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Case Studies in Contemporary Criticism SERIES EDITOR: Ross C Murfin
Charlotte Bronte, Jane Eyre EDITED BY Beth Newman, Southern Methodist University
Emily Bronte, Wuthering Heights EDITED BY Linda H. Peterson, Yale University
Geoffiey Chaucer, The Wife of Bath EDITED BY Peter G. Beidler, Lehigh University
Kate Chopin, The Awakening EDITED BY Nancy A. Walker, Vanderbilt University
Joseph Conrad, Heart of Darkness, Second Edition EDITED BY Ross C Murfin, University of Miami
Charles Dickens, Great Expectations EDITED BY Janice Carlisle, Tulane University
Nathaniel Hawthorne, The Scarlet Letter EDITED BY Ross C Murfin, University of Miami
Henry James, The Turn of the Screw EDITED BY Peter G. Beidler, Lehigh University
James Joyce, The Dead EDITED BY Daniel R. Schwarz, Cornell University
James Joyce, A Portrait of the Artist as a Young Man EDITED BY R. B. Kershner, University of Florida
William Shakespeare, Hamlet EDITED BY Susanne L. Wofford, University ofWisconsin-Madison
Mary Shelley, Frankenstein EDITED BY Johanna M. Smith, University of Texas at Arlington
Jonathan Swift, Gulliver)s Travels EDITED BY Christopher Fox, University of Notre Dame
Edith Wharton, The House of Mirth EDITED BY Shari Benstock, University of Miami
Case Studies in Contemporary Criticism SERIES EDITOR: Ross C Murfin, University of Miami
JOSEPH CONRAD Heart of Darkness
Complete, Authoritative Text with Biographical and Historical Contexts,
Critical History, and Essays from Five Contemporary Critical Perspectives
SECOND EDITION
EDITED BY
Ross CMurfm University of Miami
Macmillan Education ,..
For Bedford Books President and Publisher: Charles H. Christensen General Manager and Associate Publisher: Joan E. Feinberg Managing Editor: Elizabeth M. Schaaf Developmental Editor: Stephen A. Scipione Editorial Assistant: Mark Reimold Production Editor: Karen S. Baart Copyeditor: Nancy Bell Scott Text Design: Sandra Rigney, The Book Department Cover Design: Richard Emery Design, Inc. Cover Art: Cotton and silk wrapper (Asante peoples, Ghana). Photograph by Franko Khoury. National Museum of African Art, Eliot Elisofon Archives, Smithsonian Institution.
Library of Congress Catalog Card Number: 95-80800 Copyright © 1996 by BEDFORD BOOKS of St. Martin's Press All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted by any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, except as may be expressly permitted by the applicable copyright statutes or in writing by the Publisher. Manufactured in the United States of America. 0 9 f e
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For information, write: St. Martin's Press, Inc. 175 Fifth Avenue, New York, NY 10010 Editorial Offices: Bedford Books of St. Martin's Press 75 Arlington Street, Boston, MA 02116
ISBN 978-0-333-65707-2 ISBN 978-1-349-14016-9 (eBook) DOI 10.1007/978-1-349-14016-9
Published and distributed outside North America by:
MACMILLAN PRESS LTD. Houndmills, Basingstoke, Hampshire RG21 2XS and London Companies and representatives throughout the world.
ISBN: 978-0-333-65707-2
Acknowledgments Acknowledgments and copyrights are at the back of the book on page 315, which con
stitutes an extension of the copyright page. It is a violation of the law to reproduce these selections by any means whatsoever without the written permission of the copyright holder.
About the Series
Volumes in the Case Studies in Contemporary Criticism series provide college students with an entree into the current critical and theoretical ferment in literary studies. Each volume reprints the complete tq:~ of a classic literary work and presents critical essays that approach the work from different theoretical perspectives, together with the editors' introductions to both the literary work and the critics' theoretical perspectives.
The volume editor of each Case Study has selected and prepared an authoritative text of the classic work, written an introduction to the work's biographical and historical contexts, and surveyed the critical responses to the work since its initial publication. Thus situated biographically, historically, and critically, the work is examined in five critical essays, each representing a theoretical perspective of importance to contemporary literary studies. These essays, prepared especially for undergraduates, show theory in praxis; whether written by established scholars or exceptional young critics, they demonstrate how current theoretical approaches can generate compelling readings of great literature.
As series editor, I have prepared introductions, with bibliographies, to the theoretical perspectives represented in the five critical essays. Each introduction presents the principal concepts of a particular theory in their historical context and discusses the major figures and
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key works that have influenced their formulation. It is my hope that these introductions will reveal to students that effective criticism is informed by a set of coherent assumptions, and will encourage them to recognize and examine their own assumptions about literature. After each introduction, a selective bibliography presents a partially annotated list of important works from the literature of the particular theoretical perspective, including the most recent and readily available editions and translations of the works cited in the introduction. Finally, I have compiled a glossary of key terms that recur in these volumes and in the discourse of contemporary theory and criticism. We hope that the Case Studies in Contemporary Criticism series will reaffirm the richness of its literary works, even as it introduces invigorating new ways to mine their apparently inexhaustible wealth.
Ross C Murfin Series Editor
University of Miami
About This Volume
Part One of this volume reprints the text of Heart of Darkness from the 1921 Heinemann edition of Conrad's Collected Works- the last version of the text that Conrad approved.
Part Two includes five contemporary critical essays on Heart of Darkness, representing reader-response, deconstructionist, feminist and gender, new historicist, and cultural approaches to Conrad's most famous tale. Three of the essays- reader-response, feminist and gender, and new historicist - were specifically written for this edition.
New to This Edition
I undertook a second edition to make this Case Study of Heart of Darkness a more useful and current resource for introducing students to the latest trends in contemporary criticism. Both the readerresponse and the cultural essays are new, reflecting recent developments in those fields of theory. The feminist essay of the first edition has been revised to encompass a more contemporary gender perspective, and the new historicist essay has been updated. All of the introductions and bibliographies to the critical approaches have been significantly revised. The critical history now extends well into the 1990s, and also discusses Chinua Achebe's "An Image of Africa: Conrad's
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Heart of Darkness," which has been so influential in recent postcolonial and cultural investigations of Conrad's work.
Acknowledgments
I am indebted to those whose comments have improved the introductions to the critical approaches: Shari Benstock, Patrick Brantlinger, Janice Carlisle, Steven Mailloux, J. Hillis Miller, Margot Norris, and Brook Thomas. I am deeply grateful to the authors of the critical essays, especially Peter J. Rabinowitz for his new readerresponse essay, and Johanna Smith and Brook Thomas for the revisions of their respective essays from the first edition of this Case Study. I continue to appreciate the exemplary help of the people at Bedford Books, especially Chuck Christensen, Joan Feinberg, Steve Scipione, Elizabeth Schaaf, Karen Baart, Laura Arcari, and Mark Reimold. At the University of Miami, I would like to thank my staff assistant, Tracy Helenbrook, for her extraordinary competence, diligence, and good cheer. Patricia Woodward tutored me on the subject of gender studies and helped me develop the bibliography in that area. This book is dedicated to Supryia Ray, whose research habits, editorial acumen, debating skills, and unfailing, friendly support made it possible for me to revise and update the introductions to all five critical approaches represented in this volume.
Contents
About the Series v
About This Volume VII
PART ONE Heart of Darkness:
The Complete Text
Introduction: Biographical and Historical Contexts 3
The Complete Text 17
PART TWO Heart of Darkness:
A Case Study in Contemporary Criticism
A Critical History of Heart of Darkness 99
Reader-Response Criticism and Heart of Darkness us What Is Reader-Response Criticism? II5 Reader- Response Criticism: A Selected Bibliography 127
IX
X CONTENTS
A Reader-Response Perspective: PETER J. RABINOWITZ, Reader Response, Reader Responsibility: Heart of Darkness and the Politics of Displacement 131
Feminist and Gender Criticism and Heart of Darkness 148
What Are Feminist and Gender Criticism? 148 Feminist and Gender Criticism: A Selected Bibliography 162 A Feminist and Gender Perspective:
JOHANNA M. SMITH, "Too Beautiful Altogether": Ideologies of Gender and Empire in Heart of Darkness 169
Deconstruction and Heart of Darkness 185
What Is Deconstruction? 185 Deconstruction: A Selected Bibliography 201 A Deconstructive Perspective:
J. HILLIS MILLER, Heart of Darkness Revisited 206
The New Historicism and Heart of Darkness 221
What Is the New Historicism? 221 The New Historicism: A Selected Bibliography 233 A New Historicist Perspective:
BROOK THOMAS, Preserving and Keeping Order by Killing Time in Heart of Darkness 239
Cultural Criticism and Heart of Darkness 258
What Is Cultural Criticism? 258 Cultural Criticism: A Selected Bibliography 272 A Cultural Perspective:
PATRICK BRANTLINGER, Heart of Darkness: Anti-Imperialism, Racism, or Impressionism? 2 77
Glossary of Critical and Theoretical Terms 299
About the Contributors 313