07&.#&3 '3ª+'3ª+C /'&gRb...Baptist by tenor Pl cido Domingo, and H rod by baritone Juan Pons. The San Francisco Opera Chorus and Orchestra are conducted by Valery Gergiev. 1 November:

© E

ric T

. Car

lson

© E

diso

n Ch

an

© M

artin

Lee

© C

onse

rve

and

Revit

alise

Hon

g Ko

ng H

erita

ge

Student Concert Hall Call for Uploads學界音樂廳上載召集

Although the logo may resemble a school badge, 'Student Concert Hall' does welcome kindergarten to university entries!

NOVEMBER 2020 | FINE MUSIC | FOREWORD 前言

The RTHK Chamber Soloists has three string players, a clarinettist, and a pianist. They represent three families of instruments (bowed-strings, woodwind, and keyboard) which together can create a variety of tone colours and textures. They can produce any number of possible combinations such as a string duo, a piano trio, a clarinet quartet, and so on. However, hardly any works have been written specifically for this kind of quintet. For this reason, at The RTHK Chamber Soloists’ Inaugural Concert in 2018, Radio 4 commissioned three Hong Kong composers to each write a piece for the group. Those world premieres turned out to be highly effective and appealing.

Building on the success, we applied to CASH for their support so that there could be more commissioned works for this specific combination. The application was successful. In Fresh Airs – Fine Music on Broadcast Drive IV, we can hear three CASH-funded works by Angel Lam, Austin Yip, and Edward Lun. When we first approached the composers, since two of them are living abroad, the idea of linking the new works with a single theme ― Hong Kong ― was much welcomed. These works relate to places in Hong Kong, and also depict the composers’ feeling for such places. Hence, the title Hong Kong Impressions has been adopted.

The fourth work in the programme goes back to the Inaugural Concert mentioned above. Dance of Youth was a delightful encore. After the concert, Galison Lau went on to transcribe three more famous folk tunes to complete his Chinese Song Book. This collection brings to many of us fond memory of music lessons from the old school days ― another Hong Kong Impression! Tune in on 14 November at 8pm to listen to these four world premieres. You can also watch the show on RTHK TV31 on 8 November at 11pm.

From this month, Saturday afternoons from 2 to 5pm will be filled with excitement on Radio 4. Charles Chik teams up co-host Shing Chun-hay, and a group of diehard music maniacs to present to you Musicians’ Terrace (in Cantonese). This three-hour live programme is full of interactive, informative, imaginative, and illustrative elements to let you enjoy a wealth of musical works, while getting to know the creative power behind. We look forward to your on-air company, which may include, and not limited to answering questions or joining a poll.

Finally, a call to all students who would like to share their artistry on Radio 4. We have a community-involved programme that needs your recordings for broadcast. We welcome works of all levels, pieces of any duration up to 35 minutes, performances in solos or in groups, and clips old and new. The most important thing is to let your talent take flight to reach out to music lovers out there through Radio 4’s airwaves and website. For more information about Student Concert Hall, turn to p. 19.

我們的駐台組合有三位弦樂演奏家、一位單簧管演奏家及一位鋼

琴家。他們來自三個樂器家族 ─ 弓弦、木管及鍵盤，能製造出不

同的音色和織體，亦可帶來無數樂器組合，例如弦樂二重奏、鋼琴

三重奏、單簧管四重奏等。然而，或許從未有人專為這五件樂器創

作，所以我們特別在 2018 年香港電台室樂演奏家的成立音樂會中，

邀請三位本地作曲家為這組合譜新曲。結果，作品不單效果鮮明，

更獲得一致好評。

在音樂會後，我們接觸了香港作曲家及作詞家協會，希望得到該會

的支持，繼續為這個組合帶來新作。最終申請獲批，大家可於我們

在乎你音樂會 IV中，欣賞三首由協會贊助，分別由林安淇、葉浩堃

和倫偉傑譜曲的作品。起初我們接觸委約作曲家時，由於其中兩位

身處外地，以「香港」為共用創作主題的建議，頗具瞄頭。結果，作

品內容跟香港的地方有關，更反映出作曲家對這些地方的個人感

覺。這場音樂會最終亦以香港印象為題。

至於第四首委約新作，就要追溯到先前提過的那場成立音樂會了。

當晚的加奏是熱情的《青春舞曲》。作曲家劉詠浲後來加上另外三

個深入民心的調子，組成這套《中國民歌集》，相信必能勾起大家

童年時上音樂堂的回憶，這也是另一個「香港印象」！11月 14日晚

上 8 時，你可以收聽這些樂曲的首演，亦歡迎於 11月 8日晚上11

時在港台電視 31觀賞是次演出。

從本月起，第四台逢星期六下午 2 至 5 時將有新節目。戚家榮會夥

拍成俊曦，加上幾位音樂發燒友送上樂事逸台。這個三小時的直播

節目結合互動及音樂知識，亦發揮主持人的幻想力和導賞能力，讓

你可以在收聽名曲的同時，更了解背後的無窮創意。誠意邀請你在

空中作伴。你亦可以成為節目中問答及投票環節的參加者哩 !

最後，誠邀同學以第四台作為藝術分享的媒體。這個讓社區參與的

節目，會播放大家提交的演出錄音。作品的深淺度不限，長度不拘，

上限為三十五分鐘，可以是一人或多人演出，新近以至舊錄音均無

任歡迎。最重要是讓你的才華能透過第四台的大氣廣播和網站，接

觸更多樂迷。請即翻閱第19頁，了解更多有關學界音樂廳的詳情。

1

01

14 Fresh Airs – Fine Music on Broadcast Drive IV Hong Kong Impressions

Student Concert Hall

我們在乎你音樂會 IV

學界音樂廳

04 Friends of Radio 4 第四台之友

05 Sunday Opera 歌劇世界

07 Four for Classics 四時行樂

08 Musicians’ Terrace 樂事逸台

09 Tunes to Remember 人約黃昏後

11 New Releases 碟碟不休

12 Concert Highlights 音樂會轉播精選

23 Main Programme Chart 節目時間表

24 Programme Highlights 節目精華

NOVEMBER 2020 | FINE MUSIC | CONTENTS 目錄

NOVEMBER 2020

14

© Jo

hann

es If

kovi

ts

09

香港印象

© T

+T F

otog

rafie

12

12

3

會員大會 Friends’ AGM 2020

「第四台之友協會有限公司」誠邀各會員於網上

平台參與今年的會員大會，有興趣者請致電 9073

3575 登記。詳情將以電郵發放，多謝支持。

日期 : 2020年12月2日 (星期三)

時間 : 晚上8時正

The ‘Friends of Radio 4 Society Limited’ invites members to attend this year’s Annual General Meeting on the online platform. Please register at 9073 3575 if you are interested to join us and the details will be delivered at email afterwards. Thank you for your support!

Date: 2 December 2020 (Wed)Time: 8:00pm

In his short l ife of 36 years, Wolfgang Amadeus Mozart (1756-1791) composed some 20 full-length operas. Die Entführung aus dem Serail (The Abduction from the Seraglio) was completed when he was 26 years old. This was his first major composition for the theatre written in the style of the German singspiel, a popular form of musical entertainment featuring spoken dialogue alternating with song. The work was first performed in the Burg Theatre of Vienna in July 1782. The score was dedicated to the singer Constanze Weber, whom Mozart married a year after its successful premiere.

The plot of this opera by Jules Massenet (1842-1912) is derived from characters that appear in the New Testament but contains very little substance of a biblical nature. The subject involves both violent and passionate emotions and Massenet's music also presents a delicate sensuality and voluptuous charm so typical of the composer's expressive style.

The story, a fictitious invention by the influential novelist Gustave Flaubert, focuses on the love between John the Baptist and Salomé, the seductive daughter of Hérodiade who, under suspicious circumstances, married Hérod, brother of her deceased husband. Hérod is himself fascinated by Salomé's beauty and openly desires her. Hérodiade manipulates this situation to destroy John, who publicly attacks her depravity.

The title role is sung by mezzo-soprano Dolora Zajick, Salomé by soprano Renée Fleming, John the Baptist by tenor Plácido Domingo, and Hérod by baritone Juan Pons. The San Francisco Opera Chorus and Orchestra are conducted by Valery Gergiev.

1 November: Mozart's Die Entführung aus dem Serail

8 November: Massenet's Hérodiade

In November, Sunday Opera programmes on Radio 4 consist of a light-hearted singspiel about an attempt to escape from a harem, a highly romanticised version of a biblical story, a musical farce concerning a foreign prince's amorous adventure in Naples, an idyllic love story between an innocent farm girl and her handsome employer, and a strange legal case involving an ageless mysterious woman.

Karl Böhm, conductor

Dolora Zajick, mezzo-soprano

Sundays 2:00pm Lo King-man

©

Dav

id S

auer

The plot is set in Turkey, a favourite location for Baroque and Classical comic operas on account of its then-fashionable exotic appeal. Belmonte tries to rescue his beloved Konstanze who has been captured by the Turks and is kept in the harem of the Pasha's palace. His plan encounters many obstacles while Konstanze struggles desperately to resist the Pasha's lustful advances. With the help of his servant Pedrillo, Belmonte finally manages to escape with Konstanze and her maid Blonde, but they are soon recaptured. The Pasha, moved by the lovers' steadfast faithfulness to each other, shows his magnanimity by restoring their freedom.

The two pairs of lovers, Belmonte-Konstanze and Pedrillo-Blonde, are sung by tenors Peter Schreier and Harald Neukirsch and sopranos Arleen Auger and Reri Grist. The Pasha is portrayed by bass Kurt Moll. The Staatskapelle Dresden and the Leipzig Radio Chorus participate under the baton of Karl Böhm.

NOVEMBER 2020 | FINE MUSIC | COLUMNS 專欄 5

Acclaimed for the tremendous success of his first opera Cavalleria Rusticana, a youthful work of 1890 that caused one of the greatest sensations in opera history, Pietro Mascagni (1863-1945) was credited with almost single-handedly ushering in the verismo (realism) movement in Italian operatic music. The immense popularity of that early masterpiece prompted many imitations. To avoid being accused of repeating the same formula in his subsequent works, Mascagni consciously attempted to change his style and approach almost every time he composed a new opera.

L'amico Fritz (Our Friend Fritz), Mascagni's second opera, produced in 1892, was entirely different from his first. A gentle pastoral love story with a happy ending and somewhat sentimental appeal, the work contains an abundance of sweet, lyrical melodies. The plot centres around a bet made betweenLuciano Pavarotti, tenor

Gioachino Rossini (1792-1868) was an impressive early achiever. He was a competent player of several instruments and a talented singer as a child. By the time he entered the Liceo Musicale in Bologna at the age of 14, he had already been working as a singer and accompanist in local theatres for more than a year.

Rossini began to compose seriously at age 15, and by 18, in November 1810, he had his first opera professionally performed in Venice. From then on, Rossini went from success to success as opera after opera spread his fame throughout Europe. He created fresh, lively, and melodious music at great speed and was known to have completed complex full-length operas in less than a fortnight. Between 1810 and 1829, he produced 39 operas. Then, at the age of 37, he suddenly stopped composing for the stage and spent the rest of his days enjoying himself. He lived in Paris and Bologna, had a mistress, entertained his friends lavishly, and died at the venerable age of 76, a rare example of a wealthy musician who made his fortune entirely on his operatic compositions.

Commissioned by the Theatre La Scala of Milan, Il turco in Italia (The Turk In Italy) was first performed in August 1814 under the description of dramma buffa (comic play). Set to a text by Felice Romani, the opera takes the unusual form of a play within a play in which a poet tries to concoct a comedy out of the real people and situations in his current experience, involving a Turkish prince, a Neopolitan couple, a gypsy woman and various other characters. After complicated misunderstandings and confusion, the comedy ends in a happy mood of sympathy, forgiveness, reconciliation, and reunion.

Our recording features one of the most accomplished virtuouso florid singers of the world today, mezzo-soprano Cecilia Bartoli, leading a sterling cast comprising comic basses Michele Pertusi and Alessandro Corbelli, tenor Ramón Vargas, baritone Roberto de Candia, and mezzo-soprano Laura Polverelli. The Chorus and Orchestra of Teatro La Scala di Milano perform under conductor Riccardo Chailly.

15 November: Rossini's Il turco in Italia

22 November: Mascagni's L'amico Fritz

Cecilia Bartoli, mezzo-soprano

©

Kris

tian

Schu

ller /

Dec

ca

Each of the young lovers has a couple of exquisite arias and together they share the wonderful Cherry Duet, which is on this occasion superbly sung by tenor Luciano Pavarotti and soprano Mirella Freni. They are supported by the Chorus and Orchestra of the Royal Opera House at Covent Garden, London. Gianandrea Gavazenni is the conductor.

land-owner Fritz, a confirmed bachelor, and his friend Rabbi David who predicts that the rich young fellow cannot escape marriage. Fritz soon realises that he will lose the bet when he meets Suzel, his tenant-farmer's beautiful daughter.

NOVEMBER 2020 | FINE MUSIC | COLUMNS 專欄6

Cecilia Bartoli, mezzo-soprano

NOVEMBER 2020 | FINE MUSIC | COLUMNS 專欄

Lo King-man

The libretto, written by the composer himself based on a play by Karel Čapek, reveals the strange history of the beautiful opera star Emilia Marty, who possesses a recipe for an elixir of eternal life that has already enabled her to live for over three hundred years and is still looking young. She becomes tired of her interminable existence and longs for rest. At the end of the opera, while her secret formula burns in the fireplace, the prima donna crumples into an old hag and dies before the eyes of the audience.

Soprano El isabeth Söderström, tenor Peter Dvorský , and bass-baritone Dalibor Jedlička perform the principal r o l e s . T h e V i e n n a S t a t e O p e r a Chorus and the Vienna Philharmonic O rc h e s t r a a re c o n d u c t e d b y t h e J a n â č e k s p e c i a l i s t S i r C h a r l e s Mackerras.

29 November: Janâček's The Makropulos Case

First edition in 1922 of Věc Makropulos, the play written by Karel Čapek.

A c k n o w l e d g e d a s t h e greatest Czech composer of the 20th century, Leoš J a n â č e k ( 1 8 5 4 - 1 9 2 8 ) c re a t e d t h i s e c c e n t r i c modern thriller in the form o f a m u s i c d r a m a T h e M a k ro p u l o s C a s e (V ě c M a k ro p u l o s ) , w h e n h e was 72 yea r s o ld . The work represents Janâček's miraculous late flowering of genius during the last decade of his life, inspired by his intense passion for Kamila Stasslova, a married woman 37 years younger, a sympathetic admirer who did not reciprocate his love.

音樂無疆界，當音樂走入圖書館，又會是甚麼光景？

音樂圖書館是專科圖書館。顧名思義，它所收藏的，必然是與音樂有關的

館藏了。那麼，除了音樂書籍以外，你想像得到的，還有甚麼呢？樂譜、錄

音、單張、場刊、各種唱片、音樂會海報等，很可觀的收藏吧。如此大量的

收藏品，音樂圖書館的職員每天又會怎樣處理呢？音樂資料應該怎樣分

類、編目及排架？音樂圖書跟樂譜、影音資料的分類方法有分別嗎？大家

的排架方式又有不同嗎？在編目過程中，最有趣又富挑戰的工序是甚麼？

音樂圖書館職員如何協助讀者有效搜尋音樂資料呢？那麼最可靠又有效

的音樂搜尋工具是甚麼？你有沒有遇過搜尋音樂片段的煩惱呢？

比較其他專科圖書館，音樂圖書館的學問更體現於它特殊的兩極性

（Dichotomy）：音樂學及圖書館學這兩種看似風馬牛不相及的學科的共

融。那麼，音樂圖書館的管理人員須接受甚麼訓練？音樂學與圖書館學

的訓練那一種較重要？有確立資歷的架構嗎？

看來簡單的問題，你可能從來未想像箇中的難度和樂趣。本月逢星期二在

「四時行樂」的環節「樂本無界」，主持李德芬會與我輕談淺說音樂圖書

館的獨特之處。

逢星期二下午 5時 30 分

世上知識，互有關連，無一獨立。音樂當然也不例外。主持人李德芬邀

約不同領域的嘉賓，在這個環節引領大家跨越音樂，探索其他範疇與音

樂之間未必廣為人知的關係。

本月邀得中央圖書館前總館長與大家暢談音樂圖書館。看看他如何介紹：

CROSSING MUSIC BORDERS

鄭學仁

What happens when music goes into the library? Have you ever imagined how music librarians handle music materials and services daily? What is special about music librarianship and how is the training? In November, Daphne Lee, host of Four for Classics, and Chang Hok-yan will present the segment ‘Music Library’ (in Cantonese) every Tuesday at 5:30pm.

音樂圖書館學博士，

香港中央圖書館前總館長。

四時行樂FOUR FOR CLASSICS樂本無界

音樂圖書館 Chang Hok-yan 鄭學仁

NOVEMBER 2020 | FINE MUSIC | COLUMNS 專欄 7

對酒當歌，人生幾何！在這紛擾的時代，我們無從掌握未來。或許活在當下，及時行樂，才是理想的生活之道。可是我們應該追求

怎麼樣的快樂？到諾士佛臺暢飲或許會令我們霎時幸福，但到「樂事逸台」感受音樂大概會給予我們更深層的滿足。在這裡，我們

有濃厚的音樂歷史文化，亦有日常遇到的古典樂聲；有深入淺出的音樂理論，亦有音樂好手分享珍貴經驗；有作品錄音的大比併，

更有你都可以參與的問答環節。就讓我們聚首一堂，風花說月，細意品嘗音樂的內涵與知性美。

音樂史太濃認識濃厚的音樂歷史文化是領悟古典音樂的不二法門。每個星

期，「音樂史太濃」都會以一首作品作為起點，與你細說箇中

的歷史與文化，了解作曲家背後的所思所想，更會探討音樂及

音樂以外更為龐大的課題。

音樂喺呢度！古典音樂在日常生活中無處不在：樓盤廣告會以古典音樂作為

配樂，初二煙花匯演亦以古典音樂作配襯，甚至在運輸交匯處

的公廁亦會播放古典音樂，希望讓人感覺清新！但我們平時又

有否留意到這些細節？「音樂喺呢度！」，黃嘉浩與你尋找生

活中被忽略的聲音，亦會討論日常生活中我們遇到有關音樂的

各種疑難。

一理通樂理明想欣賞古典音樂作品時又能聽出要點，有更深刻的體會？想更

深入了解每一位作曲家的偉大？「一理通樂理明」邀請到香港

中文大學音樂系哲學碩士生（理論）劉奕朗，在「一理通樂理

明」剖析樂曲的來龍去脈，讓大家在作品中發掘更多趣味。

煮酒論英雄「煮酒論英雄」誠邀各方樂人與我們暢談音樂，亦會播放大大

小小的精彩作品。首五個星期，我們將會選播第四台「樂壇新

秀」早前為香港藝術館之友錄製的演出，亦會送上第四台委約

李一葦創作的Aprocrypha*，萬物錯過！

古典錄音大亂鬥古典音樂錄音多如繁星，當為自己挑選合適的版本時，會否感

到無從入手？「古典錄音大亂鬥」幫到你！馬盈盈會與戚家榮

在環節中討論同一首樂曲不同版本的異同與特色，希望能夠在

海量的錄音中為你指點迷津。

我問你答各位樂迷請注意，大展身手的機會到了！我們在「我問你答」

中會選來一位作曲家，設計各式各樣的難題讓你解答。假如你

自問對古典音樂瞭如指掌，不要猶豫，緊記在節目時段內「烽

煙」挑戰！

Charles Chik 戚家榮逢星期六下午 2時正

* 此作品於2020年由香港電台第四台委約。費用由香港作曲家及

作詞家協會轄下的「CASH音樂基金」贊助。

嘉賓主持：馬盈盈、劉奕朗、黃嘉浩

主持：戚家榮、成俊曦

In November, a brand new programme, Musicians’ Terrace, co-hosted by Charles Chik and Shing Chun-hay will be broadcast in Cantonese. They will be joined by guest presenters Tina Ma, Toby Wong, and Lau Yik-long. Interesting and amusing segments on music history and culture, popular classical music around the world, music theory, comparative analysis of music recordings, and more will enrich your musical knowledge. This month, you can also hear Radio 4’s commissioned work, Aprocrypha, written by Angus Lee and sponsored by the 'CASH Music Fund'. Tune in every Saturday at 2pm for Radio 4’s weekly fun show!

8

韓德爾和龐布拿

倫敦的歌劇界在 1733 至 1736 年間，活現了這對作曲家你死我活的激鬥！真的沒說錯，1737 年韓

德爾大概因工作過勞而中風！他當時深受國王厚愛，其他敵對的王室成員懷着政治動機成立了一間

新的歌劇院，名為貴族歌劇院 (The Opera of the Nobility)。歌劇院從意大利請來了龐布拿 (Nicola Porpora) 出任駐院作曲家。這位龐布拿可不是小人物，除作曲外，亦是一位著名的老師，學生包括詩人兼劇作家梅塔斯塔西奧 (Pietro Metastasio)，還有著名的閹人歌手法里內利 (Farinelli)！

逢星期日下午 6時10 分

貴族歌劇院駐院作曲家龐布拿

馬蒂斯的《生命的喜悅》

畢加索的《亞維農的少女》

我曾在 9 月和 10 月的「人約黃昏後」，以「敵人」為題，介紹了好幾對例子。

其中有兩個故事特別有趣味，故執筆再述，而你亦可透過文章末的二維碼或在

第四台網頁 (radio4.rthk.hk) 重溫節目。

Emma Liu 廖碧楨

廖碧楨

求知慾與年紀順軌而行的廣播人。


Handel and Porpora or Matisse and Picasso are examples of great rivalries in history. In September and October, Emma Liu, host of Tunes to Remember (in Cantonese) featured these rivalries in her programmes together with a selection of related music pieces. You can scan the QR code below or listen to Radio 4’s programme archive (radio4.rthk.hk).

龐布拿為貴族歌劇院創作了五齣歌劇，包括《波利費莫》(Polifemo)、伊菲珍尼亞在奧利德 (Ifigenia in Aulide)、米特里達迪 (Mitridate) 等。歌劇院於1735 年還重金禮聘閹人歌手法里內利到倫敦演出，場面哄動就如當今的天

王天后舉行演唱會！韓德爾當然也以歌劇創作如《阿里歐唐德》(Ariodante)還擊。兩位作曲家所寫的歌劇選段，我都曾在節目介紹過。雖然龐布拿所用

的音樂技巧了得，但若要我選，我還是較喜歡韓德爾的作品，特別是其中動人

大方的旋律。兩位作曲家這場長達四年的大鬥法沒好結果，最終雙方的歌劇

院都要關閉。龐布拿選擇離開英國，韓德爾則留在英國，在創作上繼續發展

其他範疇。

馬蒂斯和畢加索

馬蒂斯 (Henri Matisse)和畢加索 (Pablo Picasso) 都是二十世紀藝術大師。馬蒂斯曾形容彼此是場摔角賽。二人半帶敵意的化學作用，將現代藝術的發

展推進一大步。比馬蒂斯年輕十二年的畢加索，總是把眼睛盯著前者的新作，

以此為動力刺激自己的創作。約在 1906 年，畢加索正脫離了玫瑰時期 (Rose Period) 和藍色時期 (Blue Period)，正要尋求突破。剛巧馬蒂斯購買了一件非洲雕塑，畢加索在一位共同認識的藝術家朋友的畫室看見了。後來，馬蒂斯

創作了《生命的喜悅》(Le Bouheur de vivre)，也給了畢加索靈感。1907 年，他創作了經典的《亞維農的少女》(Les Demoiselles d'Avignon)，其中五位女子像戴了非洲土人面具似的，創作風格也預示了立體主義 (Cubism) 的新里程碑。

9

16 NOV 20 NOV

23 NOV 27 NOV

2 NOV 6 NOV 9 NOV

13 NOV

30 NOV

不同樂評人在「碟碟不休」介紹最新推出的影音製作。這個環節會在李德芬主持的「四時行樂」內播放，歡迎重溫：radio4.rthk.hk。

A group of music critics guide you through some of the most interesting new releases to keep you in touch with the latest fine music recordings. This segment, broadcast on Four for Classics hosted by Daphne Lee, is also available in Radio 4's website for streaming: radio4.rthk.hk.

Daphne Lee 李德芬


www.hkcg.org: 2877 3982

11

Date 日期 Highlights 重點推介

RIAS Chamber Choir ― Choir Renaissance (like a Phoenix…)Like a phoenix rising from the ashes, the RIAS Chamber Choir and their conductor Justin Doyle appear for their first concert at the Berlin Philharmonie since the coronavirus crisis. Hark back to the roots of choral music with them ― ranked by Gramophone as one of the ten best choirs in the world ― along a journey from the Middle Ages through Renaissance and early Baroque with works by Hildegard von Bingen, Palestrina, Byrd, and more, interspersed with organ improvisations by Martin Baker.

音樂會轉播精選 HIGHLIGHTS OF CONCERT BROADCASTS

柏林電台室樂合唱團 — 合唱復興（鳳凰再生⋯⋯）入選《留聲機》雜誌全球十大最佳合唱團的柏林電台室樂合唱團夥拍指揮杜爾奧，自疫情肆虐

以來，首次重返柏林愛樂廳演出，如鳳凰浴火重生。他們在節目中引領樂迷追溯合唱音樂的起

源，演唱中世紀、文藝復興至巴羅克早期，包括希德嘉‧馮‧凱迪根、帕萊斯特里那、拜爾特等作

曲家的作品。管風琴家比嘉亦會送上多段即興間奏。

18/11Wed 三8:00pm

23/11Mon 一2:00pm

Repeat 重播

21/11Sat 六8:00pm

26/11Thu 四2:00pm

Repeat 重播


Yang Jing, pipa琵琶：楊靖

Pipa DreamsThe renowned pipa soloist Yang Jing visited Hong Kong in 2009 to perform with the City Chamber Orchestra of Hong Kong in the Pipa Concerto by Lou Harrison, whose lifelong fascination with East Asian musical traditions inspired much of his oeuvre, including this highly original, graceful showpiece for the quintessential Chinese lute. Jean Thorel conducted the Orchestra to present also Ye Xiaogang’s Nine Horses and Joshua Chan’s The Soaring Swallow II.

琵琶夢琵琶演奏家楊靖2009年來港與香港城市室樂團合作，演出美國作曲家夏利臣極為

原創、優美悠揚的琵琶協奏曲。夏利臣一生鍾情東亞各地傳統音樂，得到啟發而寫

成大部份創作，其中包括這首琵琶協奏曲。此外，樂團在尚‧托勞指揮下亦會帶來

葉小綱的《九匹馬》和陳錦標的《飛燕翱翔曲II》。

© M

atth

ias

Hey

de1/12Tue 二8:00pm

Simon Rattle and the Bavarian Radio Symphony Orchestra“What we need to hear at the moment is the Mahler Rückert-Lieder,” said Simon Rattle, who conducts the socially distanced musicians of the Bavarian Radio Symphony Orchestra with the spellbinding mezzo-soprano Magdalena Kožená in this soul-searching set of songs. Completing the programme are Mozart’s Overture to The Marriage of Figaro, Dukas’ Fanfare from La Péri, and Ravel’s richly evocative ballet music Mother Goose.

Justin Doyle, conductor指揮：杜爾奧

© Ji

m R

aket

e

力圖與巴伐利亞電台交響樂團「當下，我們需要聆聽馬勒的《盧克特之歌》。」指揮力圖如是說。本場音樂會，力圖領導

巴伐利亞電台交響樂團，在社交距離規限之下，與女中音哥澤娜同台演出馬勒這套發人心

省的歌集。同場還有莫扎特的《費加洛的婚禮》序曲、杜卡《仙女》中的鼓號曲，以及拉威

爾色彩豐富而動人的《鵝媽媽》芭蕾舞音樂。Simon Rattle, conductor指揮：力圖

12


Date 日期 Highlights 重點推介

3/12Thu 四8:00pm

8/12Tue 二2:00pm

Repeat 重播

Salzburg Festival ― The Song of the EarthThe Salzburg Festival, defying coronavirus threats, took place this August to celebrate its Centenary. In a scaled-down version of the Festival, Kent Nagano conducted the Vienna ORF Radio Symphony Orchestra in Mahler’s The Song of the Earth, his profound symphonic song cycle that speaks of the earthly joys, transience, and mortality of human. Tanja Ariane Baumgartner, mezzo-soprano, and Piotr Beczała, tenor, sang. And before the poignant and resigned final movement, ‘The Farewell’, Till Fellner will play the Six Little Piano Pieces by Schoenberg, for whom Mahler was a huge inspiration.

© Jo

hann

es If

kovi

ts

Piotr Beczała, tenor男高音：比卡澤拿

© T

+T F

otog

rafie

Tanja Ariane Baumgartner, mezzo-soprano女中音：鮑格娜

薩爾斯堡音樂節 — 大地之歌新型肺炎疫情下的薩爾斯堡音樂節，在剛過去的8月以較小規模慶祝踏入一百週年。音樂會

由長野健指揮維也納奧地利電台交響樂團上演馬勒的《大地之歌》，女中音鮑格娜和男高

音比卡澤拿擔任獨唱。《大地之歌》是一部極具深度的交響聲樂套曲，論及塵世愉悅，人世

短暫有限。此外，鋼琴家費拿將會在傷感而淡然的終樂章「道別」之前，先彈奏視馬勒為偶

像的荀伯克創作的六首鋼琴小品。

Song of Autumn

Quills & Skills

NO Wrong Notes! The Golden Voices

音樂傳情黎慧因

13

The RTHK Chamber Soloists (from left) John Schertle, Andrew Ling, Colleen Lee, Le Hoai-nam, and Laurent Perrin.

Programme 曲目Angel Lam : Once upon a time, a village in the southern sea... *Austin Yip : The Book of Kwun Tong *Edward Lun : Revitalize *Galison Lau : Chinese Song Book林安淇：從前，在南方海邊有一條農村⋯⋯ *

葉浩堃：官塘記事 *

倫偉傑：重 ‧活 *

劉詠浲：中國民歌集

We experienced the first ‘Fresh Airs’ earlier this year in May. After six months, the COVID-19 pandemic is still around us. Perhaps it’s time to take a breath of fresh air again. In the fourth programme of the series, the chamber fragrance will not only fill up Broadcast Drive, but also your place. Four world premieres will be given by The RTHK Chamber Soloists in ‘Hong Kong Impressions’.

Commissioned by RTHK Radio 4, three of the new works were sponsored by the 'CASH Music Fund'. All four composers grew up in Hong Kong; they know this city very well and also love it very much. They tell us their stories along with the history and the changes in Hong Kong over the past decades in their new works. Along with the modern harmonies and rhythms, you may also hear a few familiar Chinese folk tunes in between.

‘Hong Kong Impressions’ will be performed by The RTHK Chamber Soloists. The five members are Le Hoai-nam (violin), Andrew Ling (viola), Laurent Perrin (cello), John Schertle (clarinet), and Colleen Lee (piano). The piano quintet loves to play both classical masterpieces and modern works. Though they have already given the premieres of a few commissioned works, this is the first time for them to perform all the pieces together in a concert! Also, it is very special to hear a programme with such a combination of instruments! Don’t miss it!

「我們在乎你音樂會」在今年 5 月首先推出，期望在廣播

道上演奏美樂，藉着大氣電波，與聽眾分享清新的空氣，

一同細味動人的曲調。轉眼間，六個月已過去，疫情仍未

消失。11 月份播放的「我們在乎你音樂會 IV」與前三場有

所不同。今場名為「香港印象」，由香港電台室樂演奏家，

為你一次過送上四首世界首演的香港作品！

四首新作皆由香港電台第四台委約創作，其中三首更獲得

香港作曲家及作詞家協會「CASH 音樂基金」贊助。四位土

生土長的作曲家，對香港的人和事、歷史和發展，以至中

國古曲和民謠都有獨特的體會和感受。藉著四種不同創作

風格，以鋼琴五重奏的形式展現出來。每首新作皆洋溢著

一份對於香港、對於成長的深厚感情。

「香港印象」將由香港電台室樂演奏家演出。此組合由五

位香港著名音樂家組成，包括李海南 (小提琴)、凌顯 (中

提琴 )、貝樂安 ( 大提琴 )、史家翰 ( 單簧管 ) 及李嘉齡 ( 鋼

琴 )。他們熱愛合奏傳統室樂作品，亦喜歡演奏當代音樂。

成立兩年以來，亦首演過好幾首為他們度身訂造的五重奏。

在「香港印象」中，他們五人更首次全體成員合作，一起

演出節目中的所有樂曲！

Raymond Chung 鍾子豪

Fresh Airs – Fine Music on Broadcast Drive IV Hong Kong Impressions 我們在乎你音樂會 IV 香港印象

Fresh Airs – Fine Music on Broadcast Drive IV Hong Kong Impressions 我們在乎你音樂會 IV 香港印象

The programme will be broadcast on RTHK Radio 4 on 14 November (Sat) at 8pm and repeated on 19 November (Thu) at 2pm.節目於 11 月 14 日（星期六）晚上 8 時在香港電台第四台

播出，並於 11 月 19 日（星期四）下午 2 時重播。

* This new work is commissioned by RTHK Radio 4 in 2020 with sponsorship from 'CASH Music Fund'. 此作品於 2020 年由香港電台第四台委約。費用由香港作曲家及作詞家協會轄下的「CASH 音樂基金」贊助。

NOVEMBER 2020 | FINE MUSIC | COVER STORY 封面故事14

我的作品《從前，在南方海邊有一條農村⋯⋯》採用香港的地理環境作音樂的

意境，來敘述「香城」的古與今。我生於香港，後來也居住過世界各地不同的

城市，但沒有一處比得上香港獨特的活力與繁榮。

第一樂章：「古海」，是關於一個遙遠的南方古老鄉鎮。當地人採集了一種叫

沉香的芳香樹脂，它像黃金一樣珍貴，用海路運送各方。第二樂章：「河」，

描繪香港在珠江口的位置。第三樂章：「港」，描述在我成長時的香港 — 彩虹

的霓虹燈海港，比紐約曼哈頓的港口更加壯麗，充滿機會。終樂章：「鳳凰」，

是我對香港的思念。她就像傳說中的火鳳凰，瑰麗地活著、克服、重生。

Once upon a time, a village in the southern sea... is inspired by the geographic location of Hong Kong in different bodies of water. It tells a musical poetic story about the “fragrant harbour” from ancient times to present. I have lived in many different parts of the world, but no place compares to Hong Kong's unique cosmopolitan energy and efficient manner of life.

The first movement, ‘Ancient Sea’, is about a remote town in the far southern seaside. Locals harvested a fragrant resin called agarwood, which is as precious as liquid gold. The second movement, ‘Mouth of the River’, depicts Hong Kong’s location at the mouth of the Pearl River system. The third movement, ‘Hong Kong's Manhattan’, my childhood, depicts the Hong Kong where I grew up — a rainbow-coloured harbour with the promise of opportunities. The last movement, ‘Phoenix’, is my nostalgic reflection of Hong Kong. She is like the legendary fiery bird, who blossoms, endures, survives, and is reborn.

© E

ric T

. Car

lson

Composer’s Profile作曲家檔案• I'm an active teacher, composer, writer, and performer. I was born and raised in Hong Kong and currently live in New York City. • 我是在香港出生現居紐約市的教師、作曲家、作家及表演者。• I play the piano. I also learned the Chinese guzheng and a variety of orchestral instruments when I studied at the music conservatory. • 我彈鋼琴，但在音樂學院也學習了中國古箏，以及不同的管弦樂器。• Chamber music is more intimate and accessible compared to orchestral music. The challenge is to give adequate voice to each instrument in the texture, and let each of them express their unique characters and sound-world.• 室樂比管弦樂更加親切，較容易合作或演出，其中的挑戰在於創作過程中希望給予每一件樂器一個重要的地位，和保持每件樂器獨特的風格和音色。

Angel Lam Once upon a time, a village in the southern sea... 《從前，在南方海邊有一條農村⋯⋯》

林安淇Angel Lam Once upon a time, a village in the southern sea... 《從前，在南方海邊有一條農村⋯⋯》

林安淇

NOVEMBER 2020 | FINE MUSIC | COVER STORY 封面故事 15

《官塘記事》由七首小品組成，每一首小品描繪官塘的一個獨有景色。第一樂章：

「官富」，名字取材於明朝《粵大記》所記載舊時官塘的名字。第二樂章：「新市」，

描繪五十年代官塘發展為新市鎮的故事。第三樂章：「廠」，乃刻劃以前香港工業

蓬勃的日子。第四樂章：「雞寮」，是一首對 1972 年雨災的輓歌。第五樂章：「鐵

路」，記載昔日官塘逐漸變得現代化的重要建設。第六樂章：「商」，見證官塘慢

慢轉型成為商業區；而最後的樂章：「重建」，則緬懷一去不反的舊日美好時光。

The Book of Kwun Tong is a collection of seven short pieces, with each depicting an important stage/incident of Kwun Tong, a district in Hong Kong. The work begins with the first movement, ‘Kwun Foo’, which was an older name of the district in the Ming Dynasty, according to Yuet Tai Kei. The second movement, ‘New Town’, depicts the development of Kwun Tong in the 1950s, and the third movement, ‘Factory’, portrays how Kwun Tong gradually became an industrial centre. The fourth movement, ‘Kai Liu’, laments the flooding incident in 1972, and the fifth movement, ‘Train’, describes the construction of the Kwun Tong MTR station in 1979. The sixth movement, ‘Business’, depicts the transformation of Kwun Tong into a business district, and the final movement, ‘Rebuild’, mourns for the recent redevelopment.

“Kwun Foo”, a redrawing of the coastal map of Guangdong from Yuet Tai Kei .

Austin Yip The Book of Kwun Tong《官塘記事》

葉浩堃Austin Yip The Book of Kwun Tong《官塘記事》

葉浩堃

NOVEMBER 2020 | FINE MUSIC | COVER STORY 封面故事

Composer’s Profile作曲家檔案

• I live in Hong Kong, working as a lecturer in the Department of Music, Hong

Kong Baptist University.•我住在香港，現為香港浸會大學音樂系講師。

• I play the violin and I sing.

• 我拉小提琴和唱歌。

• Composing music is a very ‘autistic’ process, and I enjoy it a lot.

• 作曲的過程非常「自閉」，而我享受這種感覺。

• Writing chamber music is like organising a group project at school/work, in

which members of very different character need to work together, and it is

never an easy task.• 創作室樂就如安排工作/ 課業上的小組項目，

將不同性格的人放在一起完成

目標，過程通常都十分困難。

16

這首樂曲的標題和內容取材自創作的地方。剛巧某天幫個朋友的忙，去了虎豹別

墅，途中空餘在花園向山下望，尋覓一個有關香港的作曲題材。望著這剛復修的

古式大宅，於是決定，就地取材吧。

樂曲分為三個樂章，分別為「青山道 800 號」、「大坑道 15 號 A」和「運頭角

里 11 號」。三個地址均為「香港活化歷史建築夥伴計劃」的歷史建築，也是小

弟在創作那一年去過的。從一個比較繁囂的地段走到山上比較清幽之處，是它們

的共通點，也是構成樂章結構的骨幹，然後把眼看見的、耳聽見的，主觀地描繪

出來，就像寫描寫文一樣，只是利用的工具不是文字，而是音樂。

The music and its title came from the place where I wrote this piece. I visited Haw Par Mansion to help with my friend’s project. I walked around the garden during the break, thought about the idea for my new composition, and was inspired by the gorgeous place I was standing in.

The music is divided into three sections, with subtitles ‘800 Castle Peak Road’, ‘15A Tai Hang Road’, and ‘11 Wang Tau Kok Lane’. The historical buildings of these addresses are parts of the ‘Revitalizing Historic Buildings Through Partnership Scheme’. I have been to these places before. They are all on a hill away from crowded streets. The journeys to these buildings from downtown are the backbones of the works’ overall structure. The sceneries I have seen and the sound I have heard were depicted with music rather than verbal language.

Haw Par Mansion

© C

onse

rve

and

Revi

talis

e H

ong

Kong

Her

itage

Edward Lun 《重‧活》

© E

diso

n Ch

an

倫偉傑倫偉傑


Edward Lun 《重‧活》 RevitalizeRevitalize


• I am staying in UK now, in the position of house husband serving my wife and my new-born daughter, and using my spare time to write music.• 我現時在英國當一個湊仔公和家庭主夫，並在僅餘的時間創作。

• My major instruments are trumpet and piano, but I had the chance to play a lot of other instruments because the band was overwhelmed with trumpet players.• 我從小學習小號和鋼琴，但因為樂團太多小號手，所以經常拿起其他不同樂器來演奏。

• Music is the language through which I can express. On the other hand, I failed all the verbal languages’ examinations.• 作曲讓我自由表達，反而語文科我從不合格。

• Writing chamber music is difficult in how the piece/work can interact with the musicians, and how they interact with each other. Surely this is the miracle of chamber music.• 創作室樂要考慮音樂與樂師之間的互動，但這互動卻是室樂的奇妙之處。

17

《中國民歌集》是我在 2018 年為香港電台室樂演奏家成立音樂會所

寫的加奏創作-《青春舞曲》所延伸出來的一套編曲，我另外加上

了三首我喜歡的中國民歌：《康定情歌》、《繡荷包》和《小白菜》。

這套編曲的中心思想是東西匯聚：以西方樂器演奏中國民歌。在這套

曲中，我嘗試運用不同的西方作曲技巧和風格與原始的中國民歌結

合。其中兩首還加插了從馬勒、史特拉汶斯基的作品，以及《上海灘》

得來的一小句，藉以顯出當中的不同含意。喬治．克拉姆的四套《美

國歌集》啟發我不少。為了盡量令每首民歌都送上耳目一新的感覺，

我在四個樂章各自帶來不同的西方風格，希望聽眾能享受這四首不一

樣的中國民歌。

I wrote this as an extension of an earlier work, Dance of Youth, that I finished in 2018 for the encore in the Inaugural Concert of The RTHK Chamber Soloists. I added three other Chinese folk tunes that I also like, Kangding Love Song, Embroidering a Purse, and Little Cabbage.

The main idea of this set is East meets West: using Western instruments to play Chinese folk tunes. In this set, I tried to apply different Western compositional techniques and styles to mix with the original Chinese folk tunes. There are even two very short quotations by Mahler, Stravinsky, and a famous pop song Shanghai Tang in two of them to enhance the feeling and meaning of the songs. The four sets of the American Songbook written by George Crumb inspired me. In order to let each folk tune have a refreshing impression, each movement was written using different techniques and styles. Hope you would enjoy these original transcriptions of the four Chinese folk tunes.

© M

artin

Lee

Galison Lau (second right), arranger of the encore piece, Dance of Youth, introducing his own work at the Inaugural Concert of The RTHK Chamber Soloists.


• I’m in Hong Kong, learning French and German, and preparing a new course for my students.• 我在香港，正在學法文和德文，同時為同學準備一個新科目。

• I play the piano.• 我彈鋼琴。• I always like to express my ideas through music.• 我喜歡以音樂表達我的想法。• I like writing chamber music as it focuses on how the musicians interact with each other. It is so enjoyable for the listeners to hear different variations coming from the same motif during the process of music-making.• 我喜歡室樂，因它重視樂手之間的互動。如果樂曲有些動機不間斷地改變，這樣的音樂一定會讓人們喜歡和享受。

Raymond Chung 鍾子豪Fan of classical music and radio,

classical music presenter.古典樂迷，收音機迷，

古典音樂節目主持人。


Chinese Song BookGalison LauGalison LauChinese Song Book

18

In the past months, the arts and cultural scene has experienced some of its longest dark days. With very few live performances, we see more music performed online and music-lovers sharing their recitals via the web to friends near and afar. To enhance the pleasure of music-making among students of all ages and cultivate the interest in music appreciation in the general community, Radio 4 proudly presents ‘Student Concert Hall’. We believe that one of the biggest rewards to aspiring musicians is to be able to share their love of music with music lovers. After adjudication, audio recordings of selected student artists will be broadcast on Radio 4 and uploaded onto RTHK’s website. In addition to the performances, interviews of selected students may also appear in the programme.

Kathy Lam 林家琦

在過去大半年，全港的演藝節目都幾乎因著 2019 冠狀病毒病而停頓下來。雖然舞台上的現場演出不多，但網上音樂會或

表演分享則變得百花齊放，大家看得樂此不疲。有見及此，第四台特別製作「學界音樂廳」，讓不同年齡層的同學透過大

氣電波，與聽眾分享演奏。通過甄選的錄音，將會在「學界音樂廳」播出，更會上載到香港電台網頁。除音樂以外，演出

者的訪問或會出現在節目中。

Student Concert Hall學界音樂廳Student Concert Hall學界音樂廳

Here are some highlights:Application is open to all full-time students who have a HKID card and are studying in a recognised school or educational institute in Hong Kong or abroad. Recent graduates from the 2019-2020 academic year are also welcome.We welcome both solos and groups.Applicants should submit their performance clips to RTHK Radio 4 through the event’s webpage. Clips submitted do not need to be current, old recordings are acceptable. We even take clips that have been shared on social media. Duration is flexible, too. It can range from a single short piece, to a collection of pieces, or a multi-movement complete work. The maximum total duration for a submission is 35 minutes.Applicants may play or sing works from the fine music repertoire. Western classical, jazz, Chinese, and world music are all welcome.

凡持有香港身份證及在認可的本地或海外學校或教育機構就讀的全日制學生均可報名。在 2019-2020 學年畢業

的同學亦歡迎參加。

獨奏 /獨唱或以小組形式參加皆可。參加者只須把自己的演出片段上載到活動網頁。提交的錄影新舊不拘，曾在社交媒體上載分享皆可。片段可以

是一首短曲，以至一系列樂曲 /歌曲或多樂章作品。唯所提交的樂曲總長度不能超過三十五分鐘。參加者須以樂器或聲樂，演繹西方或中國美樂作品。爵士樂或世界音樂皆可。

活動概要如下：

19

My videos are homemade, and the quality is not as professional as those made in studios. I

fear I will have a slim chance of being selected.

‘School Concert Hall’ is about community involvement, while some clips may have been

recorded in studios, we also expect to receive submissions of homemade clips with decent

recording quality. If you are going to make new recordings, don’t forget to observe appropriate

social distancing while producing your video clips.

I am a retiree and am now back to school. Can I form a duo with my grandchild who is in

kindergarten, and join the event?

There is no age limit. All full-time students who have a HKID card and are studying in a

recognised school or educational institute in Hong Kong or abroad can apply.

I have some video clips with me performing with my school orchestra and other ensembles.

Can I submit them?

We welcome both solos and groups. While an accompanist, accompanying ensemble or

orchestral players do not have to be students, all members of an ensemble entry such as

duo, trio, quartet or string orchestra have to be students. The applicant must declare that the

performance in the recording has been given by him/her/the said ensemble or orchestra.

I am a Hong Kong student currently studying overseas. Can I take part in this event?

Yes, by all means! Should your performance(s) be chosen, you will be asked to provide audio

file(s) of selected work(s) to Radio 4 for broadcast. You will also need to show proof of your

student status for the 2019-2020 or 2020-2021 academic year for verification purpose. You

can authorise someone in Hong Kong to submit that on your behalf.

It is mentioned that videos submitted should be performed-through without editing. What

about multi-angle shooting?

Yes, multi-angle shooting is allowed, but be sure it’s a performed-through recording. However,

performances by virtual ensembles are not acceptable because that involves editing.

Q&AQ :

Q :

Q :

Q :

Q :

A :

A :

A :

A :

A :

NOVEMBER 2020 | FINE MUSIC | COVER STORY 封面故事20

我的影片只是自家製作，沒有專業拍攝，那我一定會落選了？

由於「學界音樂廳」屬社區參與性質，雖然可能有部份拍攝在錄音室進行，我們

也期待收到錄音和錄影質素較好的自家製拍攝。若同學準備錄製新的影片，別忘

記要保持一定的社交距離，減低傳播病毒的風險呀！

我是一位重返校園的退休人士，我可以跟唸幼稚園的孫兒合組演出一同報名嗎？

「學界音樂廳」沒有年齡限制，由三歲到一百歲都可以報名，只要你是全職學生

就可以了。

我有一些跟學校樂團和其他樂團合演的影片，可否用作參加甄選？

不論是獨奏 /獨唱、小組或以樂隊伴奏形式都無任歡迎。這項活動雖然要求所有

獨奏 /獨唱和小組成員須為學生，但對伴奏、伴奏小組或樂團的成員則沒有限制。

參加者須確認錄音是由其本人 /伴奏 /小組 /樂團成員擔任演出。以二重奏 / 三重

奏 /四重奏 /弦樂團等組合參加的隊伍及成員，則全部均須為學生。

我是身在海外的香港學生，可以報名參加嗎？

十分歡迎！若你的演出獲邀在第四台播放，我們會再請你提交該演出的聲音檔案，

以及 2019-2020 或 2020-2021 年度的學生證明文件以茲確認。屆時你可授權親友

代為提交相關資料。

活動簡介提到影片須以未經剪輯的連續演奏方式拍攝。但我的影片是多角度拍攝，

那可以嗎？

以多角度拍攝是可以的，但重要是演出要一氣呵成。然而，集多鏡頭的虛擬演出

因是經過剪輯，那就不可以了。

For more information and application details, please scan the QR code below. You can submit your application from 2-30 November 2020. Take the stage and shine in ‘Student Concert Hall’!

Kathy Lam 林家琦A small potato who

serves the arts.為音樂服務的小薯。

你問我答

「學界音樂廳」的截止報名日期為 2020 年 11 月 2 至 30 日。你可透過以下的二維碼參閱有關資料及

下載報名表格。各位熱愛音樂的同學不要遲疑，請報名參加，與樂迷分享你的演出吧！

問：

問：

問：

問：

問：

答：

答：

答：

答：

答：

Student Concert Hall學界音樂廳

NOVEMBER 2020 | FINE MUSIC | COVER STORY 封面故事 21

(1st b/c: Wed)( 首播：星期三 )

(1st b/c: Thu)( 首播：星期四 )

(1st b/c: Fri)( 首播：星期五 )

(1st b/c: Sat)( 首播：星期六 )

In Touch with Music程迷古典Colin Touchin 杜程

Play by Ear 週末隨想Synthia Ko 高德儀

Sunday Morning on 4

週日早晨Cleo Leung 梁敏瑩

Non-stop Classics美樂無休

Synthia Ko / Stacey Rodda / Ben Pelletier高德儀 / 盧廸思 / 彭禮傑

Four for Classics with Daphne Lee

Stop-time... with Livia Lin

New Releases 碟碟不休

New Releases 碟碟不休

Crossing Music Borders樂本無界

Live on 4 第四台音樂會(Repeat 重播 )

Church Service 主日崇拜

Songs of the Earth 大地之歌

Christopher Coleman高爾文

Children’s Corner親親童樂日

Nancy Loo羅乃新

Music from China樂在神州

Ng Cheuk-yin 伍卓賢

Cantilena 自投羅網

Nancy Loo 羅乃新

Sunday Opera 歌劇世界Lo King-man 盧景文

Musicians’ Terrace樂事逸台Charles Chik,

Shing Chun-hay & Friends

戚家榮、成俊曦及友人

Alex Tam譚天樂

(1st Sunday 首個週日）

Sunday Divertimento星夜樂逍遙

Wendy Ng伍穎文Human Voices

人聲Gladys Lau劉建婷

Crossover Music跨界音樂

Kathy Lam林家琦

Programme Music標題音樂

Enico Luk陸堅智

Solo獨奏

Charles Chik戚家榮

／／

Music à la Carte (Tue & Thu : Chinese Music)午間精點 ( 星期二及四：中樂篇 )Daphne Lee / Tina Ma 李德芬 / 馬盈盈

Live on 4 第四台音樂會

Presenters' Choice 美樂同行

李德芬

凌崎偵

四時行樂

遊‧樂園

Hidden Gems巨匠遺珠

Lesley Chan 陳家曦

When Words Meet Music與文同樂

When Words Meet Music與文同樂

Rebecca Siu 蕭程佳明

Moment Musical音樂瞬間

Tunes toRemember 人約黃昏後

Emma Liu 廖碧楨

The Creatives

Jazzing Up爵士靈感Eugene Pao包以正

(Repeat 重播 )

Morning Call with Stacey Rodda清晨妙韻

盧廸思

Joanna Lee 李正欣

NOVEMBER 2020 | FINE MUSIC | MAIN PROGRAMME CHART 節目時間表

BBC Features英國廣播公司專輯

BBC Features英國廣播公司專輯

A Celebration of American Music美國作曲家巡禮

23

布拉格愛樂樂團 / 碧格特

葛路克：《伊菲姬尼在奧利德》序曲

拉摩：北方人組曲

貝多芬：《普羅米修斯的生民》，作品43 （選段）

2019 年 5 月 8 日布拉格魯道夫德伏扎克音樂廳

錄音。

4/11/2020 (Wed 星期三 )2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）BBC Proms 2009Martha Argerich (p)

Royal Phil. Orch. / Charles Dutoit

Vivier: Orion 14’Ravel: Piano Concerto in G 22’Prokofiev: Suite from ‘The Love for Three Oranges’ 15’Mussorgsky (Ravel orch.): Pictures at an Exhibition 32’

Recorded at the Royal Albert Hall, London, on

30/9/2009.

英國廣播公司逍遙音樂節 2009

亞嘉莉殊（鋼琴）

皇家愛樂樂團 / 杜托華

維韋亞：獵戶座

拉威爾：G大調鋼琴協奏曲

浦羅歌菲夫：《三橘之戀》組曲

穆索斯基（拉威爾配器）：圖畫展覽會

2009 年 9月 30 日倫敦皇家阿爾拔音樂廳錄音。

8:00pm LIVE ON 4 第四台音樂會Berlin Music FestivalAnne Schwanewilms (s)

Erez Ofer, Nadine Contini (v)

Berlin State Opera Children's Cho.

Berlin Radio Sym. Orch. / Vladimir Jurowski

Bach: Ricercar a 6, from ‘The Musical Offering’, BWV1079 9’Berg: Three excerpts from ‘Wozzeck’ 19’Webern: Variations for Orchestra, Op. 30 8’Schnittke: Concerto Grosso No. 1 28’

Recorded at Philharmonie, Berlin, on 5/9/2020.

8:00pm MOMENT MUSICAL 音樂瞬間Bach: Lute Partita in C minor, BWV997 23’Lutz Kirchhof (l) Beethoven: Violin Concerto in D, Op. 61 42’Arthur Grumiaux (v)Royal Concertgebouw Orch. / Colin Davis Dvořák: Symphony No. 7 in D minor, Op. 70 38’Berlin Phil. Orch. / Rafael Kubelik 巴赫：C小調魯特琴組曲，BWV997

基可夫（魯特琴）

貝多芬：D大調小提琴協奏曲，作品 61

古美奧（小提琴）

皇家阿姆斯特丹音樂廳樂團 / 哥連．戴維斯

德伏扎克：D小調第七交響曲，作品 70

柏林愛樂樂團 / 高伯力

3/11/2020 (Tue 星期二 )2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Li Pei (v)Shanghai Sym. Orch. / Zhang JieminBarber: Adagio for Strings 8’Bartók: Music for Strings, Percussion and Celesta 33’Piazzolla: The Four Seasons of Buenos Aires 22’

Recorded at Concert Hall, Symphony Hall, Shanghai,

on 23/5/2020.

李沛（小提琴）

上海交響樂團 / 張潔敏

巴伯：弦樂慢板

巴托：弦樂、敲擊樂與鐘琴音樂

皮亞蘇拉：布宜諾斯艾利斯的四季

2020年 5月 23日上海交響樂團音樂廳主廳錄音。

8:00pm LIVE ON 4 第四台音樂會Prague Philharmonia / Harry BicketGluck: Overture to ‘Iphigénie en Aulide’ 8’Rameau: Suite from ‘Les Boréades’ 28’Beethoven: ‘The Creatures of Prometheus’, Op. 43 (excerpts) 42’

e or e at o a o rag e o

8/5/2019.

1/11/2020 (Sun 星期日 )2:00pm SUNDAY OPERA 歌劇世界Mozart: Die Entführung aus dem Serail 130’ Konstanze: Arleen Auger (s)Blonde: Reri Grist (s)Belmonte: Peter Schreier (t)Pedrillo: Harald Neukirsch (t)Leipzig Radio Cho.Staatskapelle Dresden / Karl Böhm

莫扎特：後宮誘逃

康思坦芝：奧瑞（女高音）

布朗德：基斯特（女高音）

貝爾蒙特：舒威亞（男高音）

彼特奴：奈奇爾殊（男高音）

萊比錫電台合唱團

德累斯頓國家樂團 / 布恩

8:00pm BBC FEATURES 英國廣播公司專輯 Desert Island Discs — Treble Grammy Award – winning baritone, Thomas Quasthoff荒島唱片精選 — 三屆格林美獎得主男中音夸索夫

2/11/2020 (Mon 星期一 )2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Gstaad Menuhin FestivalFrancesco Piemontesi (p)Mozart: Fantasia in C minor, K. 475 12’Schubert: Piano Sonata No. 19 in C minor, D. 958 32’Liszt: Vallée d'Obermann, from ‘Années de pèlerinage, première année: Suisse’, S. 160 13’Schubert: Piano Sonata No. 20 in A, D. 959 37’

e or e at t e r o o ge o t o 22/8/2016.

格施塔德曼奴軒音樂節

彼蒙堤斯（鋼琴）

莫扎特：C小調幻想曲，K. 475

舒伯特：C小調第十九鋼琴奏鳴曲，D. 958

李斯特：奧伯曼山谷，選自《旅遊歲月，第一年：

瑞士》，S. 160

舒伯特：A大調第二十鋼琴奏鳴曲，D. 959

2016 年 8 月 22 日魯日蒙教堂錄音。

NOVEMBER 2020 | FINE MUSIC | PROGRAMME HIGHLIGHTS 節目精華

柏林音樂節史雲域絲（女高音）奧發、康締妮（小提琴）柏林國家歌劇院兒童合唱團柏林電台交響樂團 / 費狄米‧尤洛夫斯基巴赫：六聲部里切爾卡，選自《音樂獻禮》， BWV1079貝爾格：《沃采克》三首選段魏本：為樂團而寫的變奏曲，作品 30舒尼格：第一大協奏曲

2020 年 9月 5日柏林愛樂廳錄音。

5/11/2020 (Thu 星期四 )2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Live at the WigmoreCédric Tiberghien (p)Chopin: Ballade Nos. 1-4 29’Beethoven: Sonata No. 32 in C minor, Op. 111 26’

Recorded at Wigmore Hall, London, on 18/2/2008.

威格摩音樂廳的迴響

堤伯肯恩（鋼琴）蕭邦：第一至四首敘事曲貝多芬：C小調第三十二奏鳴曲，作品 111

2008 年 2 月 18 日倫敦威格摩音樂廳錄音。

8:00pm LIVE ON 4 第四台音樂會Salzburg FestivalRosa Feola (s)Katharina Magiera (a)Sebastian Kohlhepp (t)Peter Kellner (b)Salzburg Bach Cho.Mozarteum Orch., Salzburg / Ivor BoltonMozart: Mass in C minor, K. 139, ‘Waisenhaus’ 41’ Adagio and Fugue in C minor, K. 546 7’ Vesperae solennes de confessore, K. 339 27’

e or e at a r o art a rg o

Vladimir Jurowski 費狄米‧尤洛夫斯基

© D

rew

Kel

ley

24

Nov AW R2.indd 24-25 22/10/20 2:59 am

Orchestras worldwide are financially tight during the COVID-19 pandemic, and management often needs to rack their brains to think about how to sail through the storm. However, a renowned Latvian conductor received two pieces of good news during this difficult time. Both the Boston Symphony Orchestra and the Gewandhausorchester Leipzig have extended their contracts with Andris Nelsons, the parties announced last month.

The 41-year-old Andris Nelsons has been serving as the Music Director of the Boston Symphony Orchestra since 2014 and has been highly praised for his work. Under the new contract, he will remain their Music Director through the 2024-2025 season. By that time, he will have spent ten years with the Orchestra. Mark Volpe, President and CEO of the Boston Symphony Orchestra expressed that the extension of Andris Nelsons’ contract is an especially meaningful moment with the challenges posed by the pandemic. “This wonderful news points to the Orchestra’s bright future,” he added. In the coming seasons, Andris Nelsons will continue their plans of performing and recording the Shostakovich symphony cycle, as well as commissioning more works by younger composers.

As for the Gewandhausorchester Leipzig, they have extended Andris Nelsons’ contract to 2027. In addition, the two orchestras will continue their alliance. Musicians will have a chance to exchange ideas and perform with the other orchestra. “I am extremely grateful and honoured to continue my musical journey with the Boston Symphony Orchestra and Gewandhausorchester Leipzig in the coming years”, Andris Nelsons said. “The dedicated trust my two musical families have placed in me as their conductor and colleague is truly a gift that I cherish so passionately and embrace with all my heart.”

疫情持續，各地樂團財政緊絀，管理層都要絞盡腦汁，思考如何渡過難關。然而，拉脫維亞指揮尼遜斯卻在這業界寒冬迎來好消息。波士頓交響樂團及萊比錫布業公會樂團同時在上月初宣佈，延長音樂總監尼遜斯的合約，可謂雙喜臨門。

現年四十一歲的尼遜斯在 2014 年開始出任波士頓交響樂團的音樂總監，表現備受讚賞。新合約將會延長他的任期到 2024 至 2025 年樂季，屆時他便與樂團共度了十個寒暑。樂團主席兼行政總裁霍比表示，在疫情期間延長尼遜斯的合約別具意義，預示樂團前景一片光明。在未來數年，波士頓交響樂團將會繼續與尼遜斯合作，完成演出及錄製蕭斯達高維契交響曲全集的計劃，亦會委約更多年輕作曲家譜寫新作品。

至於萊比錫布業公會樂團則延長尼遜斯的職務至 2027 年。此外，兩個樂團亦會繼續保持良好的合作關係，樂手將有機會到友團交流及演出。對於今次獲延長合約，尼遜斯表示相當榮幸能夠在兩個樂團繼續他的音樂之旅，亦感激樂團的信任。

請收聽逢星期一至六黃昏 6時的藝壇快訊，了解海外及城中最新的藝術資訊。

Tune in to Morning Call weekdays from 7-10am, and hear interviewswith artists and event presenters.

Andris Nelsons’ Contract Extended by the Boston Symphony Orchestra and Gewandhausorchester Leipzig尼遜斯獲波士頓交響樂團及萊比錫布業公會樂團延長合約

©

Mar

co B

orgg

reve

Charles Chik 戚家榮

布拉格愛樂樂團 / 碧格特

葛路克：《伊菲姬尼在奧利德》序曲

拉摩：北方人組曲

貝多芬：《普羅米修斯的生民》，作品43 （選段）

2019 年 5 月 8 日布拉格魯道夫德伏扎克音樂廳

錄音。

4/11/2020 (Wed 星期三 )2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）BBC Proms 2009Martha Argerich (p)

Royal Phil. Orch. / Charles Dutoit

Vivier: Orion 14’Ravel: Piano Concerto in G 22’Prokofiev: Suite from ‘The Love for Three Oranges’ 15’Mussorgsky (Ravel orch.): Pictures at an Exhibition 32’


30/9/2009.


亞嘉莉殊（鋼琴）

皇家愛樂樂團 / 杜托華

維韋亞：獵戶座

拉威爾：G大調鋼琴協奏曲

浦羅歌菲夫：《三橘之戀》組曲

穆索斯基（拉威爾配器）：圖畫展覽會

2009 年 9月 30 日倫敦皇家阿爾拔音樂廳錄音。

8:00pm LIVE ON 4 第四台音樂會Berlin Music FestivalAnne Schwanewilms (s)

Erez Ofer, Nadine Contini (v)

Berlin State Opera Children's Cho.

Berlin Radio Sym. Orch. / Vladimir Jurowski

Bach: Ricercar a 6, from ‘The Musical Offering’, BWV1079 9’Berg: Three excerpts from ‘Wozzeck’ 19’Webern: Variations for Orchestra, Op. 30 8’Schnittke: Concerto Grosso No. 1 28’


8:00pm MOMENT MUSICAL 音樂瞬間Bach: Lute Partita in C minor, BWV997 23’Lutz Kirchhof (l) Beethoven: Violin Concerto in D, Op. 61 42’Arthur Grumiaux (v)Royal Concertgebouw Orch. / Colin Davis Dvořák: Symphony No. 7 in D minor, Op. 70 38’Berlin Phil. Orch. / Rafael Kubelik 巴赫：C小調魯特琴組曲，BWV997

基可夫（魯特琴）

貝多芬：D大調小提琴協奏曲，作品 61

古美奧（小提琴）

皇家阿姆斯特丹音樂廳樂團 / 哥連．戴維斯

德伏扎克：D小調第七交響曲，作品 70

柏林愛樂樂團 / 高伯力

3/11/2020 (Tue 星期二 )2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Li Pei (v)Shanghai Sym. Orch. / Zhang JieminBarber: Adagio for Strings 8’Bartók: Music for Strings, Percussion and Celesta 33’Piazzolla: The Four Seasons of Buenos Aires 22’

Recorded at Concert Hall, Symphony Hall, Shanghai,

on 23/5/2020.

李沛（小提琴）

上海交響樂團 / 張潔敏

巴伯：弦樂慢板

巴托：弦樂、敲擊樂與鐘琴音樂

皮亞蘇拉：布宜諾斯艾利斯的四季

2020年 5月 23日上海交響樂團音樂廳主廳錄音。

8:00pm LIVE ON 4 第四台音樂會Prague Philharmonia / Harry BicketGluck: Overture to ‘Iphigénie en Aulide’ 8’Rameau: Suite from ‘Les Boréades’ 28’Beethoven: ‘The Creatures of Prometheus’, Op. 43 (excerpts) 42’

e or e at o a o rag e o

8/5/2019.

1/11/2020 (Sun 星期日 )2:00pm SUNDAY OPERA 歌劇世界Mozart: Die Entführung aus dem Serail 130’ Konstanze: Arleen Auger (s)Blonde: Reri Grist (s)Belmonte: Peter Schreier (t)Pedrillo: Harald Neukirsch (t)Leipzig Radio Cho.Staatskapelle Dresden / Karl Böhm

莫扎特：後宮誘逃

康思坦芝：奧瑞（女高音）

布朗德：基斯特（女高音）

貝爾蒙特：舒威亞（男高音）

彼特奴：奈奇爾殊（男高音）

萊比錫電台合唱團

德累斯頓國家樂團 / 布恩

8:00pm BBC FEATURES 英國廣播公司專輯 Desert Island Discs — Treble Grammy Award – winning baritone, Thomas Quasthoff荒島唱片精選 — 三屆格林美獎得主男中音夸索夫

2/11/2020 (Mon 星期一 )2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Gstaad Menuhin FestivalFrancesco Piemontesi (p)Mozart: Fantasia in C minor, K. 475 12’Schubert: Piano Sonata No. 19 in C minor, D. 958 32’Liszt: Vallée d'Obermann, from ‘Années de pèlerinage, première année: Suisse’, S. 160 13’Schubert: Piano Sonata No. 20 in A, D. 959 37’

e or e at t e r o o ge o t o 22/8/2016.

格施塔德曼奴軒音樂節

彼蒙堤斯（鋼琴）

莫扎特：C小調幻想曲，K. 475

舒伯特：C小調第十九鋼琴奏鳴曲，D. 958

李斯特：奧伯曼山谷，選自《旅遊歲月，第一年：

瑞士》，S. 160

舒伯特：A大調第二十鋼琴奏鳴曲，D. 959

2016 年 8 月 22 日魯日蒙教堂錄音。


柏林音樂節史雲域絲（女高音）奧發、康締妮（小提琴）柏林國家歌劇院兒童合唱團柏林電台交響樂團 / 費狄米‧尤洛夫斯基巴赫：六聲部里切爾卡，選自《音樂獻禮》， BWV1079貝爾格：《沃采克》三首選段魏本：為樂團而寫的變奏曲，作品 30舒尼格：第一大協奏曲

2020 年 9月 5日柏林愛樂廳錄音。

5/11/2020 (Thu 星期四 )2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Live at the WigmoreCédric Tiberghien (p)Chopin: Ballade Nos. 1-4 29’Beethoven: Sonata No. 32 in C minor, Op. 111 26’

Recorded at Wigmore Hall, London, on 18/2/2008.

威格摩音樂廳的迴響

堤伯肯恩（鋼琴）蕭邦：第一至四首敘事曲貝多芬：C小調第三十二奏鳴曲，作品 111

2008 年 2 月 18 日倫敦威格摩音樂廳錄音。

8:00pm LIVE ON 4 第四台音樂會Salzburg FestivalRosa Feola (s)Katharina Magiera (a)Sebastian Kohlhepp (t)Peter Kellner (b)Salzburg Bach Cho.Mozarteum Orch., Salzburg / Ivor BoltonMozart: Mass in C minor, K. 139, ‘Waisenhaus’ 41’ Adagio and Fugue in C minor, K. 546 7’ Vesperae solennes de confessore, K. 339 27’

e or e at a r o art a rg o

Vladimir Jurowski 費狄米‧尤洛夫斯基

© D

rew

Kel

ley

24

Nov AW R2.indd 24-25 22/10/20 2:59 am


薩爾斯堡音樂節費奧拉（女高音）嘉塔莉娜．麥基利亞（女低音）哥希普（男高音）彼得．啟納（男低音）薩爾斯堡巴赫合唱團薩爾斯堡莫扎特學院樂團 / 保頓莫扎特：C小調彌撒曲，K. 139，「孤兒院」 C 小調慢板與賦格曲，K. 546 懺悔者的莊嚴晚禱，K. 339

2020 年 8 月 2日薩爾斯堡莫扎特劇院錄音。

6/11/2020 (Fri 星期五 )2:00pm BBC FEATURES (REPEAT) 英國廣播公司專輯（重播）Prog. as 1/11/2020, 8:00pm節目與 2020 年 11 月 1日晚上 8時相同

8:00pm LIVE ON 4 第四台音樂會BBC Proms 2007Alexander Toradze (p)London Sym. Orch. / Valery GergievTchaikovsky: Romeo and Juliet ’ Hamlet ’

Op. 16 ’ Symphony No. 7 in C sharp minor, Op. 131 ’

Recorded at the Royal Alber t Hall , London, on 28/8/2007.

英國廣播公司逍遙音樂節 2007托拉撒（鋼琴）倫敦交響樂團 / 葛濟夫柴可夫斯基：羅密歐與朱麗葉哈姆雷特浦羅歌菲夫：G小調第二鋼琴協奏曲，作品 16 升 C 小調第七交響曲，作品 131

2007 年 8 月 28 日倫敦皇家阿爾拔音樂廳錄音。

7/11/2020 (Sat 星期六 )8:00pm LIVE ON 4 第四台音樂會Aldeburgh Festival

Philharmonia Orch. / Thomas Adès

Liszt: Mephisto Waltz No. 1, S. 110 ’

Busoni: Gesang vom Reigen der Geister, Op. 47 ’

Tanzwalzer, Op. 53 ’

Ad s Three Piece Suite from Powder her Face’ ’

Respighi: Roman Festivals ’

Recorded at Snape Maltings, England, on 17/6/2007.

亞爾德堡音樂節

愛樂樂團 / 亞德斯

李斯特：第一梅菲斯托圓舞曲，S. 110

布梭尼：靈舞之歌，作品 47

圓舞曲，作品 53

亞德斯：三首組曲，選自《撲粉》

雷史碧基：羅馬節日

2007 年 6 月 17 日英國斯內普麥芽作坊音樂廳

錄音。

8/11/2020 (Sun 星期日 )2:00pm SUNDAY OPERA 歌劇世界Massenet: Hérodiade ’

Hérodiade: Dolora Zajick (ms)

John the Baptist: Plácido Domingo (t)

Salomé: Renée Fleming (s)

Hérode: Juan Pons (br)

San Francisco Opera Orch. & Cho. / Valery Gergiev


馬思奈：希羅底

希羅底：沙積（女中音）施洗約翰：杜鳴高（男高音）莎樂美：費林明（女高音）希律：璜．龐士（男中音）三藩市歌劇院樂團及合唱團 / 葛濟夫

8:00pm BBC FEATURES 英國廣播公司專輯Desert Island Discs — Roberto Alagna荒島唱片精選 — 亞蘭尼亞

9/11/2020 (Mon 星期一 )2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Prog. as 4/11/2020, 8:00pm節目與 2020 年 11 月 4日晚上 8時相同

8:00pm MOMENT MUSICAL 音樂瞬間Mussorgsky: Pictures at an Exhibition ’Byron Janis (p)

Beethoven: Symphony No. 9 in D minor, Op Choral’ ’Heather Harper (s)Helen Watts (a)Alexander Young (t)Donald McIntyre (b)London Sym. Orch. & Cho. / Leopold Stokowski

穆索斯基：圖畫展覽會

贊尼斯（鋼琴）

貝多芬：D小調第九交響曲，作品 125，「合唱」

夏柏（女高音）屈絲（女低音）楊格（男高音）麥堅泰爾（男低音）倫敦交響樂團及合唱團 / 史托哥夫斯基

10/11/2020 (Tue 星期二 )2:00pm BBC FEATURES (REPEAT) 英國廣播公司專輯（重播）Prog. as 5/11/2020, 8:00pm節目與 2020 年 11 月 5日晚上 8時相同

8:00pm LIVE ON 4 第四台音樂會Jean-Guihen Queyras (vc)Bavarian Radio Sym. Orch. / Giovanni AntoniniGluck Larghetto and Finale from Don uan’ ’Haydn: Cello Concerto No. 1 in C, Hob. VIIb:1 ’Kraus: Sinfonia in C minor ’

Recorded at Hercules Hall, Residenz, Munich, on 23/6/2020.

祈拉士（大提琴）巴伐利亞電台交響樂團 / 安東尼尼格魯克：小慢板與終曲，選自《唐璜》海頓：C大調第一大提琴協奏曲，Hob. VIIb:1卡魯斯：C小調交響曲

2020 年 6月 23 日慕尼黑皇宮赫裘利大廳錄音。

11/11/2020 (Wed 星期三 )2:00pm BBC FEATURES (REPEAT) 英國廣播公司專輯（重播）Prog. as 6/11/2020, 8:00pm

節目與 2020 年 11 月 6日晚上 8時相同

8:00pm LIVE ON 4 第四台音樂會Berlin Music FestivalMarco Blaauw (double bell trumpet)Berlin Radio Sym. Orch. / Vladimir JurowskiR. Strauss: Metamorphosen ’Saunders: White, for double bell trumpet ’Beethoven: Symphony No. 5 in C minor, Op. 67 ’


柏林音樂節

布魯烏（雙口小號）

柏林電台交響樂團 / 費狄米‧尤洛夫斯基

李察‧史特勞斯：變形

桑達斯：白色，為雙口小號而寫

貝多芬：C小調第五交響曲，作品 67

2020 年 9 月 11 日柏林愛樂廳錄音。

12/11/2020 (Thu 星期四 )2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Prog. as 7/11/2020, 8:00pm


8:00pm LIVE ON 4 第四台音樂會Salzburg FestivalVienna Phil. Orch. / Andris NelsonsMahler: Symphony No. 6 in A minor ’

Recorded at Grosses Festspielhaus, Salzburg, on

7/8/2020.

薩爾斯堡音樂節

維也納愛樂樂團 / 尼遜斯

馬勒：A小調第六交響曲

2020 年 8月 7日薩爾斯堡節日大劇院錄音。

13/11/2020 (Fri 星期五 )2:00pm BBC FEATURES (REPEAT) 英國廣播公司專輯（重播）Prog. as 8/11/2020, 8:00pm


8:00pm LIVE ON 4 第四台音樂會BBC Proms 2007European Union Youth Orch. / Colin DavisBrahms: Tragic Overture, Op. 81 ’ Symphony No. 3 in F, Op. 90 ’

’


28/8/2007.


歐盟青年樂團 / 哥連．戴維斯布拉姆斯：悲劇序曲，作品 81

F 大調第三交響曲，作品 90

西貝流士：降 E大調第五交響曲，作品 82


14/11/2020 (Sat 星期六 )8:00pm LIVE ON 4 第四台音樂會Fresh Airs – Fine Music on Broadcast Drive IV Hong Kong Impressions The RTHK Chamber SoloistsLe Hoai-nam (v)Andrew Ling (va)Laurent Perrin (vc)John Schertle (cl)Colleen Lee (p)Angel Lam: Once upon a time, a village in the southern sea... ’Austin Yip: The Book of Kwun Tong 15’ Edward Lun: Revitalize ’Galison Lau: Chinese Song Book ’

Recorded at RTHK Studio 2 on 8/9/2020.


香港印象

香港電台室樂演奏家

李海南（小提琴）

凌顯（中提琴）

貝樂安（大提琴）

史家翰（單簧管）

李嘉齡（鋼琴）

林安淇：從前，在南方海邊有一條農村⋯⋯

葉浩堃：官塘記事

倫偉傑：重．活


2020 年 9月 8日香港電台二號錄播室錄音。

Jean-Guihen Queyras 祈拉士

© Je

an-G

uihe

n Qu

eyra

s

Marco Blaauw 布魯烏

© K

laus

Rud

olph

Colin Davis 哥連．戴維斯

© L

inco

ln C

ente

r

Valery Gergiev 葛濟夫

© M

arco

Bor

ggre

ve /

Dec

ca

Thomas Adès 亞德斯

© M

arco

Bor

ggre

ve

2726

Nov AW R2.indd 26-27 22/10/20 3:00 am


薩爾斯堡音樂節費奧拉（女高音）嘉塔莉娜．麥基利亞（女低音）哥希普（男高音）彼得．啟納（男低音）薩爾斯堡巴赫合唱團薩爾斯堡莫扎特學院樂團 / 保頓莫扎特：C小調彌撒曲，K. 139，「孤兒院」 C 小調慢板與賦格曲，K. 546 懺悔者的莊嚴晚禱，K. 339

2020 年 8 月 2日薩爾斯堡莫扎特劇院錄音。

6/11/2020 (Fri 星期五 )2:00pm BBC FEATURES (REPEAT) 英國廣播公司專輯（重播）Prog. as 1/11/2020, 8:00pm節目與 2020 年 11 月 1日晚上 8時相同

8:00pm LIVE ON 4 第四台音樂會BBC Proms 2007Alexander Toradze (p)London Sym. Orch. / Valery GergievTchaikovsky: Romeo and Juliet ’ Hamlet ’

Op. 16 ’ Symphony No. 7 in C sharp minor, Op. 131 ’

Recorded at the Royal Alber t Hall , London, on 28/8/2007.

英國廣播公司逍遙音樂節 2007托拉撒（鋼琴）倫敦交響樂團 / 葛濟夫柴可夫斯基：羅密歐與朱麗葉哈姆雷特浦羅歌菲夫：G小調第二鋼琴協奏曲，作品 16 升 C 小調第七交響曲，作品 131


7/11/2020 (Sat 星期六 )8:00pm LIVE ON 4 第四台音樂會Aldeburgh Festival

Philharmonia Orch. / Thomas Adès

Liszt: Mephisto Waltz No. 1, S. 110 ’

Busoni: Gesang vom Reigen der Geister, Op. 47 ’

Tanzwalzer, Op. 53 ’

Ad s Three Piece Suite from Powder her Face’ ’

Respighi: Roman Festivals ’

Recorded at Snape Maltings, England, on 17/6/2007.

亞爾德堡音樂節

愛樂樂團 / 亞德斯

李斯特：第一梅菲斯托圓舞曲，S. 110

布梭尼：靈舞之歌，作品 47

圓舞曲，作品 53

亞德斯：三首組曲，選自《撲粉》

雷史碧基：羅馬節日

2007 年 6 月 17 日英國斯內普麥芽作坊音樂廳

錄音。

8/11/2020 (Sun 星期日 )2:00pm SUNDAY OPERA 歌劇世界Massenet: Hérodiade ’

Hérodiade: Dolora Zajick (ms)

John the Baptist: Plácido Domingo (t)

Salomé: Renée Fleming (s)

Hérode: Juan Pons (br)

San Francisco Opera Orch. & Cho. / Valery Gergiev


馬思奈：希羅底

希羅底：沙積（女中音）施洗約翰：杜鳴高（男高音）莎樂美：費林明（女高音）希律：璜．龐士（男中音）三藩市歌劇院樂團及合唱團 / 葛濟夫

8:00pm BBC FEATURES 英國廣播公司專輯Desert Island Discs — Roberto Alagna荒島唱片精選 — 亞蘭尼亞

9/11/2020 (Mon 星期一 )2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Prog. as 4/11/2020, 8:00pm節目與 2020 年 11 月 4日晚上 8時相同

8:00pm MOMENT MUSICAL 音樂瞬間Mussorgsky: Pictures at an Exhibition ’Byron Janis (p)

Beethoven: Symphony No. 9 in D minor, Op Choral’ ’Heather Harper (s)Helen Watts (a)Alexander Young (t)Donald McIntyre (b)London Sym. Orch. & Cho. / Leopold Stokowski

穆索斯基：圖畫展覽會

贊尼斯（鋼琴）

貝多芬：D小調第九交響曲，作品 125，「合唱」

夏柏（女高音）屈絲（女低音）楊格（男高音）麥堅泰爾（男低音）倫敦交響樂團及合唱團 / 史托哥夫斯基

10/11/2020 (Tue 星期二 )2:00pm BBC FEATURES (REPEAT) 英國廣播公司專輯（重播）Prog. as 5/11/2020, 8:00pm節目與 2020 年 11 月 5日晚上 8時相同

8:00pm LIVE ON 4 第四台音樂會Jean-Guihen Queyras (vc)Bavarian Radio Sym. Orch. / Giovanni AntoniniGluck Larghetto and Finale from Don uan’ ’Haydn: Cello Concerto No. 1 in C, Hob. VIIb:1 ’Kraus: Sinfonia in C minor ’

Recorded at Hercules Hall, Residenz, Munich, on 23/6/2020.

祈拉士（大提琴）巴伐利亞電台交響樂團 / 安東尼尼格魯克：小慢板與終曲，選自《唐璜》海頓：C大調第一大提琴協奏曲，Hob. VIIb:1卡魯斯：C小調交響曲

2020 年 6月 23 日慕尼黑皇宮赫裘利大廳錄音。

11/11/2020 (Wed 星期三 )2:00pm BBC FEATURES (REPEAT) 英國廣播公司專輯（重播）Prog. as 6/11/2020, 8:00pm


8:00pm LIVE ON 4 第四台音樂會Berlin Music FestivalMarco Blaauw (double bell trumpet)Berlin Radio Sym. Orch. / Vladimir JurowskiR. Strauss: Metamorphosen ’Saunders: White, for double bell trumpet ’Beethoven: Symphony No. 5 in C minor, Op. 67 ’


柏林音樂節

布魯烏（雙口小號）

柏林電台交響樂團 / 費狄米‧尤洛夫斯基

李察‧史特勞斯：變形

桑達斯：白色，為雙口小號而寫

貝多芬：C小調第五交響曲，作品 67

2020 年 9 月 11 日柏林愛樂廳錄音。

12/11/2020 (Thu 星期四 )2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Prog. as 7/11/2020, 8:00pm


8:00pm LIVE ON 4 第四台音樂會Salzburg FestivalVienna Phil. Orch. / Andris NelsonsMahler: Symphony No. 6 in A minor ’

Recorded at Grosses Festspielhaus, Salzburg, on

7/8/2020.

薩爾斯堡音樂節

維也納愛樂樂團 / 尼遜斯

馬勒：A小調第六交響曲

2020 年 8月 7日薩爾斯堡節日大劇院錄音。

13/11/2020 (Fri 星期五 )2:00pm BBC FEATURES (REPEAT) 英國廣播公司專輯（重播）Prog. as 8/11/2020, 8:00pm


8:00pm LIVE ON 4 第四台音樂會BBC Proms 2007European Union Youth Orch. / Colin DavisBrahms: Tragic Overture, Op. 81 ’ Symphony No. 3 in F, Op. 90 ’

’


28/8/2007.


歐盟青年樂團 / 哥連．戴維斯布拉姆斯：悲劇序曲，作品 81

F 大調第三交響曲，作品 90

西貝流士：降 E大調第五交響曲，作品 82


14/11/2020 (Sat 星期六 )8:00pm LIVE ON 4 第四台音樂會Fresh Airs – Fine Music on Broadcast Drive IV Hong Kong Impressions The RTHK Chamber SoloistsLe Hoai-nam (v)Andrew Ling (va)Laurent Perrin (vc)John Schertle (cl)Colleen Lee (p)Angel Lam: Once upon a time, a village in the southern sea... ’Austin Yip: The Book of Kwun Tong 15’ Edward Lun: Revitalize ’Galison Lau: Chinese Song Book ’

Recorded at RTHK Studio 2 on 8/9/2020.


香港印象

香港電台室樂演奏家

李海南（小提琴）

凌顯（中提琴）

貝樂安（大提琴）

史家翰（單簧管）

李嘉齡（鋼琴）

林安淇：從前，在南方海邊有一條農村⋯⋯

葉浩堃：官塘記事

倫偉傑：重．活


2020 年 9月 8日香港電台二號錄播室錄音。

Jean-Guihen Queyras 祈拉士

© Je

an-G

uihe

n Qu

eyra

s

Marco Blaauw 布魯烏

© K

laus

Documents

07&.#&3 '3ª+'3ª+C /'&gRb...Baptist by tenor Pl cido Domingo, and H rod by baritone Juan Pons. The San Francisco Opera Chorus and Orchestra are conducted by Valery Gergiev. 1 November: