19th and 20th Century Pictures | 12th November 2015 | 11am

33 Broughton Place, Edinburgh EH1 3RRTel. +44 (0)131 557 8844Fax. +44 (0)131 557 8668Email. [email protected]

182 Bath Street, Glasgow G2 4HGTel. +44 (0)141 333 1992Fax. +44 (0)141 332 8240

78 Pall Mall, London SW1Y 5ESTel. +44 (0)20 7930 9115Fax. +44 (0)141 7930 7274

LYON

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NEERS ED

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RATIVE ARTS and 19TH &

20TH CEN

TURY PICTU

RES 11TH &

12TH N

OVEM

BER, 2015

Decorative Arts: Design since 1860including 19th & 20th Century Pictures

Wednesday, 11th November, 2015andThursday, 12th November, 201533 Broughton PlaceEdinburgh

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Decorative Arts:Design since 1860

Wednesday, 11th November, 2015at 11amSale Number LT446

19th & 20th CenturyPicturesThursday, 12th November, 2015at 11amSale Number LT446A

Viewing TimesSunday, 8th November 12 noon - 4pmMonday, 9th November 10am - 5pmTuesday, 10th November 10am - 5pmWednesday, 11th November 10am - 5pmThursday 12th November strictly by appointment only

EnquiriesLyon & Turnbull Ltd.33 Broughton PlaceEdinburgh EH1 3RRTel. 0131 557 8844Fax. 0131 557 8668Email. [email protected]

Catalogue: £15

Dec Arts-pages 1.qxp_Layout 1 16/10/2015 14:18 Page 1

Buyer’s Premium & Other ChargesThe buyer shall pay the hammer pricetogether with a premium, at thefollowing rate, thereon.

25% up to £50,000 / 20% thereafter.

VAT will be charged on the premium atthe rate imposed by law (see ourConditions of Sale).

Additional VAT † VAT at the standard rate payable at thestandard rate on the hammer price

* 5% import VAT payable on thehammer price

No VAT is payable on the hammer priceor premium for books bought atauction.

Droit de Suite§ indicates works which may be subjectto the Droit de Suite or Artist’s ResaleRight, a royalty payment for all qualifyingworks of art. Under new legislationwhich came into effect on 1st January2012, this applies to living artists andartists who have died in the last 70years. This royalty will be charged to thebuyer on the hammer price and inaddition to the buyer’s premium. It willnot apply to works where the hammerprice is less than €1,000 (euros). Thecharge for works of art sold at andabove €1,000 (euros) and below €50,000(euros) is 4%. For items selling above€50,000 (euros), charges are calculatedon a sliding scale.

More information on Droit de Suite isavailable at www.dacs.org.uk

RegistrationAll potential buyers must register priorto placing a bid. Registrationinformation may be submitted in personat our registration desk, by email, by faxor on our website. Please note that allfirst time bidders at Lyon & Turnbull willbe asked to supply the followingdocuments in order to facilitateregistration:

1 – Government issued photo ID(Passport/ Driving licence)

2 – Proof of address (utility bill/ bankstatement).

We may, at our option, also ask you toprovide a bank reference and/ ordeposit.

By registering for the sale, the buyeracknowledges that he or she has read,understood and accepted ourConditions of Sale (available at the back of every catalogue and on ourwebsite).

Bidding & PaymentFor information on bidding options seeour Guide to Bidding & Payment at theback of the catalogue.

Removal of PurchasesResponsibility for packing, shipping andinsurance shall be exclusively that of thepurchaser. Further information onCollection & Shipment, includingprofessional packers and shippersknown to us, can be found at the back ofthe catalogue or on our website.

Buyer’s GuideThis sale is subject to our standard Conditions of Sale (available at the back of every catalogue and on our website).If you have not bought at auction before we will be delighted to advise you.

Catalogue descriptionsAll item descriptions, dimensions andestimates are provided for guidance only.It is the buyer’s responsibility to inspect alllots prior to bidding to ensure that thecondition is to their satisfaction. Ifpotential buyers are unable to inspect lotsin person (public viewing times listed inevery catalogue), our specialists will behappy to prepare detailed conditionreports and additional images. These arefor guidance only and all lots are sold ‘asfound’, as per our Conditions of Sale.

Import/ExportProspective buyers are advised thatseveral countries prohibit the importationof property containing materials fromendangered species, including but notlimited to; rhino horn, ivory, coral andtortoiseshell. Accordingly, prospectivebuyers should familiarise themselves withall relevant customs regulations prior tobidding if they intend to import lots toanother country. It is the buyer’s soleresponsibility to obtain any relevantexport or import licence. The denial of anylicence or any delay in obtaining licencesshall neither justify the recession of anysale nor any delay in making full paymentfor the lot.

Endangered Species Please be awarethat lots marked with the symbol Ycontain material which may be subject toCITES regulations when exporting outsidethe EU. For more information visithttp://www.defra.gov.uk/ahvla-en/imports-exports/cites


Lyon & Turnbull Saleroom

ParkingMulti-storey car parking is available at Greenside Place and in the St. James Centre;five minutes walk from the saleroom

York Place Tram Stop

Waverley Station

Meet the SpecialistsAt Lyon & Turnbull we want to make buying at auction as easy and enjoyable as possible. Ourspecialist team are on hand to assist you; whether you are looking for something in particular foryour home or collection; require more detailed information about the history or currentcondition of a lot or just want to find out more about the auction process.

John MackieDecorative Arts & Design [email protected]

Theodora BurrellDecorative Arts & [email protected]

Carly Shearer19th & 20th Century [email protected]

Charlotte Riordan19th & 20th Century [email protected]

How to Find Us in Edinburgh

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Order of Sale Wednesday, 11th November, 2015at 11am

Lot 126

1-40 Glass

41-144 Ceramics

145-238A A Private Collection: Property of aGentleman

239-266 Furniture: Part I

267- 351 Jewellery, Silver & Metalwares

352-387 Furniture: Part II

388-400 Lighting

401-420 Sculpture

421-429 Textiles & Carpets

430-466 Pictures & Works on Paper

467-517 Furniture: Part III

Furniture from The Paramount Barlots 494-507

Index to Artists on page 185

Front CoverLot 245 (detail)

Inside Front CoverLot 461 (detail)

Inside Back CoverLot 461 (detail)

Thursday, 12th November, 2015at 11am

551-760 19th & 20th Century Paintings

Index to Artists on page 185


1 HD165/1CHRISTOPHER DRESSER (1834-1904)FOR JAMES COUPER & SONS,GLASGOW‘CLUTHA’ GLASS VASE, CIRCA 1880of bulbous form with tall neck, the amberglass with trailing milky and aventurineinclusions19.3cm high£500-700

4 HD602/13ARTS & CRAFTS LEADED AND PAINTEDGLASS PANELCIRCA 1890depicting an angel, within a gilt frame34cm x 19cm£150-250

Glass

2 HD177/7CHRISTOPHER DRESSER (1834-1904)FOR JAMES COUPER & SONS,GLASGOW‘CLUTHA’ GLASS VASE, CIRCA 1880of tapering twisted form with broad rim, thegreen glass body with milky inclusions42cm highLiterature:Halén, Widar ‘Christopher Dresser: a pioneer ofmodern design’ London 1990, pp. 174 and 175, figs.194 and 195 where similar vases are illustrated.

£1,000-1,500

3 HD177/6MANNER OF HANNAH WALTONPAINTED GLASS AND LEADED PANEL,CIRCA 1900of square form, with coloured glasspanels enclosing a painted roundeldepicting a female figure with flowers62cm squaredLiterature:Burkhauser, Jude (edit.) ‘Glasgow Girls’,Edinburgh 1993, p.47, fig. 44 where a similarfemale figure by Walton is illustrated.

£400-600


12 HD6/1DAUM, NANCYCAMEO GLASS PERFUME BOTTLEATOMISER, CIRCA 1900of tall tapering form, acid etchedand coloured with a design oforchids, with metal mount(atomiser element lacking), cameomark DAUM/ NANCY, with Crossof Lorraine20cm high£200-300

9 HD165/2CAMEO GLASS AND SILVERMOUNTED PERFUMEBOTTLECIRCA 1883of cylindrical form, the yellowglass body overlaid with whiteglass and acid etched and carvedwith flowering plants, maker’smark SM, hallmarked London18836.5cm long£200-300

10 HD91/70BLOETZ, AUSTRIA‘RICHARD’ CAMEO GLASS VASE,1920sof ovoid form, the yellow glassbody overlaid in red and black andacid etched with a landscape withhouse, lake and trees, bearscameo signature RICHARD25,5cm highNote:‘Richard’ was the mark used on acidetched cameo glass made by Loetz after1918.

£100-200

11 HC695/10MANNER OF LOETZPAIR OF FROSTED AMBERGLASS VASES, CIRCA 1910each of baluster form, withapplied jewelled strapwork (2)17.5cm high£150-250

6 Lyon & Turnbull

6 HC700/2ÉMILE GALLÉ (1846-1904)CAMEO GLASS VASE, CIRCA 1900the yellow glass body overlaid with ruby glassand acid etched with a design of cyclamen,cameo mark GALLÉ9.8cm high£800-1,200

5 HC700/1ÉMILE GALLÉ (1846-1904)CAMEO GLASS VASE AND COVER, CIRCA 1900the egg-shaped body overlaid with amethystglass and acid etched with a design ofclematis, cameo mark GALLÉ12cm high£1,200-1,800

7 HC700/3ÉMILE GALLÉ (1846-1904)CAMEO GLASS VASE, CIRCA 1900the ovoid yellow glass body with cylindricalneck and everted rim, overlaid with amethystglass and acid etched with a design offlowering branches, cameo mark GALLÉ8.5m high£800-1,200

8 HC700/4ÉMILE GALLÉ (1846-1904)CAMEO GLASS COUPE VASE, CIRCA 1900the ovoid yellow glass body with applied foot,overlaid with amethyst glass and acid etchedwith a design of aquilegia, cameo mark GALLÉ7m high, 9cm diameter£800-1,200


Decorative Arts: Design since 1860 7

14 HC700/5DAUM, NANCYCAMEO AND PAINTED GLASS POSY VASE,CIRCA 1900the swollen cylindrical amethyst and paleyellow glass body, acid etched and painted incoloured enamels with a design of fruiting ivy,cameo mark DAUM/ NANCY, with Cross ofLorraine12cm high£1,000-1,500

15 HC700/6DAUM, NANCYCAMEO GLASS AND PAINTED GLASS POSY VASE,CIRCA 1900the ovoid yellow glass body with inverted lobedrim, acid etched and painted in pink and sepiaenamels with a design of trees in a riverlandscape, painted mark under base DAUM/NANCY, with Cross of Lorraine mark7cm high, 9cm diameter£1,200-1,800

13 HC700/7G. ARGY-ROUSSEAU (1885-1953)PATE DE VERRE PAPERWEIGHT, CIRCA 1900with blue and green colouring, moulded with moths,moulded signature G-ARGY-ROUSSEAU (REDUCED)5cm high, 4.5cm across£600-800

19 HC700/10RENÉ LALIQUE (1860-1945)‘PERCHE’ CLEAR AND FROSTED GLASS CARMASCOT, DESIGNED 1929enhanced with original blue staining, stenciletched mark R. LALIQUE/ FRANCE15.5cm across, 10cm high£600-800

17 HD45/1RENÉ LALIQUE (1860-1945)‘GREGOIRE’ CLEAR GLASS PERFUME BOTTLEAND STOPPER, DESIGNED 1927of lobed ovoid form with beaded decoration,moulded mark R. LALIQUE9.5cm high£150-250

16 HC866/15RENÉ LALIQUE (1860-1945)‘PAON’ CLEAR AND FROSTED GLASS POWDER BOX & COVER,DESIGNED 1910the cover moulded with the design of a peacock on a branch, the sidesmoulded with leafy branches, script etched mark R. LALIQUE/ FRANCE/NO. 112cm diameter, 5cm high£1,200-1,800

18 HC866/14RENÉ LALIQUE (1860-1945)‘OLERON’ FROSTED AND OPALESCENT GLASSVASE, DESIGNED 1927of ovoid form moulded with fish, indistinctscript etched mark R. LALIQUE/ FRANCE/ NO.10089cm high£600-800


21 HC700/8RENÉ LALIQUE (1860-1945)‘ACACIA’ GREEN AND FROSTED GLASS VASE,DESIGNED 1921the elongated ovoid body moulded with bandsof leaves, etched script mark R. LALIQUE21cm high£2,000-2,500

24 HD120/1CRISTAL LALIQUEPAIR OF CLEAR AND FROSTED GLASSPARTRIDGE FIGURES, POST 1945each with script etched mark LALIQUE/FRANCE (2)17.5cm and 13cm high£200-300

25 HC865/2CRISTAL LALIQUE‘PERCHE’ CLEAR AND FROSTED GLASS CARMASCOT, DESIGNED 1929etched mark LALIQUE/ FRANCE15.5cm across, 10cm high£150-250

26 HB546/3CRISTAL LALIQUE‘ARIANE’ FROSTED GLASS FIGURE,LATE 20TH CENTURYthe figure moulded as entwined doves, etchedmarks LALIQUE/ FRANCE, 22cm high; and aCRISTAL LALIQUE VASE, clear and frostedglass, etched marks LALIQUE/ FRANCE, 13cmhigh (2)£200-300

27 HB546/2CRISTAL LALIQUEAMBER GLASS RHINO FIGURE,LATE 20TH CENTURYwithin fitted box, engraved mark LALIQUE/FRANCE13cm high, 29cm long£150-250

28 HC866/13BREVES LALIQUE GALLERIES, LONDON“THE ART OF RENÉ LALIQUE”, ILLUSTRATEDCATALOGUE, CIRCA 1928and enclosing an additional supplement ofLalique Lights and mascots and loose leavesof the stock held£150-250

29 HC866/10SABINO, FRANCELARGE FROSTED AND CLEAR BLUE GLASSVASE, 1930sof elongated ovoid form, moulded with ribbedprunts, etched mark SABINO/ FRANCE, shallowchips to top rim30cm high£150-200

8 Lyon & Turnbull

23 HC866/11RENÉ LALIQUE (1860-1945)SET OF ELEVEN ‘COQUILLES’ OPALESCENTGLASS PLATES, DESIGNED 1931each with wheel etched marks, R.LALIQUE/ FRANCE, and with script etchedmark No. 3012 (11)16.5cm diameter£1,000-1,500

20 HD50/1RENÉ LALIQUE (1860-1945)‘SAINT-VINCENT’ CLEAR AND FROSTED GLASSPLAFONNIER, DESIGNED 1926of semi-hemispherical form, moulded with bands offruiting vines, moulded mark R. LALIQUE, wheeletched mark FRANCE34.5cm diameter, 16cm high£1,500-2,000

22 HC700/9RENÉ LALIQUE (1860-1945)‘MOSAIC’ PATTERN TOPAZ GLASS VASE,DESIGNED 1927of tapering cylindrical form, moulded with anallover leaf design, moulded mark R. LALIQUE13cm high£1,200-1,400



30 HC82/1SABINO, FRANCEPAIR OF CLEAR AND FROSTED GLASSPLAFONNIERS, CIRCA 1925each of shallow cylindrical form,moulded in relief with stylisedflowering foliage, one with originalhanging ropes, moulded marksSABINO/ 4651/ PARIS/ DEPOSE (2)48cm diameter£500-700

32 HD91/16AART NOUVEAU PEWTER MOUNTED TWIN-HANDLEDGLASS VASECIRCA 1900of compressed baluster form, with iridescent green glass bodyand cast foliate mounts, 19cm high; an ART NOUVEAU METALMOUNTED GLASS VASE, of tall bottle form, the green glassbody with elaborate whiplash foliate mounts, 29cm high; anART NOUVEAU IRIDESCENT GLASS VASE, with frilled rim andtrailed decoration, 24cm high; and an ART NOUVEAUIRIDESCENT GLASS VASE, with applied spiral handle, painted ingilt and white enamel with a flower and ribbon motif, 21cmhigh (4)£300-500

33 HD91/83ASTOURBRIDGE ARTNOUVEAU GLASS VASECIRCA 1900of globular form with broad rim,and green and blue ‘peacock’trailed inclusions, 21.5cmdiameter; and a PAIR OFCONTINENTAL ART NOUVEAUGLASS VASES, each cased vasewith iridescent surface and withapplied trailing green glassdecoration, 22cm high (3)£120-180

34 HD158/2WEBB CORBETT ART DECOETCHED GLASS VASECIRCA 1935of ovoid form, moulded with awaved surface and etched withswimming fish, stencil etchedmark WEBB CORBETT/ MADE INENGLAND17cm high£150-250

35 HD6/6KEITH MURRAY (1892-1981)FOR STEVENS & WILLIAMS‘BRIERLEY’ GLASS DECANTER &STOPPER, CIRCA 1935the tapering clear glass body withblack glass stopper and foot,stencil etched mark38cm high£120-180

36 HD6/4YSART BROTHERS GLASS,PERTHTWO ‘VASART’ GLASSPLAFONNIER SHADES,CIRCA 1950each of domed form with flaringrims, one with a swirling blue andpurple design, the other with aswirling white, amber and yellowdesign, with hanging shades (oneshade with small crack) (2)25.5cm diameter£400-600

37 HD6/11YSART BROTHERS GLASS,PERTH‘VASART’ PINK GLASS TABLELAMP, CIRCA 1950the tall mushroom shade withfooted bulbous base36cm high£200-300

38 HB624/3MANNER OF SCHNEIDERART NOUVEAU IRIDESCENTGLASS VASE, CIRCA 1920of shouldered tapering form, thetextured amber glass with bronzeiridescence within leaf-castanodised copper frame, stampedto base 269044.5cm high£200-300

39 HD91/15AORREFORS, SWEDENHEAVY CUT GLASS BOWL,LATE 20TH CENTURYetches mark to base, ORREFORS/FA/ 1730/ 3, 24cm diameter; aSMOKED GLASS BOTTLE VASE,with clear glass trailed decoration,etched maker’s marks, 21cm high;a BLUE GLASS HAND SCULPTURE,19cm high; and a FULHAMPOTTERY COMMEMORATIVEMUG, designed by John Piper,boxed, 12.5cm high (4)£100-200

40 HD6/7JOHN MONCRIEFF LTD.,PERTHTWO ‘MONART’ UB VI+ GLASSBOWLS, CIRCA 1930each of circular form with broadflared rim, one with pink and paleblue mottled design, the otherwith a yellow and orange design,paper labels (one torn) (2)26.5cm diameter£200-300

31 HD120/2SEVRES, FRANCECLEAR GLASS BUST OF A DEER,20TH CENTURYwith stencil etched mark SEVRES/FRANCE29cm high£150-250


41 HA464/1WEMYSS WARERARE DRUMMOND FLOWER POT, CIRCA 1900of hexagonal section, decorated to each sidewith a spray of daisies, aquilegia, bluebells,dog roses, clover, and forget-me-nots, andeach painted with a ribbon and theinscriptions INNOCENCE., RESOLUTION.,SUBMISSION., SIMPLICITY., THINK OF ME., andTRUE LOVE., impressed marks R.H.&S./WEMYSS WARE, printed retailer’s mark22.5cm diameter, 21cm high£800-1,200

42 HD157/1WEMYSS WARE‘STRAWBERRIES’ GORDON DESSERT PLATE,EARLY 20TH CENTURYdecorated by Edwin Sandland on a blackground, painted and impressed marksWEMYSS20.5cm diameter£300-500

43 HD157/2WEMYSS WARE‘WHITE BROOM’ TEA CUP AND SAUCER,CIRCA 1900decorated by David Grinton, painted andimpressed marks WEMYSS (2)saucer, 12.3cm diameter, cup, 5.2cm high£300-500

Ceramics

45 HD157/5WEMYSS WARESMALL ‘CHERRIES’ MILK JUG,EARLY 20TH CENTURYpainted mark WEMYSS5.2cm high£150-250

44 HD157/3WEMYSS WARESMALL ‘APPLES’ LOVING CUP,EARLY 20TH CENTURYimpressed mark WEMYSS WARE/ R.H.&S.,printed retailer’s mark10cm high£300-500



48 HD186/1JESSIE MARION KING (1875-1949)SHOULDERED VASE, CIRCA 1920decorated with Egyptianesque motifs, signedwith initials JMK and with rabbit and shamrockmark21cm high£400-600

49 HD51/12MAK’ MERRY POTTERY, EASTLOTHIANGROUP OF TEAWARES, CIRCA 1930comprising two teacups, a sugar bowl,an eggcup, a milk jug, a toast rack anda quaich, all decorated with apples on agreen ground; and a teapot and cover,two tea cups, a sugar bowl, and a milkjug, all with painted maker’s marksMAK’ MERRY (12)£200-300

46 HD157/4WEMYSS WARE‘STAG AND HIND’ TEA CUP, CIRCA 1900bears printed retailer’s mark6cm high£350-450

47 HC702/11JESSIE MARION KING (1875-1949)EARTHENWARE JUG,EARLY 20TH CENTURYpainted with sprigs of flowers, paintedmarks JMK, with green gate and rabbitmarks7.2cm high£200-300

46A HC992/8HILDA BURNSCOTTISH POTTERY FOOTED BOWL,DATED 1923decorated to the exterior with runninganimals and to the interior with the inscriptionCOME WHAT MAY, TIME AND THE HOUR RUNTHROUGH THE ROUGHEST DAY., signed anddated with monogram to base21.5cm diameter£150-250


12 Lyon & Turnbull

50 HD91/19AFLORENCE E. BARLOW FOR DOULTON,LAMBETHLARGE STONEWARE VASE, CIRCA 1900incised and glazed with panels of sparrowsperching on teasels, on a textured ground,impressed marks DOULTON/ LAMBETH,incised monogram FEB/ 63436cm high£300-400

51 HD91/85AGEORGE TINWORTH (1843-1913) FORDOULTON, LAMBETHPAIR OF STONEWARE VASES, CIRCA 1890each of tapering form with everted rim,incised and impressed with scrolling foliage ona tube-lined ground, incised monogram to thebody TG, impressed maker’s marks (2)25cm high£150-250

52 HD91/11AMATILDA S. ADAMS FOR DOULTON,LAMBETHPAIR OF FAIENCE BALUSTER VASES,CIRCA 1880each decorated with panels of floweringyellow dahlias, faint impressed marks on onebase DOULTON LAMBETH, with painted initialsMSA/ 863 (2)26cm high£300-500

53 HD12/8ROYAL DOULTONLARGE ‘ARABIAN NIGHTS’ PATTERNJARDINIERE, CIRCA 1910decorated with figures in a landscape andinscribed ARABIAN NIGHTS/ ALI BABA, printedmaker’s marks25cm diameter, 21.5cm high£200-300



54 HC628/1DELLA ROBBIA POTTERY, BIRKENHEADSQUAT BALUSTER VASE, CIRCA 1900decorated by Charles Collis and Hannah Jones,with flowering foliage, incised and paintedmaker’s marks to base, crack to rim28cm high£300-400

55 SV646/13DELLA ROBBIA POTTERY, BIRKENHEADLARGE ART NOUVEAU TWIN-HANDLED VASE,CIRCA 1900decorated by Gertrude Russell and ‘ELL’, ofcylindrical form painted with elongated plantforms in green, yellow and blue on a whiteground, the body with applied mask handles,incised maker’s marks, painted monogrammarks37cm high£1,000-1,500

56 HD91/106ADELLA ROBBIA POTTERY, BIRKENHEADPOTTERY BOTTLE VASE, DATED 1899incised and decorated with a frieze ofpeacocks, incised marks to base DR/ XIIIA/ andmonogram LD37.5cm high£300-500


14 Lyon & Turnbull

57 HD91/36AJOHN PEARSON (fl. 1885-1910)CIRCULAR EARTHENWARE WALL PLATE,CIRCA 1890painted in blue and black on a gilt ground witha fruiting tree flanked by shields and serpents,the reverse painted with an owl on a branchwithin a waved border, bears artist’smonogram29cm diameter£250-350

59 HD91/146BURMANTOFTS POTTERY, LEEDSPAIR OF FAIENCE ALLEGORICAL FIGURES, 1880seach modelled as a standing putto, one encircledwith a garland of flowers, the other with a garlandof drapery, each covered in a blanc de chine glaze,impressed marks BURMANTOFTS/ FAIENCE/ENGLAND (2)43cm and 45cm high£400-600

60 HC865/3BURMANTOFTS POTTERY, LEEDSSQUAT BALUSTER FAIENCE VASE, 1880sof tapered shouldered form, tubelined withswimming fish and painted in colours,impressed marks to base BURMANTOFTS/FAIENCE/ 2123/ ENGLAND/ 11 and withpainted mark COL. NO. 80/ 2, the rim withlater silver mount by Adrian Hope, hallmarked32cm high£300-500

58 HD91/68ALEONARD KING FOR BURMANTOFTSPOTTERY, LEEDSPAIR OF FAIENCE BOTTLE VASES, 1880sin the Persian style, each with bulbous bodies andtall narrow necks, painted with panels of flowers,impressed maker’s marks, one with painted marksL.K/ PRO/ J.M (2)25.3cm high£1,000-1,500



61 HD91/75ABURMANTOFTS POTTERY, LEEDSCOLLECTION OF WARES, LATE 19TH CENTURYcomprising; a TWIN-HANDLED BOTTLE VASE,covered in a green/brown glaze, with frilled rim,impressed marks 194, 25cm high; a TWINHANDLED VASE, covered in a red glaze, chip torim, impressed marks 1819, 25cm high; aSINGLE HANDLED JUG, with streaked greenglaze, impressed marks 1817, painted marksCOL no. 2, 27cm high; TWO BOTTLE VASES,green and brown glazes, impressed marks 1535and 1530, 25 and 27cm high; and a BRETBYBALUSTER VASE, 19.5cm high (6)£300-500

62 HD91/76CBURMANTOFTS POTTERY, LEEDSGLAZED FAIENCE FIGURE OF A SEATED APE, LATE 19TH CENTURYthe figure glazed in turquoise on a naturalistic oval base,impressed marks BURMANTOFTS/ FAIENCE/ 752, 15cm high; aBURMANTOFTS FAIENCE VASE, covered in a turquoise glaze anddecorated with an impressed cracked ice design, impressed marksBURMANTOFTS/ FAIENCE/ 1397, hairline crack, 42.5cm high; aBURMANTOFTS SHOULDERED VASE, covered in streaked rust andturquoise glazes, impressed maker’s marks BURMANTOFTS 110,22cm high; and a MIDDLETONS POTTERY VASE, moulded with owlmasks and covered in a mustard yellow glaze, impressed markNIDDLETON/ LEEDS/ ENGLAND, No. 22, 28cm high (4)£300-500

63 HD91/24LEEDS FIRECLAY COMPANYSTONEWARE JARDINIERE ON STAND,CIRCA 1900the ovoid bowl with entrelac decoration,raised on a swollen fluted column with squareplinth base, the whole covered in a treacleglaze35cm diameter, 84cm high£200-300


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65 HC916/2AESTHETIC MOVEMENTGROUP OF FIVE MINTON’S WALL TILES,CIRCA 1880to include: a Minton’s blue and white tile, in theJapanese taste, decorated with a crane in alandscape, 20.5cm square; a Minton’s blank,decorated with an eagle fighting a snake, 22cmsquare; a Minton’s tile decorated with an alloverdaisy design, 15cm square; a Minton’s tile,decorated with oranges and orange blossom,15cm square; and a Minton’s tile, decorated in themanner of Kate Greenaway, with a child in agarden, 15cm square, moulded maker’s marks (5)£200-300

66 HD6/3MINTON, HOLLINS & CO.AESTHETIC MOVEMENT HEXAGONAL TILE,CIRCA 1880printed and painted with a mother and childpicking apples in a walled garden, mouldedmaker’s marks16.7cm across£150-250

67 HD6/8MINTON’S LTD.‘AS YOU LIKE IT’ FRAMED TILE PANEL,LATE 19TH CENTURYpainted with a jester and maid and bearinginscription “AS YOU LIKE IT”, moulded maker’smarks20cm square£150-250

64 HC916/3CHRISTOPHER DRESSER (1834-1904)FOR MINTON, HOLLINS & CO.TWO WALL TILES, CIRCA 1880one decorated with snowdrops, 15cm square;one decorated with angular flowers, 17.5cmsquare; and a R. MINTON TAYLOR & CO. TILE,with arched panels of stylised plant forms,18cm square, all with moulded maker’s marks(3)£200-300



68 HD91/32FJOHN MOYR SMITH (1839-1912) FOR MINTONS LTD.SIXTEEN DUST PRESSED TILES, 1870scomprising: SIX TENNYSON’S IDYLLS OF THE KING SERIES TILES,comprising Enid, Vivien, Gareth, Excalibur, Geraint and Morte D’Arthur,with maker’s marks; TWO SHAKESPEARE SERIES TILES, comprising Romeoand Juliet, and Troilus and Cressida, with maker’s marks; a BLUE & WHITESHAKESPEARE TILE, Much Ado About Nothing, with maker’s marks; TWOOLD TESTAMENT SERIES TILES, comprising Joseph Before King Pharaohand Eli and Samuel; and FIVE ROMANS SERIES TILES, comprising StAugustine, Edward the Martyr, Lilla Saving Edwin, Boadicea and Harold’sOath to William (cracked), with maker’s marks (16)each approx. 15cm squared£300-500

69 HD91/112BAESTHETIC MOVEMENTGROUP OF PRINTED, DUST-PRESSED AND PAINTEDTILES, LATE 19TH CENTURYcomprising eighteen examples, including an exampledesigned by W.S. Coleman for Minton’s, a W. T. Copeland& Sons ‘Medieval Occupations’ tile (cracked), and aWedgwood & Sons Blue Months ‘December’ tile; togetherwith a GROUP OF GOTHIC ENCAUSTIC TILES, comprisingsix examples, including Godwins tiles (two chipped), aMinton’s example and two by Mintons, Hollins & Co.; anda MINTONS BLANK TILE (25)largest 20.5cm squared£200-300

70 HB217/18WILLIAM DE MORGAN (1839-1917)SET OF FOUR ‘ROSE AND TRELLIS’ PATTERNTILES, CIRCA 1872each painted on red clay biscuit tiles fromPatent Architectural Pottery Co., Poole, Dorset(4)15cm square£400-600

71 HB217/19WILLIAM DE MORGAN (1839-1917)SET OF FOUR ‘ROSE AND TRELLIS’ PATTERNTILES, CIRCA 1872each painted on red clay biscuit tiles fromPatent Architectural Pottery Co., Poole, Dorset(4)15cm square£400-600


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72 HC45/1WILLIAM DE MORGAN (1839-1917)GROUP OF TWENTY ‘BEDFORD PARK’ TILES,CHELSEA PERIOD, 1870seach painted with alternating panels of daisyand foliage sprays in shades of green, blueand yellow, all attached to two fireplace panels(24)each 15cm squareLiterature:Catleugh, Jon ‘William De Morgan Tiles’, Trefoil Books,page 62 colour plate VI for a comparable example.

£1,000-1,500

73 HD91/101CGROUP OF ART NOUVEAU TUBE-LINED, PAINTED AND PRINTEDTILESCIRCA 1900comprising eleven examples, including aset of four, and a set of two; together witha GROUP OF VICTORIAN PRINTED ANDPAINTED TILES, LATE 19TH CENTURY,comprising sixteen examples, including aset of six, a Minton’s blue and whitetransfer scene of Kenilworth Castle, aprinted tile depicting swans, and a blueand white Chinoiserie tile marked Minton,Hollins & Co; and TWO MODERN PAINTEDTILES (29)each approx. 15cm squared; one moderntile 9 x 10cm£200-300

74 HD91/32AWILLIAM DE MORGAN (1839-1917)CHELSEA PERIOD WALL TILE, 1870spainted with two carnations, impressed mark W. DEMORGAN, 15.5cm square; a WILLIAM DE MORGAN EARLYFULHAM WALL TILE, moulded with flowers and birds, rubylustre glazes, impressed maker’s mark, 15cm square; anda WILLIAM DE MORGAN SAND’S END WALL TILE, mouldedwith two lions and glazed in green, impressed Sands Endmark, 15.2cm square (3)£200-300



79 HC916/4CHRISTOPHER DRESSER (1834-1904) FORMINTON’S LTD.THREE ‘JAPANESE CRANE’ PATTERN KIDNEY SHAPEDDISHES, CIRCA 1880blue printed on white, each with printed maker’s marks,23.5cm across; and another MINTONS PLATE, possiblyalso designed by Christopher Dresser, 19.5cm diameter(4)£150-250

75 HB580/2MINTON’S LTD.LARGE ‘SECESSIONIST’ JARDINIERE,CIRCA 1900decorated with stylised lilies, impressedfactory marks32cm high£200-300

76 HB580/4MINTON’S LTD.LARGE ‘SECESSIONIST’ STICK STAND,CIRCA 1900of cylindrical form, decorated with poppies,printed and impressed maker’s marks57cm high£300-500

78 HD91/25CRUSKIN POTTERYLUSTRE BALUSTER VASE, CIRCA 1920with brilliant orange glaze, impressed mark RUSKIN/ENGLAND, 27cm high; a C.H. BRANNUM VASE, dated1888, painted with a floral design, 25cm high; a MINTONSECESSIONIST BOWL, printed marks MINTONS LTD/ NO.32, 22cm diameter; a DOULTON SIMULATED LEATHERVASE, with silver mounts, hallmarked London 1889,impressed and incised marks,17cm high; and aDOULTON STONEWARE VASE, dated 1881, impressed andincised marks, 19.5cm high (5)£300-500

77 HC643/1MANNER OF ALFRED AND LOUISE POWELLLARGE EARTHENWARE WALL CHARGER, CIRCA 1920painted in colours and pink lustre with a pattern ofradiating flowers within a border of leaves, unmarked42cm diameter£400-600


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80 HD91/65ALIBERTY & CO., LONDONTWIN-HANDLED POTTERY VASE, CIRCA 1910painted with an allover floral design, paintedmarks under base LIBERTY/ LONDON, 27cmhigh; a LIBERTY & CO POTTERY JUG, decoratedwith a swimming fish, impressed marksLIBERTY/ LONDON/ BRITISH MADE, 21cm high;a LARGE BARUM POTTERY JUG, covered in ayellow glaze, impressed marks, 20.5cm high;and a PAIR OF BARON POTTERY GREENGLAZED VASES, each with incised marksBARONS/ BARNSTAPLE, 16cm high (5)£300-500

81 HD91/104CC.H. BRANNAM AND SONS, DEVONSHOULDERED POTTERY VASE, DATED 1891sgraffito decorated with fish, incised marksC.H. BRANNAM/ BARUM/ 1891/ WB41, 24.5cmhigh; a ROYAL DEVON ART POTTERY VASE,sgraffito decorated with an abstract foliatedesign, incised mark ALEX LAUDER/ BARUM/4/12/1891, 24cm high; a C.H. BRANNUM OWLJUG, glazed in blue, impressed maker’s marks,20cm high; a C.H. BRANNUM TULIP VASE, withincised floral decoration, incised marks C.H.BRANNUM/ BARUM/ 1909/ RD. NO. 44561 withmonogram, 16cm high; and TWO C.H.BRANNUM GRIFFIN CANDLESTICKS, incisedmaker’s marks, 16cm high (6)£300-500

82 HD91/104AA. WILEMAN & COFOLEY ‘FAIENCE’ GLOBULAR VASE, CIRCA 1900of compressed double gourd form, covered instreaked and textured orange, yellow, greenand brown glazes, printed maker’s marks,16cm high; a DOULTON BURSLEM JARDINIERE,on four tapered supports linked by a domedplatform, painted and printed with irises,impressed and printed maker’s marks, 29cmhigh; and a WEDGWOOD MARSDEN ART WAREVASE, painted with allover flowering foliage,indistinctly marked, 20.5cm high (3)£120-140



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85 HD91/37EWILLIAM MOORCROFT (1872-1945)FOR JAMES MACINTYRE CO. LTD.‘FLORIAN WARE’ PATTERN BOTTLE VASE,CIRCA 1910decorated with panels depicting iris on ablue ground, with stamped maker’s marks,painted mark, and inscribed W.M./ DES.20.5cm high£200-300

86 HD91/37DWILLIAM MOORCROFT (1872-1945)FOR JAMES MACINTYRE CO. LTD.‘FLORIAN WARE’ BALUSTER VASE,CIRCA 1900decorated with yellow tulips and lilies on ablue ground, with stamped maker’s marks,signed in green W. MOORCROFT/ DES.21.5cm high£250-350

87 HD91/69AMOORCROFT POTTERY‘POMEGRANATE’ PATTERN SQUAT SHAPEDVASE, DATED 1918with impressed maker’s marks MOORCROFTBURSLEM, signed in green W. MOORCROFT11cm high£150-250

88 HD91/8BMOORCROFT POTTERYPAIR OF ‘POMEGRANATE’ PATTERN BALUSTERVASES, 1930swith impressed maker’s marks MOORCROFTBURSLEM, signed in green W. MOORCROFT (2)17.5cm high£150-250

89 HC844/2MOORCROFT POTTERY‘POMEGRANATE’ PATTERN VASE, 1930simpressed maker’s marks, signed in blue W.MOORCROFT20.5cm high£150-250

84 HD91/35BWILLIAM MOORCROFT (1872-1945)FOR JAMES MACINTYRE CO. LTD.BALUSTER VASE, CIRCA 1910decorated with roses and daffodils on an ivoryground with gilt highlights, stamped maker’smarks, painted no. M2862W, impressed 45and signed in green W. MOORCROFT19.5cm high£200-300

83 HA390/1WILLIAM MOORCROFTMACINTYRE ‘FLORIAN WARE’ TWIN HANDLEDFOOTED BOWL, CIRCA 1900decorated with flowers and with giltembellishment, printed marks, signed W.MOORCROFT23.5cm across£250-350



92 HD91/75EMOORCROFT POTTERY‘POMEGRANATE’ PATTERN FLATTENED OVOIDVASE, 1930swith impressed maker’s marks, signed ingreen W. MOORCROFT15cm high£250-350

90 HD91/161MOORCROFT POTTERYLARGE ‘POMEGRANATE’ PATTERN SHOULDEREDVASE, 1930swith impressed maker’s marks MOORCROFTBURSLEM, signed in green W. MOORCROFT26cm high£300-400

91 HD91/160MOORCROFT POTTERYLARGE ‘POMEGRANATE’ PATTERN SQUATSHOULDERED VASE, 1940swith impressed facsimile signature and markPOTTER TO H.M. THE QUEEN, signed in blueW. MOORCROFT27cm high£500-700

93 HC249/2MOORCROFT POTTERY‘CLEMATIS’ PATTERN FOOTED VASE, 1930simpressed facsimile signature, initialled inblue15cm high£100-150

94 HD91/37AMOORCROFT POTTERY‘CLAREMONT’ PATTERN TWIN HANDLEDVASE, 1930swith impressed maker’s marks MOORCROFTBURSLEM, signed in green W. MOORCROFT18cm high£250-350

95 HD91/23DMOORCROFT POTTERY‘POMEGRANATE’ PATTERN BALUSTER VASE,1930simpressed maker’s marks MOORCROFTBURSLEM, signed in green W. MOORCROFT21cm high£200-300

96 HD91/23AMOORCROFT POTTERY‘POMEGRANATE’ PATTERN BALUSTER VASE,1930simpressed maker’s marks, signed in green W.MOORCROFT, 17.5cm high; together withMOORCROFT POTTERY FOR LIBERTY & CO.,PAIR OF ‘POMEGRANATE’ FLARED VASES, eachwith a pewter mount impressed maker’smarks TUDRIC/ MOORCROFT/ 01310, 16.5cmhigh, one with rim crack (3)£200-300

97 HD91/18DMOORCROFT POTTERY‘POMEGRANATE’ PATTERN VASE, 1930swith impressed maker’s marks MOORCROFTBURSLEM, signed in green W. MOORCROFT18cm high£150-250

98 HD91/23CMOORCROFT POTTERY‘POMEGRANATE’ PATTERN BOWL, 1930swith impressed maker’s marks, signed in blueW. MOORCROFT, 24cm diameter; togetherwith a MOORCROFT POTTERY, ‘PANSY’PATTERN TWIN HANDLED FOOTED BOWL,1930S, with impressed maker’s marksMOORCROFT BURSLEM, signed in green W.MOORCROFT, with rim crack, 28.5cm across,15.5cm high (2)£250-350


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103 HD91/8AMOORCROFT POTTERY‘HIBISCUS’ PATTERN LARGEBALUSTER VASE, 1940swith impressed facsimile signatureand mark POTTER TO H.M. THEQUEEN, initialled in blue W.M.32.5cm high£250-350

104 HD91/23BMOORCROFT POTTERYPAIR OF ‘POMEGRANATE’PATTERN BALUSTER VASES,CIRCA 1950impressed maker’s marks,initialled in green W.M., 16cmhigh; together with a PAIR OF‘POMEGRANATE’ PATTERN OVOIDVASES, CIRCA 1950, impressedmaker’s marks, initialled in greenW.M., 12cm high (4)£300-400

101 HD91/7AMOORCROFT POTTERYLARGE ‘POMEGRANATE’ PATTERNSHOULDERED VASE, 1930swith impressed maker’s marks, signed ingreen W. MOORCROFT32.5cm high£250-350

99 HD12/9MOORCROFT POTTERYPAIR OF ‘POPPIES’ BOTTLE VASES, 1920seach decorated with a band of poppies on amottled green ground, impressed makersmarks, signed in blue W. MOORCROFT (2)21.2cm high£1,500-2,000

100 HD91/148MOORCROFT POTTERYLARGE SELF-COLOURED VASE, 1940swith facsimile signature and mark POTTER TOH.M. THE QUEEN, signed in green W.MOORCROFT29cm high£200-300

102 HD91/7BMOORCROFT POTTERY‘POMEGRANATE’ PATTERN SHOULDEREDVASE, CIRCA 1950with impressed maker’s marks, initialled inblue W.M., 18.5cm high; together with aMOORCROFT POTTERY, ‘POMEGRANATE’TAPERED VASE, CIRCA 1950, with impressedmaker’s marks, initialled in green W.M.,19cm high (2)£200-300



107 HD91/37FMOORCROFT POTTERYFOUR VASES, 1930s-1950scomprising: an ‘ORCHIDS’ PATTERN SQUATSHAPED VASE, impressed maker’s marks,10cm high; an ‘ORCHIDS’ PATTERN SMALLBALUSTER VASE, facsimile signature, 10cmhigh; a ‘HIBISCUS’ PATTERN BOTTLE VASE,impressed maker’s marks, signed in green anda paper label, 27cm high; and an ‘ANEMONE’PATTERN BALUSTER VASE, impressed maker’smarks and initialled in blue, 14.5cm high (4)£200-300

108 HD118/1MOORCROFT POTTERYTHREE ‘ANEMONE’ PATTERN WARES, 1950scomprising: a SMALL GINGER JAR AND COVER,impressed maker’s marks, paper label andinitialled in green, 15cm high; a SMALL OVOIDVASE, with paper label, 10cm high; and aSMALL OVOID VASE, with impressed maker’smarks and a paper label, 10cm high (3)£200-300

109 HD118/2MOORCROFT POTTERYTWO ‘ORCHID’ PATTERN VASES, 1950s AND60seach on a yellow ground, comprising: a LARGEFLUTED VASE, with impressed maker’s marksand initialled W.M. in green, 22.5cm high; anda TAPERED VASE, with impressed marks and apaper label, 17.5cm high (2)£150-250

110 HD118/3MOORCROFT POTTERYGROUP OF ‘HIBISCUS’ PATTERN WARES, 1950sAND 60scomprising: a TAPERED VASE, impressedmaker’s marks, a paper label and initialled ingreen W.M., 17.5cm high; a COVERED JAR,impressed maker’s marks and a paper label,15cm diameter; a TRAY, impressed maker’smarks, 20cm wide; and a SMALL JARDINIERE,impressed maker’s marks and initialled in blueW.M., 13cm high (4)£200-300

105 SV211/4MOORCROFT POTTERYLARGE ‘LEAF AND BERRY’ PATTERN CIRCULARBOWL, 1940simpressed facsimile signature mark, initialledWM32.5cm diameter£200-300

106 HD91/91AMOORCROFT POTTERYFOUR VASES, CIRCA 2010comprising: an OVOID VASE, decorated with daffodils, withimpressed maker’s marks, painted marks, signed N. SLANEY, 21cmhigh; TAPERED VASE, decorated with snowdrops and wheat sheaths,impressed maker’s marks, painted marks, signed VICKY LOVATT,18.5cm high; a SMALL OVOID VASE, decorated with pears,impressed maker’s marks, painted marks, signed SIAN LEEPER,13.5cm high; and a SMALL TAPERED VASE, decorated with pears,impressed maker’s marks, painted marks, signed E. BOSSONS,13.5cm (4)£250-350


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111 HD12/10DAISY MAKEIG-JONES (1881–1945) FORWEDGWOOD‘FAIRYLAND LUSTRE’ IMPERIAL BOWL,CIRCA 1925‘Jumping Faun’ and ‘Woodland Elves III’patterns, decorated inside and out with fairieson a multi-coloured ground, printed maker’smark25.5cm diameter, 11cm high£2,000-3,000

112 HD12/5DAISY MAKEIG-JONES (1881–1945) FORWEDGWOOD‘FAIRYLAND LUSTRE’ OCTAGONAL BOWL, CIRCA 1925‘Castle on a Road’ and ‘Bird in a Hoop’ patterns, decoratedinside and out with fairies on a multi-coloured ground,printed maker’s mark, Z512525.5cm diameter, 11cm high£800-1,200

113 HD12/6DAISY MAKEIG-JONES (1881–1945) FORWEDGWOODTWO BLACK ‘FAIRYLAND LUSTRE’ BOWLS,CIRCA 1925a York cup, 10cm diameter; and a Marstonbowl, 9.8cm diameter, each decorated with‘Leapfrogging Elves’ pattern, decorated insideand out with fairies on a multi-colouredground, printed maker’s marks Z4968D(hairline to Marston bowl) (2)£350-450



115 HC865/4ERIC RAVILIOUS (1903-1942) FORWEDGWOODLIMITED EDITION ‘BOAT RACE’ BOWL,CIRCA 1975based on the original design of 1938, number14 from an edition of 200, printed marks andaccompanied by the original certificate ofauthenticity, within original box (2)31cm diameter, 14cm high£800-1,200

116 HD91/57CALFRED POWELL (1865-1960) FORWEDGWOOD‘RHODIAN’ PATTERN FOOTED VASE,CIRCA 1925painted with scrolling flowers and foliage inshades of blue, green purple and silver lustre,impressed factory mark WEDGWOOD andpainted mark M551623cm high£150-250

114 HD91/58AARNOLD MACHIN (1911-1999) FORWEDGWOODPOTTERY FIGURE OF ‘FERDINAND THE BULL’,1950spainted with floral decoration, marked underleft forefoot WEDGWOOD, BARLASTON,ENGLAND/ CKH 6408. M31.5cm long£200-300

117 HC865/1ERIC RAVILIOUS (1903-1942) FORWEDGWOODELIZABETH II 1953 CORONATION MUGthe black transfer decoration with yellow andpink colourway, printed maker’s marks10cm high£200-300

118 HC992/7JOHN SKEAPING (1901-1980) FORWEDGWOOD‘DUICKER’ EARTHENWARE FIGURE,CIRCA 1930raised on an ebonised plinth, indistinctmaker’s marks24cm high£150-250


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119 HD119/1SUSIE COOPER (1902-1995) FOR A. E.GRAY & CO. LTD‘CUBIST’ COFFEE SERVICE, CIRCA 1930painted with brightly coloured abstractdesign, comprising coffee pot and cover,milk-jug and sugar basin, six coffee cans andsaucers, printed and painted maker’s marks;also SIX ENAMELLED COFFEE SPOONS, in amatching design (21)coffee pot, 21cm high£1,200-1,800

121 HD6/2CHARLES NOKE (1858-1941) FORROYAL DOULTON‘A JESTER’ CERAMIC FIGURE, CIRCA 1920painted marks to base “A JESTER”/ C.J. NOKESC./ POTTED BY DOULTON & CO., H.N.71,printed maker’s mark (damages)23.5cm high£300-500

122 HD6/10CARLTON WARE‘MANDARINS CHATTING’ JUG, CIRCA 1932of bulbous form, printed and painted in giltand coloured enamels, printed and paintedmaker’s marks 365317.5cm high£250-350

123 HD6/9CARLTON WARE‘PERSIAN GARDEN’ PATTERN VASE,CIRCA 1930of bulbous form, printed and painted in giltand coloured enamels, printed and paintedmaker’s marks 3893, 24cm high; and aCARLTON WARE ‘LEAF’ PATTERN VASE, ofbulbous form, printed and painted in gilt andcoloured enamels, printed and paintedmaker’s marks 3857, 26cm high (2)£250-350

124 HB543/13CARLTON WAREPAIR OF ‘SCIMITAR’ PATTERN COVERED VASES,CIRCA 1932-5each of swollen cylindrical form, printed andpainted marks, no. 3651 (damages) (2)19cm high£200-300

125 HD34/7CHARLOTTE RHEAD (1885-1947) FORCROWN DUCALLARGE EARTHENWARE VASE, CIRCA 1930decorated in gilt and coloured enamels withdragons on a pale green ground, paintedartists mark C. RHEAD, printed and mouldedmaker’s marks31.5cm high£200-300

120 HC47/1CARLTON WARELARGE ‘TUBELINED FLOWER’ PATTERN WALL PLATE,CIRCA 1935of circular form, printed and painted maker’s marksNo. 349540cm diameter£200-300



128 HD91/59BCHARLES VYSE (1882-1971)‘THE BALLOON WOMAN’, A CHELSEAPOTTERY FIGURE, DATED 1921modelled as a woman in a striped dress, withan armful of balloons, painted marks underbase CV/ CHELSEA/ 102122.5cm high£500-800

127 HD91/61ACHARLES VYSE (1882-1971)‘AUTUMN LEAVES’, A CHELSEA POTTERY FIGURE, DATED 1929modelled as a woman in a paisley shawl, with a basket of flowersby her side, raised on an ebonised wooden plinth, incised marksto the side C. VYSE/ CHELSEA/ 192924cm high including plinth£500-800

126 HD91/59ACHARLES VYSE (1882-1971)‘CLUB ROW SUNDAY MORNING’, A RARECHELSEA POTTERY FIGURE, CIRCA 1937modelled as a man in a striped suit, his dog byhis side and holding two puppies in his hands,wooden plinth base, incised mark to side C.VYSE/ CHELSEA33cm high including plinth£1,000-1,500


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130 HD91/147CHARLES VYSE (1882-1971)LARGE STONEWARE VASE, DATED 1936of ovoid form, decorated with abstractedarches forms, incised marks to base VYSE/193623.5cm high£250-350

129 HD91/18ACHARLES VYSE (1882-1971)STONEWARE VASE, DATED 1935of tapering form, painted with swimming fishon a pale grey ground, incised marks to baseVYSE/ 193526.5cm high£200-300

132 HD91/18BCHARLES VYSE (1882-1971)STONEWARE BOWL, CIRCA 1935decorated to the interior with a band ofincised flowering foliage, incised marks tobase CHARLES VYSE/ CHELSEA, 18cmdiameter; and a CHARLES VYSE STONEWAREBOTTLE VASE, with ribbed decoration, incisedmarks to base C.V/ 1933, 18cm high (2)£200-300

133 HD91/30BCHARLES VYSE (1882-1971)STONEWARE VASE, DATED 1934of compressed ovoid form, decorated with achevron design, incised marks under base CV/193411cm high£100-200

134 HC938/56MORAR POTTERY FOR THE HIGHLANDHOME INDUSTRIESGROUP OF FIFTY-EIGHT STONEWARE WALLTILES, 1950seach painted with birds and plant forms,impressed seal marks MP (58)between 10.5cm and 10cm square£400-600See illustration opposite

131 HD91/138BARBARA CASS (1921-1992)LARGE STUDIO POTTERY VASE, 1950sof ovoid form, covered in streaked glazes,painted mark to base BC/ YORK31.5cm high£80-120



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136 SHOJI HAMADA (1894-1978)STONEWARE SLAB VASE, 1960sresist decorated with finger wipe design undertenmoku25cm high£1,500-2,000

135 SHOJI HAMADA (1894-1978)STONEWARE SLAB VASE, 1960sresist decorated with checked design undertenmoku25.5cm high£1,000-1,500



137 HD11/1PABLO PICASSO (1881-1973) FORMADOURA POTTERY, VALLAURIS‘COLOMBE SUR LIT DE PAILLE’, 1949painted and glazed white earthenware dish,executed in an edition of 300, painted markson reverse CR/ MADOURA/ D’APRES PICASSO,impressed maker’s mark38cm across£3,000-5,000

138§ HC992/5CRAIG MITCHELL (b. 1967)CERAMIC SCULPTURE, CIRCA 1998glazed earthenware50cm high£300-500

139 HB588/5RUPERT SPIRA (B. 1960)GROUP OF STUDIO WARES,LATE 20TH CENTURYcomprising two coffee cans and saucers,glazed in white with lemon yellow interiors;and a shallow bowl, covered with a high-firedred glaze, 27.5cm diameter, all bear seal markRS (5)£200-300

140 HD91/155LARGE BELGIAN ART NOUVEAUPOTTERY VASECIRCA 1900of bottle form, incised with a frieze of stylisedflowering roses, unmarked49cm high£100-200


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141 HC849/2PIERO FORNASETTI (1913-1988)GROUP OF SEVEN ‘LE OCEANIDI’ PLATES,CIRCA 1950comprising various lithographically printedfemale faces in seashells, maker’s marks, nos.2,4,6,7,8,10 and 12 (7)21cm diameter£700-900

142 HD51/13CARL MARTIN-HANSEN (1877-1941FOR ROYAL COPENHAGEN‘SAMSØ WOMAN’ PORCELAIN FIGURE,EARLY 20TH CENTURYthe female figure in traditional costume,leaning on her rake, impressed inscription toplinth SAMSØ, painted and printed maker’smarks under base 12219/ SAMSØ/ A. HX/DENMARK32cm high£400-600

143 HC992/6IAN MCWHINNIE (b. 1952)‘THE PERFORMANCE’, CERAMIC DISH,CIRCA 2005signed on the base IAN MCWHINNIE, 32.5cmacross; and a PAIR OF RAKU WALL PLAQUESBY DAVE COHEN, each moulded with an apple,with sgraffito decorated leaves on a blackground, signed and dated on each base DCOHEN/ N.B./ ‘95, 29cm diameter (3)£200-300

144 HD161/5BERTE JESSEN (KOEHLE) FOR ROYALCOPENHAGENALUMINA ‘FA JANCE’ CANDLE SCONCE,CIRCA 1960brightly decorated with flowering foliage,bears maker’s marks, No.455/3245, paintedinitials31cm high£80-120


A Private Collection: Property of a Gentleman


145 HD58/6LATE 19TH CENTURY BRITISH SCHOOLPORTRAIT OF A GIRL IN A HOODED CLOAKWITH LILIESGouache29cm x 21cm (11.5in x 8.25in)£300-500

146 HD58/120TH CENTURY BRITISH SCHOOLPORTRAIT OF WOMAN IN A MOUNTAINOUSLANDSCAPEGouache on board16.5cm x 12cm (6.5in x 4.75in)£300-500

147 HD58/819TH CENTURY BRITISH SCHOOLPORTRAIT OF A WOMAN WITH AUBURN HAIRIndistinctly inscribed and dated 1897, oil onpanel32cm x 25cm (12.5in x 9.75in)£500-700

148§ HD58/83RODRIGO MOYNIHAN (BRITISH 1910-1991)PORTRAIT OF A GIRL WEARING A GARNETNECKLACESigned and dated 1949, oil on canvas50cm x 39cm (19.75in x 15.5in)£1,000-1,500

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149 HD58/4EDWARD COLEY BURNE-JONES(BRITISH 1833-1898)STUDY OF A MALE NUDE - POSSIBLY FOR‘BLIND LOVE’Charcoal26cm x 20cm (10.25in x 8in)Provenance:Julian Hartnoll Gallery, London

£1,000-1,500

150§ HD58/9MARJORIE QUENNELL (d. 1972)PORTRAIT OF THE YOUNG PETER COURTNEYQUENNELL (AUTHOR AND CRITIC)Signed twice, inscribed with sitter’s name and dated1912, watercolour47cm x 33cm (18.5in x 13in)Exhibited:Cheltenham Literary Festival, Faces and Places, 1982

Note:Marjorie Quennell was an illustrator, notable commissionsincluding the illustrations for her husband ‘C. H B.’s’ book‘Everyday Things in England’. The portrait is of her son, Peter.

£500-700

151 HD58/10ROBERT ANNING BELL(BRITISH 1863-1933)FIGURES ON A CASTLE TERRACESigned and dated ‘09, oil on canvas, roundel39cm diameter (15.25in diameter)Note:Artist and designer Robert Anning Bell was a memberof the British Arts and Crafts Movement. Particularlywell known as a book designer and illustrator, Belladditionally created mosaics for WestminsterCathedral and frequently exhibited his paintings in theRoyal Academy, the New English Art Club and theRoyal Society of Painters in Watercolours. The artistalso held a succession of significant academic postsbeginning at the Liverpool University School ofArchitecture before progressing to chief of design atthe Glasgow School of Art from 1911, and ultimatelyprofessor of design at the Royal College of Art from1918 to 1924.

£1,000-1,500


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152 HD58/3PHILIP WILSON STEER(BRITISH 1860-1942)WESTERN HEIGHTS, DOVERSigned and dated 1930, watercolour23.5cm x 33.5cm (9.25in x 13.25in)£500-700

153 HD58/5THOMAS MATTHEWS ROOKE(BRITISH 1842-1942)STUDY OF A MALE NUDEPencil and bodycolour on buff-coloured paper13cm x 28cm (5in x 11in)Provenance:Campbell Wilson

£400-600

154 HD58/12SIR JAMES DROMGOLE LINTON(BRITISH 1840-1916)A SCENE FROM GIL BLASSigned with initials and dated ‘78, inscribedwith title old label verso, watercolour20cm x 32cm (8in x 12.5in)£400-600

155 HD58/11EMMA SANDYS (BRITISH 1834-1877)PORTRAIT OF MARGUERITE INCE AGED SIXSigned with monogram and inscribed withtitle, pastel30cm x 24.5cm (11.7in x 9.75in)£800-1,200



158§ HD58/15BRADA STANLEY-CREEK(BRITISH 1909-1952)DIANA THE HUNTRESSWatercolour35cm x 47cm (13.75in x 18.5in)£500-700

157§ HD58/85AUSTIN OSMAN SPARE(BRITISH 1888-1956)FIGURES IN A DREAM-LIKE LANDSCAPEWatercolour and pencil24cm x 15cm (9.5in x 6in)£1,000-1,500

156§ HD58/90AUSTIN OSMAN SPARE(BRITISH 1888-1956)HEAD OF A WOMANSigned AOS lower left,watercolour, body colour andpencil30.5cm x 26cm (12in x 10.25in)Note:Austin Osmond Spare (1886-1956) anartist, draughtsman, publisher and oneof the most interesting and obscurefigures to have come out of theEdwardian art scene. Spare, one of theyoungest artists to exhibit at the RoyalAcademy exhibition in London reachedhis ‘golden age’ early in life where hereceived much hype and mediaattention. Attributed at the time as‘Britain’s first’ surrealist and

retrospectively as producing some ofthe first examples of pop art, heattracted the attention of many ofLondon’s avant-garde intellectuals.As an artist he is remarkable for hisarray of work with etchings, pastels,drawings, publishing with text andimage, painting and developing his ownstyle of portraiture which he coined‘siderealism.’ Producing a number ofpublishing’s and drawings much of hiswork became clearly defined in theoccult and magical realms and hadbecome somewhat of an enfant terriblein the west-end. His work and legacycan still see its influence in thedevelopment of chaos magic andwestern esoteric thought, Spare todayderives a vast interest in his work fromboth art lovers and the occult alike.

£1,500-2,000


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160 HD57/10LIBERTY & CO., LONDONBRASS WALL MIRROR, CIRCA 1920of oval outline, the planished frame set withcircular Ruskin cabochons, bears maker’s label53cm x 63cm£300-500

161 HD57/26ARTS & CRAFTS COPPER BOX ANDCOVERCIRCA 1900of circular form, the cover set with threeRuskin roundels, the whole repoussédecorated with stylised dragon panels, hoopfeet, 16cm diameter, 12cm high; together witha JEWELLERY BOX, with a repoussé decoratedmetal lid set with cabochons, 23cm wide; aCOPPER AND RUSKIN SET INKWELL, 9cm high;a COPPER AND RUSKIN SET CYLIDRICAL BOXAND COVER, 13cm high; and a COPPER ANDRUSKIN SET COAL BIN AND COVER (somedamages), 52.5cm high (including handle) (5)£200-300

159 HD57/4ARTS & CRAFTS BRASS, COPPER ANDENAMEL MANTEL CLOCKCIRCA 1900with repoussé decorated circular dial, thetapered case with applied planished copperbrackets and inset turquoise cabochons32cm high£300-500



162 HD57/14JAMES DIXON & SONS, SHEFFIELDPAIR OF SILVER CANDLESTICKS,EARLY 20TH CENTURYeach with circular dished drip trays abovesquare tapering columns and spreading baseswith riveted decoration, hallmarked Sheffield1909 and 1916 (2)23cm high£800-1,200

163 HD57/31ALEXANDER KELLOCK BROWN(1849-1922)PLASTER PANEL OF A WINGED ANGEL,LATE 19TH CENTURYsigned in the plaster upper right, framed68cm x 25cm£250-350

165 HD57/27WILLIAM HUTTON & SONSARTS & CRAFTS PEWTER TRAY, CIRCA 1900of oval outline with twin handles, each setwith Ruskin roundels, 60cm across, aMATCHING MILK JUG AND SUGAR BOWL,10cm high and 13cm high, and a BALUSTERSHAPED VASE, 16.5cm high, stamped marks;also a LIBERTY & CO. TUDRIC FOUR PIECE TEASERVICE, comprising a HOT WATER JUG, 17cmhigh; a TEAPOT, 12cm high; a MILK JUG, 7cmhigh; a SUGAR BOWL, 7cm diameter; and aPAIR OF SUGAR TONGS, stamped marks 01075(9)£200-300

166 HD57/19ROYAL DOULTONTWO GLAZED STONEWARE JARDINIÈRES,EARLY 20TH CENTURYincised and impressed maker’s marks (2)19cm and 17cm high£100-200

167 HD57/13ARTS & CRAFTS ILLUMINATED PAGECIRCA 1900within mother-of-pearl inlaid frame,illustrating a religious tract, 24cm x 20cm; and‘LOVE IN A MIST’, A PAGE FROM ‘THE FLOWERBOOK’ AFTER BURNE JONES, 23cm X 19cm (2)£150-250

164 HD57/7TWO ARTS & CRAFTS POTTERY FIGUREGROUPSCIRCA 1910one depicting opposed nude male and femalefigures, 26cm high; the other depicting aLandworker, 31cm high, each on woodenplinth (2)£150-250


168 HD58/16FOLLOWER OF EDWARD MATTHEWHALE (BRITISH 1852-1924)FIGURES IN A LANDSCAPEOil on canvas44cm x 29cm (17.25in x 11.5in)£300-500

169 HD58/17GEORGE HENRY EDWARDS (BRITISH 1859-1918)THE SPIRIT OF THE MARSHSigned and dated ‘96, watercolour, 44cm x 16cm(17.25in x 6.25in); and ANDROMEDA CHAINED TO THE ROCKS, signed, watercolour and bodycolour, 40cm x 15cm (15.75in x 6in), a pair (2)Provenance:The Maas Gallery, London

£600-800

170§ HD58/32REGINALD F. HALLWARD(BRITISH 1858-1948)NUDE STUDYCharcoal15cm x 8cm (6in x 3in)£600-800

171 HD58/22GEORGE PRICE BOYCE(BRITISH 1826-1897)ANDUZE, FRANCEWatercolour37cm x 33cm (14.5in x 13in)£1,200-1,800

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172 HD58/36ARTHUR JOSEPH GASKIN (BRITISH 1862-1928)JOSCELYNE READINGSigned with initials, inscribed with sitter’s name anddated 1916, pencil22cm x 16cm (10in x 7in)Provenance:Campbell Wilson, Brighton, 2004

£500-700

173 HD58/40EDWARD R. TAYLOR (BRITISH 1838-1912)PORTRAIT OF A FAIR-HAIRED GIRLWatercolour37cm x 27cm (14.5in x 10.5in)£300-500

174 HD58/45SAMUEL PEPYS COCKERELL (BRITISH 1753-1827)CLISSON, 1910Watercolour16 x 13cm (6.25 x 5in)Note:Cockerell was an architect, best known for designing SezincoteHouse, Gloucestershire, for his elder brother of Sir Charles Cockerell,1st Baronet. The uniquely Orientalizing features inspired the BrightonPavilion. He was the great-great nephew of the diarist Samuel Pepys.

£300-500

175 HD58/46EDWARD MATTHEW HALE (BRITISH 1852-1924)YOUTHS RELAXINGOil on canvas22cm x 14cm (8.5in x 5.5in)£1,000-1,500


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178 HD58/51WINIFRED ANNE RYMER(BRITISH fl. 1929-1936)NUDE STUDYPencil28cm x 19cm (11in x 7.5in)£250-350

176§ HD58/44REGINALD F. HALLWARD(BRITISH 1858-1948)STUDY OF A MALE NUDE WITH SWORDIndistinct inscription bottom left, charcoal20cm x 12cm (8in x 4.75in)£300-500

177§ HD58/55BERNARD SLEIGH (BRITISH 1872-1954)FINDETH A LITTLE CHILDPen and ink22cm x 14cm (8.5in x 5.5in)Provenance:Christie’s South KensingtonJulian Hartnoll Gallery, London

£1,000-1,500

179§ HD58/33F.G. DOWELL (BRITISH 20TH CENTURY)DESIGN FOR A PROPOSED BUILDING INBRIGHTONSigned and dated ‘49, watercolour29cm x 39cm (11.5in x 15.25in)£250-350



180 HD58/50HENRY ALBERT PAYNE(BRITISH 1868-1940)STUDY FOR THE CANTERBURYTALESWatercolour30cm x 38cm (11.75in x 15in)Provenance:The Fine Art Society, London

£500-700

181 HD58/89ROBERT ANNING BELL(BRITISH 1863-1933)CINDERELLASigned, oil on canvas72cm x 87cm (28in x 34in)£600-800


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185 HD57/63AUSTRIAN COLD PAINTED BRONZELAMPCIRCA 1900cast as an Arabic woman in exotic dress,with palm tree shade on naturalistic base31cm high£300-500

182 HD57/36ARTS & CRAFTS COPPER FRAMEDWALL MIRRORCIRCA 1910planished finish, repoussé decorated with apierced roundel of opposed fish against agreen enamelled ground49cm x 34cm£200-300

183 HD57/50LIBERTY & CO., LONDONARTS & CRAFTS COPPER WALL MIRROR,CIRCA 1900with planished finish and riveteddecoration to the seams, inset withbronzed roundel of Dante, bearsinscription DANTE, bears maker’s label79cm x 30.5cm£400-600

184 HD57/57PAIR OF ARTS & CRAFTS COPPER WALLSCONCESCIRCA 1910each repoussé decorated with stylised foliage,and with galleried nozzles, and hangingsnuffers below, 19.4cm wide, 34cm high;together with an ASSOCIATED PAIR OF WICKTRIMMERS (3)£400-600



188 HD57/68KARL KARLSSON, LONDONEDWARDIAN SILVER AND ENAMEL BOX, CIRCA 1903with turquoise enamel panel to the lid and appliedinlaid catch, the whole raised on bracket feet (cracks toenamel), hallmarked London 190320cm wide, 7.5cm high, 12cm deep£500-700

189 HD57/41JAMES DIXON & SONS, SHEFFIELDSILVER THREE BRANCH CANDELABRUM,CIRCA 1906the three angular branches with circulardished drip trays above square taperingcolumn and spreading base with riveteddecoration, hallmarked Sheffield 190623cm high£800-1,200

186 HD57/62LIBERTY & CO., LONDONPEWTER, COPPER AND ABALONE MANTELCLOCK, CIRCA 1900the shaped copper dial embossed with Romanchapters, enclosed by a shaped case inlaidwith oval abalone panels25cm high£2,000-3,000

187 HD57/53ARTS & CRAFTS SILVER BOWLCIRCA 1910with embossed entrelac band set with chalcedonycabochons and raised on bracket supports, bearsmaker’s marks, hallmarked London 191018cm diameter£400-600


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194 HD57/76ARCHIBALD KNOX (1864-1933) FORLIBERTY & CO., LONDON‘CYMRIC’ SILVER CREAM JUG, CIRCA 1904with scrolling handle and broad elliptical body,hallmarked Birmingham 1904, maker’s marksCYMRIC/ L&Co8.5cm high£600-800

195 HD57/78ARCHIBALD KNOX (1864-1933) FORLIBERTY & CO., LONDONEDWARD VII ‘CYMRIC’ SILVERCOMMEMORATIVE SPOON, CIRCA 1901with cast Celtic decoration and cast inscriptionto the bowl AC/ER VII, hallmarked Birmingham1901, maker’s marks CYMRIC/ L&Co12cm long£400-600

190 HD57/69GUILD OF HANDICRAFT LTDSILVER AND ENAMEL BOXset with enamelled landscape panel to the lid,hallmarked London 1903 (damage to enamel)16cm wide, 4.5cm high, 9cm deep£500-700

191 HD57/70GEORGE NATHAN & RIDLEY HAYESARTS & CRAFTS ENAMELLED SILVER BOX,CIRCA 1912decorated with an enamelled panel depictinga peacock, hallmarked Chester 191211cm diameter, 4cm high£300-500

192 HD57/71ARTS & CRAFTS ENAMELLED SILVER BOXCIRCA 1910decorated to the cover with an enamelled panel,of swimming fish, hallmarked Sheffield 1910,maker’s mark W.T.7cm diameter, 3cm high£200-300

193 HD57/72ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO.,LONDON‘CYMRIC’ SILVER AND ENAMEL VASE, CIRCA 1907of cylindrical tapering form, with enamelled Celtic panel,hallmarked Birmingham 1907, maker’s marks CYMRIC/ L&Co13cm high£1,000-1,500



196 HD57/79ARCHIBALD KNOX (1864-1933) FORLIBERTY & CO., LONDON‘CYMRIC’’ SILVER AND ENAMEL COMPACT,CIRCA 1904of circular form, with Celtic enamelled panel tothe hinged lid, hallmarked Birmingham 1904,maker’s marks CYMRIC/ L&Co7.5cm diameter£300-500

197 HD57/80ARCHIBALD KNOX (1864-1933) FORLIBERTY & CO., LONDON‘CYMRIC’ SILVER AND ENAMEL BOTTLEHOLDER, CIRCA 1906of cylindrical form with opposed enamelledCeltic knotwork bands, hallmarkedBirmingham 1906, maker’s marks L&Co5cm diameter, 8.5cm high£1,000-1,500

198 HD57/89ARCHIBALD KNOX (1864-1933) FORLIBERTY & CO., LONDON‘CYMRIC’ SILVER AND ENAMEL TRUMPETSHAPED FOOTED VASE, CIRCA 1906decorated with trailing and fruiting foliage,indistinct hallmarks for Birmingham 1906; 19cmhigh; together with an ARTS & CRAFTS SILVERAND ENAMEL CANDLESTICK, 15cm high (2)£800-1,200

199 HD57/91ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO.,LONDON‘CYMRIC’ SILVER AND ENAMEL BOX AND COVER,CIRCA 1904inset to the cover with enamelled Celtic knot, maker’s markL&C/ CYMRIC, hallmarked Birmingham 1904, 6cm diameter,4cm high; together with an ARCHIBALD KNOX (1864-1933),FOR LIBERTY & CO., LONDON SILVER AND ENAMEL PILL BOX,CIRCA 1905, set with shagreen enamel Celtic boss, maker’smark L&C/ CYMRIC, hallmarked Birmingham 1904, 5cmdiameter (2)£600-800

200 HD57/93ARCHIBALD KNOX (1864-1933) FOR LIBERTY& CO., LONDON‘CYMRIC’ SILVER AND ENAMEL CANDLESTICK,CIRCA 1907with a cylindrical nozzle, set with enamelled roundels,with broad dished drip tray, maker’s mark L&Co,hallmarked Birmingham 190710.5cm diameter£300-400


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204 HD57/86LIBERTY & CO., LONDON ARTS &CRAFTS‘CYMRIC’ SILVER SUGAR SIFTER, CIRCA 1904of tapering footed form, embellished withinset turquoise cabochon, hallmarkedBirmingham 1904, 15cm high; together with aLIBERTY & CO., LONDON, SILVER AND ENAMELMOUNTED GLASS BOTTLE, designed byArchibald Knox, the cylindrical green glassbottle with silver cover, set with Celticenamelled roundel, hallmarked Birmingham1904, 6cm high, both with maker’s marksCYMRIC/ L&Co; and TWO LEVI & SALAMANSILVER MOUNTED CRUETS, hallmarkedBirmingham 1912, 6.3cm and 4.8cm high (4)£400-600

206 HD57/88LIBERTY & CO., LONDON ARTS &CRAFTS‘CYMRIC’ SILVER AND ENAMEL BOWL,CIRCA 1902the planished surface with enamelled band,hallmarked Birmingham 1902, 10.5cmdiameter; together with a LIBERTY & CO.,LONDON SILVER AND ENAMEL BOX ANDCOVER, CIRCA 1901, of circular form, withbullseye design enamelled cover, hallmarkedBirmingham 1901, maker’s marks CYMRIC/L&Co, 11.4cm diameter, 7.5cm high; and aLIBERTY & CO., LONDON SILVER TRAY, withplanished surface, hallmarked Birmingham1917, 28cm across (3)£700-900

202 HD57/81LIBERTY & CO., LONDON‘CYMRIC’ SILVER INKWELL, CIRCA 1900of cylindrical form set with turquoise cabochons,with domed cover and glass liner above dishedbase, hallmarked Birmingham, maker’s marksCYMRIC/ L&Co8.6cm diameter, 6cm high£400-600

201 HD57/83LIBERTY & CO., LONDON‘CYMRIC’ SILVER AND ENAMEL MOUNTEDPRESERVE POT AND MATCHED SPOON, CIRCA 1912each decorated with enamelled Celtic motifs, withglobular glass body, hallmarked Birmingham 1908,spoon hallmarked 1912 (2)12cm high£300-400

205 HD57/73LIBERTY & CO., LONDON‘CYMRIC’ SILVER BOX AND COVER, CIRCA 1903of cylindrical form, the cover with turnedknop, the sides decorated with inset turquoisecabochons, hallmarked Birmingham 1903,maker’s marks CYMRIC/ L&Co8cm diameter, 9cm high£400-600

203 HD57/87OLIVER BAKER (ATTRIBUTED) FORLIBERTY & CO., LONDON‘CYMRIC’ ARTS & CRAFTS SILVER LOVING CUP,CIRCA 1900with planished finish, decorated with insetcabochon stones and with four lug handles,hallmarked Birmingham 1900, maker’s marksCYMRIC/ L&Co9.5cm diameter, 7.5cm high£300-500



210 HD57/51ROWLEY GALLERY, LONDON‘THE OLD FARM’, MARQUETRY WALL MIRROR,CIRCA 1920with carved and moulded frame enclosing amirrored plate and with marquetry landscapepanel below79cm x 26cm£150-250

211 HD57/65MANNER OF SIR EDWARD POYNTERARTS & CRAFTS PENWORK PANEL,LATE 19TH CENTURYdepicting a Classical woman in an orchardwithin a marquetry frame51cm x 29cm£150-250

212 HD57/29ARTS & CRAFTS BRASS WALL MIRRORCIRCA 1910with oval bevelled plate within rectangularframe, repoussé decorated with exotic birdsamongst foliage, 44cm x 34cm; together with aSMALL PATINATED COPPER WALL MIRROR,EARLY 20TH CENTURY, of circular outline,repoussé decorated with trailing ivy, 22cmdiameter; a PEWTER WALL MIRROR,CIRCA 1920, of octagonal outline, with alloverstylised abstract repoussé design enclosing acircular bevelled plate, 34cm diameter; and aSMALL PATINATED METAL MIRROR, thescrolled sides enclosing an oval bevelled plate,30 x 23.5cm (4)£150-250

213 HD57/67ARTS & CRAFTS WALL MOUNTEDCOPPER MATCH HOLDERCIRCA 1910repoussé decorated with stylised plant forms,14cm wide, 25cm high; together with a PAIROF COPPER AND BRASS CANDLESTICKS, in themanner of Benson, 19cm high; a PAIR OF ARTS& CRAFTS COPPER CANDLESTICKS,CIRCA 1900, of pierced tapering form, withbrass side handles, 17cm high; an ARTS &CRAFTS REPOUSSE COPPER PHOTOGRAPHFRAME, 20cm square; and SMALL ARTS &CRAFTS COPPER MANTEL TIMEPIECE,CIRCA 1910, with chased decoration andinitials to the top edge, 11cm high (7)£200-300

208 HD57/90G L CONNELL LTD, LONDONARTS & CRAFTS SILVER CHAMBERSTICK, CIRCA 1901the whole decorated with pierced foliate decoration, hallmarkedLondon 1901, 18cm across; together with a G. L. CONNELL LTD.SILVER MOUNTED TWIN-HANDLED GLASS VASE, with presentationinscription to the foot, hallmarked London 1901, 19cm high; and aG. L. CONNELL LTD., LONDON ARTS & CRAFTS SILVER BOX, withstrapwork hinges and elaborate cast brackets to the angles,hallmarked London 1902, 11cm wide, 6cm high, 8.5cm deep (3)£600-800

207 HD57/85OMAR RAMSDEN AND ALWYN CARRSILVER CIGAR BOX, CIRCA 1911the planished surface repousse decorated tothe cover with Art Nouveau entwined tendrils,bears inscription under base OMAR RAMSDENET ALWYN CARR ME FECERUNT, hallmarkedLondon 191118cm wide, 5cm high, 9cm deep£1,500-2,000

209 HD57/77CHRISTOPHER DRESSER (1834-1904)FOR HEATH & MIDDLETONSILVER TEAPOT, CIRCA 1886of tapered cylindrical form, with rush coveredhandle, hallmarked London 188614cm high£300-500


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214 HD58/53JOSEPH EDWARD SOUTHALL(BRITISH 1861-1944)HEAD STUDYPencil18cm x 13cm (7in x 5in)£400-600

215 HD58/58JAMES DROMGOLE LINTON (BRITISH 1840-1916)‘MUSIC THAT ON THE SPIRIT LIES, GENTLER ON TIREDEYELIDS ON TIRED EYES’Watercolour37cm x 39cm (14.5in x 15.25in)Provenance:The Maas Gallery, London

Note:Titled after the Tennyson poem ‘The Lotus Eaters’

£500-700

217 HD58/62ROSE M. FRASER (SCOTTISH fl. 1908-1916)HEAVENLY SLEEPSigned, watercolour17.5cm x 22.5cm (9in x 7in)£400-600

216 HD58/65JEAN ACHILLE BÉNOUVILLE(FRENCH 1815-1891)CLASSICAL FIGURE IN DRAPERIESNo. 117, studio stamped, pencil30cm x 22cm (11.75in x 8.75in)Provenance:Julian Hartnoll Gallery, London

£500-700



218 HD58/66EDITH MARTINEAU(BRITISH 1842-1909)A YOUNG GIRL WEARING A HEADSCARFSigned with monogram and dated 1869,watercolour30cm x 27cm (11.75in x 10.5in)£1,500-2,500

219 HD58/70FOLLOWER OF GEORGE FREDERICKWATTS (BRITISH 1817-1904)LAMENTOil on canvas28cm x 25cm (15in x 9.75in)£400-600

220 HD58/73MINNIE ASPREY(BRITISH 19TH CENTURY)ORIENTAL FIGURE GAZING FROM A WINDOWSigned and dated 1911, watercolour93cm x 28cm (36.5in x 11in)£500-700

221 HD58/77GEORGE LAWRENCE BULLEID(BRITISH 1858-1933)HEAD STUDY OF A GIRL IN A FLORALHEADDRESSWatercolour12.5cm x 12.5cm (5in x 5in)£800-1,200


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223 HD58/91FREDERICK (FRED) MORGAN(BRITISH 1856-1927)HEAD OF A BOYCharcoal study34 x 25cm (13.25 x 9.75in)£600-800

222 HD58/80JOHN MELHUISH STRUDWICK(BRITISH 1849-1937)STUDY FOR A GIRL IN A GREEN DRESS IN A SYMPHONYPencil19.5 x 14cmProvenance:The Albert Dawson CollectionJ.S. Maas & Co. Ltd., LondonNew Gallery, 1903

£500-700

225 HD58/86LORD FREDERIC LEIGHTON(BRITISH 1830-1896)VINES NEAR BELLOSGRANDEInscribed with title and dated September ‘56,bears Fine Art Society stamp, pencil15 x 9cm (6 x 3.5in)£400-600

224§ HD58/88RONALD OSSORY DUNLOP(IRISH 1894-1973)PORTRAIT OF A DARK-HAIRED WOMANOil on canvas37 x 31cm (14.5 x 12.25in)£400-600



226 HD58/71SIMEON SOLOMON(BRITISH 1840-1905)STUDY OF A WOMEN’S HEAD IN PROFILEWatercolour24cm x 16cm (9.5in x 6.5in)Provenance:Collection of Rachel Simmons, nee Solomon (firstcousin to the artist); thence by descent through thefamilyThe Maas Gallery, London

£2,000-3,000

SIMEON SOLOMON (1840-1905) was born in London to an artistic Jewish family andattended the Royal Academy Schools for arts. Solomon became a known figure in thepre-Raphaelite movement and painted many pictures influenced by Biblical and Jewishthemes. It was after his introduction to Algernon Charles Swinburne around 1865 thathe became influenced by Classicism which became his dominant style. It is in this stylethat Solomon was able to symbolically express himself and composed many pictures oflanguorous, aesthetic youths. His work became known in America after being featuredin Frederick Hollyer’s photographic album ‘Portraits of any person of Note’ in 1866.Today he is also recognised for his prose poetry, ‘A Vision of Love Revealed in Sleep’,considered a landmark in gay literature. Although Solomon faced many personalstruggles later in life, his work has remained sought after and is included in thecollections of The National Portrait Gallery, London; Tate Britain, London; The ArtInstitute of Chicago; The Museum of Fine Art, Boston; Harvard Art Museum andnumerous institutions worldwide.


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228 HD58/68SIMEON SOLOMON(BRITISH 1840-1905)ATTHISSigned with monogram and dated 1909,inscribed with title, pencil35cm x 25cm (13.75in x 9.75in)Provenance:The Piccadilly Gallery

£800-1,200

227 HD58/72SIMEON SOLOMON(BRITISH 1840-1905)HEAD OF AN ANGELInitialled S.S. and dated 1900,pencil15cm x 22cm (6in x 8.75in)Provenance:Abbott and Holder.

£1,000-1,500



229 HD57/97MARY SETON WATTS (1849-1938) FORCOMPTON POTTERYFIGURE OF ST MICHAEL, CIRCA 1900impressed mark (broken and repaired), 22cmhigh; and ANOTHER COMPTON POTTERYFIGURE, impressed mark, 20cm high; and aWALL PLAQUE, CIRCA 1900, depicting StFrancis, impressed mark ,18cm x 12cm (3)£300-500

230 HD57/107CHARLES NOKE FOR DOULTON & CO.EARTHENWARE CHARGER, CIRCA 1880impressed factory mark, signed NOKE39cm diameterProvenance:‘John Jesse: The Pursuit of Style’, Sotheby’s London,22 February 2006, Lot 31

£400-600

231 HD57/103CARL KRALL, LONDONARTS & CRAFTS JEWELLED SILVER GILT GOBLET ANDCOVER, CIRCA 1917set with cut stones and cabochons and furtherdecorated with leafy chasing, bears inscription underfoot IN MEM. STR. HENRIETTA MARIA/ STR.ETHELRED/ E.A. HOUBLON/ E.J. FORBES/ KATECROWE/ R.I.P./ A.D. 1917, hallmarked London 1917,14cm high; contained within a copper canopy, withdomed top supported on columns, chaseddecoration set with cut stones, 32cm high (2)£400-600


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234 HD57/99ARTS & CRAFTS CLOISONNÉ ENAMELECUMENICAL DEVOTIONAL PANELEARLY 20TH CENTURYdepicting Christ on the cross, with Buddha atthe foot of the cross in a landscape, enclosedby Buddhist and Christian iconography, in agiltwood frame58cm x 42cm£200-300

235 HD57/101M. RESTELLIARTS & CRAFTS WHITE METAL DEVOTIONALPANELboxed, repoussé decorated with stylisedfigure, inscribed, signed20cm x 10cm£80-120

236 HD57/111ARTS & CRAFTS REPOUSSÉ WALLPLAQUECIRCA 1910mounted on an oak board and bearinginscription PIPES OF PAN, 37cm x 31cm;together with a COPPER REPOUSSÉ WALLPLAQUE, bearing the inscription HEAVEN SENDYOU MANY, in an oak frame, 31 x 30.5cm; andTWO LARGE BRASS CHARGERS, with repoussédecoration, 52cm diameter (4)£150-250

237 HD57/110ART NOUVEAU PATINATED METALMANTEL CLOCKCIRCA 1900decorated with a female figure and flowers inrelief, enclosing an enamelled dial with foliatedetail, the stamped French movement strikingon a bell30.5cm high£200-300

238 HD57/112ARTS & CRAFTS OAK THREE-FOLDSCREENCIRCA 1910each panelled fold with painted poppydecoration, 150cm x 169cm; and an ARTS &CRAFTS LEATHER-COVERED FOUR-FOLDDRAUGHT SCREEN, each fold with embossedpanel, 189cm x 176cm (2)£200-300

238A HD58/92GEORGE WEAKEPLANT STUDY, CIRCA 1900bronze plaque, cast in low relief, signed in thebronze GEO. WEAKE, within an oak frame17.5cm x 16.5cm£200-300

232 HD57/84W. H. HASELER, BIRMINGHAMSILVER DRESSING TABLE SET, CIRCA 1906comprising a HAIR BRUSH, 25cm long; andTWO CLOTHES BRUSHES, 17.8cm long, eachwith Celtic knot repoussé decoration and insetturquoise cabochons, hallmarked Birmingham1906; together with a LIBERTY & CO. LONDON,SILVER CLOTHES BRUSH, inset with aturquoise cabochon, rubbed hallmarks, 18cmlong (4)£500-700

233 HD57/16ARCHIBALD KNOX (1864-1933) FORLIBERTY & CO., LONDONSILVER AND ENAMEL DRESSING TABLE SETcomprising TWO HAIR BRUSHES, 24 and 26cmlong; TWO CLOTHES BRUSHES, 16cm long; aBOX AND COVER, with glass body, 11cm long;a COMB, 20cm long; and a HAND MIRROR,27cm long, each inlaid with Celtic knotwork inturquoise enamels, Birmingham hallmarks (7)£800-1,200


239 HC956/8KIMBEL AND CABUS, NEW YORKAESTHETIC MOVEMENT EBONISED CHERRYSIDE CABINET, CIRCA 1875with elaborate brass hinges, the ebonisedsurface incised and gilded, the spindle galleryabove and arrangement of four panelleddoors and open shelves, the panels paintedwith birds, plants and animals, the wholeraised on side supports linked by a platform109cm wide, 155cm high, 40cm deepNote:A corner chair by Kimbel and Cabus, held in theBrooklyn Museum, shows the same characteristics asthis cabinet (Accession no. 1992.9).

£1,000-1,500

240 HD602/9ATTRIBUTED TO R.W. WINFIELD & CO.,BIRMINGHAMIRON ROCKING CHAIR FRAME, CIRCA 1850curved tube metal58cm wide, 120cm high, 87cm deepNote:This design was produced by R.W. Winfield & Co. ofBirmingham. Winfield & Co. exhibited a model of thischair at the Great Exhibition of 1851 and the LondonInternational Exhibition of 1862. For a similar examplesee Victoria and Albert Museum, London, museum no.CIRC.20-1961.

£300-500

241 HD161/3AESTHETIC MOVEMENT OAK WALLCABINETCIRCA 1880with spindle gallery above open shelves andwith two doors below centred by a tiled panel62cm wide, 62cm high, 14cm deep£150-250

242 HC886/3LARGE GOTHIC REVIVAL PITCH PINECLUB FENDERLATE 19TH CENTURYwith upholstered seat above canted uprightswith bracket supports249cm wide, 50cm high, 95cm deep£400-600

Furniture: Part I


60 Lyon & Turnbull

243 FH65/3CHARLES RENNIE MACKINTOSH (1868-1928)FOR MISS CRANSTON’S WILLOW TEAROOMSEBONISED OAK ‘LADDER BACK’ CHAIR, CIRCA 1903the high back with thirteen gently bowed horizontalsplats, the seat tapering towards the front, raised onsquare section legs joined by five cylindricalstretchers, with later oak-framed drop-in seat andrushing104.5cm high, 44.5cm wide, 38.3cm deepProvenance:Miss Cranston’s Willow Street Tea Rooms, Glasgow, ScotlandPrivate Collection, London

Literature:Billcliffe, Roger, ‘Charles Rennie Mackintosh: The CompleteFurniture Drawings & Interior Designs’, Moffatt 2009, pp 150-165, illus. 1908.8 and in situ at 1903 C; D; E; F; J; H & I

Note:Mackintosh had produced versions of the traditionalladderback chair before, first for David Gauld in 1893 andthen as a bedroom chair at Windyhill in 1901. Thisunderstated and deceptively simple design of 1903, for MissCranston’s new Willow Tearooms in Sauchiehall Street, is hismost successful treatment of this vernacular form. The darkwood against by the pale walls and tablecloths of thetearoom interiors accentuating the striking lines of this, oneof Mackintosh’s most recognisable chairs.

£10,000-15,000



244 HC839/1KOLOMAN MOSER (1868-1918) FORPORTOIS & FIX, VIENNAPALISANDER WOOD SIDEBOARD, CIRCA 1905veneered and inlaid, the canted upper sectionwith bevelled glazed doors above a panelledback, the lower section with a pull-out slideabove a pair of cupboard doors enclosingthree sliding trays, the legs with bronzesabots, bears ivorine maker‘s label PORTOIS &FIX, WIEN III, UNGARGASSE 59-61170cm wide, 179cm high, 65cm deep

Literature:Fenz, Werner ‘Koloman Moser’, Vienna, 1984, p.159,fig. 66 where a similar example is illustrated.

Note:Portois & Fix were early manufacturers of designs bythe secession artists including Otto Wagner, JosefHoffmann and, as in this example, Koloman Moser.

£10,000-15,000


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245 HC50/3OTTO WAGNER (1841-1918) FOR JACOB& JOSEF KOHNSTAINED BENTWOOD ARMCHAIR, NO. 721,CIRCA 1902the back pierced with circular apertures,curved arms and moulded seat on squaretapered legs with hoop stretcher59cm wide, 83cm high, 45cm deep£800-1,200

246 HD91/66AFTER CHARLES RENNIE MACKINTOSHPAIR OF MARSH, JONES, CRIBB & CO. MAHOGANY ‘ARGYLE’TYPE CHAIRS, CIRCA 1900each with oval inlaid top rails above tall slatted backs and drop-inseats raised on square legs linked by stretchers, bears maker’slabels MARSH, JONES, CRIBB & CO./ KENDELL & CO. (2)49cm wide, 11cm high, 41cm deepLiterature:Billcliffe, Roger, ‘Charles Rennie Mackintosh: The Complete FurnitureDrawings & Interior Designs’, Moffatt 2009, pp 61-62

Note:Billcliffe alludes to “six smaller variants” of the high backed Argyle Street teaRoom chair, designed by Mackintosh for Miss Cranston in 1898, two ofwhich bear the Marsh, Jones Cribb & Co. label. Billcliffe goes on to suggestthat as the firm only existed from 1897-1904 it is likely that that they hadseen the larger chairs, either in Glasgow or at the Arts & Crafts Exhibition in1899, and amended the design to this smaller version. In this unusualmahogany variant the firm has added marquetry inlay to the oval top railsinstead of the original cut out motif.

£500-700

247 HD177/8MANNER OF MORRIS & CO.MAHOGANY CENTRE TABLEthe shaped circular top with serpentineoutline, raised on six turned legs united bystretchers and an undertier60 x 69cm£300-500

248 HD34/3ARTS & CRAFTS MAHOGANY CENTRETABLECIRCA 1900in the manner of Morris & Co., the tiled topwith moulded edge above baluster turned legslinked by waved stretchers80cm diameter, 66cm high£200-300

249 HD91/111ART NOUVEAU MAHOGANY &MARQUETRY INLAID ARMCHAIRCIRCA 1900with profusely inlaid splat back above openarms and upholstered panel seat, squaretapered legs56cm wide, 103cm high, 48cm deep£150-200



250 HD91/1SHAPLAND & PETTER, BARNSTAPLEART NOUVEAU MAHOGANY WRITING DESK,CIRCA 1900the superstructure with glazed and leadedpanel, with marquetry inlay and leaded glasspanel, enclosed by open shelves, a writingsurface and a single drawer below, flanked byprofusely inlaid and pierced uprights joined byshaped stretchers109cm wide, 112cm high, 54cm deep£800-1,200

252 HD91/65LEONARD WYBURD (1865-1958) FORLIBERTY & CO., LONDONMAHOGANY AND MOTHER-OF-PEARLINLAID OCCASIONAL TABLE, CIRCA 1900the inlaid shaped rectangular top raised onsquare supports linked by stretchers andwith slatted side panels67cm wide, 67cm high, 38cm deep£300-500

251 HD91/64LEONARD WYBURD (1865-1958) FOR LIBERTY& CO., LONDONPAIR OF MAHOGANY AND MOTHER-OF-PEARLINLAID SIDE CHAIRS, CIRCA 1900each with inlaid top rails above tall slatted backs andupholstered panel seats raised on square taperedlegs linked by stretchers, bears maker’s labels (2)43cm wide, 104cm high, 37cm deep£400-600

253 HC840/6SET OF FOUR ART NOUVEAUMAHOGANY AND INLAID SIDE CHAIRSCIRCA 1900each with curved top rails and inlaid splatsraised above upholstered seats on cabriolelegs (4)46cm wide, 94cm high, 41cm deep£250-400

254 HD91/55ART NOUVEAU MAHOGANY ANDMARQUETRY INLAID ARMCHAIRCIRCA 1900probably Liberty & Co., the pierced back withclose nailed upholstered panel, above openarms and upholstered seat, square legs linkedby stretchers61cm wide, 122cm high, 45cm deep£200-300

255 HC820/1WYLIE & LOCHHEAD, GLASGOWARTS & CRAFTS OAK TUB CHAIR, CIRCA 1900the curved top rail and arms with piercescentral splat and slatted sides, above anupholstered drop-in seat on square taperedlegs linked by stretchers58cm wide, 74cm high, 43cm deep£200-300


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256 HB75/5ART NOUVEAU MAHOGANY INLAID DISPLAYCABINETCIRCA 1910the pierced surmount above a single glazed door withpeacock feather fret decoration enclosing a shelvedinterior and enclosed by open shelves with mirroredbacks and with two cupboard doors below, the wholeraised on square tapered legs142cm wide, 213cm high, 41cm deep£600-800

257 HB816/1A. GARDNER AND SON, GLASGOWART NOUVEAU MAHOGANY AND MARQUETRY INLAIDCABINET, CIRCA 1910the canted superstructure with two glazed doors with stylisedbud astragals, flanked by doors with marquetry landscapepanels, and supported on twin columns, the base with centralcorresponding inlaid door with flanking glazed doors,galleried platform stretcher, bears label A GARDNER ANDSON, CABINET MAKERS, GLASGOW162cm wide, 198cm high, 44cm deep£400-600

258 HC845/1ART NOUVEAU MAHOGANY ANDMARQUETRY INLAID DISPLAY CABINETCIRCA 1900with swan-neck pediment and three steppeddoors enclosing shelves, each profusely inlaidwith flowering foliage and raised on tallslender supports linked by a platform143cm wide, 212cm high, 40cm deep£500-700



259 HC840/2ART NOUVEAU MAHOGANY ANDMARQUETRY INLAID WING ARMCHAIRCIRCA 1900with shaped spindle gallery on turned legs60cm wide, 111cm high, 48cm deep£300-500

260 HD91/105SHAPLAND & PETTER, BARNSTAPLEARTS & CRAFTS MAHOGANY LADY’S WRITING DESK,CIRCA 1900the pierced superstructure with open shelves andtwo doors with embossed copper panels, above afold-out fall with drawer below, raised on squaretapering legs82cm wide, 143cm high, 39cm deep£300-500

261 HC382/7SHAPLAND & PETTER, BARNSTAPLEARTS & CRAFTS MAHOGANY AND COPPERMOUNTED WALL CABINET, CIRCA 1900with open shelf backed with an embossedcopper frieze bearing inscription SUBLIMETOBACCO! WHICH FROM EAST TO WEST/CHEERS THE TAR’S LABOURS OR THETURKMAN’S REST, above two panelled doorsinset with embossed copper panels91cm wide, 64cm high, 27cm deepLiterature:Bennett, Daryl, ‘Shapland & Petter Ltd. of Barnstaple’,2005, p.60, pl.4.35.

£400-600

262 HB818/1HEAL & SON, LONDONSINGLE MAHOGANY FOUR POSTER BED,CIRCA 1910with arched canopy above tapering columnsand broad head and foot boards, bearsmaker’s label105cm wide, 194cm high, 204cm long£300-500

263 HC738/1SET OF SIX ART NOUVEAU OAK DININGCHAIRSCIRCA 1910each with carved top rails above upholsteredpanel and carved splat, raised aboveupholstered panel seats and square taperedlegs linked by stretchers (6)46cm wide, 115cm high, 38cm deep£300-500


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265 HD91/122SHAPLAND & PETTER, BARNSTAPLEOAK AND MARQUETRY INLAID HALL TABLE, CIRCA 1900the castellated upstand with open shelf and inlaid back above abowed top with two drawers below on square tapered supportslinked by stretchers112cm wide, 127cm high, 41cm deepLiterature:Bennett, Daryl, ‘Shapland & Petter Ltd. of Barnstaple’, 2005, p.29, pl.3.12.

£500-700

266 HD595/1WYLIE & LOCHHEAD, GLASGOWARTS & CRAFTS OAK WARDROBE, CIRCA 1910with twin doors, each with tongue and groovepanelling, and elaborate metal hinges abovetwo drawers on a plinth, bears ivorine maker’slabel154cm wide, 202cm high, 54cm deep£500-800

264 HD91/2SHAPLAND & PETTER, BARNSTAPLEOAK AND MARQUETRY INLAID SIDE CABINET,CIRCA 1900with marquetry inlay and decorative steelhinges and handles, the central section withan arrangement of two doors, open shelvesand three drawers, flanked by angled doors,the whole raised on block feet, bears Marsh,Jones & Cribb retailer’s label165cm wide, 182cm high, 50cm deep£400-600


267 HD163/1BERTHOLD LÖFFLER (1874-1960) FORWIENER WERKSTATTEWHITE METAL LOCKET, CIRCA 1908decorated with a putto riding a robin,stamped WIENER WERKSTATTE and bearingartist’s monogram3cm high£400-600

268 HC941/4GEORG JENSEN (1866-1935)STERLING PENDANT, CIRCA 1920of openwork double leaf form set with threeturquoise, on fine neck chain, stamped GEORGJENSEN/ GJ/ 830S/ 65/ STERLING5cm high£1,000-1,500

270 HC941/2ARNO MALINOWSKI (1899-1976)FOR GEORG JENSENSTERLING BIRD BROOCH, CIRCA 1940stamped marks GEORG JENSEN/STERLING/ DENMARK/ 3095cm across£200-300

Jewellery, Silver & Metalwares

269 HC941/5GEORG JENSEN (1866-1935) ANDHARALD NIELSEN (1892-1977)‘MOONLIGHT BLOSSOM’ STERLING ANDMOONSTONE SET NECKLACE,MID 20TH CENTURYalternately mounted with foliate links andmoonstone cabochons, stamped marksGEORG JENSEN/ 925S/ DENMARK/ 1548cm long£800-1,200

272 HC941/3ARNO MALINOWSKI (1899-1976) FORGEORG JENSENSTERLING DOLPHIN BROOCH, CIRCA 1950stamped marks GEORG JENSEN/ 925S/DENMARK/ 2574cm tall£200-300

271 HD105/1REGITZE OVERGAARD (b. 1946) FORGEORG JENSEN‘REGITZE’ STERLING BRACELET,LATE 20TH CENTURYcomprised of linked hoops and discs, stampedmarks GEORG JENSEN/ 825S/ 45419cm long£500-800


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273 HD105/2HENNING KOPPEL (1918-1981) FORGEORG JENSEN‘SPLASH’ SILVER NECKLACE ANDEARRINGS SET, LATE 20TH CENTURYcomprised of freeform links, withcorresponding earrings, stamped marksGEORG JENSEN/ 825S/ 88B, earringsstamped GJ/ 825S (3)necklace, 42cm long, earrings 1.5cm across£800-1,200

274 HD105/3REGITZE OVERGAARD (b. 1946) FORGEORG JENSEN‘INFINITY’ SILVER TORQUE NECKLACE,LATE 20TH CENTURYcomprised of four entwined bands, stampedmarks GJ/ 925S/ 55513cm across£250-400

275 HD105/4REGITZE OVERGAARD (b. 1946) FORGEORG JENSEN‘SPHERE’ STERLING NECKLACE AND BRACELETSET, LATE 20TH CENTURYcomprised of hooped links with sphere insets,stamped marks GEORG JENSEN/ 925S (2)necklace, 42cm long, bracelet, 19cm long£300-500

276 HD105/7GEORG JENSENWHITE GOLD AND DIAMOND SET ‘FUSION’RING, LATE 20TH CENTURYcomprised of three 54 NK/ GJLd/ GEORGJENSEN/ 750/ DENMARK/ London hallmarks1.5cm diameter£800-1,200



280 HD105/5GEORG JENSEN‘HERITAGE’ SILVER NECKLACE AND EARRINGSSET, LATE 20TH CENTURYcomprising a 1994 year pendant, andmatching earrings, each with foliate designwith silver cabochons, GEORG JENSEN/ 925 S/DENMARK/ 1994 (3)each approx. 1.5cm high£150-250

281 HD105/6ART NOUVEAU 9 CARAT GOLDBROOCHCIRCA 1900tapered outline of whiplash foliage set with acut blue stone with plique-a-jour enamel dropbelow, stamped marks3.5cm across£150-250

282GEORG JENSENPAIR OF ‘ARCHIVE’ SILVER EARRINGS,LATE 20TH CENTURY5.5cm long; also a GEORG JENSEN ‘ARIA’PENDANT’, 5.5cm long; and a GEORG JENSENSILVER BANGLE, 6.2cm across, all withstamped maker’s marks (4)£250-350

282A HB709/16HENNING KOPPEL (1918-1991) FORGEORG JENSENABSTRACT STERLING ‘SPLASH’ BROOCH,MID 20TH CENTURYbears maker’s marks, numbered 3224.3cm across£150-200

282B HA671/63QDUCHESS OF SUTHERLAND CRIPPLES’GUILDTWO ARTS & CRAFTS SILVERED VESSELS,CIRCA 1905comprising a circular bowl, repoussedecorated with a floral band, 31.5cmdiameter; and a twin-handled footed bowl,with a chased band of fruiting vines, 21cmacross, both with stamped maker’s marks (3)£150-250

277 HC702/12JESSIE MARION KING (1875-1949) FORLIBERTY & CO., LONDONSILVER AND ENAMEL PENDANT, CIRCA 1905worked as stylised flowerheads on a texturedenamel ground, stamped marks L&Co/ SILVER4.5cm long£800-1,200

279 HC702/8SCOTTISH WHITE METAL AND MALACHITESET BROOCHEARLY 20TH CENTURYthe eight pointed foliate cast mount set withcabochons, enclosing a large malachite stone7.2cm across£200-300

278 HD105/10REGITZE OVERGAARD (b. 1946) FORGEORG JENSEN‘SPIRIT’ SILVER AND GLASS BEADEDNECKLACE AND EARRING SET,LATE 20TH CENTURYcomprised of glass orbs set in silver andlinked by a fine chain, with correspondingorb earrings, stamped marks GJ 925S (3)necklace, 92cm long£300-500


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285 HD51/4JAMES DIXON & SONS, SHEFFIELDPAIR OF SILVER CANDLESTICKS, CIRCA 1928each with circular dished drip trays abovesquare tapering columns and spreading baseswith riveted decoration, each hallmarkedSheffield 1928 (2)22cm high£800-1,200

286 HD170/3CHRISTOPHER DRESSER (1834-1904)FOR HUKIN & HEATHSILVER PLATE TOAST RACK, CIRCA 1881with rectangular base and ten dividing rods,central T- bar handle, stamped marks,DESIGNED BY DR. C. DRESSER/ H&H/ 1987,registration mark for 188111cm long, 13cm high£1,000-1,500

283 HA482/22ART DECO WHITE METAL THREE PIECETEA SERVICECIRCA 1930each of ovoid form, comprising a teapot andcover, with hardwood handle, 14cm high; atea caddy and cover, the underside of thecover cast with the depiction of a Chinaman,10cm high; and a milk jug and cover, withhardwood handle, 8cm high (3)£600-800

287 HD91/74FWMF (WURTTEMBERGISCHEMETALLWAREN FABRIK)ART NOUVEAU SILVER PLATE CARD TRAY,CIRCA 1900of shaped circular outline, cast with an ArtNouveau maiden with flowers in her flowinghair and with applied whiplash tendril handle,rubbed factory marks, cast mark 232, 27cmacross; also a WMF PEWTER INKWELL, oflozenge outline, the hinged cover with glassliner, stamped and cast marks WMF/ EP/ 85,18cm across (2)£200-300

288 HD91/20EWMF (WURTTEMBERGISCHEMETALLWAREN FABRIK)ART NOUVEAU SILVER PLATED BASKET,CIRCA 1900the pierced basket with applied foot, cast withwaterlilies, with hinged handle cast andpierced with fruiting foliage, enclosing a cutglass liner, with shaped rim, stamped maker’smarks WMF/ EP24cm across£150-250

284Y HD12/7EDWARD & SONS, GLASGOWART DECO SILVER CHAFING DISH ANDCOVER, CIRCA 1936of oval form, the domed cover with appliedivory handle, the base with decorated rim,stamped maker’s mark EDWARD/ GLASGOW,hallmarked Glasgow 193629.5cm long£400-600



290 HD165/5ALEXANDER RITCHIE (1856-1941)CASED SET OF SIX SCOTTISH PROVINCIALSILVER COFFEE SPOONS, CIRCA 1913of traditional Nunnery form with decorativestems and small pointed bowls, in originalfitted case, stamped maker’s mark AR/ IONA,hallmarked Birmingham 1913 (6)each 7.5cm long£600-800

292 HD165/3ALEXANDER RITCHIE (1856-1941)TWO SCOTTISH PROVINCIAL SILVER NAPKINRINGS, 1930seach ring cast with entwined Celtic beasts andknotwork, one with stamped marks A.R. IONA/ICA, hallmarked Birmingham 1934, 4.5cmdiameter; the other stamped AR andhallmarked Glasgow 1933, 4.9cm diameter (2)£300-500

293 HC916/1MANNER OF CHRISTOPHER DRESSERWALKER & HALL ELECTROPLATED SUGARBASIN AND SPOON, LATE 19TH CENTURYformed in the shape of a coal scuttle, withapplied ebonised wood handle, the spoonwith reciprocal handle, stamped maker’smarks No. 5201712cm high, 15cm long£200-300

289 HD91/108AWMF (WURTTEMBERGISCHE METALLWARENFABRIK)PAIR OF ART NOUVEAU SILVER PLATE VASES, CIRCA 1900each modelled as a boy fishing with a mermaid watchingon one and a merman on the other holding a fish,further embellished with fish and aquatic foliage, eachwith stamped maker’s marks WMF (2)28.5cm high£600-800

291 HD165/4ALEXANDER RITCHIE (1856-1941)SCOTTISH PROVINCIAL SILVER BELT BUCKLE,CIRCA 1926comprised of two sections, each cast andpierced with a foliate design, stamped marksIONA/ AR, hallmarked Glasgow 192611cm wide, 5cm highLiterature:MacArthur, Mairi E. ‘Iona Celtic Art’, Iona 2003, p. 71illus.

£500-700

294 HD158/1ART NOUVEAU SILVER PHOTOGRAPHFRAMECIRCA 1904of rectangular form, decorated with sinuousflowering plants on a textured ground,hallmarked Chester 1904, 18cm x 14cm; alsoan ART NOUVEAU STYLE SILVER PHOTOFRAME, with flowering foliate decoration,hallmarked Birmingham 1998, 20cm x 26cm(2)£300-400

295 HC762/2CHARLES S. GREEN, BIRMINGHAMEDWARDIAN SILVER-FRONTED PHOTOGRAPHFRAME, CIRCA 1904die-stamped to one side with a girl feedingbirds from a basket, the other side with aseated child at the foot of a tree whosebranches hung with pears spread across topof frame, wood easel back, hallmarkedBirmingham 190525cm x 19cm£300-500


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296 HB520/1JOHAN ROHDE (1856-1935) FOR GEORG JENSENLARGE SILVER CENTREPIECE BOWL, DESIGNED CIRCA 1916with lightly hammered surface, the circular bowl witheverted rim raised on scrolling foliate supports with centralfloral finial, the whole raised on a circular stepped base,stamped maker’s marks under base DESSIN/ 925.S/DENMARK/ STERLING/ 19628.5cm diameter, 20cm high£2,500-3,000

297 HD178/1GEORG JENSEN (1866-1935)PAIR OF ‘GRAPES’ PATTERN CANDLESTICKS,NO. 263A, DESIGNED CIRCA 1918each with spiral twisted stem embellishedwith pendant grapes, on a circular base,stamped marks GEORG JENSEN/ DENMARK/STERLING/ 263A (2)15.2cm high£3,000-5,000

298 HD178/2HARALD NIELSEN (1941-2015) FORGEORG JENSENSET OF EIGHT SILVER GOBLETS, NO. 532A,DESIGNED 1928each with lightly hammered surfaces,openwork bead and tendril stems onspreading bases, bases with stamped marksGEORG JENSEN/ HN/ DENMARK/ STERLING/532A (8)12.5cm high£2,000-3,000

299 HB518/2HARALD NIELSEN (1941-2015) FOR GEORGJENSENTWO 'PYRAMID' PATTERN THREE-PIECECONDIMENT SETS, 1920s/ 30seach of spherical form, comprising two each ofsalts, 4.5cm high; peppers, 4.5cm high; and liddedmustard pots with glass liners, 6.5cm high, themustard pots with import marks for 1938 and1928, stamped marks GJ/ Ld/ 632/ 925S/STERLING/ DENMARK, combined weight: 11.5oz (6)£1,000-1,500



300 HD166/2ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO.,LONDON‘CYMRIC’ SILVER & ENAMELCORONATION SPOON, 1901the enamelled ovoid bowl withcast Celtic knotwork andinscription ANNO/ CORON:/ ER VII,the stem with pierced and castreciprocal design, stampedmaker’s marks L&Co/ CYMRIC,hallmarked Birmingham 190116cm long£1,200-1,800

301 HD166/1ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO.,LONDON‘CYMRIC’ SILVER & ENAMELCORONATION SPOON, 1901the pointed ovoid bowl with castCeltic knotwork and crown, andwith inscription AC/ ER VII, thestem with pierced and castreciprocal design, stampedmaker’s marks L&Co/ CYMRIC,hallmarked Birmingham 190112.3cm long£1,000-1,500

302 HD166/4ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO.,LONDON‘CYMRIC’ SILVER CORONATIONSPOON, 1901the ovoid bowl with cast andpierced Celtic knotwork andcrown, and with inscription AC/ ERVII, the stem with reciprocalpierced and cast design, stampedmaker’s marks L&Co/ CYMRIC,hallmarked Birmingham 190116.5cm long£400-600

303 HD166/3ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO.,LONDON‘CYMRIC’ SILVER & ENAMELCORONATION SPOON, 1901the enamelled ovoid bowl withcast inscription AC/ 1902/ ER VII,the reeded and tapered stem withtextured knot, stamped maker’smarks L&Co/ CYMRIC, hallmarkedBirmingham 190111cm long£800-1,200

304 HD91/95DARCHIBALD KNOX (1864-1933)FOR LIBERTY & CO., LONDONPAIR OF ‘TUDRIC’ PEWTERCANDLESTICKS, CIRCA 1900each with tapered columns and threebracket supports raised on aspreading base cast with stylised plantforms, stamped maker’s marksTUDRIC 0221 (2)14.5cm high£250-400

305 HD91/95EARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO.,LONDON‘TUDRIC’ PEWTER CHAMBER CANDLESTICK, CIRCA 1905of circular outline, the candle sconce with removable nozzle,the tray cast with stylised seeds and plant tendrils, and setwith two turquoise enamel roundels, stamped marksTUDRIC/ 052319cm across£200-300


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308 HD91/3AARCHIBALD KNOX (1864-1933) FORLIBERTY & CO., LONDONPAIR OF ‘TUDRIC’ PEWTER CANDELABRA,CIRCA 1905each twin-branch with removable sconcessupported on column with openwork leavesand berries, the pierced base embellishedwith variegated leaves, stamped 5/ 0530 withregistration marks for 1905 (2)28cm high£1,000-1,500

307 HD91/95BARCHIBALD KNOX (1864-1933) FOR LIBERTY &CO., LONDONPAIR OF ‘TUDRIC’ PEWTER CANDLESTICKS, CIRCA 1905with hammered finish, each with bullet shaped nozzlesand broad drip trays on three shaped supports on awide circular base cast with stylised plant forms, eachwith stamped maker’s marks TUDRIC PEWTER/ O223 (2)23cm high£400-600

306 HD91/95AARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO.,LONDONPAIR OF ‘TUDRIC’ PEWTER CANDLESTICKS, CIRCA 1905each with bullet shaped nozzles and broad drip trays on threeshaped supports on a wide circular base cast with stylised plantforms, each with stamped maker’s marks TUDRIC/ O223 (2)23cm high£400-600



309 HD91/74DARCHIBALD KNOX (1864-1933) FORLIBERTY & CO., LONDON‘TUDRIC’ HAMMERED PEWTER VASE,CIRCA 1905of cylindrical tapered form, with three angularscrolled bracket supports, stamped marksENGLISH PEWTER 022723cm high£150-250

311 HD91/68BARCHIBALD KNOX (1864-1933) FORLIBERTY & CO., LONDONPAIR OF ‘TUDRIC’ PEWTER BULLET-SHAPEDVASES, CIRCA 1905each cast with stylised plant forms and raisedon three angular brackets, stamped marksENGLISH PEWTER/ 0226 (2)19cm high£200-300

312 HD91/68CARCHIBALD KNOX (1864-1933) FOR LIBERTY &CO., LONDONPAIR OF ‘TUDRIC’ PEWTER CANDLESTICKS, CIRCA 1905each with detachable sconces, cast with Celtic knots,stamped marks ENGLISH PEWTER/ 08 (2)15.5cm high£400-600

314 HD91/68DARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO.,LONDON‘TUDRIC’ PEWTER AND ENAMEL INKWELL, CIRCA 1905the well with hinged cover (liner lacking), the tray of oval shape castwith whiplash stylised plant forms and set with blue enamel panels,stamped marks TUDRIC/ 040423cm across£250-350

313 HD91/68EARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON‘TUDRIC’ PEWTER INKWELL, CIRCA 1905the well with hinged cover enclosing the glass liner, the tray of ovalshape cast with whiplash stylised plant forms, stamped marks ENGLISHPEWTER/ 040423cm across£150-250

310 HD91/74BARCHIBALD KNOX (1864-1933) FORLIBERTY & CO., LONDONPAIR OF ‘TUDRIC’ TUDRIC PEWTER VASES,CIRCA 1900each of tapering form with an embossed bandof ivy leaves above stylised handles on acircular base, glass liners lacking, impressedmarks ENGLIAH PEWTER/ 0957 (2)21.5cm high£200-300


76 Lyon & Turnbull

317 HD91/39CARCHIBALD KNOX (1864-1933)FOR LIBERTY & CO., LONDONPAIR OF ‘TUDRIC’ TWIN-HANDLEDPEWTER VASES, CIRCA 1900each with ovoid bowls, cast withconjoined oval panels and raised on amoulded stem with spreading base,applied whiplash foliate handles,stamped marks TUDRIC 029 (2)25cm high£300-500

318 HD91/21AARCHIBALD KNOX (1864-1933) FORLIBERTY & CO., LONDON‘TUDRIC’ BULLET-SHAPED VASE, CIRCA 1905decorated with a cast frieze of stylised plantforms, on three angular brackets, stampedmarks ENGLISH PEWTER/ 0927/ MADE INENGLAND28.5cm high£250-350

315 HD91/62AARCHIBALD KNOX (1864-1933) FORLIBERTY & CO., LONDON AND JAMESCOUPER & SONS, GLASGOW‘TUDRIC’ PEWTER AND ‘CLUTHA’ GLASS COUPE,CIRCA 1903the shaped bowl with aventurine and white swirls,the foliate cast pierced support on three finnedlegs, stamped marks ENGLISH PEWTER/ 027620cm diameter, 16cm high£1,000-1,500

316 HD91/38AARCHIBALD KNOX (1864-1933) FORLIBERTY & CO., LONDONPAIR OF ‘TUDRIC’ PEWTER AND ENAMELCIRCULAR DISHES, CIRCA 1905each with serrated rims, enclosing caststylised whiplash foliage and centred with atriangular turquoise enamelled panel,stamped marks TUDRIC/ 044 (damages toone enamel panel) (2)26cm diameter£400-600



321 HD91/3CARCHIBALD KNOX (1864-1933) FORLIBERTY & CO., LONDON‘TUDRIC’ PEWTER CANDLESTICK GARNITURE,CIRCA 1905comprising a PAIR OF CANDLESTICKS, eachwith bullet shaped nozzles and broad driptrays on three shaped supports on a widecircular base cast with stylised plant forms,23cm high; and a SINGLE TALL CANDLESTICK,of the same design, 30cm high, each withstamped maker’s marks TUDRIC/ O223 (3)£600-800

322 HC941/1ARCHIBALD KNOX (1864-1933) FORLIBERTY & CO., LONDON‘TUDRIC’ PEWTER AND ENAMEL CLOCK,CIRCA 1902the circular copper and enamel dial with singletrain Lenzkirch movement, within domed casewith cast stylised plant decoration and appliedenamel roundels, stamped marks TUDRIC/037020.5cm highLiterature:Martin, Stephen A. ‘Archibald Knox’, London, 2001, p.239

£3,000-4,000

319 HD91/21BARCHIBALD KNOX (1864-1933) FORLIBERTY & CO., LONDON‘TUDRIC’ PEWTER TWIN-HANDLED BOWL,CIRCA 1903cast to the sides with a frieze of stylised plantforms, and raised on bracket feet, stamped marksTUDRIC/ 0229, registration mark for 190329cm across£300-500

320 HD91/21CARCHIBALD KNOX (1864-1933) FORLIBERTY & CO., LONDONPAIR OF ‘TUDRIC’ PEWTER CANDLESTICKS,CIRCA 1905the circular sconces raised on four shapedcolumns and a moulded open square base,stamped marks TUDRIC 0222 (2)10cm high£300-500


78 Lyon & Turnbull

323 HD91/74EDAVID VEAZEY FOR LIBERTY & CO. LONDON‘TUDRIC’ PEWTER TWIN-HANDLED ROSE BOWL,CIRCA 1900decorated with stylised plant forms around the bodyand bearing inscription THE MUSK OF THE ROSE ISBLOWN AND THE WOODBINE SPICES ARE WAFTEDABROAD, stamped marks TUDRIC/ 01131cm across£250-350

324 HD91/74ADAVID VEAZEY FOR LIBERTY & CO.,LONDON‘TUDRIC’ PEWTER TWIN-HANDLEDTANKARD, CIRCA 1900cast with a frieze of Honesty and bearinginscription FOR OLD TIMES SAKE, stampedmarks, TUDRIC 01020cm high£250-350

325 HD91/97AOLIVER BAKER FOR LIBERTY & CO.,LONDONLARGE ‘TUDRIC’ PEWTER BOWL, CIRCA 1900of hammered circular form, with five shapedbrackets, formed as stylised plant uprightswhich terminate in pad feet, stamped marksENGLISH PEWTER/ MADE BY LIBERTY & CO/01029, 28cm diameter; and another LARGE‘TUDRIC’ PEWTER BOWL, designed by OliverBaker, the hammered bowl with four shapedbrackets on trefoil pad feet, stamped marksTUDRIC PEWTER/ 067, 34cn diameter (2)£300-500

326 HD91/95CLIBERTY & CO., LONDONPAIR OF ‘TUDRIC’ PEWTER CANDLESTICKS,CIRCA 1900each with cast serrated drip trays abovetapered columns and leaf-cast circular bases,stamped marks ENGLISH PEWTER 023, 14cmhigh; and a PAIR OF ARTS & CRAFTSHAMMERED PEWTER CANDLESTICKS, stampedmaker’s marks, 17cm high (4)£200-300

327 HD91/3BLIBERTY & CO., LONDONPAIR OF ‘TUDRIC’ POLISHED PEWTERCANDLESTICKS, CIRCA 1900each of stylised 17th century design, withturned stems set with four projecting curvedvertical brackets, on a circular spreading foot,stamped marks TUDRIC PEWTER/ O1228,26cm high; also a TUDRIC PEWTER TANKARD,stamped marks TUDRIC 066, 11cm high; aLIBERTY & CO PEWTER VASE, cast with plantforms and pierced to the sides (glass linerlacking), stamped marks ENGLISH PEWTER/01040, 13.5cm high; and a KESWICK SCHOOLOF INDUSTRIAL ARTS POLISHED PEWTER TRAY,stamped marks, 30.5 x 20.5cm (5)£300-500

328 HD91/9ADAVID VEAZEY FOR LIBERTY & CO.,LONDON‘TUDRIC’ PEWTER TWIN-HANDLED TANKARD,CIRCA 1900cast with a frieze of Honesty and bearinginscription FOR OLD TIMES SAKE, stampedmarks, TUDRIC 01020cm high£150-250

329 HD91/106BCONTINENTAL ART NOUVEAU PEWTERMOUNTED DECANTER AND STOPPERCIRCA 1900the ribbed green glass body of slendertapering form, with pewter mounts, cast withwhiplash foliage, 39cm high; also aCONTINENTAL ART NOUVEAU PEWTERMOUNTED GLASS VASE, the ribbed green glassbody with frilled rim, the mounts cast asflowering foliage, stamped maker’s marks1630, 28.5cm high (2)£200-300

330 HD91/179MANNER OF JOSEPH MARIA OLBRICHART NOUVEAU TWIN-BRANCHCANDELABRUM, CIRCA 1900cast with stylised plant forms, unmarked,26.5cm high; an ORIVIT PEWTER MOUNTEDCERAMIC VASE, of bottle form, the red-glazedvase painted with green tendrils, the mountscast with fruiting boughs, stamped marks“ORIVIT”/ 2506, 16cm high; and an ANDREVILLIEN PEWTER BEAKER, of tapered form,cast to the base with lily pads, signed to thebody A. VILLIEN, stamped maker’s marks,17cm high (3)£200-300


331 HD91/142FIVEMILETOWN, COUNTY TYRONEARTS & CRAFTS BRASS FENDER, CIRCA 1895pierced and repousse decorated to three sideswith panels of opposed squirrels with acornbranches146cm wide, 31cm high, 47cm deepLiterature:Larmour, Patrick ‘The Arts & Crafts Movement inIreland’, p. 42 where a similar example is illustrated.

£800-1,200

332 HD91/27JOHN PEARSON (FL. 1885-1910)COPPER CANDLE SCONCE, DATED 1896repoussé decorated with stylised floweringfoliage, the ovoid back plate above twin candlearms with candle nozzles, chased makersmarks J.P./ 189639cm high£500-700

333 HD91/180KESWICK SCHOOL OF INDUSTRIALARTSCOPPER FRAMED WALL MIRROR, CIRCA 1900of octagonal form, repousse decorated withflowering roses and enclosing a mirroredplate, stamped marks KSIA68cm diameter£300-500

334 HD161/6ARTS & CRAFTS COPPER WALL SCONCECIRCA 1900of oval outline, repousse decorated with aband of foliate motifs, hearts and spheres,with two candle arms48cm x 46cm£150-250

335 HD34/10HUGH WALLIS (1871-1943)INLAID COPPER TWIN HANDLED VASE,CIRCA 1910the hammered ground, inlaid with a silveredband of fruiting bands, stamped monogramHW26cm high£150-250

Decorative Arts & Design 79


80 Lyon & Turnbull

336 HD177/2RICHARD LLEWELLYN RATHBONE(1864-1939)LARGE BRASS CANDLESTICK, 1896with a large drip tray above the cylindricalstem and domed base embellished withraised bosses, marked RATHBONE 107 189618cm high, 17cm diameterLiterature:A similar candlestick is illustrated in the article ‘AWorker in Metal’, The Artist, vol. 17 (January-June1896, page 134)

£400-600

337 HD177/3ALBERT EDWARD JONES (1878-1954)PAIR OF COPPER CANDLESTICKS, CIRCA 1905each with a waisted sconce and circular driptray above a slender column and slightlydomed foot, monogrammed (2)30.5 cm high£300-500

338 HC938/78LARGE ARTS & CRAFTS COPPER JUGCIRCA 1900of squat baluster form, with hammered finish,boldly repousse decorated with abstractedorganic forms35cm high£300-500

339 HD170/4CHRISTOPHER DRESSER (1834-1904)FOR KENRICK & SONSCAST IRON TRIVET, CIRCA 1890of tapered outline with handle and three legs,the surface cast with a foliate design, castmarks KENRICK & SO*/ NO8/ Rd1503223cm long£200-300

340 HD186/2GLASGOW STYLE BRASS CHARGERCIRCA 1900of circular form, repousse decorated with aband of Celtic knotwork49cm diameter£200-300

341 HD38/1]FOUR ARTS & CRAFTS COPPERCHARGERSLATE 19TH/ EARLY 20TH CENTURYcomprising a BIRMINGHAM GUILD CHARGER,stamped with fruiting buds, stamped maker’smarks THE BIRMINGHAM GUILD LTD./ENGLAND, 37.5cm diameter; a KESWICHSCHOOL OF INDUSTRIAL ARTS CHARGER,repousse decorated with fruiting boughs,stamped marks KSIA, 43cm diameter; an ALMSDISH, in the 16th century manner, 46cmdiameter; and a SMALL CHARGER, repoussedecorated with a foliate design, 32.5cmdiameter (4)£250-350

342 HD91/21LIBERTY & CO., LONDONBRASS FRAMED OVAL WALL MIRROR,CIRCA 1900of oval outline set with four Ruskin cabochons,bears ivorine label LIBERTY/ LONDON60cm wide, 52cm high£300-500

343 HC777/1ATTRIBUTED TO MARGARET GILMOURARTS & CRAFTS BRASS BLOTTER, CIRCA 1900repousse decorated to the angles with panelsdepicting fuchsia blossoms45cm x 29.5cm£200-300



345 HD91/158ATTRIBUTED TO PETER WYLIEDAVIDSONBRASS WALL CLOCK, CIRCA 1910the dial with scrolled edges, repoussédecorated with chapter ring and paneldepicting a galleon in full sail, and a flock ofswallows in flight, bears the inscription TIME &TIDEdial 38cm wide, 48cm high£250-400

344 HD177/5ALEXANDER RITCHIE (1856-1941)REPOUSSÉ DECORATED BRASS BOX AND COVER,CIRCA 1920of rectangular form, the hinged cover decorated with asword, running dogs and griffins amongst knotwork18.5 cm wideLiterature:MacArthur, E. Mairi ‘Iona Celtic Art’, Iona 2003, p.25, plate 2awhere a similar example is illustrated.

£250-350

346 HB217/5GLASGOW STYLE BRASS WALL SCONCECIRCA 1900of circular outline with applied single candlearm and repoussé decoration depicting aband of butterflies44cm diameter£300-500

347 HD186/3GLASGOW STYLE BRASS WALL SCONCECIRCA 1900of circular outline, repousse decorated withthe figure of a moth amongst bluebells, withtwin candle arms41cm wide, 47cm high£300-500


82 Lyon & Turnbull

351 HD34/9ARTS & CRAFTS COPPER AND BRASSDESK TIMEPIECECIRCA 1910the single train movement within sphericalcase with cast numerals within easel framewith pierced fret and copper backplate24cm high£200-300

348 HB624/5MENNEVILLE, FRANCELARGE ART DECO CLOCK, CIRCA 1930the rectangular dial on a stepped marble andslate case surmounted by the patinatedspelter figure63.5cm long, 32cm high, 20.5cm deep£300-500

349 HB633/65JAEGER LE COULTRE, GENEVAAQUARIUM TIMEPIECE, MODEL NO.352.1960sthe clear Perspex case mounted with anaquarium scene on a black back on lacqueredbrass mounts, the chapter ring with batonmarkers to an exposed and jewelledmovement, original box20cm high£600-800

350 SV533/66JAEGER LE COULTRE, GENEVASWISS GILT-BRASS ‘ATMOS’ CLOCK, 1960sthe circular dial with applied gilt chapters andgilt hands, the movement of typical formsigned LE COULTRE23.5cm high£300-500


352 HD91/74AMBROSE HEAL (1872-1959) FORHEAL & SON, LONDONOAK AND INLAID BEDROOM SUITE,CIRCA 1900comprising a WARDROBE, with projectingcornice above a central section of two doorsand five drawers, flanked by four furtherdoors, chequer inlaid and with stylisedmarquetry decoration, 223cm wide, 195cmhigh, 54cm deep; a DRESSING CHEST, withcentral arched mirror enclosed by anarrangement of eleven drawers, 137cmwide, 202cm high, 56cm deep; and aTALLBOY, with two panelled doors withcorresponding inlay, above four drawers ona plinth, 65cm wide, 109cm high, 52cmdeep (3)£1,000-2,000

353 HD602/4ATTRIBUTED TO SIR ROBERT LORIMEROAK LOG BIN, CIRCA 1910of tapered form, with exposed joints to theangles and with pierced carrying handles50cm wide, 44cm high, 47cm deep£250-350

354 HD34/2MORRIS & CO.PAIR OF ‘SUSSEX’ ARMCHAIRS, CIRCA 1900each with spindle filled backs above openarms and rush seats, the turned legs linked bystretchers (2)55cm wide, 90cm high, 45cm deep£250-350

355 HD91/70ARTS & CRAFTSPAIR OF SUSSEX-TYPE BEECH OPENARMCHAIRSeach with four waved and pierced back rails,with a rush seat above turned legs united bystretchers (2)53cm wide, 99cm high, 44cm deep£200-300

Furniture: Part II


84 Lyon & Turnbull

356 HD177/1ARTHUR SIMPSON (1857-1922) OFKENDALPAIR OF MAHOGANY AND INLAID CHAIRS,CIRCA 1900each with four shaped splats inlaid with heartmotifs, above a green leather seat andtapered legs, united by stretchers (2)43cm wide, 99cm high, 43cm deepLiterature:Wright, Hugh ‘The Beautiful Furniture of the Simpsonsof Kendal’ Carlisle 2011, p. 81 illus. where a similarexample is illustrated.

£400-600

357 HB217/7E. G. PUNNETT FOR WILLIAM BIRCH LTD,HIGH WYCOMBEARTS & CRAFTS OAK HIGH BACKED ARMCHAIR,CIRCA 1901the serpentine top rail with pewter inlay above tallslated back and curved open arms, the shapedseat on square tapering lags linked by stretchers52cm wide, 117cm high, 42cm deep£800-1,200

358 HB217/6E. G. PUNNETT FOR WILLIAM BIRCH LTD,HIGH WYCOMBEARTS & CRAFTS OAK HIGH BACKED ARMCHAIR,CIRCA 1901the oval pewter inlaid top rail, above tall slattedback and moulded seat, the tapered square lagslinked by stretchers64cm wide, 131cm high, 44cm deep£800-1,200

360 HD602/3ERNEST ARCHIBALD TAYLOR(1874-1951)OAK SIDE CHAIR, CIRCA 1900the tall back with pierced top rail andcentral splat, raised above rushedseat on tapered legs linked bystretchers41cm wide, 106cm high, 38cm deep£300-500

359 HD602/10HEALS & SON, LONDONOAK SIDE CHAIR, CIRCA 1920with arched top rail with correspondinglattice back and drop-in seat, the wholeraised on square legs linked bystretchers48cm wide, 97cm high, 40cm deep£150-250



361 HA857/1SCOTTISH ARTS & CRAFTSOAK-FRAMED EMBROIDERED FIRE SURROUND,CIRCA 1900of rectangular outline with projecting dentil corniceand rectangular frame enclosing a crewelwork woolpanel worked with flowering foliage on a creamground and surrounding aperture for a fireplace119cm wide£500-700

364 HD91/107THREE ARTS & CRAFTS SUSSEX-TYPELADDERBACK OPEN ARMCHAIRSCIRCA 1900comprising two ebonised chairs, one with fivecurved rails, 54cm wide, 74cm high, 40cmdeep; the other with a curved back rail unitedby spindles, 52cm wide, 92cm high, 46cmdeep; and an oak chair, with a spindle-filledback, 56cm wide, 92cm high, 46cm deep; allwith rush seats (3)£200-300

363 HD91/50GEORGE JACK (1855-1931) FOR MORRIS & CO.MAHOGANY FRAMED ‘SAVILLE’ ARMCHAIR, CIRCA 1900the shaped back and seat upholstered in a green damaskfabric, with scrolling and spindle-filled outswept arms raisedon shaped legs66cm wide, 94cm high, 53cm deepLiterature:Hamerton, Ian ‘W.A.S. Benson’, Woodbridge 2005, p.35, plate 11

Note:A similar ‘Saville’ armchair with turned legs can be found in theentrance hall of Standen, Sussex.

£300-500

362 HA952/1ATTRIBUTED TO ARTHUR SIMPSON OF KENDALCOPPER BOUND OAK PLANTER, CIRCA 1900of square tapering form, the serpentine rim abovepierced pine cone and foliate carved motifs to each side,raised on crossed strut supports52cm wide, 56cm high£300-400


86 Lyon & Turnbull

367 HC955/1ARTS & CRAFTS MAHOGANY ‘MORRIS’ ARMCHAIRCIRCA 1910with an adjustable reclining back, the back and seat withloose cushions, the broad arms with spindle-filled panels,raised on square section legs85cm x 105cm x 50cm£700-900

366 HD91/76ARTS & CRAFTS MAHOGANY DESKCIRCA 1900with leather writing surface enclosed byhinged compartments and backed by aspindle gallery with central photograph frame,raised above two drawers on square supportslinked by stretchers98cm wide, 109cm high, 53cm deep£300-500

365 HD34/1WILLIAM BIRCH, HIGH WYCOMBESET OF SIX OAK DINING CHAIRS, CIRCA 1900each with broad backs with turned and reededuprights above rush seats on correspondingturned legs linked by stretchers (6)43cm wide, 100cm high, 40cm deep£400-600

368 HC690/5ARTS & CRAFTS MAHOGANYWARDROBECIRCA 1900with central mirrored door flanked bytwo panel doors with marquetry inlayabove three drawers on tapered legs,brass ring handles with mother-of-pearl inlay212cm wide, 213cm high, 60cm deep£400-600

369 HB589/1LIBERTY & CO., LONDONARTS & CRAFTS OAK ARMCHAIR,CIRCA 1900the leather upholstered top rail, abovepierced splats and moulded seat, thesquare tapering legs linked bystretchers68cm wide, 106cm high, 42cm deep£200-300



370 HD91/83ARTS & CRAFTS OAK BUREAU BOOKCASECIRCA 1900with projecting cornice and pierced heart frieze,above single leaded and glazed door and openshelves with hinged fall below, enclosing a fittedinterior with two drawers below raised on bracketfeet118cm wide, 211cm high, 37cm deep£500-700

372 HB622/1SMALL ARTS & CRAFTS LEATHERCOVERED & BRASS MOUNTEDTABLE CABINETCIRCA 1900with twin doors tooled with stylisedplant forms, the decorative brasshinges with flower and foliate designs44cm wide, 46cm high, 28cm deep£200-300

373 HC50/2ARTS & CRAFTS MAHOGANYOCCASIONAL TABLEEARLY 20TH CENTURYprobably Shapland & Petter, therectangular green-tiled top raised onsquare tapered supports joined by alower tier with slide-out shelf51cm wide, 64cm high, 51cm deep£200-300

371 HD91/6ARTS & CRAFTS MAHOGANY WRITING DESKCIRCA 1900probably Maples, with folding writing surface, thesuperstructure with arrangement of cupboards anddrawers above a single drawer and open shelf below69cm wide, 136cm high, 41cm deep£200-300


88 Lyon & Turnbull

374 HD91/121ARTS & CRAFTS OAK BUREAU BOOKCASECIRCA 1900with twin glazed and leaded doors flanked by decorativepierced brackets and above a sloping fall with arrangementof drawers and shelves below108cm wide, 184cm high, 51cm deep£300-500

375 SV533/27MANNER OF PHILIP WEBBARTS & CRAFTS MAHOGANY RECLINING ARMCHAIR,LATE 19TH CENTURYthe adjustable back with loose cushion above curvedspindle-filled arms enclosing loose seat cushion, the wholeraised on square front supports, brass caps and castors61cm wide, 94cnm high, 40cm deep£800-1,200

376 HD596/1ARTS & CRAFTS OAK DRESSING TABLECIRCA 1900with rectangular mirror flanked by slattedupright supports above a stepped top andarrangement of five drawers, bears retailer’slabel112cm wide, 154cm high, 54cm deep£400-600

377 HD602/6ARTS & CRAFTS OAK LIBRARY TABLECIRCA 1920the rectangular top above square legs linkedby a lower tier with dividers63cm wide, 73cm high, 55cm deep£200-300

378 HD91/116LIBERTY & CO., LONDONARTS & CRAFTS OAK BUREAU BOOKCASE,CIRCA 1910with central sloping fall above single drawerand two panelled doors, flanked by openbookshelves143cm wide, 119cm high, 41cm deep£200-300

379 HD91/9ARTS & CRAFTS OAK BUREAUCIRCA 1900with sloping fall enclosing a fitted interior,with open shelves below and with pierceddecoration84cm wide, 112cm high, 35cm deep£150-250

380 HD91/16ARTS & CRAFTS OAK BUREAUCIRCA 1900with sloping fall enclosing a fitted interior,with open shelves above and below and withpierced stylised plant form decoration169cm wide, 130cm high, 35cm deep£200-300

381 HD91/95LIBERTY & CO., LONDONARTS & CRAFTS OAK SIDE CABINET,CIRCA 1910with pierced upstand and stepped top abovean open shelf and single glazed door, thepierced sides with glass backed cut-out plantmotifs, enclosing bookshelves85cm wide, 139cm high, 38cm deep£200-300



382 HB371/2EDWARD BARNSLEY (1900-1987)WALNUT CHEST OF DRAWERS, DESIGNED 1982with boxwood stringing, with two short over three longgraduated drawers85cm wide, 92cm high, 53cm deepNote:inscription under one drawer “This chest of drawers wasdesigned by Edward Barnsley - 1982- for Christopher H.C.Edwards - and made in the Froxfield Workshop by OskarDawson / Edward Barnsley 1983”

£1,200-1,800

384 HB371/4EDWARD BARNSLEY (1900-1987)WALNUT SIDEBOARD,LATE 20TH CENTURYof bowed form with boxwoodstringing and ledge back, with threedrawers, two fitted for cutlery, abovea bowed stretcher and squaremoulded legs, stamped to drawerBARNSLEY168.5cm wide, 89cm high. 52cm deep£1,200-1,800

383 HD594/2TIM STEAD (1952-2000)PINE DINING TABLE, LATE 20TH CENTURYwith shaped rectangular top on twin columnsupports linked by a stretcher182m long, 76m high, 73m deep£800-1,200


90 Lyon & Turnbull

385 HD594/1TIM STEAD (1952-2000)ELMWOOD SETTEE, LATE 20TH CENTURYthe broad planked back and arms above awoven seat base raised on planked supports176cm wide, 112cm high, 53cm deep£1,000-1,500

386 HC837/1TIM STEAD (1952-2000)PINE DINING TABLE AND FOUR MAHOGANY CHAIRS,LATE 20TH CENTURYthe table with shaped rectangular top on twin columnsupports linked by a stretcher, 193cm long, 78cm high, 77cmdeep; and FOUR DINING CHAIRS, each with splat backsabove moulded seats on shaped square legs linked bystretchers, 41cm wide, 106cm high, 38cm deep (5)£1,200-1,800

387 HC837/2TIM STEAD (1952-2000)PINE AND MIXED WOOD INLAID COFFEETABLE, LATE 20TH CENTURYthe rectangular top with abstract inlay raisedon square legs90cm long, 56cm high, 49cm deep£200-300


388 HD177/4W.A.S. BENSON (1854-1924) ANDJAMES POWELL & SONSPAIR OF BRASS AND GLASS HANGINGLIGHTS, CIRCA 1890each with an open frame comprising of withthree suspensions, fitted with a frosted glassshade by James Powell & Sons, wired forelectricity (2)42cm high approx.£1,500-2,000

389 HC762/1ART NOUVEAU PATINATED SPELTERELECTROLIERCIRCA 1900cast as a naked winged nymph, holding aloftthree leafy branches, each terminating in lightfittings, hanging chain and leafy ceiling rose36cm high (excluding hanging chain), 57cm long£500-700

390 HD91/169ART NOUVEAU GILT METAL TABLELAMPCIRCA 1900cast with whiplash leafy tendrils and centralflowerhead on spreading openwork base,38cm high; and another ART NOUVEAU BRASSTABLE LAMP, the textured mushroom shadeset with amber glass ‘stones’, the openworkbase cast with flowering whiplash foliage,40cm high (2)£300-500

391 HD91/25DART NOUVEAU BRASS STANDARDLAMPCIRCA 1900the central brass column with whiplash foliatebrackets and scrolling tripod base, paw feet49cm diameter, 127cm high£200-300

392 HD68/7ARTS & CRAFTS STEEL EXTENDINGWALL LIGHTCIRCA 1910with two frosted shades set within taperedbaskets supported by scrolling brackets and ahinged arm with wall plate84cm long, (fully extended), 18cm highProvenance:Dunecht House, Aberdeenshire

£200-300

393 HD59/1ARTS & CRAFTS LEADED GLASS ANDSHELL INLAID PLAFONNIEREARLY 20TH CENTURYwith circular silvered collar holding a stainedand leaded glass shade inlaid with shells40cm diameter, 22cm high£250-350

Lighting


92 Lyon & Turnbull

394 HC839/4JEAN PERZEL (1892-1986)PAIR OF ART DECO PATINATED BRASS WALLAPPLIQUES, CIRCA 1930each with a frosted glass outer shade anddished uplighter above a graduatedsegmented glass support, each signed J.PERZEL (2)each 23cm high, 55cm wide£3,000-5,000

395 HC839/7PAIR OF ART DECO FROSTED GLASSWALL APPLIQUESCIRCA 1930with chromium plated mounts, the shadeswith ribbed surface (2)14cm wide, 78cm high£1,000-1,500

396 SV405/22MANNER OF POUL HENNINGSENARTICHOKE STYLE PENDANT LIGHT FITTINGof ovoid form comprised of overlapping‘leaves’50cm wide, 50cm high£100-200

397 HD10/1VICO MAGISTRETTI (1920-2006) FORO-LUCE, ITALYATOLLO’ TABLE LAMP, DESIGNED 1977white lacquered metal68cm high£200-300

398 HD10/2VICO MAGISTRETTI (1920-2006) FORO-LUCE, ITALYATOLLO’ TABLE LAMP, DESIGNED 1977black lacquered metal68cm high£200-300

399 HC902/27TWO SMOKED GLASS AND CHROMECEILING LIGHTS1970seach of ovoid form with multiple glass floretshades and chromium supports (2)51cm wide, 60cm high£300-500

400 HB481/1POUL HENNINGSEN (1894-1967) FORLOUIS POULSEN, DENMARKLARGE PAIR OF ‘CHARLOTTENBORG’ PH-6 1/2LIGHTS, 1960seach of concentric finned design, enamelledmetal (2)66cm diameter, 50.75cm high£600-800


402 HD12/4BRUNO ZACH (1891-1935)COLD-PAINTED BRONZE FIGURE, CIRCA 1920cast as a girl, wearing gloves, a fringed skirt andgartered stockings, raised on a stepped oval marbleplinth, signed in the bronze B. ZACH39cm total height£1,000-1,500

401 HD12/1FRANZ BERGMANN (1861–1936)COLD-PAINTED BRONZE ORIENTAL FIGUREGROUP, CIRCA 1910cast as four Arabic boys, seated and standingon a palm tree and raised on a naturalisticbase, cast maker’s marks 488819cm high, 25cm across approx.£1,200-1,800

403 HD12/2FRANZ BERGMANN (1861–1936)COLD-PAINTED BRONZE FIGURE, CIRCA 1910cast as an Arabic man, with walking cane,stamped maker’s marks to robe of figure£400-600

405 HD602/5ART NOUVEAU PLASTERBUSTCIRCA 1900modelled as a young womanwith flowing hair42cm high, 30cm wide£200-300

406 HD50/2EMMANUEL FREMIET(1824-1910)BRONZE FIGURE OF A CATFEEDING ITS KITTENSsigned in the bronze E. FREMIET19cm across£150-250

Sculpture

404§ HC938/83LENA BÖRJESON (1879-1976)‘THE CHANGELING’Bronze, signed in the bronze LENA BÖRJESON31.5cm high£500-800


410§ SV547/158IRÉNÉE ROCHARD (FRENCH 1906-1984)‘ARAMIS’ BRONZE FIGUREBronze, signed in the bronze I. ROCHARD andinscribed to the base ARAMIS, 14cm long;BRONZE FIGURE OF A HARE, 9cm across; and aBRONZE FIGURE OF A FROG, 12cm long, eachsigned in the bronze I. ROCHARD (3)£300-500

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407§ HD163/2EDOUARD-MARCEL SANDOZ(1881-1971)‘LAPIN BIJOU’ BRONZE FIGUREsigned in the bronze ED. M. SANDOZ/ SUSSEFRES EDTES PARIS5.6cm long£400-600

409 SV547/159RICCARDO SCARPA (1905-?)OWL FIGUREBronze, signed in the bronze, edition number2/4, cm high; and SALLY ARNUP (B. 1930)DUCKLING, bronze figure, signed in thebronze, edition number VII/X, 10.5cm high (2)£150-250

408§ SV547/163SIRIO TOFANARI (ITALIAN, 1886-1969)OWL FIGUREBronze, signed in the bronze£300-500

411 HC886/4A.E. LEJEUNE (AEL)‘BONZO DOG’, THE TELCOTE PUP CARMASCOT OR HOOD ORNAMENT,CIRCA 1925nickel plated on brass, on brass mountand later turned wood base, mouldedmark BONZO to the left leg, makersmark COPYRIGHT/ AEL9cm high, total height, 14cm£200-300

412§ SV547/153ABENNO SCHOTZ (1891-1984)‘JOHNY’Bronze bust, signed in the bronzeBENNO SCHOTZ, raised on a steppedhardwood plinthtotal height, 27cmProvenance:William J. Macaulay Collection

Exhibited:Aitken Dott & Son, Edinburgh, Jan-Feb 1979,Cat. No. 60

£300-500

413§ HA795/9BENNO SCHOTZ (1891-1984)JAMES KEIR HARDIEPlaster maquette with bronzed patination, unsigned60cm highNote:James Keir Hardie (1856-1915) was one of the main founders of theLabour party. Benno Schotz was commissioned to produce a bust ofHardie, which was to stand in front of the council house in OldCumnock. Later casts were ordered for his constituency in Wales, onefor the House of Commons and one for Glasgow. Schotz then decidedto conceive a small maquette for a statue of Keir Hardie which was putforward as a memorial to him in 1957 and sent to the Labourconference for approval. However, the maquette was rejected, becauseaccording to Schotz ‘I gave Keir Hardie big hands, clumsy shoes, an oldsuit, all the things that made him look a worker.’

£600-800



415§ HC956/10THOMAS WHALEN (1903-1975)MANGERcarved stone43cm wide, 104cm high,14.5cm deep£300-500

414§ HC874/1TIM STEAD (1952-2000)‘FATHOM’ WOOD SCULPTURE, 1998signed and dated verso TIM STEAD/“FATHOM”/ 1998215cm long, 49cm wide£300-500

416§ HC865/5JENEPHER WENDY ROSS (b. 1937)FLOWERHEADPhosphate bronze, raised on a woodenplinth base58cm high without plinth, 76cm totalheightProvenance:Commissioned for the Glasgow Garden Festival,1988

£300-500

416A HC772/3JULIUS PAUL SCHMIDT-FELLING(GERMAN 1895-1930)YOUNG GIRL WITH RAKEInscribed with signature, bronze brown patinaraised on a polished base24cm (9.5in) (including base)£300-500


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418§ SV547/99WILLIAM A. HEPWORTH (1934-2014)THREE BRONZE FIGURES, LATE 20TH CENTURYKESTREL ON A BRANCH, bronze, unsigned,22cm high; FIGURE OF A DOVE, bronze, signedin the bronze W.A. HEPWORTH, 17cm high;STANDING HARE, bronze, signed in the bronzeW.A. HEPWORTH and dated 1980, 18cm high(3)Note:Known for his wildlife bronzes and establishing theAlyth Art Foundry, Bill Hepworth was commissioned toproduce public sculptures throughout Scotlandincluding the J.D Fergusson Torso De Femme and theQueen Mother Memorial gates at Balhousie Castle forThe Black Watch.

£400-600

419§ SV547/171WILLIAM A. HEPWORTH (1934-2014)SQUIRREL ON A BRANCH,LATE 20TH CENTURYBronze, signed W.A. HEPWORTH, and dated1989, 29cm high; EAGLE ON A BRANCH,bronze, signed in the bronze W.A. HEPWORTH3/25, 20cm high; and STANDING HERON,bronze, signed in the bronze W.A. HEPWORTH,22cm high (3)£300-500

420§ SV547/99AWILLIAM A. HEPWORTH (1934-2014)‘LUCIUS’, BRONZE FIGURE OF A HORSE,LATE 20TH CENTURYsigned in the bronze W.A. HEPWORTH, anddated 1987, 1/327cm high, 35cm long£200-300

417 HC938/79MAURICE PICAUD (PICO) (1900-1977)GILDED PLASTER RELIEF PANEL, CIRCA 1929moulded as a dancer, within an oak frame, thebrass plaque inscribed M. PICO64cm x 63cmNote:The present lot is a smaller version of the panelscreated by Pico in 1929 for the facade of the Folies-Bergère in Paris. Dancer Lila Nikolska posed for thesculpture.

£1,500-2,000


422A HC792/1MANNER OF PHOEBE ANNATRAQUAIRARTS & CRAFTS NEEDLEWORK TRIPTYCHPANEL, CIRCA 1900worked in gilt and coloured threads withthe central panel of an angel, flanked bytwo further panels depicting angels, thewhole within oak frame with gilded slipcentral panel, 45cm x 37cm, outer panels,45cm x 33.5cm£300-500

Textiles & Carpets

421 HD36/1LARGE GLASGOW STYLE ARTNOUVEAU SILKWORKEMBROIDERYATRRIBUTED TO MARY HOGG,CIRCA 1910the panel depicting two maidens in agarden bower of wisteria, roses andfuchsias, the whole enclosed withinstained oak frame, bearsembroidered initials MTH55cm x 94cmLiterature:MacFarlane, Fiona C., and Arthur, ElizabethF. ‘Glasgow School of Art Embroidery 1894-1920’, Glasgow Museums 1980, page 14

£1,500-2,000

423 HD177/9WILLIAM MORRIS (1834-1896)FOR MORRIS & CO.‘BIRD’ PATTERN WOVEN WOOLLENDOUBLE CLOTH PANEL, DESIGNED1878contained within an ebonised glazedframe95 x 77cm (frame)£200-300

424 HD602/7ARTS & CRAFTS EMBROIDEREDPANELCIRCA 1920worked in coloured threads with courtlymusicians on an unbleached linenground59cm high, 40cm wide£150-250

425 HC892/3COLLECTION OF FRENCH FABRIC SAMPLES1920s-1960scomprising: J. CLAUDE FRERES & CIE., PARIS, 13 VOLUMES,1953; J. CLAUDE FRERES & CIE., PARIS, 9 VOLUMES, 1930S;TEXTILES-PARIS-ECHOS, 8 VOLUMES, 1953; TEXTILES-PARIS-ECHOS, 1 VOLUME, NOV. 1963; CLAUDE JUBIN, LYON, 2VOLUMES, 1930S; SOCIÉTÉ DE FOURNITURES INDUSTRIELLES& COMMERCIALES, LYON, 8 VOLUMES; and a VARIETY OFFURTHER SAMPLES, contained in folders and albums;together with a copy of JACQUES DOURDIN, TEXTILESARTIFICIELS (qty)£300-500

422 HC417/1NANCY NICHOLSON (1899-1977)AND GEOFFREY TAYLOR (PHIBBS)(1900-1956)‘BLACK BIRD’, TWO PAIRS OF CURTAINS,DESIGNED 1931hand block printed on cotton, lined andinterlined with pleated pelmets and tiebacks in the same material (10)each curtain, 284cm x 156cmLiterature:Moore, Helena, ‘The Nicholsons: A Story of FourPeople and their Designs’, York City Art Gallery,1988, p.45 illus.

Note:Nancy Nicholson was the only daughter of theartists Sir William Nicholson and Mabel Pryde. Shehad three brothers, sculptor Ben Nicholson,architect Christopher Nicholson and Anthony, whowas killed in action in 1918 in the First World War.In 1929, after the break-up of her marriage toRobert Graves, Nicholson opened Poulk Prints inWiltshire, producing hand printed fabrics alongwith her then partner, the Irish poet GeoffreyTaylor.She moved her business into Motcomb Street,London in the 1940s and chose to maintain thebusiness on a small scale, being staunchlyprotective of her designs, and refusing to sell tolarge businesses such as Peter Jones.

£400-600


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426 HC956/9GEORGE BAIN (1881-1968) FOR QUAYLE &TRANTER LTD., KIDDERMINSTERCELTIC ‘HUNTING’ CARPET, CIRCA 1948the machine woven ivory field with central redoctagonal Celtic knotwork medallion surrounded byhuntsmen with dogs, deer, boar and horses within redand polychrome strapwork border270cm x 380cm£1,500-2,000

428 HC702/1GEORGE BAIN (1881-1968) FORQUAYLE & TRANTER LTD.,KIDDERMINSTERSMALL CELTIC ‘HUNTING’ WOOL RUG,CIRCA 1948the machine woven ivory field with central redoctagonal Celtic knotwork medallionsurrounded by huntsmen with dogs, deer,boar and horses within red and polychromestrapwork border192cm x 121cm£800-1,200

427 HD558/1ART DECO STYLE WOOL CARPETMID 20TH CENTURYwoven in pastel shades with a centralpanel of flowers450 x 365cm£300-500

429 HD161/4ARTS & CRAFTS DONEGAL RUGCIRCA 1920woven in pastel colours with a traditionalfoliate pattern within serrated border175cm x 89cm£150-200


430 HD91/86ALPHONSE MUCHA (1860-1939)FOR F. CHAMPENOIS, PARIS‘REVERIE’, VINTAGE LITHOGRAPH POSTER,CIRCA 1900printed in coloured inks, bears inscriptionF. CHAMPENOIS/ PARIS65cm x 49cm£400-600

431 HD602/8JEAN COCTEAU (1889-1963)LE TESTAMENT D’ORPHÉE, CIRCA 1960published by Bedos & Cei. Imp., Paris,framed lithograph66cm x 48cm£200-300

432 HB882/4GOLFING INTERESTART NOUVEAU ILLUSTRATION, CIRCA 1900pen and ink, signed with initials AB, withincarved and overpainted Art Nouveau frame44cm x 33cm£300-500

433 HB545/32JACK MERRIOTT (1901-1968)‘THE WEST HIGHLAND LINE’, ORIGINALPOSTER CIRCA 1959printed for BR(SR) by Stafford & Co Ltd,framed and glazed102 x 127cm£300-500

434 HD50/4AUGUSTE LEDOUX (1816-1869)COURTLY SCENEwatercolour, bodycolour and gilt, enclosedwithin elaborate cast brass and jewelledframe, signed and dated lower rightAUG.LEDOUX 184215.5cm x 7.5cm£200-300

435 HD67/14WASSILY KANDINSKY (1866-1944)‘DER SCHLEIER’, ‘KLÄNGE’ SUITE WOODCUT,CIRCA 1913monogrammed to lower right, in a glazedframe, with labels to verso, no. 23/30016.5 x 4cm (excluding frame)£150-250

436§ HD67/15CLARE LEIGHTON (1898-1989)TWO WOODCUT PRINTScomprising: ‘January - Lambing’ from ‘TheFarmer’s Year’ series, 1933, 21 x 27cm; and asmaller example depicting rolling hills, signedin pencil to lower right, 4.5 x 6cm (2)£150-250

Pictures & Works on Paper


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437 HC938/55ACHARLES ALTAMONT DOYLE(1832-1893)TEMPTATIONpen, ink and watercolour signed lower right CDOYLE20.5cm x 16.5cm£400-600

440§ HC509/1ELIZABETH MARY WATT (1886-1954)FOXGLOVE FAIRIESink and watercolour, signed lower rightELIZABETH MARY WATT30.5cm x 20cm£300-500 441 HC58/1

WILLIAM MCWHANNEL PETRIE(BRITISH 1870-1937)A GODDESS OF THE WOODSinscribed with signature, pastel on grey paper77.5cm x 109cm (30.5in x 43in)£400-600

438 HC938/55BCHARLES ALTAMONT DOYLE(1832-1893)TRAIN OF DREAMSpen, ink and watercolour, inscribed verso BYCHARLES ALTAMONT DOYLE15cm x 32cm£600-800

439 HC938/55CCHARLES ALTAMONT DOYLE(1832-1893)AT THE SHORE EDGEpen, ink and watercolour, inscribed verso C.A.DOYLE/ 18839cm x 36cm£400-600



442 HD65/5LOUIS WILLIAM WAIN (1860-1939)CAT WITH EYE PATCHink and watercolour, signed lower leftLOUIS WAIN18cm x 14cm£300-500

444 HC723/1LOUIS WILLIAM WAIN (1860-1939)‘A BIT OF SLUMMING’pen, ink and watercolour, signed lower leftLOUIS WAIN, and inscribed25cm x 35cm£400-600

443 HC723/2LOUIS WILLIAM WAIN (1860-1939)‘WISH YOU WERE HERE’pen, ink, watercolour and bodycolour,signed lower left LOUIS WAIN andinscribed37cm x 27cm£400-600

445 HC723/3LOUIS WILLIAM WAIN (1860-1939)‘THE AMBUSH’pen, ink and watercolour, signed lower leftLOUIS WAIN and inscribed25cm x 35cm£200-300


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446 HC978/2ROSAMUND PLOWRIGHTSCENES FROM THE LIFE OF THE BLESSEDVIRGIN, TRIPTYCHtempera, inscribed on artist’s label on reverseEGG TEMPERA/ NO.1/ TRIPTYCH/ ROSAMUNDM J PLOWRIGHT (MRS R MACLENNAN)31.5 x 52cm, centre panel and 31.6 x 24.3cm,side panelsExhibited:London, Royal Academy, Summer Exhibition, 1939, no.758

£300-500

447 HA489/1HAMILTON AND CLARISSA (H. & C.)CONDONEIGHT THEATRICAL COSTUME DESIGNS,CIRCA 1930sink and watercolour, one inscribedBALLET/ LE MIROIR CONTRAIRE/ LE REFLETDE LA SERVANTE, signed; two inscribedREVUE/ POULTRY NUMBER, unsigned; twoinscribed AIDA/ AMONASTRO andAMNERIS, unsigned; two inscribed BALLET/THE SNOW QUEEN/ ICE DEMONS andSNOW SPRITES, signed; and one inscribedBALLET/ DIVERTISEMENTS 1817/ PASDEAU, signed (8)each approx. 45cm x 36cm£400-600

448§ HB675/1KEITH HENDERSON O.B.E., R.S.W.,R.W.S., R.O.I. (SCOTTISH 1882-1983)MYKONOSSigned, coloured pencil on paper25cm x 30cm (10in x 11.75in)£200-300

449§ HB675/2KEITH HENDERSON O.B.E., R.S.W.,R.W.S., R.O.I. (SCOTTISH 1882-1983)LYKABETTOSSigned, coloured pencil on paper27cm x 37cm (10.5in x 14.75in)£200-300



450 HC667/2JESSIE KEPPIE (1868-1934)THE ROAD TO THE FARMwatercolour, signed lower left JESSIE KEPPIE25cm x 36cm£400-600

452§ HB278/35ERNEST ARCHIBALD TAYLOR(SCOTTISH 1874-1951)HOUSES BY THE SEA, GALLOWAYcharcoal and watercolour, unsigned22cm x 16.5cmProvenance:Forrest McKay, Edinburgh

£250-350451§ HB278/36ERNEST ARCHIBALD TAYLOR(SCOTTISH 1874-1951)ST NINIAN’S CHAPEL, ISLE OF WHITHORNcharcoal and watercolour, signed in pencil lowerright E.A. TAYLOR23cm x 31cmProvenance:Forrest McKay, Edinburgh

£250-350

453§ HB278/37ERNEST ARCHIBALD TAYLOR(SCOTTISH 1874-1951)WHITE COTTAGEScharcoal and crayon, unsigned16cm x 20cmProvenance:St Andrews Fine Art

£150-250


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454 HC701/20SIR FRANK MEARS AND PARTNERS(1910-2015)‘AERO’ DESIGN FOR A LARGE CITY HOTELan architectural watercolour inscribed anddated R.I.B.A. 1907, 76cm x 54cm; togetherwith a watercolour depicting a HOUSE ATMILTON ROAD WEST, inscribed F.C.MEARS,31.5cm x 46cm; two framed watercolourelevations of bridges, FORT AUGUSTUSBRIDGE, INVERNESS-SHIRE, inscribed F.C.MEARS, 1933, 45cm x 60cm andINVERMORISTON BRIDGE, INVERNESS-SHIRE,inscribed F.C. MEARS, 1933, 44.5cm x 60cm;and a watercolour panel of OICH BRIDGE,inscribed MEARS & CARUS WILSON, APRIL20TH 1930, 35.5cm x 71.5cm (5)£200-300

SIR FRANK CHARLES MEARS (1880-1953) was a Scottish based architect and planner, known for hisadvocacy for a new style of town and city planning brought around by the paradigm shiftexperienced by the field at the beginning of the 20th century.

Mears trained under architects Hippolyte Blanc and Robert Weir Schultz, before beginning workwith Sir Patrick Geddes, a relationship which would continue throughout Mears career.

In 1910 Mears took premises on Hannover street Edinburgh, and began practicing in his own right.His informal partnership with Patrick Geddes led Mears to know Geddes’s daughter Norah, alandscape architect, whom he later married.

Norah and Frank went on to collaborate on various projects, such as the Hebrew University inJerusalem, the Einstein Institute and the Wolfson Library, as well as several projects closer to home,including the National monument on Calton hill and the Edinburgh National Zoological Park

Post-war, Mears’ practice became increasingly focused on town planning, being commissioned towork on various areas of Scotland, and consulting on the planning of Dublin, Kingston andJerusalem.

Later in life Mears took on a more academic role, working as President of the ARSE and running atown planning course at the Edinburgh college of art, before his death in New Zealand in 1953,after which the practice was run by new partners Robert Naismith and H A Rendel-Govan.



455 HC701/14SIR FRANK MEARS ANDPARTNERS (1910-2015)ROYAL SCOTS REGIMENTMONUMENT, PRINCES STREETGARDENS, EDINBURGHa FRAMED ARCHITECTURALWATERCOLOUR, signed and dated R.J.NAISMITH PINX ‘50, 37cm x 84cm, :together with an ARCHITECTURALWATERCOLOUR OF THE SCOTTISHNATIONAL MEMORIAL AS A VIASACRE, inscribed F.C. MEARSARCHITECT, 1919, 69.5cm x 53cm; andSIX PHOTOGRAPHS OF THEMONUMENT, framed as one, 90cmx 51cm: and a TRACE PLAN FOR ACOMMEMORATIVE STONE at theScottish National Memorial, 70cmx 128cm; also SIXTEEN TECHNICALDRAWINGS, inscribed GEORGE D.DUNCAN (20)£200-300

456 HC701/7SIR FRANK MEARS ANDPARTNERS (1910-2015)VIEW OF EDINBURGHwatercolour panel, inscribedF.C.MEARS and C.D. CARUS WILSON,DEC. 1929, 38.5cm x 78.5cm; awatercolour SKETCH FROM THECANONGATE, inscribed R. TRAQUAIR/F.C. MEARS, 1911, 55cm x 65cm; TWOARCHITECTURAL WATERCOLOURS,depicting a planned housingdevelopment in Wester Hailes, onesigned and dated R.J. NAISMITH 1969,63cm x 101cm; the other T.S.JAMIESON 1969, 51cm x 91.5cm;another unsigned WATERCOLOUR OFWESTER HAILES, 62cm x 78cm;together with a WATERCOLOURPROPOSAL BOARD depicting aplanned headquarters for theDistilling Company Ltd, Edinburgh,inscribed T.S. JAMIESON 1969, 51cmx 95cm and a card storyboard (7)£200-300

457 HC701/21SIR FRANK MEARS ANDPARTNERS (1910-2015)CLOCK TOWER AT PENICUIKa framed architectural watercolour,signed and dated R.J. NAISMITH, ‘56,51cm x 26cm; a watercolour sketch ofthe RECONSTRUCTION OF BAKERSTREET/ ROYAL BOROUGH OFSTIRLING, inscribed J.W. HILLS 1940,42cm x 56.5cm; anotherWATERCOLOUR, of the same scheme,dated 1943, 45cm x 79cm; awatercolour of THE LAUNDRY ATWINTON HOUSE, 36.5cm x 29.5cm; awatercolour of MAXTON COURT,DALKEITH, inscribed R.J. NAISMITH,MARCH 1953, 43cm x 76.5cm; and aLARGE QUANTITY OF BLUEPRINTS,PLANS AND DRAWINGS, pertaining todevelopments in Elgin, Clydebank,Peebles etc (qty.)£200-300


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458 HD602/11G. DAVY, AND OTHERSARCHITECTURAL PORTFOLIO, 1930s AND 40spencil and watercolour, comprising twenty-fiveexamples, including one framed, ‘A Monumentto Lord Byron’, a design for ‘Leeds GeneralInfirmary’, designs for schools, offices andswimming baths (25)£200-300

459§ HC667/3PAMELA SCOTT (WILKIE) (b. 1937)‘JOURNEY’, A BOUND SEQUENCE OF 20PRINTS, DATED 1971each mounted on paper, signed and dated inpencil P. SCOTT and dated 1971, limitededition 13/45smallest, 7cm x 38cm, largest, 27cm x 40cm£200-300

460§ HC938/17GEOFFREY ROPER (b. 1942)FOUR FOLD REVERSABLE SCREEN,LATE 20TH CENTURYoil on canvas, painted to each side withfemale nude studies after Tamara deLempika and others259cm wide, 167cm high£2,000-3,000



461 HD559/37DRESSER, CHRISTOPHERSTUDIES IN DESIGNLondon: Cassell, Petter & Galpin, [1874-76].Folio, lithographed title, & 60 lithographedplates, all but 3 coloured, each with caption onfacing page, contemporary half calf, worn,occasional light spotting£700-1,000

462 HC938/81MATET, M. M.TAPIS MODERNES18 (of 40) sheets, nos 2,3,8,16, 18, 23, 24, 26,27, 28 (2), 29 (2), 31, 36, 37, 39, and 40containing colour stencils of Art Deco rugdesigns by such artists as Boberman,Benedictus, Marcoussis, Picasso, Lurçat,Gontcharova, Léger and others, coloured bySaudé after watercolours, on lettered mounts.Folio, marked EXEMPLAIRE NO. 698, with threeother loose Art Deco designsSheets measure 38cm x 27.5cm£300-500

463 HC938/82DESHAIRS, LÉONINTÉRIEURS EN COULEURS. EXPOSITION DESARTS DÉCORATIFS. PARIS 1925.Paris: Éditions Albert Lévy, 1926. Folio. 50colour plates including Chareau office-library;bedroom, living rooms and dining room,Ruhlmann; bedroom and boudoir, etc. 33cmx 25cm; also Modern French Decorative Art: ACollection of Examples etc. Volumes 1 and 2,introduction by Léon Deshairs, publishedArchitectural Press/Albert Levy, 1926 (3)£300-500

464 HD161/1THE YELLOW BOOK: AN ILLUSTRATED QUARTERLY1894-189713 vols, 4to, original printed boards, illus. by Aubrey Beardsley and otherartists, published by Elkin Mathews & John Lane (13)£200-300

465 HD161/2JESSIE MARION KING (1875-1949) (ILLUS.)‘THE BOOK OF BRIDGES’published by Gowans & Gray, London and Glasgow, 1911£100-200

466 HB705/1THE STUDIO MAGAZINEvarious cloth bindings, to include volumes 11;13; 19; 22; 27; 29 (2); 31(2); 33; 36; 38; 42; 44; 46; 47; 48; 52; 55; 57 (2); 62; 73; 75; 76; 90; 92;also International Studio Magazine, volume 83; International StudioMagazines September 1906 and October 1913 and June 1921; a StudioMagazine, April 1903; and a Studio Magazine publication LESHABITATIONS VILLAGEOISES EN ANGLETERRE, by Sydney R. Jones, 1912(33)Note:Sold with all faults and omissions, not subject to return

£200-300


467 HC839/15BARBRA STREISAND INTERESTKRAKAUER ART DECO WALNUT VENEEREDBABY GRAND PIANOwith highly polished veneers raised on Usupports, serial no. 08085133, 144cm wide,99cm high, 162cm deep; along with theMATCHING PIANO STOOL (2)Provenance:The Collection of Barbra StreisandSold Christie’s, New York, Barbra StreisandCollection, Part II, March 4, 1994, Lot 356

£3,000-5,000

Furniture: Part III

468 HD543/1MANNER OF ALVAR AALTOPAIR OF ART DECO UPHOLSTERED EASYCHAIRS, CIRCA 1930each with bentwood arms curving around toform platform supports and enclosingupholstered back and seat (2)67cm wide, 78cm high, 79cm deep£600-800



469 HC839/3JULES LELEU (1883 –1961)ART DECO BURR WALNUT ARMOIRE, 1930swith three doors, enclosing a fully veneeredand fitted interior of drawers and shelves, theangles embellished with shaped fins withbrass cappings, the whole raised on brasscapped outswept bracket feet210cm wide, 170cm high, 53cm deep£1,500-2,000

470 HC839/2MANNER OF ÉMILE-JACQUESRUHLMANNFRENCH ART DECO HARDWOOD AND INLAIDBUREAU, EARLY 20TH CENTURYthe sloping fall inlaid with a panel of stylisedflowers, enclosing a fitted interior with a shelfabove three short drawers, with three friezedrawers, on ebonised supports84cm wide, 109cm high, 47cm deep£2,500-3,500


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471 HC839/12ART DECO MAHOGANY DININGROOM SUITEEARLY 20TH CENTURYcomprising a SET OF SIX CHAIRS, eachwith horizontally fluted backs abovedrop-in seats and square tapered legs,45cm wide, 86cm high, 43cm deep; aDINING TABLE, with rectangular section supports,164cm long, 76cm high, 106cm deep; aSIDEBOARD, with rectangular marble top abovefour central drawers flanked by cupboards on aplinth; a SMALL SIDE TABLE, with single drawer,51cm wide, 81cm high, 34cm deep; and a DISPLAYCABINET, with marble top over a single doorenclosing shelves with a mirrored back, above twodrawers on a platform base, 93cm wide, 136cmhigh, 48cm deep (10)£2,000-3,000



474 HD602/1ART DECO STAINED WALNUT DININGROOM SUITECIRCA 1930comprising a SIDEBOARD, of stepped formwith arrangement of three drawers and fourdoors, 186cm wide, 99cm high, 46cm deep; sSET OF SIX CHAIRS, each with ‘cloud’ backs,drop-in seats and square legs linked bystretchers, 45cm wide, 96cm high, 37cm deep;and a DINING TABLE, with roundedrectangular top above two correspondingsupports, 155cm long, 76cm high, 94cm wide(8)£500-800

473 HC839/11HARRY & LOU EPSTEIN, LONDONART DECO WALNUT COCKTAIL CABINET,CIRCA 1930the fluted, bow fronted centre section withtwo doors, opening to reveal a mirrored andilluminated fitted interior with drop leaf doorbelow enclosing a further mirrored interiorand mirrored slide out tray, flanked by twofurther doors fitted with shelves, the wholeraised on a u-shaped base with scroll topsides141cm wide, 158cm high, 49cm deep£2,000-3,000

472 HC839/21PAIR OF ART DECO WALNUTOCCASIONAL SIDE CABINETSCIRCA 1930each with rectangular tops abovesingle doors with shallow flutingand inlaid panel and with openshelves adjacent, the wholesupported by square uprights andraised on a plinth (2)81cm wide, 60cm high, 36cm deep£2,000-3,000


112 Lyon & Turnbull

475 HD542/1ERIK JORGENSEN, DENMARKLEATHER UPHOLSTERED THREE PIECE LOUNGE SUITE, 1970scomprising a three seat sofa and two matching armchairs, bearsmaker’s label ERIK JORGENSEN/ 5700 SVENDBORG/ MADE INDENMARK (3)sofa 184cm wide, 66cm high, 55cm deep£800-1,200

479 HD554/2OLE WANSCHER (1903-1985)FOR FRANCE & SONTEAK ‘SENATOR’ ARMCHAIR, NO.166, DESIGNED 1951with red leather back and seatcushion, bears maker’s label69cm wide, 71cm high, 57cm deep£400-600

480 SV405/39DANISH ROSEWOODSIDEBOARDMID 20TH CENTURYwith three sliding drawers onrectangular section supports181cm wide, 77cm high,46cm deep£200-300

481 SV405/47ARNE JACOBSEN (1902-1971) FOR FRITZ HANSENMODEL 3600 DINING TABLE,DESIGNED 1950sthe circular top with metal base120cm diameter, 69cm high£200-300

476 HC742/5GRETE JALK (1920–2006) FORC.A. FRANCE & SONMODEL 118 TEAK FRAMED SOFA,1960swith upholstered back and seatcushion, bears maker’s labels205cm wide, 75cm high, 48cm deep£300-500

478 HC742/2GRETE JALK (1920–2006) FORC.A. FRANCE & SONMODEL 118 TEAK FRAMEDARMCHAIR, 1960swith upholstered back and seatcushion, bears maker’s label74cm wide, 73cm high, 56cm deep£100-200

477 HC742/4GRETE JALK (1920–2006) FORC.A. FRANCE & SONPAIR OF MODEL 118 TEAK FRAMEDARMCHAIRS, 1960swith upholstered back and seatcushion, bears maker’s labels (2)74cm wide, 73cm high, 56cm deep£200-300



482 HC742/1ROBERT HERITAGE (b. 1927) FOR ARCHIESHINETEAK EXTENDING DINING TABLE, CIRCA 1950the rectangular top with rounded angles, raised ontapering legs with stretchers, 182cm long (closed),244cm long (extended, 73cm high, 88cm deep; also aSET OF EIGHT ‘AUSTINSUITE’ TEAK DINING CHAIRS, eachwith slatted backs and upholstered seats, 48cm wide,80cm high, 45cm deep (9)£500-800

483 HC742/3ROBERT HERITAGE (b. 1927) FORARCHIE SHINETEAK AND ROSEWOOD ‘HAMILTON’SIDEBOARD, DESIGNED 1958with four ribbed drawers flanked by twocupboards to one side and raised on turnedand tapered legs230cm wide, 77cm high, 51cm deep£500-800

484 SV405/11WESTNOFA, NORWAYTWO LEATHER UPHOLSTERED ARMACHIRSAND MATCHING OTTOMAN,LATE 20TH CENTURYeach with bentwood frames (3)large chair, 103cm high, small chair 84cm high£400-600

485 HD554/1PETER HVIDT (1916–1986) AND ORLAMØLGAARD-NIELSEN (1907-1993) FORFRANCE & SONS, DENMARKTEAK COFFEE TABLE, 1960sthe rounded rectangular top on turnedtapering legs, bears maker’s label152cm long, 41cm high, 50cm deep£150-250

486 HD554/3IB KOFOD-LARSEN (1921-2003) FORCHRISTIAN LINNEBERGTEAK EXTENDING DINING TABLE, CIRCA 1960the rectangular top above a shadow gapraised on tapered legs with rounded angles166cm long (closed), 268cm long (extended),72cm high, 91cm deep£200-300

487 HD554/4SOLA MØBELFABRIKK, NORWAYROSEWOOD CORNER COCKTAIL CABINET,1960swith two side doors, the centre sectionrevolving to reveal a mirrored cabinet103cm wide, 77cm high, 67cm deep£250-400

488 SV405/25HARRY BERTOIA (1915-1978)SET OF SIX DINING CHAIRS, DESIGNED 1952each with white coated metal in a latticeconstruction, four with black vinyl seat pads(6)54cm wide, 97cm high, 40cm deep£100-150

489 HD37/1HARRY BERTOIA (1915-1978)PAIR OF ‘DIAMOND’ CHAIRS, DESIGNED 1958each with chrome plated lattice construction,with white vinyl upholstered covers (2)86cm wide, 78cm high, 69cm deep£200-300


114 Lyon & Turnbull

490 HC956/1CHARLES EAMES (1907-1978) AND RAYEAMES (1912-1988)670 LOUNGE CHAIR, DESIGNED 1956aluminium and rosewood with white leatherupholstery, bears maker’s label79cm x 85cm x 53cm£300-400

491 HC953/1WARREN PLATNER (1919-2006) FORKNOLLPAIR OF ARMCHAIRS, DESIGNED 1966cream leather upholstery and chrome-platedsteel (2)71cm x 74cm x 48cm£500-700

493 SV405/12CHROME AND LEATHER-UPHOLSTERED ARMCHAIR1970swith slung leather seat and back, and leather coveredcurved arms on a tubular chromed frame69cm x 70cm x 50cm£100-200

492 HD42/1EERO SAARINEN (1910-1961) FORKNOLL STUDIOPAIR OF ‘TULIP’ SIDE TABLES, DESIGNED 1956each with veined marble circular tops oftapered stems with spreading bases, bearsmaker’s marks (2)42cm diameter, 52cm high£400-600


Furniture from The Paramount Bar


116 Lyon & Turnbull

Opened in 2008 the Paramount bar, restaurant and club, wassituated on three floors at the top floor of Centre Point, theiconic and controversial London skyscraper at the end ofOxford Street in London. The club interiors, a blend 60s retroand futurism, are articulated through the use of hard-edgedmaterials like concrete, stone and steel, and were designed byDesign Research Studio with renowned Industrial designer TomDixon as the Creative Director. Bespoke furniture alongsidevintage pieces were chosen to reflect the modernism of thebuilding, designed by R. Seifert and Partners between 1961 and1966. Originally Centre Point was built as speculative officespace, however the 398-foot tower stood empty from itscompletion until 1975.

Dixon commented that the project was “a dream job...abuilding so iconic and so mysterious that has been argued anddiscussed and reviled and now celebrated and we get an

opportunity to design a space that all Londoners know, butalmost none have visited.”

Visitors to the bar and restaurant were greeted on the groundfloor with its original 1960s monochrome terrazzo flooring anda Barbara Hepworth inspired copper reception desk designedfor the space. Guests were then whisked up to the 31st floorevents space, with its 10 meter-long zinc bar facing the westside (and, of course, London sunsets). One level up, on the32nd floor, was the main hub of the members’ club, featuringa bespoke Tom Dixon copper bar, dining and lounging areas,separated by a sculptural steel screen. The Viewing Gallery onthe 33rd floor is the summit of the building was the members’Champagne and Cocktail Bar, which curled around thecircumference, the floor to ceiling glazing offering aremarkable 360 degree view of the city below.

494§ HD547/9TOM DIXON (b. 1959)ZINC BAR FRONT, CONTEMPORARYcomprised of ten faceted panelseach panel 102cm long, 99cm highNote:Exclusive commission for the Paramount Bar, Centre Point, London, 2008 £400-600



495§ HD547/8TOM DIXON (b. 1959)NINE TUNNEL DOWNLIGHTS,CONTEMPORARYbrushed aluminium, with pink colouredinteriors (9)46cm high, 20cm diameter£200-300

496§ HD547/8CTOM DIXON (b. 1959)NINE TUNNEL DOWNLIGHTS,CONTEMPORARYbrushed aluminium, with pink colouredinteriors (9)46cm high, 20cm diameter£200-300

497§ HD547/8BTOM DIXON (b. 1959)NINE TUNNEL DOWNLIGHTS,CONTEMPORARYbrushed aluminium, with pink colouredinteriors (9)46cm high, 20cm diameter£200-300

498§ HD547/8ATOM DIXON (b. 1959)NINE TUNNEL DOWNLIGHTS,CONTEMPORARYbrushed aluminium, with pink colouredinteriors (9)46cm high, 20cm diameter£200-300

499§ HD547/3TOM DIXON (b. 1959)COPPER HOSTESS PODIUM, CONTEMPORARYfaceted rectangular outline70cm wide, 110cm high, 38cm deepNote:Exclusive commission for the Paramount Bar, CentrePoint, London, 2008

£300-500


118 Lyon & Turnbull

500§ HD547/7TOM DIXON (b. 1959)STEEL ROOM DIVIDER,CONTEMPORARYcomprised of shaped andpatinated vertical panels, joinedwith brass bolts196cm high, approx.1227cm longNote:Exclusive commission for theParamount Bar, Centre Point, London,2008

£1,000-1,500

501§ HD547/2TOM DIXON (b. 1959)COPPER RECEPTION BAR, CONTEMPORARYwith bowed front, enclosing fitted interior338cm wide, 108cm high, 200cm deepNote: Exclusive commission for the Paramount Bar, CentrePoint, London, 2008

£1,000-1,500



502 HD547/6CHARLES EAMES (1907-1978) ANDEERO SAARINEN (1910-1961) FORVITRAFOUR ‘ORGANIC’ ARMCHAIRS, DESIGNED1940each with laminated seat shell andpolyurethane upholstery raised on ash legs,stained black (4)76cm wide, 84cm high, 45cm deep£400-600

503 HD547/4VERNER PANTON (1926-1998)FOR VITRAFOUR ‘CONE’ CHAIRS, DESIGNED1958wool upholstered covers, on a steelframe (4)each 59cm wide, 81cm high,47cm deep£400-600

504 HD547/4AVERNER PANTON (1926-1998)FOR VITRAFOUR ‘CONE’ CHAIRS, DESIGNED1958wool upholstered covers, on a steelframe (4)each 59cm wide, 81cm high,47cm deep£400-600

505 HD547/4BVERNER PANTON (1926-1998)FOR VITRAFOUR ‘CONE’ CHAIRS, DESIGNED1958wool upholstered covers, on asteel frame (4)each 59cm wide, 81cm high,47cm deep£400-600

506 HD547/4CVERNER PANTON (1926-1998)FOR VITRAFOUR ‘CONE’ CHAIRS, DESIGNED1958wool upholstered covers, on asteel frame (4)each 59cm wide, 81cm high,47cm deep£400-600

507 HD547/4DVERNER PANTON (1926-1998)FOR VITRATHREE ‘CONE’ CHAIRS, DESIGNED1958wool upholstered covers, on asteel frame (3)each 59cm wide, 81cm high,47cm deep£300-500


509 SV405/38MART STAM (1899-1986)SET OF SIX MODERN LEATHER ANDCHROME CANTILEVER ARMCHAIRS,DESIGNED 1926each with full leather back and seat (6)68cm wide, 78cm high, 48cm deep£200-300

508 HD97/1DAVID LINLEY FURNITURE‘ASTON’ LEATHER ARMCHAIR ANDMATCHING FOOTSTOOLcream leather with a walnut frame (2)chair, 98cm wide, 69cm high, 70cm deep;stool 54 x 36cm£600-800

Other Properties

511 SV405/10DE SEDE, SWITZERLANDTHREE PIECE LEATHER UPHOLSTEREDLOUNGE SUITE, LATE 20TH CENTURYcomprising a sofa and two armchairs, bearsmaker’s label ORIGINAL DESIGN OF DE SEDE/MADE IN SWITZERLAND (3)sofa, 173cm wide, 71cm wide, 55cm deep£300-500

510 HD547/1PLYWOOD AND STEEL DINING TABLECONTEMPORARYmade from airplane wings241cm wide, 74cm high, 100cm deep£400-600



512 SV405/38AARNE JACOBSEN (1902-1971) FORFRITZ HANSEND438 SHAKER BASE TABLE, DESIGNED1968with rectangular rosewood top raised ona metal base, the rectangular top raisedon rectangular section supports linkedby a stretcher183cm long, 71cm high, 92cm deep£200-300

514 HD602/2ROBERT MATTHEWSLATE AND STEEL WORK TABLE, CIRCA 1965the rectangular top raised on a steel frame withslatted wood undertier113cm wide, 83cm high, 54cm deepProvenance:Sir Robert Matthew and by family descent

Note:Stuart Russell Matthew and his brother Robert Matthewbegan Keith Ingram furniture in Rose Street, Edinburgh in1963, with Stuart designing the shop and Robert theprototype furniture, of which the present lot is an example.

£300-500

513 HD541/1SET OF EIGHT DANISH TEAKDINING CHAIRSMID 20TH CENTURYeach with broad top rails above cordseats on turned legs, 53cm wide,79cm high, 44cm deep; and a SET OFFOUR DANISH TEAK AND MAHOGANYDINING CHAIRS, each with cord seats,47.5cm wide, 73.5cm high, 43.5cmdeep (12)£300-500

515 HD39/1PAIR OF CONTEMPORARY CHROMEAND LEATHER UPHOLSTERED EASYCHAIRSLATE 20TH CENTURYeach with curved arm supports enclosing aleather slung seat and back (2)£300-500

516 SV405/17MERROW ASSOCIATESROSEWOOD AND CHROME COFFEE TABLE,1970sthe rectangular glass top on chrome supportslinked by a rosewood platform122cm long, 40cm high, 56cm deep£100-150

517 SV405/23BANG & OLUFSEN, DENMARKGROUP OF AUDIO-VISUAL EQUIPMENTto include; a stereo system, with CD and tapeplayer, a Beolab amp, a Beomaster tuner, aBeogram deck, Wharfedale loudspeakers anda Bang & Olufsen TV£250-350

518-550No lots



551 HB671/5DONALD MAXWELL(BRITISH 1877–1936)NATIVE BOATS ON THEHOOGLEYSigned, inscribed with titleand message verso, penciland watercolour on buffpaper17cm x 39cm (6.75in x 15.25in)

£300-500

553§ HB143/1 FELICE GIORDANO(ITALIAN 1880–1964)NAPLES FROM MERGELLINASigned, inscribed on a labelverso, oil on canvas51cm x 122cm (24in x 48in)

£1,200-1,400

19th & 20th Century PicturesThursday, 12th November, 2015 at 11amSale Number LT446A

552 HC71/2EDWARD RICHARDSON(BRITISH 1810–1874)MORNING AT THE CANALWatercolour25cm x 62.5cm (9.75in x 24.5in)

£300-500

Paintings-pages 5.qxp_Layout 1 16/10/2015 15:49 Page 123

124 Lyon & Turnbull

557 HB704/3ROBERT GEMMEL HUTCHISON R.B.A., R.O.I.,R.S.A., R.S.W. (SCOTTISH 1860–1936)THE FAGGOT GATHERERSSigned, oil on canvas26cm x 34cm (10.5in x 13.25in)

£700-1,000

554 HA678/1ROBERT MCGREGOR R.S.A.(BRITISH 1848–1922)THE POTATO HARVESTSigned, oil on canvas laid on board28.5cm x 39cm (11.25in x 15.5in)

£800-1,200

556 SV547/64ROBERT GEMMELL HUTCHISON R.B.A., R.O.I.,R.S.A., R.S.W. (SCOTTISH 1860–1936)WASHING DAYSigned, oil on board12cm x 17cm (4.75in x 6.75in)

£500-800

555 HC23/1ALEX FRASER R.S.A. (SCOTTISH 1899–1828)THE SEVEN SISTERS, BEN CRUACHANSigned, oil on canvas33.5cm x 54cm (13.25in x 21.25in)

£800-1,200


19th & 20th Century Paintings 125

561 HB671/4JAMES COUTTS MICHIE A.R.S.A.(SCOTTISH 1859–1919)BY THE RIVERSigned, oil on canvas24.5cm x 39.5cm (9.75in x 15.5in)

£600-800

558 HA81/1WILLIAM BEATTIE BROWN R.S.A.(SCOTTISH 1831–1909)A WATERFALL IN GLENFALLOCHSigned and dated 1863, oil on canvas37cm x 53.3cm (14.5in x 21in)Note:This painting was exhibited in the R.S.A. in 1864.

£500-700

560 SV547/76JOSEPH HENDERSON (SCOTTISH 1832–1908)LOCH-SIDESigned and dated 1876, oil on canvas24cm x 34cm (9.5in x 13.5in)

£300-500

559 SV547/20JAMES FAED JUNIOR (SCOTTISH 1856–1920)AN EXTENSIVE RIVER LANDSCAPE WITHANGLERSigned, watercolour26cm x 40cm (10.25in x 15.75in)

£300-500


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565 SV547/72JAMES MACMASTER R.S.W., R.B.A.(SCOTTISH 1856–1913)AFTER A WINTER GALESigned and titled, watercolour12cm x 17.5cm (4.75in x 6.75in)

£300-500

562 SV312/14ATTRIBUTED TO HORATIO MCCULLOCH(SCOTTISH 1805–1867)ERSKINE FERRYOil on canvas29.5cm x 42cm (11.5in x 16.5in)

£300-500

564 HC793/2JAN VAN COUVER (DUTCH 1836–1909)ZWOLLE, HOLLANDSigned, inscribed with title and initialsverso, oil on canvas19cm x 27cm (7.5in x 10.75in)

£500-700

563 HC793/319TH CENTURY CONTINENTAL SCHOOL‘TABLE BAY’, CAPE OF GOOD HOPEIndistinctly signed and inscribed, oil on panel11.5cm x 19cm (4.5in x 7.5in)

£300-500



566 HC707/1219TH CENTURYCONTINENTAL SCHOOLHARBOUR LANDSCAPEIndistinctly signed, oil oncanvas29.5cm x 52cm (11.5in x 20.5in)

£250-350

568 HB708/1319TH CENTURY SCOTTISHSCHOOLROUGH SEASIndistinctly signed and dated‘1837,’ oil on canvas26cm x 49.5cm (10.5in x 19.5in)

£300-500

567 SV547/71JOHN CAMPBELL MITCHELLR.S.A. (SCOTTISH 1862–1922)SCOTTISH LANDSCAPESigned and dated 1919, oil onboard19cm x 35cm (7.5in x 13.75in)

£400-600


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572§ SV547/41 WILLIAM MILLER FRAZER R.S.A.(SCOTTISH 1864–1961)LANDSCAPE WITH POND AND BUILDINGSSigned, titled and dated ‘1896’ verso, oil onboard26cm x 21.5cm (10.5in x 8.5in)

and a further two works by the same hand (3)

£600-900

569 SV547/82DAVID FULTON R.S.W. (SCOTTISH 1848–1930)ANGLER IN THE GLADESigned, oil on canvas17.5cm x 24.5cm (6.75in x 9.5in)

£300-500

570 No lot

571§ SV547/91 WILLIAM MILLER FRAZER R.S.A.(SCOTTISH 1864–1961)INARVYMILK, SCONESigned, oil on canvasboard23.5cm x 32cm (8.25in x 13.25in)

£300-500



573 HB671/9ALFRED FOWLER PATTENR.B.A. (BRITISH 1829–1888)STILL-LIFE OF ROSESSigned with monogram anddated ‘78, watercolour30cm x 56.5cm (12in x 22in)

£500-700

575 FA223/12STUART PARK(BRITISH 1862–1933)ROSESSigned, oil on board58.5cm x 64cm (23in x 25.25in)

£700-1,000

574 HC823/1KATE WYLIE(SCOTTISH 1877–1941)VASE OF FLOWERSSigned, oil on canvas44cm x 58cm (17.25in x 23in)

£800-1,200


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578 HB856/5ANDERS ZORN (SWEDISH 1860–1920)THE LETTERInitialled and dated ‘1913’ in plate, signed inpencil to margin, etching19cm x 13.5cm (7.5in x 5.25in)

£500-700

579§ HB856/6 JOSEPH SIMPSON (BRITISH 1879–1979)THE MANTILLASigned and numbered 27/75 in pencil tomargin, etching19.5cm x 14cm (7.75in x 5.5in)

£300-500

577§ HB856/4GERALD LESLIE BROCKHURST(BRITISH 1890–1978)HEAD OF A WOMANSigned in plate and in pencil to margin,etching13cm x 9.5cm (5in x 3.5in)

£400-600

576 HA543/4ANDERS ZORN (SWEDISH 1860–1920)EN DALKARL (LAVARD ANDERS), 1916Signed to margin, etching17.5cm x 12.5cm (7in x 5in)

£400-600



581 HB278/45WILLIAM STRANG R.A.(SCOTTISH 1859–1921)THE VILLAGE FIDDLER, 1883Signed in pencil to margin, etching17cm x 23cm (6.75in x 9in)

and two further prints by thesame hand, including ‘Portrait ofDr. Balfour’ (3)Note:Featured in ‘William Strang: Catalogue ofhis etched works’ by Lawrence Binyon: TheVillage Fiddler - No. 17, Portrait of Dr.Balfour - No. 111

£400-600

580 HB278/39WILLIAM STRANG R.A., R.P.E.(SCOTTISH 1859–1921)SOCIALISTSSigned and dated ‘91 in plate,signed in pencil to margin,etching26.5cm x 31.5cm(10.5in x 12.25in)

£400-600

582 HB737/3WILLIAM WALCOTT R.E.(BRITISH 1874–1943)ANTONY IN EGYPT (NUMBERTWO)Signed in pencil to margin,inscribed with title verso,etching54cm x 53cm (21.25in x 21in)

£300-500


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585 HB278/44WILLIAM STRANG R.A. (SCOTTISH 1859–1921)THE WORSHIPPERS, 1890Signed and dated in plate and in pencil to margin,drypoint20cm x 15cm (8in x 6in)

and a further two prints by the same hand including ‘TheGoatherd’ (3)Note:Featured in ‘William Strang: Catalogue of his etched works’ byLawrence Binyon: The Worshippers - No. 155, The Goatherd - No. 451

£400-600

583§ HB671/10SIR MUIRHEAD BONE (SCOTTISH 1876–1953)STUDY FOR THE APSE, LYON CATHEDRAL, SPAIN(1ST PLATE)Signed in pencil to margin, etching39.5cm x 24cm (15.5in x 9.5in)

£600-800

584§ HB856/11 JOHN COPELY (BRITISH 1875–1950)NATIVITY, 1914Signed in plate, inscribed with title and editionnumber ‘5/25’ in pencil to margin, lithograph38.5cm x 34cm (15.25in x 13.5in) unframed

and a further three by the same hand, ‘The SickKing,’ ‘The Scribes Disputing with Jesus,’‘Madonna Lavatrice’ (4)

£400-600

583A HD67/2120TH CENTURY BRITISH SCHOOLTEA PARTYEtching17cm x 11cm (6.75in x 4.25in)

£200-300



586§ HB278/9 SIR DAVID YOUNG CAMERONR.A., R.S.A., R.W.S., R.S.W., R.E.(SCOTTISH 1865–1945)BOTHWELL CASTLESigned with initials, pen and ink16cm x 13cm (6.25 x 5in)

£300-500

588 HB737/5WILLIAM WALCOTT R.E.(BRITISH 1874–1943)ANTONY IN EGYPT (NUMBER ONE)(A VISIT TO CLEOPATRA), 1913Signed in pencil to margin,inscribed with title, date and editionnumber ‘50’ verso, etching54.5cm x 46cm (21.5in x 18in)(excluding margins)

£300-500

587 HB737/4WILLIAM WALCOTT R.E.(BRITISH 1874–1943)L’ARC DE TRIOMPHE, PARIS, 1917Signed with initials in pencil tomargin, inscribed with title, date andedition number ‘65’ verso, etching58cm x 46.5cm (22.75in x 18.25in)

£300-500


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592§ HC249/1MARY ARMOUR L.L.D. (SCOTTISH 1902–2000)THE BLACK GAP, DONEGALSigned and dated ‘64, pastel26cm x 39cm (10.25in x 15.25in)

£300-500

591 HB217/15ALEXANDER BROWNLIE DOCHARTY(SCOTTISH 1862–1940)COTTAGE SCENESigned, oil on canvas49cm x 65cm (19.25in x 25.5in)

£600-800

590 HB882/3JAMES CAMPBELL NOBLE R.S.A.(SCOTTISH 1845–1913)GOLF CLUB LINKS - NAIRNSigned, inscribed verso, oil on canvas49.5cm x 59cm (19.5in x 23.5in)

£700-900

589 HA678/2ROBERT MCGREGOR R.S.A.(BRITISH 1848–1922)FIELD WORKERS BY A COUNTRY STREAMSigned, oil on canvas33.5cm x 48cm (13.25in x 19in)

£700-900



596 HC772/2 EDWARD ROWORTH (SOUTH AFRICAN 1880–1964)COTTAGE IN THE WOODSSigned, oil on board55.5cm x 74cm (22in x 29in)

£600-800

593 HC006/1NORMAN MCLEOD MACDOUGALL(BRITISH 1849–1937)PICKING FLOWERS BY A COUNTRY LANESigned, oil on canvas33cm x 47.5cm (13in x 18.75in)

£500-700

595 SV547/125DAVID FULTON R.S.W. (SCOTTISH 1848–1930)AFTER THE STORM, DUNURESigned, inscribed verso, oil on canvas24cm x 34cm (9.5in x 13.5in)

£300-500

594 HC502/3ROBERT COWAN ROBERTSON(BRITISH 1863–1910)REFLECTIONS BY THE WATERSIDESigned with initials, oil on canvas45cm x 57cm (17.75in x 22.5in)

£400-600


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598§ HC722/1 VALERIE FRASER R.S.W. (SCOTTISH b. 1933)BLUE MORNINGSigned, oil on board42cm x 57.5cm (16.5in x 22.5in)

£300-500

597§ HC25/15 HELEN TURNER (SCOTLAND b. 1937)THE BECALMEDSigned, oil on canvas30cm x 40cm (11.75in x 15.75in)

£400-600

599§ HC25/8 JAMES ORR (SCOTTISH b. 1937)SNOW AT CRAIGIESigned, oil on board29cm x 34cm (11.5in x 13.5in)

£300-500

600§ HC25/11 JAMES ORR (SCOTTISH b. 1937)WINTER BEACHSigned, oil on board48.5cm x 54cm (19in x 21.25in)

£400-600



601 HC694/1JAN FREDERIK SCHUTZ(DUTCH 1817–1888)MARITIME SCENESigned, oil on panel31cm x 45.5cm (12.2in x 18in)

£800-1,200

603§ HC772/1GORDON L. DAVIES A.R.C.A.(BRITISH 1926–2007)SANTA MARIA NUOVA,CORTONASigned and indistinctly dated,inscribed with title verso, oil onboard35.5cm x 53cm (14in x 20.75in)

£400-600

602§ HC631/1 A.A. MOORE (BRITISH 20TH CENTURY)FOOT OF THE HILLSSigned and dated ‘62, oil onboard27cm x 37.5cm(10.5in x 14.75in)

£300-500


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607§ SV514/5 BRENDA MARK (BRITISH 1922–1960)ASSISISigned, pencil and watercolour30.5cm x 35cm (12in x 14in)

£300-500

604§ SV514/6 JOHN HOUSTON O.B.E., R.S.A., R.S.W.(SCOTTISH 1930–2008)WINTER SUNSigned, watercolour18cm x 27cm (7in x 10.75in)

£400-600

606§ HB943/1 WILLIAM ARMOUR R.S.A., R.S.W.(SCOTTISH 1903–1979)POLLARD TREE, PAN AND NYMPHSigned, pastel36cm x 52.5cm (14.25in x 20.75in)Exhibited: Royal Scottish Academy, 1974

£300-500

605§ HB621/2 WILLIAM BIRNIE R.S.W., R.G.I.(SCOTTISH 1929–2006)RIVER AT THE VILLAGE EDGESigned and dated ‘66, oil on board58.5cm x 88.5cm (23in x 35in)

£600-800



609§ HC773/1 ROD CARMICHAEL (BRITISH 1931–2008)THE TEMPLESigned and dated ‘59, oil on canvas62cm x 49cm (24.5in x 19.25in)

£500-700

610§ SV514/4 DAVID MCCLURE R.S.A.,R.S.W. (SCOTTISH 1926–1998)KITE AND FIREWORKSSigned, inscribed with titleverso, oil on board16cm x 17cm (6.25in x 6.75in)

£300-500

608 HB671/1120TH CENTURY SCOTTISH SCHOOLSTILL-LIFE WITH GRAPESOil on canvas62.5cm x 76.5cm (24.5in x 30in)

£400-600


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613§ HC548/1 MARDI BARRIE R.S.W.(SCOTTISH 1931–2004)LANDSCAPE IN GREENSigned, oil on canvas74.5cm x 99.5cm (29.25in x 39.25in)

£300-500

611§ HC548/2 MARDI BARRIE R.S.W.(SCOTTISH 1931–2004)WATER GATESigned, oil on canvas85cm x 75cm (33.5in x 29.5in)

£400-600

612§ HB950/1 JAMES D. ROBERTSON M.B.E.(SCOTTISH 1931–2010)WINTER LOCH, 2001Signed, gouache39cm x 45cm (15.5in x 17.75in)

and another by the same hand‘Estuary’ (2)

£500-700



614§ HB89/2 KIRSTY WITHER(SCOTTISH b. 1968)SEE OUT TO SEASigned and dated ‘99,inscribed verso, oil on canvas19cm x 19cm (7.5in x 7.5in)

£300-500

616§ HB89/1 KIRSTY WITHER(SCOTTISH b. 1968)ORANGE STRIPESigned and dated ‘98,’inscribed verso, oil on canvas19cm x 19cm (7.5in x 7.5in)

£300-500

615§ HB974/3 IRENE HALLIDAY R.S.W.(SCOTTISH b. 1931)WINTER LANDSCAPE 3Signed, artist’s label with titleverso, watercolour59.5cm x 59.5cm (23.5in x 23.5in)

£300-500


142 Lyon & Turnbull

617§ HB856/1WILLIAM NICHOLSON (BRITISH 1872–1949)PERSIMMONColour lithograph, and a further threelithographs by the same hand: ‘Russell Sage;’‘M. Auguste Rodin;’ ‘Mr. J.M. Barrie.’18cm x 19cm (7in x 7.5in), unframed

and a further three unframed prints (4)

£300-500

619§ HB856/16WILLIAM NICHOLSON (BRITISH 1872–1949)SADA YACCOColour lithograph, and a further threelithographs by the same hand: ‘Henrik Ibsen;’‘Rt. Hon. Joseph Chamberlain;’ ‘Lord Kitchener.’26cm x 24.5cm (10.25in x 9.75in) (unframed)


£300-500

618§ HB856/14WILLIAM NICHOLSON (BRITISH 1872–1949)E IS FOR EARLColour lithograph, and a further threelithographs by the same hand: ‘Miriam;’ ‘TheKaiser;’ ‘H.M. Queen Alexandra.’30.5cm x 23cm (12in x 9in) (unframed)


£300-500



620 HB856/13ANDERS ZORN (SWEDISH 1860–1920)ANNA, YOUNG GIRL FROM MORASigned in pencil to margin, dated 1903in plate, etching18.5cm x 13.5cm (7.25in x 5.25in) unframed

and another by the same hand ‘Self-Portrait in a Wolfskin’ (2)

£300-500

622§ HD67/11 AUGUSTUS JOHN O.M., R.A.(WELSH 1878–1961)NUDESigned in pencil to margin,etching18cm x 16cm (7in x 6.25in)

and a further etching by thesame hand (2)

£500-700

621§ HB856/15WILLIAM NICHOLSON (BRITISH 1872–1949)ELEONORA DUSEColour lithograph, and a further threelithographs by the same hand: ‘Sir HenryHawkins;’ ‘President Roosevelt;’ ‘Pope Leo XIII.’30.5cm x 27.5cm (12in x 10.75in) (unframed)


£300-500


144 Lyon & Turnbull

623 HB714/120TH CENTURYCONTINENTAL SCHOOLENTERING THE BIG TOPIndistinctly inscribed(Handds?)and numbered 6/25 in pencilto plate, woodcut25cm x 31cm (9.75in x 11.5in)

£200-300

625§ HB845/10SIR WILLIAM MACTAGGARTP.R.S.A., R.S.W.(SCOTTISH 1903–1981)ROOF TOPS ABOVE A TOWNInscribed ‘Studio no. 246’verso, charcoal21cm x 36cm (8.25in x 14.25in)

and another by the samehand (2)

£400-600

624§ HB278/10SIR DAVID YOUNGCAMERON R.A., R.S.A.,R.W.S., R.S.W., R.E.(SCOTTISH 1865–1945)PAPS OF GLENCOESigned and inscribed with titlein pencil to margin, etching11cm x 13.5cm (4.25in x 5.25in)

and a further etching by thesame hand, unframed (2)

£300-500



628§ HD67/18 DAME LAURA KNIGHT R.A., R.W.S.(BRITISH 1877–1970)TRIO GYMNASTIQUESigned in pencil to margin, etching38cm x 26.5cm (15in x 10.5in) (unframed)

and a further etching by the same hand(2)

£500-700

629§ HD67/12 KATE CAMERON R.S.W.(SCOTTISH 1874–1965)BUTTERFLIES ON DANDELIONSigned in plate and in pencil to margin,etching38.5cm x 14cm (15.25in x 5.25in)

and two further flower study etchings bythe same hand (3)

£300-500

627 HD67/13THEODORE RUSSELL (FRENCH 1847–1926)ACROSS THE LAKESigned in plate, etching35.5cm x 22.5cm (14in x 9in)

£500-700

626 HD67/10ARTHUR BRISCOE R.E., R.I. (BRITISH 1873–1943)TEN KNOTSSigned and inscribed with title in plate, signedand numbered 65/75 in pencil to margin, etching27cm x 36.5cm (10.5in x 14.5in)

£300-500

630§ HD67/20 SIR WILLIAM ROTHENSTEIN(BRITISH 1872–1945)PORTRAIT OF A MANSigned and dated ‘97, inscribed withpersonal message, pencil30.5cm x 24cm (12in x 9.5in)

£300-500


146 Lyon & Turnbull

634 HB333/1LUDWIG SCHELL (GERMAN 1833–1912)HONIGSEESigned, titled label verso, oil on panel20cm x 25.5cm (8in x 10in)

£500-700

631 SV547/89ARCHIBALD KAY R.S.A., R.S.W.(SCOTTISH 1860–1935)FEEDING THE CHICKENS, EARLY MORNINGSigned, oil on board18cm x 23.5cm (7.25in x 9.25in)

£300-500

633 SV547/124THOMAS LUNY (BRITISH 1759–1837)BEACH LANDING AT SUNSETSigned, oil on canvas17cm x 22.5cm (6.75in x 8.75in)

£400-600

632 HC564/1ANDREW BROWNLIE DOCHARTY(SCOTTISH 1862–1940)A QUIET VILLAGE SCENESigned, oil on canvas33.5cm x 49cm (13.25in x 19.25in)

£700-1,000



638§ HC25/2 PATRICK DOWNIE (SCOTTISH 1854–1945)CATTLE AND STREAMSigned, oil on board17cm x 24cm (6.75in x 9.5in)

£300-500

635 HA671/65JOHN VARLEY (BRITISH 1778–1842)LANDSCAPE WITH LAKESigned, watercolour10cm x 14.5cm (4in x 5.75in)

£300-500

637 HC915/1JAMES HALL CRANSTOUN(SCOTTISH 1821–1907)DUNBLANE CATHEDRALSigned and dated 1892, oil on canvas60cm x 91cm (23.5in x 35.5in)

£700-900

636 HB467/1WILLIAM BRADLEY LAMOND R.B.A.(SCOTTISH 1857–1924)DUCKS ON A RIVER BANKSigned, oil on canvas36cm x 46cm (14in x 18in)

£500-800


148 Lyon & Turnbull

639 SV547/119ROBERT GEMMELL HUTCHISONR.B.A., R.O.I., R.S.A., R.S.W.(SCOTTISH 1860–1936)THE YOUNG MARINERSigned, oil on canvas25.5cm x 36cm (10in x 14in)

£1,000-1,500

641 HC695/11ATTRIBUTED TO THOMAS LUNY(BRITISH 1759–1837)COASTAL SCENEOil on board18.5cm x 23.5cm (7.5in x 9.5in)

£300-500

640 SV547/29THOMAS FAED R.A., A.R.S.A.(SCOTTISH 1826–1900)AFTER A DAY’S HUNTINGOil on panel23.5cm x 29cm (9.5in x 11.5in)

£500-700



642 HA671/2018TH CENTURY ENGLISH SCHOOLTHE WINDMILL BY THE RIVEROil on panel31cm x 54cm (12.5in x 21.25in)

£300-500

644 HA671/37NORWICH SCHOOLCOUNTRY LANDSCAPEOil on canvas39cm x 60cm (15.5in x 23.5in)

£300-500

643 HA671/2119TH CENTURY ENGLISH SCHOOLGOING TO CHURCHOil on panel30.5cm x 48.5cm (12in x 19in)

£300-500


150 Lyon & Turnbull

646 HB894/1ROBERT GEMMELLHUTCHISON R.B.A., R.O.I.,R.S.A., R.S.W.(SCOTTISH 1860–1936)THE CANARYSigned, oil on board17cm x 11cm (6.75in x 4.5in)

£1,000-1,500

645 SV547/137ROBERT GEMMELLHUTCHISON R.B.A., R.O.I.,R.S.A., R.S.W.(SCOTTISH 1860–1936)A CHILD’S PRAYERSigned, oil on canvas36cm x 25.5cm (14in x 10in)

£1,000-1,500



647 HD16/4ROBERT SANDERSON(BRITISH 1848–1908)THE STREET PERFORMEROil on board34cm x 24cm (13.5in x 9.5in)

£300-500

649 HC868/1ALEXANDER LEGGETT(SCOTTISH 1828–1884)AFTER MANY YEARSSigned, oil on canvas73.5cm x 62cm (29in x 24.5in)

£800-1,200

648 HB872/1WILLIAM SHAYER(BRITISH 1787–1879)THE COTTAGE DOORSigned, oil on canvas99.5cm x 81.5cm (39in x 32in)

£600-800


152 Lyon & Turnbull

650 HC755/1JOHN W. MORRIS(SCOTTISH 1865–1924)HIGHLAND COWS, LOCH-SIDESigned, oil on canvas39cm x 59.5cm (15.5in x 23.5in)

£500-700

652 HC905/119TH CENTURY BRITISH SCHOOLSPANIELSOil on board41.5cm x 48cm (16.25in x 18.75in)

£300-500

651 HA81/2JOHN BUCKNELL RUSSELL(BRITISH c. 1819–1893)DEAD GAME IN A LANDSCAPESigned and dated 1866, oil oncanvas58.5cm x 75.5cm (23in x 24.75in)

£700-1,000



653 HB278/29SIR GEORGE REID P.R.S.A., H.R.S.W.,L.L.D. (SCOTTISH 1841–1913)SMAYLHOLM TOWER,ROXBURGHSHIREInscribed with title and poem‘Smaylholm’ verso, oil on canvas laidon board39.5cm x 29cm (15.5in x 11.5in)Exhibited:The Fine Art Society, February 1986

£400-600

654 HC884/119TH CENTURY EUROPEANSCHOOLCLASSICAL LANDSCAPE WITHRUINS AND TRAVELLERSOil on canvas87cm x 107cm (34.25in x 42.25in)

£800-1,200


154 Lyon & Turnbull

657 HB959/119TH CENTURY SCOTTISH SCHOOLPORTRAIT OF A YOUNG MILITARY GENTLEMANOil on canvas90cm x 69.5cm (35.5in x 27.25in)

£800-1,200

658 HC607/1MANNER OF PAUL VAN SOMERELIZABETH STUART, QUEEN OF BOHEMIAOil on canvas59cm x 50cm (23.5in x 19.75in)

£800-1,200

656 HA943/9MANNER OF JAN VAN BIJLERTHALF-LENGTH PORTRAIT OF A GENTLEMAN INAN EXPANSIVE WHITE COLLAROil panel59cm x 48cm (23in x 18.75in)

£1,000-1,500

655 HA81/3BRITISH SCHOOLPORTRAIT OF A GENTLEMAN IN A FULL-BOTTOMEDWIG, SAID TO BE SIR JOHN CAMPBELLOil on canvas74cm x 61.5cm (29.25in x 24.25in), oval

£1,000-1,500



661 HC659/1CIRCLE OF CHARLES JERVASHALF LENGTH PORTRAIT OF A GENTLEMAN INGREY COAT AND LACE JABOTFeigned oval, oil on canvas71cm x 61cm (28in x 24in)

£600-800

662 SV547/10SCOTTISH SCHOOLHALF-PORTRAIT LADY IN ARMOUROil on board29cm x 29cm (11.25in x 11.25in), circular

£500-700

660 HA818/1AFTER MATTHEW WILLIAM PETERS(BRITISH 1742–1814)PORTRAIT OF A LADY IN A LACEBONNET WITH WHITE MUFFLEROil on canvasl75cm x 63.5cm (29.5in x 25in) oval, unframed

£300-500

659 HB859/6MANNER OF SIR WILLIAM BEECHEYMILITARY PORTRAITOil on canvas124.5cm x 99.5cm (49in x 39.25in)

£800-1,200


156 Lyon & Turnbull

666 HB737/2ROBERT GEMMELL HUTCHISON R.B.A.,R.O.I., R.S.A., R.S.W. (SCOTTISH 1860–1936)TOURIE WILLSigned with initials, oil on canvas20.5cm x 15.5cm (8in x 6in)

£700-900

664 HB278/22HENRY WRIGHT KERR R.S.A., R.S.W.(SCOTTISH 1857–1936)OLD WIFESigned, signed and titled verso,watercolour44.5cm x 35.5cm (17.5in x 14in)

£600-800

663 HB737/1ROBERT GEMMELL HUTCHISON R.B.A.,R.O.I., R.S.A., R.S.W. (SCOTTISH 1860–1936)TARIE WILLSigned with initials, oil on canvas20.5cm x 16.5cm (8in x 6in)

£700-900

665 HA671/63C19TH CENTURY SCOTTISH SCHOOLPORTRAIT OF REVD. WILLIAM TRAIL L.L.D.,AGED 85Gouache on ivory16.5cm x 13cm (6.5in x 5in), oval

£300-500



669 HC553/1FOLLOWER OF DANIEL MACLISEPORTRAIT OF A LADYPencil44cm x 36cm (17.25in x 14in), oval

£600-800

670§ HC42/1 ALEXANDER GRAHAM MUNRO R.S.W.(SCOTTISH 1903–1985)PORTRAIT OF A GIRL, RISSANISigned, titled and dated 1950, contecrayon on paper44cm x 29cm (17.25in x 11.5in)

and another by the same hand (2)

£400-600

668 HC940/2ROBERT LITTLE R.W.S. (SCOTTISH 1854–1944)SUMMERTIMESigned with initials, pastel38.5cm x 28cm (15in x 11in)

£300-500

667 HB586/2N. LABOUCHERE (19TH/20TH CENTURYCONTINENTAL SCHOOL)PORTRAIT OF A LADYSigned, pastel and charcoal on buff paper48cm x 33cm (19in x 13in)

£300-500


158 Lyon & Turnbull

671§ HC619/1 GERTRUDE HERMES O.B.E., R.A.(BRITISH 1901–1983)AVOCETSSigned, titled, numbered 28/35 andeditioned ‘2nd Edition 1952’ in pencilto margin, colour woodcut37cm x 37cm (14.5in x 14.5in) (circular)

£300-500

673§ HC519/1 PETER HOWSON O.B.E.(SCOTTISH b. 1958)OLD STAVANGERSigned and inscribed, pastel,pencil and charcoal on paper24cm x 17cm (9.25in x 6.75in)

£300-500

672 HC649/1GEORGE LESLIE HUNTER(SCOTTISH 1877–1931)CERESPencil, ink and watercolour11cm x 18.5cm (4.5in x 7.25in)

£400-600



676 HB268/2HENRY VALENTINE MILLER(AMERICAN 1891–1980)UNTITLEDSigned and dated 10/47, inkand watercolour on paper28cm x 38.5cm (11in x 15.25in)

£400-600

675§ HB621/14 ROSEMARY BEATON(SCOTTISH b. 1963)CLYDE VALLEY STOMPERSSigned, titled and dated ‘87,pastel on paper27.5cm x 40cm (10.75in x 15.5in)

£200-300

674§ HB602/5 HARRY MORE GORDON(SCOTTISH CONTEMPORARY)FALLING LEAVES WITH ADANDELION AND A PARROTSigned, inscribed with title anddated ‘Sept. 9 2009’, watercolour25cm x 35cm (9.75in 13.75in)

£200-300


160 Lyon & Turnbull

680§ HC940/4PETER MCNIVEN (BRITISH b. 1952)ST. LUNAIRESigned and inscribed with title and date ‘93verso, oil on canvas38.5cm x 43.5cm (15in x 17in)

£400-600

677§ HB865/1 KEITH DUNKLEY R.B.A., R.W.S.(BRITISH b. 1942)RIVERSIDE TERRACESSigned, inscribed and dated ‘97 verso, oilon board61cm x 61cm (24in x 24in)

£800-1,000

678§ HC25/5HELEN M. TURNER (SCOTTISH CONTEMPORARY)THE DRESSING TABLESigned, oil on canvas64cm x 69.5cm (25.25in x 27.25in)

£400-600

679§ HB735/1 DOUGLAS DAVIES R.S.W.(SCOTTISH b. 1946)RED POPPIESSigned, mixed media54.5cm x 57cm (21.5in x 22.5in)

£300-500



681§ HB845/4 PAT DOUTHWAITE(SCOTTISH 1939–2002)STRANGE CREATUREChalk on paper58cm x 81cm (23in x 32in)

£400-600

683§ HA795/4JACK KNOX (BRITISH b. 1936)WHEATSHEAF AND BROWNJUGSigned, oil on canvas laid onboard24cm x 34cm (9.5in x 13.5in)

£200-300

682§ HB845/2 PAT DOUTHWAITE(SCOTTISH 1934–2002)ORIENTAL BAMBOOSigned and dated ‘87,charcoal and pastel on paper100cm x 70cm (39.5in x 27.5in)

£300-500


162 Lyon & Turnbull

686§ HC978/1 BARBARA BALMER (SCOTTISH b. 1929)FLOWERS AND SUNBEAMSSigned, inscribed with title verso, pencil andwatercolour44cm x 34cm (17.25in x 13.5in)

£300-500

687 HD75/1STUART PARK (BRITISH 1862–1933)GERANIUMSSigned, oil on canvas49.5cm x 38.5cm (19.5in x 15in)

£800-1,200

685§ HC555/1 IAN MASTIN (BRITISH b. 1949)FRUIT AND SEEDSigned, acrylic on board25cm x 19.5cm (9.75in x 7.75in)

£400-600

684§ HC869/3 ELSPETH HARRIGAN (SCOTTISH 1938–1999)YELLOW LILIESSigned, watercolour55.5cm x 45cm (21.75in x 17.75in)

£200-300



690 HB856/3HILDA GOLDBERGHAUNTED FIGURESigned, acrylic59cm x 44.5cm (23.5in x 17.5in)

£300-500

689§ HB848/18 DEBRA MANIFOLD(BRITISH 1961–2002)CAFE SCENESigned, oil on canvas75.5cm x 53cm (29.25in x 21in)

£300-500

688§ HC834/12 DANNY FERGUSON(SCOTTISH 1925–1993)VIOLINISTOil on board49.5cm x 39cm (19.5in x 15.25in)

£300-500


164 Lyon & Turnbull

691§ HC649/3 WILHELMINA BARNS–GRAHAMC.B.E. (BRITISH 1924–2004)PORTHMEOR IISigned and dated 1975, signedand inscribed with date and titleverso, mixed media on paper49cm x 57cm (19.25in x 22.5in)

£700-900

692§ HB439/1 DAVID MCLURE(SCOTTISH 1926–1998)FISHING BOATS AT LOW TIDESigned, oil on canvas30cm x 39cm (11.75in x 15.25in)

£1,000-1,500



693§ HB894/3 ALBERTO MORROCCO R.S.A.,R.S.W., R.P., R.G.I., L.L.D.(SCOTTISH 1917–1998)HEAD OF A CLOWNSigned, inscribed verso, oil onboard22cm x 14cm (8.75in x 5.5in)

£1,500-2,000

693A HB602/2CLAIRE E. ROBERTSMYTHICAL CREATURESSigned and marked ‘A/P’ and ‘3/4’, woodcut91cm x 61cm (35.75in x 24in) (unframed)

plus 6 further unframed works including:signed M.L. Smyth oil on card, signedRichard Demarco lithograph, signed MoiraMaitland watercolour, signed Jack Knoxlithograph, signed Marj lithograph andsigned Jack Knox mixed media on paper (7)

£500-700


166 Lyon & Turnbull

697 HC978/3JAMES KAY R.S.A., R.S.W.(SCOTTISH 1858–1942)STREET STALLSigned and indistinctly dated, pastel24cm x 34m (9.5in x 13.5in)

£500-700

694 HB585/1JULIAN ALDER WEIR (AMERICAN 1852–1919)COASTAL SUNRISEWatercolour14.5cm x 21.5cm (5.5in x 8.5in)

£400-600

696 HC823/3GEORGE F. NICHOLLS (BRITISH 1885–1937)THE FORTH BRIDGESigned and inscribed with title, pencil andwatercolour24.5cm x 34cm (9.75in x 13.5in)

£400-600

695 HC779/1JAMES HAMILTON MACKENZIE(BRITISH 1875–1926)NAIROBI, 1916Signed and dated, pencil andwatercolour17cm x 25cm (6.75in x 10in)

£400-600



701§ HD65/1FRANK MASON R.B.A., R.I., R.S.M.A.(BRITISH 1875–1965)ROUGH SEASSigned, oil on canvas39cm x 49.5cm (15.25in x 19.25in)

£600-800

698 HB217/17ROBERT CLOUSTON YOUNG R.S.W.(SCOTTISH 1860–1929)THE SAILING BOATSigned, watercolour24cm x 34cm (9.5in x 13.5in)

£300-500

700§ HB868/1 PATRICK DOWNIE (SCOTTISH 1854–1945)AN OLD CLYDE CLIPPERSigned and inscribed with title verso,watercolour on paper laid on board29cm x 42cm (11.5in x 16.5in)

£400-600

699§ HD65/2FRANK MASON R.B.A., R.I., R.S.M.A.(BRITISH 1875–1965)SAMUEL PLIMSOLLSigned, inscribed with title verso, penciland watercolour37cm x 53cm (14.5in x 21in)

£400-600


168 Lyon & Turnbull

704 HC502/2ALEXANDER YOUNG (BRITISH 1865–1923)UNLOADING TODAY’S CATCHSigned, oil on canvas57.5cm x 42cm (22.5in x 16.5in)

£400-600

705§ HC649/5 WILLIAM MILLER FRAZER R.S.A.(SCOTTISH 1864–1961)ST. IVES, HUNTSSigned, oil on canvas34.5cm x 26.5cm (13.5in x 10.5in)Exhibited: The Fine Art Society, July 1973

£500-700

703§ HC502/1 ALICK RIDDELL STURROCK R.S.A.(SCOTTISH 1885–1953)TREES BY A PONDSigned, oil on canvas laid on board36.5cm x 28cm (14.25in x 11in)

£400-600

702 HB589/3JOSEPH FARQUHARSON (SCOTTISH 1846–1935)HAYSTACKSOil on board22cm x 12cm (8.5in x 4.75in)

£300-500



708§ SV547/108ROBERT EADIE R.S.W. (BRITISH 1877–1954)SMALL GIRL READINGSigned, pencil and watercolour29cm x 20cm (11.5in x 8in)

£300-500

709 HD511/2MANNER OF GERRIT DOUTHE SCRIBE IN AN INTERIOROil on panel25cm x 20cm (10in x 8in)

£300-500

707§ HB856/2 DOROTHY JOHNSTONE (BRITISH 1892–1980)PORTRAIT OF A SOLDIERSigned and dated 1916, indistinctly inscribed‘To . . .,’ oil on canvas laid on board49.5cm x 39.5cm (19.5in x 15.5in)

£400-600

706 HB856/7KENNETH MACLEAY R.S.A., R.S.W.(SCOTTISH 1802–1878)FLORA MACDONALDSigned and dated 1874, watercolour24cm x 18cm (9.5in x 7.25in)

£300-500


170 Lyon & Turnbull

710 SV547/103ROBERT GEMMELL HUTCHISONR.B.A., R.O.I., R.S.A., R.S.W.(SCOTTISH 1860–1936)ON THE ZUYDER ZEESigned, oil on panel25.5cm x 18cm (10in x 7in)

£2,000-3,000

711§ HB220/1 THOMAS BONAR LYON(BRITISH 1873–1955)DUNURE CASTLESigned, oil on board29cm x 36.5cm (11.5in x 14.5in)

£1,000-1,500



712§ HB974/1 IRENE HALLIDAY R.S.W.(SCOTTISH b. 1931)BIRCH TREES, HIGH BRACKENSigned, artist’s label with titleverso, watercolour46cm x 73.5cm (18in x 29in)

£300-500

714§ HC677/1 ROBERT MACAULAY STEVENSON(SCOTTISH 1854–1952)MOONLIT LANDSCAPEIndistinctly signed, oil on board 63.5cm x 98.5cm (25in x 38.75in)

£600-800

713 HD65/3WILLEM STEELINK(DUTCH 1856–1928)HERDING SHEEPSigned, watercolour63cm x 95.5cm (24.25in x 37.5in)

£500-700


172 Lyon & Turnbull

715 HC003/1ROBERT MCGOWN COVENTRYR.S.W. (BRITISH 1855–1914)FISHING OFF THE ROCKSSigned, oil on canvas29cm x 49.5cm (11.5in x 19.5in)

£1,000-1,500

717 HC25/3JAMES KAY R.S.A., R.S.W.(SCOTTISH 1858–1942)SNOW ON A WEST COASTMONUMENTSigned, oil on canvas29cm x 45.5cm (11.5in x 19.5in)

£500-800

716 HC851/1WILLIAM MARSHALL BROWNR.S.A., R.S.W.(SCOTTISH 1863–1936)SEASCAPESigned, oil on canvas19cm x 29.5cm (7.5in x 11.75in)

£400-600



718 SV547/8319TH CENTURY ENGLISHSCHOOLCALABRIAOil on board18.5cm x 47cm (7.25in x 18.5in)

£300-500

719 HC009/1ARTHUR MACDONALD(SCOTTISH 20TH CENTURY)HARBOUR SCENESigned, oil on canvas49cm x 59cm (19.25in x 23.25in)

£600-800

720 SV547/95HENRY MORLEY(SCOTTISH 1868–1937)TIMBERYARD IN THE SNOW,EDINBURGHSigned, oil on board13.5cm x 23cm (5.25in x 9in)

£300-500


174 Lyon & Turnbull

724 HB704/2TOM SCOTT R.S.A., R.S.W.(SCOTTISH 1854–1927)BASS ROCKSigned, watercolour17cm x 25cm (6.25in x 9.75in)

£300-500

721§ HA678/3ADAM BRUCE THOMSON O.B.E., R.S.A.,P.P.R.S.W. (BRITISH 1885–1976)EILEAN DONAN CASTLESigned, watercolour35.5cm x 45cm (14in x 17.75in)

£300-500

723§ HB704/1 FRANK WATSON WOOD(SCOTTISH 1862–1953)COLLINGWOODSigned, inscribed and dated 1920,watercolour10cm x 22cm (4in x 8.75in)


£300-500

722§ HB217/16 SIR DAVID YOUNG CAMERON R.A., R.S.A.,R.W.S., R.E. (SCOTTISH 1865–1945)THE DARK HILLSigned, pencil and pastel24.5cm x 24cm (9.75in x 9.5in)

£300-500



728 SV547/175SAM BOUGH R.S.A. (SCOTTISH 1822–1878)GREY HARBOURSigned, watercolour24cm x 32cm (9.5in x 12.5in)

£300-500

725 SV547/1719TH CENTURY DUTCH SCHOOLROWING OUTIndistinctly signed, watercolour35.5cm x 57.5cm (14in x 22.75in)

£400-600

727§ HC649/2 SIR DAVID YOUNG CAMERON R.A., R.S.A.,R.W.S., R.E. (SCOTTISH 1865–1945)SUNDOWNSigned with initials, signed and inscribed withtitle verso, pen and ink and watercolour13cm x 17.5cm (5in x 7in)

£400-600

726 HB671/15JOHN R. TODD(SCOTTISH CONTEMPORARY)SAILING SHIPS CRESTING THE WAVESigned and dated ‘86, oil on board36cm x 50cm (14in x 19.5in)

£300-500


176 Lyon & Turnbull

731§ SV547/27 MURRAY TOD (SCOTTISH 1909–1974)DEMOLITION SALESigned and dated 1970, pen and watercolour38cm x 26cm (14.75in x 10.25in)

£300-500

732§ HC758/1VIOLA M. PATERSON (SCOTTISH 1899–1981)A NORTH ITALIAN HILL TOWNOil on canvas63cm x 52.5cm (24.75in x 20.75in)

£600-800

730 HC793/1JAMES LITTLE (BRITISH 1875–1910)PARIS STREET SCENESigned, watercolour61cm x 42cm (24in x 16.5in)

£300-500

729 HB894/2BEATRICE HOW (SCOTTISH 1867–1932)MATERNITÉSigned, oil on canvas71cm x 58cm (28in x 23in)

£1,000-1,500



735§ HB940/1 PIERO SANSALVADORE (ITALIAN 1892–1955)WINTER SUNSigned, inscribed verso, oil on board23.5cm x 18cm (9.25in x 7in)

£300-500

736§ HB621/13 EMILIO COIA (SCOTTISH 1911–1997)JEKYLL AND HYDEPencil and pastel34.5cm x 24cm (13.5in x 9.5in)

£300-500

734§ HB741/1 JACK FIRTH R.S.W. (SCOTTISH 1917–2010)MOSAIC TERRACE AT ANTIBESSigned, inscribed verso, pencil andwatercolour44cm x 35cm (17.25in x 13.75in)

£300-500

733§ROBERT COLQUHOUN (SCOTTISH 1914-1962)ABSTRACTED FIGURESSigned and dated ‘59 in pencil, watercolour45cm x 30cm (17.75in x 11.75in)

£400-600


178 Lyon & Turnbull

738 HB671/120TH CENTURY SCOTTISH SCHOOLLANDSCAPEIndistinctly signed and dated ‘75, oilon canvas40cm x 74cm (15.5in x 29.25in)

£400-600

737§ HC25/13 MICHAEL D’AQUILAR (BRITISH 1924–2011)LE COUP DE VENTSigned, signed and inscribed with title verso,oil on canvasboard49cm x 74cm (19.25in x 29in)

£400-600

740§ HB708/12 ALISTAIR W. THOMSON (SCOTTISH CONTEMPORARY)JURASigned, oil on canvas22cm x 52cm (8.75cm x 20.5in)

£300-500

739§ HC722/3 JAMES WATT R.G.I. (SCOTTISH b. 1931)LUNDERSTON BAY TO ARRANSigned, oil on canvas39cm x 90cm (15.25in x 35.5in)

£400-600



744 HC786/2BOLESLAW BUYKO (POLISH 1876–1940)CASTEL SAINT ANGELO, ROMESigned, pencil and watercolour34cm x 50cm (13.5in x 19.75in)

£400-600

742 HC791/1CHARLES HODGE MACKIE R.S.A., R.S.W.(BRITISH 1862–1920)BLUEBELL WOODColour woodblock print22cm x 26.5cm (8.75in x 10.5in)

£300-500

743§ HB974/2 IRENE HALLIDAY R.S.W. (SCOTTISH b. 1931)TWO GONDOLAS, RIVA DEGLI SCHIAVONISigned, inscribed with title verso,watercolour31cm x 54.5cm (12.25in x 21.25in)

£300-500

741§ SV547/67 MURRAY TOD (SCOTTISH 1909–1974)WOMEN’S LIBSigned and dated 1972, pen andwatercolour37cm x 53cm (14.5in x 20.75in)

£300-500


180 Lyon & Turnbull

747 HC36/1CARL WERNER (GERMAN 19TH CENTURY)STILL-LIFE WITH FRUITSigned, oil on canvas22cm x 29.5cm (8.5in x 11.5in)

and another, a pair (2)

£400-600

745 HC60/1CHARLES THOMAS BALE(BRITISH 19TH CENTURY)STILL-LIFESigned, oil on canvas34.5cm x 44cm (13.5in x 17.25in)

£400-600

746 SV547/97STUART PARK (SCOTTISH 1862–1933)RED AND WHITE ARRANGEMENTSigned, oil on canvas49cm x 39cm (19.25in x 15.5in)

£600-800



748§ HB737/6 SIR MUIRHEAD BONE(SCOTTISH 1876–1953)BROOMIELAW BRIDGESigned and inscribed withtitle, pencil and ink on paper12.5cm x 17.5cm (5in x 7in)

and a book, ‘Glasgow in 1901’(2)

£600-800

750 HC71/1JAMES GILES (SCOTTISH 1801-1870)RUINS OF AN OLD BRIDGE ATAVIGNONSigned, oil on board

16cm x 34cm (6.25in x 13.5in)

£500-700

749§ SV564/1PAUL MAZE(BRITISH/FRENCH 1887–1979)A ROW OF SOLDIERSSigned, watercolour10cm x 34cm (4in x 13.5in)


£250-350


182 Lyon & Turnbull

751§ SV547/104ROBERT EADIE R.S.W.(BRITISH 1877–1954)BY THE WATERSigned, pencil andwatercolour23.5cm x 35.5cm(9.25in x 13.75in)

£300-500

752 HC23/2WILLIAM BEATTIE BROWNR.S.A. (SCOTTISH 1831–1909)DORNOCH MOORSSigned and dated 1884,watercolour13.5cm x 24.5cm (5.25in x 9.75in)

£400-600

753 SV547/18319TH CENTURY FRENCH SCHOOLGATHERING TOGETHERSigned with monogram, watercolour26cm x 35cm (10.5in x 13.75in)

and another by the same hand, a pair(2)

£300-500



757 HC798/1ROBERT HOPE (BRITISH 1869–1936)COTTAGE BY THE TREESSigned, oil on canvas49cm x 39cm (19.25in x 15.25in)

£600-800

756§ HC907/1 ALEXANDER S. BURNS (SCOTTISH 1911–1987)STORMY EVENING, MEARNS, UPLANDSigned, watercolour56cm x 76cm (22in x 30in)

£300-500

755§ HC823/2 GEORGE HOUSTON R.S.A., R.I., R.S.W.(SCOTTISH 1869–1947)LOCH FYNESIDESigned, coloured pastel on buff paper32cm x 37cm (12.5in x 14.5in)

£400-600

754§ HB278/34ALICK RIDDELL STURROCK R.S.A.(SCOTTISH 1885–1953)WILLOWS NEAR MELROSESigned, oil on board30.5cm x 41cm (12in x 16in)Exhibited:Aitken Dott & Son, A.R. Sturrock Memorial Exhibition 1953

£400-600


184 Lyon & Turnbull

758§ HB845/11SAM AINSLEY (SCOTTISH CONTEMPORARY)UNTITLEDScreenprint58cm x 55cm (23in x 21.5in)

and a further print by the sameartist (2)

£300-500

760§ HC859/1 JAMES HAWKINS(BRITISH b. 1954)BURNSIDESigned, inscribed with title,date 1994 and artists’ nameand address verso, acrylic oncanvas45.5cm x 37cm (18in x 14.5in)

£500-700

END OF SALE

759§ HC669/4 FRANCIS CONVERY(SCOTTISH CONTEMPORARY)STILL-LIFE CLASSSigned and inscribed verso,oil on canvasboard85cm x 100cm (33.5in x 39.5in)

£500-700


Ainsley, S., 758Armour, M., 592Armour, W., 606Asprey, M., 220

Bale, C.T., 745Balmer, B., 686Barns-Graham, W., 691Barrie, M., 611, 613Beaton, R., 675Beechey, Sir W., manner of, 659Bell, R.A., 151, 181Bénouville, J.A., 216Birnie, W., 605Bone, Sir M., 583, 748Bough, S., 728Boyce, G.P., 171Briscoe, A., 626British School, 145, 146, 147,

583A, 652, 655Brockhurst, G.L., 577Brown, W.B., 558, 639, 752Brown, W.M., 716Bulleid, G.L., 221Burne-Jones, E.C., 149Burns, A.S., 756Buyko, B., 744

Cameron, K., 629Cameron, Sir D.Y., 586, 624, 722,

727Carmichael, R., 609Cockerell, S.P., 174Coia, E., 736Colquhoun, R., 733Condon, H. & C., 447Continental School, 563, 566, 623Convery, F., 759Copely, J., 584Coventry, R.M., 715Cranstoun, J.H., 637

D'Aquilar, M., 737Davies, D., 679Davies, G.L., 603Docharty, A.B., 591, 632Dou, G., manner of, 709Douthwaite, P., 681, 682Dowell, F.G., 179Downie, P., 638, 700Doyle, C.A., 437, 438, 439Dunkley, K., 677Dunlop, R.O., 224Dutch School, 725

Eadie, R., 708, 751Edwards, G.H., 169English School, 642, 643, 718European School, 654

Faed, J. Jnr., 559Faed, T., 640Farquharson, J., 702Ferguson, D., 688Firth, J., 734Fraser, A., 555Fraser, R.M., 217Fraser, V., 598Frazer, W.M., 571, 572, 705French School, 753Fulton, D., 569, 595

Gaskin, A.J., 172Giles, J., 750Giordano, F., 553Goldberg, H., 690Gordon, H.M., 674

Hale, E.M., follower of, 168Hale, R.M., 175Halliday, I., 615, 712, 743Hallward, R.F., 170, 176Harrigsn, E., 684Hawkins, J., 760Henderson, J., 560Henderson, K., 448, 449Hermes, G., 671Hope, R., 757Houston, G., 755Houston, J., 604How, B., 729Howson, P., 673Hunter, G.L., 672Hutchison, R.G., 556, 557, 639,

645, 646, 663, 666, 710

Jervas, C., circle of, 661John, A., 622Johnstone, D., 707

Kay, A., 631Kay, J., 697, 717Keppie, J., 450Kerr, H.W., 664Knight, Dame L., 628Knox, J., 683

Labouchere, N., 667Lamond, W.B., 636Leggett, A., 649Leighton, Lord F., 225Linton, J.D., 215Linton, Sir J.R., 154Little, J., 730Little, R., 668Luny, T., 633Luny, T., attributed to, 641Lyon, T.B., 711

Macdonald, A., 719Macdougall, N.M., 593Mackenzie, J.H., 695Mackie, C.H., 742Macleay, K., 706Maclise, D., follower of, 669Macmaster, J., 565Mactaggart, Sir W., 625Manifold, D., 689Mark, B., 607Martineau, E., 218Mason, F., 699, 701Mastin, I., 685Maxwell, D., 551Maze, P., 749McClure, D., 610, 692McCulloch, H., attributed to, 562McGregor, R., 554, 589McNiven, P., 680Michie, J.C., 561Miller, H.V., 676Mitchell, J.C., 567Moore, A.A., 602Morgan, F., 223Morley, H., 720Morris, J.W., 650Morrocco, A., 693Moynihan, R., 148Munro, A.G., 670

Nicholls, G.F., 696Nicholson, W., 617, 618, 621Noble, J.C., 590Norwich School, 644

Orr, J., 599, 600

Park, S., 575, 687, 746Paterson, V.M., 732Patten, A.F., 573Payne, H.A., 180Peters, M.W., after, 660Petrie, W.M., 441 Plowright, R., 446

Quennell, M., 150

Reid, Sir G., 653Richardson, E., 552Roberts, C.E., 693ARobertson, J.D., 612Robertson, R.C., 594Rooke, T.M., 153Rothenstein, Sir W., 630Roworth, E., 596Russell, J.B., 651Russell, T., 627Rymer, W.A., 178

Sanderson, R., 647Sandys, E., 155Sansalvadore, P., 735Schell, L., 634Schutz, J.F., 601Scott, T., 724Scottish School, 568, 608, 657,

662, 665, 738Shayer, W., 648Simpson, J., 579Sleigh, B., 177Solomon, S., 226, 227, 228Southall, J.E., 214Spare, O.S., 156, 157Stanley-Creek, B., 158Steelink, W., 713Steer, P.W., 152Stevenson, R.M., 714Strang, W., 580, 581, 585Strudwick, J.M., 222Sturrock, A.R. 703, 754

Taylor, E.A., 451, 452, 453Taylor, E.R., 173Thomson, A.B., 721Thomson, A.W., 740Tod, M., 731, 741Todd, J.R., 726Turner, H., 597, 678

van Bijlert, J., manner of, 656van Couver, J., 564van Somer, P., manner of, 658Varley, J., 635

Wain, L.W., 442-445Walcott, W., 582, 587, 588Watt, E.M., 440Watt, J., 739Watts, G.F., follower of, 219Weir, J.A., 694Werner, C., 747Wither, K., 614, 616Wood, F.W., 723Wylie, K., 574

Young, A., 704Young, R.C., 698

Zorn, A., 576, 578, 620

Index


186 Lyon & Turnbull

The following expressions with their accompanying explanations are used by Lyon & Turnbullas standard cataloguing practice. Our use of these expressions does not take account of thecondition of the lot or the extent of any restoration.

Buyers are recommended to inspect the property themselves. Written condition reports areusually available on request.

Name(s) or Recognised Designation of an Artist withoutany Qualification In our opinion a work by the artist

Attributed to...In our opinion probably a work by the artist in whole or in part.

Studio of ... / Workshop of ...In our opinion a work executed in the studio or workshop ofthe artist, possible under his supervision

Circle of ...In our opinion a work of the period of the artist and showinghis influence.

Follower of ...In our opinion a work executed in the artist’s style but notnecessarily by a pupil.

Manner of ...In our opinion a work executed in the artist’s style but of alater date

After ...In our opinion a copy (of any date) of a work of the artist.

Signed ... /Dated ... /Inscribed ... /In our opinion the work has been signed/dated/inscribed bythe artist.

BearsSignature ... /Date ... /Inscription ... /In our opinion the signature/date/inscription appears to be bya hand other than that of the artist.

Dimensions are given height before width.

Glossary of Cataloguing Terms


33 Broughton Place, Edinburgh EH1 3RR l +44 (0)131 557 8844 l www.lyonandturnbull.com

Scottish Paintings & SculptureThursday, 10th December, 2015

Enquiries

Nick Curnow +44 (0)131 557 [email protected]

GEORGE JAMESONE(SCOTTISH c. 1589-1644) HEAD AND SHOULDERPORTRAIT OF MALCOLM III OFSCOTLANDInscribed twice 'MilcolumbusCanmore Anno 1057,' andnumbered no.80' oil on canvas

£20,000-30,000


1. DEFINITIONSIn these Conditions of Sale (Sellers): “Auctioneer” means Lyon & Turnbull Ltd or itsauthorised auctioneer, as appropriate; “Buyer“ is the person who makes the highest possiblebid or offer accepted by the auctioneer, and/or suchperson’s principal where bidding as agent; “Buyer‘s Premium” is the commission payable by theBuyer on the Hammer Price at the rates set out in theSale Catalogue Guide to Prospective Buyers and anamount in respect of applicable VAT; “Hammer Price” is the highest bid accepted by theauctioneer by the fall of the hammer or in the case of apost-auction sale, the agreed sale price; “Item” means each and every item consigned for salefollowing express written agreement between Lyon &Turnbull and the Seller; “Lot“ means each Item offered for sale by Lyon &Turnbull; “Lower Estimate” means the low estimate provided byLyon & Turnbull to the Seller in relation to each Item, orin relation to any Item which Lyon & Turnbull holds onbehalf of the Seller; “Lyon & Turnbull” means the company which has itsregistered office at 33 Broughton Place, Edinburgh, EHI3RR registered in Scotland No. 191166 “Net Sale Proceeds” are the Hammer Price, lesscommissions and other charges, of the Lot sold, to theextent received by Lyon & Turnbull in cleared funds; “Proposed Sale” means the intended sale through whichthe items will be sold on “Purchase Price” is the Hammer Price and applicableBuyer‘s Premium; “Reserve” means the lowest price below which an itemcannot be sold; “Upper Estimate” means the high estimate provided byLyon & Turnbull to the Seller in relation to each Item, orin relation to any Item which Lyon & Turnbull holds onbehalf of the Seller; “Terms of consignment” means the stipulated terms andrates of commission on which the Auctioneer acceptsinstructions from Sellers or their agents; “You”, “Your” means the seller“Us”, “Our”, “We” etc refers to Lyon & Turnbull LtdThe singular includes the plural and vice versa asappropriate.

2. WARRANTY OF TITLE AND AVAILABILITY

The Seller warrants:-(a) that you are the true owner of the propertyconsigned or are properly authorised by the true ownerto consign it for sale and are able to transfer good andmarketable title to the property free from any third partyclaims.(b) that all requirements have been complied with, legalor otherwise, relating to any export or import of theproperty consigned, all duties and taxes in respect ofthe export or import of the lot have (unless agreed inwriting with us) been paid and, so far as you and anyprincipal for whom they are acting in relation to the lotare aware, all third parties have complied with suchrequirements in the past.(c) that you have provided Lyon & Turnbull with anyand all information concerning the item’s provenanceor any concerns expressed by third parties concerningits ownership, condition, authenticity, attribution, andexport or import history; and(d) Unless the Seller advises Lyon & Turnbull in writingto the contrary on delivery of the item to Lyon &Turnbull, there are no restrictions on Lyon & Turnbullrights to reproduce photographs or other images of theitem in connection with the sale or any other marketingwhich will be done in accordance with good taste anddecency.

3. PREPARATION FOR SALE(a) Lyon & Turnbull shall decide the way in which a lotmay be included in the sale, how any lot is describedand illustrated in the catalogue or any report, and themarketing, promotion, date, place and conduct of thesale.

(b) Lyon & Turnbull will instruct, consult with, and relyon, any outside experts or restorers, agents or otherthird parties, and carry out such other due diligence,inquiries, research or tests in relation to the propertyor its provenance, either before the Proposed Sale as itmay deem appropriate in its reasonable discretion.(c) Any oral or written estimate or evaluation or reportprovided by Lyon & Turnbull is a genuinely heldopinion only. It may not be relied on as a prediction ofthe selling price or value of the Item, and may in Lyon &Turnbull’s absolute discretion be revised from time totime.(d) The Seller acknowledges that attribution of Items is amatter of opinion and not of fact, and is dependentupon (amongst other things) information provided bythe Seller, the condition of the property, the degree ofresearch, examination or testing that is possible orpractical in the circumstances, and the status ofgenerally accepted expert opinion at the time ofcataloguing

4. TERMS OF SALEThe Seller acknowledges that lots are sold subject tothese Conditions and on the Terms of Consignment asnotified to the consignor at the time of the entry of thelot.

5. STANDARD SELLER FEES AND CHARGES (Subject to VAT)(1) Commission: 15% is charged on the selling price ofeach lot, (subject to a minimum charge of £30). Loss anddamage warranty: 1.5% on value of lots sold.Photography: min charge £30. Online Listing: £10 perlot.(2) Transport: Items for sale must be consigned to thesale room by any stated deadline and at your expense.We may be able to assist you with this process. Whenorganised on the Seller’s behalf the provision oftransport will be contracted to third parties. Fees fortransport will be deducted at the initial settlement. (3) Illustrations: The cost of any illustrations will beborne by the Seller , unless agreed otherwise prior. Thecopyright in respect of such illustrations shall be theproperty of us, the auctioneers, as is the text of thecatalogue.

6. RESERVES(a) You are entitled to place, prior to the auction, areserve on any lot consigned, being the minimumhammer price at which that lot may be sold. Reservesmust be reasonable and we may decline to offer goodswhich in our opinion would be subject to anunreasonably high reserve.(b) Firm reserves may be no greater than lower pre-saleestimate level.(c) A reserve once set cannot be changed except withour agreement.(d) You may not bid or instruct or permit any otherperson to bid on your behalf on your own property. Ifthe Seller breaches this prohibition, Lyon & Turnbullmay treat the Seller as bound as Seller and as Buyerbut without the benefit of Lyon & TurnbullAuthenticity Guarantee or the reserve, and/or pursueother remedies.(e) We may sell lots below the reserve provided weaccount to you for the same sale proceeds as you wouldhave received had the reserve been the hammer price.

7. LOSS & DAMAGE WARRANTY(a) Subject to condition 7(c) below Lyon & Turnbull willassume liability for loss or damage to an item,commencing at the time that item is taken into physicalcontrol and possession by Lyon & Turnbull and ceasingon the earliest date of; (i) when risk passes to the Buyer of the lot following itssale; (ii) for unsold lots, when the lot is released to the Seller,or, within 3 months of the sale;or (iii) 6 months from the date of delivery to Lyon &Turnbull for items still in the possession of Lyon &Turnbull but not consigned for sale (unless part of along-term storage agreement).(b) Lyon & Turnbull shall charge a loss and damagewarranty fee of 1.5% of the hammer price, plus VAT. (c) If any loss or damage should occur to the lot during

the period identified in paragraphs (a) above, Lyon &Turnbull’s liability to compensate the Seller in respect ofthat loss shall be restricted to a maximum of the upperestimate, or actual loss incurred, whichever is lower.This compensation will be subject to a deduction of a1.5% loss & warranty fee (subject to VAT).

8. UNSOLD ITEMS(1) If an item is unsold it may, with your consent, be re-offered at a future sale. Where in our opinion an item isnot suitable for a future sale we may either request (a)you collect such items from the saleroom promptly onbeing so informed. We shall be entitled to charge youfor storage costs, charges shall be made at a reasonabledaily rate;or (b) suggest that the item be transferred to asecondary saleroom for sale without reserve. Alltransferred lots will be sold for the best price on theday, this may not bear any reflection on the item’soriginal estimate. Lyon & Turnbull are not liable for anyitems (whether it be selling price or loss & damage)when transferred. (2) Aftersales: We reserve the right to accept an after-auction offer on a lot on behalf of the seller, at theagreed reserve price or above, for up to 48 hours afterthe original auction. In which case the same charges willbe payable as if such lots had been sold at auction andso far as appropriate these Conditions apply.

9. LOT WITHDRAWAL If a Seller wishes to withdraw a lot organised for sale, awithdrawal fee will apply; (a) if withdrawn over 28 working days prior to the sale,this will be charged at 10% of the mid estimate alongwith any ancillary charges incurred (such asphotography), all subject to VAT at the current rate.(b) if withdrawn within 28 working days of the sale, thiswill be charged at 20% of the mid estimate along withany ancillary charges incurred (such as photography), allsubject to VAT at the current rate.(c) Lyon & Turnbull may withdraw a lot from theproposed sale without any liability if: (i) Lyon & Turnbull reasonably believes that there is anydoubt as to the lot‘s authenticity or attribution; or (ii) it reasonably doubts the accuracy of any of theSeller’s warranties; or (iii) the Seller breaches any provisions of the Conditionsof Sale in any material respect; or (iv) the lot suffers from loss or damage so that it is not inthe state in which it was when Lyon & Turnbull tookdelivery of it. (d) if an item is withdrawn from sale under Condition9(c) (i), or (iv), the Seller shall not be charged awithdrawal fee and the item shall be returned to theSeller or dealt with pursuant to Clause 8, as the Sellerdecides.

10. AUTHORITY TO DEDUCT COMMISSION ANDEXPENSES AND RETAIN PREMIUM AND INTEREST.The Seller authorises us to deduct commission at thestated rate, and all expenses incurred for your accountfrom the hammer price, and consents to our right toretain beneficially the premium paid by the Buyer inaccordance with these Conditions of Sale and anyinterest earned on the sale proceeds until the date ofsettlement.

11. NON-PAYMENT BY THE BUYER(a) Lyon & Turnbull will, where it considers appropriate,take reasonable steps to investigate the ability ofbidders to pay for lots and will use reasonableendeavours, in consultation with the Seller, to enforcepayment of the Hammer Price by any Buyer.(b) Lyon & Turnbull, in consultation with the Seller, willdecide whether to pursue any of the remedies availableto it, including those set out in Condition 10 of theCondition of Sale (Buyers) including the right to cancel thesale and return the property to the Seller. Lyon &Turnbull will inform the Seller of any action which itcontemplates taking against the Buyer.(c) lf the Seller elects to take action against any Buyer onits own behalf Lyon & Turnbull will provide the Sellerwith such assistance as may be reasonably necessary topursue that action.(d) The Seller hereby agrees to inform Lyon & Turnbullof any action which it chooses to take against the Buyer

Conditions of SaleSELLERS


to enforce payment of the amount due to the Seller.(e) In the event that a Buyer fails to pay for a lot inaccordance with the Conditions of Sale for Buyers, thatlot will be treated in the same way as an unsold orcollected lot.

12. SETTLEMENT PAYMENTSSubject to full payment by the Buyer, payment of the netproceeds of sale due to you will be made over to you 28working days following a sale. Provided we have receivedcleared funds. Payment will be made by cheque orBACS (if requested).

13. SALE BY PRIVATE TREATY(a) The same Conditions of Sale (Sellers) shall apply tosales by private treaty. (b) Private treaty sales made under these Conditions aredeemed to be sales by auction and subject to ouragreed charges for Sellers and Buyers. (c) Lyon & Turnbull undertakes to inform the Seller ofany offers it receives in relation to an item prior to anyProposed Sale, excluding the normal method ofcommission bids.(d) For the purposes of a private treaty sale, if a lot issold in any other currency than Sterling, the exchangerate is to be taken on the date of sale.

14. THIRD PARTY LIABILITYAll members of the public on our premises are there attheir own risk and must note the lay-out of theaccommodation and security arrangements. Accordinglyneither the auctioneer nor our employees or agentsshall incur liability for death or personal injury (except as

required by law by reason of our negligence) or similarlyfor the safety of the property of persons visiting prior toor at a sale.

15. GENERAL(a) We shall have the right at our discretion, to refuseadmission to our premises or attendance at ourauctions by any person.(b) Any notice to any Buyer, Seller, bidder or viewer maybe given by email, or if not available then first class mail,in which case it shall be deemed to have been receivedby the addressee 48 hours after posting.(c) Notices to Lyon & Turnbull should be in writing andaddressed to Nick Curnow at 33 Broughton Place,Edinburgh EH1 3RR, quoting the reference numberspecified at the beginning of the sale catalogue.(d) Should any provision of these Conditions of Sale beheld unenforceable for any reason, the remainingprovisions shall remain in full force and effect.(e) These Conditions of Sale are not assignable by eitherparty without the other’s prior written consent, but arebinding on the seller’s successor and representatives.No act, omission or delay by Lyon & Turnbull shall bedeemed a waiver or release of any of its rights.(f) The contract between the parties may be varied bythe parties by agreement and in writing.

16. AGENCY Lyon & Turnbull acts as agent solely for and in theinterests of the Seller. We do not act for Buyers in thisrole and does not give advice to Buyers. When Lyon &Turnbull make a statement about a lot it is doing so onbehalf of the Seller of the lot.

The Auctioneer normally acts as agent only anddisclaims any responsibility for default by Sellers orBuyers.

17. DATA PROTECTIONIn connection with the management and operation ofour business and the marketing and supply of Lyon &Turnbull’s services, or as required by law, we may askthe Seller to provide personal information aboutthemselves or obtain information about the Seller fromthird parties (e.g. credit information). Lyon & Turnbullwill not give out personal information except as may berequired by law. If you would like further information on Lyon & Turnbullpolicies on personal data, or to make corrections toyour information, please contact us on +44 (0)131 5578844.

18. LAW AND JURISDICTION(a) Governing Law: These Conditions of Sale and allaspects of all matters, transactions or disputes to whichthey relate or apply shall be governed by, andinterpreted in accordance with, Scots law (b) Jurisdiction: The Seller agrees that the Courts ofScotland are to have exclusive jurisdiction to settle alldisputes arising in connection with all aspects of allmatters or transactions to which these Conditions ofSale relate or apply.

BUYERS

The Auctioneer carries on business with bidders, Buyersand all those present in the auction room prior to, or inconnection with, a sale on the following GeneralConditions and on such other terms, conditions andnotices as may be referred to herein..

1. DEFINITIONS In these Conditions of Sale (Buyers): "Auctioneer" means Lyon & Turnbull Ltd or itsauthorised auctioneer, as appropriate; "Hammer price" means the level of bidding reached (ator above any reserve) when the Auctioneer brings downthe hammer; "Lot" means each Item offered for sale by Lyon &Turnbull; "Purchase Price" is the Hammer Price and applicableBuyer's Premium; "Reserve" means the lowest price below which an itemcannot be sold; "Total amount due" means the hammer price in respectof the lot sold together with any premium, Value AddedTax or other taxes chargeable and any additionalcharges payable by a defaulting Buyer under theseConditions; “You”, “Your” means the Buyer“Us”, “Our”, “We” etc. refers to Lyon & Turnbull LtdThe singular includes the plural and vice versa asappropriate.

2. AGENCYLyon & Turnbull acts as agent solely for and in theinterests of the Seller. We do not act for Buyers in thisrole and does not give advice to Buyers. When Lyon &Turnbull make a statement about a lot it is doing so onbehalf of the Seller of the lot.

The Auctioneer normally acts as agent only anddisclaims any responsibility for default by Sellers orBuyers.

3. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particularsbefore bidding and to satisfy any security and creditreferences or arrangements before entering the auctionroom to view or bid; (b) The maker of the highest bid accepted by theAuctioneer conducting the sale shall be the Buyer andany dispute shall be settled at the Auctioneer's absolutediscretion.

(c) Once made, no bid may be withdrawn. (d) Our right to bid on behalf of Sellers is expresslyreserved up to the amount of any reserve. (e) The right to refuse any bid is also reserved.(f) Commission Bids: While prospective Buyers arestrongly advised to attend the auction and are alwaysresponsible for any decision to bid for a particular lotand shall be assumed to have carefully inspected andsatisfied themselves as to its condition we shall, if soinstructed, clearly and in writing execute bids on theirbehalf. Neither the Auctioneer nor our employees noragents shall be responsible for any failure to do so.Where two or more commission bids at the same levelare recorded we reserve the right in our absolutediscretion to prefer the first bid so made.

(g) Telephone Bids: If a prospective Buyer makesarrangements with us prior to the commencement ofthe sale we will use reasonable efforts to contact themto enable them to participate in bidding by telephone.We do not accept liability for failure to do so or forerrors and omissions in connections.

(h) Online Bidding: We will use reasonable efforts tocarry out online bids and do not accept liability forequipment failure, inability to access the internet orsoftware malfunctions related to execution of onlinebids/ live bidding.

4. INCREMENTSBidding increments shall be at the Auctioneer's solediscretion.

5. THE PURCHASE PRICE For each lot purchased a Buyer's Premium of 25% ispayable on the first £50,000 of the hammer price, 20%thereafter. VAT at the appropriate rate is charged on theBuyer's Premium. No VAT is payable on the hammerprice or premium for printed books or unframed mapsbought at auction.Live online bidding is subject to an additional 3%premium (charged by the live bidding service providerInvaluable). This additional premium is subject to VAT atthe appropriate rate as above. 6. VALUE ADDED TAX Value Added Tax is charged at the appropriate rateprevailing by law at the date of sale and is payable byBuyers of relevant lots. (1) Lots affixed with (†): Value Added Tax on thehammer price is imposed by law on all items affixed with

a dagger (†). This imposition of VAT maybe because theSeller is registered for VAT within the European Unionand is not operating under a Margin Scheme. (2) Lots affixed with (*): A reduced rate of Value AddedTax on the hammer price of 5% is payable. Thisindicates that a lot has been imported from outwith theEuropean Union. This reduced rate is applicable toAntique items. (3) Lots affixed with [Ω]: Standard rate of Value AddedTax on the hammer price and premium is payable. Thisapplies to items that have been imported from outwiththe European Union and do not fall within the reducedrate category outlined above.

7. DROIT de SUITEThis symbol § indicates works which may be subject tothe Droit de Suite or Artist's Resale Right, which tookeffect in the United Kingdom on 14th February 2006.We are required to collect a royalty payment for allqualifying works of art. Under new legislation whichcame into effect on 1st January 2012 this applies toliving artists and artists who have died in the last 70years. This royalty will be charged to the Buyer on thehammer price and in addition to the Buyer’s premium. Itwill not apply to works where the hammer price is lessthan €1,000 (euros). The charge for works of art sold atand above €1,000 (euros) and below €50,000 (euros) is4%. For items selling above €50,000 (euros), charges arecalculated on a sliding scale. All royalty charges are paidto the Design and Artists Copyright Society (‘DACS’) andno handling costs or additional fees are retained by theauctioneer. Resale royalties are not subject to VAT.Please note that the royalty payment is calculated onthe rate of exchange at the European Central Bank onthe date of the sale. More information on Droit de Suiteis available at www.dacs.org.uk.

8. PAYMENT (1) Within 7 days of a lot being sold you will: (a) Pay to us the total amount due in cash or by suchother method as is agreed by us. We accept cash, banktransfer (details on request), debit cards and Visa orMasterCard credit cards. We do not accept AmericanExpress.(b) Please note there is a surcharge of 2% when usingcredit cards. (c) Please note that under The Money LaunderingRegulations 2007 we cannot accept cash payments over€15,000 (euros). (2) Any payments by you to us may be applied by us


towards any sums owing by you to us howsoeverincurred and without agreement by you or your agent,whether express or implied..

9. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any lots purchased shall not passto you until you have made payment in full to us of thetotal amount due. (2) You shall at your own risk and expense take away anylots that you have purchased and paid for not later than7 working days following the day of the auction or uponthe clearance of any cheque used for paymentwhichever is later. We can provide you with a list ofshippers. However, we will not be responsible for theacts or omissions of carriers or packers whether or notrecommended by us. (3) No purchase can be claimed or removed until it hasbeen paid for. (4) It is the Buyer’s responsibility to ascertain collectionprocedures, particularly if the sale is not being held atour main sale room and the potential storage chargesfor lots not collected by the appropriate time.(5) Export of goods: Buyers intending to export goodsshould ascertain (a) whether an export licence isrequired and (b) whether there is any specificprohibition on importing goods of that character, e.g.items that may contain prohibited materials such asivory or rhino horn. It is the buyer’s sole responsibilityto obtain any relevant export or import licence. Thedenial of any licence or any delay in obtaining licencesshall neither justify the recession of any sale not anydelay in making full payment for the lot.

10. REMEDIES FOR NON·PAYMENT OR FAILURE TOCOLLECT PURCHASES (1) If any lot is not paid for in full and taken away inaccordance with these Conditions or if there is anyother breach of these Conditions, we, as agent for theSellers and on their behalf, shall at our absolutediscretion and without prejudice to any other rights wemay have, be entitled to exercise one or more of thefollowing rights and remedies: (a) to proceed against you for damages for breach ofcontract; (b) to rescind the contract for sale of that lot and/or anyother lots sold by us to you; (c) to resell the lot (by auction or private treaty) in whichcase you shall be responsible for any resulting deficiencyin the total amount due (after crediting any partpayment and adding any resale costs). (d) to remove, store and insure the lot in the case ofstorage, either at our premises or elsewhere and torecover from you all costs incurred in respect thereof; (e) to charge interest at a rate not exceeding 1.5% permonth above the current base rate on all sumsoutstanding for more than 7 working days after the sale;(f) to retain that or any other lot sold to you until youpay the total amount due; (g) to reject or ignore bids from you or your agent atfuture auctions or to impose conditions before any suchbids shall be accepted; (h) to apply any proceeds of sale of other lots due orwhich become due to you towards the settlement of thetotal amount due by you and to exercise a lien over anyof your property in our possession for any purpose untilthe debt due is satisfied.satisfied.

11. DESCRIPTIONS AND CONDITION(1) Whilst we seek to describe lots accurately, it may beimpractical for us to carry out exhaustive due diligenceon each lot. Prospective Buyers are given ampleopportunities to view and inspect before any sale andthey (and any independent experts on their behalf) mustsatisfy themselves as to the accuracy of any descriptionapplied to a lot. Prospective Buyers also bid on theunderstanding that, inevitably, representations orstatements by us as to authorship, genuineness, origin,date, age, provenance, condition or estimated sellingprice involve matters of opinion. We undertake that anysuch opinion shall be honestly and reasonably held andonly accept liability for opinions given negligently orfraudulently. Subject to the foregoing neither we theauctioneer or our employees or agents accept liabilityfor the correctness of such opinions and no warranties,whether relating to description, condition or quality oflots, express, implied or statutory, are given. Please notethat photographs/images provided may not be fullyrepresentative of the condition of the lot and should notbe relied upon as indicative of the overall condition ofthe lot.

(2) Condition reports: Condition reports are providedon our website or upon request. The absence of areport does not imply that a lot is without imperfections.Large numbers of such requests are received shortlybefore each sale and department specialists andadministration will endeavor to respond to all requestsalthough we offer no guarantee. Any statement inrelation to the lot is merely an expression of opinion ofthe Seller or Lyon & Turnbull and should not be reliedupon as an inducement to bid on the lot. Lots areavailable for inspection prior to the sale and you arestrongly advised to examine any lot in which you areinterested prior to the sale. Our condition reports arenot prepared by professional conservators, restorers orengineers. Our condition report does not form anycontract between Lyon & Turnbull and the Buyer. TheCondition Reports do not affect the Seller’s obligationsin any way. (3) Estimates: Estimates are placed on each lot to helpBuyers gauge the sums involved for the purchase of aparticular lot. Estimates do not include the Buyer’sPremium or VAT. Estimates are a matter of opinion andprepared in advance. Estimates may be subject tochange and are for guidance only and should not berelied upon.(4) Catalogue Alterations: Lot descriptions andestimates are prepared in advance of the sale and maybe subject to change. Any alterations will be announcedon the catalogue alteration sheet, made available priorto the sale. It is the responsibility of the Buyer to makethemselves aware to any alterations which may haveoccurred.(5) Electrical Goods: are sold as “works of art” only andif bought for use must be checked over for compliancewith safety regulations by a qualified electrician first. Useof such goods is entirely at the risk of the Buyer and nowarranties as to safety of the goods are given.(6) Upholstered items: are sold as “works of art” onlyand if bought for use must be checked over forcompliance with current safety regulation. Use of suchgoods is entirely at the risk of the Buyer and nowarranties as to safety of the goods are given. Lyon &Turnbull provide no guarantee as to the originality ofany wood/material contained within the item. (7) Special terms may be used in catalogue descriptionsof particular classes of items (Books, Jewellery, Paintings,Guns, Firearms etc.) in which case the descriptions mustbe interpreted in accordance with any glossaryappearing in the catalogue. These notices and terms willalso form part of our terms and conditions of sales.

12. BOOKS, CLOCKS & WATCHES(1) Books-Collation: If on collation any NAMED item inthe sale catalogue proves defective, in text or illustrationthe Buyer may reject the lot provided he returns itwithin 21 days of the sale stating the defect in writing.This, however, shall not apply in the case of unnameditems, periodicals, autographed letters, music M.M.S.,maps, drawings NOR in respect of damage to bindings,stains, foxing, marginal worm holes or other defects notaffecting the completeness of the text NOR in respect ofDefects mentioned in the catalogue, or at the time ofsale, NOR in respect of lots sold for less than £300. (2) Clocks & Watches: All lots are sold “as seen”, andthe absence of any reference to the condition of a clockor watch does not imply the lot is in good condition andwithout defects, repairs or restorations. Most clocks andwatches will have been repaired during their normallifetime and may now incorporate additional/newerparts. Furthermore, Lyon & Turnbull makes norepresentation or warranty that any clock or watch is inworking order. As clocks and watches often contain fineand complex mechanisms, Buyers should be aware thata general service, change of battery or further repairwork, for which the Buyer is solely responsible, may benecessary. Buyers should also be aware that Lyon &Turnbull cannot guarantee a watch will remainwaterproof if the back is removed. Buyers should beaware that the importing watches such as Rolex, FrankMuller and Corum into the United States is highlyrestricted. These watches cannot be shipped to the USAand only imported personally.

13. CITESPlease be aware that all lots marked with the symbol Yare subject to CITES regulations when exporting theseitems outside the EU. These regulations may be foundat http://www.defra.gov.uk/ahvla-en/ imports-exports/cites/ Lyon & Turnbull accepts no liability for any lots whichmay be subject to CITES but have not be identified assuch.

14. SALE BY PRIVATE TREATY (a) The same Conditions of Sale (Buyers) shall apply tosales by private treaty. (b) Private treaty sales made under these Conditions aredeemed to be sales by auction and subject to ouragreed charges for Sellers and Buyers. (c) Lyon & Turnbull undertakes to inform the Seller ofany offers it receives in relation to an item prior to anyProposed Sale, excluding the normal method ofcommission bids.(d) For the purposes of a private treaty sale, if a lot issold in any other currency than Sterling, the exchangerate is to be taken on the date of sale.

15. THIRD PARTY LIABILITY All members of the public on our premises are there attheir own risk and must note the lay-out of theaccommodation, safety and security arrangements.Accordingly, neither the Auctioneer nor our employeesor agents shall incur liability for death or personal injuryor similarly for the safety of the property of personsvisiting prior to, during or after a sale.

16. GENERAL (a) We shall have the right at our discretion, to refuseadmission to our premises or attendance at ourauctions by any person.(b) Any notice to any Buyer, Seller, bidder or viewer maybe given by email if not available then first class mail inwhich case it shall be deemed to have been received bythe addressee 48 hours after posting.(c) Notices to Lyon & Turnbull should be in writing andaddressed to Nick Curnow at 33 Broughton Place,Edinburgh EH1 3RR, quoting the reference numberspecified at the beginning of the sale catalogue.(d) Should any provision of these Conditions of Sale beheld unenforceable for any reason, the remainingprovisions shall remain in full force and effect.(e) These Conditions of Sale are not assignable by eitherparty without the other's prior written consent. No act,omission or delay by Lyon & Turnbull shall be deemed awaiver or release of any of its rights.(f) The contract between the parties may be varied bythe parties by agreement and in writing.

17. DATA PROTECTION In connection with the management and operation ofour business and the marketing and supply of Lyon &Turnbull's services, or as required by law, we may askthe Buyer to provide personal information aboutthemselves or obtain information about the Buyer fromthird parties (e.g. credit information). Lyon & Turnbullwill not give out personal information except as may berequired by law. If you would like further information on Lyon & Turnbullpolicies on personal data, or to make corrections toyour information, please contact us on +44 (0)131 557 8844.. The Buyer hereby agrees to the release by Lyon &Turnbull of the Buyer’s name and contact details to theseller or the seller’s solicitor in the event of any disputebetween Lyon & Turnbull and the Buyer and/or Lyon &Turnbull and the Seller. Lyon & Turnbull will give priorwritten notice of the release of any such details to theSeller of the Seller’s solicitor.

18. FORCE MAJEURELyon & Turnbull shall be under no liability if they shall beunable to carry out any provision of the Contract of Salefor any reason beyond their control including (withoutlimiting the foregoing) an act of God, legislation, war, fire,flood, drought, failure of power supply, lock-out, strike orother action taken by employees in contemplation orfurtherance of a dispute or owing to any inability toprocure materials required for the performance of thecontract.

19. LAW AND JURISDICTION(a) Governing Law: These Conditions of Sale and allaspects of all matters, transactions or disputes to whichthey relate or apply shall be governed by, andinterpreted in accordance with, Scots law (b) Jurisdiction: The Buyer agrees that the Courts ofScotland are to have exclusive jurisdiction to settle alldisputes arising in connection with all aspects of allmatters or transactions to which these Conditions ofSale relate or apply.


RegistrationAll potential buyers must register priorto placing a bid. Registrationinformation may be submitted in personat our registration desk, by email, by faxor on our website. Please note that allfirst time bidders at Lyon & Turnbull willbe asked to supply the followingdocuments in order to facilitateregistration:

1 – Government issued photo ID(Passport/ Driving licence)

2 – Proof of address (utility bill/ bankstatement).

We may, at our option, also ask you toprovide a bank reference and/ ordeposit.

By registering for the sale, the buyeracknowledges that he or she has read,understood and accepted ourConditions of Sale.

BiddingAt the Sale Registered bidders will beassigned a bidder number and given apaddle for use at the sale. Once the firstbid has been placed, the auctioneer asksfor higher bids in incrementsdetermined by the auctioneer. To placeyour bid, simply raise your paddle untilthe auctioneer acknowledges you.Please ensure that the auctioneerrepeats your bidder number correctlywhen confirming the sale. If there is anydoubt at this stage as to the hammerprice or buyer it must be brought to theauctioneer’s attention immediately. Alllots will be invoiced to the name andaddress given on your registration form,which is non-transferable.

By phone A limited number oftelephone lines are available for biddingby phone through a Lyon & Turnbullrepresentative. Phone lines must bereserved in advance. All bid requestsmust be received an hour before thesale. All telephone bids must beconfirmed in writing, listing the relevantlots and appropriate number to becalled. We recommend that a coveringbid is also left in the event that we areunable to make the call. We cannotguarantee that lines will be available, orthat we will be able to call you on theday, but will endeavor to undertake suchbids to the best of our abilities. Thisservice is available entirely at ourdiscretion and at the bidder’s risk.

In writing Bid forms are available at thesale and/or the back of the catalogue.These should be submitted in person, bypost, or by fax as soon as possible priorto the sale and we will bid on yourbehalf up to the limit indicated. In theevent of receiving two identical bids thefirst one received will take precedence.All bids must be received an hour beforethe sale. This service is entirely at thebidder’s risk.

On the internet A fully-illustratedcatalogue is available on our website.Registered bidders may leave absenteebids through the website and willreceive email confirmation of their bid.Live online bidding (powered byInvaluable) is also available, accessibleeither through our website or atwww.invaluable.com. Please note thatan additional 3% premium is charged byInvaluable for this live online service.

PaymentPayment is due within seven (7) days ofthe sale. Lots purchased will not bereleased until full payment has beenreceived. Payment may be made by thefollowing methods:

Bank Transfer Account details areincluded on any invoices we issue orupon request from our accountsdepartment.

Credit or Debit Cards Payment can bemade by Visa Debit, Maestro,Mastercard or Visa Credit cards. Pleasenote there is a 2% surcharge on creditcard payments and we do not acceptAmex.

Online Card Payments We no longeraccept card payments by phone. Pleaseuse our online payment service(provided by Cardstream/Credorax. Youwill find a link to this service in any emailinvoice issued or you can visit thepayments section of our website.

Cheque Cheques should be madepayable to Lyon and Turnbull Ltd. Wereserve the right to wait until chequeshave been cleared by our bankersbefore releasing bought goods. Chequescan be cleared prior to sale on request.Cheques drawn by third parties cannotbe accepted. If paying by post pleaseinclude the slip from your invoice.

Cash Cash payments can be made atthe accounts desk during or after a sale.Cash payments limited to €15,000(euros).

Guide to Bidding & Payment


Local DeliveriesA&S Pert RemovalsTel. +44 (0)7876 343520.

New Leaf RemovalsTel: +44 (0)7999 [email protected]

Thistle RemovalsTel: +44 (0)7836 [email protected]

Smaller Items &PicturesMailboxes Etc44/46 Morningside RoadEdinburgh EH10 4BF Tel: +44 (0)131 556 6226Fax: +44 (0)131 652 [email protected]

Book online atwww.mbe.co.uk/the_auction_room

Furniture & Larger ItemsConstantineFine Art LogisticsConstantine HouseNorth Caldeen RoadCoatbridgeNorth Lanarkshire ML5 4EFTel: +44(0)1236 750055Fax: +44(0)1236 [email protected]

A Van Man TransportUnit 5, Benridge ParkHolyrood Close, CreekmoorPoole, Dorset BH17 7BDTel: +44 (0)1202 600 012Fax: +44 (0)1202 600 [email protected]

Aardvark Art Services LtdBirks Farm, Ballam RoadLytham, Lancashire FY8 4NLTel: +44 (0)1253 794673Fax: +44 (0)1253 [email protected]

Arrangements for Sold LotsAll bought items will be held free ofcharge for 7 days following the sale..

Thereafter lots will be removed tostorage and a charge incurred.

Administration fee:£20 + VAT

Storage charges per lot per day are:

Large Items£5 inc. insurance + VAT

Small Items£2.50 inc. insurance + VAT

It is the buyer’s responsibility toascertain collection procedures,particularly if the sale is not being heldat our main saleroom.

© Lyon & Turnbull Ltd. 2015. All rights reserved. No part of thispublication may be reproduced, stored in a retrieval system ortransmitted by any form or by any means without the priorwritten permission of Lyon & Turnbull Ltd.

Collection & Shipping

Transport & CouriersPlease note that we do not pack or ship items. The following suggested carriers willbe able to arrange packing and shipping; please contact them directly to receive aquote. You may wish to contact an alternative courier.



33 Broughton Place, Edinburgh EH1 3RRTel. +44 (0)131 557 8844Fax. +44 (0)131 557 8668Email. [email protected]

182 Bath Street, Glasgow G2 4HGTel. +44 (0)141 333 1992Fax. +44 (0)141 332 8240

78 Pall Mall, London SW1Y 5ESTel. +44 (0)20 7930 9115Fax. +44 (0)141 7930 7274

LYON

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DECO

RATIVE ARTS and 19TH &

20TH CEN

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12TH N

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BER, 2015

Decorative Arts: Design since 1860including 19th & 20th Century Pictures

Wednesday, 11th November, 2015andThursday, 12th November, 201533 Broughton PlaceEdinburgh


Documents

19th and 20th Century Pictures | 12th November 2015 | 11am