now. Until I can afford my own land, creating images will
do just as well.
26TH DUS T Y FILM & ANIMATION FES T IVAL • 33
CAMERON TRENTAL ANGE | EDITING
FILM | The Not-So-Wright Brothers
I always aim to create content that serves as comedic social
commentary. However it has been brought to my attention that this
sentiment must not provoke laughter. I ask you to please refrain
from any form of laughter that may be provoked as you read this,
including: giggling, chuckling, snorting, hackling or any bodily
spasm that results in expelling snot and/or chocolate milk from your
nose. Don’t laugh. I’m serious. My ass is on the line.
BR ANDON T YRIE | DIRECTING
FILM | The Steaktacular RibEye: Le Combat De Viandes Rouges
Why react to life’s downsides with sadness or anger when you can
just laugh at them instead? I enjoy creating entertaining satires that
serve a secondary purpose as social commentaries of ongoing issues
in our society, ones that I believe are a bit overlooked. Hopefully this
secondary message comes through to people when they view my
work. Perhaps they’ll ponder this societal critique and what we can
do to improve upon these issues.
CL AIRE VAN RYZIN | ANIMATION
ANIMATION | HOTBOD
I want to talk about being in this world. I want to make sense of
everything, but I happen to use the most pseudo medium. When
you draw a film frame by frame, you make an unreality. You make
something that wants to be real but is up against the authority of
what already exists. What results is uncanny and nonsensical, but
oftentimes more truthful.
ALEJANDRO VECIANA | DIRECTING
FILM | City of Counts • Shatterheart
I am incapable of writing an artist statement. It’s not because I think
artist statements are stupid. I actually think they’re very important. I
can’t write an artist statement because I am constantly and eternally
changing my mind about myself and my work. By the time these
words are printed and someone reads them, I will most likely deny
everything I just said.
ROBERT PAUL VERDI | EDITING
FILM | Neverland the Webseries
Interpret this how you will.
STUDENTS
34 • SCHOOL OF V ISUAL ARTS
Z ACH WALSK Y | CINEMATOGRAPHY
FILM | Suburban Fish Bowl • The CHURCHofdaSKREETz: A Search for
Religion in the Internet Age
We are no longer just cinematographers, gaffers, best boys or grips;
we are artists. Just like a painter picks the right tool to make the
perfect stroke on a canvas, we pick the correct light to shape our
visual medium and create a mood to explain to the audience the
vision we as storytellers want to get across.
TINA WANG | ANIMATION
ANIMATION | The Ocean Calls
I grew up devouring books, comics, cartoons, television shows,
movies, and video games, and all of that has inspired my art and
storytelling. I hope to, in turn, use everything I have accumulated
in my life to create work that will inspire other artists and storytellers
in the future.
WESLEY WEEVIL | ANIMATION
ANIMATION | I Feel Alive
Born a rambunctious child, I was muted by crayons and paper, then
realized I could create loud universes from my mind through my
stubby monkey hands. As I grew, so did my complexity, morphing
and manipulating personalities at will, shaping worlds and delving
into life, giving creations a reason to live. I punched a hole through
the years, spelunking down into the gritty world of animation where
I now plot my revenge on the world that tried to quiet me so.
NAL ANI WILLIAMS | STOP MOTION ANIMATION
ANIMATION | Stilts
Approaching animation from a fine art perspective, I strive to create
a spontaneous energy within the meticulous craft of animation.
Through minimalism in story and dialogue, I leave space for the
audience to enter a surreal world where color, movement, and
sound saturate the experience and are full of intent. The unsettling
character designs highlight imperfections in humanity, with a slow
revelation to beauty, vulnerability and humor.
JAKE WINCEK | ANIMATION
ANIMATION | Metanoia
Creation of art is a genuinely mystical experience to me. I like to
allow myself the freedom to experience art as an act of discovery and
allow myself to be surprised by the process and the outcome.
26TH DUS T Y FILM & ANIMATION FES T IVAL • 35
ZEYU XU | CINEMATOGRAPHY
FILM | Clay of Indigo
We are not human beings having spiritual experiences but spiritual
beings having human experiences. The goal of my work and
the source of enthusiasm is the combination of revolutionary
storytelling and international aesthetic appreciation. The most
critical essence of visual communication is rhythm. I think every
visual artist should chase it.
LORENZO Z ANINI | DIRECTING
FILM | Otra Vez, Por Favor • Japanese Fantasies
I make films to express myself. I know that there are powerful stories
and emotions inside of me, which can only be translated by the art
of cinema. It is a draining and sometimes painful process of self-
analysis, but preferable to depression.
SITI SAR A Z ARUL A ZHAM | ANIMATION
ANIMATION | The Ups and Downs
There are several features of animation that I love, but it’s difficult
to sum up my passion without babbling forever. To me, character
animation is my passion! To be able to study the subtlety of human
behavior and apply it to relatable and lovable characters makes my
heart flutter. Corny as it sounds, but character animation to me is like
seeing a personal idol in real life. The elation is indescribable.
EX A ZIM | SCREENWRITING
SCREENPLAY | Student Government
FILM | Alexa To Exa
I believe you can find comedy in anything (within reason). But with
comedy, comes sadness, and because of this, I’m a big supporter of
the dramedy. Most of my work is built upon this genre and includes
a dose of absurdism as well. I could walk around a Duane Reade
any day I want. So instead of writing about that, I like to write about
things that are less likely to happen and make my audience find
humor in something they normally wouldn’t.
WENSHAN ZOU | SCREENWRITING
SCREENPLAY | Before Leaving
I love using video and words to express my thoughts and the love
from deep within my heart. The script I am working on is about
sharing love, loving and being loved.
36 • SCHOOL OF V ISUAL ARTS
FILM
26TH DUS T Y FILM & ANIMATION FES T IVAL • 37
6 F T ABOVE SE A LE VELIn an attempt to win back her surfer-boyfriend, a New York gal takes on the challenge of learning how to
surf in the middle of October.
DIRECTOR/WRITER/PRODUCER/EDITOR | KSENIYA CRESPO
CINEMATOGRAPHER | YANA KARIN
16 BLOCKSA plot-driven story featuring a deal gone bad involving two down and out characters looking for the big
score from a rich, hapless, suburbanite, named Nash. Unfortunately, the would-be drifters bungle the
operation because the younger partner, Tommy, succumbs to greed, which leads to unintended results.
DIRECTOR/WRITER/CINEMATOGRAPHER | CHRIS CARAGINE
AIKIDOA film about the Japanese martial art known as Aikido. It is a peaceful martial art based on blending and
redirecting the energy of an opponent.
DIRECTOR/WRITER/PRODUCER/EDITOR | EDWARD LIN
CINEMATOGRAPHER | KHODAYAR MOMENI
38 • SCHOOL OF V ISUAL ARTS
ALEX A TO EX AThree-and-a-half years ago, I moved from Nashville, Tennessee to New York City to study film and video
at the School of Visual Arts. Alexa to Exa is a paradoxical film about my process of transition throughout
my time in NYC. This film documents my last year of college and all of the moments from good to bad as
well as what lies ahead.
DIRECTOR/WRITER | EXA ZIM EDITOR | MIWA SAKULRAT
PRODUCERS | ANTHONY ANTIQUERA, KEN CASTANEDA, CINEMATOGRAPHER | GODFRED SEDANO
JAMES COLLIER, RENA PARISI, SOUND | VARYANA GALDAMEZ
CHRISTIAN REIMAN, ELENA WOZNICK
ALL ABOUT THE $When a 23-year-old unemployed college graduate spends his days illegally selling prescription pills in his
local town to pay off loans, he is trapped further and further in a scheme run by a local reputable doctor
with seemingly no way out. When is it finally enough?
DIRECTOR | K ARAN CHHAT WAL SOUND | MAT T AGOSTA
WRITERS/PRODUCERS | K ARAN CHHAT WAL , CODY MCAVEY
CINEMATOGRAPHER | JOSEPH GHERARDI
EDITOR | ALEXANDRA BOSKOVICH
ALL ON BL ACKAll On Black is comical adventure about Nolan, a college dropout, and Tim, a washed-up drug dealer, who
decide gambling is the safest way for them to pay back Sanchez, a big-time drug lord.
DIRECTOR/WRITER/EDITOR | RICH COOK
PRODUCER | NADJA RADMANOVIC
CINEMATOGRAPHER | MIKE NOLAN
SOUND | TAJ FRANCOIS
26TH DUS T Y FILM & ANIMATION FES T IVAL • 39
ALVINA math prodigy agrees to finish a homework assignment for his secret crush, Suzy, just minutes before
it’s due, while she runs off with her douche boyfriend. When the boyfriend catches Alvin with Suzy, he is
forced to confront his two greatest fears.
DIRECTOR | JOE COZZA WRITERS | JOE COZZA , CAM MCNEIL
PRODUCERS | FRANCESCA CONSARINO, EMILY REDSTONE
CINEMATOGRAPHER | JEFF MELANSON
AMARENABeni, an Italian man, has moved to New York as a photojournalist with his ill grandmother, but due to the
language barrier, fitting in becomes difficult. After an incident with his grandmother, Beni finds out his
neighbor also speaks Italian and has the same name as his grandma, Amarena. Soon after, Beni helps her
with a photography project.
DIRECTOR/WRITER/CINEMATOGRAPHER/EDITOR | ANDREW ABBALLE
SOUND | MAT TIA RUTA
THE ARTIFICIAL WOMBThe Artificial Womb is a short documentary about what life is like for premature babies admitted into the
Neonatal Intensive Care Unit. These babies are faced with many complicated, heartbreaking challenges
and fight for their lives every day.
DIRECTOR/PRODUCER/CINEMATOGRAPHER/EDITOR/SOUND | ALEXANDRA KOPEC
40 • SCHOOL OF V ISUAL ARTS
BABE YMischievous loner, Jamie, is in high school detention when she seduces detention monitor Mark.
There’s no apparent reason for this at first, but tiny clues of her mysterious life are slowly revealed as
her day goes on.
DIRECTOR/WRITER/CINEMATOGRAPHER/EDITOR | LEAH SAMUEL
BOY CODEAn insecure senior in an all-boy prep school feels pressured to live up to the hyper-masculine
expectations of his peers. Going against his own personality and morals, he attends an end-of-the-year
party in an attempt to shallowly pursue a girl who has shown a genuine interest in him.
DIRECTOR/WRITER/EDITOR | CHRISTIAN L AMORTE
CINEMATOGRAPHER | TINX CHAN
PRODUCERS | CHRISTIAN LAMORTE , TINX CHAN, FRANCIS FAHEY, ALEX BURSTEIN
SOUND | MAT T AGOSTA , KYLE DAVIS , TANNER DUGAN
BROTHER , SIS TERGrowing up, Zoe and Nate were always very close siblings who told each other everything. However, their
separation while Zoe’s been away at college has strained their relationship. When Nate confronts her
regarding a new detail about his life, Zoe must accept that her little brother is maturing into adulthood.
DIRECTOR/WRITER | SAMANTHA KIELMANOWICZ PRODUCER | MEGAN HEON
CINEMATOGRAPHER | ALEX SEEFRIED EDITOR | ETHAN BELLOWS
SOUND | VARYANA GALDAMEZ
26TH DUS T Y FILM & ANIMATION FES T IVAL • 41
THE CHURCHOFDA SKREET Z: A SE ARCH FOR RELIG ION IN THE INTERNET AGEIn this day and age, people have access to an unlimited amount of information about any subject,
changing the way the youth of today grow up. This is the story of one artist’s stumble into the world
of online religion as he tries to make sense of it all.
DIRECTOR/WRITER/EDITOR/SOUND | A ARON KEBA
PRODUCER | ZACH WALSKY
CINEMATOGRAPHERS | A ARON KEBA , ZACH WALSKY
THE CIRCLEThe movie is about a man who buys a flower bouquet for his wife after having cheated on her. The flowers
travel from one character to another, revealing slices of life and connecting everyone until they end up
back with their owner. A story about karma, life and beyond.
DIRECTOR/WRITER/PRODUCER | AIDA MESTOUR
CINEMATOGRAPHER | WIN KHANT MAUNG
EDITOR | GAEL GEORGES
SOUND | IAN HAUBER
CIT TA’ DEI SOGNIGiovanni and Ernesto run away from their unloving mother in search for a better life. They walk with
only their backpacks and a map through the wondrous region of Puglia, Italy. They search for their aunt
in a place they have deemed as the “city of dreams,” but some dreams, aren’t what they seem.
DIRECTOR/PRODUCER | PAOLA BERNARDINI WRITER | DYLAN GANTZ
CINEMATOGRAPHER | YANA KARIN EDITOR | JARED SIMON
SOUND | MARCO MALASOMMA
42 • SCHOOL OF V ISUAL ARTS
CIT Y OF COUNT SJack Stillman, a young writer from New York, gets lost in the streets of Barcelona. A story about language,
journey, and the wonderful adventure of being lost.
DIRECTOR/WRITER | ALEJANDRO VECIANA
PRODUCERS | ALEJANDRO VECIANA , CRISTINA TAPIA
CINEMATOGRAPHER | JACKSON WARNER LEWIS
EDITOR | ALEXANDRA BOSKOVICH
SOUND | SVEN RETHEMEIER
CL AY OF INDIGOIn a remote town of Southern China, a young local ceramic artist accidentally falls into a dilemma
between his strange affection for an American journalist and the cultural discrimination he endures
from his grandmother and other elders who live in this town.
DIRECTOR | ZEYU XU SOUND | JIANLIN LI
PRODUCER | WEI ZHANG WRITER | YANHUI HU
CINEMATOGRAPHER | ZEYU XU, WEI XIONG
EDITOR | TAYLOR KENNY
DE VOURA noir romance in which a homeless youth and a punk princess fall for each other. A passionate affair
begins but will end in a brutal and bizarre crime of passion. Inspired by a true story.
DIRECTOR/WRITER | MALIK CONARD-SOW
PRODUCERS | MALIK CONARD-SOW, JAMES STROUSE, STIVAN WIDICK
CINEMATOGRAPHER | JP MARIN
EDITOR | RACHEL BRUNELL
SOUND | COLE JET T
26TH DUS T Y FILM & ANIMATION FES T IVAL • 43
DISCRETIONA Manhattan real estate mogul hires a down-on-his-luck ex-private investigator to follow around his
young trophy wife. In need of money, and with one last chance for redemption, the P.I. accepts the job,
only to become the very man he thought he was looking for.
DIRECTOR/WRITER | CODY MCAVEY
PRODUCERS | KARAN CHHATWAL , CODY MCAVEY
CINEMATOGRAPHER/EDITOR | ROB LEV Y
SOUND | MAT T AGOSTA
EIGHT Y-SIXIt’s 1986 in New York City. Johnny Rocket sits on the sidelines as his best friend and new boss, Tim
Carson, ascends into the filmmaking world of a very gritty NYC. Johnny battles with jealousy and lack of
ambition, while both he and Tim learn that you can’t always do things your way.
DIRECTORS/WRITERS | GAGE ZANGHI, JACK HAGGERT Y
PRODUCERS | WILLIAM GRIMALDI, ALEX BURSTEIN
CINEMATOGRAPHER | JACK HAGGERT Y
EDITOR | GAGE ZANGHI
THE ESSAY FROM HELLHigh school senior, Rob, decides not to accompany his four friends to a secluded cabin in the woods for
a weekend, wanting to finish an essay instead. The four teenagers have a wonderful time at the cabin in
the woods. Rob, on the other hand, accidentally summons a vengeful demon from the pages of his essay.
DIRECTOR/WRITER | MAXWELL SEILER PRODUCER | MEGAN HEON
CINEMATOGRAPHER | RONNEE SWENTON EDITOR | ALEXANDRA BOSKOVICH
SOUND | BRIAN PERRY
44 • SCHOOL OF V ISUAL ARTS
E VERY TIME A BELL RINGSAn observational documentary about the daily activity of an old used books and comic book store.
DIRECTOR | KHODAYAR MOMENI
CINEMATOGRAPHER | KEYAN MOMENI
EDITORS | KHODAYAR MOMENI, KEYAN MOMENI
SOUND | KHODAYAR MOMENI
FEEL GOODRudy, a 16-year-old from California, visits family in New Jersey after a failed suicide attempt. There,
he meets and forms a friendship with his cynical and eccentric 10-year-old cousin, Ophelia.
DIRECTOR/WRITER | PARIS STANISL AUS
PRODUCER/EDITOR | RA ASHI DESAI
CINEMATOGRAPHER | ANNA CHIAPPET TA
SOUND | BRIAN PERRY
FR ANZ K AFK A’ S “A HUNGER ARTIS T ”An animated adaptation of Franz Kafka’s short story, “A Hunger Artist.” In early 20th century Europe, a
professional faster and his manager have a successful stint with their act before struggling with the
declining popularity of the craft.
DIRECTOR/WRITER/PRODUCER/EDITOR | JOSEPH ANTON
CINEMATOGRAPHER | ADAM PICHARDO
SOUND | CHRISTOPHER ROSHORE
26TH DUS T Y FILM & ANIMATION FES T IVAL • 45
G ARYAs a façade and means to make some extra cash, a careless drug dealer, Mike, acts as a caregiver for an
intellectually disabled man, Gary. On the night their relationship strengthens, a group of thugs hunt
down Mike, seeking revenge for his sugary rip-off from the night before.
DIRECTORS | JAMES CAMALI, JOSHUA BARCLAY WRITER | JOSHUA BARCLAY
PRODUCER | RAFAEL FRANCISCO CINEMATOGRAPHER | RONNEE SWENTON
EDITORS | JAMES CAMALI, RONNEE SWENTON
SOUND | BRIAN PERRY
GL A SSGlass is a 26-year-old New Yorker who discovers that his girlfriend has been murdered after a night of
partying. Glass interrogates his way through the back alleys of New York City’s underground to retrace
her steps and search for whom to blame.
DIRECTOR | ALEX BURSTEIN WRITER/CINEMATOGRAPHER | JACKSON WARNER LEWIS
PRODUCER | MIKE FLANAGAN EDITOR | TAYLOR KENNY
SOUND | SVEN RETHEMEIER
THE GNATThere is a gnat lodged behind Geoff Cronos’s eye. It is heading for his brain. It wants blood. It wants
to control him. He can hear its words, and there is only one thing he can do to stop it. He picks up
his hammer...
DIRECTOR/PRODUCER/CINEMATOGRAPHER/EDITOR/SOUND | ANDREW KOZLOWSKY
WRITER | SHEP JONES
46 • SCHOOL OF V ISUAL ARTS
THE GRE AT AWAKENING A young girl by the name of Piara Larcheveaux, is transferred from her middle school by an unknown
source to an alternative middle school. She is then faced with a whirlwind of fanciful events that may
make or break her future.
DIRECTOR/WRITER/PRODUCER | TIAUNA CL ARK
CINEMATOGRAPHER | JOHN HASBROUCK
EDITOR | K AYL A GIBSON
SOUND | MARC ANTHONY SOLANGON
THE GREEN L ANEI followed a marijuana bike delivery service that serves Manhattan and Brooklyn seven days a week,
learning the ins and outs of the operation.
DIRECTOR/CINEMATOGRAPHER/EDITOR | JOSEPH GHERARDI
HERE WE GOTaylor has good news and goes home to share with her dysfunctional family. However, their reaction
to her homecoming isn’t exactly what she hoped for.
DIRECTOR/WRITER | MEGAN HEON
PRODUCER | MAXWELL SEILER
CINEMATOGRAPHER | JUSTIN HO
EDITOR | ERIN DEWIT T
SOUND | HENRY MEYERS
26TH DUS T Y FILM & ANIMATION FES T IVAL • 47
HOLY FIREHoly Fire is an action/thriller about two friends who are betrayed by the people they work for
and seek revenge.
DIRECTOR/WRITER/PRODUCER | STEVEN BHIRO
CINEMATOGRAPHER | LUIS FELICIANO
EDITOR | MICHAEL CONDOLEON
SOUND | NOAH MYERS
JÄGERA retelling of The Legend of Sleepy Hollow set during the War of 1812. The story follows Samuel,
a farmer, who is suddenly confronted with the mysterious death of his brother, Dean. Deciding to
personally retrieve and bury Dean’s body, he leaves his farm only to get caught up in the war and
become hunted by a recently resurfaced Headless Horseman..
DIRECTOR/WRITER | OLIVER BEYER PRODUCER | RYAN LAKESTREAM
CINEMATOGRAPHER | ROB LEV Y EDITOR | TAYLOR KENNY
SOUND | HENRY MYERS
JAPANESE FANTA SIESOn the advice of his therapist, a filmmaker undergoes intensive exposure therapy. He returns to Tokyo
after a ten year absence to find closure on traumatic events he faced during his late teens, including
working as a fashion model and starring in a Japanese soap opera.
DIRECTOR/WRITER | RORY PFOTENHAUER PRODUCER | EI KANEKO
CINEMATOGRAPHER | LORENZO ZANINI EDITOR | ALEXANDRA BOSKOVICH
SOUND | SVEN RETHEMEIER
48 • SCHOOL OF V ISUAL ARTS
KEEP IT SIMPLEA man and a woman go through the motions of a first kiss.
DIRECTOR | BEC SLOANE
WRITER/PRODUCER/CINEMATOGRAPHER/EDITOR | YANA K ARIN
SOUND | SVEN RETHEMEIER
L ADYBrewer lives in the lonesome Ozark hills with wife, Sarah, and dog, Lady, working days smashing rocks
at the local quarry. When David, a seedy neighbor, goes missing after a fight over Lady killing chickens,
folks in town suspect Brewer, who must fight to protect what little he has left.
DIRECTORS | JACKSON WARNER LEWIS, ADAM PAY TON SOUND | SVEN RETHEMEIER
WRITER/CINEMATOGRAPHER | JACKSON WARNER LEWIS
PRODUCER | ALEX BURSTEIN
EDITOR | JARED SIMON
LIGHT S OUTLights Out is a short film about Bruce, who is afraid of the dark. While staying at his childhood home,
Bruce comes face to face with his greatest fear.
DIRECTOR/EDITOR | JACK FINLAY
WRITERS | JACK FINLAY, ETHAN JOHNSON, CRIS ROSARIO
PRODUCERS | JACK FINLAY, CRIS ROSARIO
CINEMATOGRAPHER | ETHAN JOHNSON
SOUND | HENRY MYERS, MAT T KISSELL
26TH DUS T Y FILM & ANIMATION FES T IVAL • 49
LIVING THE GOOD LIFEIf you can fail at something safe, why not try and do something you love? This film takes us through three
seemingly abstract passions that have the common theme of loving what you do.
DIRECTOR/WRITER/PRODUCER/CINEMATOGRAPHER/EDITOR/SOUND | ALEX SEEFRIED
MARTING ALEWith his single mother out of work, a teenage boy resorts to stealing to help provide for his family.
DIRECTOR/WRITER/EDITOR | SIMON HACKER
PRODUCERS | SIMON HACKER, LUIGI ROSSI
CINEMATOGRAPHER | A ARON SNOW
SOUND | HYOJIN AN
MNEMOSYNELeesa Taylor suffers post-traumatic stress from an abusive relationship. With the help of Dr. Thomas
Wolpe, a psychiatrist utilizing a new form of exposure therapy, Leesa relives her memories in order
to confront the source of her trauma. Through repeated sessions, she slowly chips away at the
psychological hold her abuser left inside her.
DIRECTOR/WRITER/CINEMATOGRAPHER | BRET T KODAMA PRODUCER | CORIE LOUIE
EDITORS | BRET T KODAMA , ALLISON FRIEDMAN
SOUND | ALLISON FRIEDMAN
50 • SCHOOL OF V ISUAL ARTS
MUS TARD SANDWICHESA moment, halting it in time and allowing it forever. Intimate and simple, powerful and tender.
A final conversation between a dying grandmother and her granddaughter.
DIRECTOR/WRITER | BRIANNA FREESE
PRODUCERS | BRIANNA FREESE , AURORA ALANGE
CINEMATOGRAPHER | JACKSON WARNER LEWIS
EDITOR | ALEXANDRA BOSKOVICH
SOUND | HENRY MYERS
NATURE & NURTUREA young musician goes in search of fame and learns a lesson that will change him forever.
DIRECTOR/WRITER/PRODUCER | CONNOR HASSLER
CINEMATOGRAPHER | ALEX DIBACCO
EDITOR | JAVIER PREACHER
SOUND | TOBIAS BELLIARD
NE VERL AND THE WEBSERIESNeverland is a webseries about live action role players that’s part comedy and part adventure. The main
premise of the show is the ritual monthly congregation of over 100 nerds in the woods of New Jersey,
who pretend to be elves and demons.
DIRECTOR/WRITER/EDITOR | ROBERT PAUL VERDI
PRODUCER | GREG TORRES
CINEMATOGRAPHER | RICK COOK
SOUND | TOBIAS BELLIARD
26TH DUS T Y FILM & ANIMATION FES T IVAL • 51
NEW MENAll-American young adult, Jason, works in the nightlife scene of New York City, club promoting and
dealing drugs. After meeting an artistic soul, Marie, the two begin a fling, which causes Jason to juggle
the surprising demands that the two sides of his life create.
DIRECTOR/WRITER/PRODUCER/EDITOR | NICHOLAS BURGOS
CINEMATOGRAPHER | JACK FINLAY
NIC ELLIS AND THE SE ARCH FOR PLOTWhen a cynical slacker, a sensible savant, and a couch potato come together to help their friend make a
short film, his blind ambition and lack of a clear vision make the absence of a budget or real cast and crew
only the icing on top of this farce.
DIRECTOR/WRITER | MAT T BROWN PRODUCER | MIKE POTENZA
CINEMATOGRAPHER | MAT T PELLICANO
EDITOR | MARCUS BRODY
SOUND | KRIS POLANCO
NO ROOMOn a cold December day in 1976, family tensions reach their breaking point when a father’s anxiety,
a mother’s disappointment, and a daughter’s desire to break free erupt into a crescendo of chaos
and self-destruction.
DIRECTOR/WRITER/PRODUCER | YOONJI REEM
CINEMATOGRAPHER | JORGE ARZAC
EDITORS | MICHAEL CONDOLEON, ALLISON FRIEDMAN, BRET T KODAMA
SOUND | AUGUST BELFIGLIO
52 • SCHOOL OF V ISUAL ARTS
THE NOT-SO -WRIGHT BROTHERSThe Not-So-Wright Brothers is a historical and literary farce that retells the classic tale of the
Wright brothers. Join them on their plight for flight!
DIRECTOR/WRITER | CAMERON TRENTAL ANGE
PRODUCER | ZACH TOWLEN
CINEMATOGRAPHER | JACK HAGGERT Y
EDITOR | JARED SIMON
SOUND | BRIAN PERRY
NOWHERE TO DISAPPE ARAli spends his summer days in his hometown of Istanbul, Turkey, partying before moving to New York
in the fall for college. He exists within a world defined by superficiality. Once in New York, Ali’s views on
his world change. We witness the shift of a boy trying to become a man and confronting the question of
what is his purpose.
DIRECTOR/WRITER/PRODUCER | RAFAEL CETIN
CINEMATOGRAPHER | ROBERTO FARRUGGIO
EDITOR | MARK BALDERSTON
OTR A VEZ , POR FAVORRamona and Lenny struggle to work through their long distance relationship. Together again one
last time, Ramona embraces her sexual impulses to overcome the estrangement that has been
growing in her.
DIRECTOR/WRITER | LORENZO ZANINI EDITOR | QUINTIN HARRIS
PRODUCERS | LORENZO ZANINI, MICHAEL PERRONE, SOUND | SVEN RETHEMEIER
AIMEE SEQUEIRA
CINEMATOGRAPHER | EDWARD HERRERA
26TH DUS T Y FILM & ANIMATION FES T IVAL • 53
THE PE A SANT LIFEIn this raw mockumentary, young couple Neil and Amelia try to survive the hardships of New York
City with their useless art school degrees while dealing with anxiety, unemployment and other forms
of peasantry.
DIRECTOR/WRITER/PRODUCER | NAT TIEL ARIAS
CINEMATOGRAPHER | ROB LEV Y
EDITOR | LUCAS W. KIM
SOUND | GUS BELFIGLIO
PERFEC T S TR ANGERSixteen-year-old Amanda is determined to change her last name to her mother’s maiden name.
Although she doesn’t have to wait until she comes of age, she will need permission from both her parents.
Amanda must seek the approval of her estranged father, but soon realizes that convincing her father is
no easy task.
DIRECTOR/WRITER/PRODUCER/EDITOR | EVELYN LEE
CINEMATOGRAPHERS | GABRIELLE COLES, EVELYN LEE
SCREENBRE AKERTavis Radke wishes he could play tennis, but in an all-video-game-loving world, there seems to be no
place for him. Screenbreaker follows a role-reversed world between sports and geek cultures. Together
with secret tennis player, Riley Lightning, Tavis will show everyone, including his overbearing father,
that sports can be cool too!
DIRECTOR/WRITER | JAY CHOI PRODUCER | CHARLIE GILLET TE
CINEMATOGRAPHER | WAYLAND BELL EDITOR | JARED SIMON
SOUND | JESSICA NAFTALY
54 • SCHOOL OF V ISUAL ARTS
SHAT TERHE ARTShatterheart is about a young social outcast named Isaac, who is obsessed with superhero films. He
meets a girl who is in a rocky relationship with a drug dealer. Upon learning this, he believes she needs
to be rescued, but she isn’t a damsel in distress and she doesn’t want to be saved.
DIRECTOR/WRITER | MA XIMILIAN ARIAS PRODUCER | ALEJANDRO VECIANA
CINEMATOGRAPHER | JULIAN KAPADIA
EDITOR | ERIN DEWIT T
SOUND | CHARLOT TE COMTE
SPIR AL BOUNDA tenant is bored and frustrated with his everyday routine, until he finds the hidden journal of a
previous resident. The spiral-bound notebook is filled with the insecurities and annoyances of the
writer, which peaks his curiosity. The tenant sets out on a journey to find the author.
DIRECTOR/WRITER/PRODUCER/CINEMATOGRAPHER/SOUND | ALEXANDER HUTCHINSON
EDITOR | ANDREW KOZLOWSKI
ŚR ĀMAŅER A This is the story of seventeen young monks living with a monk named Mu-Hak in Haeinsa Temple of
Jeollanam-do province. Children who left their parents with nowhere to go crossed fates with monk
Mu-Hak and are growing up at Haeinsa Temple. We capture the dreams and hopes of children growing
beautifully in the midst of difficult conditions.
DIRECTOR/WRITER | DA RAM KIM PRODUCER | SOO YONG KIM
CINEMATOGRAPHER | SANG CHUL SHIN EDITOR | JI IN KANG
SOUND | KWANG HOON HAN
26TH DUS T Y FILM & ANIMATION FES T IVAL • 55
THE S TE AK TACUL AR RIBE YE: LE COMBAT DE VIANDES ROUGESTwenty-eight-year-old man-child Rodney Robspierre believes he is the real world embodiment of his
favorite comic book superhero, The Steaktacular Ribeye, and sets out to fight crime in his family-friendly
suburb of Adequateville, where none exists.
DIRECTOR/WRITER/EDITOR | BRANDON T YRIE
PRODUCER | JEANNINE SMYTH
CINEMATOGRAPHER | BECCA FARSACE
SOUND | AKEEM PHIPPS, ANTHONY CORLETO
S TROKES OF SOUNDMichael Rider, a singer-songwriter and painter, is set to release his second album. Signed by a
label at just fourteen, he fought the restriction and spent the following years finding his sound. He
uses painting as his guide and applies the techniques to his music.
DIRECTOR | BECCA FARSACE
PRODUCER | RACHEL SEGAL
EDITOR | SARAH KATZ
SOUND | JULIE BOCHAT
SUBURBAN FISH BOWLA young girl finds a cat at her doorstep that she believes is the incarnation of her mom.
DIRECTOR/WRITER | ZACH WALSKY
PRODUCERS | ALEX BURSTEIN, ZACH WALSKY
CINEMATOGRAPHER | A ARON KEBA
EDITOR | CHRISTOPHER BLASKOVICH
SOUND | FRANCISCO FIGUERA
56 • SCHOOL OF V ISUAL ARTS
THE THREE MONTH BRUISEAfter an awful texting-while-driving accident, Luke has plunged into a tech-absorbed world of denial.
Can Abigail get through to her childhood friend or is the friendship lost in the digital world?
DIRECTOR | MARISSA GRINSTEAD SOUND | HENRY MYERS
WRITERS | MARISSA GRINSTEAD, MEAGHAN CLEARY
PRODUCER | ELIZA MORALES BROWN
CINEMATOGRAPHER | ANNA CHIAPET TA
EDITOR | K AYL A GIBSON
TRUCK Eddie Gordon, a professional mixed martial arts fighter, who currently competes in the middleweight
division of the Ultimate Fighting Championship, prepares for his upcoming fight against Josh Samman
at UFC 181.
DIRECTOR/CINEMATOGRAPHER/EDITOR | ZACHARY FALL AH
TWO YE ARSOver two years after Hurricane Sandy, Jersey Shore residents struggle to get back home while major
questions remain about how relief money is being spent. Determined to put their lives back together,
Sandy victims take political action and urge their government to finish the job.
DIRECTOR/CINEMATOGRAPHER/EDITOR | LAUREN HALL
26TH DUS T Y FILM & ANIMATION FES T IVAL • 57
VELOURS ROUGELuke, a reserved guy from New York, posts an ad online looking for a new roommate. One night, a young,
brazen Parisian woman barges into his apartment and declares to be his new roommate. Luke’s world
will be turned upside down before he can even say “bonjour.”
DIRECTOR/WRITER/PRODUCER | ICHIEN CHU
CINEMATOGRAPHER | SHELDON WALKER
EDITOR | JI IN KANG
SOUND | BILL PIERCE, JOSE RAMIREZ, DYLAN KESELMAN
VORTMendel Weiss is a young Hasid on the day of his engagement party, also known as a “Vort.” As the
Weiss family makes the final arrangements to seal the engagement, Mendel struggles with the weight
of the Vort, and unintentionally meets his Latin American neighbor, a young girl that knows all about a
world of which he has no understanding.
DIRECTOR/WRITER/EDITOR | JONATHAN FRED SCHNEIDER
PRODUCERS | ALEX BURSTEIN, ELIZABETH J. RAO, SOFYA LEYZEROVA
CINEMATOGRAPHER | GRETA ZOZULA
WELL OF GUILTAn old man burdened with the guilt of killing his partner-in-crime is finally released from prison. He sets
out on a long-awaited mission to make things right the only way he knows how.
DIRECTOR/WRITER/PRODUCER/EDITOR/SOUND | DOMINIC GIELLO
CINREMATOGRAPHER | JACK HAGGERT Y
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ALPHA C ANIS MAJORIS 7A space explorer runs out of fuel and lands on a desolate planet in search of replenishment. He finds the
crystals that he needs, but encounters an alien who uses the crystals as sustenance.
ANIMATOR | DIEGO GUANZON
BROTHERTwo brothers grow up together.
ANIMATOR | KIRBY ALLEN
CLOWN WITH AN INGROWN FROWNHaunted by apparitions of his own externalized anxieties, a clown with an ingrown frown eventually
drowns. Plunged into the deep of his very own mind, he can no longer ignore what lingers behind.
ANIMATOR | KEN SIU
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COLD WE ATHER C ARDIG ANA young couple enters a new relationship that becomes very close very fast. The condition of their love
is reflected through the stitches of a sweater.
ANIMATOR | K AITLYN CARROLL
DIRT Y PAWS A couple, one of whom is a feral werewolf, spends another full moon together.
ANIMATOR | K ARINA FAREK
ECCE HOMOBehold the Man, is a short film centered on growth and evolution. It takes the viewer on a trip through
different forms of life in a fast-paced adventure, leading up to what could be the ultimate destruction
of mankind.
ANIMATOR | ANTHONY GRETINA
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FE ATHERED DOWNWhen a baby crow falls out of its nest, a little girl and her family rescues and raises it. Although this
human family loves and accepts him, its own species rejects them. Once the loving humans are gone,
the young crow must survive alone.
ANIMATOR | JAN MOLINA
GOLF. UNIFORM . LIMA . LIMA .Don’t feed the birds.
ANIMATOR | MIKE PAT TEN
HENRY & LUNAA lonely fortuneteller finds love in an unexpected way.
ANIMATOR | JAZMINE RICHARDSON
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HICCUPA bee stuck in honey. Isn’t it funny to get stuck in something you create?
The stripper’s only scandal lies in the confines of his mind, a lost soul stripping souls, they built him
up wild and so, he became what they saw
“They eat me alive before taking a dive to the depths of me”
ANIMATOR | RENA PARISI
HOTBOD A lonely man gets what he wants, until it bites him in his glorious ass.
ANIMATOR | CL AIRE VAN RYZIN
HOWARD AT THE BLOCK PART YHoward inadvertently ruins his neighbor’s block party by showing up.
ANIMATOR | SAL IACCARINO
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I FEEL ALIVEOrion Orvandel is the “Dubstep Prince,” whose opening concert is one he and his audience
will never forget.
ANIMATOR | WESLEE WEEVIL
JOAILLIERAfter his work partner quits, an arrogant jeweler is given an exceptionally important order that may
cause him to lose his shop if the customer is not satisfied.
ANIMATOR | SHAYNA SIEGEL
KINETIC AGEThe story of a friendship that develops through online interactions but has very real consequences.
ANIMATOR | MAX BIXBY
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MAG ICLESSMagicless is a story about a young wizard who relies too much on his magic to solve everything, even
when it involves work. A decision must be made when faced with a task given by his boss. Will he fol-
low the directions or risk what could happen if he doesn’t?
ANIMATOR | JONATHAN ROACH
METANOIA A spiritual seeker explores a higher plane of existence and is guided through three visions by a
mysterious crystalline entity.
ANIMATOR | JAKE WINCEK
THE OCE AN C ALL SA young woman stumbles upon the egg of a great aquatic monster and finds herself caring for it.
ANIMATOR | TINA WANG
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ON SCHEDULEWhen two villains attack their nemesis superhero at the same time, they must fight to decide who gets
the timeslot to attack the city.
ANIMATOR | ELENA MANET TA
PAR A SITEA rebel soldier must complete his rescue mission after losing his crew and battery life following an
airstrike assault.
ANIMATOR | LEONARDI GUZMAN
PIECE OF MINDIn a world full of people who fit right into their niches, a lone misfit struggles to cope with the frustration
of feeling incomplete. She goes about her everyday life in a discouraged haze, trying to find her place in
the world.
ANIMATOR | SAM LEE
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PLUMPA young girl shares her story of what it is like to live with an unstable father.
ANIMATOR | CHRIS ANNE LINDO
RESCUED A man stranded in a frozen tundra battles his unconscious hallucinations to stay alive.
ANIMATOR | MICHAEL NAPPI
THE SOURCRÈME FAMILYNo matter where you are or where you have been, home is a place found from within. The dysfunctional
Sourcrème family will have to search high and low before they can find their true home.
ANIMATOR | GINTAUTE SIPAVICIUTE
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S TILT SSpit out from a tempestuous sky, a mysterious object disrupts order in an insane and surreal hellscape,
inspiring one man to stoke the embers of defiance.
ANIMATOR | NALANI WILLIAMS
TALL ORDERA young boy is tasked with delivering food to a customer living at the top of a mountain. He rises to
the challenge but soon realizes there is more to the errand than he anticipated.
ANIMATORS | SERENE HU, JOSEPHINE MARK
THE THRILL OF THE HAUNTAn oblivious yuppie couple and their happy-go-lucky daughter move into a notoriously haunted house.
The ghost of the house has successfully frightened out all previous tenants and plans to carry out a haunt
on the family during the night. Unfortunately for the ghost, he is confronted by the little girl. who is
unfazed by his attempts to scare her.
ANIMATOR | KYRA KUPETSKY
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THE UNCONSCIOUS TR AVELER Chris, the son of a physicist named Nathan, has passed away. Nathan creates a mental time machine
in order to see his son once again…or does he? Does unconscious traveling have a dark side to it?
ANIMATOR | MAT THEW SCHWARTZ
THE UPS AND DOWNS A straight-laced business lady is trying to get to her floor, but the simple trip up is a lot harder than it’s
supposed to be. On her way up, she tackles inconsiderate passengers, crowds and technical problems.
ANIMATOR | SITI SARA ZARUL AZHAM
W NDERLUS TAn experimental nihilistic love letter addresses today’s person and the common life.
ANIMATOR | CHELSEA QUINLAN
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WE ARE PIR ATESThis is a story of an old pirate named Captain Jayce, who has lost his passion for being a pirate. He and
his young bright-eyed companion, Amy, set sail on one final adventure to bury their small bag of spoils.
But what they find is more than just buried treasure.
ANIMATOR | MATHEW MCGEE
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49 DAYSJaime, a terminally ill boy, befriends the ghost of teenager, Amelia, after she dies in a car crash,
throwing the lives of everyone she loves into chaos. In the 49 days it takes for a spirit to leave the
physical world, Jaime resolves to do whatever he must to help Amelia’s trapped spirit move on while
facing his own mortality.
SCREENWRITER | HELENA PAK
BEFORE LE AVINGBefore Leaving is a story about love, loving and being loved.
SCREENWRITER | WENSHAN ZOU
BURNING WILDShane Williams, born into a money-grubbing, sinful family, hits the lottery when his father leaves him
a bank account with 15 million dollars. As the story progresses, Shane sees the true power of money
but is unable to control it before it turns him into a monster.
SCREENWRITER | MICHAEL PERRONE
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CONS TELL AR!Constellar! follows the journey of a fallen star spirit who must collect pieces of herself in order to return
home. With the help of living of constellation spirits, she defies those who want to take her celestial
powers for themselves.
SCREENWRITER | CHRISTIAN MARSH REIMAN
CL ARISSA Miranda, a sensible woman, flies cross-country to meet Luke, a promising romantic prospect that she
met online. A weekend of puppy love is interrupted by the arrival of Luke’s troubled, pregnant sister,
Clarissa. When their incestuous relationship is revealed, Miranda becomes their prisoner and must fight
for her life.
SCREENWRITER | GABRIELLE COLES
COITUS INTERRUP TUSScared of commitment, Faye’s looking for Mr. Right Now. Her best friend, Izzy, challenges her to go on
five dates with one guy. Faye accepts, but when Jack, her former friend-with-benefits, reenters her life,
Faye has to flirt with her adult feelings and make a momentous decision.
SCREENWRITER | DALIA HOLLEY
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ÉTÉ À PARISOn an excursion through Paris and rural parts of France, a young couple stumbles upon locations and
items that hold stories of a past love, strange events and tragedy.
SCREENWRITER | ANGEL CARDENAS
GL A SSES OF CYDERTristan Emmerson and Cyder Mavericks seem destined to break up. At least, that’s what the group of
Tristans from alternate realities tells them. Together, Emmerson and Cyder escape their world into
infinite worlds of “what if” by drinking the mysterious fancy cider. They’ll prove that their love is meant
to be, or learn what it should be.
SCREENWRITER | JAY CHOI
KNIGHTLY NEWSA class of misfit prep school teens is forced to work together to produce its weekly high school TV show.
SCREENWRITER | VICTORIA NIEVES
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L AND OF THE BR AVEAn adolescent girl grows up in an unconventional household in Doha. Amirah lives with her
overbearing mother a street away from her neglectful father, who starts a new life with a malicious
second wife and half sisters. Her life starts to unravel once her father decides to arrange her marriage.
SCREENWRITER | KHALIFA AL-THANI
THE L ATCHKE Y KIDS Shae Minardi is a nine-year-old who is wise beyond his years and has the unfortunate luck of losing
babysitters. It’s not like they just leave, but drop dead. It isn’t until he meets an eccentric young woman
named Aja, who has her own instabilities, that he thinks he can change his pattern.
SCREENWRITER | MEAGHAN CLEARY
RED EQUATOR A war hero from WWII, who goes by the codename of “Mama,” turns against her country to take on the
USA and USSR during the Cold War. The two countries form an alliance and send out their own pupil to
take her out and prevent nuclear war.
SCREENWRITER | PAUL KEIM
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SONS AND BE A S T SIn Texas in the late 1950s, 18-year-old boys Caleb and Errol commit a violent crime and head off to
California in search of Caleb’s estranged mother.
SCREENWRITER | DYL AN GANTZ
STUDENT GOVERNMENTTo say Manhattan Art College’s Student Government is unconventional is an understatement. Led by
Andie, their president, and a team of scene queens, it’s a wonder how they get anything done. With the
pressures of school, a future career, and satisfying the unruly student body, Andie and her team are in
for a collegiate experience unlike any other.
SCREENWRITER | EX A ZIM
THE WRITING ON THE WALLWhen Grant Richardson decides to leave graffiti and drugs behind in favor of a stable relationship and
college, he finds that escaping the past is more difficult than he had expected.
SCREENWRITER | JORDAN POUNDS
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David Rhodes President
Anthony Rhodes Executive Vice President
Milton Glaser Acting Chairman of the Board
Reeves Lehmann Chair BFA Film & Video and BFA Animation
Salvatore Petrosino Director of Operations BFA Film & Video and BFA Animation
Melissa Brown Assistant to the Chair BFA Film & Video and BFA Animation
Michael Grant Director Communication
Ken Switzer Assistant Director, Digital Content and Social Media Communication
Bradley Crumb Media Production Manager Office of Learning Technologies
Walter Tyler Video Specialist Office of Learning Technologies
Christopher Gutierrez Director Resource Management
James Cavaliere Associate Director Resource Management
Allene La Spina Uhlendorf Buyer Resource Management
Lisa M. Brown Buyer Resource Management
Annie Flocco Producer/Director Dusty Film & Animation Festival
Aimée Ramos Associate Producer Dusty Film & Animation Festival
Michael Flanagan, Anna Weintraub Coordinators Dusty Film & Animation Festival
Ashley Avila, Lauren McCall Key Student Staff Dusty Film & Animation Festival
Mark Minnig Manager BFA Animation
Gabriela Ilijeska Systems Administrator BFA Animation
Michael Del Vecchio Senior Film Media Production Manager BFA Film & Video
Jason Gambrell Manager, Digital Technology BFA Film & Video
Luis Negron Repair Manager BFA Film & Video
Courtney Smith Film Librarian/Budget Coordinator/ Film Festival Liaison BFA Film & Video and BFA Animation
Tien-Li Wu Senior Systems Support Specialist BFA Film & Video
Kamil Dobrowolski, Sr. Systems Administrator, Final Cut Pro BFA Film & Video
Salvatore Petrosino, Joan Brooker Festival Schedulers
Joongho Choi Videographer Dusty Awards
Valerie Smaldone Master of Ceremonies Dusty Awards
26th Dusty Film & Animation Festival 2015
26TH DUS T Y FILM & ANIMATION FES T IVAL • 7 7
VISUAL ARTS PRESS
Michael J. Walsh Director of Design and Digital Media
Brian E. Smith Art Director
Abimbola Famuyiwa Senior Multimedia Designer
Sheilah Ledwidge Associate Editor
Jennifer Liang Assistant Director
Sneha Keshav Design Intern
SVA THEATRE
Adam J. Natale Director
Vidya Alexander Operations Manager
Jess Jackson Business Manager
Vincent Burich Technical Director
Joseph Quartararo Assistant Technical Director
Jonathan Wendt Assistant Technical Director
DUSTY AWARDS OPENING REEL
Kat Llewellyn Direction, Animation
S. P. Landess Producer, Film Editor
Jack Haggerty Cinematographer
Steve Pavlovsky Liquid Oil Art, Liquid Light Lab
Nana Simopoulos Music Composer
Caryn Heilman Model
MOUTH PUBLIC RELATIONS, LLC
Justin Loeber President
Patrick Paris Account Director
Stephen Francy Associate Account Executive
WITH SPECIAL THANKS
FILM/ANIMATION THESIS COMMITTEE
MEMBERS
Reeves Lehmann, Ed Bowes, Joan Brooker, Celia Bullwinkel, William Garcia, Richard Gorey, Mary Lee Grisanti, Carl Paolino, Donald Poynter
Mario Menjivar Faculty BFA Animation
Kaukab Basheer Animator, Animation Night Intro
Yoi Tanaka Gayler Director Admissions
Christopher Jessick Associate Director of Marketing and Media Admissions
Jane Nuzzo Director Alumni Affairs and Development
Kate Styer Alumni Affairs Manager Alumni Affairs and Development
Angie Wojak Director Career Development
Deirdre Suter Assistant Manager Office Services and Mail Processing
Lindsay Carlton Special Events Manager, Avenue
Anat Sror Dishful Catering
Anthony Spyropulos Floral A.C.E.S.
A very special thanks to our 2015 Dusty Film & Animation Festival judges, photographers, promo crew and student staff. © 2015, Visual Arts Press, Ltd. Cover Illustration by Mario Menjivar
78 • SCHOOL OF V ISUAL ARTS
Thank You!The BFA Film & Video and BFA Animation departments at the School of Visual Arts would like to thank our sponsors and promotional partners for their contributions to this year’s 26th Dusty Film & Animation Festival celebration and for their generous support of our students.
AbelCine
Adobe
Adorama Rental Company
AJA Video Systems
Animation Magazine
Anthology Film Archives
ARRI Rental
ASIFA - East
Audio Network US, Inc.
B&H Photo
Barbizon Lighting Company
Blue Sky Studios
Bryan Singer
Carlos Saldanha/BottleCap Productions
Chimera Lighting
The Criterion Collection
DaVinci Artist Supply
Emmett/Furla/Oasis Films
Feature Systems/Kits and Expendables
Final Draft
Foto Care
Gotham Sound
IFP
Indiegogo
International Cinematographers Guild,
Local 600 IATSE
Motion Picture Studio Mechanics,
Local 52 IATSE
Movie Magic
New York Women in Film & Television
Nice Shoes
Nickelodeon
Passion Pictures NYC
Panavision
The Productive
The Law Office of Robert L. Seigel
Rota6
Scheimpflüg
SCS Agency, Inc.
Squarespace
the Studio
SVA Campus Store
Technicolor PostWorks New York
Toon Boom Animation
Uber
WGA - East
