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Django in JuneThe Next Ten Tunes
- Standard Notation -
Are You in the Mood
Dinette
Double Whiskey (aka Double Scotch)
Exactly Like You
For Sephora
I've Found a New Baby
Night and Day
Rose Room
Swing Gitan (aka Stéphane Stomp)- Jam Session version
- Stéphane Stomp version
Tears
-Editor's Note -Hello, this is Jack from Django in June, I want to make sure to say several things about this compilation of tunes before you dive in and start reviewing it.- First, you can find video lessons for many of these tunes, on the Jack Soref Youtubechannel, featuring not just me but the wonderful instrumentalists Jason Anick (violin), and Dallas Vietty (accordion).- Second, many of the tunes, especially those that were once American popular songs e.g. 'Exactly Like You', 'I've Found a New Baby', 'Night and Day', 'Rose Room', are written with a simple version of the melody, that may be beholden, to the lyrics, or the original recording... not because a melody written this way yields the most musical results, but because it offers a “blank canvas” of sorts for you to use to embellish, abandon, or recompose the melody as you see fit. In any Jazz idiom, and Django's music is certainly no exception, it is incumbent on the melodist to interpret and alter the melody, and make it their own. Please, if you are learning any tune presented in this booklet, I implore you to listen to as many great recordings of it as you can. Use those recordings for inspiration and guidance, as much as, or more than, the charts here. If you have only learned the tunes below from a piece of sheetmusic, you have not learned the tune. (That may be an overstatement, but I think it'salso a healthy way to approach this repertoire). Always, always go to the source, and listen to recordings by the many wonderful musicians who have recorded these tunes!- Lastly, a couple of these tunes, like 'Are You in the Mood' or 'For Sephora' feature detailed introductions, or other subtle gestures transcribed directly from performances by the composers. If something looks intimidating, please rest assured, you are not required to play it just like it is on the sheet. In the case of 'Are You in the Mood' you don't need to play Grappelli's intro at all, and I think you will find, that rest of the tune is fun, and very accessible. In the case of 'For Sephora' listen to any performance by the Rosenberg Trio, and please feel comfortable approximating the introduction or coda however you see fit, ditto with the grace notes in the written melody. I wanted to include some of those details on the page, so that if a student is so inclined, they have a starting place for digging into some of the nuances that Stochelo often includes, (each performance is a little different), when he plays this melody. However, if any figure looks intimidating, don't feel beholden to replicating it exactly as written below.
Phew! Ok all that said, I hope this booklet, and the accompanying video lessons help enrich your time at Django in June. Thank you for being a part of our musical community, and happy practicing!
& # 44ÏUÏÏÏÏÏÏÏÏÏÏÏÏÏÏÏÏÏÏ Ï Ï Ï
Gmaj6
.Ï ÏÏUÏ Ï# ÏÏÏ Ï# Ï Ï
B7ÏU
Ï# Ï ÏÏÏ Ï#
E7(9)
Ï Ï Ï Ïn ú
& # ..5
Ï Ï Ï Ïn JÏ .ÏA7 D7
Medium Swing
Ï Ï Ï Ïn JÏ .ÏA7 D7
Ï Ï Ï Ï Ï Ï ÏGmaj Amin7
ú îBmin7 E7
& #9
Ï Ï Ï Ïn JÏ .ÏA7 D7
Ï Ï Ï Ïn JÏ .ÏA7 D7
Ï Ï Ï Ï Ï Ï ÏGmaj D7 C 7
ú Î . JÏB7
& #13
Ï Ï Ï Ïb JÏ .ÏCmaj Cmin Ï Ï Ï Ïb úCmaj Cmin Ï Ï Ï Ïb .Ï
JÏG/B Bbdim
ú úB7 E7
& # ..17
Ï Ï Ï Ïn JÏ .ÏA7 D7
Ï Ï Ï Ïn Ï Ï ÏA7 D7 Ï Ï Ï Ï Ï Ï Ï
Gmaj Amin7 D7
wGmaj
Are you in the moodD. Reinhardt, S. Grappelli
-Optional Rubato Intro from Django & Stephane's apr. 5th 1936 recording:
& bbbb 44 ..jÏn
{A}Swing
Ï Ï Î .Ï jÏAbmaj
Ïn Ï Î .Ï jÏ
Db7Ï Ï Î .Ï jÏ
Abmaj
Ïn Ï# Î úE7
& bbbb ..5 Ï Ï Î ú
Bbmin7
Ï Ïn Î Ï Ïb ÏEb7
1.
Ï Ï ú Ï ÏAbmaj Fmin7
Ï Ï Ï Î ä jÏn
Bbmin7 Eb72.
Ï Ï .ú
Abmaj
ÕÕÕÕ
& bbbb Õ Õ Õ ÕFmin{B}
Õ Õ Õ Õ Õ Õ Õ Õ Õ Õ Õ Õ
& bbbb15
Õ Õ Õ ÕFmin
Õ Õ Õ ÕBb7
Õ Õ Õ ÕBbmin7
Õ Õ Õ Õ jÏn
Eb7
& bbbb Ï Ï Î .Ï jÏAbmaj{A}
Ïn Ï Î .Ï jÏ
Db7Ï Ï Î .Ï jÏ
Abmaj
Ïn Ï# Î úE7
& bbbb23 Ï Ï Î ú
Bbmin7
Ï Ïn Î Ï Ïb ÏEb7
Ï Ï .ú
Abmaj
·(E� 7)
DinetteD. Reinhardt
Django in June 2022
& 44 ..Ï{A}
Ï Î úCmaj
(Cmaj amin7
Ï ú Ï
dmin7 g7
Ï Î ú
cmaj amin7
Ïb Ï ú Ï
dmin7 g7)
& ..5Ï Î ú
Cmaj C 7
Ï .úFmaj F#dim7
1.
ä jÏ Ï ÏÎ
Cmaj
(Cmaj amin7
Ï Ï Ï Ï úb ÏDb7
dmin7 g7)2.
ä jÏ Ï ÏÎ
Cmaj
(Cmaj g7
Ï Ï Ï Ï Ï î
cmaj)
& Ï Ï Ï# Ï Ï# ÏÏ
E7{B}
Ï Ï Ï Ï Ï Ï Ï Ï Ï# Ï Ï Ï ä Ï Ï ÏA7
.ú Ïb Ï Ï
&15
Ï Ï Ï Ï Ï ÏÏb
D7Ï Ï Ïb Ï Ïb Ï Ï Ï Ï Ï Ï Ï ä Ï Ï Ï
G7
ú Î Ï
& Ï Î úCmaj
(Cmaj amin7{A}
Ï ú Ï
dmin7 g7
Ï Î ú
cmaj amin7
Ïb Ï ú Ï
dmin7 g7)
&23Ï Î ú
Cmaj C 7
Ï .úFmaj F#dim7
ä jÏ Ï ÏÎ
Cmaj
(Cmaj g7
Ï Ï Ï Ï Ï î
cmaj)
Double Whiskey (Double Scotch)D. Reinhardt
Django in June 2022
& 44 .. Ï Ï Ï ÏCmaj{A}
JÏ .Ï î Ï Ï Ï Ï ÏD7
ú î
& ..5
Ï Ï Ï ÏG7
jÏ .Ï Î ä jÏ
1.
Ï Ï Ï Ï úCmaj
·
2.
Ï Ï Ï Ï úCmaj
Î Ï Ï Ï(C7)
& Ï Ï Ï úFmaj{B}
Î Ï# Ï Ï Ï Ïn ÏFmin
Ï Ï Ï úCmaj
Î Ï Ï Ï
&15
Ï Ï Ï úFmaj(Dmin)
Î Ï Ï Ï Ï ÏFmin
Ï Ï Ï ÏCmaj/E Ebdim7(Emin7 A7)
Ï Ï jÏ .ÏDmin7 G7
& Ï Ï Ï ÏCmaj{A}
JÏ .Ï î Ï Ï Ï Ï ÏD7
ú î
&23
Ï Ï Ï .Ï jÏG7
jÏ .Ï Î ä jÏ Ï Ï Ï Ï ú
Cmaj
·
Exactly Like YouMcHugh and Fields
Django in June 2021
& # 44 .. ..jÏ
Bossa Manouche
IntroÏÏÏÏÏÏÏjÏÏÏÏjÏÏÏÏ#
E min``` 55 `
ÏÏÏÏÏÏÏ#ÏÏÏÏ ÏÏÏÏÏÏÏ Ï
Emin(maj7)5` ``5 `
ÏÏÏÏÏÏÏjÏÏÏÏjÏÏÏÏ#
E min7` ` `5` `
ÏÏÏÏÏÏÏ#ÏÏÏÏÏÏÏÏÏÏÏÏÏÏ Ï
A7(9)/C#5xx 5
5 52fr.
& # .. ..5
ÏÏÏ ÏÏÏÏjÏ
ÏÏÏjÏÏÏÏ
#E min
ÏÏÏÏ
ÏÏÏ#
Ï
ÏÏÏ ÏÏÏ ÏÏÏÏ Ï
ÏÏÏ ÏÏÏÏjÏ
ÏÏÏjÏÏÏÏ
#1.
jÏÏÏÏ
ÏÏÏÏ
# jÏÏÏÏ
ÏÏÏÏ
ÏÏÏÏ Ï
& # ..9
2.
ÏÏÏÏÎ ä Ï# Ï Ï
A7(9)/C#úÙ ä Ï Ï ÏE min7Ø
rÏ ú Å Ï Ï Ï Ï# Ï
(E7)
ú Ï Ï Ï Ï#A min7
.Ï jÏ Ï Ï Ï Ï
& # ..14
.Ï# jÏ Ï ÏÏ ÏÏÏÏ
B 7
Î ä JÏ# ÏÏ Ï Ï ú ä
Ï Ï Ï ÏE min71.
Ï Ï# Ï Ïb Ï Ï Ïn ÏB 7
& #18
2.
.Ï# JÏ Ï Ï Ïn ÏE 7
Ï Ï Ï Ï Ï úA min7
Ù
Î ä JÏ Ï Ï Ï ÏD 7
Ï Ï Ï Ï úGmaj7
Î ä JÏ Ï Ï Ï ÏCmaj7
& #23
ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ# ÏÏ ÏÏ ÏÏnnF#min7(�5)
ÏÏ# ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏB 7 úú ä
Ï Ï Ï ÏE min
.Ï# JÏ Ï Ï Ïn ÏE 7
For SephoraS. Rosenberg
- These chord shapes are forthe rhythm guitarist to playthroughout the intro & coda
Django in June 2022
& #27
Ï Ï Ï Ï Ï úA min7Ù'
Î ä JÏ Ï Ï Ï ÏD 7
Ï Ï Ï Ï úGmaj7
Î ä JÏ Ï Ï Ï Ï Ï Ï3Cmaj7
& #31
Þú ä Ï
Ï ÏbF#min7(�5)Ï Ïb Ï Ï Ï Ï Ï Ï Ï ÏÏ#
3B 7
ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ# ÏÏE min7
úú îB 7
& #35
Þ ú ä ÏÏ Ïb
F#min7(�5)
Ï Ïb Ï Ï Ï Ï Ï Ï Ï#3
B 7ÏÏ ÏÏ ÏÏ J
ÏÏ ÏÏ JÏÏ##
E min
ÏÏ ÏÏ## ÏÏ ÏÏ äÏÏ JÏÏ
Emin(maj7)
& #39
ÏÏ ÏÏ ÏÏ JÏÏ ÏÏ JÏÏ##
E min7
ÏÏ ÏÏ## ÏÏ ÏÏ ä JÏÏ Î
A7(9)/C#ÏÏÏ ÏÏÏ ÏÏÏ J
ÏÏÏ ÏÏÏ JÏÏÏ#
E min
ÏÏÏ ÏÏÏ# ÏÏÏ ÏÏÏ ä JÏÏÏ Î
Emin(maj7)
& # ..43
ÏÏÏ ÏÏÏ ÏÏÏ JÏÏÏ ÏÏÏjÏÏÏ#
E min7
ÏÏÏÏÏÏÏ#ÏÏÏÏÏÏÏÏ ä JÏÏÏÏ Î
A7(9)/C# ÏÏÏ ÏÏÏ ÏÏÏ JÏÏÏ ÏÏÏ JÏÏÏ#
E minÏÏÏ ÏÏÏ# ÏÏÏ ÏÏÏ ä
ÏÏÏ JÏÏÏn
Emin(maj7)
& # ..47
1.
ÏÏÏ ÏÏÏ ÏÏÏ JÏÏÏ ÏÏÏ JÏÏÏ#
E min7
ÏÏÏ ÏÏÏ# ÏÏÏ ÏÏÏ äÏÏÏ JÏÏÏ
A7(9)/C# 2.
ÏÏÏ ÏÏÏ ÏÏÏ JÏÏÏ ÏÏÏ JÏÏÏ#
E min7
Rit.
ÏÏÏ ÏÏÏ# ÏÏÏ ÏÏÏ äÏÏÏ
A7(9)/C#wwwwUEmin
2 [For Sephora]
Take Coda on the head out only!- Loop AABB' sections for solos,
Django in June 2022
& b 44 ..jÏ# Ï jÏ Ï
{A}
jÏ .Ï îDmin
Î Ï# Ï Ï Ï ÏA7
ú îDmin
Î Ï# Ï Ï Ï ÏD7
& b ..5
jÏ .Ï îG7
Î Ï Ï Ï Ï ÏC 7
ú îFmaj
1.
Î Ï# Ï Ï Ï ÏA7
2.
·Fmaj
& b Î Ï# Ïn Ï Ï ÏA7{B}
Ïn Ï Ï Ï Ï Ï Ï Ï Ï úDmin
·
& b14
Î Ïn Ï Ï Ï ÏG7
Ï Ï Ï Ï Ï Ï# Ï Ï Ï Ï Ï# ÏC 7
Ï Ï# Ï Ï Ï ÏA7
& b jÏ .Ï îDmin{A}
Î Ï# Ï Ï Ï ÏA7
ú îDmin
Î Ï# Ï Ï Ï ÏD7
& b22
jÏ .Ï îG7
Î Ï Ï Ï Ï ÏC 7
ú îFmaj
·
I've Found a New BabyJ. Palmer &
S. WilliamsSwing
Django in June 2021 www.djangoinjune.com
& ## 44 ..Ï Ï wBbmaj6
(Gmin6)(Emin7(�5))
{A}
î jÏ Ï jÏnA7
waDmaj
î Ï Ï
& ##5
Ï Ï Ï ÏBbmaj6
(Gmin6)(Emin7(� 5))
Ï Ï jÏ Ï jÏnA7
waDmaj
î Ï Ï
& ##9
Ï Ï Ï ÏG#min7(� 5)
(E7(9)/b
ún Ï ÏGmin7
bbmaj6
Ï Ï Ï ÏF#min7
dmaj6(9)/a
Ï Ïb Ï Ï ÏFdim7
abdim7)
& ## ..13 Ï Ïb Ï ú
Emin7
î Ï ÏA7
wDmaj
î Ï Ï
& ## wnFmaj{B}
î jÏ Ï jÏn Ï Ï Ï úDmaj
ú Ï Ï
& ##21
JÏn Ï JÏ Ï Ï ÏFmaj
JÏ .Ïn jÏ Ï jÏn Ï Ï Ï úDmaj
ú Ï Ï
& ##25
Ï Ï Ï ÏG#min7(� 5)
(E7(9)/b
.Ïn jÏ Ï ÏGmin7bbmaj6
Ï Ï Ï ÏF#min7
dmaj6(9)/a
Ï Ïb Ï Ï Ï Ïn ÏFdim7
abdim7)
& ##29
Ï Ï Ï úEmin7
ú Ï ÏA7 wDmaj ú î
Night and DayC. Porter
or
or
& b 44 ..Ï Ï Ï#
Swing
ú úG 7
ä Ïn Ï Ï# jÏ ÏjÏ
C 7
wFmaj
w
& b5
wF 7
ä Ï# Ï Ï# jÏ Ï jÏ wBbmaj
w
& b9
wBbmin
Î Ï Ï JÏ ÏjÏ w
Fmaj.ú Î
D 7
& b ..13
1.
wnG 7
Î Ï Ï jÏ ÏjÏ w
C 7
Î Ï Ï Ï#
& b17
2.
ú úG 7
ä Ï# Ï Ï# jÏ ÏjÏ
C 7
wFmaj
·
Rose RoomH. Williams, A. Hickman
Editor's Note:The melody, as written below, is inspired by Art Hickman's Orchestra's
1919 recording (in Ab major) but please, use this chart only asa jumping off point. Listen to Duke Ellington's 1932 recording,
and Django & Stephane's 1937 recording, and others to inspire youas you develop your own interpretation of this classic tune.
Django in June 2022
& bb 44 ú Ï# Ï ÏGmin
ú ä .Ï Ï# Î Ïn Ï# ÏA7
ú ä .Ï
& bb5
ú Ïn Ï ÏD7
(Cmin
ú ä .Ï
d7)
ú Ï Ï ÏGmin
ú î
& bb9
ä .Ïb Ï ÏAbmaj
ú ä .Ï Ï Ï Ï Ï# ÏGmin
w
& bb ..13
1.
ä .Ï# Ïn ÏA7
ú Ï Ï Ï Ï# Ï Ï ÏD7
w
& bb17
2.
Ï# Ïn Ï ÏA7
ú ú#D7
wGmin
·
Swing GitanAndre "Petitjean" Dedjean
& Alphonse "Totol" Masselier
Django in June 2022
(aka 'Stéphane Stomp')- Melody written as it iscommonly played inmodern jam sessions
& bb 44 ú jÏ# Ï JÏGmin
ú ä .Ï Ï# Ï Î Ï Ï ÏA7
ú ä .Ï
& bb5
ú jÏn ÏjÏ
D7(Cmin
ú ä Ï# Ï Ïn
d7)
ú jÏ ÏjÏ
Gmin
ú ä .Ï
& bb9
1.
Ïb Ï. Ï Ï ÏAbmaj
.ú ä jÏ# Ï Ï Ï Ï# Ï Ï# Ï ÏGmin
ú Ï Ï Ï Ï
& bb ..13
ä .Ï Ï Ï# ÏA7
ä .Ï Ï# Ï Ï# Ï ä .Ï Ï Ï# ÏD7
.ú Î
& bb17
2.
úb Ï Ï ÏAbmaj
.ú ä jÏ# Ï Ï Ï Ï# Ï Ï# Ï ÏGmin
ú jÏ Ï JÏ
& bb21
JÏ ÏjÏ Ï Ï Ï
A7ä .Ï Ï ä jÏ#D7
Ï Ï# Ï Ï Ï Ï Ï Ï#Gmin
ú î
Swing GitanAndre "Petitjean" Dedjean
& Alphonse "Totol" Masselier
Django in June 2022
(aka 'Stéphane Stomp')
& bbb 44 .. ú úCmin Cmin/Eb
{A}
wä Ï Ï Ï ä Ï Ï ÏDmin7(� 5) G7
(B� 7)ú ú
Cmin Cmin/Eb
wä Ï Ï Ï ä Ï Ï ÏDmin7(� 5) G7
& bbb5
Ï Ï Ï Ï Ï ÏGmin7(� 5) C 7
.Ï jÏ úFmin
Ï Ï Ï Ï Ï ÏBdim7
.Ï jÏ úEbmaj
& bbb .. nnn9
Ï Ï Ï Ï Ï ÏCmin/A
.Ï jÏ Ï Ï ÏFmin/Ab Ab7G7
Î Ï Ï Î Ï ÏAb7G7 Þ
wCmin
& .. Ï Ï Ï# Ï Ï Ïb ÏCmaj Emin7 Ebmin7{B}
ú îDmin7
Ï Ï Ï# Ï Ï Ïb ÏCmaj Emin7 Ebmin7
ú îDmin7
& ..17
Ï Ï Ï Ïb Ï ÏC 7 jÏ .Ï ú
Fmaj
1.
Ï Ï Ï# Ï JÏ .ÏD7
Ïb Ï Ï Ï JÏb Ï JÏDb7
& bbb21
2.
úb úAb7 G7
D.�C. a�l Coda¢
ú îCmin
& bbb23
Þú ú
Cmin Cmin/Eb
úb îÐ Ð Ð Ð jÐ .ÐDb7
ú úCmin Cmin/Eb
- (in every recording of 'Tears' Django made,the coda is slightly different, but what is written
below should give you a basic framework forarranging your own coda)
úb îÐ Ð Ð Ð jÐ .ÐDb7
& bbb27
ú úCmin/EbCmin
úb îÐ Ð Ð Ð Ð ÐDb7
Ï Ï Ïn Ï únU wCmin(Cmaj)
TearsD. Reinhardt, S. Grappelli
Django in June 2022