SVERDLOVSK STATE

PHIL.HARMONY

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Ôëàã Ôåñòèâàëÿ ×àéêîâñêîãî íà êðûøå ôèëàðìîíèè!

Äåíèñ Ìàöóåâ, Àëåêñàíäð Êîëîòóðñêèé. 6 ìàÿ 2015

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Àëåêñàíäð Íèêîëàåâè÷Êîëîòóðñêèé,äèðåêòîð Ñâåðäëîâñêîéãîñóäàðñòâåííîéàêàäåìè÷åñêîé ôèëàðìîíèè,÷ëåí Ñîâåòà ïðè ÏðåçèäåíòåÐîññèéñêîé Ôåäåðàöèèïî êóëüòóðå è èñêóññòâó,âèöå-ïðåçèäåíò Ñîþçàêîíöåðòíûõ îðãàíèçàöèéÐîññèè,ëàóðåàò Ãîñóäàðñòâåííîéïðåìèè Ðîññèè,çàñëóæåííûé ðàáîòíèêêóëüòóðû Ðîññèè

2015 ãîä ñòàë äëÿ íàñ ãîäîì ðàçâèòèÿ.

Âî-ïåðâûõ, êîëëåêòèâ ôèëàðìîíèè ïðèíÿë áåñïðåöåäåíòíîåðåøåíèå – ñâîèìè ñèëàìè íà÷àòü ñòðîèòåëüñòâî ðåïåòèöèîííî-àðòèñòè÷åñêîãî êîìïëåêñà, âåäü íàøè ïðîåêòû äàâíî ïåðåðîñëèðåñóðñû çàìå÷àòåëüíîãî, íî íåáîëüøîãî çäàíèÿ. È íå òîëüêî ðåøèë,íî è ïîäêðåïèë ðåøåíèå äåëîì, ïîæåðòâîâàâ ïåðâûå 653 òûñÿ÷èðóáëåé.

Âî-âòîðûõ, íà íîâûé óðîâåíü ðàçâèòèÿ âûøåë íàø Âèðòóàëüíûéêîíöåðòíûé çàë. Îí ïðåâðàòèëñÿ èç ïåðñïåêòèâíîãî â ýôôåêòèâíûéèíñòðóìåíò ìóçûêàëüíîãî ïðîñâåùåíèÿ è îáåñïå÷åíèÿ äîñòóïíîñòèèñêóññòâà.

Â-òðåòüèõ, êà÷åñòâåííîå ðàçâèòèå êîñíóëîñü íàøèõ ôèëèàëîââ ãîðîäàõ Ñâåðäëîâñêîé îáëàñòè. Îíè ñòàëè ïðèíèìàòü ó ñåáÿ ãðóïïûîðãàíèçîâàííûõ ñëóøàòåëåé èç Ôèëàðìîíè÷åñêèõ ñîáðàíèéáëèçëåæàùèõ òåððèòîðèé. Äðóãèìè ñëîâàìè, ìû íà÷àëè ñîçäàâàòüñèñòåìó ðåãèîíàëüíûõ êîíöåðòíûõ çàëîâ.

 2015 ãîäó îñîáîå ðàçâèòèå ïîëó÷èëà ñîöèàëüíàÿ ôóíêöèÿôèëàðìîíèè. Ìû ïðèíÿëè ïðîãðàììó «Äîñòóïíàÿ ñðåäà» è ñòàðàåìñÿñäåëàòü ïîñåùåíèå êîíöåðòîâ êàê ìîæíî áîëåå óäîáíûì äëÿìàëîìîáèëüíûõ ãðóïï íàñåëåíèÿ è ñëóøàòåëåé ïîæèëîãî âîçðàñòà.Òàêæå Ñâåðäëîâñêàÿ ôèëàðìîíèÿ ïåðâîé â Ðîññèè ïîäêëþ÷èëàñüê ìóçûêàëüíîìó âîñïèòàíèþ ãëóõèõ è ñëàáîñëûøàùèõ äåòåé.

Èç îãðîìíîãî êîëè÷åñòâà çíà÷èìûõ â òâîð÷åñêîì ïëàíå ñîáûòèéîñîáåííî õî÷ó îòìåòèòü äâà: Äåíü ìóçûêè ×àéêîâñêîãîâ Ñâåðäëîâñêîé îáëàñòè, êîòîðûé ñòàë êóëüìèíàöèåé òîðæåñòâ ê 175-ëåòèþ âåëèêîãî êîìïîçèòîðà. È «Áåçóìíûå äíè â Åêàòåðèíáóðãå» –èçâåñòíûé âî âñåì ìèðå êàê «La Folle Journee» – ïðåñòèæíåéøèéôåñòèâàëü ñ 20-ëåòíåé èñòîðèåé, êîòîðûé ìû ïðîâåëè âïåðâûåâ Ðîññèè. Ïîäãîòîâèëà ïî÷âó äëÿ ýòîãî ñîáûòèÿ íàøà ìåæäóíàðîäíàÿäåÿòåëüíîñòü, ïðîäâèãàþùàÿ Åêàòåðèíáóðã è Ñâåðäëîâñêóþ îáëàñòüâ ìèðîâîì êóëüòóðíîì ïðîñòðàíñòâå. Ìû ñ÷àñòëèâû, ÷òî ïðîäþñåðôåñòèâàëÿ Ðåíå Ìàðòåí ïîâåðèë â êîìàíäó Ñâåðäëîâñêîéôèëàðìîíèè è â íàøó ïóáëèêó, è ãîðäû, ÷òî îïðàâäàëè åãî äîâåðèå.

Äâèæåíèå âïåðåä â ïðèñóùåì íàì òåìïå áûëî áû íåâîçìîæíî áåçïîääåðæêè îáùåñòâà, ãóáåðíàòîðà, ïðàâèòåëüñòâà îáëàñòè. Íàøàäåÿòåëüíîñòü íàøëà îòêëèê è ïîíèìàíèå íå òîëüêî â ìèíèñòåðñòâåêóëüòóðû, íî è â ìèíèñòåðñòâàõ îáðàçîâàíèÿ è ñîöèàëüíîé ïîëèòèêè.

Ìû íàäååìñÿ, ÷òî íàøà èíòåíñèâíàÿ ðàáîòà è â äàëüíåéøåì áóäåòïðèíîñèòü ðàäîñòü âñåì æèòåëÿì Ñâåðäëîâñêîé îáëàñòè.

The year 2015 can be described as a year of our growth and advancement.

First of all, the Philharmony made an unparalleled decision to embark onconstruction of a new rehearsal and artistic complex by its own efforts, asour projects have far outgrown the capacity of the remarkable, thoughnot very spacious building. The words ripened into deeds when thePhilharmony staff donated the 653 thousand rubles to start.

Secondly, our Virtual Concert Hall has moved up to a new level. The long-range project has turned into an efficient tool facilitating accessibility ofart.

Thirdly, the quality growth can be observed in our branches in towns andcities of the Sverdlovsk Region. They receive organized groups of theaudience. In other words, we are building a system of regional concerthalls, and we can see our first successful achievements.

In 2015, a special impetus was given to the social function of thePhilharmony. We launched the program known as The AccessibleEnvironment to make it more convenient for disabled and elderly peopleto listen music in concert halls. In February, the Sverdlovsk Philharmonybecame the first in Russia to take part in musical education of deaf andhearing-impaired children.

I would like to single out two events out of a huge number of artisticallysignificant events: The Tchaikovsky Music Day in the Sverdlovsk Region.That day was the culmination of festive events dedicated to the 175th

anniversary of the great composer. The Follies of a Day in Ekaterinburg –known as La Folle Journee to the world audience – is a unique andprestigious festival enjoying a 20-year-long history. We were the first tohold it in Russia. The ground for this event was prepared through ourinternational efforts aimed at promoting Ekaterinburg and the SverdlovskRegion in the global cultural space. We are happy that Rene Martinbelieved in the team of the Sverdlovsk Philharmony and in our audience,and we are proud that we justified his confidence.

We would have been unable to move forward at the selected pace withoutsupport from people, the governor, and the regional government. Our workfound a generous response and appreciation not only in the Ministry ofCulture, but also in the Ministries of Education and Social Policy.

We hope that our zealous work will continue to give joy to all residents ofthe Sverdlovsk Region.

Alexander Kolotursky,Director of the SverdlovskState Philharmony,member of the Russian PresidentialCouncil for Culture and Art,Vice President of the Unionof Concert Organizations of Russia,winner of the State Prizeof the Russian Federation,honored worker of culture of Russia

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Âëàäèìèð Àëåêñååâè÷ ×åðêàøèí,ïðåäñåäàòåëü ïðàâëåíèÿ Áëàãîòâîðèòåëüíîãîôîíäà ïîääåðæêè ÓÀÔÎ,ïðåäñåäàòåëü Óðàëüñêîãî áàíêàÏÀÎ «Ñáåðáàíê»

2015-é ãîä áûë äëÿ Ñâåðäëîâñêîé ôèëàðìîíèèîñîáåííûì. Îíà âñòóïèëà â þáèëåéíûé, 80-éñåçîí è ïåðâîé â Ðîññèè ïðîâåëà ïðåñòèæíûéÌóçûêàëüíûé ôåñòèâàëü «La Folle Journee»(«Áåçóìíûå äíè»), ïîäàðèâ ñîòíÿì ñëóøàòåëåéâîçìîæíîñòü ïîáûâàòü â òå÷åíèå òðåõ äíåé íà 70êîíöåðòàõ. Òðàäèöèîííî íà âûñîêîì óðîâíå áûëîðãàíèçîâàí III Ìåæäóíàðîäíûé ìóçûêàëüíûéôåñòèâàëü «Åâðàçèÿ», â êîòîðîì â ýòîò ðàçó÷àñòâîâàëè 500 ìóçûêàíòîâ èç 24 ñòðàí ìèðà.Íàñòîé÷èâîñòü ðóêîâîäñòâà ôèëàðìîíèè ïîçâî-ëèëà ïðè ïîääåðæêå Ïðàâèòåëüñòâà îáëàñòèäîáèòüñÿ âîçîáíîâëåíèÿ ñòðîèòåëüñòâà ðåïåòè-öèîííî-àðòèñòè÷åñêîãî êîðïóñà, òàê íåîáõîäè-ìîãî äëÿ íîðìàëüíîé ðàáîòû àðòèñòîâ.

Æåëàþ âñåì ñëóøàòåëÿì Ñâåðäëîâñêîé ôèëàðìî-íèè íîâûõ ìóçûêàëüíûõ ñîáûòèé, ÿðêèõ âïå÷àòëå-íèé è èíòåðåñíûõ âñòðå÷ íà êîíöåðòàõ.

Boris Charny,Chairman of the Supervisory Boardof the Sverdlovsk Philharmony,Chairman of the Public Pipe Organ Committee,Member of the Management Boardof the Charitable Foundationfor Support of the UPO

The past philharmonic year was marked by thesignificantly increased number of peoplerepresenting regular and consistent audienceslistening to classical symphonic music; it introduceda magnificent repertoire helping listeners move fromperception of music to its understanding andappreciation; it continued attracting young people,kindling their interest in classical music, and madeunprecedented contribution to the expansion of theVirtual Concert Hall, thus increasing the number ofSverdlovsk Region’s residents being able to enjoyphilharmonic concerts.

Vladimir Cherkashin,Chairman of the Management Boardof the Charitable Foundationfor Support of the UPO,Chairman of the Ural Bank of Sberbank PJSC

2015 was a special year for the SverdlovskPhilharmony. It entered its 80th anniversary seasonand was first in Russia to host the prestigious La FolleJournåe Music Festival (The Follies of a Day), havingoffered hundreds of people an opportunity to visit 70concerts within three days. By tradition, the ThirdEurasia International Music Festival was impeccablyorganized, welcoming 500 musicians from 24countries of the world. Being persistent andsupported by the Regional Government, thePhilharmonic management caused resuming theconstruction of the rehearsal and artistic building thatis essential for smooth work of artists.

I wish all the guests of the Sverdlovsk Philharmonynew music events, vibrant experiences andinteresting encounters at concerts.

ÌÈÑÑÈß ÑÂÅÐÄËÎÂÑÊÎÉ ÔÈËÀÐÌÎÍÈÈ

ðàçâèòèå êëàññè÷åñêèõ òðàäèöèé ðîññèéñêîé êîíöåðòíîé æèçíèïîääåðæàíèå âûñîêîãî óðîâíÿ èñïîëíèòåëüñêîãî ìàñòåðñòâàôîðìèðîâàíèå ñðåäû îáùåíèÿ äóõîâíî áëèçêèõ ëþäåéñîçäàíèå áàçû äëÿ ðàçâèòèÿ ôèëàðìîíè÷åñêîé äåÿòåëüíîñòèâ îáëàñòèóâåëè÷åíèå ñòåïåíè äîñòóïíîñòè êóëüòóðíûõ öåííîñòåéíàèáîëåå øèðîêîìó êðóãó ñëóøàòåëåé

Áîðèñ Èñààêîâè÷ ×àðíûé,ïðåäñåäàòåëü Íàáëþäàòåëüíîãî ñîâåòàÑâåðäëîâñêîé ôèëàðìîíèè,ïðåäñåäàòåëü Îáùåñòâåííîãîîðãàííîãî êîìèòåòà,÷ëåí ïðàâëåíèÿ Áëàãîòâîðèòåëüíîãîôîíäà ïîääåðæêè ÓÀÔÎ

Ïðîøåäøèé ôèëàðìîíè÷åñêèé ãîä – ýòî çíà÷è-òåëüíîå óâåëè÷åíèå êîëè÷åñòâà ëþäåé, êîòîðûåñèñòåìíî è ïîñëåäîâàòåëüíî ñëóøàþò êëàññè-÷åñêóþ ìóçûêó; ýòî âåëèêîëåïíûé ðåïåðòóàð,êîòîðûé ïîçâîëÿåò ñëóøàòåëþ ïåðåéòè îòïðîñòîãî âîñïðèÿòèÿ ìóçûêè ê åå ïîíèìàíèþ; ýòîâîçðàñòàþùèé èíòåðåñ ìîëîäåæè ê êëàññèêåè áåñïðåöåäåíòíîå ðàçâèòèå Âèðòóàëüíîãîêîíöåðòíîãî çàëà, óâåëè÷èâàþùåå êîëè÷åñòâîæèòåëåé Ñâåðäëîâñêîé îáëàñòè, ïîëó÷èâøèõâîçìîæíîñòü ñëóøàòü ôèëàðìîíè÷åñêèåêîíöåðòû.

Ýòè âûñîêèå öåëè ìîãóò áûòü äîñòèãíóòû

ïðîïàãàíäîé êëàññè÷åñêîé ìóçûêè è ëèòåðàòóðûñîòðóäíè÷åñòâîì ñ ìóçûêàíòàìè ìèðîâîãî óðîâíÿðàñøèðåíèåì îáðàçîâàòåëüíûõ ïðîãðàìì äëÿ âñåõ âîçðàñòîâóäîâëåòâîðåíèåì èíòåðåñîâ ðàçëè÷íûõ ñëîåâ îáùåñòâàïîääåðæàíèåì âûñîêèõ àêóñòè÷åñêèõ õàðàêòåðèñòèê êîíöåðòíîãîçàëà è ñîçäàíèåì ìàêñèìàëüíî êîìôîðòíûõ óñëîâèé äëÿ ñëóøàòåëåéîñâîåíèåì è ïðèìåíåíèåì ñîâðåìåííûõ èííîâàöèîííûõòåõíîëîãèé

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Äìèòðèé Èëüè÷ Ëèññ,õóäîæåñòâåííûé ðóêîâîäèòåëüè ãëàâíûé äèðèæåð Óðàëüñêîãî àêàäåìè÷åñêîãîôèëàðìîíè÷åñêîãî îðêåñòðà,ëàóðåàò Ãîñóäàðñòâåííîé ïðåìèè Ðîññèè,íàðîäíûé àðòèñò Ðîññèè

2015 ãîä äëÿ Óðàëüñêîãî ôèëàðìîíè÷åñêîãîîðêåñòðà áûë íåîáû÷àéíî èíòåíñèâíûìè ïëîäîòâîðíûì: ïðåìüåðû, ãàñòðîëè, ôåñòè-âàëè… Âñå ýòî òðåáîâàëî íàïðÿæåíèÿ ñèë, íîâ î÷åðåäíîé ðàç ïîäòâåðäèëî âûñîêóþ ðåïóòàöèþêîëëåêòèâà è ïðèíåñëî ðàäîñòü ñëóøàòåëÿì.

Ìíîãîå áûëî âïåðâûå. Âïåðâûå îðêåñòð ïðèíÿëó÷àñòèå â ôåñòèâàëå Âàäèìà Ðåïèíà ñ âûäàþ-ùèìñÿ ìóçûêàíòîì Ðóäîëüôîì Áóõáèíäåðîì,âïåðâûå âûñòóïèâ íà ñöåíàõ íîâûõ êîíöåðòíûõçàëîâ Íîâîñèáèðñêà è Îìñêà è ïî-äîáðîìóïîçàâèäîâàâ æèòåëÿì ýòèõ ãîðîäîâ. Âïåðâûåó÷àñòâîâàë â Ôåñòèâàëå Þðèÿ Áàøìåòà â Áåëî-ðóññèè.

Ìû ãîðäèìñÿ òåì, ÷òî èìåííî â Åêàòåðèíáóðãåâïåðâûå â Ðîññèè ïðîøåë Ôåñòèâàëü «La FolleJournee» («Áåçóìíûé äåíü»), ïîñòàâèâøèé íàøãîðîä â îäèí ðÿä ñ Òîêèî, Íàíòîì, Ðèî-äå-Æàíåéðî, Áèëüáàî, Âàðøàâîé è ñòàâøèéîãðîìíûì ñîáûòèåì äëÿ íàøåé ïóáëèêè.

Îðêåñòð ïðîäîëæèë õîðîøèå òðàäèöèè.  î÷åðåä-íîé ðàç ïðèíÿë ïðèãëàøåíèå êðóïíåéøåãîÔåñòèâàëÿ ôîðòåïèàííîé ìóçûêè â Ëà-Ðîê-ä’Àíòåðîíå âî Ôðàíöèè. Äëÿ íàñ ýòî – áîëüøàÿ÷åñòü, çíàê óâàæåíèÿ ñî ñòîðîíû íàøåãî äðóãàè âûäàþùåãîñÿ îðãàíèçàòîðà Ðåíå Ìàðòåíà.

Âûñòóïëåíèå ÓÀÔÎ íà Ôåñòèâàëå Äåíèñà Ìàöóåâàâ Ñî÷è ïîçâîëèëî êðèòèêå óòâåðæäàòü, ÷òîêîëëåêòèâ ñòàë «çâåçäîé» ýòîãî ìóçûêàëüíîãîôîðóìà.

Óæå â òðåòèé ðàç ïðè íåîñëàáåâàþùåì èíòåðåñåàóäèòîðèè è ìåæäóíàðîäíîé êðèòèêè â íàøåìãîðîäå ïðîøåë Ôåñòèâàëü «Åâðàçèÿ». Òðàäèöè-îííî åãî ó÷àñòíèêàìè ñòàëè î÷åíü èíòåðåñíûåãîñòè, çâó÷àëè ïðåìüåðû – ìèðîâàÿ, åâðîïåéñêàÿè ðîññèéñêàÿ. Ýòè ýêñòðàîðäèíàðíûå ÿâëåíèÿ óæåñòàíîâÿòñÿ äëÿ íàñ îáû÷íûìè.

ß äóìàþ, òàêàÿ èíòåíñèâíàÿ ðàáîòà îðêåñòðà,à òàêæå ïîääåðæêà ãóáåðíàòîðà, ïðàâèòåëüñòâàè íàøèõ äðóçåé – çàëîã óñïåøíîãî áóäóùåãîíàøåãî êîëëåêòèâà. È â ñëåäóþùåì ñåçîíå îíáóäåò ïðèíîñèòü íå ìåíüøóþ ðàäîñòü íàøèìñëóøàòåëÿì íà Óðàëå è âî âñåì ìèðå.

Dmitry Liss,Artistic Director and Chief Conductorof the Ural Philharmonic Orchestra,awardee of the State Prizeof the Russian Federation,People’s Artist of Russia

The year 2015 turned out to be exceptionally busyand fruitful for the Ural Philharmonic Orchestra:premieres, tours, festivals… Although the perfor-mances took a lot of effort, they once again theorchestra’s high reputation and afforded gratificationto the audience.

Many things were done for the first time. Theorchestra premiered in the Vadim Repin Festival,performing with the outstanding musician RudolfBuchbinder; it debuted on the stage of the newconcert halls in Novosibirsk and Omsk, admiring themand feeling happy for people living in these cities. Itmade its first appearance in the Yuri Bashmet Festivalin Belarus.

We are proud that Ekaterinburg was first in Russia tohost La Folle Journee (The Follies of a Day), thefestival that brought our city into line with Tokyo,Nantes, Rio de Janeiro, Bilbao, Warsaw, and becamea landmark event for our audiences.

The orchestra remained faithful to good traditions. Itaccepted an invitation from the famous La Roque-d’Antheron Piano Festival in France. It is a great honorfor us, a testimony of respect from Rene Martin, ourfriend and an outstanding organizer.

After the performance of the Ural PhilharmonicOrchestra at the Denis Matsuev Festival in Sochi,reviewers stated that the orchestra had become a«star» of the musical forum.

The Eurasia Festival hosted by our city marked itsthird birthday, generating unflagging interest from theaudience and international reviewers. By tradition, itwelcomed distinguished guests and presented world,European and Russian premieres. Such extraordinaryevents are steadily blending into our life.

I believe that rigorous work of the orchestra as wellas support by the governor, government and ourfriends are the cornerstone of successful future ofour orchestra. Next season, it will continue to bringjoy to audiences in the Urals and all over the world.

SVERDLOVSK PHILHARMONY’S MISSION

developing classical traditions of the Russian concert lifemaintaining the high level of performance masterycreating a communication platform for people with common interestssetting up a basis for our activities on the regional levelmaking cultural values as available as possible for the widest rangeof listeners

These ambitious goals can be attained by

promoting classical music and literaturecooperating with the top-ranking world musiciansdeveloping educational programs for all age groupssatisfying interests of different social groupsmaintaining the high level of acoustic characteristics of the concerthall and creating the most convenient conditions for our listenersadopting innovative technology

ÊÎÐÏÎÐÀÒÈÂÍÛÅ ÏÎÆÅÐÒÂÎÂÀÍÈß È ÓÑËÓÃÈ (ðóá.)

1.500.000 Ôîíä ïåðâîãî Ïðåçèäåíòà Ðîññèè Á.Í. ÅëüöèíàÄèðåêòîð Þìàøåâà Ò.Á.

Áîëåå 300.000 ÏÀÎ «Ýíåë Ðîññèÿ»Ãåíåðàëüíûé äèðåêòîð Ê.Ï. ÂèëëàìàíüÿÏðåäñåäàòåëü ñîâåòà äèðåêòîðîâ Çâåãèíöåâ Ñ.Â.Ðåãèîíàëüíûé ïðåäñòàâèòåëü ïî ÓðÔÎ Øèê À.Ý.ÁÀÝÑ èì. Ñ.Â. Êóð÷àòîâà – ôèëèàë ÎÀÎ Êîíöåðíà «Ðîñýíåðãîàòîì»Ãåíåðàëüíûé äèðåêòîð Áàêàíîâ Ì.Â. / Ñèäîðîâ È.È.ÎÎÎ «Öåíòð áðîíèðîâàíèÿ «ÞÑÒÀ»Äèðåêòîð Ñàëèí Â.À.

100.000–299.999 Ñòóäèÿ ôëîðèñòèêè Ñâåòëàíû ÑàâåëüåâîéÂëàäåëèöà è äèðåêòîð Ñàâåëüåâà Ñ.À.Áëàãîòâîðèòåëüíûé ôîíä «Ñèíàðà-Ôîíä»Ãåíåðàëüíûé äèðåêòîð ÇÀÎ Ãðóïïà Ñèíàðà Õîäîðîâñêèé Ì.ß.Ïðåäñåäàòåëü Ïîïå÷èòåëüñêîãî ñîâåòà Ïóìïÿíñêàÿ Ã.Å.Ïðåçèäåíò Ëåâèöêàÿ Í.Ä.ÎÎÎ «ÒðàíñÎòåëü»Ãåíåðàëüíûé äèðåêòîð Ìàëüêîâà À.Â.ÎÎÎ «Åêàòåðèíáóðã Öåíòð» («Íîâîòåëü»)Ãåíåðàëüíûé óïðàâëÿþùèé Âàæåíèíà Å.Â.Òðàíñïîðòíàÿ êîìïàíèÿ «ÀâòîÏëþñÓðàë»Äèðåêòîð Øåíäðèê À.Â.Áëàãîòâîðèòåëüíûé ôîíä ïîääåðæêè ÓÀÔÎÏðåäñåäàòåëü ïðàâëåíèÿ ×åðêàøèí Â.À.ÎÎÎ «Ãîñòèíè÷íàÿ óïðàâëÿþùàÿ êîìïàíèÿ»Äèðåêòîð Àãàôîíîâ Ä.Å.ÎÎÎ «Îòåëü «Âîçíåñåíñêèé»Äèðåêòîð Äîáðûíèíà Å.Í.ÎÎÎ «ÓÊ «Îòåëü Îíåãèí»Äèðåêòîð Ìîæàåâà È.Ì.ÎÎÎ «ÁåñòÑåðâèñ»(Êîíãðåññ-îòåëü «Ìàðèíñ Ïàðê Îòåëü Åêàòåðèíáóðã»)Äèðåêòîð Ïîðÿäèíà Å.Ì.

40.000–99.999 ÇÀÎ «Ëàáîðàòîðèÿ Êàñïåðñêîãî»Ãåíåðàëüíûé äèðåêòîð Êàñïåðñêèé Å.Â.ÎÎÎ ÍÏÖ «Ìåòàëëóðã»Ãåíåðàëüíûé äèðåêòîð Ïóäîâ Ñ.Â.«Hyatt Regency Ekaterinburg»Ãåíåðàëüíûé ìåíåäæåð È. Éîâîâè÷Äèðåêòîð ÎÎÎ «Õîòåë Äåâåëîïìåíò Êîìïàíè» Ñîëäàòîâ À.Ñ.×ëåí ñîâåòà äèðåêòîðîâ ÎÎÎ «Õîòåë Äåâåëîïìåíò Êîìïàíè»Ðÿáöåâ À.Þ.ÀÎ ÏÎ «ÓÎÌÇ» èì. Ý.Ñ. ßëàìîâà»Ãåíåðàëüíûé äèðåêòîð Ñëóäíûõ À.Â.ÏÐÅÄ ÎÀÎ «Òþðê õàâà éîëëàðû» («Òóðåöêèå àâèàëèíèè»,ïðåäñòàâèòåëüñòâî), Åêàòåðèíáóðã

ÁËÀÃÎÒÂÎÐÈÒÅËÈ ÑÂÅÐÄËÎÂÑÊÎÉ ÔÈËÀÐÌÎÍÈÈÁËÀÃÎÒÂÎÐÈÒÅËÜÍÀß ÀÊÖÈß«ÍÀ ÊÈÐÏÈ×ÈÊ».ÈÍÄÈÂÈÄÓÀËÜÍÛÅ ÏÎÆÅÐÒÂÎÂÀÍÈß (ðóá.)

 ðàìêàõ äîëãîñðî÷íîãî ïðîåêòà«Íóæíû äðóã äðóãó».Ñáîð ñðåäñòâ íà ñòðîèòåëüñòâîðåïåòèöèîííî-àðòèñòè÷åñêîãî êîðïóñàÑâåðäëîâñêîé ôèëàðìîíèè.

30.000–50.000 Êîëîòóðñêèé À.Í.Ñàö Ï.À.Òõàé Ñ.Â.

603.049 291 ñîòðóäíèêôèëàðìîíèè

141.791 403 ñëóøàòåëÿôèëàðìîíèè

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ÍÀÁËÞÄÀÒÅËÜÍÛÉ ÑÎÂÅÒ

×ÀÐÍÛÉ Áîðèñ Èñààêîâè÷Ïðåäñåäàòåëü Íàáëþäàòåëüíîãî ñîâåòà

ÇÀÊÑ Ëåâ Àáðàìîâè÷Ðåêòîð ÍÂÏÎÓ «Ãóìàíèòàðíûé óíèâåðñèòåò»

ÊÎÊØÀÐΠÂèêòîð Àíàòîëüåâè÷Ðåêòîð ÓðÔÓ èì. ïåðâîãî Ïðåçèäåíòà ÐîññèèÁ.Í. Åëüöèíà

ÊÐÅÊΠÏàâåë Âëàäèìèðîâè÷Ìèíèñòð êóëüòóðû Ñâåðäëîâñêîé îáëàñòè

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ÎÑÍÎÂÍÛÅ ÏÎÊÀÇÀÒÅËÈ ÄÅßÒÅËÜÍÎÑÒÈ 2015 2014 êîëè÷åñòâî êîíöåðòîâ ñëóøàòåëåé êîíöåðòîâ ñëóøàòåëåé

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ÄÎÕÎÄÛ 2015 2014òûñ. ðóá. ïðîöåíò òûñ. ðóá. ïðîöåíò

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ÐÀÑÕÎÄÛ 2015 2014òûñ. ðóá. ïðîöåíò òûñ. ðóá. ïðîöåíò

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Ïðåìèÿ Íàöèîíàëüíîé ãàçåòû«Ìóçûêàëüíîå îáîçðåíèå»â íîìèíàöèè «Ñîáûòèå ãîäà»çà «Êîíöåïöèè ðàçâèòèÿêîíöåðòíîé äåÿòåëüíîñòèâ îáëàñòè àêàäåìè÷åñêîé ìóçûêèâ Ðîññèéñêîé Ôåäåðàöèèíà ïåðèîä äî 2025 ãîäà»

Àëåêñàíäð Êîëîòóðñêèé,äèðåêòîð Ñâåðäëîâñêîéôèëàðìîíèè

Íàòàëèÿ Øòåðí,çàìåñòèòåëü äèðåêòîðàÑâåðäëîâñêîé ôèëàðìîíèèïî ýêîíîìè÷åñêèì è þðèäè÷åñêèìâîïðîñàì

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ÓÐÀËÜÑÊÈÉ ÀÊÀÄÅÌÈ×ÅÑÊÈÉÔÈËÀÐÌÎÍÈ×ÅÑÊÈÉ ÎÐÊÅÑÒÐ

Õóäîæåñòâåííûé ðóêîâîäèòåëü è ãëàâíûé äèðèæåð –íàðîäíûé àðòèñò Ðîññèè,ëàóðåàò Ãîñóäàðñòâåííîé ïðåìèè Ðîññèè Äìèòðèé ËèññÄèðèæåðû: ëàóðåàò ìåæäóíàðîäíîãî êîíêóðñà Ýíõý,çàñëóæåííûé àðòèñò Ðîññèè Àëåêñåé Äîðêèí ñîñòàâå 106 ìóçûêàíòîâ (ïîëíûé ñïèñîê ñì. íà www.sgaf.ru)11 êîëëåêöèîííûõ ñòðóííûõ èíñòðóìåíòîâ

Îäèí èç âåäóùèõ îðêåñòðîâ Ðîññèè. Îñíîâàí â 1936 ãîäó. Êàæäûé ñåçîíïðåäñòàâëÿåò ñâûøå 70 ïðîãðàìì è îêîëî 100 êîíöåðòîâ.Ãàñòðîëèðîâàë â 18 ñòðàíàõ ìèðà. Èíèöèèðóåò êðóïíûå êóëüòóðíûåïðîåêòû. Ïðèíèìàåò ó÷àñòèå â ïðåñòèæíûõ ìåæäóíàðîäíûõ ôåñòèâàëÿõ(ñðåäè íèõ Beethovenfest, «La Folle Journåe»). Ñîòðóäíè÷àåò ñ âåäóùèìèäèðèæåðàìè è ñîëèñòàìè âñåãî ìèðà. Çàïèñàë 28 CD, â òîì ÷èñëå ïîçàêàçó êîìïàíèé «Warner Classics International» è «Mirare». Èìååòâåëèêîëåïíîå èíñòðóìåíòàëüíîå îñíàùåíèå.

Ãåíåðàëüíûé ìåíåäæìåíò îðêåñòðà çà ðóáåæîì îñóùåñòâëÿåòàãåíòñòâî «Les Productions Internationales Albert Sarfati» (Ôðàíöèÿ).

URAL PHILHARMONIC ORCHESTRA

Artistic Director and Chief Conductor – Dmitry LissConductors: Enkhe, Alexey DorkinIn total: 106 musicians (see the complete list at www.sgaf.ru)11 vintage string instruments

It is one of the leading orchestras in Russia. It was founded in 1936. Eachseason the orchestra offers more than 70 programs to the audience andgives about 100 concerts. It has given guest performances in 18 countriesworldwide. It spearheads major culture projects. The orchestra takes partin prestigious international festivals (including Beethovenfest, La FolleJournee). It has recorded 28 CDs; some of them were made to the orderof Warner Classics International and Mirare. The orchestra works with theleading conductors and soloists from all over the world. It prides itself onits excellent musical instruments.

The general management of the orchestra around the world is heldby the agency «Les Productions Internationales Albert Sarfati» (France).

Ãàñòðîëüíàÿ äåÿòåëüíîñòü

Ìàðò. Ïåðìü, Ìàãíèòîãîðñê. IV è V Ìåæäóíàðîäíûå ôåñòèâàëè«Äåíèñ Ìàöóåâ ïðåäñòàâëÿåò…». 2 êîíöåðòà. Ñîëèñòû – Ä. Ìàöóåâ,Í. Áîðèñîãëåáñêèé, À. Áàåâà, À. Áóçëîâ.

Àïðåëü. Îìñê, Íîâîñèáèðñê. II Òðàíññèáèðñêèé Àðò-ôåñòèâàëü(õóäîæåñòâåííûé ðóêîâîäèòåëü – Â. Ðåïèí). 3 êîíöåðòà. Ñîëèñòû –Ð. Áóõáèíäåð (Àâñòðèÿ), À. Êîðîáåéíèêîâ.

Èþëü. Ñî÷è. XI Ìóçûêàëüíûé ôåñòèâàëü «Crescendo» (õóäîæåñò-âåííûé ðóêîâîäèòåëü – Ä. Ìàöóåâ). 2 êîíöåðòà. Ñîëèñòû – Ä. Ìàöóåâ,È. Ôåäîðîâ, Ñ. Êèïðñêàÿ, Ð. Ñèìîâè÷, À. Ìàëîôååâ, Á. Àíäðèàíîâ.

Ñàíêò-Ïåòåðáóðã. XXIII Ìóçûêàëüíûé ôåñòèâàëü «Çâåçäû áåëûõíî÷åé» (õóäîæåñòâåííûé ðóêîâîäèòåëü – Â. Ãåðãèåâ). Êîíöåðòñ Õîðîì Ìàðèèíñêîãî òåàòðà. Ñîëèñòû – Å. Ñåðãååâà, À. Ïîïîâ,À. Áóçëîâ.

Ôðàíöèÿ. XXXV Ìåæäóíàðîäíûé ôîðòåïèàííûé ôåñòèâàëü â Ëà-Ðîê-ä’Àíòåðîíå. 2 êîíöåðòà. Ñîëèñòû – Á. Áåðåçîâñêèé, Ä. Ìàöóåâ.

Ñåíòÿáðü-îêòÿáðü. Áåëàðóñü (Ãðîäíî, Ìîëîäå÷íî, Ìèíñê).X Ìåæäóíàðîäíûé ôåñòèâàëü Þðèÿ Áàøìåòà. 3 êîíöåðòà. Ñîëèñòû –È. Ôåäîðîâ, À. Áóçëîâ, À. Ìàðãóëèñ (Ãåðìàíèÿ).

Concert tours

March. Perm, Magnitogorsk. The Fourth and the Fifth InternationalFestivals «Denis Matsuev presents…». 2 concerts. Soloists – D. Matsuev,N. Borisoglebsky, A. Baeva, A. Buzlov.

April. Omsk, Novosibirsk. The Second Trans-Siberian Art Festival (ArtisticDirector – V. Repin). 3 concerts. Soloists – R. Buchbinder (Austria),A. Korobeinikov.

July. Sochi. The Eleventh Crescendo Music Festival (Artistic Director –D. Matsuev). 2 concerts. Soloists – D. Matsuev, I. Fedorov, S. Kiprskaya,R. Simovich, A. Malofeev, B. Andrianov.

St Petersburg. The 23rd Music Festival «Stars of the White Nights» (ArtisticDirector – V. Gergiev). The concert with the Choir of the Mariinsky Theater.Soloists – E. Sergeeva, A. Popov.

France. The 35th International Piano Festival at La Roque D’Antheron.2 concerts. Soloists – B. Berezovsky, D. Matsuev.

September-October. Belarus (Grodno, Molodechno, Minsk). The 10th

International Yuri Bashmet Festival. 3 concerts. Soloists – I. Fedorov,A. Buzlov, A. Margulis (Germany).

Leonid Desyatnikov, composer

I love the Ural Philharmonic Orchestra, and everytime it comes to St. Petersburg, I go to its concerts.The orchestra demonstrates amazing quality,splendor and understanding of the material. Itsperformances are always delightful!

Ëåîíèä Äåñÿòíèêîâ, êîìïîçèòîð

ß î÷åíü ëþáëþ Óðàëüñêèé ôèëàðìîíè÷åñêèéîðêåñòð, è êîãäà îí áûâàåò â Ñàíêò-Ïåòåðáóðãå,âñåãäà õîæó íà åãî êîíöåðòû. Îí ïîêàçûâàåò íåâå-ðîÿòíîå êà÷åñòâî, áëåñê è ïîíèìàíèå ìàòåðèàëà.ß ïîëó÷àþ êàæäûé ðàç îãðîìíîå óäîâîëüñòâèå!

Íàõîäèòñÿ ïîä ïîêðîâèòåëüñòâîìãóáåðíàòîðà Ñâåðäëîâñêîé îáëàñòè(Óêàç ãóáåðíàòîðà Ñâåðäëîâñêîé îáëàñòè¹ 300 îò 31 èþëÿ 1996 ãîäà)

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Ñîçäàí â àâãóñòå 1996 ãîäà(Óêàç ãóáåðíàòîðà Ñâåðäëîâñêîé îáëàñòè ¹ 300 îò 31 èþëÿ 1996 ã.)

Îñíîâíîé öåëüþ Ôîíäà ÿâëÿåòñÿ ïðèâëå÷åíèå áëàãîòâîðèòåëüíûõè ñïîíñîðñêèõ ñðåäñòâ íà âûïîëíåíèå áëàãîòâîðèòåëüíûõ ïðîãðàìì,íàïðàâëåííûõ íà ñëåäóþùèå öåëè:

ïîâûøåíèå òâîð÷åñêîãî óðîâíÿÓðàëüñêîãî àêàäåìè÷åñêîãî ôèëàðìîíè÷åñêîãî îðêåñòðà;ìàòåðèàëüíàÿ ïîääåðæêà àðòèñòîâ îðêåñòðà;óëó÷øåíèå ìàòåðèàëüíîé áàçû îðêåñòðà;ôèíàíñèðîâàíèå êóëüòóðíûõ ïðîåêòîâ ñ ó÷àñòèåìÓðàëüñêîãî àêàäåìè÷åñêîãî ôèëàðìîíè÷åñêîãî îðêåñòðàè «çâåçä» êëàññè÷åñêîãî èñêóññòâà;ôèíàíñèðîâàíèå ãàñòðîëüíûõ ïðîåêòîâÓðàëüñêîãî àêàäåìè÷åñêîãî ôèëàðìîíè÷åñêîãî îðêåñòðà,â òîì ÷èñëå çàðóáåæíûõ.

Îðãàí óïðàâëåíèÿ Ôîíäà – ïðàâëåíèå.Íàäçîðíûé îðãàí Ôîíäà – ñîâåò ïîïå÷èòåëåé.Èñïîëíèòåëüíûé äèðåêòîð Ôîíäà – Ïåòðîâà-Ëåìà÷êî À.Â.

ÏÐÀÂËÅÍÈÅ

×ÅÐÊÀØÈÍÂëàäèìèð Àëåêñååâè÷Óðàëüñêèé áàíêÏÀÎ «Ñáåðáàíê», ïðåäñåäàòåëü;ïðåäñåäàòåëü ïðàâëåíèÿÁÐÈËÜÀíäðåé Áîðèñîâè÷«ÊÎÐÈÍ-õîëäèíã»,ïðåäñåäàòåëü ñîâåòàäèðåêòîðîâËÎÙÅÍÊÎÂèêòîð Ëåîíèäîâè÷ÇÀÎ ÏÊÏ «Àòîìïðîìêîìïëåêñ»,ãåíåðàëüíûé äèðåêòîðÎÐËÎÂÀëåêñåé Âàëåðüåâè÷Ïðàâèòåëüñòâî Ñâåðäëîâñêîéîáëàñòè, ïåðâûé çàìåñòèòåëüïðåäñåäàòåëÿ, ìèíèñòðèíâåñòèöèé è ðàçâèòèÿÑâåðäëîâñêîé îáëàñòèÑÀÂÅËÜÅÂÂàëåðèé Áîðèñîâè÷Çàêîíîäàòåëüíîå ÑîáðàíèåÑâåðäëîâñêîé îáëàñòè,äåïóòàò;ÃÊ «AVS Group», îñíîâàòåëüÕÎÄÎÐÎÂÑÊÈÉÌèõàèë ßêîâëåâè÷ÇÀÎ Ãðóïïà Ñèíàðà,ãåíåðàëüíûé äèðåêòîð×ÀÐÍÛÉÁîðèñ Èñààêîâè÷Íàáëþäàòåëüíûé ñîâåòÃÀÓÊ ÑÎ «Ñâåðäëîâñêàÿãîñóäàðñòâåííàÿàêàäåìè÷åñêàÿ ôèëàðìîíèÿ»,ïðåäñåäàòåëü

ÑÎÂÅÒ ÏÎÏÅ×ÈÒÅËÅÉ

ÑÛÑÎÅÂÀíàòîëèé Âàñèëüåâè÷Ãðóïïà êîìïàíèé «ÑÀÂÈÀÊ»,ïðåçèäåíò, ïðåäñåäàòåëüñîâåòà ïîïå÷èòåëåéÁÅËÎÓÑÎÂÂëàäèìèð Ñòåïàíîâè÷Çàñëóæåííûé ýíåðãåòèê ÐÔÄÅÑßÒÎÂÀÒàòüÿíà ßêîâëåâíàÇÀÎ Êîìïàíèÿ «ÅÀÑÊ-Èíâåñò»,ãåíåðàëüíûé äèðåêòîðÊÎÇÈÖÛÍÀíäðåé Àíàòîëüåâè÷ÎÀÎ «ÓÃÌÊ-õîëäèíã»,ãåíåðàëüíûé äèðåêòîðÊÎËÎÒÓÐÑÊÈÉÀëåêñàíäð Íèêîëàåâè÷ÃÀÓÊ ÑÎ «Ñâåðäëîâñêàÿãîñóäàðñòâåííàÿ àêàäåìè÷åñêàÿôèëàðìîíèÿ», äèðåêòîðÊÐÈÂÓØÈÍÀëåêñàíäð Ôåäîðîâè÷Íåêîììåð÷åñêîå ïàðòíåðñòâî«ÈÍÔÀÊÎл, äèðåêòîðÍÓÄÅËÜÌÀÍÈðèíà ÀëåêñàíäðîâíàÎÎÎ «Öåíòð êîñìåòîëîãèèè ïëàñòè÷åñêîé õèðóðãèèèì. Ñ.Â. Íóäåëüìàíà»,ãåíåðàëüíûé äèðåêòîðÑÊÓÐÀÒÎÂÑåðãåé Íèêîëàåâè÷ÎÀÎ Àâèàêîìïàíèÿ«Óðàëüñêèå àâèàëèíèè»,ãåíåðàëüíûé äèðåêòîð

ÏÎ×ÅÒÍÛÅ ×ËÅÍÛÑÎÂÅÒÀ ÏÎÏÅ×ÈÒÅËÅÉ

ÁËÀÃÎÒÂÎÐÈÒÅËÜÍÛÉ ÔÎÍÄ ÏÎÄÄÅÐÆÊÈÓÐÀËÜÑÊÎÃÎ ÀÊÀÄÅÌÈ×ÅÑÊÎÃÎÔÈËÀÐÌÎÍÈ×ÅÑÊÎÃÎ ÎÐÊÅÑÒÐÀ

ÎÒ×ÅÒ Î ÖÅËÅÂÎÌ ÈÑÏÎËÜÇÎÂÀÍÈÈ ÏÎËÓ×ÅÍÍÛÕ ÑÐÅÄÑÒ (òûñ. ðóá.)

2013 2014 2015

Îñòàòîê ñðåäñòâ íà íà÷àëî îò÷åòíîãî ãîäà 16452 6335 1418

Ïîñòóïèëî ñðåäñòâÁëàãîòâîðèòåëüíûå âçíîñû 19066 6389 5928Ïðî÷èå (ïðîöåíòû) 189 – 9Âñåãî ïîñòóïèëî ñðåäñòâ 19255 12724 5937

Èñïîëüçîâàíèå ñðåäñòâÑîöèàëüíàÿ è áëàãîòâîðèòåëüíàÿ ïîìîùü 22625 5865 1848Ñïåöèàëüíûå ïðîåêòû 4763 3396 3707Ðàñõîäû íà ñîäåðæàíèå àïïàðàòà 1096 999 741Ïðèîáðåòåíèå îñíîâíûõ ñðåäñòâ,èíâåíòàðÿ è èíîãî èìóùåñòâà 873 1038 456Ïðî÷èå (êóðñîâûå ðàçíèöû, çàéì) 15 8 9Âñåãî èñïîëüçîâàíî ñðåäñòâ 29372 11306 6761

Îñòàòîê ñðåäñòâ íà êîíåö îò÷åòíîãî ãîäà 6335 1418 594

CHARITY SUPPORT FUND OF THE URAL PHILHARMONIC ORCHESTRA

Established in August, 1996(By the Governor’s Decree ¹ 300, 31 July, 1996)

The Fund’s key goal is the mobilization of philanthropic and sponsorfinances for the sake of different charitable programs aimed at:

improving artistic performanceof the Ural Philharmonic Orchestra;financial support of the artists;improvement of the Orchestra’s facilities and resources;financing cultural programs featuring theUral Philharmonic Orchestra and classical art «stars»;financing the Ural Philharmonic Orchestra’s tour projectsincluding international ones.

ÃÅÐÃÈÅ Âàëåðèé Àáèñàëîâè÷Íàðîäíûé àðòèñò ÐîññèèÌÀÖÓÅ Äåíèñ Ëåîíèäîâè÷Íàðîäíûé àðòèñò ÐîññèèÑÏÈÂÀÊΠÂëàäèìèð Òåîäîðîâè÷Íàðîäíûé àðòèñò ÑÑÑÐ

Êðåïêàÿ äðóæáà ñ Ïàñõàëüíûì ôåñòèâàëåì

ÁËÀÃÎÒÂÎÐÈÒÅËÈ ÔÎÍÄÀ ÏÎÄÄÅÐÆÊÈ ÓÀÔÎ

ÊÎÐÏÎÐÀÒÈÂÍÛÅ ÏÎÆÅÐÒÂÎÂÀÍÈß È ÓÑËÓÃÈ (ðóá.)

Áîëåå 1.000.000 Óðàëüñêèé áàíê ÏÀÎ «Ñáåðáàíê»Ïðåäñåäàòåëü ïðàâëåíèÿ ×åðêàøèí Â.À.

500.000–999.999 ÇÀÎ ÏÊÏ «Àòîìïðîìêîìïëåêñ»Ãåíåðàëüíûé äèðåêòîð Ëîùåíêî Â.Ë.

200.000–499.999 «ÊÎÐÈÍ-õîëäèíã»Ïðåäñåäàòåëü ñîâåòà äèðåêòîðîâ Áðèëü À.Á.Áëàãîòâîðèòåëüíûé ôîíä «Ñèíàðà-Ôîíä»Ãåíåðàëüíûé äèðåêòîð ÇÀÎ Ãðóïïà Ñèíàðà Õîäîðîâñêèé Ì.ß.Ïðåäñåäàòåëü Ïîïå÷èòåëüñêîãî ñîâåòà Ïóìïÿíñêàÿ Ã.Å.Ïðåçèäåíò Ëåâèöêàÿ Í.Ä.

100.000–199.999 ÎÎÎ «Öåíòð êîñìåòîëîãèè è ïëàñòè÷åñêîé õèðóðãèèèì. Ñ.Â. Íóäåëüìàíà»Ãåíåðàëüíûé äèðåêòîð Íóäåëüìàí È.À.ÎÀÎ Àâèàêîìïàíèÿ «Óðàëüñêèå àâèàëèíèè»Ãåíåðàëüíûé äèðåêòîð Ñêóðàòîâ Ñ.Í.Ãðóïïà êîìïàíèé «Íàëîãè è ôèíàíñîâîå ïðàâî»Ãåíåðàëüíûé äèðåêòîð Áðûçãàëèí À.Â.ÎÀÎ «ÑÊÁ-áàíê»Ïðåäñåäàòåëü ïðàâëåíèÿ Ðåïíèêîâ Ä.Ï.ÀÎ «Åêàòåðèíáóðãñêèé çàâîä ïî îáðàáîòêåöâåòíûõ ìåòàëëîâ»Ãåíåðàëüíûé äèðåêòîð Áîðîâêîâ Ñ.À.ÏÀÎ «Àýðîïîðò Êîëüöîâî»Èñïîëíèòåëüíûé äèðåêòîð Ïèñêóíîâ À.Á.ÇÀÎ Êîðïîðàöèÿ «Àòîìñòðîéêîìïëåêñ»Ãåíåðàëüíûé äèðåêòîð Àíàíüåâ Â.Ì.ÎÎÎ «ÌÊ ÞÍÈÊÑ»Ãåíåðàëüíûé äèðåêòîð Òðîöåíêî Â.Â.ÎÀÎ «Ïåðâîóðàëüñêèé íîâîòðóáíûé çàâîä»Ãåíåðàëüíûé äèðåêòîð Ãðóáìàí À.Ä.ÀÎ «Ñòðàõîâîå îáùåñòâî ãàçîâîé ïðîìûøëåííîñòè»Òåððèòîðèàëüíûé äèðåêòîð ïî ÓðÔÎ Êîâàëåâà Ò.Â.ÎÀÎ «Óðàëüñêèé àñáåñòîâûéãîðíîîáîãàòèòåëüíûé êîìáèíàò»Ãåíåðàëüíûé äèðåêòîð Êîçëîâ Þ.À.ÎÎÎ «ÓÑ ÁÀÝÑ»Äèðåêòîð Èíôàíòüåâ Â.Ä.ÀÎ «Ïå÷àòíûé äîì «Ôîðìàò»Ãåíåðàëüíûé äèðåêòîð Ïîïîâ À.Ë.ÎÎÎ «Ôîðýñ»Ãåíåðàëüíûé äèðåêòîð Øìîòüåâ Ñ.Ô.ÎÀÎ «ÖÓÌ»Ãåíåðàëüíûé äèðåêòîð Ïîãðåáèíñêèé Ê.Ô.

50.000–99.999 ÎÎÎ «Þâåëèðíûé äîì «Moiseikin»Äèðåêòîð Ìîèñåéêèí Â.Â.ÎÎÎ ÍÏÖ «Ìåòàëëóðã»Ãåíåðàëüíûé äèðåêòîð Ïóäîâ Ñ.Â.ÎÎÎ «ÓÏÅÊ»Ãåíåðàëüíûé äèðåêòîð Õàëåìñêèé À.Ì.Óðàëüñêèé ôèëèàë ÇÀÎ «Ðàéôôàéçåíáàíê»Äèðåêòîð ôèëèàëà Ìèëîâàíîâ Â.À.ÀÎ ÅÖ ÌÍÒÊ «Ìèêðîõèðóðãèÿ ãëàçà»Äèðåêòîð Øèëîâñêèõ Î.Â.ÎÎÎ ÌÎ «Íîâàÿ áîëüíèöà»Ãëàâíûé âðà÷ Ëèâøèö Â.Ð.

20.000–49.999 Àòðèóì Ïàëàñ ÎòåëüÃåíåðàëüíûé äèðåêòîð Äîìèíà È.Ë.ÍÎ «Áëàãîòâîðèòåëüíûé ôîíä Øåïòèÿ Â.À.»Ðóêîâîäèòåëü Øåïòèé Â.À.

Áëàãîòâîðèòåëüíûé ôîíä ïîääåðæêè ÓÀÔÎáëàãîäàðèò çà ñîäåéñòâèå

Õîêêåéíûé êëóá «Àâòîìîáèëèñò»Ïðåçèäåíò Áîáðîâ À.Î.Ôóòáîëüíûé êëóá «Óðàë»Âèöå-ïðåçèäåíò Ëåâèí À.Þ.«Ãàëåðåþ À» è «Ural Vision Gallery»Àëëà è Âèêòîð Ëîùåíêî

9

ÈÍÄÈÂÈÄÓÀËÜÍÛÅ ÏÎÆÅÐÒÂÎÂÀÍÈßÈ ÓÑËÓÃÈ (ðóá.)

200.000–400.000 Áîáðîâ À.Î.Øåâåëåâ Â.Â.

100.000–199.999 Ãîëîâèí Ä.Â.Äåñÿòîâà Ò.ß.Êàçàêîâ Í.Â.Êóøíàðåâ À.Â.Ñàâåëüåâ Â.Á.

50.000–99.999 Àáðîñèìîâ Ñ.Â.Áóäàíîâ Ä.Â.Ðÿáöåâ À.Þ.Ñàö Ï.À.Òõàé Ñ.Â.

25.000–49.999 Áèäîíüêî Ñ.Þ.Áèêòóãàíîâ Þ.È.Âëàñîâ Â.À.Êóçíåöîâ À.Â.Ëåâèí À.Þ.Ïåðåñòîðîíèí Ñ.Â.Ðàïîïîðò Ë.À.Ñèäîðåíêî À.Ì.×åðíåöêèé À.Ì.

10.000–24.999 Áàáóøêèíà Ë.Â.Áåëÿâñêèé À.Ð.

Äî 10.000 Ïóìïÿíñêèé Ä.À.

Ãóáåðíàòîðñêèé áàë – 2015

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11

ÑÈÌÔÎÍÈ×ÅÑÊÈÉ ÕÎÐÑÂÅÐÄËÎÂÑÊÎÉ ÔÈËÀÐÌÎÍÈÈ

Õóäîæåñòâåííûé ðóêîâîäèòåëü –çàñëóæåííûé äåÿòåëü èñêóññòâ Ðîññèè Àíäðåé ÏåòðåíêîÕîðìåéñòåðû – Ðîìàí Àðàíáèöêèé, Ïàâåë ÖûãàíîâÊîíöåðòìåéñòåð – Àííà Ùàííèêîâà ñîñòàâå 67 ìóçûêàíòîâ (ïîëíûé ñïèñîê ñì. íà www.sgaf.ru)

Cîçäàí â 2008 ãîäó äëÿ ñîâìåñòíîé êîíöåðòíîé äåÿòåëüíîñòèñ Óðàëüñêèì ôèëàðìîíè÷åñêèì îðêåñòðîì è èñïîëíåíèÿ ïðîèçâåäå-íèé êàíòàòíî-îðàòîðèàëüíîãî æàíðà. Èìååò òâîð÷åñêóþ àâòîíîìèþâ âèäå ñàìîñòîÿòåëüíûõ ïðîãðàìì a cappella. Ñîòðóäíè÷àåòñ âûäàþùèìèñÿ äèðèæåðàìè è ñîëèñòàìè, ãàñòðîëèðóåò â Ðîññèèè çà ðóáåæîì, âûñòóïàåò íà ïðåñòèæíûõ ïëîùàäêàõ (âêëþ÷àÿïàðèæñêèé çàë «Ïëåéåëü» è Êîíöåðòíûé çàë Ìàðèèíñêîãî òåàòðà),ó÷àñòâóåò â êðóïíåéøèõ êóëüòóðíûõ ïðîåêòàõ. Êîíöåðòû ñ ó÷àñòèåìõîðà â ïðÿìîì ýôèðå òðàíñëèðîâàë òåëåêàíàë «Arte».

Ãàñòðîëüíàÿ äåÿòåëüíîñòü

ßíâàðü. Ñàíêò-Ïåòåðáóðã. Êîíöåðòíûé çàë Ìàðèèíñêîãî òåàòðà,Èñààêèåâñêèé ñîáîð. 2 êîíöåðòà. Äèðèæåð – À. Ïåòðåíêî.

Äàíèÿ (Îäåíñå). 2 êîíöåðòà, â òîì ÷èñëå – ñ Ñèìôîíè÷åñêèìîðêåñòðîì ãîðîäà Îäåíñå. Äèðèæåðû – À. Ïåòðåíêî, À. Âåäåðíèêîâ.Ñîëèñòû – Ì. Ïàõàð, Î. Äîëãîâ, Ï. Õóíêà (Âåëèêîáðèòàíèÿ).

Ôåâðàëü. ×åëÿáèíñê. Ìåæäóíàðîäíûé ôåñòèâàëü «Îðãàí áåç ãðàíèö»(íàïðàâëåíèå «Õîðîâûå àññàìáëåè»). Äèðèæåð – À. Ïåòðåíêî.

Àïðåëü. Ìîñêâà. Ìîñêîâñêèé Ïàñõàëüíûé ôåñòèâàëü (õóäîæåñò-âåííûé ðóêîâîäèòåëü – Â. Ãåðãèåâ). Çàë öåðêîâíûõ ñîáîðîâ ÕðàìàÕðèñòà Ñïàñèòåëÿ, Õðàì ñâÿòèòåëÿ Íèêîëàÿ íà Òðåõ ãîðàõ, Êîíöåðò-íûé çàë «Àëåêñàíäðîâñêèé». 3 êîíöåðòà. Äèðèæåð – À. Ïåòðåíêî.

ÓÐÀËÜÑÊÈÉ ÌÎËÎÄÅÆÍÛÉÑÈÌÔÎÍÈ×ÅÑÊÈÉ ÎÐÊÅÑÒÐ

Ãëàâíûé äèðèæåð – ëàóðåàò ìåæäóíàðîäíîãî êîíêóðñà ÝíõýÂ ñîñòàâå 68 ìóçûêàíòîâ (ïîëíûé ñïèñîê ñì. íà www.sgaf.ru)

Ñîçäàí â 2006 ãîäó. Ñî÷åòàåò îáðàçîâàòåëüíóþ ôóíêöèþ è êîíöåðò-íóþ ïðàêòèêó. Åæåãîäíî âûñòóïàåò áîëåå ÷åì â 40 êîíöåðòàõ,ïðåäñòàâëÿÿ íà ñóä ïóáëèêè ñâûøå 30 ïðîãðàìì. Èìååò ñåðüåçíûéãàñòðîëüíûé è ôåñòèâàëüíûé îïûò (âêëþ÷àÿ «Young Euro Classic»â Áåðëèíå).  ñîñòàâå – ñòóäåíòû âûñøèõ è ñðåäíèõ ìóçûêàëüíûõó÷ðåæäåíèé Åêàòåðèíáóðãà, Ïåòðîçàâîäñêà. Èõ ïîâñåäíåâíàÿ æèçíü –ìàñòåð-êëàññû, ðåïåòèöèè è êîíöåðòû ñ âûäàþùèìèñÿ äèðèæåðàìèè ñîëèñòàìè, èçó÷åíèå òðàäèöèé èñïîëíåíèÿ êëàññè÷åñêèõè ñîâðåìåííûõ ñî÷èíåíèé.

Ãàñòðîëüíàÿ äåÿòåëüíîñòü

Àïðåëü. Êóðãàí. Ñîëèñò – À. Ïðèò÷èí.

Äåêàáðü. Êàçàíü. VIII Ìåæäóíàðîäíûé ôåñòèâàëü èñêóññòâ«Ôèëàðìîíèàäà». Ñîëèñò – À. Íàáèóëèí.

SYMPHONIC CHOIR OF THE SVERDLOVSK PHILHARMONY

Artistic Director – Andrei PetrenkoChoirmasters – Roman Aranbitsky, Pavel TsyganovConcertmaster – Anna SchannikovaIn total: 67 musicians (see the complete list at www.sgaf.ru)

The choir was founded in 2008. It is a musical extension of the UralPhilharmonic Orchestra and plays compositions of cantata-oratorio genre.It enjoys creative autonomy, offering its own a cappella programs. Thechoir works with outstanding conductors and soloists; it givesperformances in Russia and other countries, gives concerts in prestigiousconcert halls (La Salle Pleyel is one of them), takes part in significantculture projects. The concerts with participation of the choir werebroadcast live by the Arte TV channel.

Concert tours

January. St Petersburg. The Concert Hall of the Mariinsky Theater, SaintIsaac’s Cathedral. 2 concerts. Conductor – A. Petrenko.

Denmark (Odense). 2 concerts, including the concert with the OdenseSymphony Orchestra. Conductors – A. Petrenko, A. Vedernikov.Soloists – M. Pakhar, O. Dolgov, P. Hunka (Great Britain).

February. Chelyabinsk. The International Festival «The Pipe Organ WithoutBoundaries» (the Choir Assemblies Program). Conductors – R. Aranbitsky,P. Tsyganov.

April. Moscow. The Moscow Easter Festival (Artistic Director – V. Gergiev).The Council Hall of Moscow’s Cathedral of Christ the Savior, the Churchof Saint Nicholas on the Three Mountains, the Alexandrovsky Concert Hall.3 concerts. Conductor – A. Petrenko.

URAL YOUTH SYMPHONY ORCHESTRA

Chief Conductor – EnkheIn total: 68 musicians (see the complete list at www.sgaf.ru)

The orchestra was founded in 2006. It is a one-of-a-kind Russianorchestra-academy, combining education and concert life. Every year itgives 40 concerts, presenting 30 concert programs to the audience. Theorchestra have impressive concert touring and festival experience(including participation at the festival «Young Euro Classic» in Berlin). Itsperformers are students of Ekaterinburg musical institutions. Theireveryday life consists of master classes, rehearsals and concerts withoutstanding conductors and soloists; the performers spend a lot of timestudying traditions of performance of classical and contemporaryorchestra works.

Concert tours

April. Kurgan. Soloist – A. Pritchin.

December. Kazan. The 8th International Art Festival «Philharmoniada».Soloist – A. Nabiulin.

ÀÍÑÀÌÁËÈ È ÑÎËÈÑÒÛ ÔÈËÀÐÌÎÍÈÈÏÐÈÃËÀØÅÍÍÛÅ ÌÓÇÛÊÀÍÒÛ

(ïîëíûå ñïèñêè ñì. íà www.sgaf.ru)

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III EURASIA INTERNATIONAL MUSIC FESTIVAL

Artistic Director – Dmitry Liss, Artistic Director and Chief Conductorof the Ural Philharmonic OrchestraGeneral Director – Alexander Kolotursky, Director of the SverdlovskPhilharmonyProgram Director – Gyulyara Sadykh-zade, musicologist, journalist,musical criticThe motto theme of the 2015 Festival – the MediterraneaKeynote – a vigorous dialogue of cultures on the border betweenEurope and Asia

World premieres for the Russian (Anton Batagov and Olga Viktorova) andJapanese (Toshio Hosokawa) composers; European and Asian soloists,ensembles, orchestras, choirs; contemporary and classical music. Theworld-music project «From the Levant to the Maghrib» combined folkmusic of Mediterranean countries and Sufi hymns. A special youth projectwas introduced by the Ural Youth Symphony Orchestra and the Hong KongYouth Symphony Orchestra.

Õóäîæåñòâåííûé ðóêîâîäèòåëü – ãëàâíûé äèðèæåðè õóäîæåñòâåííûé ðóêîâîäèòåëü Óðàëüñêîãî àêàäåìè÷åñêîãîôèëàðìîíè÷åñêîãî îðêåñòðà Äìèòðèé ËèññÃåíåðàëüíûé äèðåêòîð – äèðåêòîð Ñâåðäëîâñêîé ôèëàðìîíèèÀëåêñàíäð ÊîëîòóðñêèéÏðîãðàììíûé äèðåêòîð – ìóçûêîâåä, æóðíàëèñò, ìóçûêàëüíûéêðèòèê Ãþëÿðà Ñàäûõ-çàäåÌîòòî ôåñòèâàëÿ 2015 ãîäà – «Ñðåäèçåìíîìîðüå»(«Mediterranea»)Ãëàâíàÿ èäåÿ – èíòåíñèâíûé äèàëîã êóëüòóð íà ãðàíèöåÅâðîïû è Àçèè

Ìèðîâûå ïðåìüåðû îò ðîññèéñêèõ (Àíòîí Áàòàãîâ è Îëüãà Âèêòîðîâà)è ÿïîíñêîãî (Òîñèî Õîñîêàâà) êîìïîçèòîðîâ; åâðîïåéñêèå è àçèàò-ñêèå ñîëèñòû, àíñàìáëè, îðêåñòðû, õîðû; ñîâðåìåííàÿ è êëàññè-÷åñêàÿ ìóçûêà. World-music ïðîåêò «Îò Ëåâàíòà äî Ìàãðèáà»îáúåäèíèë íàðîäíûå íàïåâû ñòðàí ñðåäèçåìíîìîðñêîãî ïîáåðåæüÿè ñóôèéñêèå ðåëèãèîçíûå ãèìíû. Ñïåöèàëüíûé ìîëîäåæíûé ïðîåêòïðåäñòàâèëè äâà êîëëåêòèâà: Óðàëüñêèé è Ãîíêîíãñêèé ìîëîäåæíûåñèìôîíè÷åñêèå îðêåñòðû.

III ÌÅÆÄÓÍÀÐÎÄÍÛÉÌÓÇÛÊÀËÜÍÛÉ ÔÅÑÒÈÂÀËÜ «ÅÂÐÀÇÈß»

«ÅÂÐÀÇÈß» Â ÖÈÔÐÀÕ

1 åâðîïåéñêàÿ, 2 ðîññèéñêèå, 3 ìèðîâûå ïðåìüåðû ïðîçâó÷àëèíà ôåñòèâàëå;

1 îòêðûòàÿ ðåïåòèöèÿ «Àðäèòòè-êâàðòåòà» ñîñòîÿëàñü äëÿìîëîäûõ ìóçûêàíòîâ;

3 êîíöåðòà òðàíñëèðîâàëèñü îíëàéí Âèðòóàëüíûì êîíöåðòíûìçàëîì Ñâåðäëîâñêîé ôèëàðìîíèè íà ñàéòàõ sgaf.tv è colta.ru;

11 äíåé íàñòîÿùåãî ïðàçäíèêà ïîäàðèë ïóáëèêå ôåñòèâàëü«Åâðàçèÿ»;

12 êîíöåðòîâ ôåñòèâàëÿ ïðîøëî â Ñâåðäëîâñêîé ôèëàðìîíèèè Ãîðîäñêîì ôèëàðìîíè÷åñêîì çàëå ãîðîäà Àëàïàåâñêà;

16 ìàñòåð-êëàññîâ äàëè êîíöåðòìåéñòåðû ÓÀÔÎ ìîëîäûìêîëëåãàì èç Ãîíêîíãà;

24 ñòðàíû ïðåäñòàâëÿëè ó÷àñòíèêè ôåñòèâàëÿ;30 ìåðîïðèÿòèé (òâîð÷åñêèå âñòðå÷è, àâòîãðàô-ñåññèè, êîíöåðòû,

õóäîæåñòâåííàÿ âûñòàâêà, ëåêöèè) âîøëè â off-ïðîãðàììû;55 âîëîíòåðîâ ïîìîãàëè ôåñòèâàëþ;500 ìóçûêàíòîâ ïîäíÿëèñü íà ôåñòèâàëüíóþ ñöåíó;500 ÷åðåìóõîâûõ ïèðîãîâ («ñëàäêèõ ñèìâîëîâ» ôåñòèâàëÿ)

ïîëó÷èëè â ïîäàðîê ó÷àñòíèêè è ãîñòè;7000 ñëóøàòåëåé ïîáûâàëè íà êîíöåðòàõ ôåñòèâàëÿ.

EURASIA: FACTS AND FIGURES

1 European, 2 Russian, 3 world premieres took place during thefestival;

1 open rehearsal was held by the Arditti Quartet for young musicians;3 concerts were broadcast online by the Virtual Concert Hall of the

Sverdlovsk Philharmony at websites: sgaf.tv and colta.ru;11 wonderful festive days were given to the audience by the Eurasia

Festival;12 festival concerts took place in the Sverdlovsk Philharmony and

Alapayevsk Philharmonic Hall;16 master classes were given by concertmasters of the UPO to their

young colleagues from Hong Kong;24 countries were represented by the participants of the festival;30 events (meet-the-artist and autograph-signing sessions, concerts,

an art exhibition, lectures) took place under off-programs;55 volunteers provided assistance to the festival;500 musicians went to the festival stage;500 black cherry pies («sweet symbols» of the festival) were presented

to participants and guests;7,000 people enjoyed music at festival concerts.

13

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14

Ñ 11 ïî 13 ñåíòÿáðÿ 2015 ãîäà âïåðâûå â Ðîññèè â Åêàòåðèíáóðãåïðîøåë êðóïíåéøèé Ìåæäóíàðîäíûé ìóçûêàëüíûé ôåñòèâàëü«La Folle Journee» («Áåçóìíûé äåíü»). Áëàãîäàðÿ óñïåøíûìïåðåãîâîðàì äèðåêòîðà Ñâåðäëîâñêîé ôèëàðìîíèè ÀëåêñàíäðàÊîëîòóðñêîãî è ãëàâíîãî äèðèæåðà Óðàëüñêîãî àêàäåìè÷åñêîãîôèëàðìîíè÷åñêîãî îðêåñòðà Äìèòðèÿ Ëèññà ñ îñíîâàòåëåì èàðòèñòè÷åñêèì äèðåêòîðîì «La Folle Journee» Ðåíå Ìàðòåíîìñòîëèöà Óðàëà âîøëà â ìàðøðóò ôåñòèâàëÿ âìåñòå ñ Íàíòîì, Òîêèî,Áèëüáàî, Âàðøàâîé, Ðèî-äå-Æàíåéðî è Ìîíðåàëåì.

Âñå îñîáåííîñòè ôåñòèâàëÿ «La Folle Journee» áûëè ñîáëþäåíû:óìåðåííûå öåíû áèëåòîâ è êîðîòêèå ïðîãðàììû, êîòîðûå ñëåäîâàëèîäíà çà äðóãîé â òå÷åíèå òðåõ äíåé â øåñòè çàëàõ â øàãîâîéäîñòóïíîñòè äðóã îò äðóãà. È îáùàÿ äëÿ 2015 ãîäà òåìà ôåñòèâàëÿ-òðàíçèòà – «Ñòðàñòè».

Ó÷àñòíèêàìè «Áåçóìíûõ äíåé â Åêàòåðèíáóðãå» ñòàëè áîëåå 300ìóçûêàíòîâ èç 17 ñòðàí ìèðà. Ýòî ïèàíèñòû – Áîðèñ Áåðåçîâñêèé,Íèêîëÿ Àíãåëèõ, Àíäðåé Êîðîáåéíèêîâ, Àáäåëü Ðàõìàí Ýëü Áàøà,Äàâèä Êàäóø, Åêàòåðèíà Äåðæàâèíà, Þëèàííà Àâäååâà; ñêðèïà÷Íèêèòà Áîðèñîãëåáñêèé; àëüòèñò Æåðàð Êîññå; âèîëîí÷åëèñòÀëåêñàíäð Êíÿçåâ; êëàâåñèíèñò Ôðàíñóà Ãåððüå; ãèòàðèñòû – ÕóàíÌàíóýëü Êàíèñàðåñ è Õóàí Êàðëîñ Ãîìåñ; àðôèñòêà ÂåðîíèêàËåìèøåíêî; àíñàìáëè – «Ricercar Consort», «Flos Florum», «Motiontrio», Êâàðòåò «Ïðàæàê»; õîðû – Ñèìôîíè÷åñêèé õîð Ñâåðäëîâñêîéôèëàðìîíèè, «Äîìåñòèê»; îðêåñòðû – Óðàëüñêèé àêàäåìè÷åñêèéôèëàðìîíè÷åñêèé îðêåñòð, Óðàëüñêèé ìîëîäåæíûé ñèìôîíè÷åñêèéîðêåñòð è Êàìåðíûé îðêåñòð «B-A-C-H».

Íà 70 êîíöåðòîâ ôåñòèâàëÿ áûëè ïðîäàíû 22 000 áèëåòîâ.Êîíöåðòû ñîïðîâîæäàëèñü ïðÿìûìè òðàíñëÿöèÿìè è äîïîëíÿëèñüòâîð÷åñêèìè âñòðå÷àìè.  ïðîâåäåíèè ôåñòèâàëÿ Ñâåðäëîâñêîéôèëàðìîíèè ïîìîãàëè 180 âîëîíòåðîâ.

Ôåñòèâàëü ñîñòîÿëñÿ ïðè ïîääåðæêå ãóáåðíàòîðà Ñâåðäëîâñêîéîáëàñòè è ïðè ñîäåéñòâèè Àäìèíèñòðàöèè Åêàòåðèíáóðãà.

LA FOLLE JOURNEE INTERNATIONAL MUSIC FESTIVALIN EKATERINBURG

From September 11 to September 13, 2015, for the first time in Russia, alargest international music festival known as La Folle Journee (The Folliesof a Day) took place in Ekaterinburg. The capital of the Urals was includedin the festival route, together with Nantes, Tokyo, Bilbao, Warsaw, Rio deJaneiro, and Montreal, due to the successful negotiations conducted byAlexander Kolotursky, Director of the Sverdlovsk Philharmony, and DmitryLiss, Chief Conductor of the Ural Philharmonic Orchestra and Rene Martin,Artistic Director of La Folle Journee.

All the special requirements of the La Folle Journee Festival were met:reasonably priced tickets and short programs following one after anotherduring three days in six concert halls located within a walking distancefrom each other. The theme for the transit festival for 2015 was Worldlyand Heavenly Passions.

More than 300 musicians representing 17 countries took part in theEkaterinburg La Folle Journee, including pianists Boris Berezovsky,Nicholas Angelich, Andrei Korobeinikov, Abdel Rahman El Bacha, DavidKadouch, Ekaterina Derzhavina, Yulianna Avdeeva; violinist NikitaBorisoglebsky; violist Gerard Causse; cellist Alexander Kniazev;harpsichordist Franñois Guerrier; guitarists Juan Manuel Cañizares andJuan Carlos Gomez; harpist Veronika Lemishenko; ensembles – RicercarConsort, Flos Florum, Motion trio, Prazak Quartet; Symphonic Choir ofthe Sverdlovsk Philharmony, choir Domestic; the Ural PhilharmonicOrchestra, the Ural Youth Symphony Orchestra, the B-A-C-H ChamberOrchestra.

22,000 tickets were sold to gusts of 70 festival concerts. The concertswere live broadcast and included meet-the-artist events. 180 volunteersrendered their assistance to the Sverdlovsk Philharmony in organizing andholding the festival.

The festival took place with support from the governor of theSverdlovsk Region and with the assistance of the Ekaterinburg CityAdministration.

ÌÅÆÄÓÍÀÐÎÄÍÛÉÌÓÇÛÊÀËÜÍÛÉ ÔÅÑÒÈÂÀËÜ«ÁÅÇÓÌÍÛÅ ÄÍÈ Â ÅÊÀÒÅÐÈÍÁÓÐÃÅ»

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15

Rene Martin,Artistic Director of the festival

Excellent organization. Warm, almost homelyatmosphere. A lot of young people. The artists, whohad come from European countries and visitedEkaterinburg for the first time, were impressed: Theopen-minded, attentive, friendly, and appreciatingaudience. Undoubtedly, the Congress Palace, likein Nantes, would have made our task much easier.However, I prefer to have a team like in the SverdlovskPhilharmony rather than have one concert site. Infuture, the La Folle Journee project may layfoundation for building a new concert complex inEkaterinburg.

Ðåíå Ìàðòåí,õóäîæåñòâåííûé ðóêîâîäèòåëü ôåñòèâàëÿ

Áëåñòÿùàÿ îðãàíèçàöèÿ. Òåïëàÿ, ïî÷òè ñåìåéíàÿàòìîñôåðà. Î÷åíü ìíîãî ìîëîäåæè. Àðòèñòû èçåâðîïåéñêèõ ñòðàí, êîòîðûå âïåðâûå ïðèåõàëèâ Åêàòåðèíáóðã, ïîòðÿñåíû: ïóáëèêà îòêðûòàÿ,âíèìàòåëüíàÿ, äðóæåëþáíàÿ è î÷åíü ïîíèìà-þùàÿ. Êîíå÷íî, Äâîðåö êîíãðåññîâ, êàê â Íàíòå,ñèëüíî áû îáëåã÷èë íàøó çàäà÷ó. Íî ÿïðåäïî÷èòàþ èìåòü òàêóþ êîìàíäó, êàê âÑâåðäëîâñêîé ôèëàðìîíèè, è íå èìåòü åäèíîéïëîùàäêè. Âîçìîæíî, â áóäóùåì ïðîåêò «La FolleJournee» ñòàíåò îñíîâîé äëÿ ïîñòðîéêè íîâîãîêîíöåðòíîãî êîìïëåêñà â Åêàòåðèíáóðãå.

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Àëåêñàíäð Êíÿçåâ. Âñåãäà íà âûñîêîé íîòå

Óëåòåëè, íî îáåùàëè âåðíóòüñÿ

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Àëåíà Áàåâà. Ïðåêðàñíà, êàê ìóçûêà

Àíðè Äåìàðêåòò è ÓÀÔÎ – ðàäîñòü âñòðå÷è

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Ìèõàèë Ïëåòíåâ è Äìèòðèé Ëèññ.

Íà îäíîì ÿçûêå

Ëþêà Äåáàðã, âçëåòàé!

Äåíèñ Ìàöóåâ ãîòîâèò äîñòîéíóþ ñìåíó!

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Þðèé Áàøìåò: Áåçðóêîâ, äîáðûé ìîé ïðèÿòåëü!

«Âèðòóîçû Èòàëèè» – âïåðâûå â Åêàòåðèíáóðãå

Ïðàçäíèê äëÿ ãîðîäà

III TCHAIKOVSKY FESTIVAL

In the year marking the 175th anniversary of the great composer who spentpart of his childhood in the Ural town of Alapayevsk, the TchaikovskyFestival was held on a grand scale. In 2015, it was included in the officialsocial-event program of the INNOPROM International Industry Trade Fairin Ekaterinburg.

From June 26 to July 12, the festival presented seven concerts withparticipation of such soloists as pianists Peter Donohoe (Great Britain),Zhang Zuo (China), Alexei Nabioulin, violinist Vadim Repin; orchestras:The Novaya Rossiya (New Russia) State Symphony Orchestra, the UralPhilharmonic Orchestra, the Ural Youth Symphony Orchestra, theTchaikovsky International Youth Orchestra and the Exemplary Orchestraof the Central Military District.

In 2015, the traditional, Tchaikovsky’s name-bearing Orchestra thatis supported by the Ural Youth Symphony Orchestra welcomed youngcolleagues from Spain, Turkey, Azerbaijan, Mongolia, and Kazakhstan.The project moved up to a new level: In addition to its performances in theSverdlovsk Region, the international symphonic group took part in theInternational Music Festival «Classics on the Volga» in Togliatti.

TCHAIKOVSKY’S MUSIC DAYIN THE SVERDLOVSK REGION

On November 6, for the second time, theSverdlovsk Philharmony took the lead in promotinga cultural and educational event. On that day, theentire Ural Region was filled with Tchaikovsky’smusic that was played everywhere: In movietheaters, libraries, museums, educationalinstitutions, shopping centers, radio and televisionprograms, stadiums, streets and, certainly, inconcert halls – in Alapayevsk, Asbest, VerkhnyayaPyshma, Revda, Kamensk-Uralsky, and Irbit. In total,more than 100 thousand people took part in morethan 500 different events included in the program.

III ÔÅÑÒÈÂÀËÜ Ï.È. ×ÀÉÊÎÂÑÊÎÃÎ

 ãîä 175-ëåòèÿ âåëèêîãî êîìïîçèòîðà, ÷àñòü äåòñòâà ïðîâåäøåãî âóðàëüñêîì ãîðîäå Àëàïàåâñêå, Ôåñòèâàëü Ï.È. ×àéêîâñêîãî ïðîõîäèëñ îñîáûì ðàçìàõîì.

Ñ 26 èþíÿ ïî 12 èþëÿ â ñåìè ôåñòèâàëüíûõ âå÷åðàõ âûñòóïèëèïèàíèñòû Ïèòåð Äîíîõîó (Âåëèêîáðèòàíèÿ), ×æàí Öçî (Êèòàé),Àëåêñåé Íàáèóëèí, ñêðèïà÷ Âàäèì Ðåïèí.

 îðêåñòðîâîé ïàíîðàìå ôåñòèâàëÿ ïÿòü êîëëåêòèâîâ: Ãîñó-äàðñòâåííûé ñèìôîíè÷åñêèé îðêåñòð «Íîâàÿ Ðîññèÿ», Óðàëüñêèéàêàäåìè÷åñêèé ôèëàðìîíè÷åñêèé îðêåñòð, Óðàëüñêèé ìîëîäåæíûéñèìôîíè÷åñêèé îðêåñòð, Ìåæäóíàðîäíûé ìîëîäåæíûé ×àéêîâñêèé-îðêåñòð è Îáðàçöîâûé îðêåñòð Öåíòðàëüíîãî âîåííîãî îêðóãà.

Ïðîåêò «Åâãåíèé Îíåãèí» (Ïóøêèí è ×àéêîâñêèé) â àâòîðñêîéâåðñèè Þðèÿ Áàøìåòà ïðåäñòàâèëè îðêåñòð «Íîâàÿ Ðîññèÿ», àêòåðòåàòðà è êèíî Ñåðãåé Áåçðóêîâ, ñîëèñòû âåäóùèõ îïåðíûõ òåàòðîâÐîññèè è Àâñòðèè, Ñèìôîíè÷åñêèé õîð Ñâåðäëîâñêîé ôèëàðìîíèè.

Òðàäèöèåé ôåñòèâàëÿ ñòàë èìåííîé ×àéêîâñêèé-îðêåñòð,êîòîðûé ñîçäàåòñÿ íà áàçå Óðàëüñêîãî ìîëîäåæíîãî ñèìôîíè-÷åñêîãî îðêåñòðà. Ê åãî àðòèñòàì ïðèñîåäèíèëèñü ìîëîäûå êîëëåãèèç Èñïàíèè, Òóðöèè, Àçåðáàéäæàíà, Ìîíãîëèè è Êàçàõñòàíà. Ïîäðóêîâîäñòâîì îïûòíûõ ïåäàãîãîâ îíè ïîñòèãàëè ñî÷èíåíèÿÏ.È. ×àéêîâñêîãî.  2015 ãîäó ïðîåêò âûøåë íà íîâûé óðîâåíü:íàðÿäó ñ âûñòóïëåíèÿìè â Ñâåðäëîâñêîé îáëàñòè – Åêàòåðèíáóðãåè Êàìåíñêå-Óðàëüñêîì – èíòåðíàöèîíàëüíûé ñèìôîíè÷åñêèéêîëëåêòèâ ïðèíÿë ó÷àñòèå â Ìåæäóíàðîäíîì ìóçûêàëüíîì ôåñòèâàëå«Êëàññèêà íàä Âîëãîé» â Òîëüÿòòè.

 2015 ãîäó Ôåñòèâàëü Ï.È. ×àéêîâñêîãî ñòàë îôèöèàëüíîéêóëüòóðíîé ïðîãðàììîé Ìåæäóíàðîäíîé ïðîìûøëåííîé âûñòàâêè«Èííîïðîì» â Åêàòåðèíáóðãå.

ÄÅÍÜ ÌÓÇÛÊÈ ×ÀÉÊÎÂÑÊÎÃΠÑÂÅÐÄËÎÂÑÊÎÉ ÎÁËÀÑÒÈ

6 íîÿáðÿ êóëüòóðíî-ïðîñâåòèòåëüñêàÿ àêöèÿ âî âòîðîé ðàçïðîøëà ïî èíèöèàòèâå Ñâåðäëîâñêîé ôèëàðìîíèè.  ãîä 175-ëåòèÿ êîìïîçèòîðà, ñóäüáà êîòîðîãî íåðàçðûâíî ñâÿçàíàñ Óðàëîì, îíà èìåëà îñîáûé ðàçìàõ.  ýòîò äåíü ìóçûêà×àéêîâñêîãî çâó÷àëà â Óðàëüñêîì ðåãèîíå ïîâñþäó: â êèíîòåàò-ðàõ, áèáëèîòåêàõ, ìóçåÿõ, ó÷åáíûõ çàâåäåíèÿõ, òîðãîâûõöåíòðàõ, íà ðàäèî è òåëåâèäåíèè, íà ñòàäèîíàõ, óëèöàõ è,êîíå÷íî, â êîíöåðòíûõ çàëàõ. Ïîìèìî Åêàòåðèíáóðãà, êîíöåðòûñîñòîÿëèñü â Ãîðîäñêèõ ôèëàðìîíè÷åñêèõ çàëàõ Àëàïàåâñêà,Àñáåñòà, Âåðõíåé Ïûøìû, Ðåâäû, Êàìåíñêà-Óðàëüñêîãî,Èðáèòà. Âñåãî – ñâûøå 500 ðàçëè÷íûõ ìåðîïðèÿòèé, â êîòîðûåáûëè âîâëå÷åíû áîëåå 100 òûñÿ÷ ÷åëîâåê.

18

ÊÓËÜÒÓÐÍÎ-ÏÐÎÑÂÅÒÈÒÅËÜÑÊÈÉ ÏÐÎÅÊÒ«ÍÀØ ×ÀÉÊÎÂÑÊÈÉ»

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Âàäèì Ðåïèí è ÓÀÔÎ. Ïîñâÿùàåòñÿ ×àéêîâñêîìó

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SUMMER ORCHESTRAL ACADEMY

The project was launched by the International Youth Cultural Centeropened in 2014 under the auspices of the Sverdlovsk Philharmony. Theacademy is intended to improve mastery and performance of youngmusicians of Russian and foreign orchestras; classes are conducted withthe support of the Ural Youth Symphony Orchestra and the program isaimed to strengthen international cultural relations of the SverdlovskRegion.

In 2015, the academy offered internship to young musicians fromRussia, Spain, Azerbaijan, Turkey, Mongolia, and Kazakhstan. The ArtisticDirector is Enkhe, the chief conductor of the Ural Youth SymphonyOrchestra. Students are taught by Maria Antonia Rodriguez, theconcertmaster of the flute group of the Spanish Radio and TelevisionSymphony Orchestra (RTVE Symphony Orchestra), and Rodolfo Epelde,the concertmaster of the French horn group of the Spanish NationalOrchestra.

The cooperation with pianist Alexei Nabioulin, the prize-winner of the12th International Tchaikovsky Competition, made a significant contributionto the professional growth of the academy attendees. Yalchin Adigezalov(Azerbaijan) and Borja Quintas (Spain), conductors and artistic directors,rendered assistance in selection of musicians invited to the Academy forinternship.

The efforts of the Academy resulted in the emergence of a new group –the Tchaikovsky International Youth Orchestra. The orchestra gaveperformances in the Sverdlovsk Region – in Ekaterinburg, during the IIand III Tchaikovsky Festivals, and in Kamensk-Uralsky; at the invitation ofFabio Mastrangelo, it took part in the 8th International Music Festival«Classics on the Volga» in Togliatti. The orchestra presented two programsdirected by Enkhe and F. Mastrangelo.

After their internship at the Summer Orchestral Academy, all themusicians received certificates, which were handed to them at the officialceremony with participation of Pavel Krekov, Minister of Culture of theSverdlovsk Region, and representatives of the consulates of Spain,Azerbaijan, and Kazakhstan.

ËÅÒÍßß ÎÐÊÅÑÒÐÎÂÀß ÀÊÀÄÅÌÈß

Ïðîåêò ñîçäàííîãî â 2014 ãîäó íà áàçå Ñâåðäëîâñêîé ôèëàðìîíèèÌåæäóíàðîäíîãî ìîëîäåæíîãî êóëüòóðíîãî öåíòðà. Àêàäåìèÿîðãàíèçîâàíà äëÿ ïîâûøåíèÿ óðîâíÿ ïðîôåññèîíàëüíîãî èñïîëíè-òåëüñêîãî ìàñòåðñòâà ìîëîäûõ ìóçûêàíòîâ ðîññèéñêèõ è çàðóáåæíûõîðêåñòðîâ, ïðîâîäèòñÿ íà áàçå Óðàëüñêîãî ìîëîäåæíîãî ñèìôîíè-÷åñêîãî îðêåñòðà è íàïðàâëåíà íà óêðåïëåíèå ìåæäóíàðîäíûõêóëüòóðíûõ ñâÿçåé Ñâåðäëîâñêîé îáëàñòè.

 2015 ãîäó ñòàæèðîâêó â àêàäåìèè ïðîøëè ìîëîäûå ìóçûêàíòûèç Ðîññèè, Èñïàíèè, Àçåðáàéäæàíà, Òóðöèè, Ìîíãîëèè, Êàçàõñòàíà.Õóäîæåñòâåííûé ðóêîâîäèòåëü – ãëàâíûé äèðèæåð Óðàëüñêîãîìîëîäåæíîãî ñèìôîíè÷åñêîãî îðêåñòðà Ýíõý. Ïåäàãîãè – êîíöåðò-ìåéñòåð ãðóïïû ôëåéò Ñèìôîíè÷åñêîãî îðêåñòðà Èñïàíñêîãî ðàäèîè òåëåâèäåíèÿ RTVE Ìàðèÿ Àíòîíèÿ Ðîäðèãåñ è êîíöåðòìåéñòåðãðóïïû âàëòîðí Íàöèîíàëüíîãî îðêåñòðà Èñïàíèè Ðîäîëüôî Ýïåëüäå.

Âàæíîé ñîñòàâëÿþùåé ïðîôåññèîíàëüíîãî ðîñòà ó÷àñòíèêîâàêàäåìèè ñòàëî ñîòðóäíè÷åñòâî ñ ïèàíèñòîì Àëåêñååì Íàáèóëèíûì,ëàóðåàòîì XII Ìåæäóíàðîäíîãî êîíêóðñà èì. Ï.È. ×àéêîâñêîãî.Ñîäåéñòâèå â ïîäáîðå è ïðèãëàøåíèè ìóçûêàíòîâ íà ñòàæèðîâêóîêàçàëè äèðèæåðû è ìóçûêàëüíûå äåÿòåëè ßë÷èí Àäèãåçàëîâ(Àçåðáàéäæàí) è Áîðõà Êèíòàñ (Èñïàíèÿ).

Ðåçóëüòàò ðàáîòû àêàäåìèè – Ìåæäóíàðîäíûé ìîëîäåæíûé×àéêîâñêèé-îðêåñòð. Êîëëåêòèâ âûñòóïàë â Ñâåðäëîâñêîé îáëàñòè –â Åêàòåðèíáóðãå â ðàìêàõ II è III Ôåñòèâàëåé Ï.È. ×àéêîâñêîãîè Êàìåíñêå-Óðàëüñêîì, à òàêæå ïî ïðèãëàøåíèþ Ôàáèî Ìàñòðàíæåëîïðèíÿë ó÷àñòèå â VIII Ìåæäóíàðîäíîì ìóçûêàëüíîì ôåñòèâàëå«Êëàññèêà íàä Âîëãîé» â Òîëüÿòòè. Îðêåñòð ïðåäñòàâèë äâåïðîãðàììû ïîä óïðàâëåíèåì Ýíõý è Ô. Ìàñòðàíæåëî.

Ïî èòîãàì ñòàæèðîâêè â Ëåòíåé îðêåñòðîâîé àêàäåìèè âñåìóçûêàíòû ïîëó÷èëè ñâèäåòåëüñòâà, êîòîðûå áûëè âðó÷åíû íàòîðæåñòâåííîé öåðåìîíèè ñ ó÷àñòèåì ìèíèñòðà êóëüòóðû Ñâåðä-ëîâñêîé îáëàñòè Ïàâëà Êðåêîâà è ïðåäñòàâèòåëåé êîíñóëüñòâÈñïàíèè, Àçåðáàéäæàíà è Êàçàõñòàíà.

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15

Ñïóñòÿ 15 ëåò â ôèëàðìîíèþ âîçâðàòèëñÿ Ìåæäóíàðîäíûéôåñòèâàëü ôîðòåïèàííûõ äóýòîâ: ñ 27 ïî 30 ìàÿ îí ïðîøåë â ñåäüìîéðàç. Ýòî «ôèðìåííîå» ñîáûòèå Åêàòåðèíáóðãà: èìåííî çäåñüÔåñòèâàëü ôîðòåïèàííûõ äóýòîâ ïðîâåëè âïåðâûå â ñòðàíå. Ñ 1989ïî 1997 ãîä îí ïðîõîäèë ðàç â äâà ãîäà, øåñòîé ñîñòîÿëñÿ â 2000ãîäó. Ñ 1991 ãîäà ôåñòèâàëü ñòàë ìåæäóíàðîäíûì.

 2015 ãîäó Åêàòåðèíáóðã ïðèíèìàë ãîñòåé èç ßïîíèè è Êèòàÿ,âñòðå÷àë ðîññèéñêèõ ìóçûêàíòîâ, îòêðûâàë íîâûå èìåíà èïðèâåòñòâîâàë ñòàðûõ äðóçåé.  ïðîãðàììàõ – îðèãèíàëüíûå äóýòûè òðàíñêðèïöèè ñèìôîíè÷åñêèõ ïðîèçâåäåíèé, èçâåñòíûå ñî÷èíåíèÿè ïðåìüåðû.  äâóõ ôåñòèâàëüíûõ âå÷åðàõ çâó÷àíèå ðîÿëÿïîääåðæàëè Óðàëüñêèé ìîëîäåæíûé ñèìôîíè÷åñêèé îðêåñòð èÑèìôîíè÷åñêèé õîð Ñâåðäëîâñêîé ôèëàðìîíèè.

Íîâøåñòâîì ôåñòèâàëÿ 2015 ãîäà ñòàëè «äóýòû-òðàíñôîðìåðû».Ñðåäè åãî ó÷àñòíèêîâ – òîëüêî äâà ïîñòîÿííûõ àíñàìáëÿ: ìîñêîâñêèé«LegeArtis» (Åëåíà Êóçíåöîâà è Èëüÿ ×óäíåöîâ) è Ôîðòåïèàííûé äóýòÑâåðäëîâñêîé ôèëàðìîíèè (Åëåíà Ýíäåáåðÿ è Âëàäèñëàâ ×åïèíîãà).Îñòàëüíûå ïèàíèñòû ôîðìèðîâàëè íîâûå àðòèñòè÷åñêèå ïàðûêàæäûé ôåñòèâàëüíûé äåíü.

Èäåéíûé âäîõíîâèòåëü è àâòîð áîëüøèíñòâà êîíöåðòíûõîáðàáîòîê ôåñòèâàëÿ 2015 ãîäà – Âÿ÷åñëàâ Ãðÿçíîâ.

INTERNATIONAL PIANO DUET FESTIVAL

15 years had passed, and the Philharmony welcomed back theInternational Piano Duet Festival, marking its seventh appearance on May27–30. It is a signature event for Ekaterinburg, which hosted theInternational Piano Duet Festival for the first time. From 1989 to 1997, thefestival was held every two years; it marked its sixth birthday in 2000. In1991, the festival was granted a status of an international event.

In 2015, Ekaterinburg welcomed guests from Japan and China, hostedRussian musicians, discovered new names and greeted its old friends.Vyacheslav Gryaznov is the author of most of the performed concertadaptations. Two piano performances took place with participation of theUral Youth Symphony Orchestra and the Symphonic Choir of the SverdlovskPhilharmony.

Duets-transformers became a novelty offered by the festival. Amongthe festival participants there were only two permanent ensembles; theother artists paired on each day of the festival.

Òåìà: È.Ñ. Áàõ è èòàëüÿíñêàÿ ìóçûêàÀðò-äèðåêòîð ôåñòèâàëÿ – Òàðàñ ÁàãèíåöÃåíåðàëüíàÿ èäåÿ: çíàêîìñòâî ñ íåèçâåñòíîé øèðîêîìó êðóãóñëóøàòåëåé ìóçûêîé âåëèêîãî êîìïîçèòîðà

 äåâÿòè ôåñòèâàëüíûõ êîíöåðòàõ ñ 1 ïî 31 ìàðòà: Óðàëüñêèéìîëîäåæíûé ñèìôîíè÷åñêèé îðêåñòð; äâà õîðà – Ñèìôîíè÷åñêèéõîð Ñâåðäëîâñêîé ôèëàðìîíèè è Õîð ñòóäåíòîâ Óðàëüñêîéêîíñåðâàòîðèè; äâà äèðèæåðà – Êàé Éîõàííñåí è Ýíõý; ñîëèñòû –Êàé Éîõàííñåí, Õàíñ Ôàãèóñ, Àëåêñàíäð Ìàéêàïàð, ÌèõàèëÌîðäâèíîâ, à òàêæå âåäóùèå ñîëèñòû Ñâåðäëîâñêîé ôèëàðìîíèè èÅêàòåðèíáóðãñêîãî òåàòðà îïåðû è áàëåòà.

Òâîð÷åñêèå âñòðå÷è, ìàñòåð-êëàññû, êèíîïîêàçû, àâòîãðàô-ñåññèè è îðãàííûå ýêñêóðñèè.

ÌÅÆÄÓÍÀÐÎÄÍÛÉ ÔÅÑÒÈÂÀËÜÔÎÐÒÅÏÈÀÍÍÛÕ ÄÓÝÒÎÂ

BACH-FEST 2015

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BACH-FEST 2015

Subject: Johann Sebastian Bach and Italian musicArt Director of the festival – Taras BaginetsGeneral idea: Introducing music created by the great composer and yetunknown to the general audience

Nine festival concerts on March 1–31: The Ural Youth Symphony Orchestra;two choirs – The Symphonic Choir of the Sverdlovsk Philharmony and theStudent Choir of the Ural Conservatory; two conductors – Kai Johannsenand Enkhe; soloists – Kai Johannsen, Hans Fagius, Alexander Maikapar,Mikhail Mordvinov, and leading soloists of the Sverdlovsk Philharmony andEkaterinburg Opera and Ballet Theater.

Meet-the-artist events, master classes, film shows, autograph signingsessions and pipe-organ tours.

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OPENING OF THE 80th SEASON

The anniversary concert season deserved unprecedented opening! Fivemagnificent concerts showing the Philharmony in all its glory. The mainphilharmonic groups were represented by two orchestras and a choir; theaudience was introduced to stellar guests and new performers, academicand jazz music, modern opuses and masterpieces of classics, grand-scalesymphony and chamber programs.

The soiree dedicated to music of Leonid Desyatnikov, with participationof the composer, Olesya Petrova (mezzo-soprano), Igor Morozov (tenor),Mark Bushkov (violin), Tatiana Bondarenko (narrator), the Ensemble ofSoloists of the Symphonic Choir, and the Ural Philharmonic Orchestradirected by Andrey Boreyko.

The Ural Youth Symphony Orchestra and front-men of the contemporaryjazz pianism – Valeri Grohovski and Daniel Kramer, a twenty-year-longfriend and partner of the Sverdlovsk Philharmony.

The solo concert of Nikolai Lugansky, a gust of the most significant eventsheld by the Sverdlovsk Philharmony.

Nikolai Lugansky and the Ural Philharmonic Orchestra directed by Enkhe.

A cappella finale: The Symphonic Choir of the Sverdlovsk Philharmony;directed by Andrei Petrenko.

The above listed performances are just a prelude to a fascinating marathonof concerts, projects, tours, and festivals.

ÎÒÊÐÛÒÈÅ ÂÎÑÜÌÈÄÅÑßÒÎÃÎ ÑÅÇÎÍÀ

Þáèëåéíîìó êîíöåðòíîìó ñåçîíó – áåñïðåöåäåíòíîå îòêðûòèå!Ïÿòåðêà âåëèêîëåïíûõ êîíöåðòîâ, â êîòîðûõ ôèëàðìîíèÿ ïðåäñòàëàâî âñåé êðàñå. Îñíîâíûå ôèëàðìîíè÷åñêèå êîëëåêòèâû – äâàîðêåñòðà è õîð, çâåçäíûå ãîñòè è íîâûå èñïîëíèòåëè, ìóçûêààêàäåìè÷åñêàÿ è äæàçîâàÿ, ñîâðåìåííûå îïóñû è øåäåâðû êëàññèêè,ìàñøòàáíûå ñèìôîíè÷åñêèå è êàìåðíûå ïðîãðàììû.

Àâòîðñêèé âå÷åð êîìïîçèòîðà Ëåîíèäà Äåñÿòíèêîâà ñ ó÷àñòèåììåööî-ñîïðàíî Îëåñè Ïåòðîâîé, òåíîðà Èãîðÿ Ìîðîçîâà, ñêðèïà÷àÌàðêà Áóøêîâà, àêòðèñû Òàòüÿíû Áîíäàðåíêî, Àíñàìáëÿ ñîëèñòîâÑèìôîíè÷åñêîãî õîðà, à òàêæå Óðàëüñêîãî àêàäåìè÷åñêîãî ôèëàðìî-íè÷åñêîãî îðêåñòðà ïîä óïðàâëåíèåì Àíäðåÿ Áîðåéêî.

Óðàëüñêèé ìîëîäåæíûé ñèìôîíè÷åñêèé îðêåñòð è ôðîíòìåíû ñîâðå-ìåííîãî äæàçîâîãî ïèàíèçìà Âàëåðèé Ãðîõîâñêèé è Äàíèèë Êðàìåð,äðóã è ïàðòíåð Ñâåðäëîâñêîé ôèëàðìîíèè ñ 20-ëåòíèì «ñòàæåì».

Ñîëüíûé êîíöåðò Íèêîëàÿ Ëóãàíñêîãî, âèçèòîì êîòîðîãî Ñâåðäëîâ-ñêàÿ ôèëàðìîíèÿ îòìå÷àåò ñàìûå çíà÷èìûå ñîáûòèÿ ñåçîíà.

Íèêîëàé Ëóãàíñêèé è Óðàëüñêèé àêàäåìè÷åñêèé ôèëàðìîíè÷åñêèéîðêåñòð ïîä óïðàâëåíèåì Ýíõý.

È çàâåðøàþùèé àêêîðä à cappella: Ñèìôîíè÷åñêèé õîð Ñâåðä-ëîâñêîé ôèëàðìîíèè ïîä ðóêîâîäñòâîì Àíäðåÿ Ïåòðåíêî.

Âñå ýòî – ïðåëþäèÿ ê èíòåðåñíåéøåìó ìàðàôîíó èç êîíöåðòîâ,ïðîåêòîâ, ãàñòðîëåé è ôåñòèâàëåé.

Àðòåì Âàðãàôòèê,ìóçûêàëüíûé êðèòèê è òåëåâåäóùèé

Ïðèãëàøåíèå â Ñâåðäëîâñêóþ ôèëàðìîíèþ –îäíî èç ñàìûõ ëåñòíûõ è ïî÷åòíûõ ïðèãëàøåíèéäëÿ ëþáîãî àðòèñòà âûñîêîãî ìåæäóíàðîäíîãîóðîâíÿ. Èìåííî âû – ôëàãìàíñêàÿ îðãàíèçàöèÿâ Ðîññèè. Âû äåëàåòå òî, ÷òî äðóãèå ïîòîìñòàðàþòñÿ ïåðåíÿòü, âû çàäàåòå òîí, âû ÿâëÿå-òåñü îáðàçöîì, è ýòîò îáðàçåö ñîâåðøåíñòâó-åòñÿ, ïîñòîÿííî ðàçâèâàåòñÿ.

Artyom Vargaftik,musical critic and TV host

An invitation to the Sverdlovsk Philharmony is oneof the most flattering and prestigious invitations forany artist of a high international level. You are aflagship organization of Russia. You do what othertry to adopt and replicate later; you set the tone; youare an inspirational example, and you arecontinuously improving and developing.

21

Çàâåðøàþùèé àêêîðä à cappella

Íè

êîëà

é Ë

óãàí

ñêè

é.

Ñî

ëî è

ñ î

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Ñåðãåé Êðûëîâ, ñêðèïà÷

Âàøà ôèëàðìîíèÿ – îäèí èç î÷åíü âàæíûõêóëüòóðíûõ öåíòðîâ Ðîññèè, ïðèìåð äëÿäðóãèõ ôèëàðìîíèé ñòðàíû.

Ìíå ïðåäñòàâèëàñü âîçìîæíîñòüâ 2006 ãîäó ïîñëå äëèòåëüíîãî ïåðåðûâàâ 16 (!) ëåò â ïåðâûé ðàç ñûãðàòü â Ðîññèèèìåííî â Ñâåðäëîâñêîé ôèëàðìîíèè.Çà ýòî ÿ âñåãäà áóäó áëàãîäàðåí åéè Àëåêñàíäðó Íèêîëàåâè÷ó Êîëîòóðñêîìó,êîòîðûé ïîâåðèë â ìåíÿ â òå ãîäû è ïðèãëà-ñèë èãðàòü.

Sergey Krylov, violinist

Your Philharmony is one of the highlyimportant centers of culture in Russia, anexample for other philharmonic societies ofthe country.

In 2006, after a long interval lasting 16 (!)years, I was given an opportunity to make myfirst appearance in Russia, giving a concertat the Sverdlovsk Philharmony. I will always begrateful to it and to Alexander NikolayevichKolotursky who believed in me and invited togive a performance.

ÑÎÁÛÒÈß ÃÎÄÀ

YEAR EVENTS

February 19-20Mikhail Pletnev, solo and togetherwith UPO directed by Dmitry Liss

February 21Sergey Krylov at the orchestralmusic stand of UYSO

May 6Tchaikovsky Celebration on theoccasion of the composer’s175th anniversary: all the pianoconcerts in one evening.Denis Matsuev with UPOdirected by Dmitry Liss

May 21Denis Matsuev and Vienna-BerlinChamber Orchestra(Austria-Germany) underthe direction of Rainer Honeck,the concert master of ViennaPhilharmonic Orchestra

November 13The Virtuosos of MoscowChamber Orchestra. ArtisticDirector – Vladimir Spivakov

December 8The Virtuosos of Italy ChamberOrchestra. Artistic Director andsoloist – Alberto Martini, violin

December 20Performance of Sergey Krylovand Rostislav Krimer with UPOdirected by Dmitry Liss

December 21Solo concerto by Dmitry Masleev,a pianist and a winner of the 15th

International TchaikovskyCompetition (2015)

19-20 ôåâðàëÿÌèõàèë Ïëåòíåâ ñîëüíîè ñ ÓÀÔÎ ïîä óïðàâëåíèåìÄìèòðèÿ Ëèññà

21 ôåâðàëÿÑåðãåé Êðûëîâ çà ïóëüòîìÓÌÑÎ

6 ìàÿ«×àéêîâñêèé. Òîðæåñòâî»ê 175-ëåòèþ êîìïîçèòîðà:âñå ôîðòåïèàííûå êîíöåðòûâ îäèí âå÷åð. Äåíèñ Ìàöóåâc ÓÀÔÎ ïîä óïðàâëåíèåìÄìèòðèÿ Ëèññà.  ðàìêàõïðîåêòà «Íàø ×àéêîâñêèé»

21 ìàÿÄåíèñ Ìàöóåâ è Êàìåðíûéîðêåñòð «Âåíà – Áåðëèí»(Àâñòðèÿ–Ãåðìàíèÿ)ïîä ðóêîâîäñòâîìêîíöåðòìåéñòåðà Âåíñêîãîôèëàðìîíè÷åñêîãî îðêåñòðàÐàéíåðà Õîíåêà

13 íîÿáðÿÊàìåðíûé îðêåñòð«Âèðòóîçû Ìîñêâû».Õóäîæåñòâåííûé ðóêîâîäèòåëü –Âëàäèìèð Ñïèâàêîâ

8 äåêàáðÿÊàìåðíûé îðêåñòð«Âèðòóîçû Èòàëèè».Õóäîæåñòâåííûé ðóêîâîäèòåëüè ñîëèñò – ñêðèïà÷Àëüáåðòî Ìàðòèíè

20 äåêàáðÿÂûñòóïëåíèå Ñåðãåÿ Êðûëîâàè Ðîñòèñëàâà Êðèìåðà ñ ÓÀÔÎïîä óïðàâëåíèåìÄìèòðèÿ Ëèññà

21 äåêàáðÿÑîëüíûé êîíöåðòïèàíèñòà Äìèòðèÿ Ìàñëååâà –ïîáåäèòåëÿ XV Ìåæäóíàðîäíîãîêîíêóðñà èì. Ï.È. ×àéêîâñêîãî(2015)

22

Äåíèñ Ìàöóåâ è «Âåíà – Áåðëèí». Ëó÷øèå èç ëó÷øèõ

Âñåãäà âàø, Ñåðãåé Êðûëîâ

23

ÌÈÐÎÂÛÅ ÏÐÅÌÜÅÐÛ

Áàòàãîâ À. «I See Your Dream, You See My Dream» («ß âèæó òâîé ñîí,òû âèäèøü ìîé ñîí») äëÿ ôîðòåïèàíî ñ îðêåñòðîì (ïî çàêàçóÔåñòèâàëÿ «Åâðàçèÿ» äëÿ ÓÀÔÎ). ÓÀÔÎ / Ä. Ëèññ. Ñîëèñò –À. Áàòàãîâ. 6 îêòÿáðÿÂèêòîðîâà Î. «Ïòèöû íà÷èíàþò âîëíîâàòüñÿ çà äåñÿòü ìèíóò äîâîñõîäà ñîëíöà» äëÿ äâóõ ñêðèïîê è ñèìôîíè÷åñêîãî îðêåñòðà.ÓÌÑÎ / À. Ðóäèí. Ñîëèñòû – Ò. Ìàðòþãèíà, Þ. ßðóëëèíà. 16 ìàÿÂèêòîðîâà Î. «Ðåêà Äàâèäà», ìîíîîïåðà äëÿ áàðèòîíà, ÷åòûðåõôëåéò, ïåðêóññèè è ýëåêòðîíèêè. Ï. Áàðàíñêèé, Ý. Ôèë,Ï. Ãëàâàòñêèõ, Ä. Ïåðåâàëîâ. 9 îêòÿáðÿÕîñîêàâà Ò. «Fluss» («Ðåêà») äëÿ ñòðóííîãî êâàðòåòà è îðêåñòðà.ÓÀÔÎ / Ä. Ëèññ, «Àðäèòòè-êâàðòåò». 16 îêòÿáðÿ

ÏÅÐÂÎÅ ÈÑÏÎËÍÅÍÈÅ Â ÐÎÑÑÈÈ

Êàëëèãàðèñ Ñ. Êîíöåðò äëÿ ñêðèïêè è ôîðòåïèàíî ñ îðêåñòðîì.ÓÀÔÎ / Ä. Ëèññ, Ñ. Êðûëîâ. 20 äåêàáðÿÌàäåðíà Á. Êîìïîçèöèÿ ¹ 1 äëÿ îðêåñòðà. Íàöèîíàëüíûéñèìôîíè÷åñêèé îðêåñòð Èòàëüÿíñêîãî ðàäèî è òåëåâèäåíèÿ /Ì. Àíäæèóñ. 7 îêòÿáðÿÐîìèòåëëè Ô. «Dead City Radio» äëÿ îðêåñòðà. Íàöèîíàëüíûéñèìôîíè÷åñêèé îðêåñòð Èòàëüÿíñêîãî ðàäèî è òåëåâèäåíèÿ /Ì. Àíäæèóñ. 7 îêòÿáðÿÕàöèñ Õ. «Îñòðîâ, ïîëíûé øóìîâ» äëÿ îðêåñòðà. ÓÀÔÎ / Ä. Ëèññ.6 îêòÿáðÿ

WORLD PREMIERES

Batagov A. I See Your Dream, You See My Dream, for piano andorchestra (for the Ural Philharmonic Orchestra on commission from theEurasia Festival). UPO / D. Liss. Soloist – A. Batagov. October 6Viktorova O. Birds Begin to Get Excited Ten Minutes before Sunrise,for two violins and symphony orchestra. UYSO / A. Rudin. Soloists –T. Martyugina, Yu. Yarullina. May 16Viktorova O. The River of David, mono-opera for baritone, four flutes,percussion and electronics. P. Baransky, E. Fil, P. Glavatskikh,D. Perevalov. October 9Hosokawa T. Fluss (River), for string quartet and orchestra. UPO /D. Liss, The Arditti Quartet. October 16

DEBUT IN RUSSIA

Calligaris S. Concerto for violin, piano, and orchestra. UPO / D. Liss,S. Krylov. December 20.Maderna B. Composition No.1, for orchestra. The RAI NationalSymphony Orchestra / M. Angius. October 7Romitelli F. Dead City Radio, for orchestra. The RAI National SymphonyOrchestra / M. Angius. October 7Hatzis C. The Isle is Full of Noises, for orchestra. UPO / D. Liss.October 6

ÃËÀÂÍÛÅ ÑÎÁÛÒÈß ÃÎÐÎÄÑÊÈÕ ÔÈËÀÐÌÎÍÈ×ÅÑÊÈÕ ÇÀËÀÕ

 ÐÀÌÊÀÕ III ÌÅÆÄÓÍÀÐÎÄÍÎÃÎÌÓÇÛÊÀËÜÍÎÃÎ ÔÅÑÒÈÂÀËß «ÅÂÐÀÇÈß»Àëàïàåâñê: ÓÌÑÎ, äèðèæåð – Ýíõý.Ãîíêîíãñêèé ìîëîäåæíûé îðêåñòð,äèðèæåð – Äæîçåô Êàì. Ñîëèñòêà – Ëó Ñè.

«ÇÂÅÇÄÍÛÅ» ÂÑÒÐÅ×È Â ÐÀÌÊÀÕIII ÔÅÑÒÈÂÀËß Ï.È. ×ÀÉÊÎÂÑÊÎÃÎÀëàïàåâñê: Þðèé Ðîçóì, Èãîðü Ôåäîðîâ,Àëåêñåé Íàáèóëèí.

ÏÅÐÅÄÂÈÆÍÎÉ ÎÐÃÀÍÍÛÉ ÇÀËÀñáåñò, Çàðå÷íûé, Êàìåíñê-Óðàëüñêèé,Ðåâäà, Èðáèò.5 êîíöåðòîâ, 2500 ñëóøàòåëåé.

ÄÅÍÜ ÌÓÇÛÊÈ ×ÀÉÊÎÂÑÊÎÃΠÑÂÅÐÄËÎÂÑÊÎÉ ÎÁËÀÑÒÈÀñáåñò, Êàìåíñê-Óðàëüñêèé, Ðåâäà,Âåðõíÿÿ Ïûøìà, Èðáèò, Àëàïàåâñê.

«ÇÂÅÇÄÛ XXI ÂÅÊÀ»Ïðè ïîääåðæêå Ìèíèñòåðñòâà êóëüòóðûÐîññèéñêîé Ôåäåðàöèè.Ðåâäà, Âåðõíÿÿ Ïûøìà, Çàðå÷íûé.Èâàí Ïî÷åêèí, Þðèé Ôàâîðèí,Àðòóð Íàçèóëëèí.

MAIN EVENTS IN CITY PHILHARMONIC HALLS

AS PART OF THE III EURASIAINTERNATIONAL MUSIC FESTIVALAlapayevsk: The UYSO, conductor – Enkhe.The Hong Kong Youth Symphony Orchestra,conductor – Joseph Cam. Soloist – Lu Xi.

STELLAR ENCOUNTERS DURINGTHE III TCHAIKOVSKY FESTIVALAlapayevsk: Yuri Rozum, Igor Fedorov,Alexei Nabioulin.

MOBILE PIPE ORGAN HALLAsbest, Zarechny, Kamensk-Uralsky,Revda, Irbit.5 concerts; 2,500 audience members.

TCHAIKOVSKY’S MUSIC DAYIN THE SVERDLOVSK REGIONAsbest, Kamensk-Uralsky, Revda,Verkhnyaya Pyshma, Irbit, Alapayevsk.

STARS OF THE 21ST CENTURYWith support from the Ministry of Cultureof the Russian Federation.Revda, Verkhnyaya Pyshma, Zarechny.Ivan Pochekin, Yuri Favorin, Artur Naziullin.

Ãîðîäñêèå ôèëàðìîíè÷åñêèå çàëûÑåòü ôèëèàëîâ Êîíöåðòíîãî çàëà â ñåìèãîðîäàõ Ñâåðäëîâñêîé îáëàñòè: Àëàïàåâñê,Àñáåñò, Âåðõíÿÿ Ïûøìà, Çàðå÷íûé, Èðáèò,Êàìåíñê-Óðàëüñêèé, Ðåâäà.

City Philharmonic HallsThe network of branch halls of the ConcertHall in seven cities of Sverdlovsk region.

Ðýì Óðàñèí, ïèàíèñò

ß íå âñòðå÷àë åùå íè îäíó êîíöåðòíóþîðãàíèçàöèþ, ãäå áûëî áû òàê ïîñòàâëåíîäåëî: è â îòíîøåíèè ñîëèñòîâ, è â ðàáîòåñ ïóáëèêîé, è â îðãàíèçàöèè ãàñòðîëåé.À íåâåðîÿòíîå êîëè÷åñòâî è êà÷åñòâîêîíöåðòîâ!..

Rem Urasin, pianist

I have never seen any concert organization thatcould match you in the way you operate: In yourattitude towards soloists, work with audiences,and organization of tours, not to mention theincredible number and quality of concerts!..

Ãîíê

îíã

ñêè

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ðêå

ñòð

â Å

êàòå

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ãå è

Àëà

ïàå

âñêå

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ÿìàÿ

òð

àíñë

ÿöè

ÿ

25

Ïîääåðæêà

Ìèíèñòåðñòâî êóëüòóðû Ñâåðäëîâñêîé îáëàñòè: ñ 2011 ãîäà ôèëàð-ìîíèÿ ïîëó÷àåò ñðåäñòâà íà ñîçäàíèå êîíòåíòà äëÿ òðàíñëÿöèéâ Ôèëàðìîíè÷åñêèõ ñîáðàíèÿõ, ÷òî ïîçâîëÿåò ñîõðàíÿòü áåñïëàòíûéäîñòóï íàñåëåíèÿ ê âèðòóàëüíûì êîíöåðòàì.

Ïðîåêò «Ôèëàðìîíèÿ 2.0» ïîëó÷èë ãðàíò Ìèíèñòåðñòâà êóëüòóðûÑâåðäëîâñêîé îáëàñòè.

Íàïðàâëåíèÿ «Ìèíè-çàëû» è «ÐÈÒÌ» äëÿ ñëàáîñëûøàùèõ äåòåéðåàëèçóþòñÿ ñîâìåñòíî ñ Ôîíäîì ïåðâîãî Ïðåçèäåíòà ÐîññèèÁ.Í. Åëüöèíà.

Support

The Ministry of Culture of the Sverdlovsk Region: Since 2011 thePhilharmony has been supported with the funds intended for programsbroadcast to the Philharmonic Assemblies, thus making it possible toprovide uninterrupted access of the population to virtual concerts.

The Philharmony 2.0 Project received a grant from the Ministry ofCulture of the Sverdlovsk Region.

The Mini-Halls and RHYTHM projects intended for hearing-impairedchildren are implemented in cooperation with the Foundation of Russia’sFirst President Boris Yeltsin.

Íî÷ü â ôèëàðìîíèè

Cîâìåñòíûé òâîð÷åñêèé ïðîåêò Ñâåðäëîâñêîé ôèëàðìîíèè è Îáëàñò-íîãî òåëåâèäåíèÿ (ÎÒÂ), êîòîðîå ðàç â íåäåëþ â òå÷åíèå âñåãî ãîäàïîêàçûâàåò ëó÷øèå êîíöåðòû èç àðõèâà ÂÊÇ. Äåéñòâóåò ñ 2010 ãîäà.

Êóëüòóðíûé êîä

Íîâûé ïðîåêò ÂÊÇ. Ýòî ñåðèÿ âèäåîèíòåðâüþ àâòîðà ïðîãðàììûÑåðãåÿ Ëèòîâñêèõ ñ èçâåñòíûìè ìóçûêàíòàìè è äåÿòåëÿìè êóëüòóðû.Ïðîãðàììà ñîïðîâîæäàåò îíëàéí-òðàíñëÿöèè êîíöåðòîâ, âûõîäèò íàÎÒ – â ðàìêàõ ïðîåêòà «Íî÷ü â ôèëàðìîíèè», ðàçìåùàåòñÿ íà ñàéòåôèëàðìîíèè. Ïå÷àòíûå âåðñèè èíòåðâüþ ïóáëèêóþòñÿ â æóðíàëå«Êóëüòóðà Óðàëà».

The Night in the Philharmony

À joint creative project of the Sverdlovsk Philharmony and the RegionalTelevision (OTV) that once a week throughout a year broadcasts the bestconcerts from the archive of the VCH. The project was launched in 2010.

The Culture Code

À new project of the VCH. It consists of a series of video interviews conductedby Sergey Litovskikh, the author of the program, with renowned musiciansand artists. The program is offered by the Regional Television along withonline broadcasting of concerts, under the project «The Night in thePhilharmony», and is available at the website of the Sverdlovsk Philharmony.Printed interview versions are published in the Urals’ Culture magazine.

ÂÊÇ-2015ÏËÀÒÔÎÐÌÀ

ÄËß ÐÀÑØÈÐÅÍÈßÍÀÏÐÀÂËÅÍÈÉ

ÔÈËÀÐÌÎÍÈ×ÅÑÊÎÉÄÅßÒÅËÜÍÎÑÒÈ

Îñíîâà ïðîåêòà «Ôèëàðìîíèÿ 2.0:êîíöåðòíûé çàë áåç ãðàíèö» (ñòð. 29).

Èíñòðóìåíò ñîâðåìåííîãîîáðàçîâàòåëüíîãî ïðîöåññà –«Ôèëàðìîíè÷åñêèå óðîêè» (ñòð. 27).

Ñî÷åòàíèå ïðîñâåòèòåëüñêî-îáðàçîâàòåëüíîé è ñîöèàëüíîéôóíêöèé – ïðîåêò «ÐÈÒÌ» äëÿ äåòåéñ íàðóøåíèÿìè ñëóõà (ñòð. 30).

The backbone of the Philharmony 2.0:A Concert Hall without Boundaries(p. 29).

The tool of modern educational process –Philharmonic Classes (p. 27).

The educational and social functions –RHYTHM project: music classesfor hearing-impaired children (p. 30).

ÂÈÐÒÓÀËÜÍÛÉ ÊÎÍÖÅÐÒÍÛÉ ÇÀËÑÂÅÐÄËÎÂÑÊÎÉ ÔÈËÀÐÌÎÍÈÈ (ÂÊÇ)

Òâîð÷åñêî-ïðîèçâîäñòâåííûé êîìïëåêñ, îñóùåñòâëÿþùèé òðàíñëÿ-öèè è çàïèñü êîíöåðòîâ â ôîðìàòå FullHD, â ïåðâóþ î÷åðåäü äëÿÔèëàðìîíè÷åñêèõ ñîáðàíèé â îòäàëåííûõ îò Åêàòåðèíáóðãàòåððèòîðèÿõ.

Îðãàíèçîâàíû îíëàéí-òðàíñëÿöèè â 36 ìóíèöèïàëüíûõîáðàçîâàíèÿõ è 9 ó÷ðåæäåíèÿõ ñîöèàëüíîé çàùèòû Ñâåðäëîâñêîéîáëàñòè.Îòêðûòû 10 íîâûõ Ôèëàðìîíè÷åñêèõ ñîáðàíèé â Àðòåìîâñêîì,Êðàñíîòóðüèíñêå, Êðàñíîóðàëüñêå, Âåðõíåé Ñèíÿ÷èõå, Ñòàðîóòêèíñêå,Ëåñíîì, Èâäåëå, Òðîèöêîì, Òàâäå, Òóðèíñêîé Ñëîáîäå, à òàêæåâ ãîðîäå Ñóäàê (Êðûì).Ñîçäàí ìèíè-çàë â ôèëèàëå Åêàòåðèíáóðãñêîãî äîìà-èíòåðíàòà äëÿóìñòâåííî-îòñòàëûõ äåòåé «Ïîëÿíêà» (ã. Áåðåçîâñêèé).Îòêðûòà íîâàÿ ñòóäèÿ çâóêîçàïèñè, ñìîíòèðîâàííàÿ êîìïàíèåé«AcousticLab». Îíà îñíàùåíà îáîðóäîâàíèåì øâåéöàðñêîé êîìïàíèè«Merging Technologies» è, åäèíñòâåííàÿ â ðåãèîíå, îòâå÷àåò ñîâðå-ìåííûì ìèðîâûì ñòàíäàðòàì. Êîìïüþòåðíàÿ ñèñòåìà «Pyramix»è êîìïëåêò ìèêðîôîíîâ âåäóùèõ ïðîèçâîäèòåëåé èäåàëüíûäëÿ ìíîãîêàíàëüíîé çàïèñè êëàññè÷åñêîé ìóçûêè.

THE VIRTUAL CONCERT HALLOF THE SVERDLOVSK PHILHARMONY (VCH)

An art and production complex broadcasting and recording concerts in aFullHD format primarily for the Philharmonic Assemblies – organizedaudiences represented by residents of the areas located far fromEkaterinburg.

Online broadcasting was organized in 36 municipal entities and 9 socialsecurity institutions in the Sverdlovsk Region.10 new Philharmonic Assemblies started operating in Artemovsky,Krasnoturinsk, Krasnouralsk, Verkhnyaya Sinyachikha, Staroutkinsk,Lesnoy, Ivdel, Troitskoye, Tavda, Turinskaya Sloboda, and even in Sudak(Crimea).À mini-hall was opened in Polyanka, a subdivision of the Ekaterinburgresidential home for mentally challenged children (town of Berezovsky).Opened a new audio recording studio. The installation work was doneby AcousticLab; the equipment is manufactured by Merging Technologies(Switzerland); the studio is one-of-a-kind in the region and meets thepresent-day world standards. The Pyramix electronic system andmicrophones of the leading brands are ideal for multichannel recordingof classical music.

VCH-2015THE PLATFORM

FOR EXPANSIONOF PHILHARMONIC

OPERATION

ÐÀÇÂÈÒÈÅ ÏÐÎÅÊÒÀ Â ÖÈÔÐÀÕãîä òðàíñëÿöèè òåððèòîðèè ñëóøàòåëè

Ïèëîòíûé ïðîåêò 2009 22 8 461Ðàçâèòèå, íîâûå òåððèòîðèè 2010 157 10 4 688

2011 285 20 6 378Ïîëíîå òåõíè÷åñêîå îñíàùåíèå 2012 263 26 5 894Ñòàáèëèçàöèÿ 2013 683 30 19 857

2014 828 30 21 6382015 1 293 36 33 336

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CONCERT AND EDUCATIONAL ACTIVITIES

SVERDLOVSK REGION

The brochure «Our Tchaikovsky» is published for schools’ libraries. Thenumber of copies is 3000.

367 concerts combined with music and literature public lectures wereheld in 22 towns, including the special project for orphanage fosterlings;77 chamber concerts from the Musicale Program.

The project «Big Music for Little Hearts» implemented with supportfrom the Sinara Charitable Foundation.

The purpose of the project is to help children deprived of parentalcare in their social-psychological adaptation and harmoniousdevelopment.

2015 – 32 concerts in 8 orphanages of the Sverdlovsk Region.

EKATERINBURG

1,121 lectures and concerts at colleges, schools, lyceums, gymnasiums,day care centers.

11 special-purpose program concerts for university students.3 concerts by performance groups of students from the Ural Federal

University.

About 200 literature and music concerts as well as literature meetingswere held in commemo-ration of the 70th anniversary of the victory in theGreat Patriotic War.

As part of the Accessible Environment Project, a concert was held forexecutives of societies of the disabled of the Sverdlovsk Region.

1,565 concerts in total.

ÊÎÍÖÅÐÒÍÎ-ÏÐÎÑÂÅÒÈÒÅËÜÑÊÀß ÐÀÁÎÒÀ

 ÑÂÅÐÄËÎÂÑÊÎÉ ÎÁËÀÑÒÈ

Èçäàíà áðîøþðà «Íàø ×àéêîâñêèé» äëÿ ðàñïðîñòðàíåíèÿ â áèáëèî-òåêàõ îáùåîáðàçîâàòåëüíûõ ó÷ðåæäåíèé. Òèðàæ 3000 ýêçåìïëÿðîâ.

 22 íàñåëåííûõ ïóíêòàõ Ñâåðäëîâñêîé îáëàñòè ñîñòîÿëîñü367 êîíöåðòîâ ìóçûêàëüíîãî è ëèòåðàòóðíîãî ëåêòîðèåâ «Íîâåëëûî ìóçûêå», «Ëèòåðàòóðíûå âñòðå÷è», «Ôèëàðìîíè÷åñêèå óðîêè»,â ò. ÷. ñïåöèàëüíûé ïðîåêò äëÿ âîñïèòàííèêîâ äåòñêèõ äîìîâ,è 77 êàìåðíûõ êîíöåðòîâ èç öèêëà «Ìóçûêàëüíûå âå÷åðà».

Ïðîåêò «Áîëüøàÿ ìóçûêà äëÿ ìàëåíüêèõ ñåðäåö»Öåëü – ñðåäñòâàìè ìóçûêè ñîäåéñòâîâàòü ñîöèàëüíî-ïñèõîëîãè-÷åñêîé àäàïòàöèè è ãàðìîíè÷íîìó ðàçâèòèþ äåòåé, îñòàâøèõñÿ áåçïîïå÷åíèÿ ðîäèòåëåé.

2007 ãîä – íà÷àëî ïðîåêòà â äåòñêèõ äîìàõ Ñâåðäëîâñêîé îáëàñòèïðè ïîääåðæêå Áëàãîòâîðèòåëüíîãî ôîíäà «Ñèíàðà».

2015 ãîä – 32 êîíöåðòà â 8 äåòñêèõ äîìàõ Àëàïàåâñêà, ÂåðõíåãîÒàãèëà, Âåðõíåé Ñèíÿ÷èõè, Êàìåíñêà-Óðàëüñêîãî (Ñèíàðñêèéè Êðàñíîãîðñêèé äåòñêèå äîìà), Ïîëåâñêîãî (Ñåâåðñêèé è Ïîëåâñêîéäåòñêèå äîìà), Ñóõîãî Ëîãà, Ñûñåðòè.

 ÅÊÀÒÅÐÈÍÁÓÐÃÅ

1121 ëåêöèÿ-êîíöåðò â êîëëåäæàõ, øêîëàõ, ëèöåÿõ, ãèìíàçèÿõ,äåòñêèõ äîøêîëüíûõ ó÷ðåæäåíèÿõ («Ïî ñòóïåíüêàì ìóçûêàëüíîéëåñåíêè», «Ìóçûêàëüíàÿ øêàòóëêà», «Ôèëàðìîíè÷åñêèå óðîêè»,ëèòåðàòóðíàÿ ïðîãðàììà «Ñëîâî»).

Îñîáîå ìåñòî çàíèìàþò ïðîãðàììû â Áîëüøîì çàëå ôèëàðìîíèèäëÿ ñòóäåíòîâ âóçîâ, â êîòîðûõ ïðèíèìàþò ó÷àñòèå ÓÀÔÎ, ÓÌÑÎ,îðãàíèñòû, êàìåðíûå èñïîëíèòåëè è äæàçîâûå êîëëåêòèâû.

11 êîíöåðòîâ äëÿ ñòóäåíòîâ âóçîâ ïî ñïåöèàëèçèðîâàííûìïðîãðàììàì: 5 – äëÿ ÓðÃÓÏÑ, 4 – äëÿ Ãóìàíèòàðíîãî óíèâåðñèòåòà,2 – äëÿ ÓðÃÀÓ. 3 êîíöåðòà òâîð÷åñêèõ êîëëåêòèâîâ ñòóäåíòîâ ÓðÔÓ –Äåíü ðîæäåíèÿ âóçà, Õîðîâîé ïðàçäíèê è êîíöåðò õîðîâîé ìóçûêè.

 ÷åñòü ïðàçäíîâàíèÿ 70-ëåòèÿ Ïîáåäû â Âåëèêîé Îòå÷åñò-âåííîé âîéíå áûëî ïðîâåäåíî îêîëî 200 ëèòåðàòóðíî-ìóçûêàëüíûõêîíöåðòîâ è ëèòåðàòóðíûõ âñòðå÷.

Ïî òðàäèöèè àðòèñòû ñëóæáû îáðàçîâàòåëüíûõ ïðîãðàìì âûñòó-ïèëè ñ áëàãîòâîðèòåëüíûìè êîíöåðòàìè â Ñâåðäëîâñêîì îáëàñòíîìêëèíè÷åñêîì ïñèõîíåâðîëîãè÷åñêîì ãîñïèòàëå âåòåðàíîâ âîéíè â îäíîé èç âîèíñêèõ ÷àñòåé Ñâåðäëîâñêîé îáëàñòè. Ó÷àñòâîâàëèâ êîíöåðòíîé ïðîãðàììå äëÿ ðóêîâîäèòåëåé îáùåñòâ èíâàëèäîâÑâåðäëîâñêîé îáëàñòè â ðàìêàõ ïðîåêòà «Äîñòóïíàÿ ñðåäà».

Âñåãî – 1565 êîíöåðòîâ.

ÎÁËÀÑÒÍÎÉ ÔÈËÀÐÌÎÍÈ×ÅÑÊÈÉ ÓÐÎÊ

Íîâûé ïðîåêò Âèðòóàëüíîãî êîíöåðòíîãî çàëà Ñâåðäëîâñêîéôèëàðìîíèè – öèêë âèäåîïåðåäà÷ î êëàññè÷åñêîé ìóçûêå äëÿó÷àùèõñÿ ìëàäøèõ è ñðåäíèõ êëàññîâ îáùåîáðàçîâàòåëüíûõ øêîëÑâåðäëîâñêîé îáëàñòè. Ïðîäîëæèòåëüíîñòü óðîêà – 40-45 ìèíóò.

Öåëè ïðîåêòà – ñîäåéñòâîâàòü øêîëüíîìó ó÷åáíî-âîñïèòàòåëü-íîìó ïðîöåññó ÷åðåç ïðèîáùåíèå äåòåé ê êà÷åñòâåííîìó,îñìûñëåííîìó ñëóøàíèþ êëàññè÷åñêîé ìóçûêè, ïîìî÷ü èì ðàçî-áðàòüñÿ â åå æàíðîâîì ìíîãîîáðàçèè, ñïîñîáñòâîâàòü ðàñøèðåíèþêðóãîçîðà è âîñïèòàíèþ èíòåðåñà ê ìóçûêàëüíîìó èñêóññòâó.

Ïðåèìóùåñòâà «ôèëàðìîíè÷åñêèõ óðîêîâ» – â èõ äîñòóïíîñòè,íàãëÿäíîñòè, ýñòåòè÷åñêîé ïðèâëåêàòåëüíîñòè, âûñîêîì êà÷åñòâåêîíòåíòà, óâëåêàòåëüíîé ôîðìå ïîäà÷è ìàòåðèàëà, ýôôåêòåïðèñóòñòâèÿ â êîíöåðòíîì çàëå è âîçìîæíîñòè «çàãëÿíóòü çà êóëèñû».

Îòäåëüíûé âûïóñê ïîñâÿùåí Ï.È. ×àéêîâñêîìó â ðàìêàõ ïðîåêòà«Íàø ×àéêîâñêèé».

Âñåãî – 515 âèðòóàëüíûõ çàíÿòèé,áîëåå 13 000 ïîñåùåíèé.

REGIONAL PHILHARMONIC CLASS

The Virtual Concert Hall of the Sverdlovsk Philharmony has launched anew project, presenting video courses introducing junior and middle gradestudents of the Sverdlovsk Region’s general education schools to classicalmusic. One class lasts 40-45 minutes.

The project is aimed to facilitate the school education process byattracting children to competent and meaningful listening to classicalmusic, to help them grasp its genre diversity, to broaden their outlook andto generate interest in musical art.

The main advantages of «philharmonic classes» include theiraccessibility, visual features, esthetic appeal, high quality of the contents,enthralling presentation of the subject, effect of presence in a concerthall and getting a chance to peep into the backstage world.

A single edition is devoted to Tchaikovsky in the framework of theproject «Our Tchaikovsky».

515 virtual classes,more than 13,000 attendances in total.

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ËÈÃÀ ÄÐÓÇÅÉ ÔÈËÀÐÌÎÍÈÈ

Ñîîáùåñòâî ñëóøàòåëåé, êîòîðûå õîòÿò áûòüïðè÷àñòíûìè ê æèçíè ôèëàðìîíèè, ãîòîâûïîääåðæèâàòü åå äåÿòåëüíîñòü è ãàðàíòè-ðîâàòü ïðîöâåòàíèå.×ëåíñòâî â Ëèãå ïîäòâåðæäàåòñÿ êàæäûéñåçîí ïîêóïêîé îäíîé èç ôîðì àáîíåìåíòà, àòàêæå âíåñåíèåì áëàãîòâîðèòåëüíîãî âçíîñàâ ïîääåðæêó äåÿòåëüíîñòè ôèëàðìîíèè.

2015:46 100 ÷åëîâåê â áàçå ñëóøàòåëåé,24 430 âëàäåëüöåâ ïëàñòèêîâûõ êàðò,20 520 ïîëüçîâàòåëåé îíëàéí-êàññû.

Ëèãà âíå êîíöåðòîâ: ñîáðàíèÿ, èíôîðì-êëóáû, òâîð÷åñêèå âñòðå÷è ïîñëå êîíöåðòîâ,ôîòî- è àâòîãðàô-ñåññèè, âèêòîðèíûè êîíêóðñû, îïðîñû, ìîíèòîðèíã.

THE LEAGUE OF PHILHARMONY

The community of philharmonic visitors, who arewilling to be part of our Concert Hall life, areready to support its activities and ensure itsprosperity.Membership in the philharmony is regularlyconfirmed when a member buys any of the threeforms of season tickets, or donates to theConcert Hall.

2015:46,100 people in the database,24,430 owners of plastic cards,20,520 online users.

Apart from the concerts the League memberstake part in different meetings, informationalclubs, workshops, photo shoots and signingsessions, quizzes and competitions, surveys andmonitoring programmes.

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ÔÈËÀÐÌÎÍÈß 2.0:ÊÎÍÖÅÐÒÍÛÉ ÇÀË ÁÅÇ ÃÐÀÍÈÖ

Ñâåðäëîâñêàÿ ôèëàðìîíèÿ íà÷àëà ñîçäàíèåíîâîãî òèïà ðåãèîíàëüíîãî êîíöåðòíîãîïðîñòðàíñòâà. «Ôèëàðìîíèÿ 2.0» – èííîâà-öèîííûé ñïîñîá ïðåîäîëåíèÿ êóëüòóðíîãîðàçðûâà ìåæäó öåíòðîì è ïåðèôåðèåé â òðèýòàïà. Æèòåëè óäàëåííûõ ãîðîäîâ è ïîñåëêîâïîëó÷àþò âîçìîæíîñòü:

ïîñåùàòü «âèðòóàëüíûå» êîíöåðòûâ 36 Ôèëàðìîíè÷åñêèõ ñîáðàíèÿõÑâåðäëîâñêîé îáëàñòè, ãäå îòñóòñòâóåòôèëèàë êîíöåðòíîãî çàëà Ñâåðäëîâñêîéôèëàðìîíèè (ñ 2007 ãîäà);

âûåçæàòü íà êîíöåðòû â áëèæàéøèéÃîðîäñêîé ôèëàðìîíè÷åñêèé çàë –ôèëèàë Ñâåðäëîâñêîé ôèëàðìîíèè;

âñòðå÷àòüñÿ â Áîëüøîì çàëå Ñâåðä-ëîâñêîé ôèëàðìîíèè íà åæåãîäíîìÔîðóìå Ôèëàðìîíè÷åñêèõ ñîáðàíèé.

Ïðîåêò ñòàðòîâàë 9 ìàðòà êîíöåðòîì ÓÀÔÎâ ãîðîäå Ñåðîâå, ñîáðàâøèì ñëóøàòåëåé9 Ôèëàðìîíè÷åñêèõ ñîáðàíèé. Ïðîäîëæåíèåïîñëåäîâàëî â ôèëèàëàõ ôèëàðìîíèè âÀëàïàåâñêå, Çàðå÷íîì, Èðáèòå è Ðåâäå, ïðè-íÿâøèõ æèòåëåé áëèçëåæàùèõ òåððèòîðèé.

12 èþëÿ â Åêàòåðèíáóðãå ñîñòîÿëñÿIV Ôîðóì Ôèëàðìîíè÷åñêèõ ñîáðàíèéñ ïîñåùåíèåì êîíöåðòà.

PHILHARMONY 2.0:A CONCERT HALL WITHOUT BOUNDARIES

Combining traditional concert activities andadvanced technology, the SverdlovskPhilharmony embarked on creating a new typeof regional concert space. Philharmony 2.0 isan innovative three-stage system giving anopportunity to residents of remote towns andvillages to visit «virtual» concerts at 36Philharmonic Assemblies held in the SverdlovskRegion, go to concerts hosted by the closestbranch of the Sverdlovsk Philharmony and gettogether in the Grand Hall of the Sverdlovsk

Îáëàñòíîé ïåðåäâèæíîé îðãàííûé çàë

Áëàãîäàðÿ ãðàíòó ãóáåðíàòîðà Ñâåðäëîâñêîéîáëàñòè è ïîääåðæêå Ìèíèñòåðñòâà êóëüòóðûÑâåðäëîâñêîé îáëàñòè «Ïåðåäâèæíîé îðãàí-íûé çàë» ïîçâîëèë ìíîãèì æèòåëÿì ðåãèîíàâïåðâûå óñëûøàòü çâó÷àíèå èíñòðóìåíòà.Îðãàíèñò Ñâåðäëîâñêîé ôèëàðìîíèè ÒàðàñÁàãèíåö äàë ñåðèþ êîíöåðòîâ â Ãîðîäñêèõôèëàðìîíè÷åñêèõ çàëàõ Àñáåñòà, Êàìåíñêà-Óðàëüñêîãî, Çàðå÷íîãî, Ðåâäû è Èðáèòà íàöèôðîâîì îðãàíå «Ìîíàðõ». Èíñòðóìåíòèçãîòîâëåí íèäåðëàíäñêîé êîìïàíèåé«Éîõàííóñ», â òî÷íîñòè ïåðåäàåò çâó÷àíèåòðóáíîãî îðãàíà ãîðîäà Áàðíåôåëüä è ïî-çâîëÿåò ïîëó÷èòü ÷èñòûé çâóê â ëþáîìïîìåùåíèè.

The Regional Mobile Organ Hall

The grant from the governor of the SverdlovskRegion and support by the Ministry of Cultureof the Sverdlovsk Region gave a first-timeopportunity to many residents of the region tohear sounds of the pipe organ. Taras Baginetsgave a series of concerts, playing the Monarchdigital organ in Asbest, Kamensk-Uralsky,Zarechny, Revda, and Irbit. The instrument ismade by Johannus, a Dutch company; itconveys the authentic sound of the Barneveldpipe organ and is remarkable for its invariablypure sound.

Philharmony during an annual Forum ofPhilharmonic Assemblies.

The project started its life on March 9 with aconcert given by the Ural PhilharmonicOrchestra in Serov. The concert audienceincluded guests of Philharmonic Assemblies ofSerov, Krasnoturinsk, Gari, Karpinsk, Severo-uralsk, Novaya Lyalya, Kachkanar, Verkhoturie,and Sosva. The 4 th Forum of PhilharmonicAssemblies took place on July 12.

Ñåëôè ñ øåéõîì

Öèôðîâîé îðãàí «Ìîíàðõ» è Òàðàñ Áàãèíåö

ÓÀÔÎ â Ñåðîâå – 20 ëåò ñïóñòÿ!

ÁËÀÃÎÒÂÎÐÈÒÅËÜÍÀß ÀÊÖÈß «ÍÀ ÊÈÐÏÈ×ÈÊ»

1 îêòÿáðÿ â Ñâåðäëîâñêîé ôèëàðìîíèè ñòàðòîâàëà áëàãîòâîðè-òåëüíàÿ àêöèÿ «Íà êèðïè÷èê». Åå öåëü – ñáîð ñðåäñòâ íà çàâåðøåíèåñòðîèòåëüñòâà ðåïåòèöèîííî-àðòèñòè÷åñêîãî êîðïóñà.

Ñòðåìèòåëüíî ðàçâèâàÿñü, îðãàíèçóÿ êðóïíûå ïðîåêòû è ñîçäà-âàÿ íîâûå êîëëåêòèâû, ôèëàðìîíèÿ èñ÷åðïàëà ðåñóðñû ñâîåãîñðàâíèòåëüíî íåáîëüøîãî çäàíèÿ. Ðåïåòèöèîííûå ïîìåùåíèÿ,àðòèñòè÷åñêèå è ìàñòåðñêèå ñòàëè íàñóùíîé ïîòðåáíîñòüþ.

Ñòðîèòåëüñòâî êîðïóñà áûëî íà÷àòî íåñêîëüêî ëåò íàçàä, îäíàêîñòðîéêó çàìîðîçèëè, è ïîñòðîåííîå îêàçàëîñü ïîä óãðîçîé ðàçðóøå-íèÿ. Ôèëàðìîíèÿ ïðèíÿëà áåñïðåöåäåíòíîå ðåøåíèå – âîçîáíîâèòüðàáîòû, âçÿâ ôèíàíñèðîâàíèå íà ñåáÿ. Ïðîåêò áûë ïåðåñìîòðåí,óïðîùåí è îöåíåí ñî ñíèæåíèåì ñóììû ôèíàíñèðîâàíèÿ.

Ïåðâûé øàã ñäåëàë êîëëåêòèâ ôèëàðìîíèè, ïîæåðòâîâàâ 653 049ðóáëåé. ×àñòü ñðåäñòâ óäàëîñü ñîáðàòü, îáðàòèâøèñü ê ïîìîùèáëàãîòâîðèòåëåé: 93 000 ðóáëåé. Âíåñëè ñâîé âêëàä ñëóøàòåëè:403 ÷åëîâåêà ïîæåðòâîâàëè 141 791 ðóáëü.

Àêöèÿ áóäåò ïðîäîëæåíà è â 2016 ãîäó.

CHARITABLE EVENT «JUST FOR A BRICK»

On October 1, the Sverdlovsk Philharmony launched a charitable event –Just for a Brick. It is aimed at raising funds for completion of theconstruction of the rehearsal and artistic building.

Growing at a fast pace, organizing large-scale projects and giving lifeto new music ensembles and orchestras, the Philharmony used up all thecapabilities of its relatively small building. The need for additional spacefor rehearsals, artists’ rooms and studios became critical.

The construction of the new building started a few years ago; however,it was soon suspended, and the completed parts of the building were atrisk of collapse. The Philharmony made an unprecedented decision toresume construction, taking responsibility for financing. The project wasrevised, simplified and reevaluated to decrease the amounf of financing.

The first step was made by the Philharmonic employees who donated653,049 rubles. 93,000 rubles were raised through philanthropists. Theaudience also made its contribution: 403 people donated 141,791 rubles.

The fundraising campaign will be continued in 2016.

THE NIGHT OF MUSEUMS PROJECT

By tradition, on the night May 16 and 17, the Sverdlovsk Philharmony tookpart in the project «The Night of Museums». The project included artdisplays, colorful wall paintings, bas-reliefs, renovated pipe organ andthe building, a heritage asset, which marked its 100th anniversary in 2015.To commemorate the victory in the Great Patriotic War, the exhibitionoffered special displays to its guests: posters and photographs of the warperiod, frontline brigade displays, the history of the first performance ofDmitri Shostakovich’s Leningrad Symphony at the SverdlovskPhilharmony. 18 tours were attended by 1,100 people, including massmedia representatives and diplomatic officials.

ÏÐÎÅÊÒ «ÍÎ×Ü ÌÓÇÅÅ»

Ñ 16 íà 17 ìàÿ Ñâåðäëîâñêàÿ ôèëàðìîíèÿ âíîâü ïðèíÿëà ó÷àñòèåâ ïðîåêòå «Íî÷ü ìóçååâ». Ýêñïîíàòàìè ñòàëè õóäîæåñòâåííûåâûñòàâêè, æèâîïèñíûå ôðåñêè, áàðåëüåôû, îáíîâëåííûé îðãàíè ñàìî çäàíèå – ïàìÿòíèê àðõèòåêòóðû, êîòîðîìó â 2015 ãîäóèñïîëíèëîñü ñòî ëåò. Ê þáèëåþ ïîáåäû â Âåëèêîé Îòå÷åñòâåííîéâîéíå ãîñòåé æäàëè îñîáåííûå ýêñïîíàòû: àôèøè è ôîòîãðàôèèâîåííûõ ëåò, ìîäåëè ôðîíòîâûõ áðèãàä, èñòîðèÿ ïåðâîãî èñïîëíåíèÿËåíèíãðàäñêîé ñèìôîíèè Ä. Øîñòàêîâè÷à â Ñâåðäëîâñêîéôèëàðìîíèè. 18 ýêñêóðñèé ïîñåòèëè 1100 ÷åëîâåê, ñðåäè íèõ –ïðåäñòàâèòåëè ïðåññû è ãðóïïà äèïëîìàòîâ.

ÏÐÎÅÊÒ «ÐÈÒÌ»

 ôåâðàëå 2015 ãîäà Ñâåðäëîâñêàÿ ôèëàðìîíèÿ ïåðâîé â Ðîññèèïîäêëþ÷èëàñü ê ìóçûêàëüíîìó âîñïèòàíèþ ãëóõèõ è ñëàáîñëûøàùèõäåòåé. Òåõíè÷åñêè – çàêóïêîé ñïåöèàëüíîãî îáîðóäîâàíèÿ (äåñÿòüìîáèëüíûõ ïåðñîíàëüíûõ ñòåðåî-óñèëèòåëåé çâóêà è äåñÿòüáåñïðîâîäíûõ ñèñòåì äëÿ ñëóõîâûõ àïïàðàòîâ), è òâîð÷åñêè –ðàçðàáîòêîé è ñîçäàíèåì öèêëà âèäåî-çàíÿòèé, â êîòîðûõ çâó÷àíèåìóçûêè äîïîëíÿåòñÿ ñëîâåñíûìè ïîÿñíåíèÿìè, èëëþñòðàöèÿìè,òèòðàìè è ðàáîòîé ñèíõðîííîãî ñóðäîïåðåâîä÷èêà.

Äîëãîñðî÷íûé ñîâìåñòíûé ïðîåêò Ñâåðäëîâñêîé ôèëàðìîíèè èÖåíòðà ïñèõîëîãî-ìåäèêî-ñîöèàëüíîãî ñîïðîâîæäåíèÿ «Ýõî» ïîëó÷èëíàçâàíèå «ÐÈÒÌ»: Ðåàáèëèòàöèÿ, Èíêëþçèÿ, Òâîð÷åñòâî, Ìóçûêà. Åãîöåëü – ñîçäàòü êîìïëåêñ óñëîâèé äëÿ ìóçûêàëüíîãî âîñïèòàíèÿ äåòåéñ íàðóøåííûì ñëóõîì.

Ìóçûêàëüíîé îñíîâîé âèäåî-çàíÿòèé ñòàëè ñèìôîíè÷åñêàÿñêàçêà Ñ.Ñ. Ïðîêîôüåâà «Ïåòÿ è âîëê» â èñïîëíåíèè Óðàëüñêîãîàêàäåìè÷åñêîãî ôèëàðìîíè÷åñêîãî îðêåñòðà è «Äåòñêèé àëüáîì»Ï.È. ×àéêîâñêîãî, ñûãðàííûé ó÷àùèìèñÿ Óðàëüñêîãî ìóçûêàëüíîãîêîëëåäæà. Çàïèñè ñäåëàíû Âèðòóàëüíûì êîíöåðòíûì çàëîìÑâåðäëîâñêîé ôèëàðìîíèè.

Âàæíûì ýëåìåíòîì èíêëþçèè ñòàëè ýêñêóðñèè â Ñâåðäëîâñêóþôèëàðìîíèþ, íà êîòîðûõ ñëàáîñëûøàùèå äåòè ïîëó÷èëèâîçìîæíîñòü íàáëþäàòü ðÿäîì ñ ñîáîé ïðîöåññ ìóçèöèðîâàíèÿ,êàñàòüñÿ çâó÷àùèõ èíñòðóìåíòîâ, ïîäêðåïëÿÿ ñëóõîâûå îùóùåíèÿçðèòåëüíûìè è òàêòèëüíî-âèáðàöèîííûìè.

RHYTHM PROJECT

In February 2015, the Sverdlovsk Philharmony was the first in Russia totake part in musical education of deaf and hearing-impaired children. Itsparticipation is both technical and creative: It purchases special-purposeequipment and works on a cycle of video classes where music iscomplemented by verbal explanations, illustrations, captions andsimultaneous interpreting provided by sign language interpreters.

The long-term joint project spearheaded by the SverdlovskPhilharmony and the Echo Center for Psychological, Medical and SocialSupport was named «RHYTHM», an acronym for Russian words:Rehabilitation, Inclusion, Creative Work, and Music. The purpose of theproject is to create conditions for musical education of hearing-impairedchildren.

An important element of the inclusion was a series of tours to theSverdlovsk Philharmony, during which hearing-impaired children were ableto watch a music-making process, to touch music instruments, feelingtheir vibrations to support personal hearing and visual sensations.

30

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ÃÀËÅÐÅß ÑÂÅÐÄËÎÂÑÊÎÉÔÈËÀÐÌÎÍÈÈ «ÝÃÈÄÀ»

Ñîçäàíà â 2001 ãîäó äëÿ ïîñåòèòåëåé êîíöåðòíûõ çàëîâ ôèëàðìîíèè. Ðåãóëÿðíûå ýêñïîçèöèèðàçìåùàþòñÿ â Áîëüøîì è Ìàëîì ôîéå. Â 2015 ãîäó ñîñòîÿëèñü 17 ïåðñîíàëüíûõ è ñáîðíûõïðîåêòîâ õóäîæíèêîâ Åêàòåðèíáóðãà è Ñâåðäëîâñêîé îáëàñòè.

 ðàìêàõ ñîòðóäíè÷åñòâà ñ Ãîñóäàðñòâåííûì ìåìîðèàëüíûì ìóçûêàëüíûì ìóçååì-çàïîâåäíèêîì Ï.È. ×àéêîâñêîãî â Êëèíó â Ñâåðäëîâñêîé ôèëàðìîíèè ñîñòîÿëàñü ïðåçåíòà-öèÿ ýêñïîçèöèè, ïîñâÿùåííîé Ï.È. ×àéêîâñêîìó.

Ê «Äíþ ìóçûêè ×àéêîâñêîãî â Ñâåðäëîâñêîé îáëàñòè» áûëà ïðèóðî÷åíà âûñòàâêàýêñïîíàòîâ èç ÷àñòíîãî ñîáðàíèÿ Í.Ä. Êàøêèíà – ìóçûêàëüíîãî êðèòèêà è äðóãàÏ.È. ×àéêîâñêîãî, – ïåðåäàííûõ åãî ïîòîìêàìè äëÿ ïîêàçà â Ñâåðäëîâñêîé ôèëàðìîíèè.

THE VOLUNTEERS CENTER

The Center was founded in 1999. It is a resourceof charitable activities and one of the tools ofthe innovative management of the SverdlovskPhilharmony. The operation of the Center isgoverned by the Regulation on Voluntary Service(The Volunteers Center) of the Sverdlovsk StatePhilharmony, dated June 1, 1999.

In its work, the Center is focused on providingsupport to major projects of the Philharmony.180 volunteers took part in La Folle JourneeFestival in Ekaterinburg.

ÖÅÍÒÐ ÂÎËÎÍÒÅÐÎÂ

Ñîçäàí â 1999 ãîäó. Ðåñóðñ áëàãîòâîðèòåëü-íîé äåÿòåëüíîñòè è îäèí èç èíñòðóìåíòîâèííîâàöèîííîãî ìåíåäæìåíòà Ñâåðäëîâ-ñêîé ôèëàðìîíèè. Äåÿòåëüíîñòü öåíòðàðåãóëèðóåòñÿ «Ïîëîæåíèåì î âîëîíòåðñêîéñëóæáå (Öåíòðå âîëîíòåðîâ) ÑÃÀÔ» îò1 èþíÿ 1999 ãîäà.

Âîëîíòåðû ôèëàðìîíèè – ýòî äðóçüÿè äîáðîâîëüíûå ïîìîùíèêè, êîòîðûåîòäàþò ñâîå âðåìÿ, òðóä è ýíåðãèþ äëÿåå ïðîöâåòàíèÿ.

Êîëìàêîâà Ñ.Êîïîñîâà Í.Å.Íîâîñåëîâà Ë.À.Íóðèàõìåòîâà Þ.Îêóëîâà Ò.Ë.Ïåñòîâà Ã.À.Ñìèðíîâà Ò.È.Òàðàíåíêî Î.Øåãåæäû Ý.Ï.

Ëó÷øèå âîëîíòåðû 2015 ãîäà

Àëåêñåþê Å.Ô.Áàðâèø Ò.ÍÂèñêóíîâà Ò.Âÿòêèíà Â.ß.Äàâûäîâà Ì.À.Äàìèíîâ È.Çàéöåâà Í.Ë.Çëàòîóñòîâà Ì.Èãíàòüåâà Å.

Ïàìÿòè Êëàâäèè Àíäðååâíû

 2015 ãîäó óøëà èç æèçíè Êëàâäèÿ ÀíäðååâíàÑóíäóêîâà – ñòàðåéøèé è ïðåäàííåéøèéâîëîíòåð ôèëàðìîíèè. Âûïóñêíèöà ÌÃÓ, îíàïðèøëà ñþäà ìîëîäûì ñïåöèàëèñòîì ÍÈÈìàòåìàòèêè è ìåõàíèêè è ñòàëà îäíèì èçïåðâûõ äîáðîâîëüíûõ ïîìîùíèêîâ. Âñþæèçíü îíà áûëà èñêðåííèì öåíèòåëåì ìóçûêèè ëåòîïèñöåì ôèëàðìîíè÷åñêèõ ñîáûòèé –ñîçäàòåëåì ýëåêòðîííîãî àðõèâà êîíöåðòîâ.

Êëþ÷åâîå íàïðàâëåíèå ðàáîòû Öåíòðà –ïîääåðæêà êðóïíûõ ïðîåêòîâ ôèëàðìîíèèíà âñåõ ýòàïàõ: ïîäãîòîâêà, ïðîäâèæåíèå,ïðîâåäåíèå. Òàê, â ôåñòèâàëå «Áåçóìíûå äíèâ Åêàòåðèíáóðãå» ó÷àñòâîâàëè 180 âîëîíòå-ðîâ. Áîëüøàÿ ÷àñòü – ñòóäåíòû.

50 ÷åëîâåê (ñòóäåíòû-ëèíãâèñòû è ïðîôåñ-ñèîíàëüíûå ïåðåâîä÷èêè) ïðèâëåêàþòñÿ äëÿðàáîòû ñ èíîñòðàííûìè ãîñòÿìè.

Öåíòð ñîçäàåò è âîïëîùàåò âîëîíòåðñêèåïðîãðàììû äëÿ ðåøåíèÿ çàäà÷ ðàçëè÷íûõïîäðàçäåëåíèé ôèëàðìîíèè: ìàðêåòèíãà,îðãàíèçàöèîííî-êîíöåðòíîé äåÿòåëüíîñòè,ìåäèàâåùàíèÿ, ðàáîòû ñ áëàãîòâîðèòåëÿìè.

 2015 ãîäó ÷èñëî âîëîíòåðîâ ïðåâûñèëî220.

EGIDA (AEGIS) GALLERYOF THE SVERDLOVSK PHILHARMONY

The gallery was opened in 2001 and is intendedfor those who come to listen to music in theconcert halls of the Philharmony. Regularexhibitions are held in the Grand and SmallFoyers. In 2015, the gallery hosted 17 personaland joint projects of artists of Ekaterinburg andthe Sverdlovsk Region.

In the scope of cooperation with the Statememorial musical open-air museum ofTchaikovsky, situated in Klin, in the SverdlovskPhilharmony there has been a presentation ofan exposition devoted to Tchaikovsky.

By the Tchaikovsky Music Day in theSverdlovsk Region, the gallery presentedpaintings from the private collection ofN.D. Kashkin – a music reviewer and a friend ofP.I. Tchaikovsky. The paintings were offered byKashkin’s descendants to be displayed in theSverdlovsk Philharmony.

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Âûñòàâêà Ñåðãåÿ Ïàðôåíþêà – êðàñêè «Åâðàçèè»

32

ÊÎÍÒÀÊÒÛ

ÑÂÅÐÄËÎÂÑÊÀßÃÎÑÓÄÀÐÑÒÂÅÍÍÀßÀÊÀÄÅÌÈ×ÅÑÊÀßÔÈËÀÐÌÎÍÈß

www.sgaf.ruwww.sgaf.tvwww.sgafest.ruwww.eurasiafestival.ru

620075, Åêàòåðèíáóðãóë. Ê. Ëèáêíåõòà, 38-À

Ïðèåìíàÿ: +7 (343) 371 66 83ôàêñ +7 (343) 371 44 68filarm@sgaf.ru

Ñëóæáà ðàçâèòèÿ è ðàáîòûñ áëàãîòâîðèòåëÿìè:+7 (343) 371 11 86blago@sgaf.ru otdel@sgaf.ru

Ñëóæáà ðàáîòû ñî ñëóøàòåëÿìè:+7 (343) 371 10 77 moroz@sgaf.ru

PR-ñëóæáà:+7 (343) 371 09 88 pr@sgaf.ru

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CONTACTS

SVERDLOVSK STATEPHILHARMONY

www.sgaf.ruwww.sgaf.tvwww.sgafest.ruwww.eurasiafestival.ru

620075 EkaterinburgK. Liebknecht str., 38-A

Direct line: +7 (343) 371 66 83Fax +7 (343) 371 44 68filarm@sgaf.ru

Development and BenefactorRelationship Department:+7 (343) 371 11 86blago@sgaf.ru otdel@sgaf.ru

Audience Relationship Department:+7 (343) 371 10 77 moroz@sgaf.ru

PR Department:+7 (343) 371 09 88 pr@sgaf.ru

vk.com/filarmoniafacebook.com/sgafruyoutube.com/sgaftubeinstagram.com/filarmonia

Èíôîðìàöèþ ïîäãîòîâèëè: Í. Ãîðáóíîâà, Å. Ãîðîáèíñêàÿ, Ò. Ãîðñêèíà, Ò. Êëþæèíà, Ò. Êîëîòóðñêèé, Î. Êîñêåâè÷, Ò. Êðàéíîâà, Î. Êðþ÷êîâà, Ë. Êóáàðñêàÿ,Ó. Ëóñíèêîâà, À. Ïåòðîâà, Ì. Ïîëóÿíîâà, Ñ. Ðûâêèí, Ì. Ñàìàðèíà, ß. Ñàðòàêîâ, Ð. Õàñàíîâ, Í. ×åðíåãà, Ñ. ×åðíûõ, Ë. Øàðô, Í. ØòåðíÔîòîãðàôèè: Ò. Àíäðååâà, Ã. Ìàìàðèí Ïåðåâîäû òåêñòîâ: Àãåíòñòâî ïåðåâîäîâ «Òðàíñëèò»Äèçàéí: Î. Äðîáèç Êîððåêòîð: À. Ïóäîâà Ðåäàêòîð: Í. ßðîñëàâöåâà

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Êîëîòóðñêèé À.Í. Äèðåêòîð ôèëàðìîíèèÕàñàíîâ Ð.Ò. Ïåðâûé çàì. äèðåêòîðà

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ìåäèàâåùàíèÿ – Âèðòóàëüíûéêîíöåðòíûé çàë (ÂÊÇ)

Øòåðí Í.Ì. Çàì. äèðåêòîðà ïî þðèäè÷åñêèìè ýêîíîìè÷åñêèì âîïðîñàì

ßðîñëàâöåâà Í.Â. Çàì. äèðåêòîðà ïî ìàðêåòèíãóÊóáàðñêàÿ Ë.Í. Ãëàâíûé áóõãàëòåðÃàçåëåðèäè À.À. Õóä. ðóêîâîäèòåëü òâîð÷åñêèõ ïðîãðàììÊàëåãèí Ã.Ï. Íà÷àëüíèê ïðîèçâîäñòâåííî-

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îáðàçîâàòåëüíûõ ïðîãðàììÐûâêèí Ñ.È. Äèðåêòîð ñèìôîíè÷åñêèõ êîëëåêòèâîâÂàõðóøåâ Î.À. Íà÷àëüíèê îòäåëà ñâåòî-

è çâóêîîáåñïå÷åíèÿÃîðîáèíñêàÿ Å.À. Íà÷àëüíèê PR-ñëóæáûÃîðñêèíà Ò.À. Íà÷àëüíèê îòäåëà êàäðîâÊîëîòóðñêèé Ò.À. Íà÷àëüíèê ìåæäóíàðîäíîãî îòäåëàÊðàéíîâ À.À. Íà÷àëüíèê îòäåëà èíòåðíåò-êîììóíèêàöèéËèòîâñêèõ Ñ.Ì. Ãëàâíûé ðåæèññåð óïðàâëåíèÿ

ïî ðàáîòå ñ ôèëèàëàìèËóñíèêîâà Ó.Á. Íà÷àëüíèê îòäåëà ðåêëàìûÏîëóÿíîâà Ì.Â. Íà÷àëüíèê îòäåëà èíäèâèäóàëüíûõ

ïîæåðòâîâàíèé óïðàâëåíèÿïî ðàáîòå ñ áëàãîòâîðèòåëÿìè

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×åðåïàíîâ Â.Â. Íà÷àëüíèê îòäåëà èíôîðìàöèîííûõòåõíîëîãèé

×åðíåãà Í.Å. Íà÷àëüíèê îòäåëà ðåàëèçàöèèòâîð÷åñêèõ ïðîåêòîâ

×åðíûõ Ñ.À. Íà÷àëüíèê îòäåëà ðàáîòûñî ñëóøàòåëÿìè

Íóðãàëèåâà Ç.Í. Çàâ. îáùåæèòèåì «Àêòåð»Ñàôàðîâ Ð.Ì. Çàâ. ïîñòàíîâî÷íîé ÷àñòüþÀíèêååâà Þ.À. Äèðåêòîð ôèëèàëà, ã. ÀëàïàåâñêÁðèòàíîâà Ë.Â. Äèðåêòîð ôèëèàëà, ã. ÈðáèòÂàëîâà Í.À. Äèðåêòîð ôèëèàëà, ã. Âåðõíÿÿ ÏûøìàÊóçüìèíà È.Â. Äèðåêòîð ôèëèàëà, ã. Êàìåíñê-ÓðàëüñêèéÌåòåëåâà È.Á. Äèðåêòîð ôèëèàëà, ã. Çàðå÷íûéÏîïîâà Å.Ã. Äèðåêòîð ôèëèàëà, ã. ÀñáåñòÂîëêîâà Ò.Í. / Äèðåêòîð ôèëèàëà, ã. ÐåâäàÒèòîâà Ò.Ê.

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