5

 · that physical movement and control were the keys to acting, a theory that Jerzy Grotowski was later to develop much further. Stanislavski argued that on stage, and in real life,

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Page 1:  · that physical movement and control were the keys to acting, a theory that Jerzy Grotowski was later to develop much further. Stanislavski argued that on stage, and in real life,
Page 2:  · that physical movement and control were the keys to acting, a theory that Jerzy Grotowski was later to develop much further. Stanislavski argued that on stage, and in real life,
Page 3:  · that physical movement and control were the keys to acting, a theory that Jerzy Grotowski was later to develop much further. Stanislavski argued that on stage, and in real life,
Page 4:  · that physical movement and control were the keys to acting, a theory that Jerzy Grotowski was later to develop much further. Stanislavski argued that on stage, and in real life,
Page 5:  · that physical movement and control were the keys to acting, a theory that Jerzy Grotowski was later to develop much further. Stanislavski argued that on stage, and in real life,