KNJIGA I. ZABORAVLJENI ZVUCI (Book I. FORGOTTEN SOUNDS) Dio 1. Postanak (Part 1. Genesis) Poglavlje 2. OSTALO U VREMENU (Chapter 2. Rest in Times) rošlo stoljeće je bilo je vjerojatno ubojiti nastavak ljudske povijesti do sada , to je bio inajglasniji , brutalno udarnim i mehanički drzak . Slušajući desetljećima jer oni zgaziti strane , Ross , glazbeni kritičar New Yorker , anthologises u pometnju . Modernost u glazbi počinje , on vjeruje , s premijere Straussa Salome 1905 ;opera završava zavijanje sirena , vrišteći woodwinds i lupanje timpana kao Herod vojnici tijesto na nimfeta ispod svojih štitova u ' osam barova buke ' . Talijanski futuristiËke Luigi Russolo poziva na ' glazbu buke , slobodno rikati , vrisak , prasak i uzdisati - netemperirana , neumjeren negodovanje ' . P The last century was probably the most murderous instalment of human history so far; it was also the loudest, brutally percussive and mechanically brazen. Listening to the decades as they stomp by, Ross, music critic of the New Yorker, anthologises the uproar. Modernity in music begins, he believes, with the premiere of Strauss's Salome in 1905; the opera concludes with howling horns, shrieking woodwinds and thumping timpani as Herod's soldiers batter the nymphet beneath their shields in 'eight bars of noise'. Italian Futurist Luigi Russolo calls for a 'music of noise, free to roar, screech, bang and groan - an untempered, intemperate outcry'. 2.01 1681, Huk – Zvuk sirene kuckanjem (1681, Hooke - Taps Sound Siren), Siren Harmonic lure, alarm, underworld muse, integral danger—all these facets of the classical Sirens stalk the evolution of their technological avatars. Sirena Harmonijska mamac, alarm, podzemlja Muse, sastavni opasnost-sve ove aspekte klasične Sirene stabljike razvoju svoje tehnološke avatare. 1.01-1 A Chrysler-Bell Siren installed on top of the RCA Building in New York City, 1940s. Poglavlje 2. Ostalo u vremenu (Chapter 2. Rest in Times) 1

1.1 Genesis

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Acoustic Siren Genesis

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First Siren

Poglavlje 2. OSTALO U VREMENU(Chapter 2. Rest in Times)

Prolo stoljee je bilo je vjerojatno ubojiti nastavak ljudske povijesti do sada , to je bio inajglasniji , brutalno udarnim i mehaniki drzak . Sluajui desetljeima jer oni zgaziti strane , Ross , glazbeni kritiar New Yorker , anthologises u pometnju . Modernost u glazbi poinje , on vjeruje , s premijere Straussa Salome 1905 ;opera zavrava zavijanje sirena , vritei woodwinds i lupanje timpana kao Herod vojnici tijesto na nimfeta ispod svojih titova u ' osam barova buke ' . Talijanski futuristike Luigi Russolo poziva na ' glazbu buke , slobodno rikati , vrisak , prasak i uzdisati - netemperirana , neumjeren negodovanje ' .The last century was probably the most murderous instalment of human history so far; it was also the loudest, brutally percussive and mechanically brazen. Listening to the decades as they stomp by, Ross, music critic of the New Yorker, anthologises the uproar. Modernity in music begins, he believes, with the premiere of Strauss's Salome in 1905; the opera concludes with howling horns, shrieking woodwinds and thumping timpani as Herod's soldiers batter the nymphet beneath their shields in 'eight bars of noise'. Italian Futurist Luigi Russolo calls for a 'music of noise, free to roar, screech, bang and groan - an untempered, intemperate outcry'.

1KNJIGA I. ZABORAVLJENI ZVUCI (Book I. FORGOTTEN SOUNDS)Dio 1. Postanak (Part 1. Genesis)

Poglavlje 2. Ostalo u vremenu (Chapter 2. Rest in Times)

2.01 1681, Huk Zvuk sirene kuckanjem (1681, Hooke - Taps Sound Siren), Siren Harmonic lure, alarm, underworld muse, integral dangerall these facets of the classical Sirens stalk the evolution of their technological avatars. Sirena Harmonijska mamac, alarm, podzemlja Muse, sastavni opasnost-sve ove aspekte klasine Sirene stabljike razvoju svoje tehnoloke avatare.

1.01-1 A Chrysler-Bell Siren installed on top of the RCA Building in New York City, 1940s.