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MALAGUEÑA Grade 5 MUSIC R Concert Band Signature Series Ernesto Lecuona Expanded and Arranged for Symphonic Band by James Barnes from the Spanish Suite ANDALUCÍA

01 Malaguena - Score - Full Score - southernmusic.com Closer look.pdf · FULL SCORE Ernesto Lecuona ... and also as a jazz standard ... bassoon and flute before the full wind band

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Page 1: 01 Malaguena - Score - Full Score - southernmusic.com Closer look.pdf · FULL SCORE Ernesto Lecuona ... and also as a jazz standard ... bassoon and flute before the full wind band

U.S. $195.00 S966CB

HL00236111

MALAGU

EÑA

Lecuona/ Barnes

S966CB HL00236111

MALAGUEÑA

Grade 5

MUSICR

MUSICR

MU

SICR

Concert Band Signature Series

Ernesto LecuonaExpanded and Arranged for Symphonic Band by

James Barnes

from the Spanish Suite ANDALUCÍA

James Barnes’ contribu�on to the band repertoire over the last half century can hardly be overstated. His numerous works for concert band and orchestra are extensively performed throughout the world, in such venues as Tanglewood, Boston Symphony Hall, Lincoln Center, Carnegie Hall, the Kennedy Center in Washington, DC, Tchaikovsky Hall in Moscow and the Tokyo Metropolitan Concert Hall. Barnes twice received the coveted American Bandmasters Associa�on Ostwald Award, and has been the recipient of annual ASCAP Awards for composers of serious music for over 30 years, along with other numerous honors and grants. The world-famous Tokyo Kosei Wind Orchestra recorded three compact discs of his music. Barnes is dis�nguished by having received commissions from all five of the major American military bands in Washington,

DC. James Barnes is Professor Emeritus of Music Theory and Composi�on at the University of Kansas.

Born in Havana, Cuba in 1895, Ernesto Lecuona is arguably Cuba's greatest serious composer. He was a gifted pianist who wrote hundreds of songs and piano works before he died in 1963. Most of his music is composed in a rich, authentic Cuban style. The most famous of his works is "Malagueña," the sixth movement of his Suite Andalucia for solo piano, which was first published in 1928. Malagueña has been recorded as a popular song (with added lyrics), as a serious piano work (even by Lecuona himself in the 1950's) and also as a jazz standard (Bill Holman's arrangement for the Stan Kenton Orchestra in the early 1960's.) Over the years, it has been arranged many times for various other mediums, ranging from symphony orchestra to field arrangements for drum and bugle corps. In 1976, James Barnes arranged Malagueña for the University of Kansas Marching Band. A few years later, with permission from the publisher, he expanded this original arrangement into a full work for symphonic band called "Prelude, Fantasy and Fandango on Lecuona's Malagueña." After several performances in the spring of 1978 (most notably at the MENC Convention in Colorado Springs), this work, along with over 200 other Barnes manuscripts, lay fallow in the KU Band Library. While packing up his office belongings when he retired from The University of Kansas in 2015, Barnes came across this long languishing "Prelude, Fantasy and Fandango," which remained in condensed score. In the fall of 2016, he completely re-composed the opening portion of the work, reduced the number of required percussion and disposed of the two harps in his 1978 version. This new setting features evocative, thinly scored, extended solo passages for clarinet, bassoon and flute before the full wind band concludes the work with a powerful, dramatic setting of the main themes of Lecuona's masterful Malagueña.

Page 2: 01 Malaguena - Score - Full Score - southernmusic.com Closer look.pdf · FULL SCORE Ernesto Lecuona ... and also as a jazz standard ... bassoon and flute before the full wind band

FULL SCORE

Ernesto Lecuona

Malagueña

from the Spanish Suite ANDALUCIA

Paraphrased for Symphonic Band by

James Barnes

INSTRUMENTATION

1-FULL SCORE

1-PICCOLO

2-1st FLUTE

2-2nd FLUTE

2-3rd FLUTE

1-1st OBOE

1-2nd OBOE

4-1st CLARINET in Bb

4-2nd CLARINET in Bb

4-3rd CLARINET in Bb

2-BASS CLARINET in Bb

1-CONTRA-ALTO CLARINET in Eb

1-CONTRABASS CLARINET in Bb

1-1st BASSOON

1-2nd BASSOON

2-1st ALTO SAXOPHONE in Eb

2-2nd ALTO SAXOPHONE in Eb

2-TENOR SAXOPHONE in Bb

1-BARITONE SAXOPHONE in Eb

2-1st TRUMPET in Bb

2-2nd TRUMPET in Bb

2-3rd TRUMPET in Bb

2-4th TRUMPET in Bb

1-1st HORN in F

1-2nd HORN in F

1-3rd HORN in F

1-4th HORN in F

2-1st TROMBONE

2-2nd TROMBONE

2-3rd TROMBONE

2-4th TROMBONE

2-1st EUPHONIUM in Treble Clef

2-2nd EUPHONIUM in Bass Clef

2-1st EUPHONIUM in Treble Clef

2-2nd EUPHONIUM in Bass Clef

4-TUBAS

1-DOUBLE BASS

1-TIMPANI

1-PERCUSSION I: Suspended Cymbal,

Snare Drum, Claves

1-PERCUSSION II: Mark Tree (Metal Wind

Chimes), Tambourine

1-PERCUSSION III: Triangle (7”), Clashed

Cymbals

1-PERCUSSION IV: Castanets, Tam-tam

1-PERCUSSION V: Bass Drum, Cow Bell

1-PERCUSSION VI: Vibraphone,

Chime in D, Xylophone

Grade 5 Duration: Approx. 8 Minutes

Malagueña - from the Spanish Suite ANDALUCIA Music and Spanish Lyric by Ernesto Lecuona - English Lyric by Marian Banks Copyright © 1928 by Edward B. Marks Music Company. Copyright Renewed.

This arrangement Copyright © 2017 by Edward B. Marks Music Company International Copyright secured. All rights reserved. Used by Permission

Reprinted by permission of Hal Leonard LLC Digital and photographic copying of this publication is illegal.

SAMPLE

Page 3: 01 Malaguena - Score - Full Score - southernmusic.com Closer look.pdf · FULL SCORE Ernesto Lecuona ... and also as a jazz standard ... bassoon and flute before the full wind band

About the Music

Born in Havana, Cuba in 1895, Ernesto Lecuona is arguably Cuba's greatest serious composer. He was a gifted

pianist who wrote hundreds of songs and piano works before he died in 1963. Most of his music is composed in a rich,

authentic Cuban style.

The most famous of his works is "Malagueña," the sixth movement of his Suite Andalucia for solo piano,

which was first published in 1928. Malagueña has been recorded as a popular song (with added lyrics), as a serious

piano work (even by Lecuona himself in the 1950's) and also as a jazz standard (Bill Holman's arrangement for the

Stan Kenton Orchestra in the early 1960's.) Over the years, it has been arranged many times for various other

mediums, ranging from symphony orchestra to field arrangements for drum and bugle corps.

In 1976, James Barnes arranged Malagueña for the University of Kansas Marching Band. A few years later,

with permission from the publisher, he expanded this original arrangement into a full work for symphonic band called

"Prelude, Fantasy and Fandango on Lecuona's Malagueña." After several performances in the spring of 1978 (most

notably at the MENC Convention in Colorado Springs), this work, along with over 200 other Barnes manuscripts, lay

fallow in the KU Band Library.

While packing up his office belongings when he retired from The University of Kansas in 2015, Barnes came

across this long languishing "Prelude, Fantasy and Fandango," which remained in condensed score. In the fall of 2016,

he completely re-composed the opening portion of the work, reduced the number of required percussion and disposed

of the two harps in his 1978 version. This new setting features evocative, thinly scored, extended solo passages for

clarinet, bassoon and flute before the full wind band concludes the work with a powerful, dramatic setting of the main

themes of Lecuona's masterful Malagueña.

About the Arranger

Professor Emeritus James Barnes, Chair of the Division of

Theory-Composition at the University of Kansas, taught orchestration,

arranging and composition courses, and wind band history and repertoire

courses. At KU, he served as an Assistant, and later, as Associate

Director of Bands for 27 years.

His numerous publications for concert band and orchestra are

extensively performed in the United States, Europe and the Pacific

Basin. His works have been performed at Tanglewood, Boston

Symphony Hall, Lincoln Center, Carnegie Hall and the Kennedy Center

in Washington, DC.

Barnes has twice received the coveted American Bandmasters

Association Ostwald Award for outstanding contemporary wind band

music. He has been the recipient of numerous ASCAP Awards for

composers of serious music, the Kappa Kappa Psi Distinguished Service

to Music Medal, the Bohumil Makovsky Award for Outstanding College

Band Conductors, along with numerous other honors and grants.

He has recorded three commercial compact discs of his music with the world famous Tokyo Kosei Wind

Orchestra. He has also been commissioned to compose works for all five of the major military bands in Washington,

DC. Mr. Barnes has traveled extensively as a guest composer, conductor, and lecturer throughout the United States,

Europe, Australia, Japan and Taiwan. He is a member of the American Society of Composers, Authors, and Publishers

(ASCAP), the American Bandmasters Association and several other professional organizations and societies. Since

1984, his music has been published by Southern Music Company.

SAMPLE

Page 4: 01 Malaguena - Score - Full Score - southernmusic.com Closer look.pdf · FULL SCORE Ernesto Lecuona ... and also as a jazz standard ... bassoon and flute before the full wind band

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Page 5: 01 Malaguena - Score - Full Score - southernmusic.com Closer look.pdf · FULL SCORE Ernesto Lecuona ... and also as a jazz standard ... bassoon and flute before the full wind band

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Page 6: 01 Malaguena - Score - Full Score - southernmusic.com Closer look.pdf · FULL SCORE Ernesto Lecuona ... and also as a jazz standard ... bassoon and flute before the full wind band

U.S. $195.00 S966CB

HL00236111

MALAGU

EÑA

Lecuona/ Barnes

S966CB HL00236111

MALAGUEÑA

Grade 5

MUSICR

MUSICR

MU

SICR

Concert Band Signature Series

Ernesto LecuonaExpanded and Arranged for Symphonic Band by

James Barnes

from the Spanish Suite ANDALUCÍA

James Barnes’ contribu�on to the band repertoire over the last half century can hardly be overstated. His numerous works for concert band and orchestra are extensively performed throughout the world, in such venues as Tanglewood, Boston Symphony Hall, Lincoln Center, Carnegie Hall, the Kennedy Center in Washington, DC, Tchaikovsky Hall in Moscow and the Tokyo Metropolitan Concert Hall. Barnes twice received the coveted American Bandmasters Associa�on Ostwald Award, and has been the recipient of annual ASCAP Awards for composers of serious music for over 30 years, along with other numerous honors and grants. The world-famous Tokyo Kosei Wind Orchestra recorded three compact discs of his music. Barnes is dis�nguished by having received commissions from all five of the major American military bands in Washington,

DC. James Barnes is Professor Emeritus of Music Theory and Composi�on at the University of Kansas.

Born in Havana, Cuba in 1895, Ernesto Lecuona is arguably Cuba's greatest serious composer. He was a gifted pianist who wrote hundreds of songs and piano works before he died in 1963. Most of his music is composed in a rich, authentic Cuban style. The most famous of his works is "Malagueña," the sixth movement of his Suite Andalucia for solo piano, which was first published in 1928. Malagueña has been recorded as a popular song (with added lyrics), as a serious piano work (even by Lecuona himself in the 1950's) and also as a jazz standard (Bill Holman's arrangement for the Stan Kenton Orchestra in the early 1960's.) Over the years, it has been arranged many times for various other mediums, ranging from symphony orchestra to field arrangements for drum and bugle corps. In 1976, James Barnes arranged Malagueña for the University of Kansas Marching Band. A few years later, with permission from the publisher, he expanded this original arrangement into a full work for symphonic band called "Prelude, Fantasy and Fandango on Lecuona's Malagueña." After several performances in the spring of 1978 (most notably at the MENC Convention in Colorado Springs), this work, along with over 200 other Barnes manuscripts, lay fallow in the KU Band Library. While packing up his office belongings when he retired from The University of Kansas in 2015, Barnes came across this long languishing "Prelude, Fantasy and Fandango," which remained in condensed score. In the fall of 2016, he completely re-composed the opening portion of the work, reduced the number of required percussion and disposed of the two harps in his 1978 version. This new setting features evocative, thinly scored, extended solo passages for clarinet, bassoon and flute before the full wind band concludes the work with a powerful, dramatic setting of the main themes of Lecuona's masterful Malagueña.