wxwW- -:. , Arizona State UniversityJ---- School of Music

DOCTORAL RECITAL SERIES

CAINBUDDSGUITAR

ORGAN HALLFridayo April 13,2001 ' 7:30 P.m.

PROGR.AM

Pieza sin Titulo No. 1

Pieza sin Titulo No. 2Pieza sin Titulo No. 3Fuga No. I

Phantasias and GigaA MajorA minorD minorD MajorGiga in D Major

4 Venezuelan WaltzesEl MarabinoAngosturaCaroraIVaria Luisa

FandangoEn Los Trigales

Nocturne "Reverie" Op. 19

SonatinaI. AllegrettoIl. AndanteIII. Allegro

**There will be a I}-minute intermission**

Leo Brouwerb. 1939

David Kellnerc. 1670-1147

Antonio Lauro1917-1986

Joaquin Rodrigo1902-1999

Giulio Regondi1822-1812

Federico Moreno-Torrobar89l-l9lJ2

*********{<***x

This recital is given in partial fulfillment of the perfbrmance requiremcnrsfor the degree Doctor of Musical Arts in guitar perlbrmance.

Cain Budds is a student of Frank Koonce.

In respect for the performers and those audience members arouncl you, pleasc turnall beepers, cell phones, watches to their silent mode. Thank you.

. ,''Performanee. Events Staff ManagerPuul W. Estes

As$istanrt,'Pefformance Events Staff ManagerGary Quamme

.,',,::.:i.-,performanc0,.Events Staff: .". . . Andrey Astaiza, Rebecca Bell,' : '. William Cushing, Erin Dow

Jihyun Lee, Elizabeth Maben

r,',-. '-, . .,: James Parkinso!; Grant Striemer,:'-:::ri:::. . t.i,r Makoto,Taniai. Jessica Wood. ., ,,

' -""''ARIZONA SrATE UN IV h t{s ITY

: , Ttu. KarHERrNE K; HFRBERGER' ' '

''r'r :i. ,''"iCoLLf6E oF'Ftrur ARrs, School of Music

Main:Caqrpus, P.O. Box 870405,'lempe, AZ 85287-0405'. r':,. :+g0,ggS-3371 . lrttpr//music.asu.edu

ProgramCAIN BUDDS, GUTTAR

Leo Brouwer (b. 1939)Pieza sin Titulo No. 1

Pieza sin Titulo No, 2Pieza sin Titulo No.3tr'uga No. I

Cuban guitarist and composer Leo Brouwer is a staple in the modern guitar repertory. Brouwer's early output brings to lit-e the Afro-Cuban and iblk inl-iuences woven in a keen, concise and rhythmically incisivestyle. The selections played here are from his very earliest efforts in composition and exemplify this mix ofA C-^ /r,.L^- ^-J C^ll- :-A--^-^^^ ^^-L:-^l .,,:+L E..-^-^^- f^-^rulu-uuu4rr <trlu r\Jl\ rrrlrLrtlllcs Lulrrurlrcu wrtrr Lulupcd.rl lrJrrrr5.

David Kellner (cJ670-fi47)- Four Phantasias and GigaA MajorA MinorD MinorD MajorGiga in D major

TL^ ^^--^^^- ^-l 1,.+^-:^. n^,,:l 7^ll-^- ,,,^- L^- ^-^..-J t ali:- I -:--:^ --l J:^J :- 144? :-r rrc uulilPuJcl dltu tutclllJt, u4vru AclrrrEl, w4J uuru duurru ru/v llr LgtPLtS 4lru urgu rrl r /l/ !rr

Stockholm. Of his compositions, mainly dance movements, seventeen pieces for lute were published inHamburg in 1747. A feature of the Phantasias is the Aee rhapsodic introduction. The D minor Phantasiahas a particulady extensive introduction with elaborate harmony and chromatic passages. The Phantasiasin D major and D minor are considered to be Kellner's finest compositions.

Antonio Lauro (1917-1986)--Vengzuelan WaltzesEl MarabinoAngosturaLdl ul d

Maria Luisa

TL^ \/^-^-.^l^- ^^--^^^- ^-l ^..:.^-:^. ^^^-^J.^ f^,.^- tL^ -.,^1.- C^-- f^- L:- ^^--^^:.:^-^ I ^.,-^ .,.^^ ^! rl€ t gllczucrclr lwlriPuscl dlu gurrd r)[ )cclrrgu Lu rdvur tilr w4lLZ rrJl lrr lul ru) uurrrPuJrlrullS. L4ur u w4J d.

fervent culturai nationalist, determined to rescue and celebrate his nation's musical heritage. This he hasaccomplished by his use of South American harmorues and rhJthms mixed with the European waltz form.The names for his compositions are largely those of people and places. Carora is the birthplace of virtuosoguitarist Alirio Diaz. Angostura is the ancient name of Cuidad Bolivar, Lauro's birthplace. El Marabinorefers to a native of Maraciabo. Maria Luisa is the name of Lauro's wife and describes the piece as. "asdiilicult as she is."

r^^^..:- D^Ji-^ /rona rooo\duarf urrr Auur rBu \t twL-Lt)ttFandangoEn Los Trigales

t^^^..:- D^li^^ .L^-.-L Ll:-l J:^- ^^-1., ^L:llL^^I *,.J:^l -..^:^:-

\/^l^-^:^ ^-J l^+^- n^i^ ^^JU4qUill l\UUrrB\_r, Llluuglt Ultr)U rluln g4lry !llrrultuuu, StuurEu liluJlL llr Y4rErlvl4 dlu r4[El w9llL lu rdlJ, d5

had other famous Spanish musicians inciuding Albeniz, Falia and Turina. His Concierto de Aranjuezbrought Rodrigo immediate worldwide fame. En Los Trigaies (In the Wheat Fields) reflects a rewarding,celebratory dance after the hard labor of harvesting wheat. One can hear the impression of the wind in thefields and the mechanical hum of the machinery. The middle section suggests quiet reflection of prayer atnoontime with the church bells in the distance and finally the return to work. The Fandango is fulI ofopalescent discords and reflects Rodrigo's use of old dance forms with newly illuminated musicalsubstance.

Giulio Regondi (1822-187 2)Nocturne "Reyerie" Op. 19

Regondi *'as bom in Lyons in 1822 of an Italian fbther and German mother. He was a child pro,Cigy andtoured all the European courts before the age of nine. He played with the young and gifted girl, CatherineJosepha Pelzer. Both had to climb on a table to be seen by the audience. R-egondi revealed a very sensitiveand delicate nature, later testimonies emphasize his extreme kindness and his great erudition. "Reverie," inwhich the tremolo is used from the first to the fourth string, is perhaps one of the most important tremolopieces written for the guitar. The middle section features a virtuosic sixteenth chord sequence, which isonly encountered, in a similar form, in the twentieth century in Prelude No. 5 by Heitor Villa-Lobos.

Federico Moreno-Torroba (1891-1982)--Sonatina (1965)r A ll^^-^a.^r. nrrcE,r taauII. AndanteIILA|legro

Torroba's works for guitar place him among the fwentieth century's leading composers for the instrument.Most of his nearly one hundred guitar compositions are brief dance-like numbers or character pieces,though there are aiso much more ambitious creations such as the Sonatina. This Sonatina opens with aSeguidilla in sonata ibrm built liom a sprightly main theme and a more subdued subsidiary subject. TheAndante is a sweet wordiess song colored with harmonies sufficiently rich to evoke the pastel world ofFrench Impressionism. The Finale (Allegro) is derived from a type of old Spanish dance in quick ti-iplemeter called Jota or gallarda.

Cain Budds is curiently -working io'ward the Doctor of l"{usical Aits degree in classical guitar performanceat Arizona State University where he is a student of Frank Koonce and a faculty associate in the classicalgr-ritar program. Mr. Budds stays br-rsy as a teac.he.r and perft'rmer in the valley in vanqus positionsincluding North Valley School of the Arts in Scottsdale, Southwestern College in Phoenix and the TonalCenter in Tempe. He also served as a member of the rnusic faculty at Glendale Community College from1998-2000. Mr. Budds received his Bachelor and Master's degrees from Illinois State University. Hestudied guitar with Professor Manley Mallard III at lfillikin University in Illinois as well as with Dr.Douglas Rubio and noted performer and teacher Dr. Angelo Favis. He has performed in Master Classeswith outstanding performers including: Eliot Fisk, Paul Henry, William Kanengiser, Margarita Escarpa,Kevia Gallaghei, Stephen Robinson and Javier Garcia-l"foreno.N4r. Budds' final Doctoral recital will be Friday April i3, 2001 in the Organ Hall at Arizona StateLiniversity's School of Music.

Referencesaobo,O*?1o;"ittl:*":::j:s for Leo Brouwer Cntitar Music Volume I.Naxos

!vqrFvL urJv-

Cooper, Colin. 1980. Liner notes for David Russell Plays Antonio Lanro. Guitar Masters

Dairmer, n?H.iii;ti :3;::fi:$:*; uei Barrueco Fiays De Faiia, Fonce andRodrigo. EMI CDC 7 49228 2. Compact Disc.

Kappel, Hubert. 1990. Liner notes lor Hubert Kappel: Virtuoso Guitar Transcriptions.GSP Recordings GSP 1003CD, Compact Dsc.

Kappel,Hubert. l99l.LinernotesforHubertKappel:RomanticGtilarlvlusic.FSlli{FCD97960. Compact Disc.

Long, fuchard M. 2000. Liner notes for Anlonio Lauro: Venezuelan ll'altzes for Guitar(Adam Holzman, Guitar). Naxos 8.554348. Compact Dsc.

Rodda, Rjchard E. 1996. Line.r notes for lt{usic of Tor"oba. Drwid furssell (htltrrr. TelarcCD-80151. Compact Dsc.

Russell, Or:l lj"ttl^t_1:r^lotes

for DavidRussell plays I9th Century tr'Iusjc. GF{A

Summerfield, Maurice J. 1996. The Classical Guitar: Its Evolution, Plqvers cmdPersonalilies Since 1800,2d ed. Newcastle, United Kingdom: Ashley Mark

t"r"*n""t:tfr396? Lin"r.rot" s for Joaquin Rodrigo: The comptete works for Guitar,Volume L Gt{A 126.026. Compact Disc.