#009 6 MARCH 2016

Masterpiece Fine Art Auction - Malaysia

Malaysia, 06 March 2016

1

Masterpiece Fine Art Auction - Malaysia2


Southeast Asian, Chinese, Modern & Contemporary Art

AUCTION

Sunday, 6 March 2016 | 13.00

The Hotel Royale ChulanTamingsari Grand Ballroom 5 Jalan Conlay, 50450 Kuala Lumpur, Malaysia

VIEWING

25 Feb - 5 March 2016 | 11.00 - 18.00

Tiny Rose Gallery151, Jalan 5/42, Off Jln Gasing 46100 Petaling Jaya, Malaysia

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Published by:MASTERPIECEAuction House

Masterpiece Auction Sdn Bhd151, Jalan 5/42Off Jalan Gasing46100 Petaling JayaMalaysiaTel: (+603) 7772 [email protected]

Copyright @ 2016, Masterpiece Auction Malaysia

All right reserved. No part of this publicationmay be reproduced, stored in a retriavel system,or transmitted in anyform or by any means,electronic, mechanical, photocopying or otherwise,without written permission from the publisher.

Lot 080 IBRahIM hUSSeIn, DaTo’ Untitled, 1984 oil on canvas 100 x 100 cm 4


Lot 048 KhaLIL IBRahIM Portrait of a Girl, 1988 oil on board: 20 x 17,5 cm

5


BRIEF ON CATALOGUEAll Lots are sold on an “as is” basis. The contents of catalogues produced by Masterpiece formed statements of opinion only. Subject to the limited warranty given in the Conditions of Sale for Buyers, no representation and warranty is made by Masterpiece or any seller of a Lot in respect of anything, including without limitation, description, value, or quality.

Buyers are advised to inspect the property themselves. Masterpiece is not liable for any error or omission in this catalogue. All descriptions of dimensions are approximate only.

CONDITION REPORTSCondition reports are provided as a service to interested clients. Prospective buyers should note that descriptions of property are not warranties and that each lot is sold “as is”. Masterpiece catalogues sometimes include references to condition only in descriptions of Lots such as prints, books and wine. Generally, no statement of condition is given although they can be made available on request. Please liaise with Masterpiece representatives for a condition report on a particular lot.

EXPLANATION OF CATALOGUING PRACTICEFor Pictures, Drawings, Prints and Miniatures.Terms used in this catalogue have the meanings ascribed to them below:Name(s) or Recognized Designation of an Artist without any Qualification in Masterpiece opinion a work by the artist.

*”Attribute to…” In Masterpiece qualified opinion probably a work by the artist in whole or in part.

*”Studio of..’/”Workshop of..” In Masterpiece qualified opinion a work executed in the studio or workshop of the artist, possibly under his supervision.

*”Circle of..” In Masterpiece qualified opinion a work of the period of the artist and showing his influence.

*”Follower of…” In Masterpiece qualified opinion a work executed in the artist’s style but not necessarily by a pupil.

*”Manner of…” In Masterpiece qualified opinion a work executed in the artist’s style but of a later date.

*”After…” In Masterpiece qualified opinion a copy (of any date) of a work of the artist.

*”Signed..”/”dated…”/“Inscribed…” In Masterpiece’s qualified opinion the work has been signed/dated/inscribed by the artist.

“With signature…”/”With inscription…” In Masterpiece’s qualified opinion the signature/ inscription appears to be by hand other than that of the artist.

*With date…” In Masterpiece’s qualified opinion the date on the item was not executed on that date.

INFORMATION FOR BUYERSCONDITIONS OF SALEMasterpiece CONDITIONS OF SALE FOR BUYERS governs the terms and conditions of contract between the buyer and the seller of a lot and is set out later in this catalogue. Persons who have been registered as bidders will be deemed to have read and be fully aware of and subject to the terms as stated in the CONDITIONS OF SALE FOR BUYERS.. No reliance should be placed on oral representations made by any person at the auction.

ESTIMATESEstimates are based upon prices recently paid at auction for comparable property, condition, rarity, quality and provenance. Estimates are subject to revision. Buyers should not rely upon estimates as prediction of actual selling prices. Estimates do not include the buyer’s premium. For estimate on request, please contact us for further information.

RESERVESThe reserve is the confidential minimum price the consignor will accept. The reserve will not normally exceed the low estimate.

BUYERS PREMIUMMasterpiece charges a premium to the buyer on the final bid price of each lot sold at 12% (twelve percent).

VIEWING/ADMISSION Pre-auction viewings are open to the public and free of charge. Buyers are strongly advised to examine the lots thoroughly, Condition reports are available. Masterpiece reserves the right to refuse admission and participation in its auctions.

REGISTRATIONProspective buyers need to register for a numbered bidding paddle. Details of bank accounts are required for credit reference purposes.

BIDDING The Auctioneer accepts bids from those present in the saleroom, from telephone bidders, or by absentee written bids left with Masterpiece in advance of the auction. Bidding will be done in Ringgit (MYR). The auctioneer will not specifically identify bids placed on behalf of the consignor.

BIDDING INCREMENTSThe auctioneer will normally start with bids below the low estimate and may at his own discretion increase bids. The standard increments are:-

ABSENTEE BIDSAbsentee bids are written instructions from prospective buyers directing Masterpiece to bid on their behalf up to a maximum amount specified for each lot. Masterpiece staff will attempt to execute an absentee bid at the lowest possible price taking into account the reserve price. If identical bids are received from two or more parties, the first bid received by Masterpiece will take priority. The auctioneer may execute absentee bids directly from the rostrum. Absentee Bids Forms are available in this catalogue.Absentee bids submitted on “no-reserve” lots will, in the absence of a higher bid, be executed at the amount of the bid.

TELEPHONE BIDSProspective buyers may bid by telephone during the course of the auction. Arrangements for this service must be confirmed with the Bid Department at least 2 hours prior to the auction. Telephone bids may be recorded. By bidding on the telephone, prospective buyers consent to the recording their conversation. Masterpiece will not be responsible for errors of failures to execute bids.

SUCCESSFULL BIDSThe fall of the auctioneer’s hammer indicates the final bid, at which time, the buyer assumes full responsibility for the lot.

AUCTION RESULTSYou may view auction results at www.masterpiece-auction.com

CONDITIONS OF SALE FOR BUYERS Together with the terms as set out in “INFORMATION FOR BUYERS”, These Conditions contain all terms in which a buyer contracts with a seller in respect of the sale of a Lot. These terms may be amended at any time by way of notices or oral announcements during the sale and auction. The buyer agrees to be bound by these Conditions when he/she bids to purchase a Lot.

1. Meanings In these terms and conditions, the following words and expressions have the following meanings:

“Buyer” means the successful bidding buyer of a Lot;

“Catalogue” means the Catalogue prepared by Masterpiece which describes and illustrates all Lots for sale by Masterpiece;

“Conditions” means these terms and conditions;

“Hammer Price” means the price at which a Lot is sold to Buyer;

“Lot” means each piece of property as described in the Catalogue for which bids are invited for purchase;

“Masterpiece”, “our”, “we”, “us” means Masterpiece Auction sdn. bhd;

“Reserve Price” means in respect of a Lot, the minimum price which the Seller is prepared to accept from a buyer;

“Seller”, means in respect of a particular Lot, the seller of that Lot and his personal representatives;

“MYR” means the lawful currency of Malaysia.

Except where the context otherwise requires, words importing the singular shall include the plural and vice versa, words importing any one gender shall include all genders, and words importing persons shall include companies and corporations and vice versa. Unless otherwise stated, references to Clauses are references to Clauses in these Conditions. The headings appearing in this Agreement are inserted for ease of reference only and shall in no way define, limit or construe the terms and conditions appearing herein.

2. Parties to the sale of a Lot Unless otherwise stated, a Buyer contracts with a Seller to purchase a Lot.

Masterpiece acts as the Seller’s agent in respect of the sale of a Lot.

MYR 1,000

MYR 10,000

MYR 20,000

MYR 50,000

MYR 100,000

MYR 200,000

- MYR 10,000

- MYR 20,000

- MYR 50,000

- MYR 100,000

- MYR 200,000

- MYR 500,000

> MYR 500,000 by the auctioneer’s direction

by RM 500

by RM 1.000

by RM 2.000

by RM 5.000

by RM 10.000

by RM 20.000

Important Notices

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3. Bidding (a) Registering. Prospective buyers are required to register for a numbered bidding

paddle. Copies of bank accounts may be required to be shown to Masterpiece for credit references and/or payment purposes.

(b) Reserve. Unless otherwise stated, all Lots are offered for sale, subject to a Reserve Price which is confidential between the Seller and Masterpiece. Bids may be placed by representatives of Masterpiece on behalf of the Seller up to the Reserve Price. There is no obligation on Masterpiece to identify bids placed on behalf of a Seller.

(c) Types of bids. Bids may be accepted from those present at the auction and from telephone bidders, or by absentee written bids left with Masterpiece prior to the auction. By bidding by telephone, all prospective buyers consent to the recording of all conversation and bids.

(d) Currency. Prices of all Lots are in Ringgit Malaysia and all bids shall be made in Ringgit Malaysia.

(e) Final bid. The fall of the auctioneer’s hammer indicates acceptance of the final bid, at which time the Buyer enters into a full valid and binding contract with the Seller to purchase the Lot. The results of absentee bids will be notified to the prospective buyer after the auction. Risk and responsibility of the Lot (but not title) pass to the Buyer seven calendar days from the date of the sale or earlier if full payment is made and delivery made to the Buyer.

(f) Buyer’s responsibility. When bidding, a prospective buyer accepts personal responsibility to pay the Hammer Price of the Lot for which he bids if he is successful, together with the premium price of 12% (twelve percent) of the hammer price.

4. Limited warranty(a) No warranty. Neither the Seller nor Masterpiece makes any warranty in respect

of the description of any Lot, its value or its quality. Save for the limited warranty set out in this Clause 4(b) below, the Buyer purchases a Lot “as is” without any representation or warranty of any kind by Masterpiece or the Seller. The contents of the Catalogue are statements of opinion only and do not constitute any representation or warranty whatsoever in respect of any Lot.

(b) Limited warranty. The Seller and Masterpiece only warrant that the Lot is related to the artist named in its description in the Catalogue. In the event of any allegation of lack of authenticity or forgery, the Buyer is required to notify Masterpiece in writing within a period of 30 days (the “Notice”) from the date of auction.

(c) Contents of Notice. The Notice shall include written evidence from a reputable independent expert who is able to show that the Lot is a forgery. Masterpiece or the Seller reserves the right to request for further evidential proof from other experts if in their respective opinions either of them is not satisfied with the finding of the Buyer’s expert.

(d) Refund. In the event that Masterpiece is satisfied with the evidence as enclosed in the Notice and subject to (i) receipt of the full refund from the Seller and (ii) the return of the Lot in such condition as it was sold, a refund of the purchase price for that Lot will be made to the Buyer. The liability of Masterpiece and the Seller is limited to the purchase price of such Lot. Neither Masterpiece nor the Seller shall be liable for any other damages, costs and expenses that may be incurred in presenting the Notice.

(e) Conflict of opinion. In the event of conflict of opinion between the Buyer’s expert and the expert appointed by Masterpiece or the Seller, or if it can be shown that tests of authenticity would involve scientific process which could damage or otherwise jeopardize the condition of the Lot and which scientific process did not exist at the time of the publication of the Catalogue, no refund will be made of the affected Lot.

(f) No assignment of Limited Warranty. The Limited Warranty in this Clause 4 is for the benefit of the Buyer only and cannot be assigned to any third party.

5. Payment, Title and Collection of purchases(a) Deadline for payment. All payments for sold Lots must be made within seven

calendar days from the date of sale.(b) Title. No title in the Lot will pass to the Buyer until all amounts due to Masterpiece

as stated in Clause 3(f) above have been paid, even in circumstances where Masterpiece has released the Lot to the Buyer before full payment has been made.

(c) Payment modes. Payments must be in Ringgit Malaysia and may be made intelegraphic transfer to Masterpiece’s bank account. Please include the Buyer’sname and invoice number in the bank instructions.

(d) Collection. The Buyer is required to collect his purchase from the

premises of Masterpiece and pay for all delivery and shipping costs. Masterpiece may assist the Buyer in making packing and shipping arrangements at the Buyer’s own costs and risk.

(e) Storage charges. All purchases will initially be held for collection at the premises of Masterpiece at no charge for a period of fourteen days from the date of sale. Subsequently Masterpiece will charge the Buyer storage charges, together with all other transport, handling, removal, insurance and other expenses where a Lot is transported to another location pending collection.

(f) Limit on insurance cover. Masterpiece provides general insurance cover for sold Lots for a period of up to seven days from the date of sale of such Lots. Subsequently, risk of such Lots will transfer to the respective Buyers.

6. Non-payment Where a Buyer fails to make payment with cleared funds within the stipulated time,

Masterpiece and/or the Seller shall be entitled, in addition to all other rights and remedies available under the law, to :-(a) charge default interest at the rate of 1.5% per month on the outstanding

sums due from the Buyer;(b) to commence legal proceedings against the Buyer for recovery of all

outstanding sums, including interest, legal fees, costs and other expenses on a full indemnity basis;

(c) rescind the sale of the Lot;(d) to resell the property on such terms as they deem fit and to set-off the

proceeds of sale against the outstanding sums unpaid by the Buyer;(e) to hold the Lot as security; pledge or lien pending payment of all

outstanding sums due from the Buyer.

7. Copyright The copyright in all images, illustrations and literature, including the Catalogue is

the property of Masterpiece and shall not be used by the Buyer without the prior written consent of Masterpiece. No warranty is made by Masterpiece and the Seller that the Buyer of a Lot shall acquire any intellectual property rights in it or to reproduce it.

8. Miscellaneous(a) Notwithstanding anything stated in these Conditions, the Buyer shall indemnify

Masterpiece and the Seller on a full indemnity basis, in respect of any loss, damage, cost or expense that may be incurred by either the Seller or Masterpiece in respect of any breach by the Buyer of these Conditions.

(b) If any part of this agreement is found by any courts to be invalid, illegal or unenforceable, that part may be discounted and the rest of the agreement shall continue to be valid and enforceable to the fullest extent permitted by law.

(c) Masterpiece will hold Buyer’s personal data and may communicate it to affiliated companies worldwide for the purposes of enabling the Buyer to consign or purchase property or services and, unless the Buyer objects, advising of forthcoming sales, events and service.

(d) These Conditions are subject to Indonesia law, which shall apply to its construction as well as to its effect.

(e) Where a translation of this agreement has been provided, the English language version shall prevail in case of conflict.

GST (a)

(b)

The standard rate of 6% GST will be charged on hammer price ONLY for Lots marked with * and will be borne by the buyer

For commissions and related charges concerning the purchase of a lot, 6% GST will be charged where applicable. Ie commissions, insurance, transportation.

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001

a) LUI ChenG ThaK

Window Series, 2011

b) nG hon LoonG

oct Series #11, 1991

002

ZULKIfLI YUSoff

Power Series, 1995

LOT DIRECTORY

003

Khoo SUI hoe

Wonder Boy, 1995

004

faUZUL YUSRI

Landscape 1 & II, 2012

005

ZULKIfLI YUSoff

Reformasi Series, 1999

006

ZULKIfLI YUSoff

azizan Yang Pemalu, 1999

007

ShaRIfah faTIMah, DaTo’

ancient earth 40, 1997

008

ShaRIfah faTIMah, DaTo’

Mindscape I, 2009

009

nIK RafIn

abstract 509 series #4, 2011

010

nIK RafIn

Ballerinas Series, 2015

011

fenDY ZaKRI

Papaya, 2013

012

naJIB ahMaD BaMaDhaJ

Shark attack, 2011

013

noRLIShaM SeLaMaT

Kampung Wali Tanjung

in Memory, 2012

014

noRLIShaM SeLaMaT

Kebangkitan, 2015

015

ShaPaReL hJ SaLLeh

alam Menari, 2014

016

MaT aLI MaT SoM

Bersilat, 2013

017

MaT aLI MaT SoM

horse Warrior, 2014

018

LUCY LIeW

anChoReD # 4

WoMen SeRIeS, 1991

019

ChaRLeS LoW Chean TaI

florals, 1996

020

ChaRLeS LoW Chean TaI

aeral View, 1995

8


021

onG Soo KeaT

Silver bressted, horn Bill, 2008

022

Loo hooI naM

Cameron Tea Plantation, 2010

023

TeW naI TonG

Lady with fruit Basket

024

CheUnG PooI YIP

old Ruins, 2002

025

Koh TenG hUaT

Sasaran fishing Village, Selangor, 2015

026

nG hon LoonG

nostalgic Series, 1991

027

Lee WenG faTT

The Petaling Street, KL, 2014

028

fonG KIM SInG

home Sweet home, 1999

030

haRon MoKhTaR

Warisan Melayu IV, 2013

029

haRon MoKhTaR

nostalgia Series, 1994

031

henDRICK nICoLaS

Bau Series, 2000

032

Tan Thean SonG

a) Two Ladies Chating

b) Still Life with flowers, 1980

033

Tan Thean SonG

Paddy fields, 2000

034

Tan Thean SonG

Village Life, 1983

035aBaS aLIBaSYah Primitive, 1995

038

KoeMPoeL SUJaTno

Pasar

039

KoeMPoeL SUJaTno

Pedati

040

WILLeM GeRaRD hofKeR

Chinese poort in de Benedenstand Van Batavia

041

KRIJono

Modern Dancers, 2000

042

KRIJono

Legong, 1999

043

aRIe SMIT

Tropical Landscape, 2003

044

aRIe SMIT

Pemandangan Sawah, 2002

045

IBnU nURWanTo

Modelling, 2013

036DReW haRRIS Legong 4, 1994

037

ZaInI

abstraksi Topeng, 1976

9


046

KhaLIL IBRahIM

nude Line Sketch, 2004

047

KUo JU PInG

nude Woman

048

KhaLIL IBRahIM

Portrait of a Girl, 1988

049

LaTIff MohIDIn

Wetlands, 1995

050

aWanG DaMIT

Payarama “Dari Jendela”, 2014

051

ZULKIfLI YUSoff

Dua abdul, 1995

052

ZULKIfLI YUSof

Kegembiraan, 1996

053

ChIa YU ChIan

Still Life with fishes, 1983

054

YUSof GhanI

ombak Series “nyaman”, 2013

055

TaJUDDIn ISMaIL, DaTo’

Passage no.3, 2009

056

YUSof GhanI

Topeng series, 1994

057

KhaLIL IBRahIM

nude Movement, 1981

058

SUZLee IBRahIM

endau Rompin Series

“Yellow Light”, 2006

059

KUo JU PInG

Return from Boating

060

Tan Choon Ghee

Rumah Kampung, 1969

061

aLex LeonG YIM KUan

Campbell Street Mall, Penang, 2015

062

YonG MUn Sen

By The Sea, 1954

063

ISMaIL MaT hUSSIn

Main Gasing, 2001

064

Lee LonG LooI

fun afternoon, 1977

065

ZULKIfLI YUSoff

Confusion, 1998

066

ISMaDI SaLLehUDIn

Wajah-Wajah, 2010

067

ISMaDI SaLLehUDIn

Pesta, 2011

068

RafIee GhanI

The Pier, 2014

069

RafIee GhanI

Village Boy, 2014

070

Lee LonG LooI

Sisters, 2012

10


071

Lee LonG LooI

That Moment II, 2000

072

TeW naI TonG

Togetherness, 1986

073

Jehan Chan 曾尔欣

Melaka II, 1988

075

Chen Wen hSI, 陈文希

Two Squirrels

074

Chen Wen hSI 陈文希

Three Gibbons

076

Chen Wen hSI

five Birds, 1977

077

ChUah Thean ThenG, DaTo’

Village Life

078

TaJUDDIn ISMaIL, DaTo’

Morning Mist I, 2011

079

aWanG DaMIT

Payarama Ikon Semudra II, 2014

080

IBRahIM hUSSeIn

Untitled, 1984

081

Khoo SUI hoe

Double Portrait, 1996

082

Khoo SUI hoe

The Crescent Moon, 1977

083

Khoo SUI hoe

The Colourful Sky, 2008

084

TanG honG Lee

Red Lips, 2015

086

haSan DJaafaR

Landscape

085

DeWa PUTU MoKoh

Lomba Jukung

087

haSIM

Woman

088

LIM WaSIM

Man and Cockerel, 1968

089

MaRIa TJUI

Klenteng, 1970

090

SUDJono aBDULLah

Pasar

091

nYoMan GUnaRSa

Gadis Mencuci, 1992

092

haSIM

Penari Bali, 1960

093

Lee Man fonG

Landscape, 1968

094

JeIhan SUKManToRo

Ia Yang Pasrah,1976

095

JeIhan SUKManToRo

Intan, 1998

11


096

eRICa heSTU WahYUnI

family Lives in Love, 2015

097

LIeM TJoe InG

Gadis Bali, 1991

098

Leo eLanD

View of Iceberg

099

WIDaYaT

Ibu Thomas halim, 2001

100

aMInG PRaYITno

Sarang Ikan Biru,1989

101

WIDaYaT

a. In The Ricefields, 1968

b. Burung-burung di alam, 1996

c. nude xVI, 1997

102

haSan DJaafaR

Market Scene

103

fReDeRICK KaSenDa

Landscape, 1931

104

hUanG Yao, 黄尧

Pagoda in a Landscape, 2010

105

LI BaoYI, 李抱一

Playing Chess, 1998

106

DInG YanYonG 丁衍庸

figures , 1964

107

ZhU Mo, DaTo ’ 竺摩

Calligraphy and Landscape

108

Bo YUan 伯圆长老

Plum Blossoms,

109

Cheah ThIen SoonG, DR.

Cherish 2, 2010

110

a)JI ChonG nan 季从南

grassband

b)LIanG PeI LonG 梁培龍

herder Girl

111

ZhonG ZhenG SUn, DR.

钟正山博士

The natives

112

ZhonG ZhenG ChUan 钟正川

Blossoms, 2012

113

Le CheK Wen, 吕介文

Cloudscape

114

xU BeI honG 徐悲鸿

horse,

115

WU GUanZhonG 吳冠中

Jiaohe Ruins, 1981

116

WU GUanZhonG

Village by the River, 1991

117

Chen Wen hSI

Three Gibbons

118

Chen Wen hSI

Two Gibbons

119

PeTeR LIeW

Yiwan Chinese Temple, 2001

120

YaP ChIn hoe

awaiting Lunar new Year, 2015

12


121

RaPhaeL SCoTT ahBenG

a) Shifting farming, 2006

b) Village of Git, 2012

122

Tan PenG hooI

fishing Village, 1968

123

SaMSUDIn WahaB

Rasuk II, 2007

124

TeW naI TonG

Mother’s Love, 2007

125

Lee WenG faTT

Jalan Tun S.h.Lee Kuala Lumpur, 2008

126

ShaPaReL hJ SaLLeh

flora, 2013

127

JanIZ Chan

I feel Good, 2009

129

TeW naI TonG

Pulau Ketam, 1989

128

MaaMoR JanTan

Kampung house, 2014

130

YonG MUn Sen

fishing Village, 1941

131

YonG MUn Sen

house on Stilts, 1940

132

KaRTIKa affanDI

hewan Qurban, 1990

133

JoSePhIne LInGGaR

Beauty in Red, 2013

134

I WaYan PenGSonG

angel 1-Kedamaian dan Kehidupan, 2008

135

DIRoT KaDIRah

nelayan dan Ikan, 2016

136

PoPo ISKanDaR

ayam, 1983

137

UMI DaChLan

Red horizon, 1999

138

SUDaRSo

Penari, 1970

139

UnTUnG Wahono

Panjat Pinang 17 agustus, 2015

140

SUDJaDIJono

Widodari Pitu Kayangan

Jongring Saloko, 2014

141

DULLah

Pura

142

haSIM

Penari

143

oTTo DJaYa

Legong, 1995

144

PaCo GoRoSPe

abstract Town

145

aGUS KaTRo (Suyamto)

hari Raya orang Cina, 2014

13


146

SUWaJI

Petapa, 2011

147

aWanG DaMIT

(b. Sabah, 1956)

20/25, 2012

148

enG TaY

Mother & Child III,, 1992

149

ChanG fee MInG

a) Song of the fisherman’s Melody, 1994

b) Twilight in Batu Rakit, 1997

150

YUSof GhanI

Topeng Series

151

ahMaD ShUKRI MohaMeD

Symphony of butterflies, 1999

152

JaMIL MaT ISa

Study for Yang hitam Manis, 1999

153

foo YonG KonG, DR 符永刚博士

abstract Landscape

154

faUZUL YUSRI

Sekilas, 2012

155

RaDUan Man

Dream & I, 2013

156

TeW naI TonG

figures with Bird Cage

157

TeW naI TonG

Golden Time 8, 2011

158

aWanG DaMIT

Iraga “Galut dan Belatak”, 2010

159

KhaW SIa

Still Life with Seafood, 1983

160

KUo JU PInG, 郭若萍

Boat at Bay,

161

Tan Thean SoonG

Busy afternoon

162

ChUah Thean TenG, DaTo’

Crossings

163

DZUL afIQ ZaKaRIa

Siri alam Series B, 2014

164

KaMaRUDIn KaMaLI

Speaker, 2013

165

a. J RahMan

a)Village Scene

b)a Stroll in a Village

166

a) PeTeR LIeW

By the Riverbank

b) CheW TenG BenG

Seascape, 1982

167

STanISLaW KoRS

Untitled I

168

STanISLaW KoRS

Untitled II

169

a)ChoY SIeW KeK

orchids

b)ho KhaY KhIM 何启钦

orchids

170

TeW naI TonG

happy Life, 2000

14


171

ChUah SeoW KenG

Bonding Time, 2008

172

RaDUan Man

89, 2013

173

foo YonG KonG, DR.

abstract Landscape

174

ChoonG KaM KoW

Rockscape VIII, 1987

175

SUZLee IBRahIM

Langkawi Series II, 2012

176

ISMaIL MaT hUSSIn

fishermen at Bay, 2013

177

ChUah Thean ThenG, DaTo’

The food Chain

178

ZULKIfLI YUSoff

Power series, 2005

180

YUSof GhanI

Segerak II, 2014

179

YUSof GhanI

Segerak I, 2014

181

YUSof GhanI

Trail, 2014

182

TonY nG ChIT KeonG

Wonderful Land, 2015

183

MaaMoR JanTan

Music and nature, 2014

184

ZhU Mo, DaTo ’

Pine in Cloudy Mountains,

185

Bo YUan 伯圆长老

Calligraphy

186

IRSaM

Ibu dan anak., 1979

187

IRSaM

Gadis dan Bulan, 1997

188

onG KIM SenG

Past holy Spring near Goa Gajah

189

Lee Man fonG

old Building, 1950

190

nYoMan GUnaRSa

Tari Topeng, 1975

191

BaRLI SaSMITaWInaTa

Pelabuhan, 1993

192

RoYaTna

Panen

193

TaTanG GanaR

flowers

194

RUSTaMaDJI

Gadis Bali, 1967

195

TeGUh oSTenRIK

Chirurgicales, 1995

15


196

naShaR

Pegunungan, 1973

197

aDaM LaY

Keluarga harmonis, 2001

198

YoPI

Let The Party Parade, 2016

199

TeGUh oSTenRIK

Down here, 2006

200

affIn RIYanTo

City

201

KoeMPoeL SUJaTno

ox Chart

202

PRanaGUnG

Panen Padi, 2015

16


Lot 077 ChUah Thean ThenG, DaTo’ Village Life Batik: 89 x 60 cm

17


Lot 095 JeIhan SUKManToRo Intan, 1998 oil on canvas: 70 x 70 cm

18


001a) Lui Cheng Thak

(b. negeri Sembilan, 1967)Window Series, 2011

oil on canvas: 51 x 41 cmSigned and dated, lower left: Cheng Thak Lui, 2011

b) ng hon Loong (b. Selangor, 1964)oct Series #11, 1991acrylic on paper: 64 x 49 cmSigned, lower right: nG

Documented in ng hon Loong “Yesterdays a Journey to My art” Published by Jeth art Gallery, pg. 22

MYR 5,000 - 8,000uSD 1,140 - 1,820

002ZuLkifLi YuSoff(b. Kedah, 1962) Power Series, 1995

oil on canvas: 91,5 x 91,5 cmSigned and dated, lower right:Zulkifli Yusoff, ‘95 MYR 9,000 - 15,000uSD 2,040 - 3,410

a) b)

19


003khoo Sui hoe(b. Kedah, 1939)Wonder Boy, 1995

oil on canvas: 23 x 30 cmSigned, lower right: Sui hoe

MYR 5,000 - 9,000uSD 1,140 - 2,040

004fauZuL YuSRi(b. Kedah, 1974)Landscape 1 & ii, 2012 acrylic and mixed media on canvas: 46 x 46 cm eachSigned, lower left, dated, lower right: fauzul Yusri, 2012

MYR 3,000-5,000uSD 680 - 1,140

20


005ZuLkifLi YuSoff(b. Kedah, 1962)Reformasi Series, 1999

oil on canvas: 35,5 x 40,5 cmSigned and dated, lower right:Zulkifli Yusoff, ‘99

Documented in “Powerful Dialogue” by Dr Tan Chee Khuan, pg 57

MYR 5,000 - 10,000uSD 1,140 - 2,270

006ZuLkifLi YuSoff(b. Kedah, 1962)azizan Yang Pemalu, 1999

oil on canvas: 35,5 x 40,5 cmSigned and dated, lower left: Zulkifli Yusoff, ‘99


MYR 5,000 - 10,000uSD 1,140 - 2,270

21


007ShaRifah faTiMah, DaTo’(b. Kedah, 1948)ancient earth 40, 1997

acrylic & Modeling Paste: 35 x 30 cmSigned on the reverse

MYR 5,000 - 8,000uSD 1,140 - 1,820

Dato’ Sharifah fatimah is the country’s leading female abstract artist. after graduating from University Technology Mara (UiTM) in 1971, Dato’ Sharifah graduated with first Class honours for her Bachelor’s in fine arts from Reading University, UK (1976) and then Masters in fine arts from the prestigious Pratt Institute (1978). Upon her return, Dato’ Sharifah served as an art curator in the national art Gallery for 7 years as her career as an artist gained momentum. Today, Dato’ Sharifah’s works are exhibited internationally and can claim prestigious institutes such as the Museum of Modern art, new York, Singapore art Museum, national art Gallery, Kuala Lumpur, and Bank negara Malaysia amongst her collectors. In the words of Dato’ Sharifah, “I want the colours of my paintings to be like the music of the reed, symbolically seen as the externalization of an inner movement, just as musical tones work through wind instruments from inside out. We live our true lives in the depths of our hearts, not in the superficial masks of personality which we show to the world

008ShaRifah faTiMah, DaTo’(b. Kedah, 1948)Mindscape i, 2009

acrylic on canvas: 76 x 61 cmSigned, dated and titled on the reverse

MYR 12,000 - 20,000 uSD 2,720 - 4,540

22


009nik Rafin(b. Selangor, 1974)abstract 509 Series #4, 2011

acrylic on canvas: 122 x 122 cmSigned and titled, lower right: Rafin, 509

MYR 2,000 - 5000uSD 450 - 1,140

Nik Rafin combines both his passion for photograph and art to produce the distinctive style which has long been associated with him. A graduate from the Milwaukee Institute of Art and Design, Wisconsin, USA (1997) in Fine Arts, Nik Rafin once took a year off to travel Malaysia taking photographs, which he would then transform into beautiful works of art by adding spontaneity and emotions. Nik Rafin has held solo shows in 2002, 2004, & 2005, had have participated in group exhibitions throughout the country.

010nik Rafin(b. Selangor, 1974)Ballerinas Series, 2015

acrylic on canvas: 121,5 x 182 cmSigned and dated, lower right: Rafin, ‘15 MYR 3,000 - 5,000uSD 680 - 1,140

23


011fenDY ZakRi(b. Perak, 1982)Papaya, 2013

oil on canvas: 91 x 91 cmSigned and dated, lower right: fendy Zakri, 2013 and on the reverse

MYR 2,000 - 4,000uSD 450 - 910

“My artistic vision comprises of the visu-al elements of line, colour, composition, space, form and texture that are set in motion by my cerebral energy, which in turn liberates the sensual experience”. fendy Zakri is an artist whose works more than meets the eyes. Believing that in art it is the thought that mat-ters most, fendy Zakri has a knack of distorting his paintings to encourage his viewers to look deeper than just the painting. and as the mystery unravels, they experience joy as well.

012naJiB ahMaD BaMaDhaJ (b. Johor, 1987)Shark attack, 2011

Mixed media on canvas: 122,5 x 168,5 cmSigned and dated, lower left: Najib Ahmad, ‘11, signed again on the reverse MYR 4,000 - 7,000uSD 910 - 1,590

24


013noRLiShaM SeLaMaT(b. Singapore, 1968)kampung Wali Tanjung in Memori, 2012

Mixed media on canvas: 69 x 50 cmSigned and dated, lower left: Norm, ‘12 Signed and dated on the reverse MYR 2,000 - 4,000uSD 450 - 910

norlisham bin Selamat graduated with a Diploma in Commercial De-sign from the Malaysian Institute of art, Kuala Lumpur in 1989 and went on to further his studies with an advance Diploma in fine art from the prestigious nanyang academy of fine arts, Singapore (1990). Since graduation, norlisham has been actively participating in group exhibitions throughout the region. from the Gaya 10, Benjamin art Gallery, Singapore (1992), to Rupa Tampa Wajah, Citra art Gallery, Jakarta, Indonesia (1995), and essences (MIa open Show), Petronas art Gallery, Kuala Lumpur (1995), norlisham has participated in over 20 group exhibitions since. This increase in recognition cumulated to Norlisham’s first solo exhibition GRAfine Art Design, Malaysian Institute of Art Gallery (2011). An abstract artist whose works are enjoyed among prominent collectors throughout the region, norlisham relates to painting as a form or expression where in the words of the artist “My paintings and I are two different entities. I may know little of a subject but my paintings express all”.

014noRLiShaM SeLaMaT(b. Singapore, 1968)kebangkitan, 2015

Mixed media on canvas: 47 x 154 cmSigned and dated, lower right: Norm, ‘15Signed and dated on the reverse MYR 2,000 - 5,000uSD 450 - 1,140

25


015ShaPaReL hJ SaLLeh(b. 1972, Malacca)alam Menari, 2014 acrylic on jute: 97 x 97 cmSigned and dated, lower left: Shaparel, 2014

MYR 4,000 - 10,000uSD 910 - 2,270

Born in 1972, Malacca’s very own Mohd Shaparel graduated with an honours degree in fine arts from University Science Malaysia (USM) in 1995. What started with Realism, Shaparel is now known as an abstract expressionist. his switch, which was startling to many including his ardent admirer, displays not only Shaparel’s growth as an artist but his versatility as well, which is rarely seen in today’s artist. Shaparel held his first solo exhibition, Pusaka Rimba, Tuanku Fausiah Museum and Gallery, USM in 2007 and has gone on to hold three more solo exhibitions including, natural enviroment (2011), Beauty for Survival (2012), and Imbas Umbi (2014). In all, Shaparel has participated in over 20 group and solo exhibitions and his hard work have often been rewarded, the pinnacle being the Main Prize in the Young Talent festival competition, Penang in 1999. Known for its pleasing appeal and rawness in emotions, Shaparel has enjoyed much success with collectors as well. his paintings can be viewed in Bank negara Malaysia, Balai Seni Lukis Sabah, Muzium dan Galeri Tuanku fauziah, and Soka Gakkai Malaysia to name a few. In the words of the artist, “I paint based on what I feel, which is the landscap-ing feel and not merely drawing landscape paintings. everything is contained within my heart and soul. from there, satisfaction without boundary arrives”.

26


016MaT aLi MaT SoM(b. Kuala Lumpur, 1975)Bersilat, 2013

acrylic on canvas: 94 x 160 cmSigned and dated, lower right: Mat ali, 2013, signed again on the reverse MYR 8,000 - 10,000uSD 1,820 - 2,270

Born in 1975, Kuala Lumpur, Mat ali graduated from University Technology Mara (UiTM) with a Bachelor of fine art in 1998. his love for Malay traditional martial arts, Silat, has been extended to the notion of creative manifestation. A fine sculptor, Mat Ali captures this tradition on canvas as well. his paintings of warriors have often captured the move-ment and energy that is the basis of Silat in itself. Mat ali has participated in numerous exhibitions including the ‘Young and New’, House of Matahati (2009), his solo show ‘Dendam Tak Sudah’, Metro Fine Art Gallery (2010), ‘Artriangle’, National Art Gallery Malaysia (2010), ‘A Meter Diameter’, House of Matahati (2012), and ‘Lineage’, Art Ac-cent Gallery (2012).

27


017MaT aLi MaT SoM(b. Kuala Lumpur, 1975)horse Warrior, 2014 oil on canvas: 91,5 x 91,5 cmSigned and dated, lower right: Mat ali, 2014

MYR 2,000 - 5,000uSD 450 - 1,140

018LuCY LieW(b. 1967 )anchored # 4 Women Series, 1991

oil on canvas: 100 x 80 cmSigned and dated, lower right: Lucy Liew, 1991 MYR 3,000 - 5,000uSD 680 -1,140

Lucy Liew graduated from the famed nanyang School of fine arts, Singapore (1989) and went on to further her studies at the West Surrey College of art and Design, UK (1990). During her stay in UK, Lucy became an in house resident artist with the essendine art Center and was made fellow-ship of the Commonwealth foundation fellowship in arts and Crafts (UK). Born in Sibu and raised in Kuching, Lucy’s love for the Borneo rainforest has never left her and traces of its beauty can be seen in her paintings. now based in California, Lucy has received a host of awards and recognition as the award of excellence in oil painting, aV art festival Triton Museum of art (2004), awarded Public art Project, “Joyce ellington Branch Library”, Califor-nia (2005), and an award for the fine arts Cat-egory, almaden Valley art & Wine festival, Califor-nia(2009). having exhibited throughout the world, Lucy Liew enjoys a broad range of collectors and her works are amongst the collection of Petronas, Sarawak Museum, national art Gallery, Kuala Lum-pur, Kuala Lumpur International airport, and Bank of america, Kuala Lumpur.

28


019ChaRLeS LoW Chean Tai (b. Johor, 1960)florals, 1996

oil on canvas: 66 x 78 cmSigned and dated, lower left: Charles, 1996

MYR 2,000 - 4,000uSD 450 - 910

020ChaRLeS LoW Chean Tai (b. Johor, 1960)aeral View, 1995

oil on canvas: 77 x 120 cmSigned and dated, lower left: Charles, 1995

MYR 2,000 - 4,000uSD 410 - 910

29


021ong Soo keaT(b. Penang, 1952)Silver bressted, horn Bill, 2008

oil on canvas: 76 x 76 cmSigned and dated, lower right: ong Soo Keat, 2008

MYR 3,000 - 5,000uSD 680 - 1,140

Born in 1941, Penang. Soo Keat is a talented artist who was born with a talent in painting birds. his eye for details is noticeable in his depiction of birds characteristic and also the surrounding; the subjects were seen spring to life through his delicate yet meticulous strokes. Soo Keat was commissioned by the World Wildlife fund (WWf) for several projects in the 1970s and 1980s. he also produced a series of postal stamp sets namely the national animal Series 1979, the Protected Wildlife Third Series in 1987 and the Kingfishers of Malaysia in1993.

022Loo hooi naM(b. Penang, 1965) Cameron Tea Plantation, 2010 oil on canvas: 92 x 123 cmSigned and dated,lower right: Hooi Nam ‘10

MYR 8,000 - 14,000uSD 1,820 - 3,180

30


023TeW nai Tong(Selangor, 1936 - 2013)Lady with fruit Basket

oil on canvas: 60 x 60 cmSigned, lower right: nai Tong

MYR 12,000 - 16,000uSD 2,720 - 3,630

024Cheung Pooi YiP (b. Penang, 1936)old Ruins, 2002

acrylic on canvas: 125 x 106 cmSigned and dated, lower left: Pooiyip, 2002

Documented in Cheung Pooi Yip RetrospectivePublished by Penang State Museum, pg. 125

MYR 12,000 - 18,000uSD 2,720 - 4,090

31


025koh Teng huaT (b. Penang, 1963)Sasaran fishing Village, Selangor, 2015

oil on canvas: 61 x 91,5 cmSigned, titled and dated, lower right: Koh, Sasaran Selangor, 2015

MYR 3,000 - 5,000uSD 680 - 1,140

026ng hon Loong(b. Selangor, 1964)a)nostalgic(embracing), 1991b)nostalgic(under The Moon), 1991c)nostalgic(figure The Shadow Blue), 1991d)nostalgic(Man expanding), 1991e)nostalgic(Sitting), 1991f)nostalgic(Thougts), 1991

acrylic on board: 25,5 x 18,5 cm

Documented in The art of ng hon Loong, Published by The art Gallery MYR 4,500 - 6,000uSD 1,020 - 1,360

a)

c)

e)

b)

d)

f)

32


027Lee Weng faTT(b. Kuala Lumpur, 1967)The Petaling Street, kL, 2014

oil on canvas: 61 x 76,5 cmSigned and dated, lower left: Lee Weng Fatt, ‘14

MYR 5,000 - 7,000uSD 1,140 - 1,590

028fong kiM Sing(b. Kedah, 1949)home Sweet home, 1999

oil on canvas: 90 x 90 cmSigned and dated, lower left: Kim Sing, ‘99, and on the reverse MYR 3,000 - 5,000uSD 680 - 1,140

33


030haRon MokhTaR(b. Selangor, 1963)Warisan Melayu iV, 2013

acrylic on canvas: 91,5 x 61 cmSigned and dated, lower right: Haron Mokhtar, ‘13

MYR 4,000 - 7,000uSD 910 - 1,590

029haRon MokhTaR(b. Selangor, 1963)nostalgia Series, 1994

acrylic on canvas: 124 x 89 cmSigned and dated, lower right: Haron Mokhtar, ‘94

MYR 5,000 - 8,000uSD 1,140 - 1,820

haron Mokhtar graduated with a diploma in fine art from University Technology Mara (UiTM) in 1987 where he won the Major award in the Young Contemporary artists competition. haron is known for his distinctive style of art which captures Malaysia’s rich multi-cultural traditions. haron Mokthar’s works usually consists of three parts; the top, a culturally rich heritage building, the bottom, people going about their daily lives, and the middle, a band of colour separating the two. This distinctive style has earned Haron Mokhtar fame and recognition and he has held numerous solo exhibitions including ‘Siri Kaseh Sayang’, Galeri Shah Alam, Selangor (1994), ‘In Persuit of Penang’, The Artist’s Space, Concorde Hotel Shah Alam, Selangor (1999), and ‘Warisan’, Pelita hati Gallery of art, Kuala Lumpur (2011).

34


031henDRiCk niCoLaS(b. Sarawak, 1974)Bau Series, 2000

Mixed media on paper: a) 59 x 72 cmSigned and dated, lower right: hendrick nicolas, 2000b) 72 x 59 cmSigned and dated, lower left: hendrick nicolas, 2000

MYR 3,000 - 5,000uSD 680 - 1,140

Born in 1974, hendrick nicholas studied fine art at the University Technology of Mara (UiTM) where he merged the warmth and colours of the diverse cultures of his homeland Sarawak to form an artistic statement of his own. Growing up in longhouses and surround-ed by tribal artifacts, hendrick’s early works, the Longhouse Welcome Series, garnered rave review from both local and international collectors. In recognition of his talents, hendrick numerous awards as an artist, amongst them are the 3rd Prize in the Sarawak ateliar So-ciety art Competition (1992), Minor award in the Young Contemporary Johore Competi-tion (1996), and Consolation Prize in the Permata Merchant Bank art Competition (1996)

032Tan Thean Song(b. Kedah,1946)a)Two Ladies ChattingChinese ink on rice paper: 76 x 50 cmSigned, lower left: Thean Song

b) Still Life with flowers, 1980Chinese ink on rice paper: 48 x 73 cmSigned and dated, lower right: Thean Song, ‘80

MYR 2,000 - 5,000uSD 450 - 1,140

a)

b)

b)a)

35


033Tan Thean Song(b. Kedah, 1946)Paddy fields, 2000

Mixed media on rice paper: 77 x 51 cmSigned and sealed, lower right: Thean Song MYR 3,000 - 5,000uSD 680 - 1,140

034Tan Thean Song(b. Kedah, 1946)Village Life, 1983

Batik: 48 x 73 cmSigned and dated, lower left: Thean Song, ‘83 MYR 3,000 - 5,000uSD 680 - 1,140

36


035aBaS aLiBaSYah (Purwakarta, 1928)Primitive, 1995

oil on canvas: 100 x 100 cmSigned and dated, lower right: abas 95

MYR 4,500 - 6,000uSD 1,020 - 1,360

abas alibasyah graduated from the Indonesian academy of fine arts (aSRI), Yogyakarta in 1956. an artist as well as a lecturer, abas has taught in many schools and universities in Yogyakarta, including aSRI and Universiti Gajah Muda. abas’s works are made up of balanced compositions of colour and forms and have exhibited in venues such as festival of Indonesia, United States (1990 – 1992) and Center for Strategic and International Studies, Jakarta (1975). abas alibasyah started as a landscape artist but soon was attracted to ethnic objects as he chose to promote the unique Indonesian culture. abas has been the recipient of many awards as an artist, including the anugerah Seni award, Indonesia (1975), Cultural award Scheme, australia (1970), Best Work for Biennale Indonesia (1974), and the Lempad award, Saggar Dewata Indonesia (1984). abas alibasyah’s works are in the collection of many international art collectors including the former Indonesian President, Soekarno.

036DReW haRRiS (Canada, 1960)Legong 4, 1994

oil on canvas: 50 x 60 cmSigned and dated, lower left: harris 94Signed, titled on the reverse

MYR 4,000 - 6,000uSD 910 - 1,360

Drew harris was born in Canada on 1960. Drew harris has been exhibiting in Southeast asia, Canada and the USa since 1990, with a particular focus in Kuala Lumpur, Singapore and Jakarta. harris began his career as a painter in 1990 after a relatively short, but illustrious career as senior design director and partner with Communiqué Ltd, one of Canada’s leading design/marketing agencies at the time. harris resides in Penang with his wife, artist, and educator, Sher Mazwari, where they have formed aWaS Creative and Design, in Penang. aWaS offers art education, art lectures and studio/exhibition space for young artists. harris is a contemporary artist who has participated in several solo and group exhibitions over the years from Chicago to Toronto, from Melbourne to Singapore, Malaysia and more. Inspired by nature, harris produced fabulous abstraction and very experimental in the use of medium and methods. he also uses and expressive gestural painting technique which carries a balance between the gestural painting effect and structured order. The mastery of this technique lies in the subtle play of color nuances, textures, lines and forms.

37


037Zaini(Pariaman, 1926 – Jakarta, 1977)abstraksi Topeng, 1976

oil on canvas: 60 x 80 cmSigned and dated, lower middle: Zaini’76

MYR 1,500 - 3,000uSD 340 - 680

038koeMPoeL SuJaTno(ngawi, 1912 – Batu, 1987) Pasar

oil on canvas: 59 x 88 cmSigned, lower left: Kompol

MYR 2,000 - 3,000uSD 450 - 680

Zaini first began painting under the tutelage of the artist Wakidi, and later continued his informal education under S. Sudjojono and Basoeki abdullah. In 1945, Zaini moved to Yogyakarta where together with his new found companion, affandi, established the “Pelukis Rakyat” (Community artists). not long after, he moved to Madiun, east Java, where together with S. Sudjojono and Trisno Soemardjo, they established the Young Indonesian artist community. Zaini returned to Jakarta in 1946, where he was a member of the Jakarta art Council up to his untimely death.

38


039koeMPoeL SuJaTno (ngawi, 1912 – Batu, 1987)Pedati

oil on canvas: 74 x 100 cmSigned, lower right: Kompol

MYR 3,000 - 5,000 uSD 680 - 1,140

Koempoel Sujatno was born in ngawi, east Java in 1912. Koempoel Sujatno studied painting from the Dutch masters Gerard Pieter adolfs and Willem Van Der Does. as one of the most productive artists, Koempoel has since had many of his paintings have been damaged, lost, or spread out in countries abroad. It is estimated that only 2500 of works are left. Koempoel was an artist who preferred the outdoors and working with natural light. This is reflected in his works that are presented with bright colors in harmony to reveal graceful beauty. Koempoel Sujatno died on august 18, 1987 in Batu, east Java due to severe throat cancer.

040WiLLeM geRaRD hofkeR(amsterdam, 1902 – 1981)Chinese poort in de Benedenstand Van Batavia

Lithograph: 17 x 25 cmSigned, lower right: WG. hofker

MYR 2,500 - 4,000uSD 570 - 910

Willem Gerard hofker studied arts at the academy of fine arts, amasterdam and also studied painting under the tutelage of artists W. Witsen and Isaac Israels. as part of the Dutch colonization of Indonesia, Willem stayed in Bali from the years 1938 to 1944 with his wife hofker-Reuter. There, he produced undoubted works of arts with his use of colour, textures, and contrasting control. his drawings which are elegant and poetic were often inspired by the lifestyle of the Balinese people which he depicts often especially in ceremonial dresses.

39


041kRiJono(Jakarta, 1951 - 2011)Modern Dancers, 2000

acrylic on canvas: 70 x 70 cmSigned and dated, lower left: Krijono, Modern Dancers, 2000, Jakarta

MYR 4,500 - 6,000 uSD 1,020 - 1,360

Krijono’s love affair with arts started at a young age where he father was a collector which meant that Krijono surrounded himself with works of art. after initial guidance by art critic Kusnadi, Krijono enrolled into the famed Indonesian fine art academy (aSRI), Yogyakarta. Krijono has held solo exhibitions throughout Indonesia and internationally and most of his works can be found documented in the books “Great Charcoals by Indonesia artist Krijono” (1997) and “Krijono: The flying elephant” (2000). Krijono now resides in Jakarta where he continues to paint.

042kRiJono (Jakarta, 1951-2011)Legong, 1999

acrylic on canvas: 100 x 100 cmSigned and dated, lower right: Legong, Krijono, 1999

MYR 6,000 - 8,000uSD 1,360 - 1,820

40


043aRie SMiT (Zaandam, the netherlands, 1916)Tropical Landscape, 2003

acrylic on canvas: 28 x 39 cmSigned and dated, lower right: arie Smit, 2003Signed, titled and dated on the reverse

MYR 18,000 - 25,000 uSD 4,090 - 5,680

Born in Zaandam, the netherlands, 1916, arie Smit was a student of the academy of arts in Rotterdam before working as a lithographer for the Dutch Colonial army in the Dutch Indies prior to the Second World War. In 1956, arie Smit become an Indonesian Citizen and was engaged to become a full time artist. arie Smit has produced as well as taught painting at the Bandung Institute of Technology (ITB). Many of his paintings depict the nature of his surrounding environment. he had several solo exhibitions in Bandung Institute of Technology, The honolulu east West Center, and the Center of Strategic and International Studies in Jakarta. In recognition of his talents, arie Smit was awarded the “Dharma Kusuma” art award from the local government of Bali.

41


044aRie SMiT (Zaandam, the netherlands, 1916)Pemandangan Sawah, 2002

acrylic on canvas: 30 x 40 cmSigned and dated, lower left: arie Smit02Signed, titled and dated on the reverse

This lot is accompanied with certificate of authenticity from artist

MYR 16,000 - 20,000 uSD 3,630 - 4,540

42


045iBnu nuRWanTo(Yogyakarta, 1957)Modelling, 2013

acrylic on canvas: 140 x 200 cmTitled and dated on the reverse

MYR 10,000 - 15,000uSD 2,270 - 3,410

Ibnu nurwanto studied arts at the Lembaga Pendidikan Kesenian, Jakarta through the years 1947 to 1975. Besides painting, Ibnu nurwanto is also an established sculptor and he has been actively participating in group exhibitions from the years 1974 to 2008. Since 1988, Ibnu nurwanto has been holding solo exhibitions at the Taman Ismail Marzuki (TIM), Jakarta until 2012 and has participated in group exhibitions at the Institute Kesenian Jakarta, Taman Ismail Marzuki, Balai Budaya, and Galeri nasional. Ibnu nurwanto works are in the collection of many art collectors in Jakarta and other major cities abroad.

43


046khaLiL iBRahiM(b. Kelantan, 1934)nude Line Sketch, 2004

Mixed media on paper: 45 x 62 cmSigned and dated, lower right: Khalil Ibrahim, ‘04 MYR 18,000 - 25,000uSD 4,090 - 5,680

Khalil Ibrahim was born in Kubang Krian, Kelantan and is one of the few Malaysians who received a state scholarship to attend the prestigious Central St Martin School of art and Design in London in 1965. Khalil is the co-founder of the Malaysian Watercolour Society and was its vice chairman from 2002 to 2003. With a career spanning more than 50 years, Khalil’s style ranges from landscapes, portraits, and figures to abstract-geomet-ric style and he has mastered many art techniques including watercolour, oils, acrylics, and ink. In fact, Khalil is also an expert batik, both in traditional and contemporary design, making him truly a Malaysian master.

44


Born in fukien, China, Kuo Ju Ping migrated with his parents to Penang in his teens and studied at Chung Ling high School. Later, he enrolled at the nanyang academy of fine arts (Singapore) and graduated in 1940. Ju Ping is a post-impressionist, as can be seen by his rendition of houses and trees. his paintings features subdued and natural colours which inspires calm – a wonderful way to transform and revitalize a landscape scene. expressed with a spontaneous effect charging with sublime energy, Ju Ping’s subject appear to stand out. Through the lenses of post impres-sionism, his depiction of rustic or rural scenes such as rubber estates, oil palm plantations, the ordinary lives of people in town are of have been transformed into gorgeous visual projection.

047 kuo Ju Ping(b. fujian, 1913 - d. Malaysia, 1966) nude Woman

oil on canvas laid on board: 57 x 35 cmSealed, lower right in chinese character

MYR 14,000 - 18,000uSD 3,180 - 4,090

45


048khaLiL iBRahiM(b. Kelantan, 1934)Portrait of a girl, 1988

oil on board: 20 x 17,5 cmSigned and dated, lower right: Khalil, 1988

MYR 9,000 - 15,000uSD 2,040 - 3,410

Portrait of a Girl is a small yet striking piece by Khalil Ibrahim. a multi talented artist, Khalil has worked on different subjects and different mediums throughout his 50 year career. Known for his work on batik, fishermen series, and abstract, portraits were works done earlier on in his colourful career. here in Portrait of a Girl, Khalil uses unorthodox colours to give it a striking look. Yellow hues with hints of pink and green gives the painting a touch of fauvism. her eyes, painted in detail, appear to glisten while stuck in a gaze and her lips, painted pout and full adds a sensual touch to an exceptional portrait by Khalil Ibrahim.

46


049LaTiff MohiDin(b. Seremban, 1941)Wetlands, 1995

Mixed media on paper: 20 x 23 cmTitled, Signed and dated, lower left: Wetlands, Latiff, ‘95 MYR 15,000 - 20,000uSD 3,410 - 4,540

Latiff Mohidin has spent a great deal of his time travelling, sourcing for inspirations to push his art ever so further. Sketches make up a large part of who Latiff Mohidin is, the foundation for his masterpieces, his memory, his notes. To Latiff, sketching is not merely sketching but more of a spiritual, emotional, and intellectual experience of capturing the atmosphere. In Latiff Mohidin’s own words, “A sketch is not really to catch the floating moment, but the atmosphere. not only what is there but also what isn’t there.” This sketch “Wetlands” makes up part of the study of what would be Latiff Mohidin’s Wetlands series. Comprising of dynamic spontaneous strokes, it transposes into the movement and energy that can be seen in the Wetlands series.

47


050aWang DaMiT(b. Sabah, 1956)Payarama “Dari Jendela”, 2014

Mixed media on canvas: 61 x 61 cmSigned, dated and titled on the reverse

MYR 20,000 - 28,000uSD 4,540 - 6,360

The Payarama series, which took 4 years to produce, records not just awang Damit’s abstract take on nature, but his philosophical messages as well. Balanced in its composition and with the use of earthy tones, Dari Jendela is awang Damit’s interpretation of the future. from his days as a Telekom Malaysia technician to the success of his essence of Culture (eoC) series, Dari Jendela suggests that the future is filled with uncertainties. After a long journey from humble beginnings, awang Damit is still uncertain of what is to come, but while he is unaware, the pious artist knows that only God knows and Dari Jendela serves as a reminder to that.

48


051ZuLkifLi YuSoff(b. Kedah, 1962)Dua abdul, 1995

Mixed media on canvas: 91,5 x 91,5 cmSigned and dated, lower right: Zulkifli Yusoff, 1995

MYR 17,000 - 22,000uSD 3,860 - 4,990

Zulkifli Yusoff graduated with a Diploma in Art and Design (Fine Art) from Mara Institute of Technology (UiTM) in 1989 and Masters of art from the Manchester Polytechnic, United Kingdom in 1991. he is known to be a very versatile and explorative artist, working with varies mediums, whose work carry satirical message. Zulkifli has played a significant role in developing installation art in Malaysia and received recognition when he won the coveted Grand Minister’s Prize and the Major award for Sculpture at the 3rd Salon Malaysia in 1992. He represented Malaysia in the inaugural Asia-Pacific Triennial of Contemporary Art in Bribane, australia (1993), and he was the second Malaysian to show at the Venice Bien-nale (1997), with his work Don’t Play During Maghrib. he has held several solo exhibitions which include Powerful Dialogue, The art Gallery, Penang (2000), Malay Sketches, Utterly art, Singapore (2008), and negaraku, national Gallery, Kuala Lumpur (2010)

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052ZuLkifLi YuSoff(b. Kedah, 1962)kegembiraan, 1996

oil on canvas: 92 x 92 cmSigned and dated, lower right: Zulkifli Yusoff, ‘96


MYR 18,000 - 25,000uSD 4,090 - 5,680

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053Chia Yu Chian(Johor, 1936 - 1990)Still Life with fishes, 1983

oil pastel on paper: 42 x 55 cmSigned and dated, lower right: Yu Chian, 1983

MYR 12,000 - 18,000uSD 2,720 - 4,090

Chia Yu Chian graduated from the famed nanyang academy of fine arts, Singapore under the tutelage of Chen Wen Hsi who was teaching there at that time. He was the first artist from the straits settlement to receive a scholarship by the french government to study in the prestigious ecoles nationale des Beaux arts at Paris (1959-1962). having graduated both at the nanyang School and ecoles nationale des Beaux arts, it is Yu Chian’s abilityto switch between eastern and Western palette that nas made him on the Malaysia’s most sought after artist. Yu Chian has held more than 20 solo exhibition throughout his career and has had honourable Mentions for both Salon des Indépendants’, Paris and Société des artistes français.

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054YuSof ghani(b. Johor, 1950)ombak Series “nyaman”, 2013

oil and acrylic on canvas: 143 x 193 cmSigned, lower right: Yusof Ghani and dated, titled on the reverse

Documented in ombak Breath of Life Published by Bank negara Malaysia, pg.176

MYR 70,000 - 130,000uSD 15,890 - 29,510

Movements have always played an essential role in Yusof Ghani’s works. From the rhythm of the Tari Series, to the flight of the Biring, and the grace of Seger-ak, Yusof Ghani has always captured the energy and of movements and emulated it on canvas. In his recent series, ombak,Yusof Ghani chose to replicate the toughest movement yet, that of nature. as enigmatic as always, ombak is a series of an artist going back to his roots. The avid traveler who has tirelessly traveled the world look-ing for inspirations, Yusof has looked closer to home for the inspiration of this series, having been brought up near the sea.

a series consisting of three parts, ombak captures Yusof Ghani’s personal journey. The series starts off with red, a period of disaster, pain, and misery, to a more contemplative period with cerebral colours such as white, and ends with a redemptive period of blue. for ombak series, Yusof has gone full abstract, on and relied solely on his strokes and emotions to dictate what would become the series. nyaman with its layers of predominately red and blue suggests itself a transitional period for Yusof. one that contains some of the pain and misery in his life while suggesting that redemption will soon take after. With nyaman, Yusof Ghani suggests no signs of slowing down as he continues to enrich the Malaysian art culture.

Yusof Ghani’s successful art journey began when he graduated with a Bachelor in fine arts from the George Mason University, Virginia, USa in 1981. he then obtained his Masters in fine arts from then Catholic University of america, Washington DC, USa in 1983. Yusof ’s works are stroke-based renditions is known for his strong lines and spontaneous marks on dynamic compositions. his hallmark series Tari, and subsequent series Protest, Topeng I, II, III, Wayang, hijau, Segerak, and Wajah are highly sought after making Yusof Ghani one of the leaders in abstract expressionism in Malaysia. Yusof Ghani’s works have been featured in numerous international and local exhibitions and publications. his works are in the collections of corporate bodies, private galleries and many private individuals.

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055TaJuDDin iSMaiL, DaTo’ (b. negeri Sembilan, 1949)Passage no.3, 2009

Charcoal and pastel on paper: 101 x 80 cmSigned and dated, upper right: Taj, ‘09, and on the reverse MYR 12,000 - 18,000uSD 2,720 - 4,090

Tajuddin Ismail is a multi-talented artist. after obtaining his Bachelors in fine arts from Mara Institute of Technology (UiTM), he studied Graphic Design at the art Centre College of Design, Los angeles, (USa) in 1974 and subsequently pursued his post- graduate in Interior architecture at Pratt Institute, new York. This wide array of education has broaden Tajuddin’s perspective and often it is reflected in his work. he has been awarded for the prestigious Salon Malaysia, national art Gallery, Kuala Lumpur (1979) as well as the Malaysia Design Council (1994) and receiving an hon-ourable Mention for the Philip Morris, Malaysian art awards (1994).

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056YuSof ghani(b. Johor, 1950) Topeng Series, 1994

oil on canvas: 122 x 152 cm

Documented in Yusof Ghani Siri Tari Topeng Published by Rusli hashim fine art, 1996, pg. 91 MYR 60,000 - 80,000uSD 13,620 - 18,160

Yusof Ghani began work for his Topeng Series after his visit to Sarawak where the cer-emonial masks used by ethnic Kayan and Kenyah inspired him. Drawn by their mythical powers, the Kayan and Kenyah tribes used masks for everything from worshiping the Gods, curing illnesses, and spiritual cleansing. To Yusof Ghani, the masks were not only a cultural statement but it also repre-sented the façade in which he set about on a journey to unmask himself. Dark, strong colours are coupled with Yusof ’s bold strokes gives the masks a dark cynical look which despite its horror, is meant to reflect Yusof Ghani’s attitude towards the Kenyah’s masks where the more grotesque the masks, the more potent its powers to cure and protect.

Yusof Ghani’s successful art journey began when he graduated with a Bachelor in fine arts from the George Mason University, Virginia, USa in 1981. he then obtained his Masters in fine arts from then Catholic University of america, Washington DC, USa in 1983. Yusof ’s works are stroke-based renditions is known for his strong lines and spontaneous marks on dynamic composi-tions. his hallmark series Tari, and subsequent series Protest, Topeng I, II, III, Wayang, hijau, Segerak, and Wajah are highly sought after making Yusof Ghani one of the leaders in abstract expressionism in Malaysia. Yusof Ghani’s works have been featured in numerous international and local exhibitions and publications. his works are in the collections of corporate bodies, private galleries and many private individuals.

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057khaLiL iBRahiM(b. Kelantan,1934)nude Movement, 1981

Ink on paper: 21 x 30 cmSigned and dated, lower left: Khalil Ibrahim, ‘81 MYR 2,000 - 4,000uSD 450 - 910

058SuZLee iBRahiM(b.Terengganu, 1967) endau Rompin Series “Yellow Light”, 2006 oil on canvas: 100 x 80 cmSigned and dated, lower left: Suzlee Ibrahim, 2006

MYR 10,000-15,000uSD 2,270 - 3,410

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059kuo Ju Ping(fujian, 1908 - 1966)Return from Boating

Watercolour on paper: 36 x 27 cmSealed, lower left in chinese character

MYR 2,000 - 5,000uSD 450 - 1,140

060Tan Choon ghee(Penang, 1930 - 2010)Rumah kampung, 1969

Watercolour on paper: 27 x 38 cmSigned and dated, lower left: Tan, 1969

MYR 2,000 - 5,000uSD 450 - 1,140

Tan Choon Ghee is one of the best known watercolour artist in Malaysia. Born in 1930, he trained at the nanyang academy of fine arts in 1951 and fur-thered his studies at the Slade School of fine arts, London in 1958. Throughout his career, Choon Ghee is known for his portrayal of Penang street scenes, cultural buildings, roadside stalls, and people. In recognition of his talent, Choon Ghee has been awarded two retrospectives in his later years, one by The art Gallery, Penang (1992) and Penang State art Gallery (2000), and given a tribute, a Tribute to Tan Choon Ghee, The art Gallery Showroom (2001).

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061aLex Leong YiM kuan(b. Penang, 1969)Campbell Street Mall, Penang, 2015

Watercolour on paper: 39 x 76 cmSigned and dated, lower right: alex, 2015Titled and dated, lower left: Campbell Street Mall, Penang, 25.4.2015 MYR 3,500 - 7,000uSD 790 - 1,590

Born in Penang, alex Leong is currently a member of the Malaysian Watercolour So-ciety (MWS), Penang Watercolour Society, Penang art Society, and north Kedah art Society. having a keen eye on the everyday life, it is alex’s take on the quotidian life which he gives a refreshing breathe of life to that makes the mundane seem joyous. alex Leong has been participating in exhibitions since 1995 and the notable ones include “artist favourite”, national art Gallery (2007), art expo Malaysia, Incheon Global Cities arts exchange exhibition (Korea), and MWS annual exhibition.

062Yong Mun Sen(Kuching, 1896 - 1962)By The Sea, 1954

Watercolour on paper: 21 x 33 cmSigned and dated, lower left: Mun Sen, ‘54

MYR 3,000 - 6,000uSD 680 - 1,360

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062Yong Mun Sen(Kuching, 1896 - 1962)By The Sea, 1954

Watercolour on paper: 21 x 33 cmSigned and dated, lower left: Mun Sen, ‘54

MYR 3,000 - 6,000uSD 680 - 1,360

063iSMaiL MaT huSSin(Kelantan, 1938 - 2015)Main gasing, 2001

Watercolour on paper: 54 x 74 cmSigned and dated, lower right: Ismail Mat hussin, 2001

MYR 7,000 - 10,000uSD 1,590 - 2,270

064Lee Long Looi(b. Kedah, 1942)fun afternoon, 1977

Batik on rice paper: 33 x 97 cmSigned and dated, lower right: Long Looi Lee, ‘77

MYR 10,000 - 22,000uSD 2,270 - 4,990

Born in 1942, Kedah. Long Looi received a formal art training in nanyang acad-emy of fine art in 1962-64. after graduation he furthered his education in arts Students League (new York) 1969-70 and Pratt Institute 1973. he has had great numbers of solo exhibitions in reputable galleries, and their work has been col-lected by prominent collectors. Long Looi is known for his soft lyrical feminine forms with nanyang features. his works have been exhibited in various countries including new York, Canada, florida, Puerto Rico and Singapore.

a protégé of Khalil Ibrahim, Ismail Mat hussin stands today on his own and has kept true to batik painting until today. Batik art has ascended from a humble and practical worn piece of cloth and alleviated to fine art today and Ismail Mat Hussin is one of the very finest in this art. Born in Pantai Sabak, Kota Bharu, Ismail Mat hussin’s batik combines warm tones and earthy hues from a restricted palette of colors to depict everyday rural scenes with lively good humor. His human figures are drawn more real looking people with dull background surroundings and Ismail’s trademark is heavy limbs with the muscles rendered mosaic-like and graceful movements of figures. The works of Ismail Mat Hussin are collected and can be seen in prestigious institutions such as National Visual arts Gallery, Malaysia airline System, national Museum, esso Malaysia, Bank negara, and Petronas Gallery.

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065ZuLkifLi YuSoff(b. Kedah, 1962)Confusion, 1998 acrylic on canvas: 53 x 183 cmSigned and dated,lower right: Zulkifli Yusoff, ‘98

MYR 12,000 - 18,000uSD 2,720 - 4,090

Zulkifli Yusoff graduated with a Diploma in Art and Design (Fine Art) from Mara Institute of Technology (UiTM) in 1989 and Masters of Art from the Manchester Polytechnic, United Kingdom in 1991. he is known to be a very versatile and explorative artist, working with varies mediums, whose work carry satirical message. Zulkifli has played a significant role in developing installation art in Malaysia and received recognition when he won the coveted Grand Minister’s Prize and the Major Award for Sculpture at the 3rd Salon Malaysia in 1992. He represented Malaysia in the inaugural Asia-Pacific Triennial of Contemporary art in Bribane, australia (1993), and he was the second Malaysian to show at the Venice Biennale (1997), with his work Don’t Play Dur-ing Maghrib. he has held several solo exhibitions which include Powerful Dialogue, The art Gallery, Penang (2000), Malay Sketches, Utterly art, Singapore (2008), and negaraku, national Gallery, Kuala Lumpur (2010)

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066iSMaDi SaLLehuDin(b. Pahang, 1971)Wajah-Wajah, 2010

oil on canvas: 151 x 151 cmSigned and dated, lower right: Ismadi, 2010, Signed again on the reverse MYR 7,000 - 15,000uSD 1,590 - 3,410

Ismadi Sallehudin graduated with Bachelors in fine arts from Mara Institute of Technology (UiTM) in 1994 and subsequently he obtained his Masters in art and Design from De Montfort University, Leicester, United Kingdom in 1999. after graduating, Ismadi remained active in academic work and has held positions such as head of Programme, Kolej Shahputra-UiTM (2008), Deputy Dean, University College Shahputra, Pahang (2011), and he has served as the Dean of faculty of fine art, akademi Seni Budaya & Warisan Kebangsaan (aSWaRa), Kuala Lumpur. The expression of colours are very important to Ismadi. his works are accidental in the sense that he uses different techniques like scratching on the canvas, splashing of colours, quick strokes of the brush strokes, spontaneous brush flow and combinations of other techniques to produce on the artworks. His works have been exhibited extensively both locally and internationally.

067iSMaDi SaLLehuDin(b. Pahang, 1971)Pesta, 2011

oil on canvas: 92 x 92 cmSigned and dated, lower right: Ismadi, 2011 and on the reverse

MYR 4,000 - 7,000uSD 910 - 1,590

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068Rafiee ghani(b. Kedah, 1962)The Pier, 2014

oil on canvas: 75 x 75 cmSigned, lower: Rafiee Ghani, 2014 and on the reverse

MYR 4,000 - 7,000uSD 910 - 1,590

Rafiee Ghani is one of the few Malaysians who trained at the De Vrije Academie Voor Bildeende Kunst, the Hague, Holland (1980) and has gone on to be reconigsed as one of Malaysia’s top artist. Rafiee has had numerous solo exhibition; more notably “Room of Florwers”, Carcosa Seri Negara, Kuala Lumpur (1993), “oriental afternoon”, art Salon, Kuala Lumpur (1994), and “Pulanglah Perantau”, art Case Galleries, Kuala Lumpur (2001). Taking after the Matisse and Fauvism, Rafiee Ghani’s fresh take on art has garnered him numerous awards, amongst them are the Minor Award, Salon Malaysia, Kuala Lumpur (1991), 2nd award, Malaysian art open, Kuala Lumpur (1994), and 5th award, Philip Morris Malaysia art award (1994).

069Rafiee ghani(b. Kedah, 1962)Village Boy, 2014 oil on canvas: 75 x 75 cmSigned and titled, lower: Rafiee Ghani, Village BoyDated, lower right: , 2014

MYR 4,000 - 7,000uSD 910 - 1,590

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070Lee Long Looi(b. Kedah, 1942)Sisters, 2012

acrylic on canvas: 90 x 60 cmSigned and dated, lower left: Lee, ‘12

MYR 8,000 - 15,000uSD 1,820 - 3,410

071Lee Long Looi(b. Kedah, 1942)That Moment ii, 2000

Mixed media on paper: 51 x 34,5 cmSigned and titled, lower right: Lee, That Moment II MYR 4,000 - 8,000uSD 910 - 1,820

Born in 1942, Kedah. Long Looi received a formal art training in nanyang academy of fine art in 1962-64. after graduation he furthered his education in arts Students League (newYork) 1969-70 and Pratt Institute 1973. he has had great numbers of solo exhibitions in reputable galleries, and their work has been collected by prominent collectors. Long Looi is known for his soft lyrical feminine forms with nanyang features. his works have been exhibited in various countries including new York, Canada, florida, Puerto Rico and Singapore.

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072TeW nai Tong(Selangor, 1936 - 2013)Togetherness, 1986

Watercolour on paper: 32 x 39 cmSigned and dated, lower left: Nai Tong. ‘86

MYR 2,500 - 5,000uSD 570 - 1,140

073Jehan Chan 曾尔欣(Melaka,1937 - 2011)Melaka ii, 1988

Mixed media on paper: 41 x 54 cmSigned and dated, lower left:Jehan Chan, ‘88 MYR 3,000 - 5,000uSD 680 - 1.140

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074Chen Wen hSi 陈文希(China 1906 – Singapore 1992)Three gibbons

Chinese ink on rice paper: 136 x 34 cmSigned and sealed, upper left in chinese character

MYR 25,000 - 50,000uSD 5,680 - 11,350

陈文希1906年生于中国广东省揭阳县一户大家庭。1948年移居新加坡，1975年荣获新加坡大学校长授予荣誉博士奖，1992年逝于新加坡。陈文希童年在乡野里度过，让他有更多机会向许多有趣、美丽的事物探索和追寻，孕育了他对绘画的热爱。中学毕业后到上海美术专科学校专攻美术，后因故转校新华艺术专科学校，受教于潘天寿等名师，四年后，往汕头中学教美术，还组织春阳画社，教导有志于艺术的年轻人。陈文希年轻时期便展现其艺术天分，先后在汕头、广州、香港、上海等城市举行个展；1937年在南京举行的中国第二次全国美展，更受到徐悲鸿的赏识和赞扬，同年，英国画室杂志所刊选的当代中国十大画家作品中，他也被列为之一。1948年，见有人到南洋办画展成功，逐心动而远道下南洋，本打算逗留三个月，未料就此定居下来，先后任教于华侨中学、南洋美专，逢假期闲暇便往东南亚各地旅行，收集画材，其中又以峇里岛和爪哇的民土风情，让他灵感充沛。陈文希以他独特的中西结合的画风，奠定了他在国际艺坛上的基础。在他诸多作品中，以猿猴和鹭鸶为其代表佳作。为了画猿猴，他在家里庭园豢养六只猿猴，朝夕摹形写状，及至后来，单从猿猴的跳跃、追逐、翻腾等动作，他便能道出猿只的产地，而其它如画鱼、鸟，他也如此朝夕观察作画，其认真作画精神，由此可知。1975年，新加坡大学为了表扬他对美术的贡献，特别颁发以“名誉博士”荣衔，为首位当地画家获得此荣誉。此外，1964年，他获得新加坡总统尤索夫授予公共服务勋章，1980年得台湾历史博物馆颁发金章，1987年则得亚细安文化及传播奖。

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075Chen Wen hSi 陈文希(China 1906 – Singapore 1992)Two Squirrels

Chinese ink on rice paper: 38 x 50 cmSigned and sealed, upper right in chinese character

MYR 25,000 - 40,000uSD 5,680 - 9,080

Born in Baigong, from the province of Guangdong, Chen Wen hsi studied art at the xinhua College of art in Shanghai where he was thought by renowned artists such as Pan Tianshou. after moving to Singapore in 1948, Chen Wen hsi proceeded to teach at the Chinese high School (1914-1968) and then the nanyang academy of fine arts (1951-1959). as an artist, Chen Wen hsi actively participated in several exhibitions outside Singapore which incidentally promoted Singapore. among the many awards he has received are the Public Service Star (1964), a Gold Medal by the national Museum of History, Taiwan (1980), the first recipient of the ASEAN Cultural and Communication award for outstanding artists (1987), and an honorary doctorate from the national University of Singapore. Chen Wen hsi is Singapore’s pioneer artist that combines Chinese and Western techniques in his semi abstract work. his constant eagerness to strive for something new led him to learn finger painting, a technique that dates back from the Tang Dynasty. This drawing style has enabled him to produce unpredictable broken strokes on paper. Chen Wen hsi is renowned for his skills in depicting animals, of which it is the gibbons that he is most associated with. It is Chen Wen hsi’s mastery of the gibbons that led it to be commemorated on the 50 Singapore Dollars note.

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076Chen Wen hSi 陈文希(China 1906 – Singapore 1992)Sparrows, 1977

Chinese ink on rice paper: 35 x 45 cmSigned and sealed, upper right in chinese character MYR 18,000 - 25,000uSD 4,090 - 5,680

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077Chuah Thean Theng, DaTo’(China, 1914 - 2008)Village Life

Batik: 89 x 60 cmSigned, lower right: Teng

MYR 45,000 - 60,000uSD 10,220 - 13,620

Dato’ Chuah Thean Teng is widely recognized as the Father of Batik Painting in Malaysia. He first experimented with batik painting in 1953 and achieved international recognition after his suc-cessful solo exhibition in the Commonwealth Institute, London in 1959. Teng’s international rec-ognition was further cast when two of his paintings, Two of a Kind (1968) and Tell You a Secret (1987), were selected as UnICef’S greeting cards. In 1977, Teng was the only Malaysian invited to the Commonwealth artists of fame exhibition in London. Teng studied in the amoy academy of arts, fujian in 1932 and has since had solo exhibitions in Pomeroy Galleries, San francisco, Cali-fornia, USa (1964), Stichting Twents-Gelders Textielmuseum, enschede, holland (1967), Churchill art Gallery, Perth, australia (1977) to name a few. Teng was recognised by the state for his con-tributions to art field when he was bestowed the title of “Dato’” by the Penang state government and in 2005 he was honoured with the Penang heritage Trust’s Living heritage award.

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Tajuddin Ismail is a multi-talented artist. after obtaining his Bachelors in fine arts from Mara Institute of Technology (UiTM), he studied Graphic Design at the art Centre College of Design, Los angeles, (USa) in 1974 and subsequently pursued his post- graduate in Interior architecture at Pratt Institute, new York. This wide array of education has broaden Tajuddin’s perspective and often it is reflected in his work. He has been awarded for the prestigious Salon Malaysia, National art Gallery, Kuala Lumpur (1979) as well as the Malaysia Design Council (1994) and receiving an honourable Mention for the Philip Morris, Malaysian art awards (1994).

078TaJuDDin iSMaiL, DaTo’(b. negeri Sembilan, 1949) Morning Mist i, 2011

Mixed media on canvas: 76 x 76 cmSigned and dated, lower right: Taj, ‘11Signed and dated on the reverse

MYR 18,000 - 25,000uSD 4,090 - 5,680

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079aWang DaMiT (b. Sabah, 1956)Payarama ikon Semudra ii, 2014 Mixed media on canvas: 122 x 122Signed and titled on the reverse

MYR 60,000 - 80,000uSD 13,620 - 18,160

Staying true to his philosophy, awang Damit uses the canvas not only for aesthetics, but to deliver a strong message. Ikon Semudra II represents the shape found in front of boats. As his father was a fisherman and his mother a housewife, braving the rough seas was never an option, it was a necessity. and during the rough seas, it was often the Ikon Semudra which stood between a safe return or a cap-sized boat as can be seen with curving blue strokes, suggesting the impending waves. awang Damit reminds us that challenges will always lay ahead and we should never run from it but face it as the Ikon Semudra does.

awang Damit is one of the most recognized abstract expressionists in Ma-laysia. he graduated with honours from Mara Institute of Technology (UiTM) in fine arts in 1983 and was awarded the Best Student award that year. he then obtained his Masters in fine arts with the Catholic University of america, Washington D.C. in 1988. awang belongs to the second generation abstract expressionists in modern Malaysian art and has been lauded for his series Marista (2002) and Iraga (2011). In 1992, a work from his eoC series titled farmer’s Song clinched the Painting Prize at the coveted 3rd Salon Malaysia and he also received honourable Mention at the 1994 and 1995 Philip Morris Malaysia art awards. awang has held various exhibitions both in groups as well as solo including the Intipati Budaya – Satu Sintesis show at the Shenns fine art, Singapore (1994), and Bentuk and Makna by Galeri Seni fSSR, UiTM (2000). awang Damit has held positions as the Curator of the art Gallery and head of the fine arts Department before being appointed an associate Professor in 2000.

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080iBRahiM huSSein, DaTo’

(b. Kedah, 1936 - 2009)untitled, 1984

oil on canvas: 100 x 100 cm

Signed and dated, lower left: Ibrahim hussein, 1984

MYR 320,000 - 450,000uSD 72,640 - 102,150

Dato’ Ibrahim hussein’s lines have earned praise and recognition from art critics and peers alike both locally and internationally. It was in 1975, when his wife, Datin Sim, gave him a set of graphic pens that Ibrahim Hussein went on to redefine his art with the sensuous lines which he is so fondly remembered for. Lines of vary-ing weight and directions form Untitled I where the central motifs of women can be seen throughout. Untitled I can be viewed from many perspectives where each one yielding different results, a goal set out by Ibrahim hussein the moment he picked up the graphic pen. his untimely demise may have robbed Malaysia of one of its greatest artist, but Ibrahim hussein’s work still continues to amaze us.

Dato’ Ibrahim hussein received his formal art training at the nanyang academy of fine arts in Singapore in 1956 and moved to London in 1959 where he studied at the Byam Shaw School of art, where he was the top student for 3 consecutive years. Ibrahim’s medium was one he coined himself “printage” – a com-bination of both printing and collage. Though he has held exhibitions internation-ally in cities such as London, new York, and Copenhagen, Ibrahim’s big break came when his works were exhibited alongside andy Warhol and Salvador Dali at the Daif abdullah al Salam Gallery in Kuwait (1977). he was honoured with a Retrospective by the national art Gallery in 1986. after returning to Malaysia, Ibrahim became a resident artist at the University of Malaya and in 1991, he founded the Ibrahim hus-sein Museum and Cultural foundation in Langkawi.

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081khoo Sui hoe(b. Kedah, 1939)Double Portrait, 1996

oil on canvas: 51 x 61 cmSigned, lower left: Sui hoe

MYR 22,000 - 30,000uSD 4,990 - 6,810

In his usual abstraction of the human figure, Double Portrait, as the title suggest is a portrait of two figures. The primitive inspired heads which Sui Hoe is famed for, are painted with hues of blue, evoking a sense of calmness. Casting a gaze, they seem to be in perfect confidence of each other as they radiate under the tones of pink and yellow. Famed for his brand of ‘escapism’, Sui Hoe use of minimal colour palette and smooth brush strokes invites you to escape into a dream like state where peace and tranquility can be found.

Khoo Sui hoe attended the nanyang academy of fine arts in Singapore in 1959 and has chosen to further his studies at the Pratt Graphic Centre in new York. In 1974, he was awarded a scholarship grant from the John D. Rockefeller 3rd fund to study the development of contemporary art. Known for creating imaginary dream-like scenes, Sui hoe’s paintings often entice calmness and deep thoughts.

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082khoo Sui hoe(b. Kedah, 1939)The Crescent Moon, 1977

oil on canvas: 75 x 88 cmSigned and dated, lower left: Sui Hoe, ‘77, Signed again on the reverse MYR 45,000 - 60,000uSD 10,220 - 13,620

The Crescent Moon exemplifies exactly why Khoo Sui Hoe is a much sought after artist. In his primitive surrealist style, a couple lay on lushes of green fields illuminated by the gentle mellow light of the crescent moon with mountains barely visible beyond the frontier are depicted to be in perfect confidence of each other. A sense of tranquility is exuded where Sui Hoe invites you to escape from the hustle and bustle of the real world to a dream like state where peace and serenity can be found. Famed for his ‘escapism’, the minimal colour palette and smooth brush strokes adds a soothing feel to the painting as the couple continues to radiate under the light of The Crescent Moon.

Khoo Sui hoe attended the nanyang academy of fine arts in Singapore in 1959 and has chosen to further his studies at the Pratt Graphic Centre in new York. In 1974, he was awarded a scholarship grant from the John D. Rockefeller 3rd fund to study the development of contemporary art. Known for creating imaginary dream-like scenes, Sui hoe’s paintings often entice calmness and deep thoughts.

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083khoo Sui hoe(b. Kedah, 1939)The Colourful Sky, 2008

oil on canvas: 100 x 80 cmSigned, lower left: Sui hoe

MYR 35,000 - 45,000uSD 7,950 - 10,220

A colourful masterpiece by Khoo Sui Hoe, The Colourful Sky sets the tone as a couple lay floating away. Layers of vibrant yellow, pink, blue, and orange suggests that it is dusk as the sun fades away into the horizon. a rooftop can be seen bearing the characteristics of traditional houses found in Sui Hoe’s hometown, Kedah while the couple, in Sui Hoe’s famed primitive style is seen floating as their eyes uncharacteristically blurred out would suggest that they, as Sui hoe intends viewers to be, are dreaming away. ever the escapist, The Colourful Sky brings viewers to into a dream like state where not only calm and peace can be found, but also joy and happiness.

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084Tang hong Lee(b.Penang, 1963)Cloud River no 6 Red Lips, 2015

oil on canvas: 183 x 183 cmSigned and dated, lower left: Tang Lee, 2015

MYR 20,000 - 30,000uSD 4,540 - 6,810

Red Lips is a colossal piece of monochromatic red from Tang hong Lee’s latest series, Cloud River. Projecting both drama and spirit, two large foamy waves converge to form a pair of sensual pair of red lips. Staying true to his philosophy, hong Lee seizes the opportunity to spread his joy and riding the crest are quirky trees and houses, painted in hong Lee’s trademark whimsi-cal colour palette. In Red Lips, Tang hong Lee manages to convey not only joy, but a sense of energy and movement as well.

Tang hong Lee graduated with a diploma in fine arts from the Kuala Lumpur Col-lege of art (1986) and went on to obtain his Bachelor of art (Visual art) Print Making from the Canberra Institute of arts, australia (1990). Since 1989, hong Lee has been actively participating in both local and international exhibitions; appearing regularly in Singapore, Thailand and South Korea. Hong Lee held is first solo exhibition Rhythm of Colours, Monmentous Art Gallery, Sin-gapore (2003), and has held 7 different solo exhibitions since; including Sunrise and Sunset, art Square Gallery, Kuala Lumpur (2013), and Dreamland, PinkGuy Gallery, Kuala Lumpur (2013). a proponent of ‘happy art’, Hong Lee has had Honourable Mention for the Philip Morris Award (1999) and anugerah Insentif Pameran Terbuka, Gallery Shah alam (2000). hong Lee’s works make up part of the public collections of Bank negara Malaysia, Maybank, and hong Leong Bank among others.

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086haSan DJaafaR(Koto Gadang,West Sumatra, 1919 - 1995)Landscape

oil on canvas: 70 x 98 cmSigned, lower left: hasan Djaafar

MYR 3,000 - 5,000uSD 680 - 1,140

085DeWa PuTu Mokoh (Pengosekan, Ubud,Bali, 1936)Lomba Jukung

acrylic on canvas: 80 x 60 cmSigned, lower right: MokohSigned, titled on the reverse

MYR 3,600 - 4,500uSD 820 - 1,020

Dewa Putu Mokoh never had any formal education in arts, which helped him form his unique style of “Pengosekan” technique. not burdened by theories, he learned his painting from I Gusti Kobot but very soon branched out and developed his own distinctive style.

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087haSiM (Jakarta, 1921-1982)Woman

oil on canvas: 82 x 58 cmSigned, lower left: hasim

MYR 5,500 - 7,000uSD 1,250 - 1,590

Born in Jakarta, 1921. he lived and worked in Jakarta. He is famous of producing portrait figures of woman and landscape. his works have been in the collection of many art collectors.

088LiM WaSiM(Garut, West Java, 1929 – Jakarta, 2004)Man and Cockerel, 1968

oil on canvas: 65 x 45 cmSigned and dated, lower left: L. Wasim’68

MYR 6,000 - 8,000 uSD 1,360 - 1,820

Lim Wasim learned painting with Kok Tekkang at Tiong hoa hwee Koan and soon after, under the tutelage of Sudjana Kerton and Mochtar Apin. Not satisfied with the informal education, Wasim graduated from China Institute of fine art in 1956 and was then assigned to teach at xian an Institute until 1959. Wasim actively participates in group exhibitions especially in Bandung and he was appointed as a Presidential Palace painter in 1961. In recognition of his talents, Wasim was awarded the gold medal Golden Centaur from International Parliament, USa.

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089MaRia TJui(Pariaman, Sumatra, 1934)klenteng, 1970

oil on canvas: 125 x 147 cmSigned and dated, lower left: Maria Tjui, 1970

MYR 4,000 - 6,000uSD 910 - 1,360

Maria Tjui was born at Pariaman, West Sumatra in 1934. She started painting when she was a member of S.I.M (Young Indonesian artists) under the guidance of S. Soedjojono. In 1961 to 1963, she studied at the Indonesia academy of fine arts, Yogyakarta in Sculpturing. During the years of 1967 to 1970, she toured some asian countries exhibiting her works. Upon returning to Indonesia, Maria continued her tour and exhibited her works in several cities.

090SuDJono aBDuLLah(Yogyakarta, 1911 – 1993)Pasar

oil on canvas: 100 x 150 cmSigned, lower left: S. abdullah MYR 5,500 - 7,000uSD 1,250 - 1,590

Raden Soedjono abdullah was born in Yogyakarta into a family of artists. Soedjono was the son of abdullah Suriosubroto, a famous landscape artist and his brother is Basoeki abdullah, renowned portrait artis. Soedjono’s exposure to arts started at a young age where he used to help his father clean the pallet from which he found his passion to be an artist. He finished his school from HIS – Indonesian Dutch School and worked as a poster artist for the Rex Theater in Yogyakarta. During the Japanese colonization in Indonesia, Suedjono went to Parangtritis, Parangkusumo where he continued painting. During the 1970’s, Soedjono moved to Kertosono in east Java, where he lived up to his death in the village of Pisang at Patian Rowo in 1993.

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091nYoMan gunaRSa(Klungkung, 1944)gadis Mencuci, 1992

Watercolour on paper: 75 x 45,5 cmSigned and dated, lower left: 92

MYR 3,000 - 5,000 uSD 680 - 1,140

nyoman Gunarsa graduated from the Indonesian fine arts academy (aSRI) in Yogyakarta where he is currently an art lecturer. nyoman Gunarsa began his career as a portrait artist and since 1967, he has been actively holding solo exhibitions in venues such as the British embassy, Jakarta, Indonesia (1967), arcade Gallery, Kuala Lumpur, Malaysia (1971), Blance Gallery, San francisco, United States (1991), Blance Gallery, osaka, Japan (1982), 21 Gallery, Singapore (1995), opera Gallery, Paris, france (1996), and hamburgische Landesbank, hamburg, Germany (1998). nyoman Gunarsa also actively participates in joint exhibitions both locally and internationally. In recognition of his talents, nyoman Gunarsa has received awards from the Pratisara affandi adikarya (1976), Biennial Indonesian art exhibitions (1878 & 1980), and the Lempad Prize (1980) and his works are in the collections of many prominent international collectors.

092haSiM (Jakarta, 1921-1982)Penari Bali, 1960

oil on canvas: 126 x 79 cmSigned and dated, lower right:hasim 60

MYR 4,500 - 6,000 uSD 1,020 - 1,360

Born in Jakarta, 1921. he lived and worked in Jakarta. He is famous of producing portrait figures of woman and landscape. his works have been in the collection of many art collectors.

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093Lee Man fong

(Canton, China 1913 – Singapore 1988)Landscape, 1968

Watercolor on paper: 75 x 105 cmSigned and dated, lower right: Mf. Lee,’68

MYR 50,000 - 70,000 uSD 11,350 - 15,890

Lee Man fong was born in Canton, China, 1913. he arrived at Singapore at young age then later moved to Jakarta. Man fong showed great artistic talent from a young age and he was invited to participate in the association’s first art exhibition, by the head of the Dutch east Indies associations in 1931. Before becoming a full time artist, Man fong was a earning his reputation as a successful commercial artist.

Lee Man fong’s successful exhibitions in Bandung and Jakarta earn him a reputation at that time. In 1946, Man fong received a scholarship from the Dutch government to study arts in holland. In 1952 he returned to Indonesia and gained more accolades as well as acknowledgement where Lee Man Fong officially became the presidential palace’s painter and chief curators of its collection in 1961 and compiled a 5 volume edition of President Sukarno’s art collection. Lee Man fong died in 1988 and is remembered as one of Indonesia’s great masters.

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Born in Solo, 1938, Jeihan Sukmantoro studied at the himpunan Budaya Surakarta (hBS – Surakarta Cultural Society) (1953 – 1955) and at Bandung Institute of Technology (ITB) (1960 – 1966). In 1978, he established the Studio Seni Rupa Bandung (Bandung fine arts Studio) together with Dr Sudjoko. Jeihan has participated in several exhibitions and has held solo exhibitions at Bandung (1998), Galerie Darga & Lansberg, Paris, france (1999), Darga Gallery, Bali (2000), Jakarta hilton International hotel, Jakarta, and nadi Gallery, Jakarta (2002). Jeihan Sukmantoro combines eastern mysticism with Western analytical sense that makes his portraits very distinctive and well known.

095Jeihan SukManToRo (Solo, 1938)intan, 1998

oil on canvas: 70 x 70 cmSigned and dated, upper left: Jeihan98Signed and titled on the reverse

MYR 12,000 - 18,000 uSD 2,720 - 4,090

094Jeihan SukManToRo (Solo, 1938)Ia Yang Pasrah,1976

oil on canvas: 70 x 70 cm Signed and dated, upper right: Jeihan ’76Signed, titled and dated on the reverse

MYR 9,000 - 12,000USD 2,040 - 2,720

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096eRiCa heSTu WahYuni (Yogyakarta, 1971)family Lives in Love, 2015

acrylic on canvas: 90 x 120 cmSigned and dated, lower right: erica, 2015Signed and titled on the reverse

MYR 5,000 - 7,000 uSD 1,140 - 1,590

erica hestu Wahyuni’s art journey began at a young age when she joined the Saggar Katamsi under the tutelage of Suharto P.R. and herry Wibowo. erica graduated from the Indonesian Institute of arts (ISI), Yogyakarta in 1996 where she won the award for Best Work in 1993. erica has been actively performing both group and solo exhibitions in Yogyakarta, Jakarta, and internationally. Known for her distinctive form of “Happy Art”, Erica’s canvas is usually filled with bright colours and joyous narrative as she looks to spread joy through art.

Liem Tjoe Ing started painting as a pupil of the artist Siau Tik Kwie during the Japanese occupation of the archipelago during World War II from the years 1942 to 1945. Tjoe Ing was a member of both the Pelangi artist association and himpunan Budaya Surakarta (hBS). asides being an artist, Tjoe Ing was a well-known sculpture and art designer as well. Tjoe Ing chose the light hearted and popular subjects for his paintings by capturing panorama views, flowers, and dances as his main subjects and his works can be seen on the ceiling of Mangkunegaran Palace, Surakarta. Tjoe Ing took a hiatus from painting when he took up politics and became a member of Surakarta legislative assembly representing the Indonesian Christian Party. In 1978, Tjoe Ing was asked by vice president adam Malik to complie a book, which was later titled Paintings in adam Malik’s Collection.

097LieM TJoe ing(Surakarta, 1922-1996)gadis Bali, 1991

oil on canvas: 95 x 70 cmSigned and dated, lower left: L. Tjoe Ing’91

MYR 7,000 - 9,000uSD 1,590 - 2,040

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098Leo eLanD(Java, 1884 – 1952)View of iceberg

oil on canvas: 90 x 70 cmSigned, lower right: L. eland

MYR 12,000 - 18,000uSD 2,720 - 4,090

Leo eland was an autodidact artist who lived a worked in Indonesia. Leo was intensely involved in the Union of Dutch Indies art Circles from the beginning of the 20th century where he painted a great deal of Indonesian nature with a tremendous command of light and shade. In the 1920’s, he left to settle in The hague but continued to paint Indonesian subjects, reminiscing his love for the beauty he found there. Leo eland’s works were included in the International Colonial exhibition in Paris (1932) but was unfortunately damaged by fire. Today, his works can still be seen in several Dutch museums.

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099WiDaYaT(Kutoarjo, 1919 – Jakarta, 2002)ibu Thomas halim, 2001

oil on canvas: 68 x 60 cmSigned, lower left: Widajat, 2001 Literature: 83rd anniversary haji WidayatSolo exhibition, pg. 63 lot 026

MYR 9,000 - 12,000 uSD 2,040 - 2,720

Born in Kutoarjo, Central Java, 1919. he studied at the Indonesian fine art academy (aSRI), Yogyakarta and Ceramics and Landscape, nagoya, Japan (1960). he received BKPM award (1953), a cultural award from the Indonesian Government (1972), the Best Biennial Painting, Yogyakarta (1986) and the aSean award, Brunei Darussalam (1993). his works have been shown throughout Indonesia and abroad. he performed his solo exhibitions in Yogyakarta (1983), Jakarta (1985, 1990, 1991, 1992, 2000 and participated in joint exhibition in Japan, netherlands and United States for KIaS (1990 – 1991).

100aMing PRaYiTno (Surakarta, 1943)Sarang ikan Biru,1989

oil on canvas: 125 x 125 cmSigned and dated, lower right: aming.1989

MYR 8,000 - 12,000 uSD 1,820 - 2,720

aming Prayitno graduated from the Indonesian fine art academy (aSRI) Yogyakarta in 1977 and had his education prior at the Koninklijk akademie Voor Schonkunsten, Gent, Belgium in 1976. aming Prayitno has received a number of awards for his works; among them are the Raden Saleh award (1972), The Best Work at the Biennal Indonesian Painting (1974 & 1980) and The Best work at Biennal Painting, Yogyakarta, (1992).

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101WiDaYaT (Kutoarjo, 1919 – Jakarta, 2002)

a. In The Ricefields, 1968Watercolor on paper: 28 x 38 cmSigned and dated, lower right: Wid 68

b. nude xVi, 1997Pastel on paper: 30 x 41 cmSigned and dated, lower left: h. Widayat 97

c. Burung-burung di alam, 1996Spidol on paper: 55 x 40 cmSigned and dated, lower right: Widayat 96

MYR 4,500 - 6,000uSD 1,020 - 1,360

Widayat studied at the Indonesian fine art academy (aSRI), Yogyakarta, where he became known as a lecturer of the Indonesian Institute of fine arts (ISI) Yogyakarta as well as a prominent artist. Since 1950 to 2002, Widayat participated in numerous art exhibitions in Indonesia as well as internationally, in countries such as Singapore, Thailand, Japan, hong Kong, netherlands, Italy, United States, and australia. Widayat is said to be a maestro after affandi, as published in the book “educator and Painter” by ISI Yogyakarta in 1988. Widayat was also a revolutionary artist, and master of gardening and graphics arts. Widayat was the first artist whose exhibition was largely exhibited in the Singapore art Museum, one of the most important museums in Southeast asia on September 2007 and it was held for the duration of two months. according to Prof. Soedarso Sp Ma, Widayat’s artistic works can be levelled with the works of henri Rousseau (a france surrealist artist) who has been his great inspiration.Widayat paints freely, and is unburdened by anything except that he always attempts to infuse contents, giving significance to his imaginary space by means of symbols and indications. Looking at Widayat’s works, we are taken to the archaic nature and to the daily life, without perspective, and without criticism for something. We may remark them as beautiful and alluring, crowding our retinas, innocently accepting reality, fascinatingly interpretable, and mystically thrilling space.

a)

b)

c)

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102haSan DJaafaR (Koto Gadang, West Sumatra, 1919 - 1995)Market Scene

oil on canvas: 66 x 86 cmSigned, lower left: hasan Djaafar

MYR 7,000 - 10,000uSD 1,590 - 2,270

hasan Djaafar was taught by the famous landscape painter, Wakidi. after his visit to europe in 1948, Hasan Djaafar was deeply influenced by the impressionist and expressionist and traces of the European masters can be seen through his work with his light and short brushstrokes capturing the natural light. In 1956, Hasan Djaafar held his first exhibition in Indonesia then continued to participate in tour exhibitions internationally in countries such as Singapore, australia, Brazil, Japan, and several european countries.

103fReDeRiCk kaSenDa (b. 1900’s.)Landscape, 1931

oil on canvas: 65 x 101 cmSigned and dated, lower right: frederik Kasenda, 1931

MYR 5,500 - 7,000uSD 1,250 - 1,590

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104huang Yao, 黄尧(b. Shanghai,1914 - d. Kuala Lumpur 1987)Pagoda in a Landscape, 2010 Chinese ink on rice paper: 64 x 49 cmSigned and sealed, upper left in chinese character

MYR 15,000 - 25,000uSD 3,410 - 5,680

本名黄家塘，原籍浙江嘉善，出生于上海。知名学者，对中国历史、文学、哲学和艺术均有很高造诣。1934年，黄尧担任《上海新闻报》美术编辑，创作了漫画人物牛鼻子，并凭“牛鼻子”系列漫画，在中国红极一时。黄尧还广泛涉猎山水画、中国民俗画、书法等艺术领域。1956年，应马来亚教育部之聘，他南下担任教师，并开始画更多南洋风情画。黄尧的水墨画表现了浓厚的南洋风格，是早期马来西亚画家的代表性人物，也影响了后来许多本土画家的绘画风格。

105Li BaoYi, 李抱一(b. henan, 1941)Playing Chess, 1998 Coloured ink on chinese rice paper: 34 x 138 cmSigned and sealed, lower left in chinese character

MYR 4,000 - 8,000uSD 910 - 1,820

曾用名李国庆，中国著名人物画家，现任开封市美协副主席。1941年生于河南开封，祖籍河北保定肃宁，现居北京。他现任开封书画院副院长，中国美术家协会会员，河南美协中国画人物画艺术委员会副主任，开封市美协副主席，泰华艺术协会荣誉顾问（泰国）。他自幼展现过人的绘画天分，不论是水墨还是油画，都能驾驭自如。他曾经在多个亚洲国家举行过个展，作品也获得多所美术馆和私人收藏家欣赏而收藏。他曾获中国第六届全国美展优秀作品奖、首届世界华人书画展银奖、中国画三百家铜奖、连续6届获开封文学艺术创作基金奖。出版有《李抱一画集》之《马来西亚版、泰国版》、《李抱一国画艺术》之《古代人物卷》、《西域风情卷》、《扇面、小品卷》等。1995年，李抱一应马来西亚邀请赴吉隆坡、槟城、阿罗士打、双溪大年等城市举行《李抱一画展》并在马来西亚出版《李抱一画集》。

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竺摩法师，浙江乐清县（现为乐清市）人，俗姓陈。幼年于雁荡山出家，自号雁荡山僧。毕业于闽南、武昌等佛学院。曾随学于岭南画家高剑父，遂善绘事。抗日战争前，曾在香港弘法，1953年转往马来西亚槟城。竺摩法师亦擅长诗词、散文，书法尤自成一格，除讲经弘道外，经常作书写画与人结缘，有佛门才子之誉，墨宝多为海内外各道场所珍藏。

丁衍庸，广东省茂名县（今高州市）谢鸡镇人。中国现代美术的重要倡导者之一，现代著名国画家、油画家、篆刻家、美术教育家。丁衍庸是中国现代美术的重要倡导者之一。他的绘画由西画始而以中国书画和篆刻终，由倡导现代绘画、追随西方现代主义而变为探索传统绘画的革新。他画擅长花鸟、山水、人物，花鸟自成一格；山水画笔触胆大豪放，布局革新，留白巧妙，意境深远；人物画也饶有情趣；书汉擅长草书。丁衍庸将传统笔墨、传统文人画的造型与现代西方绘画的某些观念糅合起来，产生了奇倔幽默、稚拙而奔放的特色。

106Ding YanYong 丁衍庸(b. China, 1902 - 1978)figures, 1964

Chinese ink on rice paper: 35,5 x 22 cm eacha)Signed and dated, lower left: Y. Ding, 1964 b)Signed and sealed, lower left in chinese character

MYR 2,000 - 5,000uSD 450 - 1,140

107Zhu Mo, DaTo ’ 竺摩(China, 1913 - 2002)Calligraphy and Landscape

Chinese ink on rice paper: 13 x 8 cm eacha) Signed and sealed, upper left in chinese character b)Signed and sealed, upper left in chinese character

MYR 1,000 - 2,000uSD 230 - 450

a) b)

a) b)

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108Bo Yuan 伯圆长老(b. China,1914-2009)Plum Blossoms

Chinese ink on rice paper: 120,5 x 64 cmSigned and selaed, upper area in chinese character

MYR 10,000 - 15,000uSD 2,270 - 3,410

Born in 1914, fujian. Besides his contribution in Buddism in Malaysia, he has proven his accomplishments in poetry and calligraphy. Bo Yuan calligraphy and paintings has been hailed as more people book Zen harmony unity. To acknowledge his great achievement in art two tombstones were elected on 1991 and 1992 subsequently, entitled “God of ink” and “Poetry God”. In 2000, Malaysia national art Gallery features his solo.

伯圆长老生于1914年，原籍福建福安，童年入读私塾，早结翰墨因缘，遍览名迹法帖。在弘扬禅教之余，长老更精进书画，丹青墨宝，遍及世界各地。长老博学审思，明辩笃实，诗书画艺已臻化境，平素清淡自娱，自号湖宾闲人，每以书画调和禅心，著有《睡狮身上的疤痕》、《松涛声里话前尘》、《心清安祥——伯圆上人的禅艺世界》作品集等。长老的书法分别于1991和1992年被选刻立碑于中国“神墨碑林”与“诗圣碑林”，2000年更受马来西亚国家美术馆邀请举行个展，成为在该馆举行大型书画个展的第一人。

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109Cheah Thien Soong, DR. 谢忝宋博士(b. negeri Sembilan, 1942) Cherish 2, 2010 Coloured ink and chinese ink on rice paper: 68 x 41 cmSigned and stamped with artist’s seal, lower right in chinese character

MYR 3,500 - 5,000uSD 790 - 1,140

谢忝宋，1942年生于马来西亚森美兰州，又名谢梅，是马来西亚著名的杰出水墨画家。他于1962年毕业于新加坡南洋美专，2002年荣获美国英特大学颁予的美术哲学博士荣衔，现任马来西亚国际现代书画联盟总会长，也是南洋美专校友会(马)会长。他的绘画艺术揉和了儒释道精神，这体现在他对艺术传统保持了一种融会贯通、和谐均称的态势。他的画作捕捉到可见物质世界虚空的底蕴。他擅长把东西方艺术以及具象和抽象元素结合在一起，成功创造一种具有借鉴意义的崭新而独特的风格，给予观者以审美、和谐以及愉悦的感觉。

梁培龙，中国儿童画十家之一、中国美术家协会会员、广东省美术家协会理事。从事少年儿童读物编辑出版工作30多年，作品强调童趣、强调水墨交溶的艺术效果，曾多次获得奖项，并多次人选中、小学教材。

季从南，字季节，中国美术家协会会员、甘肃西部书画院荣誉院长等职。80年代，季从南创作、设计、研制了多件大型（最大的200多平方米）壁画在省市重要场所，表现西部风土人情。获得甘肃省百花创作一等、二等奖多项。

110a) Ji Chong nan 季从南(b.China 1935)grassland

Chinese ink on rice paper: 46 x 54,5 cmSigned and sealed, upper right in chinese character

b)Liang Pei Long 梁培龍 (b. Guangdong, China, 1944)herder girl

Chinese ink on rice paper: 49 x 56 cmSigned and sealed, lower right in chinese character

MYR 2,000 - 5,000uSD 450 - 1,140

b)a)

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111ZHONG ZHENG SUN, DR. 钟正山博士(b. Malacca, 1935)The natives

Chinese ink on rice paper: 94 x 179 cmSigned and dated, upper right in chinese character

MYR 8,000 - 15,000uSD 1,820 - 3,410

钟正山1935年生于马六甲，祖籍今广东梅州市梅县区，乃马来西亚享誉国际的艺术家和美术教育家。他也是马来西亚现代艺术教育之父， 1982年至1989年国际现代水墨画联盟主席， 1967年创办马来西亚艺术学院并任院长32年。钟正山谙熟中西艺术的演变，特别对“道”的哲学思想有深刻的领悟，是他创作的泉源。他的作品渗透了儒、道、佛的思想，不拘泥于一家之法，也不局限于一种技法，而是不断求新求变地探索绘画和人生的真谛，将不同的时空、经验、体会和感情诉诸于画面，以寻求变化和突破。

112Zhong Zheng Chuan 钟正川(b. Malacca, 1945)Blossoms, 2012


MYR 14,000 - 25,000uSD 3,180 - 5,680

钟正川祖籍广东梅州市梅县区，1945年出生于马来西亚，现为马来西亚水墨画协会总会长、香港世界艺术家联合总会副主席、新加坡书法家协会、北京市希望书库基金会海外荣誉副会长等。其作品被马来西亚国家艺术馆、中国艺术研究院、齐白石纪念馆、张大千纪念馆、韩国文化艺术馆、台湾国立教育美术馆、马来西亚前首相马哈迪和阿都拉等政要、大使、国家级美术馆收藏。被誉为“马来西亚的齐白石”。2008年6月，与靳尚谊、吴冠中、朱徳群、王明明入选《海内外中国书画艺术当代名家集》五大名家之一。

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113Le Chek Wen 吕介文(b. Malacca, 1934 – d. negeri Sembilan, 1988)Cloudscape


MYR 8,000 - 12,000uSD 1,820 - 2,720

114xu Bei hong 徐悲鸿 (b. Yixing, China, 1895)horse

Woodblock print on chinese rice paper: 50,5 x 49 cmSigned and sealed, upper right in chinese character

MYR 2,000 - 5,000 uSD 450 - 1,140

原名徐寿康，江苏宜兴屺亭镇人。中国现代画家、美术教育家。中国现代美术的奠基者。1919年赴法国学习油画、素描，并游历西欧诸国观摹研究西方美术。徐悲鴻最擅長画馬。在绘画创作上，他提倡“尽精微，致广大”，对中国画，提倡“古法之佳者守之，垂绝者继之，不佳者改之，未足者增之，西方绘画可采入者融之。”徐悲鸿擅长油画、尤精素描。人物造型注重写实，传达神情，尤以画马驰誉中外，融合中西技法，而自成面貌。

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115Wu guanZhong 吳冠中(b.China, 1919 - d. China, 2010)Jiaohe Ruins, 1981

Collotype print on rice paper: 68 x 67 cmSigned and sealed, lower left in chinese character

Documented in Scenery of Life published by BaiYa xuan art Gallery 百雅轩画廊,pg 34

MYR 2,500 - 5,000uSD 570 - 1,140

吴冠中出生于中国江苏省宜兴市，是20世纪现代中国绘画的代表性画家，也是中国现代美术教育家，终生致力于油画民族化及中国画现代化之探索，坚韧不拔地实践着“油画民族化”、“中国画现代化”的创作理念，形成了鲜明的艺术特色。他执着地守望着“在祖国、在故乡、在家园、在自己心底”的真切情感，表达了民族和大众的审美需求，他的作品具有很高的文化品格。吴冠中的油画代表作有《长江三峡》、《北国风光》、《小鸟天堂》、《黄山松》、《鲁迅的故乡》等。中国画代表作有《春雪》及《狮子林》、《长城》等。

116Wu guanZhong( b.China, 1919 - d. China, 2010)Village by the River, 1991

Collotype print on rice paper: 65 x 135 cmSigned and sealed in chinese character

Documented in Scenery of life published by BaiYa xuan art Gallery 百雅轩画廊,pg20

MYR 4,500 - 8,000uSD 1,020 - 1,820

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117Chen Wen hSi 陈文希(China 1906 – Singapore 1992)Three gibbons

Chinese ink on rice paper: 134 x 34 cmSigned and sealed in chinese character

MYR 25,000 - 50,000uSD 5,680 - 11,350

Born in Baigong, from the province of Guangdong, Chen Wen hsi studied art at the xinhua College of art in Shanghai where he was thought by renowned artists such as Pan Tianshou. after moving to Singapore in 1948, Chen Wen hsi proceeded to teach at the Chinese high School (1914-1968) and then the nanyang academy of fine arts (1951-1959). as an artist, Chen Wen hsi actively participated in several exhibitions outside Singapore which incidentally promoted Singapore. among the many awards he has received are the Public Service Star (1964), a Gold Medal by the National Museum of History, Taiwan (1980), the first recipient of the aSean Cultural and Communication award for outstanding artists (1987), and an honorary doctorate from the national University of Singapore. Chen Wen hsi is Singapore’s pioneer artist that combines Chinese and Western techniques in his semi abstract work. his constant eagerness to strive for something new led him to learn finger painting, a technique that dates back from the Tang Dynasty. This drawing style has enabled him to produce unpredictable broken strokes on paper. Chen Wen hsi is renowned for his skills in depicting animals, of which it is the gibbons that he is most associated with. It is Chen Wen hsi’s mastery of the gibbons that led it to be commemorated on the 50 Singapore Dollars note.

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118Chen Wen hSi 陈文希(China 1906 – Singapore 1992)Two gibbons

Chinese ink on rice paper: 71 x 40 cmSigned and sealed, upper left in chinese character MYR 25,000 - 35,000uSD 5,680 - 7,950

98


119PeTeR LieW(b. Selangor,1974)Yiwan Chinese Temple, 2001

oil on canvas: 100 x 73 cmSigned and dated, Peter Liew, ‘01 and on the reverse

MYR 10,000 - 18,000uSD 2,270 - 4,090

Selangor born Peter Liew graduated with a Diploma from the Malaysia Institute of art (MIa) in 1979 and lectured there from 1981 to 1993 before becoming a full time artist. Peter Liew is known for his impasto technique where thick slabs of paint is laid using a palette knife or brush giving Peter Liew’s painting plenty of texture. Peter Liew travels the world to capture the natural landscapes and he has held three solo exhibitions, outdoor Painting exhibition, artist house Gallery, Kuala Lumpur (1981), oil Painting exhibition, Balai Seni Maybank, Kuala Lumpur (1997), and Skopje, Museum of the City of Skopje, Republic of Macedonia (2002)

120YaP Chin hoe (b. Selangor, 1970)awaiting Lunar new Year, 2015

oil on canvas: 51 x 51 cmSigned, lower right: Chin hoe and reverse

MYR 5,000 - 8,000uSD 1,140 - 1,820

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121RaPhaeL SCoTT ahBeng(b. Bau, 1939)a) Shifting farming, 2006b) Village of git, 2012

oil on canvas: 23 x 30,5 cm eacha) Signed, dated and titled, lower right: Shifting farming, RSa, 2006b) Signed, dated and titled, lower right: Village of Git, RSa, 2012

MYR 4,000 - 7,000uSD 910 - 1,590

122Tan Peng hooi (b.Penang, 1942) fishing Village, 1968

oil on canvas: 67 x 47,5 cmSigned and dated, lower right: Tan Peng Hooi, ‘68 MYR 4,000 - 8,000uSD 910 - 1,820

Born in 1944, Penang. Tan Peng hooi is a veteran artist since 1966s. At the same year, he had his first solo exhibition at Penang Library. after several successful exhibitions, Peng hooi has been known as one of Malaysia’s most promising young artist. he was honoured by the Reader’s Digest with a featured article, “The Painter who Preserves Malaysia’s past”. The beauty of rural life, ducks, doves and chicken have been presented on the canvas through Peng hooi’s keen sense of per-ception and unique expression. Peng hooi’s love for the rural life has even earned him a front cover of Malaysia art.

b)a)

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Samsudin Wahab graduated with a diploma in fine arts from MaRa Institute of Technology (UiTM), Seri Iskandar Perak (2005) before earning his Bachelors in fine art, UiTM (2007) with honours. Despite his relatively recent graduation, Samsudin Wahab has been actively participating in exhibi-tions gaining a reputation amongst peers and critics alike. among the notable exhibitions Samsudin has participated in are Peninsula & Island, Taksu Gallery, Singapore (2008), Young and new, house of Matahari Gallery (hoM), Kuala Lumpur (2008) and aRT Singapore, The Contemporary asian art Show, Singapore (2009) and was rewarded with a solo exhibition enough!, Taksu Gallery, Kuala Lumpur (2008). an artist who incorporates multiple art disciplines, Samsudin Wahab was the winner for Malaysian emerging artist (Mea) art award in 2009 and a recipient of the Jurors’ award for the Young Contemporaries exhibition, national Visual art Gallery in 2013. This painting, Rasuk II, which translates to possess, is a painting of an artist at work. With his back against the canvass, one can see the artist at work, and the title itself suggest that the artist is in a state of mind so deep that he is possessed. The use of dark, deep colours further amplifies the atmosphere in which only then can creativity be at its finest.

123SaMSuDin WahaB(b. Perak, 1984)Rasuk ii, 2007

oil on canvas: 91,5 x 91,5 cmSigned, lower right: Samsudin Wahab

MYR 8,000 - 15,000uSD 1,820 - 3,410

101


124TeW nai Tong(Selangor, 1936 - 2013)Mother’s Love, 2007

Watercolour on paper: 68 x 43 cmSigned and titled, lower right: nai Tong, Mother’s Love

MYR 4,000 - 7,000uSD 910 - 1,590

125Lee Weng faTT(b. Kuala Lumpur, 1967)Jalan Tun S.h.Lee kuala Lumpur, 2008

oil on canvas: 50 x 124 cmSigned and dated, lower left: Lee Weng Fatt, ‘08Titled, lower right: Jalan Tun S.h.Lee Kuala Lumpur MYR 5,000 - 8,000uSD 1,140 - 1,820

Lee Weng fatt captures the rich and unique architectural and cultural heritage which are slowly disappearing form our lives. Known for illustrating the tremendous beauty and grandeur that exists in historical buildings, Lee Weng Fatt first started out as a watercolourist until he decided to change to oils in 1995. Lee Weng fatt received his formal artistic training at the Kuala Lumpur College of art and is currently a full time artist who his works are exhibit both locally and internationally. In the words of former Culture Minister, Dato’ Dr Rais Yatim, “Weng fatt can revitalize Malaysian heritage and can change the mindset which unfortunately currently puts modern progress over heritage”.

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126ShaPaReL hJ SaLLeh(b. 1972, Malacca)flora, 2013

acrylic on canvas: 44 x 85 cmSigned and dated, lower right: Shaparel, 2013Signed, titled and dated on the reverse

MYR 3,000 - 5,000uSD 680 - 1,140

127JaniZ Chan(b. Perak, 1966)i feel good, 2009

oil on canvas: 117 x 91,5 cmSigned and dated, lower: Janiz, ‘09

MYR 5,000 - 8,000uSD 1,140 - 1,820

Janiz Chan graduated in graphic design from the Malaysian Institute of art (MIa). after 15 years in graphic design, Janiz became a full time artist in 2007 and has since participated in exhibitions both locally and internationally in Philippines, Singapore, and hong Kong. In 2012, Janiz participated in “Cultural Confluence – IV” exhibition in Paris, France and held her first solo exhibition in Singapore, “Tease”. I Feel Good illustrates just why Janiz is sought after. her quick, broad strokes and quirky drips evoke a sense of spontaneity while her delicate colour pallete allows the subtleties of the female spirit to radiate in this joyous piece by Janiz.

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129TeW nai Tong(Selangor, 1936 - 2013)Pulau ketam, 1989

Watercolour on paper: 53 x 73 cmSigned, lower right: nai Tong

MYR 5,000 - 8,000uSD 1,140 - 1,820

128MaaMoR JanTan(b. Kedah, 1961)kampung house, 2014

Watercolour on paper: 52 x 74,5 cmSigned and dated, lower right: Maamor Jantan, ‘14

MYR 3,000 - 6,000uSD 680 - 1,360

a protégé of Khalil Ibrahim, Maamor Jantan started off as an assistant curator before meeting Khalil in 1984. Maamor’s unconventional approach to watercolour paintings has distinguished himself from other artist and has led him to join the Malaysian Watercolour Society. Known for his ‘Cak Cibor’ series, better known as dragonfly, Maamor Jantan is also well versed in other subjects such as village scenes, night scenes and such. His paintings have been exhibited in Indonesia, Thailand, and Malaysia and recently in 2014 held his first solo exhibition in University Malaya which consists of over 150 paintings.

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130Yong Mun Sen(Kuching, 1896 - 1962)fishing Village, 1941

Watercolour on paper: 28 x 38 cmSigned and dated, lower left in chinese characters: Mun Sen, 1941

MYR 5,000 - 8,000uSD 1,140 - 1,820

Affectionately known as the “Father of Malaysian Painting”, Mun Sen is one of those pioneer artists who influenced the birth and growth of modern and contemporary Malaysia art. Born in Kuching in 1896, Mun Sen went to Dabu County in Meizhou City, Guangdong Province in China for schooling in brush use and calligraphy. During his stay, Mun Sen witnessed a Japanese watercolour artist which amazed him left a lasting impression. In 1920, Mun Sen moved to Penang where he lived for the rest of his life. There, Mun Sen became the founding member of the Penang Chinese art Club and helped set up the Singapore Society of Chinese artist in 1935. In 1937, Mun Sen proposed the setting up of the nanyang academy of fine arts in which his proposal was ac-cepted and nafa was set up in 1938. numerous solo exhibitions has been held posthumously in recognition of Yong Mun Sen’s contribution to Malaysian art and among them are Yong Mun Sen Memorial exhibition, national art Gallery, Kuala Lumpur (1972), Yong Mun Sen – father of Malaysian Paintings, The art Gallery, Penang (1998), and Retrospective exhibition, Penang State art Gallery (1999).

131Yong Mun Sen(Kuching, 1896 - 1962)house on Stilts, 1940

Watercolour on paper: 28 x 38 cmSigned and dated, lower left in chinese characters: Mun Sen, 1940

MYR 5,000 - 8,000uSD 1,140 - 1,820

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132DiRoT kaDiRah(Indramayu, 1972)nelayan dan ikan, 2016

acrylic on canvas: 120 x 145 cmSigned and dated, lower left: Dirot, 2016

MYR 5,000 - 7,000 uSD 1,140 - 1,590

Dirot Kadirah studied painting under Indonesian maestros affandi and Sudarsono after he travelled to Bali in 1992. What started as a passion soon became a career as Dirot’s paintings started to gain a following amongst the art collectors and galleries in Bali and in 1996 Dirot became a full time artist establishing himself with his own distinctive style. It took 3 years of experimentations before Dirot settled on a style which is uniquely his with his portrayal of the Indonesian life and its perceptions. Since 1994, Dirot has been actively involved in exhibitions, participating in exhibitions in Bali and Jakarta and not long into countries like Singapore and United States. In 2008, Dirot held a solo at the Galeri natsional Jakarta, and he was the only artist that exhibited his works in the World ocean Conference organized by Uno in Manado (2009). Dirot enjoys a wide range of both Indonesian and international collectors.

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133JoSePhine LinggaR(Jember, east Java, 1943) Beauty in Red, 2013

oil on canvas: 120 x 65 cmSigned and dated, lower left: Josephine, 2013 MYR 15,000 - 20,000USD 3,410 - 4,540

Jospehine Linggar has always stayed true to her heart and has produced great works of art with women as her subjects. for Josephine, women possess all the elements for to make great art; their beauty, sincerity, passion, naivety, strength, and weakness are all beautifully portrayed in her works. Josephine is a serious artist who ought to be placed amongst the constellations of Indonesian artist. International collectors as well as the Indonesian Presidential Palace have her works. Primadonna offers women as the main subject - women as calm and cool creatures containing their emotions. Her first dabble into the art world was influenced greatly by William G. Hofker. “His sepia and brownish colours, the poses of the figures, all very natural and thematic. everything was simple but at the same time rich and elegant” Josephine says in her book Primadonna. Jospehine has held numerous solo exhibitions including notable ones like “ Man and 1000 Butterflies” an Aids Charity Exhibition (1997), Singapore Private Banking exhibition, alliance franchise, Singapore (2008), hotel Marriot, Jakarta (2008), Marina Mandarin, Singapore (2001), and Indonesian embassy,Washington DC (2004) and she was exhibited alongside Srihadi Soedarsono, Jeihan Sukmantoro, Sunaryo, and Roedyat at the Regent hotel (1997). In all, Josephine has participated in over 50 exhibitions throughout the world and more than 400 of her works are amongst the collection of art collectors around the world. Josphine’s works has not gone unnoticed among art critics as well and she has been the recipient of the finalist Phillip Morris art awards, Jakarta (2001) and finalist for the Indofood art awards, national Museum in (2002) and she was chosen by the Palace for a special commission to paint the late Madam Tien Soeharto.

I Wayan Pengsong is a Balinese born artist who now lives in Lombok. Considered as an impressionist decorative artist, I Wayan Pengsong paintings have a close relationship with the unique architecture found in Lombok as Wayan continues to scour his beloved country in search of beautiful surroundings. Wayan has the ability to use monochrome colours to heighten the beauty of the amazing Lombok surroundings. Wayan has held many solo and group exhibitions, and has collaborated with fellow artist for exhibitions at GnI Mataram, Suranadi hotel, Lombok University Student hall, Bentara Budaya, Denpasar art Center, Bali, and at Darwin, australia. In 1995 and 1996, he was invited to participate in the art exhibition held by YSRI, Jakarta and in 1998, he attended the Ministry of educational and Culture Collection exhibition at Republic of Indonesia Ministry of educational and Culture exhibition Building.

134i WaYan PengSong(Cakra negara, 1943)angel 1-kedamaian dan kehidupan, 2008

Mixed media on canvas: 60 x 118 cmSigned and dated, lower middle: Pengsong,, 2008Signed, titled and dated on the reverser

MYR 11,000 - 15,000uSD 2,500 - 3,410

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136PoPo iSkanDaR(Garut, 1927 – Bandung, 2000)ayam, 1983

Watercolour on paper: 20 x 21 cmSigned and dated, lower left: Popo 83

MYR 1,500 - 3,000uSD 340 - 680

Born in Garut, December 17, 1927. Popo Iskandar started painting in 1944. he graduated from the University of Indonesia and Bandung Institute of Technology (ITB). Besides being an artist, he is also an art observer and writer. In 1980 he received an art award from Indonesian Government. he has participated in many exhibitions in Indonesia as well as overseas. Popo Iskandar is known for his paintings surrounding subjects such as chickens, cats, and tigers. Popo has held his solo exhibitions at the Taman Ismail Marzuki arts Center, Jakarta (1987, 1992, and 1994), national Gallery, Jakarta (1999) and has participated in group exhibitions at KIaS, USa (1990), The Best of Indonesia, Jakarta (1997), and Slovenia Gradec (1997).

135kaRTika affanDi(Jakarta, 1934)hewan Qurban, 1990

oil on canvas: 100 x 120 cmSigned and dated, lower left: Kartika, 1990

MYR 9,000 - 12,000uSD 2,040 - 2,720

Kartika affandi was born into a family of artist with her father being none other than the Indonesian maestro, affandi. Kartika studied arts at the Tagore University, India in 1950 and her paintings bear resemblance to that of her fathers who was a great influence in her life. Kartika held a tour exhibition in Vienna, austria in 1958 and has never looked back, participating in solo and group exhibitions throughout the world. Kartika has stood out on her own as an artist and have been rewarded for it, receiving awards in france and Italy to name a few.

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137uMi DaChLan (Cirebon, 1942 – Bandung, 2009)Red horizon, 1999

Mixed media on canvas: 120 x 135 cmSigned and dated, lower right: Umi D99

MYR 12,000 - 18,000uSD 2,720 - 4,090

Umi Dachlan studied arts at the faculty of fine arts and Design at Bandung Institute of Technology (ITB). after graduating in 1968, she became a lecturer there in 1969 and Umi later went on to study at the Gerrit Rietveld academy in amsterdam, netherlands, from 1977 to 1979. Umi has participated in many group exhibitions in Indonesia, Japan, Malaysia, Singapore, hong Kong, Korea, Jordan, Belgium, netherlands, Denmark, and Cape Town in South africa. Umi Dachlan was selected to represent Indonesia at the festival of Indonesia in america Touring exhibition in 1990 to 1991 and she has held several solo exhibitions in Taman Ismail Marzuki art Centre, Jakarta (1977 & 1980), Gallery, Bandung (1990), and andy’s Gallery, Jakarta (2000). She was guided from the artist, Ahmad Sadali that greatly influenced her works. Most of her works are deeply rooted in religion and spiritually. Sadly, Umi passed away in Bandung on 1 January 2009.

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138SuDaRSo(Purwokerto, 1914 - 2006)Penari, 1970

oil on canvas: 138 x 84 cmSigned and dated, upper right: Sudarso’70

MYR 12,000 - 18,000uSD 2,720 - 4,090

Sudarso studied arts under the tutelage of Indonesian masters affandi, Barli, Wahdi, and hendra Gunawan and soon found himself as an established artist and even became a lecture for the Indonesian fine arts academy (aRSI), Yogyakarta. Sudarso now lives in Sidoarjo, Surabaya, and have participated in many group exhibitions including the “19 Indonesian Painters” exhibition in Singapore and Malaysia (1967), “angkatan 45 Bandung”, Bandung (1975), and “Membaca Dunia Widayat”, Museum h. Widayat (2004).

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139unTung Wahono (Yogyakarta, 1962)Panjat Pinang 17 agustus, 2015

oil on canvas: 120 x 100 cmSigned and dated, lower right: Untung W. 2015

MYR 3,600 - 4,500uSD 820 - 1,020

Untung Wahono inherited his art from his family. an artist exploits lines and shapes simultaneously. His free flowing shapes, especially that of people and animals, give a sense of movement to his paint-ings. Coupled with the brush strokes of an unburdened artist, subjects are seemed to be in interaction when admired from near or afar. Untung Wahono actively participates in art exhibitions; taking part in shows such as “Jakarta on The Spot” at Plaza In-donesia and Galeri Pasarseni in 2004. In recognition of his talents, Untung received an art award by the President of Indonesia in 2002 and was the finalist of the UPB painting of the year in 2012

affectionately known as “Jack”, Sudjadijono was born into a family or artist with his father being a canvas as well as pup-pet painter. Sudjadijono graduated from SSRI, Yogyakarta in 1973 in fine arts and soon enrolled into the army after graduation. Climbing the ranks in the military has influenced Sudjadijono the artist and reference between military ideology and his phi-losophy on like can be seen in his paintings as seen with the use of puppets in his visual works. Sudjadijono has exhibited his works in several cities in Indonesia such as Yogyakarta and Jakarta.

140SuDJaDiJono(Yogyakarta, 1952)Widodari Pitu kayangan Jongring Saloko, 2014

acrylic on canvas: 135 x 100 cmSigned and dated, lower right: Mas Jacks. 07.02.2104

MYR 3,000 - 5,000uSD 680 - 1,140

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141DuLLah (Solo, 1919 – 1996)Pura

oil on canvas: 60 x 40 cmSigned, lower right: Dullah

MYR 11,000 - 15,000 uSD 2,500 - 3,410

Dullah was born in Solo, 1919. he studied painting under affandi and Sudjojono but has his own distinctive style of naturalism. he was well known for his landscape and portraits paintings. he was one of the founders of hBS – Surakarta Cultural Community (1950). In 1956, he edited the book of former Presiden Soekarno’s Private Collection of Indonesian art (volume I & II). Since the early days of the independence, Dullah was very close to Soekarno, the first President of the Republic of Indonesia and was appointed by Soekarno to care for the President’s private art collection and as curator of the state painting collections. at age 70, Dullah built his museum, now a cultural landmark, as a sign of his dedication to the love for arts over a creative lifetime. Dullah has had numerous art exhibitions in Indonesia and internationally and in 1988 his work was included in the art of Bali exhibition held at the east West Center in honolulu, hawaii. now, his works been kept in Dullah Museum in Solo. he died in 1996.

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142haSiM (Jakarta, 1921-1982)Penari

oil on canvas: 96 x 54 cmSigned, lower right: hasim

MYR 3,000 - 5,000 uSD 680 - 1,140

143oTTo DJaYa(Rangkas Bitung, West java, 1916 - 2002)Legong, 1995

acrylic on canvas: 100 x 700 cmSigned and dated, lower right: otto Djaya, 1995Signed and titled on the rervers

MYR 4,000 - 6,000uSD 910 - 1,360

Born in Rangkas Bitung, Banten, West Java on october 6, 1916. During the Japanese colonialism in Indonesia, he received his army training for officer in the “Pembela Tanah Air” (Defenders of the country) in Bogor. During the Physical revolution, as a Major in the Indonesian army, he took part in the armed Struggle for the Independence of the Republic of Indonesia. after the proclamation, otto had the opportunity to study at the Rijksacademie vanBeeldende Kunsten in amsterdam and at the faculty of Letters and Philosophy, University of amsterdam. he also had the opportunity to join the study-tour of the netherlands, Belgium, france, Italy and Swiss. otto was a Vice Chairman of the art Section of the Cultural Centre in Jakarta. he joined in the “exposition le Grand Prix de Peinture en Monaco” in Monte Carlo and in Biennial exhibition in Sao Paolo, Brazil. Besides his one-man exhibitions in Jakarta, otto often took part in the joint exhibitions in Jakarta and Melbourne, australia.

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144PaCo goRoSPe(b. Philippines, 1939 - d. 2002)abstract Town

oil on canvas: 61 x 91,5 cmSigned, lower left: Paco Gorospe

MYR 8,000 - 12,000 uSD 1,820 -2,720

Paco Gorospe is one of Philippines most famous artist. Gorospe started painting when he joined local group of artist in ermita, Manila. as Gorospe sold his paintings, he reputation grew with it and in 1962, Gorospe was exhibiting at the Washington State fair, US. Gorospe exhibited internation-ally in countries like Japan, Germany, Switzerland, and Denmark, and in 1964, his works were chosen to represent the Philippines at the 1964 new York World’s fair. Known for his versatility and cubism, Paco Gorospe was dubbed the “Picasso of the Philippines” and his works are auctioned by international auction house Christies.

145aguS kaTRo (Suyamto)hari Raya orang Cina, 2014

acrylic on canvas: 140 x 90 cmSigned and dated, lower right: 23.3.2014

MYR 1,000 - 3,000uSD 230 - 680

agus Suyamto “Kartro” found his passion in arts at an early age. after winning several awards in high school which were brought to an exhibition in India, Agus decided to take up fine arts and graduated from the fine arts Insititute (STSI), Solo, Indonesia. after travelling to many places such as Yogyakarta, Solo, and Jakarta, agus Suyamto decided to stay in Bali and started his career as a full time artist. Known for his distinctive naïve decorative style, agus Suyamto has participated in exhibitions in Bali, Malang, Yogyakara, Solo, and internationally in Singapore and the netherlands. agus Suyamto’s works are collected both locally and internationally.

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146SuWaJi(Yogyakarta, 1942)Petapa, 2011

oil on canvas: 150 x 150 cmSigned and dated, lower right: Suwaji, 2011

MYR 8,000 - 12,000 uSD 1,820 - 2,720

Suwaji graduated from the Indonesian fine art academy Yogyakarta in 1958 where he remains a lecture till this day. Suwaji actively participates in group exhibitions and was selected as an artist for the exhibition “19 Pelukis Indonesia” in Singapore and Malaysia in 1967 and selected again in 1985 to exhibit throughout ASEAN countries. Suwaji held his first solo exhibition was at the Gothe German Institute and has held solo exhibitions in Melia Purosari hotel, Yogyakarta (1994), fine art exhibition International Borobudur festival in h Widayat Museum (2003). In 1997, Suwaji became the recipient of the Wendy Sorenson Memorial fund award.

115


147aWang DaMiT(b. Sabah, 1956)20/25, 2012

Digital print on canvas: 61 x 61 cmSigned and dated on the reverse

This lot is accompanied with certificate of authenticity from artist

MYR 3,000 - 5,000uSD 680 - 1,140

148eng TaY(b. Kedah, 1947)Mother and Child iii, 1992

Litograph: 27 x 30 cmSigned and dated, lower right: eng Tay 1992Titled, lower left: Mother and Child III MYR 1,500 - 4,000uSD 340 - 910

116


149Chang fee Ming (b.Terengganu, 1959)a) Song of the fisherman’s Melody, 1994 b) Twilight in Batu Rakit, 1996-97

Print a/P: a)30,5 x 41 cmSigned, lower right: f. M Changb) 42 x 31 cmSigned, lower right: f. M Chang

MYR 2,000 - 4,000uSD 450 - 910

150YuSof ghani(b. Johor, 1950)Topeng Series

oil on canvas: 26 x 26 cm each

MYR 8,000 - 14,000uSD 1,820 - 3,180

b)a)

b)a)

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151ahMaD ShukRi MohaMeD(b. Kelantan,1969)Symphony of Butterflies, 1999

Mixed media on paper: 26,5 x 26,5 cm eachSigned and dated, lower right: Ahmad Shukri Mohd, ‘99

MYR 2,000 - 6,000uSD 450 - 1,360

152JaMiL MaT iSa(b. Penang, 1967)Study for Yang hitam Manis, 1999

Mixed media on canvas: 30,5 x 30,5 cm eachSigned and dated, lower right: Jamil Mat Isa, ‘99

MYR 2,000 - 6,000uSD 450 - 1,360

b)a)

b) c)a)

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153foo Yong kong, DR 符永刚博士(b. Kuala Lumpur, 1948)abstract Landscape

oil on canvas: 91 x 91 cmSigned, lower right: Yong Kong

MYR 9,000 - 14,000uSD 2,040 - 3,180

符永刚，马来西亚画家，擅长抽象画，作品在世界名地画廊有展示，并参加意大利佛罗伦萨双年展、个人作品展，其创作元素是将书法线条及中西绘画特性铸熔于个人风格之创作中。符永刚举办过无数个人画展及参与国家艺术馆主办之海内外书画展及巡回展等，其中包括2003年与中国文联、中国书法家协会、中国美术家协会，在马主办马中书画交流展；以及2005年在吉隆坡举办国际文化书法联盟大展。近年更致力于推广马来西亚书法及水墨画艺术，并成立了”现代国际书画联盟”，积极推动海内外书画活动。

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154fauZuL YuSRi(b. Kedah, 1974)Sekilas, 2012

acrylic and mixed media on canvas: 122 x 122 cmSigned and dated, lower right: fauzul Yusri, 2012 and on the reverse

MYR 8,000 - 12,000uSD 1,820 - 2,720

fauzul Yusri is an artist who invites us to revisit our childhood. Trying to emulate the joy and burden free mentality of yesteryears is the goal of fauzul Yusri whose works embodies the beauty and purity of the human creativity. Reminiscing the past, fauzul Yusri’s works underlie a complex narrative where recurring themes are yearning to be understood. Each of Fauzul’s painting focuses on a specific aspect of art formalism such as in his the Guris series where he focuses on the significance of lines or in the Play series where he explores the focal point of a subject. Sekilas, which translate to at a glance, fauzul Yusri leaves viewers with iconography of the past to be interpreted. Born in 1974, Kedah, fauzul Yusri graduated from University Institute of Technology Mara (UiTM) in 1999. fauzul is a very talented artist. he has been exhibiting in various galleries in Malaysia, Indonesia, hong Kong, Singapore and the UK. Fauzul also has six solo exhibitions to his name, the most recent being ‘Guris’ (2011) and ‘Coreng’ (2013). fauzul has received special mentions in the Kijang art awards by Bank negara Malaysia in 2004 and at the Young Contemporary art award at national art Gallery Malaysia in 2002.

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Raduan Man graduated with Bachelors of Design fine arts from the University Technology Mara (MaRa) in 2000 before going on to obtain a Bachelor’s of fine arts (print making) with honours from MaRa. In 2002 Raduan was awarded the Pahang State foundation Scholarship for his and Masters in fine art (painting) from the University of Wolverhampton, UK and in 2007 was once again the recipient of the state scholarship for his Masters in fine art (printmaking) from the Camberwell School of art, UK. Raduan Man laboriously incorporates both art disciplines for his works by intricately carving out wood blocks and transposing the images on to canvas. The use of canvas as oppose to paper gives Raduan a sturdier material to work with, enabling him the room for experimentation to form the artistic statement which has shaped him today. Layers of blocks are imprinted, with each block contributing its unique characteristic which gives depth and complexities to Raduan’s work. Raduan has participated in over 30 group exhibitions and has held 7 solo exhibitions including fresh Markings, nn Gallery, Kuala Lumpur (2003), Beyond Print – Raduan Man, Gallery Chandran, Kuala Lumpur (2009), and Living Metals, Purple houz fine arts, Petaling Jaya (2012).

155RaDuan Man(b. Pahang, 1978)Dream & i, 2013

Mixed media on canvas: 153 x 153 cmSigned and dated, lower right: Raduan Man, 2013Signed and dated on the reverse

MYR 16,000 - 22,000uSD 3,630 - 4,990

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156TeW nai Tong(Selangor, 1936 - 2013)figures with Bird Cage

oil on canvas: 78 x 77 cmSigned, lower right: nai Tong

MYR 17,000 - 22,000uSD 3,860 - 4,990

Born in 1936, Klang. nai Tong studied at the nanyang academy of fine arts in Singapore in 1958. after graduating, he continued his studies in École nationale Superieure des Beaux- arts, Paris in 1968. During the stay in Paris, nai Tong’s began to develop his own individual style – a sophisti-cate combination of nanyang charm and Parisian elegance. he obtained the skills to paint using oil, which enabled him to build up a solid foundation for his future works. Ceaselessly promoting the richness in Malaysian arts and culture into the international scene, nai Tong is one of the few Malaysian artists who have contributed the history of Malaysian art. In fact, he never hesitated in sharing art knowledge and a great mentor of many successful artists. Nai Tong is also a prolific art-ist with many exhibitions in Malaysia and abroad. His first solo show was in Kuala Lumpur in 1964 and the recent ones include Impression of South asia Shanghai (China 2012), International Culture art fair (Korea, 2009) and Cape of Good hope art Gallery (Singapore, 2008). he also awarded a grand prize for the asian art award in 2009 (Korea). his works are in the collections of corporate bodies, private galleries and many private individuals.

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157TeW nai Tong(Selangor, 1936 - 2013)golden Time 8, 2011

oil on canvas: 92 x 92 cmSigned, lower left: nai Tong and on the reverse

MYR 25,000 - 32,000uSD 5,680 - 7,260

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158aWang DaMiT(b. Sabah, 1956)iraga “galut dan Belatak”, 2010

Mixed media on canvas: 122 x 213 cmSigned and dated on the reverse MYR 120,000 - 180,000uSD 27,240 - 40,860

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every piece by awang Damit has its own narrative. observations and lessons which he has gained in life are conveyed on the canvas as reminders for the future. for Iraga “Garut dan Belatak”, awang Damit looks back to a time of poverty. Coming from Kuala Penyu, Sabah, awang Damit came from a fishing village with not much to go around. Living in those times, Garut and Belatak represent the tools which he saw often, Garut, a tool used to pry open coconuts can be seen with awang’s curvature strokes, suggesting the curving motion when using a Galut, and Belatak, a rattan woven basket used to carry feed are represented by the thick white swirls. awang Damit revisits the days of poverty as a reminder to never forget the land he came from. awang Damit is one of the most recognized abstract expressionists in Malaysia. he graduated with honours from Mara Institute of Technology (UiTM) in fine arts in 1983 and was awarded the Best Student award that year. he then obtained his Masters in fine arts with the Catholic University of america, Washington D.C. in 1988. awang belongs to the second generation abstract expressionists in modern Malaysian art and has been lauded for his series Marista (2002) and Iraga (2011). In 1992, a work from his eoC series titled farmer’s Song clinched the Painting Prize at the coveted 3rd Salon Malaysia and he also received honourable Mention at the 1994 and 1995 Philip Morris Malaysia art awards. awang has held various exhibitions both in groups as well as solo including the Intipati Budaya – Satu Sintesis show at the Shenns fine art, Singapore (1994), and Bentuk and Makna by Galeri Seni fSSR, UiTM (2000). awang Damit has held positions as the Curator of the art Gallery and head of the fine arts Department before being appointed an associate Professor in 2000.

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159khaW Sia(Shanghai 1913 - 1984)Still Life with Seafood, 1983

Watercolor on Paper: 46 x 68 cmSigned, dated and sealed, lower left: K.Sia, 1983

MYR 12,000 - 18,000uSD 2,720 - 4,090

160kuo Ju Ping 郭若萍(b. fukien, 1913 - Malaysia, 1966)Boat at Bay

oil on canvas laid on board: 47,5 x 58,5 cmSigned, lower left in chinese character

MYR 6,000 - 11,000uSD 1,360 - 2,500

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161Tan Thean Song(b. Kedah,1946)Busy afternoon

Batik: 75 x 47 cmSigned, lower left: Thean Song

MYR 2,000 - 4,000 uSD 450 - 910

162Chuah Thean Teng, DaTo’(China, 1914 - 2008)Crossings

Batik: 43 x 35,5 cmSigned, lower left: Teng

MYR 6,000 - 10,000uSD 1,360 - 2,270

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163DZuL afiQ ZakaRia(b. Selangor, 1985)Siri alam Series B, 2014

oil on canvas: 91,5 x 91,5 cmSigned, lower right: Dzul Afiq, and on the reverse MYR 2,000 - 5,000uSD 450 - 1,140

Dzul Afiq’s love for arts was instilled at a young age by his mother, who is an artist herself. He pursued his passion for arts and obtained a Diploma in Graphic Design and Multimedia from Limkokwing University in 2006 and Bachelor’s in Graphic Design Technology from Curtin University, australia in 2008. Along the way he won the Student Excellency Awards for both his final years. Having had stints with established creative agencies, it is in 2011 that Dzul Afiq decided to enroll for his Masters in Fine Arts from the prestigious Universiti Teknologi Mara (UiTM) which he has graduated with the Bronze Award. It is in UiTM where Dzul Afiq established himself as a serious upcoming artist. Juggling between lecturing and studying, Dzul Afiq managed to find time to paint and it has not been without recognition. In the space of two years, he has been invited to participate in no less than 9 exhibitions. The more notable ones include PWTC open exhibition (2012) and 2 Man Show exhibition by Artiseri at Seri Pacific Hotel (2015) as Malaysia representative with Indonesian notable artist.

Kamarudin Kamali is a rising star in the Malaysian art scene, and according to many, a force to be reckoned with. With a deep underlying passion for arts, Kamarudin has been researching and experimenting with styles for almost two decades and has now settled on one he call his own. Inspired by Willem de Kooning, Kamarudin Kamali is an abstract expressionist whose brushstrokes are free forming and exudes the confidence of a true master. Kamarudin turned full time since 2010 and has gone on to win rave reviews, including a showcase at Balai Seni Lukis negara in 2014. his works are enjoyed and collected by major corporations and private collectors both locally and internationally.

164kaMaRuDin kaMaLi(b. Selangor, 1959)Speaker, 2013 Mixed media on canvas: 76 x 136 cmSigned and dated, lower left: Kamarudin Kamali, 2013, and on the reverse

MYR 3,000 - 6,000uSD 680 - 1,360

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165a. J. RahMan

(Kedah, 1922 - 1995)a)Village Scene

Watercolour on paper: 27 x 36 cm eachSigned, lower left: a.J. Rahman

b)a Stroll in a VillageWatercolour on paper: 27 x 36 cm eachSigned, lower left: a.J Rahman

MYR 2,000 - 5,000uSD 450 - 1,140

166a) PeTeR LieW(b. Perak, 1955)

By the Riverbank

oil on board: 25 x 30 cmSigned, lower right: Peter Liew

b) CheW Teng Beng(b. Kuala Terengganu,1938) Seascape, 1982

oil on Paper: 12 x 19 cm

MYR 2,000 - 5,000uSD 450 - 1,140

b)a)

b)a)

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167STaniSLaW koRS(b. Poland, 1935)untitled i

oil on canvas: 76 x 61 cmSigned, lower right: S. Kors

MYR 3,000 - 5,000uSD 680 - 1,140

Born in Poland, Stanislaw Kors graduated with a Masters in fine arts from the academy of fine arts, Wroclaw, Poland in 1967. Growing up during the communist rule of Poland, Stanislaw soon branched away from his peers with his branch of art, one he calls intra-realism. Intra-Realism is a mix between super realism and abstract. Stanislaw’s art are non-representational abstract creations of great amorphous shapes suspended and exploding in space. having been brought up during World War II, Stanislaw immersed himself into his subconscious mind as he seeks to disassociate himself from the cruelty of men for inspiration. The surreal paintings painted with the delicate technicities of super realism were the results of Stanislaw’s soul searching for a greater universe.

Stanislaw Kors participated in over 20 group exhibitions and 30 solo exhibitions internationally. he has participated in the Polish Contemporary art, Dusseldorf, West Germany (1976), South african association of arts, West Gallery, Pretoria, South africa (1984), and ex-Chiesa delgi Scolopi, Castiglion fiorentino, Italy (1998) and held solo exhibitions in venues such as the ambassador Galleries, new York, USa (1997), fiore Internationale de Paris, france (1975), and Galeri Petronas, Kuala Lumpur, Malaysia (1995) to showcase his branch of intra-realism art. Stanislaw Kors passed away in 2002 in South africa and his are in the public collection of the Government of the north-West Province, South africa, State Theater, Pretoria, South africa and Sa Broadcasting Corporation, Johannesburg, South africa.

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168STaniSLaW koRS(b. Poland, 1935)untitled ii

oil on canvas: 70 x 70 cmSigned, lower left: S. Kors

MYR 3,000 - 5,000uSD 680 - 1,140

169a)ChoY SieW kek(b. Penang, 1947)orchidsBatik: 43 x 57 cmSigned, lower right: S. Kek

b)ho khaY khiM 何启钦 (b. Penang, 1948)orchidsBatik: 75 x 49 cmSigned, lower right: Khim

MYR 2,000 - 4,000uSD 450 - 910

b)a)

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170TeW nai Tong(Selangor, 1936 - 2013)happy Life, 2000

oil on canvas: 78 x 68,5 cmSigned, lower right: nai Tong, and on the reverse MYR 15,000 - 20,000uSD 3,410 - 4,540

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171Chuah SeoW keng(b. Kelantan, 1945)Bonding Time, 2008

Batik: 95 x 89 cmSigned and dated, lower right: S. Keng, ‘08

MYR 35,000 - 40,000uSD 7,950 - 9,080

Born in 1945, Kelantan. Chuah Seow Keng is recognized as one of Malaysia’s leading artists and is very well known for his batik and watercolour paintings. In 1968 he was awarded a scholarship to study at the Suddeutsche KunststoffZentrum in Wurzburg, Germany. While attending this academy he specialized in fiberglass sculpture, a difficult, but rewarding art medium. While being recognized as an accomplished sculptor, Seow Keng is also acknowledged as a masterful batik artist. his abilities as an artist were noticed at a very early age. he was exposed to the art of batik painting by his father Dato’ Chuah Thean Teng, who pioneered batik painting as a fine art form. Seow Keng excels in this intricate art technique and was chosen to demonstrate his batik skills at the International freundschaftheim in Buckeburg, Germany. During 1974 Germany’s Television Channel Zweites-Deutsches fernsehen-Trans-Tel made a documentary film of Seow Keng and his brothers who demonstrated the art of batik painting for German viewers. Seow Keng returned to Malaysia after completing his studies in Germany. Soon thereafter, in 1970, the Malaysian Singapore airline (M.S.a.) commissioned him to do a fibre-glass relief sculpture entitled “Space” for their lpoh office. The following year M.S.A. commissioned another fibre-glass sculpture entitled “Time & Space” for its Penang office. Seow Keng also created the “Bank Crest”, a fiberglass sculpture commissioned by the Bank Negara of Malaysia and that sculpture is currently being displayed at the entrance of the Bank Negara in Penang. Another fiberglass sculpture entitled “CoMPoSITIon” is on permanent display at the Yahong art Gallery in Penang, Malaysia. This batik painting harvesting depict a charm and fabric of rural life. Seow Keng has brought the liveliness into the painting. Its’ content, the use of warm colours and its composition offer a long lost scene from the past. here, ladies are depicted with wide hips and ample bosoms – a common symbol of fertility, strength and nursing capabilities. It is one of the key characteristic of the Chuah’s artistic inheritance.

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172RaDuan Man(b. Pahang, 1978)89, 2013

Mixed media on canvas: 74 x 74 cmSigned and dated, lower: Raduan Man, 2013 and on the reverse

MYR 3,000 - 5,000uSD 680 - 1,140

173foo Yong kong, DR.(b. Kuala Lumpur, 1948)abstract Landscape oil on canvas: 51 x 89 cmSigned, lower left: Yong Kong

MYR 3,000 - 6,000uSD 680 - 1,360

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174Choong kaM koW, DR(b. Perak 1934)Rockscape Viii, 1987

acrylic & mixed media on board: 122 x 92 cmSigned and dated, lower right: Kaw Choong, 1987

MYR 10,000 - 20,000uSD 2,270 - 4,540

Dr Choong Kam Kow graduated with a degree in fine arts from the national Taiwan normal University, Taiwan in 1961. not contented with a degree, Dr Choong furthered his studies gain-ing a Masters from Pratt Institute, new York, USa in 1968 and from the years 1980 to 1981, was made aCLS fulbright Research fellow, USa. Dr Choong is not only an artist, but an edu-cationist and curator as well having taken up many educational posts during his career. as an artist, Dr Choong has held many solo exhibitions throughout the world in venues such as Pratt Graduate art Gallery, USa (1967), Taipei fine arts Museum, Taiwan (1991), art Gallery University of Wolverhamption, UK (1994), frederikshavn art Museum, Denmark (1998), and Guangdong Museum of art, China (2004) to name a few. Dr Choong’s works have not gone unnoticed as well, winning 1st prize for drawing and 2nd for watercolour for the Virginia Beach art Show, USa Consulate award, USa (1967), and Minor prize in “Painting and Graphic art open Competition”, national art Gallery, Malaysia (1977) and in 1980 was awarded MaCee-aCLS-fulbright hays Research fellowship. Dr Choong the educationalist on the other hand, holds an equally impressive resume with posts such as the head of art Department, United nations International School, USa (1967 – 1968), lecturer, senior lecturer, and head of fine art Department, faculty of art and Design, Mara Institute of Technology (UiTM) (1969 – 1989), and President and Ceo, Malaysian Institute of art (MIa) (2000 – 2009).

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175SuZLee iBRahiM

(b.Terengganu, 1967)Langkawi Series ii, 2012

Mixed media on canvas: 152 x 152 cmSigned and dated, lower left: Suzlee Ibrahim, 2012

MYR 25,000 - 35,000uSD 5,680 - 7,950

Suzlee Ibrahim has always been inspired by nature. Spurned by the success of his earlier series ombak and Monsoon, Suzlee looks to emulate nature’s energy and its emotions on canvas. Suzlee Ibrahim spent years studying the works of great artist Jackson Pollock, Wil-liem de Kooning, and franz Kline before settling on his own distinctive style – a mixture of drip painting and broad strokes. Langkawi Series II pays homage to the serene island Langkawi; known for its clear blue seas, white beaches, and mysterious legends. Layers of blue, white, and bitumen represents the elements which inspired Suzlee. Suzlee encapsulates Langkawi with the different strokes he uses. energy and excitement can be seen with Suzlee’s application of bitumen, suggesting the exciting tales of Langkawi while the ocean boat blue, appears to be as calm as the waters of Langkawi.

Suzlee Ibrahim is one of the nation’s most recognized abstract expressionism art-ists. he has been in the art world for more than 26 years. after graduating from University Technology Mara (UiTM), he worked in advertising and publishing companies for a few years before returning to become a university lecturer. Suzlee’s participation in Malaysian art scene has allowed him to experiment his works with oil and acrylic, by doing this he discover the art mediums that can create his desire texture and subject on canvas. Suzlee has held 23 solo exhibitions in more than 20 countries such as United Kingdom, Germany, USa, france, Japan, and many more. In recognition of his talents, Suzlee has been awarded then Recognition of outstanding Creative excellence, emaar International art Symposium, Uae (2005), Japan-Ma-laysia art friendship ambassador, Ministry of Culture, arts & heritage Malaysia & World arts and Culture exchange Malaysia/Japan (2007), Tokok Seni: anugerah Citra Kencana, University Kebangsaan Malaysia (2011), and excellent Masters award, Universiti Teknologi Mara (2013)

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176iSMaiL MaT huSSin(b. Kelantan, 1938) fishermen at Bay, 2013

Batik: 89 x 96 cmSigned and dated, lower right: Ismail Mat hussin, 2013 MYR 27,000 - 35,000uSD 6,130 - 7,950

a protégé of Khalil Ibrahim, Ismail Mat hussin stands today on his own and has kept true to batik painting until today. Batik art has ascended from a humble and practical worn piece of cloth and alleviated to fine art today and Ismail Mat Hussin is one of the very finest in this art. Born in Pantai Sabak, Kota Bharu, Ismail Mat hussin’s batik combines warm tones and earthy hues from a restricted palette of colors to depict everyday rural scenes with lively good humor. His human figures are drawn more real looking people with dull background surroundings and Ismail’s trademark is heavy limbs with the muscles rendered mosaic-like and graceful move-ments of figures. The works of Ismail Mat Hussin are collected and can be seen in prestigious institutions such as national Visual arts Gallery, Malaysia airline System, national Museum, esso Malaysia, Bank negara, and Petronas Gallery. for fishermen at Bay, the scene is set to mark the end of a hard day’s work as seen by the use of yellow hues to representing dusk. The fishermen, which are rendered with Ismail’s trademark musculoskeletal figures, are seen coming together to fix their nets which intricacies are matched only by Ismail’s detailed strokes.

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The Food Chain depicts the natural order, not in its gory, sadistic sense of survival of the fittest, but with a lighter, blissful take so commonly associated with the father of Batik Painting, Dato’ Chuah Thean Teng. Light pestle colours of green, pink, and grey are used for this painting where the smallest fish lay comfortably in the bigger and they both have the unfortunate position of being supper for the cat. The cat, of course, being on top of the food chain is depicted having a nap, contented with having fed and being on top of the chain. Dato’ Chuah’s use of pestle and charming figures gives the painting a sense of harmony and acceptance of what is otherwise a cruel reality.

177Chuah Thean Theng, DaTo’(China, 1914 - 2008)The food Chain

Batik: 42 x 57cmSigned, lower left: Teng

MYR 35,000 - 45,000uSD 7,950 - 10,220

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178ZuLkifLi YuSoff(b. Kedah, 1962)Power Series, 2005

oil on canvas: 125 x 188 cmSigned and dated, lower right: Zulkifli Yusof, 2005

MYR 33,000 - 38,000uSD 7,490 - 8,630

Power Series by Zulkifli Yusoff carries with it the narrative about the struggles for power. As with his previous series, Reformasi, Zulkifli Yusoff ’s paintings not only carries its aesthetics charms, but a narrative of current issues. In Power Series, two sides of different ideology and culture are depicted, with arms facing each other suggesting they are imposing themselves on each other. In his usual bold and strong strokes, Zulkifli Yusoff renders the figures in his trademark cartoonish style but never at the expense of the narrative.

140


180YuSof ghani(b. Johor, 1950)Segerak ii, 2014

Mixed media on canvas: 50,5 x 40,5 cmSigned, titled and dated, lower: Segerak, Yusof Ghani, ‘14 and on the reverse

MYR 12,000 - 17,000uSD 2,720 - 3,860

179YuSof ghani(b. Johor, 1950)Segerak i, 2014

Mixed media on canvas: 51 x 41 cmSigned, titled and dated, lower: Segerak, Yusof Ghani, ‘14 and on the reverse

MYR 12,000 - 17,000uSD 2,720 - 3,860

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181YuSof ghani(b. Johor, 1950)Trail, 2014

Mixed media on canvas: 55 x 40 cmSigned and dated, lower right: Yusof Ghani, ‘14

MYR 10,000 - 14,000uSD 2,270 - 3,180

Yusof Ghani’s successful art journey began when he graduated with a Bachelor in fine arts from the George Mason University, Virginia, USa in 1981. he then obtained his Masters in fine arts from then Catholic University of america, Washington DC, USa in 1983. Yu-sof ’s works are stroke-based renditions is known for his strong lines and spontaneous marks on dynamic compositions. his hallmark se-ries Tari, and subsequent series Protest, Topeng I, II, III, Wayang, hijau, Segerak, and Wajah are highly sought after making Yusof Ghani one of the leaders in abstract expressionism in Malaysia. Yusof Ghani’s works have been featured in numerous international and local exhi-bitions and publications. his works are in the collections of corporate bodies, private galleries and many private individuals.

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182TonY ng ChiT keong(b. Malaysia, 1980)Wonderful Land, 2015

acrylic on canvas: 61 x 61 cmSigned and dated, lower right: Chit.K.Tony, 2015 and on the reverse

MYR 3,000 - 5,000uSD 680 - 1,140

Tony ng is a realist artist with an exceptional eye for detail. A fine art graduate from the Kuala Lumpur College of art (KLCa) and have been actively participating in exhibi-tions, taking part in over 20 exhibitions in the past 14 years. Tony has taken to task to de-tail the intricacies of another very Malaysian subject – the batik. Paired with natural sub-jects such as fruits and plants, Tony gives us a fresh new look on something so culturally Malaysian. his growing popularity which now boasts prominent collectors such as Man-darin oriental, Sokai Gakkai Malaysia, and aaron Barnett (Singapore), cumulated into his first solo exhibition “The Beauty of Faith”, art Square Gallery, Kuala Lumpur (2015).

183MaaMoR JanTan(b. Kedah, 1961) Music and nature, 2014

Watercolour on paper: 50 x 72 cmSigned and dated, lower right: Maamor Jantan, ‘14 MYR 3,500 - 6,000uSD 790 - 1,360

a protégé of Khalil Ibrahim, Maamor Jantan started off as an assistant curator before meeting Khalil in 1984. Maamor’s unconventional approach to watercolour paintings has distinguished himself from other artist and has led him to join the Malaysian Watercolour Society. Known for his ‘Cak Cibor’ series, better known as dragonfly, Maamor Jantan is also well versed in other subjects such as village scenes, night scenes and such. His paintings have been exhibited in Indonesia, Thailand, and Malaysia and recently in 2014 held his first solo exhibition in University Malaya which consists of over 150 paintings.

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184Zhu Mo, DaTo ’(China, 1913 - 2002)Pines in Cloudy Mountains


MYR 4,000 - 8,000uSD 910 - 1,820

185Bo Yuan 伯圆长老(b. China,1914-2009)Calligraphy

Chinese ink on rice paper: 67 x 34 cmSigned and sealed, lower left in chinese character

MYR 1,000 - 2,000uSD 230 - 450

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186iRSaM(Klaten, 1942 – Bogor, 2006)ibu dan anak., 1979

oil on canvas: 150 x 122 cmSigned and dated, lower left: Irsam, 1979

Literature:Mikke Susanto, Jejak-jejak Dekoratif Irsam,Published by PT. Dwi Samapersada, Jakarta, 2013, Pg. 85

MYR 12,000 - 18,000 uSD 2,720 - 4,090

Irsam was one of the strongest decorative painters around. Graduating from the Indonesian fine art academy (aSRI), Yogyakarta where his stay was extended a further two years to teach. Irsam held his first exhibition in 1967 in Jakarta and has gone on to win accolades from Philippines, Singapore, and Thailand. In 1980, he was selected to join the contemporary asian art exhibition in fukuoka art Museum, Japan. Irsam is known for his rich ideas and great technical abilities, especially in decorative visualization techniques.

145


187iRSaM(Klaten, 1942 – Bogor, 2006)gadis dan Bulan, 1997

oil on canvas: 85 x 70 cmSigned and dated, lower left: Irsam, 1997

MYR 10,000 - 15,000 uSD 2,270 - 3,410

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188ong kiM Seng(Singapore, 1945)Past holy Spring near goa gajah

oil on canvas: 80 x 114 cmSigned, lower left: Kim Seng

MYR 70,000 - 100,000 uSD 15,890 - 22,700

Born in Singapore in 1945, ong Kim Seng has been a full-time artist since 1985. he has participated in group and solo exhibitions in Singapore and throughout the globe in countries such as the United States, China, United Kingdom, Japan, australia, Belgium, Germany, france, Middle east, Taiwan, hong Kong, and the aSean countries. ong Kim Seng was the President of the Singapore Watercolour Society from 1991 to 2001, and he was the Cultural Medallion winner (Visual art) in 1990 and winner of six awards by the prestigious american Watercolour Society (aWS), of which he was conferred membership in 1992. he is also the only asian artist outside the USa to be admitted into aWS.

147


189Lee Man fong(Canton, China 1913 – Singapore 1988)old Building, 1950

Pastel on paper: 49 x 64 cmSigned and dated, lower right: Mf. Lee, 1950

MYR 18,000 - 25,000uSD 4,090 - 5,680

148


190nYoMan gunaRSa(Klungkung, 1944)Tari Topeng, 1975

oil on canvas: 132 x 97 cmSigned titled and dated, lower right: Tari Topeng,Gunarsa75

MYR 22,000 - 30,000 uSD 4,990 - 6,810

nyoman Gunarsa graduated from the Indonesian fine arts academy (aSRI) in Yogyakarta where he is currently an art lecturer. nyoman Gunarsa began his career as a portrait artist and since 1967, he has been actively holding solo exhibitions in venues such as the British embassy, Jakarta, Indonesia (1967), arcade Gallery, Kuala Lumpur, Malaysia (1971), Blance Gallery, San francisco, United States (1991), Blance Gallery, osaka, Japan (1982), 21 Gallery, Singapore (1995), opera Gallery, Paris, france (1996), and hamburgische Landesbank, hamburg, Germany (1998). nyoman Gunarsa also actively participates in joint exhibitions both locally and internationally. In recognition of his talents, nyoman Gunarsa has received awards from the Pratisara affandi adikarya (1976), Biennial Indonesian art exhibitions (1878 & 1980), and the Lempad Prize (1980) and his works are in the collections of many prominent international collectors.

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191BaRLi SaSMiTaWinaTa (Bandung, 1921)Pelabuhan, 1993

oil on canvas: 72 x 55 cmSigned and dated, lower right: Barli, 1993

MYR 12,000 - 18,000uSD 2,720 - 4,090

Barli Sasmitawinata started to paint since 1935 when he was part of the Kelompok Lima Bandung unders the tutelage of Jos Pluimentz and Luigi nobili. Barli went on further his studies in the academia Grande de la Chaumiere, Paris and the academy of fine art, amsterdam in 1957. for his art, Barli has received awards from the Jaarmarktprijss Surabaya, Keimin Bunka Shidoso Jakarta, Barisan Propaganda Jabar, and Culturele Stichting Samenwerking netherlands

150


192RoYaTna (Bandung, 1959)Panen

acrylic on canvas: 70 x 90 cmSigned, lower left: Royatna

MYR 1,500 - 3,000uSD 340 - 680

Royatna graduated from STRI/aSRI in Yogyakarta and have been actively participating in exhibitions in Yogyakarta, Bandung, and Jakarta since 1979. Royatna started as an expressionist artist before maturing into the decorative artist he is today. Royatna paints the daily lives and scenery found in his native West Java. Executed in his usual detailed strokes, Royatna’s works can be distinguished by the details in his grass and paddy fields and he is known for his portrayal of cliffs, shepherds, and harvest scenes. Royatna boast an array of international collectors, spanning from Indonesia, Singapore, Malaysia, Japan, Germany, and france.

193TaTang ganaR (Bandung, 1936 – Bandung, 2004)flowers

oil on canvas: 70 x 70 cmSigned, lower right: T. Ganar

MYR 2,000 - 3,000uSD 450 - 680

Tatang Ganar graduated from the Indonesian fine arts academy (aSRI), Yogyakarta in 1961. Since 1965, Tatang Ganar has been actively participating in solo and group exhibitions in major Indonesian cities like Jakarta, Bandung, and Bali. every year Tatang Ganar holds an exhibition with Papilio Group in Jakarta, Bandung, and Surabaya. In 1994 he had his solo exhibition in folklore I, TIM, Jakarta, and folklore II, Topaz hotel, Bandung.

151


194RuSTaMaDJi(Surabaya, 1932 – 1990)gadis Bali, 1967

oil on canvas: 45 x 37 cmSigned and dated, lower right: Rustamadji, 1967

MYR 9,000 - 12,000uSD 2,040 - 2,720

Rustamadji started painting under the tutelage of S. Sudjojono when he was part of the Sanggar Indonesia Muda (Young Indonesian artists association) in Madiun. Rustamadji started as a naturalistic artist back in the 1950’s but soon changed to an impressionistic, following the movement in europe. Rustamadji was actively involved in exhibitions both in Indonesia and internationally until his untimely death in 1990

195Teguh oSTenRik (Jakarta, 1950)Chirurgicales, 1995

acrylic collage on canvas: 50 x 40 cmSigned and dated, lower left: Goeh ost95Signed, titled and dated on the reverse

MYR 10,000 - 15,000 uSD 2,270 - 3,410

152


196naShaR (Pariaman, 1928-1994)Pegunungan, 1973

acrylic on canvas: 64 x 94 cmSigned and dated, lower left: 15 Jan 73

MYR 12,000 - 18,000 uSD 2,720 - 4,090

nashar studied arts under Indonesian masters affandi and Sodjojono and after establishing himself as an artist, helped establish the Institut Kesenian Jakarta (Jakarta arts Institute) where he became a lecturer. Throughout the years 1979 to 1992, nashar was a member of the Dewan Kesenian Jakarta (Jakarta arts Committee) while actively participating in exhibitions. amongst the notable exhibitions were the festival of Indonesia, USa (1990 – 1992) and the Gate Foundation, Amsterdam, Holland (1993). Nashar started as a figurative artist but soon matured into an abstract artist where he remained until his death in 1994.

153


197aDaM LaY(Wonosobo, Central Java, 1949-2014)keluarga harmonis, 2001

oil on canvas: 70 x 90 cmSigned and dated, lower right: adam l’01

MYR 3,000 - 5,000uSD 680 - 1,140

Adam Lay held his first solo exhibition in 1979 at Hotel Indonesia, Jakarta. Known as an autodidact artist, Adam started painting when he was in elementary school where he gained recognition from his peers as having an eye for art. adam is currently a full time artist and actively participates in exhibitions in Jakarta and australia.

Born in Tasikmalaya, Central Java, 8 November 1975. He took his formal study at the fine art school SMSR Yogyakarta. he had participated in several painting exhibitions in Indonesia among others in Indramayu, Yogyakarta and Jakarta and also exhibition outside the country such as in Singapore. his works mostly demonstrate a decorative style. his canvases are full with objects and rarely left empty. he exploits the line and form simultaneously using bright color and stereotype characters. his objects are not single, ornamented with the presence of trees, humans, animals, and others giving an expression of joy and cheerful scene.

198YoPi(Tasikmalaya, C. Java, 1975)Let The Party Parade, 2016

acrylic on canvas: 120 x 145 cmSigned and dated, lower right: Yopi’16Signed, titled and dated on the reverse

MYR 1,500 - 3,000uSD 340 - 680

154


Internationally celebrated artist and sculptor, Teguh ostenrik holds a Master Degree in fine arts from the prestigious hochschule der Kuenste, West Berlin, Germany. he has held more than a hundred solo and group exhibitions in countries such as USa, france, netherlands, Germany, australia, and throughout asia. his works and commissioned projects are collected by many prominent private collectors, museums, international institution, and major corporations. Willem de Kooning Studio, USa, St Mary of the angels Church, Singapore, and fukuoka art Museum, Japan are among the many places that proudly exhibits Teguh’s works.

among the many noteworthy recognitions, Teguh have been awarded The Best artist 2009 in Visual arts Category by Tempo Magazine and the Top Ten Philip Morris art award in 1997. Most of Teguh’s works are created using recycled materials and earthy hues of colours. This is out of respect of the environment, a respect which has been ingrained in Teguh throughout his childhood in Indonesia. having been raised in Indonesian culture and later residing in europe for 16 years, both Western and eastern cultures have merged in him which has subconsciously shaped his artistic statement. In 2007, as part of the aBn-aMRo and Wawasan open University, Teguh had a brief stay as a resident artist in Malaysia.

199Teguh oSTenRik(Jakarta, 1950)Down here, 2006

Mixed media on canvas: 150 x 90 cmSigned and dated, lower left: Goeh oST’06

MYR 20,000 - 30,000uSD 4,540 - 6,810

155


200affin RiYanTo(Indramayu, September 1972)City

acrylic on canvas: 90 x 135 cmSigned, lower left: Affin Riyanto

MYR 2,000 - 3,000 uSD 450 - 680

201koeMPoeL SuJaTno (ngawi, 1912 – Batu, 1987)ox Chart

oil on canvas: 30 x 40 cmSigned, lower right: Kompol

MYR 1,500 - 2,000uSD 340 - 450

he was born in ngawi, east Java, 1912, with the name of Koempoel Sujatno. he studied painting from the Dutch painter Gerard Pieter adolfs and Willem Van Der Does. he was one of the most productive artists, but since many of his paintings have been damaged, lost and spread out in countries abroad, his works are estimated only around 2500. Koempoel was an artist who preferred outdoor objects, anything under the sun, so that almost his works presented bright colors in harmony that revealed a graceful enchantment. he died on august 18, 1987 in Batu, east Java because of his severe throat cancer.

Affin Riyanto graduated from SMSR (Indonesia High School of Fine Arts) and went on to further his studies in Yogyakarta with fellow peers. Breaking away with his own style, a combination of both decorative and abstract works, Affin has participated in several exhibitions in major cities in Indonesia such as Jakarta, Indramayu, and Yogyakarta.

156


202PRanagung (Solo, 1954)Panen Padi, 2015

oil on canvas: 100 x 150 cmSigned and dated, lower right: Prana, Bali, 2015

This lot is accompanied with certificate of authenticity from the artist

MYR 7,000 - 10,000 uSD 1,590 - 2,270

Pranagung graduated from the Indonesian fine art academy (aSRI), Yogyakarta. at this moment, Pranagung is actively participating in group exhibitions and has held solo exhibitions showcasing his works in Bali and Jakarta.

157


Index Of ArtistsA. J Rahman

Abas Alibasyah

Adam Lay

Affin Riyanto

Agus Katro (Suyamto)

Ahmad Shukri Mohamed

Alex Leong Yim Kuan

Aming Prayitno

Arie Smit

Awang Damit

Barli Sasmitawinata

Bo Yuan

Chang Fee Ming

Charles Low Chean Tai

Chen Wen Hsi

Cheung Pooi Yip

Chia Yu Chian

Choong Kam Kow, Dr

Choy Siew Kek, Ho Khay Khim

Chuah Seow Keng

Chuah Thean Theng, Dato

Cheah Thien Soong, Dr

Ding Yanyong

Dirot Kodirah

Foo Yong Kong, Dr

Drew Harris

Dullah

Dzul Afiq Zakaria

Eng Tay

Erica Hestu Wahyuni

Fauzul Yusri

Fendy Zakri

Fong Kim Sing

Frederik Kasenda

Haron Mokhtar

Hasan Djaafar

Hasim

Hendrick Nicolas

Huang Yao

I Dewa Putu Mokoh

I Wayan Pengsong

Ibnu Nurwanto

Ibrahim Hussein

Irsam

Ismadi Sallehudin

Ismail Mat Hussin

Jamil Mat Isa

Janiz Chan

Jehan Chan

Jeihan Sukmantoro

Ji Chong Nan, Liang Pei Rong

Josephine Linggar

Kamarudin Kamali

Kartika Affandi

Khalil Ibrahim

Khaw Sia

Khoo Sui Hoe

Koempoel Sujatno

Koh Teng Huat

Krijono

Kuo Ju Ping

Latiff Mohidin

Le Chek Wen

Lee Long Looi

Lee Man Fong

165

35

197

200

145

151

61

100

43,44

50, 79, 147, 158

191

108, 185

149

19, 20

74, 75, 76, 117, 118

24

53

174

169

171

77, 162, 177

109

106

135

153, 173

36

141

163

148

96

4, 154

11

28

103

29, 30

86, 102

87, 92, 142

31

104

85

134

45

80

186, 187

66, 67

63, 176

152

127

73

94, 95

110

133

164

132

48, 57, 46

159

3, 81, 82, 83

38, 39, 201

25

41, 42

47, 59, 160

49

113

64, 70, 71

93, 189

158


Lee Weng Fatt

Leo Eland

Li Baoyi

Liem Tjoe Ing

Lim Wasim

Loo Hooi Nam

Lucy Liew

Lui Cheng Thak, Ng Hon Loong

Maamor Jantan

Maria Tjui

Mat Ali Mat Som

Najib Ahmad Bamadhaj

Nashar

Ng Hon Loong

Nik Rafin

Norlisham Selamat

Nyoman Gunarsa

Ong Kim Seng

Ong Soo Keat

Otto Djaya

Paco Gorospe

Peter Liew

Peter Liew, Chew Teng Beng

Popo Iskandar

Pranagung

Raduan Man

Rafiee Ghani

Raphael Scott Ahbeng

Royatna

Rustamadji

Samsudin Wahab

Shaparel Hj Salleh

27, 125

98

105

97

88

22

18

1

128, 183

89

16, 17

12

196

26

9, 10

13, 14

91, 190

188

21

144

145

119

166

136

202

155, 172

68, 69

121

192

194

123

15, 126

Sharifah Fatimah, Dato

Stanislaw Kors

Sudarso

Sudjadijono ”Mas Jack”

Sudjono Abdullah

Suwaji

Suzlee Ibrahim

Tajuddin Ismail, Dato

Tan Choon Ghee

Tan Peng Hooi

Tan Thean Song

Tang Hong Lee

Tatang Ganar

Teguh Ostenrik

Tew Nai Tong

Tony Ng Chit Keong

Umi Dachlan

Untung Wahono

Widayat

Willem Gerard Hofker

Wu Guanzhong

Xu Bei Hong

Yap Chin Hoe

Yong Mun Sen

Yopi

Yusof Ghani

Zhong Zheng Chuan

Zhong Zheng Sun, Dr

Zaini

Zhu Mo, Dato

Zulkifli Yusoff

7, 8

167, 168

138

140

90

146

58, 175

55, 78

60

122

32, 33, 34, 161

84

193

195, 199

23, 72, 124, 129, 156, 157, 170

182

137

139

99, 101

40

115, 116

114

120

62, 130, 131

198

54, 56, 150, 179, 180, 181

112

111

37

107, 184

2, 5, 6, 51, 52, 65, 178

159


OPEN FOR CONSIGNMENTJULY 2016

Enquiries

Ng Ti Cheng | +6017 870 3765 | [email protected]

Sharon Lok | +6017 207 0277 | [email protected]

Office | (+603) 7772 6193 | [email protected]

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WIDAYAT, “Anggrek Liar di Hutan” Oil on canvas: 145 x 145 cm

CHEN WEN HSI, “Granite Mountain” Oil on canvas: 60 x 75 cm

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Tue – Fri, 22 – 25 March 2016Time : 11am – 7 pm

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Thursday, 24 March 2016Time : 6.30 pm – 8 pm

Venue : BNI Hong Kong Gallery, Ground Floor Far East Finance Center,

16 Harcourt Road, HK

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Saturday, 26 March 2016Time : 11 am – 3 pm

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1 Harbour Road, Wanchai Hong Kong

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#009 6 MARCH 2016