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Music
Cambridge University Press is the printing and publishing house of the University of Cambridge, and isthe oldest press in the world. It is a charitable enterprise required by University Statute to devote itselfto printing and publishing in the furtherance of the acquisition, advancement, conservation, anddissemination of knowledge in all subjects; to the advancement of education, religion, learning, andresearch; and to the advancement of literature and good letters.
Highlights
➤ See page 2
➤ See page 3
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➤ See page 3
Useful contactsBook proposals: Dr Victoria Cooper
For further information about music titles:Katherine Stevens ([email protected])
All other enquiries, phone +44 (0) 1223 312393or email [email protected]
Prices and PaymentPrices and publication dates are correct at the time of going to press but are subject toalteration without notice.
www.cambridge.org/musicThis catalogue contains a selection of our mostrecent publishing in this area. Please visit ourwebsite for a full and searchable listing of all ourtitles in print and also an extensive range ofnews, features and resources. Our onlineordering service is secure and easy to use.
journals.cambridge.orgMany of our journal titles are now available online.Each journal entry in this catalogue indicateswhere the price includes, or will include, access to the electronic version of the journal. Full text is available FREE to all individuals within theregistered domain address of full rate subscribers.In addition, the service provides all users withFREE access to tables of contents and abstracts,and a FREE email alerting service.
ContentsHighlights 2The Cambridge History of Music 3Musical Lives 4Student Guides 5Companions to Music 6Early Music 10Baroque 1119th and 20th Century 12Analysis & Critical Theory 14Popular Music and Ethnomusicology 17
The book industry is moving to a 13 digit ISBNnumbering system. When ordering during thecurrent transition period, quote the 13 digit orthe 10 digit ISBN.
HighlightsNEW
The Cambridge MozartEncyclopediaEdited by Cliff EisenKing’s College London
and Simon P. KeefeCity University, London
Mozart’s enduring popularity, amongmusic lovers as a composer and amongmusic historians as a subject forcontinued study, lies at the heart of TheCambridge Mozart Encyclopedia. Thisreference book functions both as astarting point for information on specificworks, people, places and concepts aswell as a summation of current thinkingabout Mozart. The extended articles ongenres reflect the latest in scholarshipand new ways of thinking about theworks while the articles on people andplaces provide historical framework, aswell as interpretation.‘All of the entries are written in clear,accessible prose and are well-organized, usually with multiplesubheadings and capitalized crossreferences. […] This first resource tocover both Mozart’s life and oeuvre isa browser’s delight … Anindispensable addition to allcollections.’Library Journal
2006 228 x 152 mm 638pp978 0 521 85659 1 (0 521 85659 0)Hardback £95.00
Cambridge MusicHandbooksSeries Editor: Julian Rushton
NEW
Handel: Water Musicand Music for theRoyal FireworksChristopher HogwoodUniversity of Cambridge
Handel’s most popular orchestral musicis set by Christopher Hogwood in itspolitical and musical context, with manycontemporary reactions quoted. Hismuch discussed use of ‘borrowed’material is analysed, and the individualmovements of each work are examinedin detail. Variants of some movementsare also compared, and the evidence ofHandel’s composing methods is deducedfrom alterations visible in hisautographs. Hogwood covers importantperforming details, together with adviceand suggestions for the modern playerand listener.Cambridge Music Handbooks
2005 216 x 138 mm 176pp 8 half-tones68 music examples978 0 521 83636 4 (0 521 83636 0)Hardback £37.50978 0 521 54486 3 (0 521 54486 6)Paperback £12.99
2 Highlights
FORTHCOMING
A Concise History ofWestern MusicPaul Griffiths
Engaging, clear and informative, thisbook traces the history of westernclassical music. Paul Griffiths shows howmusic has changed through thecenturies, and suggests how thatchange mirrors development in thehuman notion of time, from the eternityof heaven to the computer’smicrosecond. A glossary provides thereader with clear definitions of technicalterms, and a list of recommended booksand recordings is included. An essentialread for students, teachers and classicalmusic lovers alike.
2006 216 x 138 mm 330pp978 0 521 84294 5 (0 521 84294 8)Hardback c. £25.00Publication June 2006
The CambridgeHistory of MusicThe Cambridge Historyof American MusicEdited by David NichollsUniversity of Southampton
A definitive history of music in theUnited States, written by a team ofscholars.The Cambridge History of Music
2004 228 x 152 mm 654pp978 0 521 54554 9 (0 521 54554 4)Paperback £27.99978 0 521 45429 2 (0 521 45429 8)Hardback £80.00
NEW
The Cambridge Historyof Seventeenth-Century MusicEdited by Tim CarterUniversity of North Carolina, Chapel Hill
and John ButtUniversity of Glasgow
The Cambridge History of Seventeenth-Century Music is a comprehensiveinterdisciplinary study of Europeanmusical culture in the seventeenthcentury, written by a distinguished teamof experts in the field. It provides thelatest information on all the establishedgenres of music, such as opera, churchand instrumental music, while giving acultural context that is much richer thantraditional studies of the period. Thevolume also contains a separatechronology and dictionary-style entrieson individuals, places and institutions.The Cambridge History of Music
2005 228 x 152 mm 956pp978 0 521 79273 8 (0 521 79273 8)Hardback £100.00
The Cambridge Historyof Nineteenth-CenturyMusicEdited by Jim SamsonRoyal Holloway, University of London
‘This is indeed a comprehensive,impressive overview of the music ofthe period in question.’Musical TimesThe Cambridge History of Music
2002 228 x 152 mm 788pp978 0 521 59017 4 (0 521 59017 5)Hardback £90.00
3The Cambridge History of Music
Visit our website at www.cambridge.org
The Cambridge Historyof Twentieth-CenturyMusicEdited by Nicholas CookRoyal Holloway, University of London
and Anthony PopleUniversity of Nottingham
Surveys the Western twentieth-century‘art’ tradition alongside development injazz, popular music, and world music.The Cambridge History of Music
2004 228 x 152 mm 836pp 4 half-tones1 music example978 0 521 66256 7 (0 521 66256 7)Hardback £100.00
NEW IN PAPERBACK
The Cambridge Historyof Western MusicTheoryEdited by Thomas ChristensenUniversity of Chicago
The Cambridge History of WesternMusic Theory is the first comprehensivehistory of Western music theory to bepublished in the English language. Acollaborative project by leading musictheorists and historians, the volumetraces the rich panorama of music-theoretical thought from the AncientGreeks to the present day.The Cambridge History of Music
2006 228 x 152 mm c.1024pp 35 half-tones 85 figures978 0 521 68698 3 (0 521 68698 9)Paperback c. £24.99Publication May 2006
Also available978 0 521 62371 1 (0 521 62371 5)Hardback £110.00
BiographyMusical LivesThe Life of ElgarMichael Kennedy‘Michael Kennedy’s elegantly writtenvolume is full of interesting andsagacious comments on Elgar’scompositions…’The Sunday TelegraphMusical Lives
2004 216 x 138 mm 238pp 30 half-tones978 0 521 81076 0 (0 521 81076 0)Hardback £40.00978 0 521 00907 2 (0 521 00907 3)Paperback £15.99
The Life of BachPeter WilliamsUniversity of Edinburgh and Duke University,North Carolina
‘Williams is thoroughly honest, andhonestly thorough, in sifting throughthe facts, assessing their robustness,and setting them in the context … ofBach’s actual music, and equallyimportant, the traditions andphilosophies of eighteenth-centuryLutheran Germany - warts and all … Inits rationality and calm authority,Williams’ biography lays to rest muchof the confusion relating to the piecesin one of musical history’s mostfrustrating incomplete jigsaws.’The ScotsmanMusical Lives
2003 216 x 138 mm 228pp 9 half-tones2 maps978 0 521 82636 5 (0 521 82636 5)Hardback £40.00978 0 521 53374 4 (0 521 53374 0)Paperback £15.99
4 Music Lives
Student GuidesFORTHCOMING
Music: A MathematicalOfferingDavid J. BensonUniversity of Aberdeen
Since the time of the Ancient Greeks,much has been speculated about therelation between mathematics andmusic: from harmony and numbertheory, to musical patterns and grouptheory. Benson provides a wealth ofinformation here to enable the teacher,the student, or the interested amateurto understand, at varying levels oftechnicality, the real interplay betweenthese two ancient disciplines. This is amust-have book if you want to knowabout the music of the spheres or digitalmusic and many things in between.
2006 247 x 174 mm 400pp 243 linediagrams 20 half-tones978 0 521 85387 3 (0 521 85387 7)Hardback c. £50.00978 0 521 61999 8 (0 521 61999 8)Paperback c. £24.99Publication September 2006
Musical PerformanceA Guide to UnderstandingEdited by John RinkRoyal Holloway, University of London
Unravels the complexities of musicalperformance for students, teachers andperformers at all levels.
2002 247 x 174 mm 260pp 6 figures20 music examples978 0 521 78300 2 (0 521 78300 3)Hardback £40.00978 0 521 78862 5 (0 521 78862 5)Paperback £15.99
Exploring Twentieth-Century MusicTradition and InnovationArnold WhittallKing’s College London
Explores the music of twentieth-centurycomposers demonstrating the continuumbetween the progressive and theconservative.
2003 247 x 174 mm 250pp39 music examples978 0 521 81642 7 (0 521 81642 4)Hardback £47.50978 0 521 01668 1 (0 521 01668 1)Paperback £17.99
Playing with HistoryThe Historical Approach toMusical PerformanceJohn ButtUniversity of Glasgow
This challenging study examines andultimately defends the case forhistorically informed musicalperformance.Musical Performance and Reception
2002 228 x 152 mm 282pp978 0 521 81352 5 (0 521 81352 2)Hardback £45.00978 0 521 01358 1 (0 521 01358 5)Paperback £15.99
The Math Behind theMusicLeon Harkleroad
Explores mathematics aspects of musicfrom its acoustical bases to compositionaltechniques to music criticism.Outlooks
2003 228 x 152 mm 200pp978 0 521 81095 1 (0 521 81095 7)Hardback c. £47.50978 0 521 00935 5 (0 521 00935 9)Paperback c. £16.99
5Student Guides
For regular email alerts visit www.cambridge.org/alerts
TEXTBOOK
The Critical Editing ofMusicHistory, Method, and PracticeJames GrierUniversity of Western Ontario
This is the first book to provide anintroduction to music editing, includingthe history of the field, and the issuesand problems encountered.Contents: 1. Introduction: the task of theeditor; 2. The nature of the musical source;3. Musical sources and stemmatic filiation;4. Errors, variants and editorial judgement:the establishment of the text; 5. Thepresentation of the text; 6. Conclusion: theposture of the editor; Epilogue; Appendices.
1996 228 x 152 mm 281pp 3 tables25 music examples978 0 521 55863 1 (0 521 55863 8)Paperback £24.99
CambridgeCompanions to MusicComposersThe CambridgeCompanion to SibeliusEdited by Daniel M. GrimleyUniversity of Nottingham
‘ … a magnificent and illuminatingvolume … ’International Record ReviewCambridge Companions to Music
2004 247 x 174 mm 294pp 2 linediagrams 1 half-tone 57 music examples978 0 521 81552 9 (0 521 81552 5)Hardback £50.00978 0 521 89460 9 (0 521 89460 3)Paperback £19.99
FORTHCOMING
The CambridgeCompanion toSchumannEdited by Beate PerreyUniversity of Cambridge
This Companion is an accessibleintroduction to Schumann: his time,temperament, style and his œuvre. Aninternational team of scholars exploresthe cultural context, musical and poeticfabric, sources of inspiration andinterpretative reach of key works from theSchumann repertoire from his lieder andpiano pieces to chamber, orchestral anddramatic works. Additional chaptersaddress Schumann’s presence innineteenth- and twentieth-centurycomposition and the reception history ofhis late works. This invaluable guideincludes tables and illustrations, a detailedchronology and advice on further reading.Cambridge Companions to Music
2006 247 x 174 mm 312pp 7 half-tones77 music examples978 0 521 78341 5 (0 521 78341 0)Hardback c. £48.00978 0 521 78950 9 (0 521 78950 8)Paperback c. £19.99Publication July 2006
The CambridgeCompanion to VerdiEdited by Scott L. BalthazarWest Chester University, Pennsylvania
Provides an accessible introduction toVerdi’s life and music.Cambridge Companions to Music
2004 247 x 174 mm 364pp 12 tables49 music examples978 0 521 63228 7 (0 521 63228 5)Hardback £47.50978 0 521 63535 6 (0 521 63535 7)Paperback £17.99
6 Cambridge Companions to Music
The CambridgeCompanion to RossiniEdited by Emanuele SeniciUniversity of Oxford
‘This scholarly, extensive overview ofRossini’s operas, liturgical works andpiano and vocal works reflects thedramatic turnaround in appreciation thathas occurred in the last fifty years or so.‘Music Web InternationalCambridge Companions to Music
2004 247 x 174 mm 280pp 10 half-tones35 music examples978 0 521 80736 4 (0 521 80736 0)Hardback £47.50978 0 521 00195 3 (0 521 00195 1)Paperback £17.99
NEW
The CambridgeCompanion to HaydnEdited by Caryl ClarkUniversity of Toronto
Introduces the reader to Haydn’s manysymphonies, chamber works, sacredcompositions and operas, situating thecomposer’s vast repertory in the contextof late eighteenth century musical life anddifferent interpretive contexts from hisown day to our own. The environments inwhich Haydn lived and worked - fromVienna and the Eszterházy courts ofEisenstadt and Eszterháza in easternAustria and western Hungary respectivelyto cosmopolitan London - are described,as are the changing attitudes towards hismusic and its performance, including liveand recorded performances.Cambridge Companions to Music
2005 247 x 174 mm 354pp 2 half-tones5 tables 1 map 38 music examples978 0 521 83347 9 (0 521 83347 7)Hardback £45.00978 0 521 54107 7 (0 521 54107 7)Paperback £17.99
NEW
The CambridgeCompanion to LisztEdited by Kenneth HamiltonUniversity of Birmingham
The music of Franz Liszt is becomingever more popular in the concert-halland has been the subject of muchground-breaking recent research, butthere are few books available for ageneral readership that present up-to-date scholarship in an accessiblefashion. Written by some of the leadingspecialists in the field, The CambridgeCompanion to Liszt provides anauthoritative overview of Liszt’s music,its context and performance practice ina way that will be invaluable to musicprofessionals and amateurs alike.Cambridge Companions to Music
2005 247 x 174 mm 304pp 3 half-tones20 music examples978 0 521 62204 2 (0 521 62204 2)Hardback £40.00978 0 521 64462 4 (0 521 64462 3)Paperback £18.99
The CambridgeCompanion toMendelssohnEdited by Peter Mercer-TaylorUniversity of Minnesota
Surveys the life, work, and posthumousreception of nineteenth-centuryGerman-Jewish composer FelixMendelssohn.Cambridge Companions to Music
2004 247 x 174 mm 332pp 1 half-tone41 music examples978 0 521 82603 7 (0 521 82603 9)Hardback £50.00978 0 521 53342 3 (0 521 53342 2)Paperback £19.99
7Cambridge Companions to Music
Visit our website at www.cambridge.org
NEW
The CambridgeCompanion to ElgarEdited by Daniel M. GrimleyUniversity of Nottingham
and Julian RushtonUniversity of Leeds
This Companion provides an accessible,diverse and up-to-date introduction tolife and music of Edward Elgar. The bookwill be of interest to a wide readership,including performers and members ofthe general public as well as studentsand serious scholars. Divided into threesections, the Companion explores Elgar’searly career, his major musicalachievements, and the reception,performance and interpretation of hiswork. Placed in this wider perspective,Elgar emerges as a pivotal figure in theBritish cultural imagination at a defininghistorical moment for the nationalmusical identity.‘…indispensible with its extensivenotes and relevant musicillustrations…each contribution islucidly written’.Gramaphone
Cambridge Companions to Music2005 247 x 174 mm 276pp35 music examples978 0 521 82623 5 (0 521 82623 3)Hardback £50.00978 0 521 53363 8 (0 521 53363 5)Paperback £17.99
The CambridgeCompanion toBrucknerEdited by John WilliamsonUniversity of Liverpool
Sixteen essays by leading expertsprovide an introduction to Bruckner’slife and works in all genres.Cambridge Companions to Music
2004 247 x 174 mm 326pp 3 tables36 music examples978 0 521 80404 2 (0 521 80404 3)Hardback £47.50978 0 521 00878 5 (0 521 00878 6)Paperback £17.99
TopicsNEW
The CambridgeCompanion to theConcertoEdited by Simon P. KeefeCity University, London
No musical genre has had a morechequered critical history than theconcerto and yet simultaneously retainedas consistently prominent a place in theaffections of the concert-going public.This volume, one of very few to deal withthe genre in its entirety, assumes a broadremit, setting the concerto in its musicaland non-musical contexts, examining theconcertos that have made importantcontributions to musical culture, andlooking at performance-related topics.Cambridge Companions to Music
2005 247 x 174 mm 370pp37 music examples978 0 521 83483 4 (0 521 83483 X)Hardback £45.00978 0 521 54257 9 (0 521 54257 X)Paperback £17.99
8 Cambridge Companions to Music
The CambridgeCompanion to the LiedEdited by James ParsonsSouthwest Missouri State University
‘How pleasing to see that the Liedmerits its own volume in thisattractively presented series fromCambridge University Press.’The SchubertianCambridge Companions to Music
2004 247 x 174 mm 438pp 1 table41 music examples978 0 521 80027 3 (0 521 80027 7)Hardback £47.50978 0 521 80471 4 (0 521 80471 X)Paperback £17.99
NEW
The CambridgeCompanion toTwentieth-CenturyOperaEdited by Mervyn CookeUniversity of Nottingham
This Companion celebrates theextraordinary riches of the twentieth-century operatic repertoire in a collection ofspecially commissioned essays. The wide-ranging text embraces fresh investigationsinto various aspects of the genre in themodern age, with a comprehensivecoverage of the work of individualcomposers from Debussy and Schoenbergto John Adams and Harrison Birtwistle. Thevolume also includes essays devoted toavant-garde music theatre, operettas andmusicals, and filmed opera, and ends witha provocative discussion of the position ofthe genre in today’s cultural marketplace.Cambridge Companions to Music
2005 247 x 174 mm 450pp 11 half-tones978 0 521 78009 4 (0 521 78009 8)Hardback £45.00978 0 521 78393 4 (0 521 78393 3)Paperback £19.99
The CambridgeCompanion to GrandOperaEdited by David CharltonRoyal Holloway, University of London
‘… contains more information aboutits subject than any previouspublication in English. For the seriouslover of opera, as well as for thecultural historian, this is not only animpressive collection but one that willbe dipped into for many years.’Contemporary ReviewCambridge Companions to Music
2003 247 x 174 mm 518pp 29 half-tones20 tables 46 music examples978 0 521 64118 0 (0 521 64118 7)Hardback £50.00978 0 521 64683 3 (0 521 64683 9)Paperback £19.99
Cambridge Handbooksto the HistoricalPerformance of MusicSeries Editors: Colin LawsonRoyal College of Music
Robin StowellUniversity of Wales, College of Cardiff
The Early FluteA Practical GuideRachel BrownLondon Guildhall University
Provides sound advice on the issuesraised when performing music of thepast.Cambridge Handbooks to the HistoricalPerformance of Music
2003 228 x 152 mm 198pp 10 half-tones64 music examples978 0 521 81391 4 (0 521 81391 3)Hardback £45.00978 0 521 89080 9 (0 521 89080 2)Paperback £15.99
9Cambridge Companions to Music
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The HistoricalPerformance of MusicAn IntroductionColin LawsonGoldsmiths College, University of London
and Robin StowellUniversity of Wales College of Cardiff
‘ … offers a wealth of wisdom … Ihope it may open windows in manyminds.’The Musical TimesCambridge Handbooks to the HistoricalPerformance of Music
1999 228 x 152 mm 233pp 5 linediagrams 24 music examples978 0 521 62193 9 (0 521 62193 3)Hardback £40.00978 0 521 62738 2 (0 521 62738 9)Paperback £14.99
Early MusicNEW
Music and Image inClassical AthensSheramy BundrickUniversity of South Florida
In this study, Sheramy Bundrickproposes that the depictions of musicalperformance were intimately linked tocontemporary developments in the fieldof music itself, such as the debate overmusic in education, theories of musicalethos, and the growing popularity ofprofessional musicians.
2005 253 x 177 mm 282pp 110 half-tones978 0 521 84806 0 (0 521 84806 7)Hardback £45.00
NEW
Early Music HistoryStudies in Medieval and EarlyModern MusicVolume 23Edited by Iain FenlonUniversity of Cambridge
Devoted to the study of music from theearly Middle Ages to the end of theseventeenth century, articles in volume23 include: Guillaume de Machaut andhis Canonry of Reims; Reading Carnival:The Creation of a Florentine CarnivalSong; Schein’s Occasional Music and theSocial Order in 1620s Leipzig.Early Music History, 23
2005 228 x 152 mm 332pp978 0 521 84250 1 (0 521 84250 6)Hardback £95.00
WINNER OF THE 2003 ROYAL PHILHARMONIC SOCIETY BOOK AWARD
The Modern Inventionof Medieval MusicScholarship, Ideology,PerformanceDaniel Leech-WilkinsonKing’s College London
A challenging book which questionshow much is really known about theway medieval music sounded.Musical Performance and Reception
2002 228 x 152 mm 348pp 1 half-tone5 music examples978 0 521 81870 4 (0 521 81870 2)Hardback £55.00
10 Early Music
WINNER OF THE 2003 OTTO KINKELDEY AWARD
Guillaume de Machautand ReimsContext and Meaning in hisMusical WorksAnne Walters RobertsonUniversity of Chicago
A study of Machaut, fourteenth-centuryFrench composer and poet, who wrotethe first polyphonic Mass.
2002 247 x 174 mm 476pp 29 half-tones14 tables 19 music examples978 0 521 41876 8 (0 521 41876 3)Hardback £65.00
BacchylidesA SelectionEdited by H. MaehlerUniversity College LondonCambridge Greek and Latin Classics
2004 186 x 123 mm 292pp978 0 521 59036 5 (0 521 59036 1)Hardback £47.50978 0 521 59977 1 (0 521 59977 6)Paperback £17.99
JOURNAL
Plainsong andMedieval Musicwww.journals.cambridge.org/jid_PMMSubscriptions
Volume 15 in 2006: April and OctoberInstitutions print and electronic: £75/$125Institutions electronic only: £66/$110Individuals print only: £30/$45Special arrangements exist for members ofPlainsong and Mediaeval Music Society.Print ISSN 0961-1371Electronic ISSN 1474-0087
JOURNAL
Early Music Historywww.journals.cambridge.org/jid_EMHSubscriptions
Volume 25 in 2006: OctoberInstitutions print and electronic: £100/$160Institutions electronic only: £85/$135Individuals print only: £44/$70Print ISSN 0261-1279Electronic ISSN 1474-0559
Eight Centuries ofTroubadours andTrouvèresThe Changing Identity ofMedieval MusicJohn HainesUniversity of TorontoMusical Performance and Reception
2004 228 x 152 mm 360pp 12 tables26 figures 53 music examples978 0 521 82672 3 (0 521 82672 1)Hardback £55.00
Baroque MusicThe Organ Music of J. S. BachSecond editionPeter Williams
A classic study of Bach’s organ works,fully revised to take account of recentscholarship.
2003 247 x 174 mm 634pp297 music examples978 0 521 81416 4 (0 521 81416 2)Hardback £80.00978 0 521 89115 8 (0 521 89115 9)Paperback £27.99
11Baroque Music
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FORTHCOMING
C. P .E. Bach StudiesEdited by Annette RichardsCornell University, New York
This collection of essays explores theliterary and aesthetic contexts of C. P. E.Bach’s later work, focussing on his activityin Hamburg from 1767 until his death in1788. It includes essays on Bach’sposition on contemporary concepts ofsensibility, his sacred music and views onreligion, and on the contemporary andposthumous reception of his music. Thisvolume, the first English-languagecollection of essays devoted to C. P. E.Bach since 1988, seeks to re-establish thecentrality of Bach’s music in late 18th-century German culture.Cambridge Composer Studies
2006 247 x 174 mm 275pp 12 half-tones58 music examples978 0 521 83629 6 (0 521 83629 8)Hardback c. £45.00Publication May 2006
The Keyboard inBaroque EuropeEdited by Christopher Hogwood
Twelve of today’s most distinguishedscholar-performers offer essays on newand intriguing aspects of baroquekeyboard music.Musical Performance and Reception
2003 246 x 189 mm 264pp 9 half-tones44 music examples978 0 521 81055 5 (0 521 81055 8)Hardback £55.00
19th and 20thCentury MusicFORTHCOMING
Brahms’s SongCollectionsInge van RijVictoria University, Wellington
Brahms once complained that singersnever performed his songs in the groupsin which he had published them, whichhe likened to ‘song bouquets’. Inge vanRij presents a new way of thinking ofthe songs of Johannes Brahms,examining the implications of hiscomment by considering the songs inthe groups in which the composerpublished them rather than as individualentities. The book contains originalanalysis and an investigation of manypreviously unexplained sources,shedding new light on this much lovedrepertoire.
2006 247 x 174 mm 280pp 16 half-tones20 tables 41 music examples978 0 521 83558 9 (0 521 83558 5)Hardback c. £48.00Publication August 2006
The Virtuoso LisztDana GooleyCase Western Reserve University, Ohio
Dana Gooley examines the concertcareer of the great nineteenth-centurypiano virtuoso, Franz Liszt.New Perspectives in Music History andCriticism, 13
2004 228 x 152 mm 296pp 16 half-tones2 tables 10 music examples978 0 521 83443 8 (0 521 83443 0)Hardback £48.00
12 19th and 20th Century Music
NEW
Polish Music sinceSzymanowskiAdrian ThomasCardiff University
Since the death of Szymanowski in 1937,Poland’s music has been influenced byviolent political upheavals - World WarTwo, the Stalinism of the Cold War, the‘thaw’ of the late 1950s and 60s, theelection of the Polish Pope and the riseand fall of the Solidarity Trade Union.Issues of how artistic freedom wasexercised and how well-known figures(Lutoslawski, Górecki, Penderecki) andunduly neglected composers (such asBaird, Serocki, Krauze) reacted to theseupheavals form the core of this study ofan incredibly rich musical history.Music in the Twentieth Century, 19
2005 247 x 174 mm 410pp 1 table93 music examples978 0 521 58284 1 (0 521 58284 9)Hardback £60.00
WINNER OF THE ASSOCIATIONOF RECORDED SOUNDCOLLECTIONS 2004 AWARD FORBEST RESEARCH IN RECORDEDCLASSICAL MUSIC
Performing BrahmsEarly Evidence of PerformanceStyleEdited by Michael MusgraveUniversity of London
and Bernard D. Sherman
Enhanced by an accompanying CD, thisbook presents documentary evidence ofperformance in Brahms’s time.Musical Performance and Reception
2003 247 x 174 mm 412pp 10 half-tones139 music examples978 0 521 65273 5 (0 521 65273 1)Hardback £65.00
FORTHCOMING
Edward Elgar,ModernistJ. P. E. Harper-ScottRoyal Holloway, University of London
The first full-length analytical study ofEdward Elgar’s music, this book gives ahistorical over-view of its place inEuropean musical history. It reformulatesthe principal method of analyzing musicof the eighteenth to early twentiethcenturies, and works it into a newsystem which is twinned with thephilosophy of Heidegger. It alsoexamines questions in the philosophy ofmusic, including music’s nature as abearer of meaning, and assesses theimpact music’s meanings may have onour understanding of what it is to behuman.Music in the Twentieth Century, 20
2006 247 x 174 mm c.280pp 4 figures26 music examples978 0 521 86200 4 (0 521 86200 0)Hardback c. £50.00Publication May 2006
Making Words SingNineteenth- and Twentieth-Century SongJonathan DunsbyUniversity of Reading
In a wideranging discussion, JonathanDunsby considers the nature of vocalityin songs of the nineteenth andtwentieth centuries.
2004 228 x 152 mm 164pp28 music examples978 0 521 83661 6 (0 521 83661 1)Hardback £40.00
1319th and 20th Century Music
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Bruckner’s SymphoniesAnalysis, Reception and CulturalPoliticsJulian HortonUniversity College Dublin
An important new study of Bruckner’ssymphonies from a comparative, inter-disciplinary perspective.
2004 247 x 174 mm 290pp57 music examples978 0 521 82354 8 (0 521 82354 4)Hardback £48.00
A Handbook toTwentieth-CenturyMusical SketchesEdited by Patricia HallUniversity of California, Santa Barbara
and Friedemann SallisUniversité de Moncton, New Brunswick
This indispensable handbook explainshow scholars and students should workwith and think about the composer’sworking manuscripts.
2004 246 x 189 mm 268pp 53 half-tones26 figures 9 music examples978 0 521 80860 6 (0 521 80860 X)Hardback £48.00
JOURNAL
Tempowww.journals.cambridge.org/jid_TEMSubscriptions
Volume 60 in 2006: January, April, July andOctoberInstitutions print and electronic: £52/$86Institutions electronic only: £46/$76Individuals print only: £22/$35Print ISSN 0040-2982Electronic ISSN 1478-2286
JOURNAL
Eighteenth-CenturyMusicwww.journals.cambridge.org/jid_ECMSubscriptions
Volume 3 in 2006: March and SeptemberInstitutions print and electronic: £65/$108Institutions electronic only: £57/$95Individuals print only: £20/$32Member rates available - please enquirePrint ISSN 1478-5706Electronic ISSN 1478-5714
JOURNAL
twentieth-centurymusicwww.journals.cambridge.org/jid_TCMSubscriptions
Volume 3 in 2006: March and SeptemberInstitutions print and electronic: £65/$108Institutions electronic only: £57/$95Individuals print only: £20/$32Print ISSN 1478-5722Electronic ISSN 1478-5730
Analysis &Critical TheoryNew Perspectives inMusic History andCriticismSeries Editors: Jeffrey KallbergUniversity of Pennsylvania
Anthony NewcombUniversity of California, Berkeley
Ruth SolieSmith College, Massachusetts
14 Analysis & Critical Theory
NEW
Monteverdi’s UnrulyWomenThe Power of Song in EarlyModern ItalyBonnie GordonState University of New York, Stony Brook
Monteverdi’s Unruly Women examinesthe composer’s madrigals and musicdramas for what they can tell us aboutthe musical and cultural world of singingand the voice in early modern Italy.Monteverdi’s music demanded trained,female voices to make dramatic andexpressive statements. At a time whensinging was not entirely acceptable forrespectable women his music allowedwomen to use their voices to gain power.Bonnie Gordon also examines the socialand musical environment in which thesingers lived and worked.New Perspectives in Music History andCriticism, 14
2005 228 x 152 mm 244pp 9 half-tones17 music examples978 0 521 84529 8 (0 521 84529 7)Hardback £48.00
Quotation and CulturalMeaning in Twentieth-Century MusicDavid MetzerUniversity of British Columbia, Vancouver
Examines the way the use of quotationin music both creates and transformscultural associations.New Perspectives in Music History andCriticism, 12
2003 228 x 152 mm 238pp 3 half-tones14 music examples978 0 521 82509 2 (0 521 82509 1)Hardback £50.00
The CharacteristicSymphony in the Age ofHaydn and BeethovenRichard WillUniversity of Washington
Study of ‘characteristic’ symphonies,discussing works by Beethoven, Haydnand Dittersdorf.New Perspectives in Music History andCriticism, 7
2002 228 x 152 mm 342pp 1 half-tone5 tables 95 music examples978 0 521 80201 7 (0 521 80201 6)Hardback £50.00
Hugo Riemann and theBirth of ModernMusical ThoughtAlexander RehdingHarvard University, Massachusetts
Demonstrates how Riemann’s theoriesadvanced an understanding of the tonaltradition as both natural and German.New Perspectives in Music History andCriticism, 11
2003 228 x 152 mm 230pp47 music examples978 0 521 82073 8 (0 521 82073 1)Hardback £50.00
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15Analysis & Critical Theory
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OperaCambridge Studies inOperaSeries Editors: Arthur GroosCornell University
Tim CarterUniversity of London
John DeathridgeUniversity of London
James HepokoskiUniversity of Minnesota
Paul RobinsonStanford University
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The Prima Donna andOpera, 1815–1930Susan RutherfordUniversity of Manchester
Examining a range of singers includingGiuditta Pasta, Maria Malibran andEmma Calvé, this book offers ahistorical investigation and reappraisalof the female operatic singer during thenineteenth and twentieth centuries. Itaddresses questions such as themultiple discourses on the image of thesinger; the changing profile of theprofessional artist from figlia dell’arte atthe beginning of the era to middle-classcareer woman at the end; the aspect ofthe ‘stage mother’; issues of vocaltraining and tuition; and performance(both vocal and dramatic) conventionsand practices.Cambridge Studies in Opera
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Landscape and Genderin Italian OperaThe Alpine Virgin from Bellini toPucciniEmanuele SeniciUniversity of Oxford
This book discusses a number of operasby famous nineteenth- and twentieth-century Italian composers such as Bellini(La sonnambula), Donizetti (Linda diChamounix), Verdi (Luisa Miller) andPuccini (La fanciulla del West). Theprotagonists of these operas areemphatically virginal women; womendefined by their virginity, who liveamidst mountains, most frequently theAlps. The figure of the operatic Alpinevirgin as presented in these works isexplored in the context of the theatre,literature, culture and society of Italyand Europe in the nineteenth and earlytwentieth centuries.Cambridge Studies in Opera
2005 228 x 152 mm 368pp 15 half-tones26 music examples978 0 521 83437 7 (0 521 83437 6)Hardback £50.00
Three Modes ofPerception in MozartThe Philosophical, Pastoral, andComic in Cosí fan tutteEdmund J. GoehringUniversity of Notre Dame, Indiana
The first full-length, scholarly study ofwhat is widely regarded as Mozart’smost enigmatic opera.Cambridge Studies in Opera
2004 228 x 152 mm 320pp 6 tables110 music examples978 0 521 83881 8 (0 521 83881 9)Hardback £48.00
16 Opera
German OperaFrom the Beginnings to WagnerJohn WarrackUniversity of Oxford
This wide-ranging history exploresGerman opera from its primitive originsup to Wagner.Cambridge Studies in Opera
2001 228 x 152 mm 464pp42 music examples978 0 521 23532 7 (0 521 23532 4)Hardback £55.00
Aesthetics of Opera inthe Ancien Régime,1647–1785Downing A. ThomasUniversity of Iowa
This is the first study to recognise thebroad impact of opera in early-modernFrench culture.Cambridge Studies in Opera
2003 228 x 152 mm 420pp 9 half-tones13 music examples978 0 521 80188 1 (0 521 80188 5)Hardback £55.00
Wagner and theRomantic HeroSimon WilliamsUniversity of California, Santa Barbara
Simon Williams addresses one of themost controversial aspects of Wagner’swork, heroes and the heroic.
2004 228 x 152 mm 204pp978 0 521 82008 0 (0 521 82008 1)Hardback £48.00
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Popular Music &EthnomusicologyAnalyzing PopularMusicEdited by Allan F. MooreUniversity of Surrey
‘… an excellent contribution to thedebate surrounding the analysis of pop… a useful collection for tertiary-levelstudents and researchers alike … thebook would function well withinundergraduate-level popular music ormusic analysis modules …’.British Journal of Music
2003 228 x 152 mm 280pp 2 graphs35 music examples978 0 521 77120 7 (0 521 77120 X)Hardback £45.00
17Popular Music & Ethnomusicology
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18 Popular Music & Ethnomusicology
19Author and Title Index
AAesthetics of Opera in the Ancien Régime,
1647–1785 ...........................................17Analyzing Popular Music ...........................17
BBacchylides...............................................11Balthazar, Scott L. .......................................6Benson, David J. .........................................5Brahms's Song Collections ........................12British Journal of Music Education.............15Brown, Rachel ............................................9Bruckner's Symphonies .............................14Bundrick, Sheramy ....................................10Butt, John...............................................3, 5
CC.P.E. Bach Studies....................................12Cambridge Companion to Bruckner, The......8Cambridge Companion to Elgar, The............8Cambridge Companion to Grand Opera,
The..........................................................9Cambridge Companion to Haydn, The .........7Cambridge Companion to Liszt, The ............7Cambridge Companion to Mendelssohn,
The..........................................................7Cambridge Companion to Rossini, The ........7Cambridge Companion to Schumann, The ...6Cambridge Companion to Sibelius, The........6Cambridge Companion to the Concerto,
The..........................................................8Cambridge Companion to the Lied, The.......9Cambridge Companion to
Twentieth-Century Opera, The ..................9Cambridge Companion to Verdi, The ...........6Cambridge History of American Music,
The..........................................................3Cambridge History of Nineteenth-Century
Music, The ...............................................3Cambridge History of Seventeenth-Century
Music, The ...............................................3Cambridge History of Twentieth-Century
Music, The ...............................................4Cambridge History of Western Music
Theory, The ..............................................4Cambridge Mozart Encyclopedia, The ..........2Cambridge Opera Journal .........................17Carter, Tim ..................................................3
Characteristic Symphony in the Age of Haydn and Beethoven, The.....................15
Charlton, David...........................................9Christensen, Thomas ...................................4Clark, Caryl.................................................7Concise History of Western Music, A ...........3Cook, Nicholas ...........................................4Cooke, Mervyn............................................9Cox, Gordon .............................................15Critical Editing of Music, The .......................6
DDunsby, Jonathan .....................................13Dyer, Joseph..............................................11
EEarly Flute, The............................................9Early Music History .............................10, 11Edward Elgar, Modernist ...........................13Eight Centuries of Troubadours and
Trouvères ...............................................11Eighteenth-Century Music .........................14Eisen, Cliff ............................................2, 14Exploring Twentieth-Century Music .............5
FFenlon, Iain.........................................10, 11
GGerman Opera ..........................................17Goehring, Edmund J..................................16Gooley, Dana ............................................12Gordon, Bonnie ........................................15Grier, James ................................................6Griffiths, Paul ..............................................3Grimley, Daniel M. ..................................6, 8Guillaume de Machaut and Reims.............11
HHaines, John .............................................11Hall, Patricia .............................................14Hamilton, Kenneth ......................................7Handbook to Twentieth-Century Musical
Sketches, A ............................................14Handel: Water Music and Music for the Royal
Fireworks.................................................2Harkleroad, Leon ........................................5Harper-Scott, J. P. E. ..................................13Historical Performance of Music, The .........10Hogwood, Christopher ..........................2, 12
20 Author and Title Index
Horton, Julian ...........................................14Hugo Riemann and the Birth of Modern
Musical Thought ....................................15
KKeefe, Simon P. .......................................2, 8Kennedy, Michael........................................4Keyboard in Baroque Europe, The ..............12
LLandscape and Gender in Italian Opera.....16Landy, Leigh .............................................18Lawson, Colin ...........................................10Leach, Elizabeth Eva .................................11Leech-Wilkinson, Daniel ............................10Life of Bach, The .........................................4Life of Elgar, The .........................................4
MMacDonald, Calum ...................................14Maehler, H................................................11Making Words Sing...................................13Mark, Christopher.....................................14Math Behind the Music, The........................5Mercer-Taylor, Peter.....................................7Metzer, David............................................15Modern Invention of Medieval Music,
The........................................................10Monteverdi's Unruly Women .....................15Moore, Allan .............................................14Moore, Allan F...........................................17Musgrave, Michael....................................13Music: A Mathematical Offering ..................5Music and Image in Classical Athens.........10Musical Performance...................................5
NNegus, Keith ............................................18Nicholls, David ............................................3
OOrgan Music of J. S. Bach, The...................11Organised Sound ......................................18
PParsons, James............................................9Performing Brahms ...................................13Perrey, Beate...............................................6Pitts, Stephanie.........................................15Plainsong and Medieval Music ..................11
Playing with History ....................................5Polish Music since Szymanowski ...............13Pople, Anthony............................................4Popular Music...........................................18Prima Donna and Opera, 1815–1930, The 16
QQuotation and Cultural Meaning in
Twentieth-Century Music .......................15
RRehding, Alexander...................................15Richards, Annette......................................12Rink, John...................................................5Rushton, Julian ...........................................8Rutherford, Susan .....................................16
SSallis, Friedemann .....................................14Samson, Jim ...............................................3Senici, Emanuele.............................7, 16, 17Sherman, Bernard D..................................13Smart, Mary Ann.......................................17Stowell, Robin ..........................................10Street, John ..............................................18Sutcliffe, W. Dean......................................14
TTempo ......................................................14Thomas, Adrian .........................................13Thomas, Downing A. .................................17Three Modes of Perception in Mozart ........16twentieth-century music............................14
Vvan Rij, Inge .............................................12Virtuoso Liszt, The.....................................12
WWagner and the Romantic Hero ................17Walters Robertson, Anne...........................11Warrack, John...........................................17Whittall, Arnold ..........................................5Will, Richard .............................................15Williams, Peter ......................................4, 11Williams, Simon ........................................17Williamson, John.........................................8
Front cover:Rosa Ponselle in ‘LaGioconda’. Reproducedby kind permission of theMetropolitan OperaArchives, New York
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Guide to a Genius…
➤ See page 2
