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Flute I pp q=90 "ff " "mp " 3 "p " 12 4 & , (cover embouchure with mouth & flutter tongue) , Keep time individually. Avoid influence from others around you. W Texture Zak Argabrite Repeat until you hear/see Piano II stop rattling strings and start pressing the sustain pedal. Finish out your bar, then move on. "IN:"= Inhaled breath "EX:"= Exhaled breath í : N I Cover emboucher with mouth and blow air. The resulting sound of the glisses should be more airy than of keynoise. fingered glisses : X E ~ ~~ ~~ ~~ ~~ ~~~~~~~~~ ~ ~~~~~ ~ ~~ ~~~ ~ ~ ~~~~ ~~ ~ ~~ ~~~ ~ ~ ~~ ~~ W î Repeat until you hear the percussionist crumple up paper. Then look at conductor for cutoff. Choose & fingered glisses : X E ~ ~~~~~ ~~~~~~~~~ ~~~~ ~~~~~~~~ ~~~~ ~~~ ~~~ ~~~~~~~~~~~ ~ ~~~~~~~~ ~ ~~~ ~~~ ~ æ æ æ W æ æ æ W ¿ 1 - 1 - 1 - 1 - 1 - 1 - 1 - 1 -

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Page 1: 1 Texture - Flute I - Flute I

Flute I

™™

™™

pp

q=90

"ff ""mp "

3

"p "

12

4&

,

(cover embouchure with mouth

& flutter tongue) ,

Keep time individually. Avoid influence from others around you.

W ™

Texture

Zak Argabrite

Repeat until you

hear/see Piano II

stop rattling

strings and start

pressing the

sustain pedal.

Finish out your

bar, then move on.

"IN:"= Inhaled breath

"EX:"= Exhaled breath

í ™™

:NI

Cover emboucher with mouth and blow air. The resulting

sound of the glisses should be more airy than of keynoise.

f

i

n

g

e

r

e

d

g

l

i

s

s

e

s

:

XE

~~~~~~~~~~~~~~~~~~ ~~

~~~~~

~~~~~~

~~~~~~~

~~~~~~

~~~~~~

W™

î™™

Repeat until

you hear the

percussionist

crumple up

paper.

Then look at

conductor for

cutoff.

Choose

&

f

i

n

g

e

r

e

d

g

l

i

s

s

e

s

:

XE

~~~~~~

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

æææ

W™

æææ

W™

¿

1

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1

-

1

-

1

-

1

-

1

-

1

-

1

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