1 Shopenhauer Definitive Biography and Influences

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    Schopenhauer

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    Early Biography

    22 fvrier 1788 : naissance Dantzig (ex-Gdansk) dArthur Schopenhauer, fils de Heinrich Floris, riche

    commerant de la ville, et de Johanna Henriette Trosiner, clbre romancire.

    1799 : voyage de Weimar Prague, avec haltes Dresde, Leipzig, Berlin.

    1803 : dcouverte dAmsterdam. A Londres, une excution capitale laffecte. A Paris, les opras et le Louvre le

    charment. A Toulon, la visite des galres et du bagne le bouleverse.

    1805 : tudes commerciales.

    1806 : son pre se suicide.

    ~ From the Protestant north of Germany. Exactly a month younger than the English Romantic poet, LordByron (1788-1824), who was born on January 22, 1788, Arthur Schopenhauer was born on February 22, 1788 in Danzig

    [Gdansk, Poland] a city that had a long history in international trade as a member of the Hanseatic League.

    ~ Groomed for the family business. The Schopenhauer family was of Dutch heritage, and the philosopher's

    father, Heinrich Floris Schopenhauer (1747-1805), was a successful merchant who groomed his son to assume control

    of the family's business. A future in the international business trade was envisioned from the day Arthur was born, as

    reflected in how Schopenhauer's father carefully chose his son's first name on account of its identical spelling in

    German, French and English. In March 1793, when Schopenhauer was five years old, his family moved to Hamburg

    after the formerly free city of Danzig was annexed by Prussia. Schopenhauer toured through Europe several times with

    his family as a youngster and young teenager, and lived in France (1797-99) and briefly in England (1803), where he

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    learned how to speak the languages of those countries. As he later reported, his experiences in France were among the

    happiest of his life.

    ~ Death of his father (when he was seventeen). The professional occupations of a merchant or banker,

    however, were not sufficiently consistent with Schopenhauer's scholarly disposition, and although for two years after

    his father's death (in Hamburg, April 20, 1805; possibly by suicide) Schopenhauer continued to respect the commercial

    aspirations his father had had for him, he finally left his Hamburg business apprenticeship at age 19 to prepare for

    university studies.

    Johanna Schopenhauer was born in Dantzig to a family of wealthy merchants of Dutch extraction. Her father,

    Christian Heinrich Trosiener, was also a senator in the city. In her youth Johanna was provided a good education, with

    an emphasis in languages and letters, subjects at which she excelled. Already as a young girl she spoke English, French

    and Polishthe latter of which she learned even before her mother tongue.

    At 18 years of age she married Heinrich Floris Schopenhauer, a rich merchant twenty years her senior. Prior to

    the wedding she had known him for only a month. He was to become the future father of her two children, Arthur and

    Adele Schopenhauer. The arrangement was not one of great joy.

    ~ Acquaintance with Goethe in Weimar. In the meantime, his mother, Johanna Henriette Troisiener

    Schopenhauer (1766-1838), who was the daughter of a city senator, along with Schopenhauer's sister, Luise Adelaide

    [Adele] Lavinia Schopenhauer (1797-1849), left their Hamburg home at Neuer Wandrahm 92 and moved to Weimar

    after Heinrich Floris's death, where Johanna established a friendship with Johann Wolfgang von Goethe (1749-1832). In

    Weimar, Goethe frequently visited Johanna's intellectual salon, and

    Johanna Schopenhauer became a well-known writer of the period,

    producing a voluminous assortment of essays, travelogues, novels

    (e.g., Gabriele [1819], Die Tante [1823], Sidonia [1827], Richard Wood [1837]),

    and biographies, such as her accounts of the German art critic, archaeologist, and close friend, Carl

    Ludwig Fernow (1763-1808),

    and of the Dutch painter, Jan van Eyck (c.1390-1441), published in 1810 and 1822 respectively.

    In 1805 Heinrich Floris died, apparently of suicide, after which Johanna and Adele moved to Weimar, then the

    centre of German literary life. Until this time, however, Johanna did not have in there either friends or acquaintances.

    The reason why she chose that city as her new residence, it is said, was her desire of meeting Goethe . Unbeknownst to

    Johanna, however, was that Weimar was in danger of war: French military troops commanded by Napoleon were

    heading to the cityand indeed, combat broke out little after Johanna and Adele's arrival. The woman did try to flee the

    city, but in vain: no transportation means were available. She had, instead, to stay in there, and try and adapt herself to

    the situation. And that she did with success.

    During war time Johanna was very active at the local scene: German officials arrived in the city dined at her

    house and she volunteered to nurse wounded soldiers. Also, many of the less fortunate citizens took shelter in her house

    after French soldiers had invaded theirs. Needless to say, she quickly became very popular in Weimar. As she wrote her

    son, who lived in Hamburg in the period, she already felt more at home in there, in Weimar, than she ever did in

    Hamburg.

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    Past the war, she earned a good reputation as salonnire. For years to come literary celebrities would twice a

    week gather in her house. The following are examples of such: Goethe, Wieland , the Schlegel brothers August and

    Friedrich , Tieck , etc.. Meanwhile, Arthur Schopenhauer, as said above, studied in Hamburg; he had to attend Commerce

    school due to a promise made to his father which he insisted in carrying out in spite of the latter's death.

    ~ 1809 Schopenhauer moves to Gottingen . Guided by her Weimar friend Carl Ludwig Fernow , Johanna

    liberated her son to study what he would prefer in the gymnasium of Gottingen. In there Arthur soon shone as a student.

    But, due to a conflict with one of his teachers, he had to continue his studies elsewherein Weimar no less, at the house

    of the young philologist Franz Passow , who became his instructor. Already by 1809, two years after the commencement

    of his academic studies, he would enroll in Gottingen University . In 1809, Schopenhauer began studies at the

    University of Gttingen, where he remained for two years, first studying medicine, and then, philosophy.

    In Gttingen, he absorbed the views of the skeptical philosopher, Gottlob Ernst Schulze (1761-1833),

    who introduced him to Plato and Kant.

    Schopenhauer next enrolled at the University of Berlin (1811-13), (aged 23)

    where his lecturers included Johann Gottlieb Fichte (1762-1814) and Friedrich Schleiermacher (1768-1834).

    His university studies in Gttingen and Berlin included courses in physics, psychology, astronomy, zoology,

    archaeology, physiology, history, literature and poetry.

    It was not much after her arrival in Weimar that Johanna began to publish her writings, some articles on paintings with an emphasis on those by Jan Van Eyck . In 1810, she published her first book: a biography of her friend

    Fernow, who had died two years before, which she wrote with the intention to pay his heirs' debts with his editor. As the

    book met with critical success, Johanna felt stimulated to pursue a career as an authoressa career on which her

    livelihood would depend, after the aforementioned financial difficulties. First came the publication of her travelogues ,

    which were also acclaimed, and then of her fiction work, which, for a little more than a decade, made her the most

    famous woman author in Germany. The following are her best known novels: Gabriele (1819), Die Tante (1823) and

    Sidonia (1827).

    In Weimar Johanna Schopenhauer made a name as an authoress. She was the first German woman writer to

    publish books without making use of a pseudonym. During a little more than a decade, from the late 1810s to the early

    1830s, her literary production turned her into the most famous woman author in Germany. In 1831 her writings received

    a second edition at Brockhaus' publishing house: the collected oevres filled no less than 24 volumes. But nothing could

    compensate for those financial setbacks; under the guise of health issues, Johanna and Adele Schopenhauer, being no

    longer able to maintain their lifestyle in Weimar, moved to Bonn . In the middle 1830s their situation would become

    even worse as Johanna's fame decayed. Almost without resources, Johanna wrote to the Duke of Weimar a letter in

    which she narrated her current plight. The Duke, in acknowledgment to the once so fted writer, conceded her, in 1837,

    a small pension and invited her, and also Adele, to live in Jena . In there Johanna died the following year. She left

    incomplete the manuscript of a last work, her autobiography, whose contents narrate her early life until Arthur's birth.

    The reason why Arthur moved to Passow's house, and not to that of his mother, is that Johanna did not want to

    http://en.wikipedia.org/wiki/Christoph_Martin_Wielandhttp://en.wikipedia.org/wiki/Christoph_Martin_Wielandhttp://en.wikipedia.org/wiki/August_Schlegelhttp://en.wikipedia.org/wiki/August_Schlegelhttp://en.wikipedia.org/wiki/August_Schlegelhttp://en.wikipedia.org/wiki/Friedrich_Schlegelhttp://en.wikipedia.org/wiki/Friedrich_Schlegelhttp://en.wikipedia.org/wiki/Tieckhttp://en.wikipedia.org/wiki/Tieckhttp://en.wikipedia.org/wiki/Carl_Ludwig_Fernowhttp://en.wikipedia.org/wiki/Franz_Passowhttp://en.wikipedia.org/wiki/Franz_Passowhttp://en.wikipedia.org/wiki/Gottingen_Universityhttp://en.wikipedia.org/wiki/Gottingen_Universityhttp://en.wikipedia.org/wiki/Gottingen_Universityhttp://en.wikipedia.org/wiki/Jan_Van_Eyckhttp://en.wikipedia.org/wiki/Jan_Van_Eyckhttp://en.wikipedia.org/wiki/Traveloguehttp://en.wikipedia.org/wiki/Bonnhttp://en.wikipedia.org/wiki/Bonnhttp://en.wikipedia.org/wiki/Jenahttp://en.wikipedia.org/wiki/Jenahttp://en.wikipedia.org/wiki/Jenahttp://en.wikipedia.org/wiki/Christoph_Martin_Wielandhttp://en.wikipedia.org/wiki/August_Schlegelhttp://en.wikipedia.org/wiki/Friedrich_Schlegelhttp://en.wikipedia.org/wiki/Tieckhttp://en.wikipedia.org/wiki/Carl_Ludwig_Fernowhttp://en.wikipedia.org/wiki/Franz_Passowhttp://en.wikipedia.org/wiki/Gottingen_Universityhttp://en.wikipedia.org/wiki/Jan_Van_Eyckhttp://en.wikipedia.org/wiki/Traveloguehttp://en.wikipedia.org/wiki/Bonnhttp://en.wikipedia.org/wiki/Jena
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    live with him. Only to the salon reunions she allowed his visit, for, as many of the extant letters she wrote him attest,

    she could not bear his presence: his pessimism and gloominess, to say nothing of his haughtiness and nagging ways,

    were not congenial to her own character (Arthur's side of the story is unknown since his mother destroyed all the letters

    he wrote her).

    ~ Turns on the Weimar Classicists. It was 1813 when she at last permitted him to live with her. The

    arrangement, however, soon failed: a year later, after a heated argument between mother and son, Arthur was asked to

    leave the house. The reason for this particular fight was Johanna's friendship with her lodger, a somewhat younger man

    named Georg von Gerstenbergk. At age 25, and ready to write his doctoral dissertation, he moved in 1813 to

    Rudolstadt, a small town located a short distance southwest of Jena, where he lodged for the duration in an inn named

    Zum Ritter. Entitling his work The Fourfold Root of the Principle of Sufficient Reason (1813), it formed the centerpiece

    of his later philosophy, articulating arguments he would use to criticize as charlatans, the prevailing German Idealistic

    philosophers of the time,

    namely, his former lecturer, J. G. Fichte, along with F. W. J. Schelling (1775-1854)

    and G. W. F. Hegel (1770-1831).

    In that same year, Schopenhauer submitted his dissertation to the nearby University of Jena and was awarded a

    doctorate in philosophy in absentia.

    From 1814 onwards, mother and son no longer met. Thenceforth all communication between the two happened by

    means of correspondencebut even this changed after she read a letter Arthur sent to his sister. The letter was about

    their father's suicide. In it Arthur pointed to Johanna as being responsible for the tragedy, saying that, whilst their father

    suffered ill in bed, delievered to the care of an employee, she amused herself in social reunions and gave him none of

    her time. Still, in 1819 Arthur made a move to re-establish his family bonds. In that year, the Schopenhauer ladies had

    lost the greater part of their fortune due a bank crisis. Arthur showed himself willing to part with them his share of his

    inheritancean offer Johanna did not accept.

    Commentary on Biography

    Although it was fashionable for some time to abandon the study of authorial intention in the study of literary

    texts, the text remains actively shaped by an authorial presence (giving tone of voice and guaranteeing the referential or

    ironic quality of the text, for instance). It is also possible and all but inevitable to seek beyond the authorial

    presence to find elements in the writer's biography that help explain the positions adopted in the text (its ideological or

    political outlook, for example). Indeed, it has been demonstrated that students who are deprived of these references

    read the text in quite different ways (elevating minor texts and relegating major texts in what is an anarchic process

    from the point of view of the established canon).

    Even the above, brief description of Schopenhauer's biography suggests that the suicide of his father must have

    had a traumatic effect on the young man (Schopenhauer was then around the age of 18). The suicide also led to a

    dramatic change in the family's life style, with the artistically inclined mother moving to Weimar and entering into

    contact with the circle around Goethe. Indeed, the development of German philosophy at the time sees a remarkable

    flowering at the end of the eighteenth century around Koningsberg (where Kant taught but where such figures as

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    Hamman, Schlermacher and Herder were also to be found) and then around Weimar (where Goethe had taken up

    residence and where Schelling and Herder were to join him).

    The change represented a clear move from a business environment to a more artistic environment at the same

    time as it saw Schopenhauer accede to independent means (as he inherited a part of his father's fortune). Yet this

    change was also dominated by the suicide of his father (and by the inevitable speculation about the causes of the suicide

    and the suffering that must have motivated it). This aspect to the biography was further complicated by a certain voguefor suicide (and themes of trauma) that had arisen in connection with Goethe's The Sorrows of Young Werther and more

    geneerally with the Sturm und Drang movement (with Schopenhauer's conception of will overlapping, to some

    considerable extent, with themes associated with the drang aspect of Sturm und Drang .

    Blaming his mother for his father's suicide (she was thought to have neglected her husband twenty years her

    senior in favour of her own literary career), Schopenhauer and his mother did not see eye to eye and although he was

    drawn to the environment of Weimar, where she had chosen to take up residence in order to be in the vicinity of Goethe

    he quickly moved away from Weimar (and turned against the Weimar classicists), remaining distant from his mother

    for the rest of his life. Is it not the case that Schopenhauer's philosophical work bears the imprint of this trauma (and

    might be seen as an attempt to justify the death of his father as a rational choice in the face of the world's suffering)?

    It is certainly the case that the pessimism of Shopenhauer's philosophy might be seen as a reaction formation to

    this trauma (if the world is really such a direly, nightmarish place, the father's suicide is understandable) just as the

    emphasis on compassion in the midst of this traumatic environment might be seen as an attempt to reason with the sense

    of self-pity that arises from the event by seeing the fate of others as being worse than the fate that the philosopher

    himself had had to confront.

    1819 : charg de cours luniversit de Berlin, mais Hegel lui fait de lombre.

    1833 : se retire Francfort et vit en ermite avec son chien.

    1853 : connat la gloire quand Wagner le dcouvre.

    21 septembre 1860 : meurt Francfort.

    Only in 1831 their correspondence resumed; it continued in sporadic fashion until Johanna's death in 1838.

    Apparently the philosopher's many difficultiesthe ill-fate of his books, the failure of his brief career as a teacher at

    Berlin University , and also some physical ailmentsled him to again seek contact with his family. But Johanna andArthur Schopenhauer would never again meet in person. As a matter of fact, even after her death Schopenhauer would

    continue to express complaints about her, about how bad a mother she was. In her will, Johanna Schopenhauer made

    Adele her sole heir. That she probably did not do out of spite to her son: for, whilst Arthur lived in economical comfort,

    having not only preserved but even doubled what his share of his father's wealth, Adele, as Johanna foresaw, would pass

    financial difficulties after her deathsomething in which Johanna played no small role.

    Influences

    Negative

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    Liebniz

    Perhaps the best way of seeing Shopenhauer is in terms of a dialectical relation to Liebniz (as this gives what

    might be described in terms of a negative influence. The desire is, at once, to incorporate elements from Liebniz (and

    the classical philosophy that he inherits in a line that can be traced back to Plotinus), on the one hand and, on the other

    hand, to undertake a thorough going criticism of optimism (and the view that this is the best of all possible worlds).

    The most obvious borrowing from this tradition is that of sufficient reason. In this respect, Schopenhauer's project is

    parallel to (although certainly not identical with) that of Voltaire in Candide . Pessimism has the function, in his

    philosophy, of opposing optimism.

    Arthur Schopenhauer was among the first to

    contend that at its core, the universe is not a rational place (and Hume?).

    Inspired by

    ~ Rationalist tradition. Plato and Kant, both of whom regarded the world as being more amenable to reason.

    Schopenhauer's PhD dissertation of 1813, The Fourfold Root of the Principle of Sufficient Reason, examined what many

    philosophers have recognized as an innate tendency to assume that in principle, the universe is a thoroughly

    understandable place.

    His dissertation, in effect, critically examined the disposition to assume that what is real is what is rational. A

    century earlier, G.W. Leibniz (1646-1716) famously defined the principle of this assumption the principle of sufficient reason in his Monadology (1714) as that which requires us to acknowledge that

    there is no fact or truth which lacks a sufficient reason why it should be so, and not otherwise.

    Schopenhauer was keen to question the universal extension of the principle of sufficient reason, mainly owing to his

    advocacy of Kant's view that human rationality lacks the power to answer metaphysical questions, since our knowledge

    is limited by our specific and narrowly-circumscribed capacities for organizing our field of sensation.

    In fact, he is far from rejecting this notion out of hand (as the example of the cat illustrates, the transitory

    nature of the mortal cat that he observes playing in the yard is distinguished from the nature of the cat as such the

    catness of the species as this is constantly renewed). Schopenhauer, in other words, anticipates on Darwin but is a

    pre-Darwinian thinker.

    Fichte

    Schopenhauer's denial of meaning to the world differs radically from the views of Fichte, Schelling and Hegel,

    all of whom fostered a distinct hope that everything is moving towards a harmonious and just end.

    Like these German Idealists, however, Schopenhauer also tries to explain how the world that we experience daily, is the

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    result of the activity of the central principle of things. As the German Idealists tried to account for the great chain of

    being the rocks, trees, animals, and human beings as the increasingly complicated and detailed expressions of

    self-consciousness, Schopenhauer attempts to do the same by explaining the world as gradations of the Will's

    manifestation.

    Hegel

    Positive

    The Western Philosophical Tradition

    Hume and Protestantism.

    In understanding the origin of this particular philosophy but

    ~ Anti-metaphysical. With this set of regulations about what counts as a legitimate way to conduct

    explanations, Schopenhauer ruled out the often-cited and (especially during his time) philosophically often-relied-upon

    cosmological and ontological arguments for God's existence, and along with them, all philosophies that ground

    themselves upon such arguments. He believed emphatically that the German Idealist outlooks of Fichte, Schelling and

    Hegel rested upon explanatory errors of this kind, and he regarded them often bitingly as fundamentally

    wrongheaded styles of thought, because he saw their philosophies

    as being specifically grounded upon versions of the ontological argument for God's existence.

    His condemnation of German Idealism was advanced in light of what he considered to be

    sound philosophical reasons,

    despite his frequent rhetoric and personal attacks on Fichte, Schelling and Hegel.

    ~ Criticism of Kant's notion of causality. Schopenhauer concurs that hypothesizing a thing-in-itself as the

    cause of our sensations amounts to a constitutive application and projection of the concept of causality beyond its

    legitimate scope, for according to Kant himself, the concept of causality only supplies knowledge when it is applied

    within the field of possible experience, and not outside of it.

    Schopenhauer therefore denies that our sensations have an external cause in the sense that we can know there is some

    epistemologically inaccessible object the thing-in-itself that exists independently of our sensations and is the

    cause of them.

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    An inspiration for Schopenhauer's view that ideas are like inert objects is George Berkeley (1685-1753), who describes

    ideas in this despiritualized way in his A Treatise Concerning the Principles of Human Knowledge (1710) [Section 25].

    Kant

    At the end of Book 4, Schopenhauer appended a thorough discussion of the merits and faults of Kant's

    philosophy. Schopenhauer's criticism of the Kantian philosophy asserted

    One of Kant's greatest contributions, according to Schopenhauer, was

    the distinction of the phenomenon from the thing-in-itself .

    He wanted to show Kant 's errors so that Kant's merits would be appreciated and his achievements furthered. According

    to Schopenhauer's essay, Kant 's three main merits are as follows:

    1. The distinction of the phenomenon from the thing-in-itself .

    The intellect mediates between things and knowledge .

    Locke's primary qualities result from the mind's activity, just as his secondary qualities result from

    receptivity deriving from any of the five senses .

    A priori knowledge is separate from a posteriori knowledge.

    The ideal and the real are diverse from each other.

    Transcendental philosophy goes beyond dogmatic philosophy's " eternal truths ," such as the principle

    of contradiction and the principle of sufficient reason . It shows that those "truths" are based on

    necessary forms of thought that exist in the mind.

    2. The explanation of how the moral significance of human conduct is different from the laws that are

    concerned with phenomena.

    The significance is directly related to the thing-in-itself, the innermost nature of the world.

    3. Religious scholastic philosophy is completely overthrown by the demonstration of the impossibility of

    proofs for speculative theology and also for rational psychology , or reasoned study of the soul.

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    Schopenhauer also said that Kant's discussion, on pages A534 to A550, of the contrast between

    empirical and intelligible characters

    is one of Kant's most profound ideas. Schopenhauer asserted that it is among the most admirable things ever said by a

    human.

    The empirical character of a phenomenon is completely determined.

    The intelligible character of a phenomenon is free. It is the thing-in-itself which is experienced as a

    phenomenon.

    Kant's logical table of judgments is kept almost unchanged as the real, invariable, primary forms of thinking.

    Criticism of Kant

    Among his other criticisms of Kant (see the appendix to the first volume of The World as Will and Representation,

    entitled, Criticism of the Kantian Philosophy), Schopenhauer maintains that Kant's

    twelve categories of the human understanding the various categories through which we logically organize

    our field of sensations into comprehensible individual objects

    are reducible to the single category of causality,

    and that this category,

    along with the forms of space and time,

    is sufficient to explain the basic format of all human experience,

    viz., individual objects dispersed throughout space and time, causally related to one another.

    Schopenhauer further comprehends these three (and for him, interdependent) principles

    as expressions of a single principle, namely, the principle of sufficient reason,

    whose fourfold root he had examined in his doctoral dissertation. In The World as Will and Representation,

    Schopenhauer often refers to the principle of sufficient reason

    as the principle of individuation, thereby linking the idea of individuation with space and time,

    mainly, but also with rationality, necessity, systematicity and determinism.

    He uses the principle of sufficient reason and the principle of individuation as shorthand expressions for what Kant had

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    more complexly referred to as space, time and the twelve categories of the understanding (viz., unity, plurality, totality,

    reality, negation, limitation, substance, causality, reciprocity, possibility, actuality [Dasein], and necessity).

    Marginal to the Main Tradition

    One of the effects of the interest in the origin of language within the German tradition is the tracing back of the

    origin of language to an Indo-European root.

    A subsequent, but often highlighted inspiration is from the classical Upanishadic writings of India (c. 900-600 BCE)

    which also express the view that the universe is double-aspected, having objective and subjective dimensions that are

    referred to respectively as Brahman and Atman.

    Spinoza

    A primary inspiration for Schopenhauer's double-aspect view of the universe is Baruch Spinoza (1632-1677),

    who developed a similarly-structured metaphysics, and who Schopenhauer had studied in his early years before writing

    his dissertation.

    Panentheism

    Hinduism is highly characterized by Panentheism and Pantheism [3] .

    From 1814-1818, Schopenhauer lived in Dresden, developing ideas from The Fourfold Root into his most

    famous book, The World as Will and Representation , which was completed in March of 1818 and published in

    December of that same year (with the date, 1819). In sympathy with Goethe's theory of color, he also wrote during this

    time, On Vision and Colors (1816).

    In Dresden, Schopenhauer became acquainted

    with the philosopher and freemason, Karl Christian Friedrich Krause (1781-1832),

    whose panentheistic views appear to have been influential.

    One of the so-called philosophers of identity , Krause endeavoured to

    reconcile the ideas of a God known by faith or conscience

    and the world as known to sense.

    God, intuitively known by conscience, is not a personality (which implies limitations), but

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    an all-inclusive essence ( Wesen ), which contains the universe within itself. This system he called panentheism ,

    a combination of theism and pantheism . His theory of the world and of humanity is universal and idealistic

    Briefly put,

    in pantheism, "God is the whole"; This means that the Universe in the first formulation is practically the Whole

    itself, God is viewed as the creator or demiurge pantheism asserts that God and the universe are coextensive

    in panentheism, "The whole is in God." in the second the universe and God are not ontologically equivalent. In

    panentheism,, but the eternal animating force behind the universe, some versions positing the universe as nothing more

    than the manifest part of God. In some forms of panentheism, the cosmos exists within God, who in turn "pervades" or

    is "in" the cosmos. While, panentheism claims that God is greater than the universe and some forms hold that the

    universe is contained within God. [2] Panentheism (i.e., all-in-God), as opposed to pantheism (i.e., all-is-God), is the

    view that what we can comprehend and imagine to be the universe, is an aspect of God, but that the being of God is in

    excess of this projection, and is neither identical with, nor exhausted by, the universe we can imagine and comprehend.As we will see below, Schopenhauer sometimes characterized the thing-in-itself in a way reminiscent of panentheism.

    Neoplatonism is polytheistic and panentheistic. Plotinus taught that there was an ineffable transcendent "God" (The

    One) of which subsequent realities were emanations. From the One emanates the Divine Mind ( Nous ) and the Cosmic

    Soul (Psyche). In Neoplatonism the world itself is God[ citation needed ]. This concept of God is closely associated with

    the Logos as stated in the 5th century BC works of Heraclitus (ca. 535 475 BC ), in which the Logos pervades the

    cosmos and whereby all thoughts and things originate; e.g., "He who hears not me but the Logos will say: All is one."

    Budhism.

    His interest in Eastern philosophy brought new ideas to the West. Many interpreters see Schopenhauer's

    account of the Will as closely resembling classic examples of Monism ,

    especially as propounded by Upanishads and Vedanta philosophy.

    After completing his dissertation, Schopenhauer was exposed to Upanishadic thought in 1813 by the orientalist

    Friedrich Majer (1771-1818), who visited Johanna Schopenhauer's salon in Weimar. This appreciation for Upanishadic

    thought was augmented in Dresden during the writing of The World as Will and Representation by Karl Friedrich

    Christian Krause, Schopenhauer's 1815-1817 neighbor. Krause was not only a metaphysical panentheist (see biographic

    segment above); he was also an enthusiast of South Asian thought. Familiar with the Sanskrit language, he introduced

    Schopenhauer to publications on India in the Asiatisches Magazin, and these enhanced Schopenhauer's studies of the

    first European-language translation of the Upanishads: in 1804, a Persian version of the Upanishads (the Oupnekhat)

    was rendered into Latin by the French Orientalist, Abraham Hyacinthe Anquetil-Duperron (1731-1805) a scholar

    who also introduced translations of Zoroastrian texts into Europe in 1771.

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    In the Bah' Faith , God is described as a single, imperishable God, the creator of all things, including all the creatures

    and forces in the universe. The connection between God and the world is that of the creator to his creation .[8] God is

    understood to be independent of his creation, and that creation is dependent and contingent on God. God, however, is

    not seen to be part of creation as he cannot be divided and does not descend to the condition of his creatures. Instead, in

    the Bah' understanding , the world of creation emanates from God, in that all things have been realized by him and

    have attained to existence. [9] Creation is seen as the expression of God's will in the contingent world, [10] and everycreated thing is seen as a sign of God's sovereignty, and leading to knowledge of him; the signs of God are most

    particularly revealed in human beings .[8]

    Aesthetic Influences

    Development of an ascetic perspective but one influenced by Sturm und Drang.

    Schopenhauer developed their philosophies into:

    an instinct-recognizing and ultimately ascetic outlook,

    emphasizing that in the face of a world filled with endless strife,

    we ought to minimize our natural desires to achieve a more tranquil frame of mind

    and a disposition towards universal beneficence.

    Often considered to be a thoroughgoing pessimist, Schopenhauer in fact advocated ways via artistic, moral and

    ascetic forms of awareness to overcome

    a frustration-filled and fundamentally painful human condition.

    Shopenhauer's Influence on Later Thought

    Schopenhauer also developed some ideas that can be found in the theory of evolution , before Darwin began to publish

    his work, for example the idea that all life strives to

    preserve itself and to engender new life,

    and that our mental faculties are merely tools to that end.

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