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LITERATI: QUIET AFFECTION 寂靜歡喜 古今人文藝術專場 SPRING AUCTION 29 MAY 2016 HONG KONG

寂靜歡喜 古今人文藝術專場 - web.missouri.eduweb.missouri.edu/~leongl/News/RaveneLiteratSpring2016.pdf · Sujet colombe 1959 Ceramic Vase 15.5 x 20 x 16 cm NUMBERED: 137/500,

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Page 1: 寂靜歡喜 古今人文藝術專場 - web.missouri.eduweb.missouri.edu/~leongl/News/RaveneLiteratSpring2016.pdf · Sujet colombe 1959 Ceramic Vase 15.5 x 20 x 16 cm NUMBERED: 137/500,

HO

NG

KON

G29 M

AY 2016 HC1601

LITERATI: Q

UIET A

FFECTION

LITERATI: QUIET AFFECTION

寂靜歡喜

古今人文藝術專場

SPRING AUCTION 29 MAY 2016 HONG KONG

Page 2: 寂靜歡喜 古今人文藝術專場 - web.missouri.eduweb.missouri.edu/~leongl/News/RaveneLiteratSpring2016.pdf · Sujet colombe 1959 Ceramic Vase 15.5 x 20 x 16 cm NUMBERED: 137/500,

AsrequestedbytheBuyer,wearedelightedtooffertheconditionreportsofalltheauctionitems,provided,however,suchitemswillbesold“asis”.Inaddition,theBuyerisrequestedtotakenoteofthetransactionagreementandtheexplanationsoftheprovisionsregardingthenoticeofno-guarantee. This auction catalogue: HK$ 300 per copy

RAVENEL SPRING AUCTION 2016 HONG KONGLiterati:QuietAffection

羅芙奧香港 2016 春季拍賣會 寂靜歡喜 – 古今人文藝術專場

AUCTION Sunday,29May2016,2:00pmGrandHyattHongKong(Ballroom)1 Harbour Road, Wanchai, Hong Kong

PREVIEWS

TaichungSaturday,14May2016,1:00pm-6:00pmSunday,15May2016,11:00am-6:00pmFong-YiArtGallery(NexttotheNationalTaiwanMuseumofFineArts)No.110,Sec.1,WuquanW.Rd.,WestDist.,Taichung,Taiwan

TaipeiSaturday,21May2016,10:00am-6:00pmSunday,22May2016,10:00am-6:00pmFubonInternationalConferenceCenterB2,No.108,Sec.1,DunhuaSouthRoad,Taipei,Taiwan Hong KongFriday,27November2016,12:00pm-7:00pmSaturday,28November2016,10:00am-7:00pmGrandHyattHongKong(Tiffin)1 Harbour Road, Wanchai, Hong Kong

拍賣日期 / 地點 2016年5月29日(日) 下午 2:00香港君悅酒店(宴會大禮堂) 香港灣仔港灣道1號

預展日期 / 地點 台中

2016年5月14日(六) 下午1:00至下午6:002016年5月15日(日) 上午11:00至下午6:00 豐藝館

台中市西區五權西路一段110號

台北 2016年5月21日(六) 上午10:00至下午6:002016年5月22日(日) 上午10:00至下午6:00富邦人壽大樓國際會議中心

台北市敦化南路一段108號B2

香港 2016年5月27日(五) 中午12:00至下午7:002016年5月28日(六) 上午10:00至下午7:00香港君悅酒店(M樓茶園)香港灣仔港灣道1號

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605

ANDY WARHOL (American, 1928-1987)

A Christmas Thing

1954 Ink on paper 43.2 x 36.5 cm

PROVENANCE: Andy Worhol Fundation for the Visual Arts Christie's, New York

HK$ 160,000 - 240,000 NT$ 672,000 - 1,008,000 US$ 20,600 - 30,900

安迪.沃荷

聖誕

1954 水墨 紙本 43.2 x 36.5 cm

來源: 安迪.沃荷視覺藝術基金會 紐約佳士得

Andy Warhol is one of the true masters in commercializing art.

Warhol, as a founder of Pop Art, he is good at utilizing objects, from

celebrities to anything people are familiar with, and turning them

into his artworks, for instance Marilyn Monroe and Elvis Presley. A

famous quotation from Warhol "Making money is art and working

is art and good business is the best art" demonstrates his concept as

commercializing art that is deep in his heart.

This works comes from his series for Christmas. In fact, he never

missed chance for togetherness and Christmas became one

of his favourite festivals. From the late 1950s until his death in

1987, Warhol was an integral component of New York's creative

community, and has been described by several of his contemporaries

as the glue that held the legendary group of artists and New York's

downtown crowd together. Society's relationship to consumption

was something that Warhol addressed extensively in his art. This work

is the culture of consumerism that has come to define the modern

tradition of Christmas celebrations. One thing should be noted that,

a signature from Andy Warhol, which remarks the spot and time

of this creation, is rarely seen in his sketches and makes this work

outstanding from others.

若論全世界把商業藝術化、藝術商業化做得最淋漓盡緻,安迪.沃

荷必會名列其中。安迪.沃荷,作為波普藝術的開創者之一,他作

品的一大特色是將名人及人們所熟悉的事物轉換為作品元素,例如

聞名世界的瑪麗蓮.夢露和埃爾維斯普雷斯利等。正如他自己所

說,賺錢是藝術,工作也是藝術,而賺錢的工作才是最棒的藝術,

因此他推崇藝術的商業化,經常使用絹印版畫技法來重現圖像,並

以重複來體現現代社會中批量生產的趨勢。

該作品為他聖誕作品系列之一。事實上,安迪.沃荷在生前從未錯

失任何與朋友歡聚的機會,聖誕節也成為他最喜愛的節日之一。他

在社交中如魚得水,並成為傳奇式的紐約藝術創作團體的核心凝聚

力。社會中的形形色色與消費所構建的紐帶是安迪·沃荷不斷地在他

的藝術中提及的,這幅作品中所呈現的就是在消費主義的文化背景

給予傳統節日慶祝新的定義和認知。最值得注意的是,該作品附有

安迪.沃荷親筆簽名,標註了其創作地點和時間。這在安迪.沃荷

的素描作品中是十分少見的,使得它在此類作品中脫穎而出。With frame 作品帶框圖

24

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Literati: Quiet Affection | Hong Kong 29 May 2016 | Ravenel

Page 5: 寂靜歡喜 古今人文藝術專場 - web.missouri.eduweb.missouri.edu/~leongl/News/RaveneLiteratSpring2016.pdf · Sujet colombe 1959 Ceramic Vase 15.5 x 20 x 16 cm NUMBERED: 137/500,

613

LIANG LANBO (LEONG Lampo, Chinese-American, b.1961)

Exploration

2013 Ink on paper 52 x 38 cm (107 x 79.5 cm with frame) Signed upper right Lanbo in Chinese and lower left Lampo Leong in English With two seals of the artist Liang (upper right) and Lanbo (bottom left)

LITERATURE: Liu, Charles. "A Review on Chinese Ink Painting in North America." Art Salon. The People's Fine Arts Publishing House, Beijing, China (2013/1): 219 (1 color plate)

PROVENANCE: Private Asian Collection

HK$ 18,000 - 40,000 NT$ 76,000 - 168,000 US$ 2,300 - 5,200

梁藍波

遊歷

2013 水墨 紙本 52 x 38 cm(107 x 79.5 cm 帶裱) 款識右上 : 藍波 款識左下 : Lampo Leong 鈐印右上 : 梁 鈐印左下 : 藍波

出版: 劉昌漢《絲路上的長城 ── 北美水墨畫觀覽》,《藝術沙龍》,北京人民美術出版社,

2013年第 1期,第 219頁(1張彩圖)

來源: 亞洲私人收藏

Liang’s achievements in wild cursive Chinese calligraphy reflecting a

reverence for both the spirit of Daoism and the Sublime, as well as an

ever-renewed wonder at a universe revealed to us through modern

science.

In his current series, Moving Marks , which includes this work,

incorporates wild cursive Chinese calligraphy with geometric structure

attained by accumulated layers of ink washes to generate an ethereal

atmospheric quality and a sense of moving energy in a mysterious and

powerful cosmic space. These familiar yet abstract images make us aware

of the miraculous vitality in nature as well as the enigmatic process of

creation in the universe. (Lot 613)

Grandeur Spirit III is another great sample of Lampo Leong’s works

in Chinese calligraphy. Though energetic brushwork and unique

composition, Leong turns Mengzi’s philosophy into an abstract painting-

like construction with linear rhythms, enhancing this dynamic expression

with great artistic value. In this work, his ingenuity is also demonstrated

in the treatment of the background — with elegant color and beautiful

textures, the background washes integrate and contrast with the powerful

calligraphic marks, creating at once an ancient and a contemporary

sensibility for this classical Eastern tradition. (Lot 618)

Virtue is a great sample of Lampo Leong’s achievements in wild cursive

Chinese calligraphy. The word "Virtue" is derived from Laozi’s Daodejing:

"High virtue takes no contrived action and acts without agenda."

Though dynamic brushwork and unique composition, Leong turns Laozi’s

philosophy into an abstract painting-like construction with linear rhythms,

enhancing its meaningful expression with great artistic value. (Lot 620)

梁藍波的狂草作品,透過中國文字的圖像以及水墨的穿梭揮灑、碰撞交

織去延展傳統水墨的語彙並推進水墨藝術向抽象性和後現代性的演化。

在本拍品所屬的當代水墨系列《墨勢》中,融合狂草書法的筆觸和幾何

構架於抽象水墨之中,既力求發揮中國書法線條的精神意蘊,強化作品

的視覺衝擊力,又充分利用充滿動勢的水墨肌理去營造一種氤氳渾沌的

視覺空間,營造豐厚強盛的生命張力,展現博大輝煌的宇宙氛圍。(拍

品編號613)

作品《浩然之氣》體現了梁藍波狂草的線條和結體盡顯其書法的功力,

然而,最新穎獨到之處是它的佈局——字體的安排高低錯落、疏密有

致、穿插靈動。通過雄健、律動的線條,演繹出抑揚頓挫的樂音,生動

地將孟子「至大至剛」的「浩然之氣」演化成繪畫般的節奏。作品除了

東方哲學精神的表達,畫面更與西方抽象表現主義的構成相契合。其書

法的獨到之處還體現於他在背景上的處理——在古雅的設色中加入各種

肌理,使水痕與墨色產生出豐富的對比,既古樸又現代,成就了深具現

代性的狂草藝術作品。(拍品編號618)

作品《德》則通過剛勁、律動的線條,演繹出抑揚頓挫的樂音,生動地

將老子《道德經》高深的哲學演化成抽象繪畫般的節奏,除了東方哲學

精神的表達,畫面更與西方抽象表現主義的構成相契合,產生出深具現

代性的狂草藝術。(拍品編號620)

36

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Literati: Quiet Affection | Hong Kong 29 May 2016 | Ravenel

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618

LIANG LANBO (LEONG Lampo, Chinese-American, b.1961)

Grandeur Spirit III

2008 Ink and watercolor on paper 30.5 x 64 cm Signed bottom center Lanbo in Chinese and bottom center Lampo Leong in English With two seals of the artist Liang (center right) and Lanbo (bottom left)

LITERATURE: Lampo Leong: Wild Cursive , Taiwan: Artists in Taiwan, (2014): 28 (1 color plate)

PROVENANCE: Private Asian Collection

HK$ 12,000 - 22,000 NT$ 50,000 - 92,000 US$ 1,500 - 2,800

梁藍波

浩然之氣 III

2008 水墨 設色 紙本 30.5 x 64 cm 款識中下 : 藍波 Lampo Leong 鈐印左下 : 藍波 鈐印右中 : 梁

出版: 《梁藍波:狂草》,台灣藝術家出版,2014年,第 28頁(1張彩圖)

來源: 亞洲私人收藏

48

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620

LIANG LANBO (LEONG Lampo, Chinese-American, b.1961)

Virtue III

2013 Ink and watercolor on paper 64 x 75 cm Signed center right Lanbo in Chinese With three seals of the artist Liang (center right), Liang (center left), and Lanbo (bottom left)

LITERATURE: Lampo Leong: Wild Cursive , Taiwan: Artists in Taiwan (2014): 15 (1 color plate, detail)

PROVENANCE: Private Asian Collection

HK$ 12,000 - 20,000 NT$ 50,000 - 84,000 US$ 1,500 - 2,600

梁藍波

德 III

2013 水墨 設色 紙本 64 x 75 cm 款識右中 : 藍波 鈐印右中 : 梁 鈐印左中 : 梁 鈐印左下 : 藍波

出版: 《梁藍波:狂草》,台灣藝術家出版,2014年,第 15頁(1張彩圖,局部)

來源: 亞洲私人收藏

50

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646

SHIRAGA KAZUO (Japanese, 1924-2008)

Untitled

Ink on paper 48 x 67 cm

HK$ 50,000 - 80,000 NT$ 210,000 - 336,000 US$ 6,400 - 10,300

白髮一雄

無題

水墨 紙本 48 x 67 cm

Literati: Quiet Affection | Hong Kong 29 May 2016 | Ravenel

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648

PABLO PICASSO (Spanish, 1881-1973)

Sujet colombe

1959 Ceramic Vase 15.5 x 20 x 16 cm

NUMBERED: 137/500, inscribed 'Edition Picasso', with the Madoura and Edition Picasso stamps

LITERATURE: (A.R. 435)

HK$ 40,000 - 80,000 NT$ 168,000 - 336,000 US$ 5,200 - 10,300

巴布羅.畢卡索

鴿子瓷瓶

1959 瓷器 15.5 x 20 x 16 cm

印鑑、標記及編號: Edition Picasso / Madoura / Edition Picasso 137/500(底部)

出版: (A.R. 435)

98

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Literati: Quiet Affection | Hong Kong 29 May 2016 | Ravenel

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154

Lot 605

Lot 646

Lot 614 Lot 648

Pablo PICASSO (Spanish, 1881-1973)

Pablo Picasso (1881-1973), was a Spanish painter, sculptor, printmaker, ceramicist, stage designer, poet and playwright who spent most of his adult life in France. Regarded as one of the greatest and most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore.Picasso, Henri Matisse and Marcel Duchamp are regarded as the three artists who most defined the revolutionary developments in the plastic arts in the opening decades of the 20th century, responsible for significant developments in painting, sculpture, printmaking and ceramics.

Andy WARHOL (American,1928-1987)

Born in 1928 in Pittsburgh, Andy Warhol is best known for pioneering the Pop Art Movement. His revolutionary style brought him international fame, as his explored popular culture by adopting everyday objects and images of celebrities as the subjects for his mass-produced works. Warhol founded Interview Magazine, and was the author of numerous books detailing his artistic philosophy. His studio, "The Factory", was a famous artistic gathering place for intellectuals, celebrities, artists, and other members of the Contemporary popular stage. He coined the widely used expression "15 minutes of fame", and his works include some of the most expensive paintings ever sold. Even after his death, he has remained one of the most influential figures in Contemporary art and culture.

Kazuo SHIRAGA (Japanese,1924-2008)

Born in Amagasaki, Japan, a painter, performance artist. He was a member of "Zero Kai" and of Gutai Group, an avant-garde artist. He created some performance art works in his early career life, and later he was influenced by the American abstract art, which leaded him to change his artistic language, and develop a signature style-"Footpainting"; he defined his art as "a decision to the instant vitality between life and death."

巴勃羅.畢卡索(西班牙,1881-1973)

畢卡索,西班牙著名畫家、雕塑家,和喬治·布拉克

同為立體主義的創始者,是20世紀現代藝術的主要

代表人物之一,遺作逾兩萬件,包括油畫、素描、

雕塑、拼貼及陶瓷等。畢卡索是少數在生前「名利

雙收」的畫家之一。

畢卡索、馬塞爾·杜象和亨利·馬蒂斯是三位在二十

世紀初期開始造型藝術革命性發展的藝術家,在繪

畫、雕塑、版畫及陶瓷上都有顯著的進展。畢卡索

的作品通常被分為4個時期。時期的名稱尚有爭議,

大致是「藍色時期」(1901年-1904年)、「粉

紅色時期」(1904年-1906年)、「立體派時期」

(1917年-1924年)和「晚期」(1912年-1972

年)。

安迪.沃荷(美國,1928-1987)

1928年生於美國匹茲堡,安迪.沃荷是普普藝術的

倡導者,他那顛覆傳統的大膽創作風格轟動了整個

藝術界,並為他帶來國際名氣,成為自由精神的標

誌性人物之一。 沃荷透過以日常用品作為作品題材

來探討普及文化,他亦曾以量產的方式製作名人肖

像。沃荷生前名氣高企,以致死後至今仍是一位對

當代藝術和文化極具影響力的人物。他的作品被紐

約現代藝術博物館、大都會藝術博物館、索羅門.

古根漢美術館,以及倫敦泰特美術館和巴黎蓬皮度

藝術中心等世界級美術館收藏。展覽:1962年「康

寶湯罐頭」,洛杉磯;1967年「安迪.沃荷:十三

個頭號通緝犯」,巴黎、漢堡;1974年「安迪.沃

荷:舊畫作,新版畫」,華盛頓D.C.;1979年「安

迪.沃荷:七十年代的肖像」,紐約;1987年「懷

念安迪:沃荷的近期作品」,東京;2009年「安迪

‧沃荷:普普政治」,紐約;2009年「安迪‧沃

荷:最後的十年」,紐約;2010年「安迪‧沃荷:

沃荷與舞蹈」,巴黎;2011年「安迪.沃荷與伊麗

莎白泰勒」,紐約;2012-2014年「安迪.沃荷:

15分鐘的永恆」,新加坡、香港、上海、北京和東

京。

白髮一雄(日本,1924-2008)

白髮一雄,生於日本尼崎市。創作形式涉及繪畫、

行為。為日本「零族」藝術團體及「具體派」前衛

藝術團體成員。早期藝術創作帶有行為藝術的形

式,後期受美國抽象藝術的影響創作出獨具特色的

藝術手法—「足繪」;他認為藝術創作行為是身體

的「瞬間生命力對生與死的抉擇」。

ARTIST INDEX

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158

Lot 613 Lot 618 Lot 620

Lot 669 Lot 671 Lot 672

LUO Yangwen (Teddy Lo, Chinese, b.1974)

Teddy Lo is an internationally acclaimed light artist based in Hong Kong who has exhibited his works in the US, Europe, and Asia. Recognized in international art circles as a pioneering figure in the new media and contemporary art scene, Lo’s creative luminous works present a fusion of technological, conceptual and aesthetic elements. In 2003, Lo held his first solo art exhibition in NYC, Morphology, and was featured in lighting magazine’s “Who’s Who of Lighting 2004” list, for his contributions to the lighting industry.Since then, Lo has been focusing on developing L E D a r t w o r k s t h a t d e a l t w i t h s p e c t r u m manipulations, sculptural designs and interactive dynamics. His current works emphasize and challenge the norm and intricacies in visual, scientific and spiritual realm through the use of luminous and contemporary technologies. Lo held exhibitions in prestigious locations around the world, including Luminale in Frankfurt, Asia Society in Hong Kong, Museum of Art and Design in NYC, Shanghai Museum of Contemporary Arts, Art Centre BUDA Kortrijk in Belgium, Hong Kong Museum of Art and Esplanade in Singapore, among others.

LIANG Lanbo (Leong Lampo, Chinese-American, b.1961)

Liang was born in Guangzhou in 1961, received his PhD in Art Theory and Practice from the Central Academy of Fine Arts in Beijing, MFA in painting with High Distinction from the California College of the Arts, and BFA in ink painting from the Guangzhou Academy of Fine Arts. Liang currently works as a professor of Art at the University of Missouri-Columbia and a former Art Department Chair. He is also a Visiting Professor at the Guangzhou Academy of Fine Arts and Central China Normal University. Liang’s works can be found in the collection of Stanford University, the Asian Art Museum of San Francisco, the Minneapolis Institute of Arts, the Museu de Arte de Macau, the Guangdong Museum of Art, the Written Art Foundation in Germany, etc.

羅揚文(中國,1974年生)

羅揚文是首批以LED創作揚名國際的視覺藝術家,

居香港,作品曾在美國、歐洲及亞洲地區展出。他

極富想像力的作品展現了科技與美學概念的完美融

合。2003年,他在紐約舉辦了第一個LED藝術个人

展——「形態論」,獲得了公眾、當地業內人士和

媒體的好評。

從那以後,羅就一直專注於頻譜操作、雕塑設計和

交互動態的領域。他近期的作品通過光學和現代科

技的應用呈現出對視覺、科學和精神領域上既定規

範的挑戰。之後他更在世界各地舉辦了他個人藝

術展,包括在美國紐約的「Russell Simmons' Art

for Life」,德國法蘭克福的「Luminale」和新加

坡濱海藝術中心的「2006 National Day Singapore

Expo」。

梁藍波(美籍華人,1961年生)

梁藍波,1961年生於廣州,1983 年畢業於廣州美術

學院國畫系,其後於美國加州美術學院油畫系獲碩

士學位、於北京中央美術學院獲書法與繪畫比較研

究博士學位。目前於美國哥倫比亞密蘇里大學美術

系任職為終身教授、研究生導師,及湖北武漢華中

師範大學美術學院、廣州華南師範大學美術學院等

學校之客座教授。其作品於藏於各地區,包括舊金

山亞洲藝術博物館、斯坦福大學肯托爾藝術中心、

明尼阿波利斯藝術學院、聖路易斯大學藝術博物

館、德國書寫藝術基金會、廣東美術館和澳門藝術

博物館等。

Lot 604

Yoshitomo NARA (Japanese, b.1959)

Nara was born in Hirosaki, a village located in the northern prefecture of Aomori, Japan. After obtaining a Masters in Fine Arts from Aichi Prefectural University of Fine Arts and Music in Nagoya, Japan in 1987, Nara moved to Germany to study at the Kunstakademie Düsseldorf, from which he graduated in 1993. Until 2000, Nara continued to live and work in Germany before returning to Japan, and is currently based out of Tokyo. Nara’s work spans a diverse range of media, from postcards to canvas paintings to three-dimensional sculptural works, and has acquired a cult-like following as varied as his methods.

奈良美智(日本,1959年生)

奈良美智生於日本青森縣弘前市,1987年畢業於日

本愛知縣立藝術大學,取得碩士學位。隨後他遠赴

德國杜塞道夫藝術學院留學,並於1993年完成其學

業。他在德國生活了12年,直至2000年才回到日

本,現時他在東京工作。奈良美智的創作跨越不同

的媒介,從明信片、畫布到雕塑作品,鮮明的風格

使他獲得一批忠實的追隨者。

ARTIST INDEX

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