XLR$DI$NEEDED

BASS$$GUITAR

DON

PAUL

MARK

CLAUDETTE

OVERHEAD(1&2

FLR(TOMS

TOM1KICK

SNARE

BARBARA

MON(MIX(1

MON(MIX(2 MON(MIX(3

ACOUSTIC$DRUMS

BASS

LEAD AND HARMONY VOCALS / TAMBORINE and SHAKERS

LEAD AND HARMONY VOCALS / E. & A. GUITAR 1

LEAD AND HARMONY VOCALS / PIANO / ORGAN / ACCORDION

A/C A/C

A/CA/C

TOM2

12'D x 16' W STAGE PLOT SMALL FOOTPRINT - 5 ARTIST

UPDATED: SEPT 25, 2014EMAIL: info@fleetwoodmask.com

MOBILE: 925-899-7337

161FOOT1WIDE

121FOOT

11DEEP

BASS GUITAR STANDS

GUITAR STAND

NO STAGE OR DRUM RISERS

REQUIRED

CHIMES

HIGHHAT

GUITAR$1$

KEYBOARDS$USE$YAMAHA$MIXER$WITH$STEREO$

LINE$OUT$8$NEED$STEREO$DI

Op9onal(MON(MIX(

5

(GUITAR(EFFECTS(BOX

XLR$OUT$FROM$$

ACOUSTIC$GUITAR$DI

Drummer$wears$headphones$and$uses$Small$Mixer:1$8$$Click$Track$from$iPad28$$MON$MIX$4$via$1/4$TRS$input

MUSICIANS:Don$Oberempt$,$DRUMS$,$center$le3Paul$Jones$,$BASS$,$stage$rightMark$,$GUITAR$1$,$stage$le3$Barbara$MarCn$,$KEYBOARD$1$&2$,$stage$right$frontClaudeLe$Rodrigues$,$VOCALS/$Tamborine$,$center$

SUGGESTED-FOH-MIXER-PREFERENCES

1$–$Drums$–$Kick$,$MIC2$–$Drums$–$Snare$,$MIC3$–$Drums$,$Tom$1$–$Le3$,MIC4–$Drums$–$Tom$2$–$Right$,$MIC5–$Drums$–$Tom$Floor$–$Right$,$MIC6$–$Drums$–$Overhead$1$,$MIC7$–$Drums$–$Overhead$2$,$MIC8$,$Bass$,$$XLR$Line$Out

9–$Guitar$1$,$Amp$–$MIC1$10$,$Guitar$1$,$$AcousCc$,$DI$Line$Out11$–$Keyboard1$–$Barb$,$Yamaha$MM6$Synth$,$DI12$–$Keyboard2$–$Barb$,$Hammond$Organ$,$DI13$,$Backing$Track$,$iPad$to$DI14$–$Vocal$Barbara$(Keyboard$Rt)15$–$Vocal$ClaudeLe$(Stevie$Center)16$–$Vocal$MARK$(Guitar$Le3)$,48V

MONITORS-MIX-PREFERENCESMIX$1$–$BARBARA$,$Barb$Vocal$+$Key$1&2$+$Other$Vocals$+$Guitar$1MIX$2$,$CLAUDETTE$,$ClaudeLe$Vocal$+$other$vocals$+$keysMIX$3$–$MARK$,$Mark$Vocal$+$Guitar$1,A.$+$Other$Vocals$+$KEY$1,3$+$bassMIX$4$$,$DON,$$Kick$+$Bass$+$All$Vocals$$+$Keys$+$Guitars$1$MIX$5$,$$PAUL$,$Guitar$1,$Vocals,$Keys

INPUTS:7$,$DRUMS$(5$drums$+$2$overhead)$(fewer$if$small$room)1$,$iPad$for$Backing$Tracks$,$1/4"$mono$input1$,$BASS$,$stage$le3$,$XLR$direct2$,$GUITAR$1$,$mic$for$electric$guitar$1,$XLR$for$acousCc$12$,$KEYBOARDS$Stereo$DI$to$small$mixer3$,$VOCALS$,$Barb,$ClaudeLe,$Mark

FOH-MIX-notes:---There$are$3-Lead$vocal$who$alternate$leads$per$song$as$indicated$on$FM$set$list.$$Lead$vocal$should$be$strong$and$in$front.$$Background$vocals$should$be$strong$and$present.$$Guitar$1$plays$mostly$electric$and$most$of$the$leads.$$His$volume$should$be$boosted$a$bit$during$solos.$$

Backing$tracks$consist$of$acousCc$guitar,$percussion$and$a$few$keyboard$fills$,$these$should$be$balanced$with$level$of$other$keyboards$and$guitar$level.$$$

Keyboards$and$backing$track$should$not$overpower$the$FOH$mix.

We$love$tasteful$effects$on$vocals$and$will$provide$a$setlist$to$FOH,$but$we$don't$want$to$sound$like$the$inside$of$a$school$gym$or$deep$cave…prefer$light$reverb$over$long$delays$with$chorus$on$vocals$and$guitars.$$Also$prefer$to$have$vocal$effects$muted$when$speaking$to$the$audience.$$

2014 STAGE INPUTS and MIX DETAILUPDATED: SEPT 25, 2014

EMAIL: fleetwoodmask@gmail.comPaul Jones MOBILE: 925-899-7337