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Yvan TEYPAZ urban and industrial designer’s book. I am one of the first in France working on design for local authorities : town design, urban design, product identity of the city.
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Yvan TEYPAZUrban and Industrial Designer
Yvan TEYPAZ, 74 rue Appert, 44100 Nantes, FranceYvanTeypazgmail.com / http://yvanteypaz.free.fr
Tel. : +33 9 54 37 98 16 / Mob. : +33 6 81 10 48 60 / Fax : +33 9 59 37 98 16
Yvan TEYPAZDesign and appliances
Design ?
Studies, surveys, innovation, theories,workshops, profesional interventions.
Research
To improve territories’ attractivitywith public spaces and urban atmospheres.
Urban
Analysis, strategical position, accompaniment.
StrategicGraphic identity, webdesign,events, environments.
Art Direction
Concepts creations and development of products andranges for profesional or mainstream markets.
Industrial
A good product and a good service are no longer enough. The product should be attractive, it must allure the user and differ from its competitor. The design offers to the company a strategic positioning allowing the development of its ranges and its markets. This discipline is more than a simple formal definition : analysis of needs, search for opportunities, strategic proposals and creativity.
Each project is revealing identity. It is the expression of know-how and of the men who make it, it translates the dynamics and the ethics of the teams implied in these processes. So the product benefits a better visibility , a real coherence with the range, a direct return on investment (better sales) and an indirect (improvement of the public image), a motivation for the teams (a beautiful product is more pleasant to sell)...
The industrial designer is able to understand aims from departments to conceive and create the better answer to users’ expectation and company ‘s skills.
A good product and a good service are no longer enough. The product should be attractive, it must allure the user and differ from its competitor. The design offers to the company a strategic positioning allowing the development of its ranges and its markets. This discipline is more than a simple formal definition : analysis of needs, search for opportunities, strategic proposals and creativity.
Each project is revealing identity. It is the expression of know-how and of the men who make it, it translates the dynamics and the ethics of the teams implied in these processes. So the product benefits a better visibility , a real coherence with the range, a direct return on investment (better sales) and an indirect (improvement of the public image), a motivation for the teams (a beautiful product is more pleasant to sell)...
The industrial designer is able to understand aims from departments to conceive and create the better answer to users’ expectation and company ‘s skills.
Yvan TEYPAZProcess
A project is made step by step.First of all we need to exposethe market, the constraints andthe possibilities.
Second step is to position as to workon concepts : the strong ideas whichwill guide the project.
From this creative brainstorming wecan define realistic solutions : pre-projects.One of this pre-projects is choosen to betechnically and aesthetically developped.
It is possible to accompany the productionstart or the commercial network.
Global process
It is the first time you need design or you wouldhave yet known the design benefitsthe design benefits : my workis fitted with your aims and your market.
I will help you to develop new convincing products.
Industries, agencies
You have to differentiate yourself from yourneighbourhood as to attract new practices andto satisfy usual users.
I and my design are beside to you and yourwill of progress without spending too much.
Local authorities, associations
Yvan TEYPAZIndustrial Design
Industrial
Helpingconsulting
Productionaccompany
Technicaldevelopment
Productcreation
R-o schoolbag
Chanel Watches
Future 2cvL'Action Auto-Moto
Carrefour Comfort Knives
Art Direction
Naming
Editing
Graphic IdentityShowroom
Aravis Voyage
University of NantesSymphonic Orchestra
Le P'tit Rouge
CIMaCo - P.L.I. Packaging
Urban
Analysis
UrbanAtmospheres
ReferencesGuidance
City of Cholet
Laurels’ central placeGers-street
Research
Product Identityof Territories
SituationnistApproach
ProspectiveProduct
Investigation
Universitary thesis
Magma Truck Cab
Social district
Cuban Popular Creations
Strategic
Diagnosis
Communication
Management
Orium Desk-clock
Mundus energy range
Design à VendreWorkshopVerticalizing cities ?
ResidentializationProcess
Yvan TEYPAZIndustrial Design > Product Creation
Interior Design + Press Illustration2006Client : L'Action Auto-Moto, french national magazine, Hachette-Filipacchi first european edition cluster.
Order : To illustrate an editorial abouta “future 2cv” with innovations inspiredof the famous Citroën.
Proposal : I conceived and drew a modularinterior for 6 persons, economical inpurchase either in use with a good aspect.The dashboard allows to connect toolswhere you want and all the materialsare natural.
Yvan TEYPAZIndustrial Design > Production Accompany
R-o schoolbag2008Client : Ministery of Education.Team : Maja Wrzesien + Gilles Deguillard, ergonoms.
Order : To imagine a schoolbag adaptatedto the ages the weight and the morphologyof secondary school-children : less than1kg (i.e. 2 pounds), strong, practicalwith an easy use, modern design withsustainable materials.
Proposal : We made an “user centered”project based on the ergonomical studyas to well-understand the needs andthe aims of the children. The literaturerevue allowed us to draw the product-architecture. Practices with childrenproved our choices.We asked about a hundred children and teenagers about their tastes.With these marketing and ergonomicalinstructions I conceived with theergonoms and with the partner-firman innovative and industrialisable bag.
This bag is reporting the weight on thefront with the tub moving forward tothe straps and with the front pocket asan optional ventral strap. The pocketsare closed by magnetic stripes : tighter,easier and faster opening/closure,longer duration.
Frontal pocket clicks
Reflectives stripesStuff
Small pocketslap opening
Mid-size pocketfor copy-books
Big pocket forbooks and files
Compartment for laptopinside the big pocket
Tub to position the bagwithin the moves ofthe body
Opening by magnetic stripes
Face
380 26
0
140
10
320
140
Côté gauche
380
340
140
360
100 140
60
Dessus
8060
60
300
90
200mm -
0 -
500mm -
1000mm -
1500mm -
1800mm -
2000mm -
Intérieurs :Petite pocheextérieure
Intérieurs :Petit compartiment
Intérieurs :Grand compartiment
Poche souffletpour micro-ordinateur
Languette scratchpour fermer lapoche soufflet
Scratch
Pochette cousuepour 2 DVD
Porte-styloscousus
20
260
140
50
80 202020
120
150
Yvan TEYPAZArt Direction
Art Direction
Naming
Editing
Graphic IdentityShowroom
Aravis Voyage
University of NantesSymphonic Orchestra
Le P'tit Rouge
CIMaCo - P.L.I. Packaging
Industrial
Helpingconsulting
Productionaccompany
Technicaldevelopment
Productcreation
R-o schoolbag
Chanel Watches
Future 2cvL'Action Auto-Moto
Carrefour Comfort Knives
Urban
Analysis
UrbanAtmospheres
ReferencesGuidance
City of Cholet
Laurels’ central placeGers-street
Research
Product Identityof Territories
SituationnistApproach
ProspectiveProduct
Investigation
Universitary thesis
Magma Truck Cab
Social district
Cuban Popular Creations
Strategic
Diagnosis
Communication
Management
Orium Desk-clock
Mundus energy range
Design à VendreWorkshopVerticalizing cities ?
ResidentializationProcess
http://osun.fr.fm
Georges BIZETGeorges BIZET L'Arlésienne
DIMANCHE 22 MAI 2005DIMANCHE 22 MAI 2005
17h0017h00 Eglise de Pornic
direction : Stéphane Oster
Charles GOUNODCharles GOUNOD Introduction de Faust
Maurice RAVELMaurice RAVEL Ma Mère l'Oye
Yvan TEYPAZArt Direction > Graphic Identity
University of Nantes’ Symphonic Orchestra2003Client : Musicampus, student association.Team : Alexandre Vallon, website.
Order : To create a graphic identityfor the symphonic orchestra of theuniversity of Nantes directed byMusicampus association.
Proposal : A symphonic orchestra iscaracterized by its “families” : musiciansare ring-positionned around the directorin relation to the instruments they areplaying.
So I drew these “families” around thename of the orchestra.The rent frame symbolizes the youngand amateur mood of the studentsplaying classical music in the orchestra.
The website and the posters aredeclined from this visual coherencewith the logo.
Violon : ARLAIS Marie, AUDOUIN Thimothée, AUDUREAU Damien, BARUSSAUD Marie-Line, BLITTE Hélène, DELARBRE Agnès, DESCOUT Oriane, DUCLOS Esther,
FRADIN Cécile, HOU Pei, IMHOF Nicolas, IWASAWA Tetsu, LHUISSIER Servane, MARTIN Gaëlle, MAZODIER Carole, MIALON Jean-Louis, SOULIER Frédéric, TISON
BriceAlto : DE ARMENGOL Isabelle, DURAND Quentin, GOURLAOUEN Marie-Claire, LEZIER Anne, MARCHAND Virginie
Violoncelles : BECHET Denis, CHAUVET Nolwenn, GALLOIS Guillaume, JAFFRE Hélène, LOUET Eric, MERLET Briag, MICHEL Bruno, MORICE Anne-Sophie, WIMMER
ZsoltContrebasse : LE BIHAN Olivier
Hautbois : BOUCHERIE Armel, LAMISSE Bryan
Flûtes : BOURGALET Emmanuelle, COMTE Amélie, DESCHAMPS Dorothée, GRESSIER Solvieigh, LE NAOUR Catherine, ROUX Camille
Clarinettes : BOUSSEAU Guillaume, GUEZOU Ingrid, HERNOT David, PATEY Christel, VALLON Alexandre, WALKER Emmanuelle
Bassons : CORDELIER François, DANIEL Laurence
Cors : BELLANGER Léon, PONS Fabien
Trompettes : TEYPAZ Yvan
Trombones : GUIBERT Alexandre, TAVARD François
Percussions : GIRAULT François
Violon :
Alto Violoncelles
Contrebasse
Hautbois : BOUCHERIE Armel, LAMISSE Bryan
Flûtes :
Clarinettes :
Bassons :
Cors : Trompettes :
Trombones :
Percussions :
ORCHESTRE SYMPHONIQUE
DE L'UNIVERSITÉ DE NANTESDE NANTES
FAC de DROIT
FAC de LETTRES
C.N.A.M.
CENTRALE
I.F.R.E.M.E.R.CHAMPDE
COURSE AUDENCIA
C.R.O.U.S.
CAMPING
Poste
Halldes
Sports
Complexe
sportif
CENTREDE
LOISIRS
R.U.R.U.
T.U.
Boul
evar
d
Guy
M
OLL
ET
PIC
HER
IT
Rue de la
C
ensi
ve
du
T
ertr
e
Route
de
la
Jone
lière
Pl. dela Noë
Fresche BlancRue du
N
-+
LLLOISIRSRSOISIRSSOISIRSRSSS
ORCHESTRE SYMPHONIQUE
DE L'UNIVERSITÉ DE NANTESDE NANTES
Les répétitions ont lieu au Théâtre Universitaire de Nantes, tous les
lundis de 20h00 à 22h30.
Théâtre Universitaire de Nantes, Chemin de la Censive du Tertre,
44300 Nantes
02 41 14 12 79
Tram 2, arrêt "Petit Port - Facultés"
Théhéâtre Unie Universitaiersitaire de Nae de Nantntes,
de 20h00 à 22h30de 20h00 à 22h30
Théhéâtre Unie Universitaiersitaire de Nae de Nantntes
02 41 14 12 7902 41 14 12 79
ORCHESTRE CHESTRE
SYMPHONIQUE
DE DE L'UNIVERSITE 'UNIVERSITE
DE NANTES
Chez Christel PATEY
17 rue de Malville
44100 Nantes
06 77 80 25 1106 77 80 25 11
Concerts - projets
Le chef
Historique
Répertoire
Affiches
Nous contacter
Catalogue
Moteur de Recherche Interne
Concerts - projets
Le chef
Historique
Répertoire
Affiches
Nous contacter
Catalogue
Moteur de Recherche Interne
Prochain concert de l'OSUN
22 novembre 2005 au T.U…
Concert gratuitRecrutement
Informations Répétition
Espace Membres
The OSUN Times
Photos
Vidéos
Liens
Espace Administrateur
ORCHESTRE SYMPHONIQUE
DE L'UNIVERSITÉ DE NANTES
DE NANTES
Avec le soutien du Service Culturel de l' Université de Nantes
Orchestre Symphonique de l' Université de Nantes, 28 allée Rouget de Lisle, 44800 St Herblain, France
http://osun.free.fr
+33 6 07 95 83 49
Yvan TEYPAZArt Direction > Naming
CIMaCo - P.L.I. PackagingCIMaCo - P.L.I. Packaging2006Client : Fabien Pons, CEO and founder.
Order : To define a global identityto launch a new pharmaceuticalpurveyor. This new actor is workingwith a network from another regionand want to become a new referencefor specialized packagings machinery.
Proposal : I first have to understandthe market, the place to work and the habits of the customers.
The name came from the sign :Conception et Installation de MAchinesde COnditionnement - Poudres LiquidesIngénierie Packaging [Design andInstallation for Packaging Machinery -Powders Liquids Engineering Packaging].The P.L.I. packaging is the same sign infrench than in english and allowsprofesionals to identify immediatly thefirm’s missions.
The graphic identity introducesseriousness (needed in pharmaceuticaldomain) and dynamism (CEO’s upperhand) as to position the firm as expert.
--> Pons Packaging **= undefined-packaging firm
--> P.L.I. Packaging **= undefined firm
--> Pons P.L.I.= CEO’s name / P.L.I. = ?
--> Pons P.L.I. - Packaging= CEO’s name + defined packaging
--> Pons - P.L.I. Packaging ***= CEO’s expertise + defined packging
--> EMaCo **Etudes Machines Conditionnement [Packaging Machinery Design]
--> SEMaCo ***Société d'Etudes de Machines de Conditionnement [Packaging Machinery Design Firm]
--> SEMaCo - Pons - P.L.I. PackagingToo long
--> CI MaCo - P.L.I. Packaging Conception et Installation de MAchines de COnditionnement - Poudres Liquides Ingénierie Packaging[Design and Installation for Packaging Machinery - Powders Liquids Engineering Packaging]
***
PLI packagingPLI packaging
PONS
PLI Packaging
PONS
PLI - Packaging
PONS
PLI - Packaging
PONS
PLI - Packaging
PONS
PLI - Packaging
PLI - Packaging
PONS
PONS
SEMaCoP.L.I. Packaging
SEMaCo
SEMaCo
SEMaCo
P.L.I. Packaging
SEMaCoSEMaCo
SEMaCo
PLI Packaging
PONS
PLI - Packaging
PONS
SEMaCoP.L.I. Packaging
P.L.I. Packaging
SEMaCo
. ..
..........
.... ..... ...
..
..... .
. .. ..
alimentaire / cosmétique
pharmaceutique
haute technologie
dosages
industries - machines
industrie "laborieuse"
Yvan TEYPAZStrategic Design
Strategic Communication
Management
Mundus energy range
Design à VendreWorkshopVerticalizing cities ?
Industrial
Helpingconsulting
Productionaccompany
Technicaldevelopment
Productcreation
R-o schoolbag
Chanel Watches
Future 2cvL'Action Auto-Moto
Urban
Analysis
UrbanAtmospheres
ReferencesGuidance
City of Cholet
Laurels’ central placeGers-street
Research
Product Identityof Territories
SituationnistApproach
ProspectiveProduct
Investigation
Universitary thesis
Magma Truck Cab
Social district
Cuban Popular Creations
Art Direction
Naming
Editing
Graphic IdentityShowroom
Aravis Voyage
University of NantesSymphonic Orchestra
Le P'tit Rouge
CIMaCo - P.L.I. Packaging
Carrefour Comfort Knives
ResidentializationProcess
Data architectureMundus energy range
Yvan TEYPAZStrategic Design > Data architecture
Mundus energy range2009Client : AIC-International, sales on demand.
Order : To sort out technical and commercial datas need for communicationoperations for each target (co-workers,clients, customers, partners, users).
Proposal : Mundus is a new range fortransportable energies on europeanmarkets. It has been developped withexperts from different patenets.
I have seen the start of the project workingon the naming, the branding, and theall-first communications for partnerships,and I re-start the work with all these datas.
We need to communicate to targets whichwould have specifical knowledges andneeds so I have categorised the targets needs by complexity steps.
The points of vue are depending on thesecategories and after I could explaincommunication architecture as seenin other markets with a technologicalproduct (for example there is the sameanxiogenic feeling in electrical appliancesthan in electronic games).
Constitution
Textes Données techniques Images
comparaison avec les kits existants(données chiffrées sur le coûts,
l'autonomie, la mise en œuvre…)
tableau de présentationsources / stockages / applications
argument confort là où on en manqueposologie :
pour quel usage, comment faire ?
comparaison avec les kits existants
points / réseaux de vente
veille concurrence
veille technologiquecomparatifs fournisseurs
fiches techniques
certifications
normes
mise en situation
mise en place des composants
développements envisagés
composants des kits
exemples d'applications
compositions des kits
courbes de puissanceconsommations des applications et appareils domestiques
informations juridiques
maintenance
installation des composants
mode d'emploi
séquences d'utilisation(autonomie avec plusieursapplications successives)
SAV
exemples d'autonomies en fonctiondes applications uniques
argumentaire thématique(écologie, mobilité, énergie, installation)
argumentaire général(source autonome d'énergieprête à poser pour abri isolé)
tarifs de vente
coûts des composants
Explicationsdétaillées
Donnéessimplifiées
« Coup d'œil »
Déclarationfonctionnelle
AIC - interne
AIC - commerciaux
GD - acheteurs
Dossier Presse
GD - vendeurs
Vidéo
Web
Pub
Utilisateurs - catalogue
Utilisateurs - prospectus
Notice d'utilisation
Emballage rayon
Constitution
Textes Données techniques Images
comparaison avec les kits existants(données chiffrées sur le coûts,
pp
l'autonomie, la mise en œuvre…)(
tableau de présentationsources / stockages / applications
ppargument confort là où on en manqueposologie :
pour quel usage, comment faire ?p g
comparaison avec les kits existants
points / réseaux de vente
veille concurrence
veille technologiquecomparatifs fournisseurs
fiches techniques
certifications
normes
mise en situation
mise en place des composants
développements envisagés
composants des kits
exemples d'applications
compositions des kits
courbes de puissanceconsommations des applications et appareils domestiques
informations juridiques
maintenance
installation des composants
mode d'emploi
séquences d'utilisation(autonomie avec plusieurs
q
applications successives)pp
SAV
exemples d'autonomies en fonctiondes applications uniquespp
argumentaire thématique(écologie, mobilité,
g q
énergie, installation)( g( g
argumentaire général(source autonome d'énergie
g g
prête à poser pour abri isolé)( gg
tarifs de vente
coûts des composants
Explicationsdétaillées
Donnéessimplifiées
« Coup d'œil »
Déclarationfonctionnelle
AIC - interne
AIC - commerciaux
GD - acheteurs
Dossier Presse
GD - vendeurs
Vidéo
Web
Pub
Utilisateurs - catalogue
Utilisateurs - prospectus
Notice d'utilisation
Emballage rayon
tableau de présentation sources / stockages / applications
argument confort là où on en manque
posologie : pour quel usage, comment faire ? certifications
points de vente FAQ
mise en situation
Compositions des packsconsommations des applications et appareils domestiques
Informations commercialesSéquences d'utilisation - Choix du packmise en place des composants
maintenance
Mode d'emploi
SAV
ContactSAV
autonomie avec plusieurs applications successives
courbes de puissance
exemples d'autonomies en fonction des applications uniques
outil interactif d'aide au choix
exemples d'autonomies en fonctiondes applications uniques
argumentaire thématique (écologie, mobilité, énergie, installation)
argumentaire général (source autonome d'énergie prête à poser pour abri isolé)
tarifs de vente indicatifs
Accueil - interface utilisateur
Espace distributeur
certifications
compositions des kits
informations commerciales
mise en place des composants
maintenance
développements en cours
mode d'emploi
SAV
contact / Devenir distributeur
2 - difficulté à configurer ;
Illustration par un personnage
3 - coût
3 questions importantespour le joueur et ses parents :1 - crainte sur les échanges(principe de base du jeu) ;
Réponse pour rassurersur chacune des inquiétudesposées
Présentation des personnagesen images
Où et comment acheter
2 variantes pour joueravec ces personnages
Date, marques, ©,informations techniques, etc.
Accroche
Puissancemaximale(Wh)
250
Pack 100/100
Pack 80/100
Pack 40/40100
Temps de charge (h)en conditions théoriquesd'ensoleillement ou de ventoptimales
Votre réserve d'énergie dépend directement des conditions climatiques :si le soleil (ou le vent) le permet, votre box se rechargera en même tempsque vous l'utilisez ; en cas d'absence de soleil (ou de vent), il se peut quevotre box se recharge en plusieurs jours ou plusieurs semaines.
Nombre de propositions
Critère prix
Critères prix+ processeur
Critères prix+ capacité disque dur
Critères prix+ processeur+ capacités disque dur
Yvan TEYPAZStrategic Design > Diagnosis
Orium F4 2013 Desk-clock2006Client : AIC-International, sales on demand.
Order : To identify the market’sopportuneness for Orium desk-clocks.
Proposal : With the diagnosis we canexpose hox the visibility of the brandseems complicated because of disparatesranges and the miss of product identity.
The first step I proposed was to makerational the ranges declensions.With a same technical base we coulddevelop aesthetically and usely threemoods for the Orium brand : basicalclassical and trendy.The inspiration came from the SEB groupwith these brands : for each mood theyhave a leading brand and a middle-secondone. In our case, a third range couldbe more prestigious to become theimage engine for the all-brand.
Finally I proposed partnerships withprestigiou brand from other markets.Their image could benefit to the Orium’simage, yet visible with the french generalpost-office and with the french nationalrailways.
Yvan TEYPAZUrban Design
Urban
Analysis
UrbanAtmospheres
ReferencesGuidance
ResidentializationProcess
City of Cholet
Laurels’ central placeGers-street
Industrial
Helpingconsulting
Productionaccompany
Technicaldevelopment
Productcreation
R-o schoolbag
Chanel Watches
Future 2cvL'Action Auto-Moto
Art Direction
Naming
Editing
Graphic IdentityShowroom
Aravis Voyage
University of NantesSymphonic Orchestra
Le P'tit Rouge
CIMaCo - P.L.I. Packaging
Strategic
Diagnosis
Communication
Management
Orium Desk-clock
Mundus energy range
Design à VendreWorkshopVerticalizing cities ?
Research
Product Identityof Territories
SituationnistApproach
ProspectiveProduct
Investigation
Universitary thesis
Magma Truck Cab
Social district
Cuban Popular Creations
Carrefour Comfort Knives
Yvan TEYPAZUrban Design > Analysis
Preliminary study for a streetscape guidance2008Client : city of Cholet, local authority.Team : Urban and architectural studies, director : Fabrice Caillarec.
Order : How to make a guidance forthe urban furniture.
Proposal : Cholet is the second city inthe department and the secondindustrial area of the region.Its story has been built with the textileindustry and as a point for commercialexchanges between bigger cities.A few projecs are changing the city :new center district, rehabilitation insocial housing districts, new districtswith a sustainable goal, new theater.
This is context in which the urbanfurniture needs a global coherencein managing, costing and atmosphere.Differents functions are concerned bythis question and they are all interestedin a mutual guidance : uses and tools aredifferents and the aims are not clearlyexposed, there is no basis for a guidance.
So my work has been to explain to majorand General Direction the frame fora guidance in two steps.The first step is a global problematicabout public space (linked with theprotection area for architectural andurban patrimony).The second step is a study about the moreadequate guidance tool : who manage it,the action areas, the differentiations,the furniture ranges...
.
Yvan TEYPAZUrban Design > Urban Atmospheres
Laurels’ central place2007-2008Client : Nantes Habitat, social housing office.Team : Laurent Melet, sociologist ; Manuella Mercier, architect - geographer.
Order : To revitalize a central place ina social housing district as to fight againstincivility phenomenas.
Proposal : The place was designed as a metropolitan center : it’s too big for a social district so it suffers residual streams.To succeed in it we took back the Roman forum’s principle (created to revitalize the center of the antique city). This allows us to restore a human dimension to the place.Our proposal is to open a pedestrian stream through secondary places ; to developa central pavilion attracting people fromthe street to the shops around the place ; to create confidence and home-feeling withbalconies and playgrounds.
2008Client : Nantes Habitat, social housing office.Team : Laurent Melet, sociologist ; Landry Nzigou, geographer.
Yvan TEYPAZUrban Design > Residentialization Process
Gers-street
Order : To identify factors ofnon-attractiveness in a “bad-living”social housing district.
Proposal : We have worked a theoricalprocess for social districts inspired inmedical situationnist approach.In coherence with this we have proposednew design solutions.
Our aim was to graduate spaces :between the street (public) and the house(private) we have drawn semi-privatespaces. The access is reserved forinhabitants but the border with the streetis not “hard” with a bank and a copse.
.
Yvan TEYPAZResearch
Research
Product Identityof Territories
SituationnistApproach
ProspectiveProduct
Investigation
Universitary thesis
Magma Truck Cab
Social district
Cuban Popular Creations
Industrial
Helpingconsulting
Productionaccompany
Technicaldevelopment
Productcreation
R-o schoolbag
Chanel Watches
Future 2cvL'Action Auto-Moto
Art Direction
Naming
Editing
Graphic IdentityShowroom
Aravis Voyage
University of NantesSymphonic Orchestra
Le P'tit Rouge
CIMaCo - P.L.I. Packaging
Strategic
Diagnosis
Communication
Management
Orium Desk-clock
Mundus energy range
Design à VendreWorkshopVerticalizing cities ?
Urban
Analysis
UrbanAtmospheres
ReferencesGuidance
City of Cholet
Laurels’ central placeGers-street
Carrefour Comfort Knives
ResidentializationProcess
Magma Truck Cab2005-2006Partnership : Renault Trucks, Volvo Global group, world second truck manufacturer.Recognition : Interior Motives Design Awards 2006 (during Paris World Autoshow) Best Production Interior.
Order : To optimize the physicalrecovery of the driver in the truck cabreguarding the evolution in long haulage.
Proposal : The truck cab is the driver’swork place, it is also his living placefor weeks. The main subject is the homeand the nomad work.
Prospective studies for Europe and NorthAmerica points out that trains boats andplanes are too expensive for a lot of goods,quantities or for some courses. The roadtransport is transborder today and it willbecome transcontinental up to 2015.
I have met all the truck freight actors andI have travelled a week with a trucker towell-understand his needs and how theworking day is organized.After this I have proposed a cab withthe drive station becoming in a fewseconds a relax space with comfortdevices (pivoting dash console to freespace, hot-cold furniture to cook, placeto invite friends, evolutive lighting system)and materials from home universe.
Yvan TEYPAZResearch > Prospective product
FREQUENCE ^
1x / jour
> 3x / jour
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Yvan TEYPAZResearch > Situationnist Approach
Theorical Action Process for Social Districts
Order : To identify factors ofnon-attractiveness in a “bad-living”social housing district.
Proposal : A phone survey with hundredof persons of the conglomeration highlightsthat the district has the worst reputationof the city because of crimes and bands ofteenagers and young adults. The statisticsfrom police confirms more importantphenomenas of incivilities here.
We first looked for an urban and socialanticipation (Jane Jacobs and CPTED). The risk of these strategies is to take awaythe evil without looking after it, so ourteam proposed a new mindset for socialdistricts inspired of medical "situationnistapproach". This process envisages thepotentiality of the handicap rather thanits fate and accompanies the patientsthrough three phases : 1, prevention -to avoid the evil appears, by socializationand educational shares ; 2, care - tominimize the consequences and to avoidthe infection, by community organizationsfor targeted populations ; 3, curative - toprevent complications and to rehabilitatethe patient, by the recurrence preventionand a social reintegration.
2007-2008Client : Nantes Habitat, social housing office.Team : Laurent Melet, sociologist.
Yvan TEYPAZResearch > Identity of Territories
Product Identity of the City2008Reference : Master 2 “Cities & Territories”, Nantes’ National School of Architecture, Legislation University and Geographic Institute.Directors : Patrick Besseau, School of Architecture ; Jacques Fache, Geographic Institute.
Theme : How could a local authorityimprove its attractivity and serviceswith design and furnitures designs.
Study : First I have searched whyhuman beings have been organizedin hierarchical communities then incities. Understanding the goal of the citiesallows to understand its futures and howto make it (potentialities and limitsin urbanism).
Actual design is part of a story startedwith first tools : evolution of needs andhow to answer these.The design has known commercial driftsbut it still a competitivity revealer whichcould benefit cities.Working on the product identity for a localauthority as well as a industrial onebecomes a silent communicative weapon(like graphic and architectural identity are).
With a thesaurus and a theorical workon the adaptation of the process, this thesisis rich of the experiment with the city ofCholet. The history, the culture, the stakesfor its development are the basis for theidentity of a territory.
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PressSome issues about my works :_ LeBlogAuto (Fr) - 2008 October_ Nisha (Israël) - 2008 April_ Créanum (Fr) - 2007 May_ L'Action Auto-Moto (Fr) - 2006November + December_ Interior Motives (GB) - 2006 November_ Modify (Fr) - 2006 November_ France Routes (Fr) - 2006 October_ Auto Industry (GB) - 2006 October_ AllCarNews (GB) - 2006 October_Le Dauphiné Libéré (Fr) - 2006 October_ La Savoie (Fr) - 2006 October_ Car Design News (GB) - 2006 September_ DesignFax (Fr) - 2006 September_ www.moebus.net (Allemagne) - 2005 September_ www.nantes-campus.fr (Fr) - 2005 May_ Arteamerica (Cuba) - 2003 November
Publications / conferencesI have been invited to express myself aboutindustrial or urban design and akins:_ Ad’Missions Nantes network - 2009 February_ Plan Urbanisme Construction et Aménagement - 2008 April_ l'Humanité - 2008 January.
I am a regular chonicler for the french websiteAdmirable Design, a blogger for Worldwide Designand coordinator for the design platform project :www.admirabledesign.comhttp://blog.admirabledesign.comhttp://fr.design-platform.org
Yvan TEYPAZPress release
From analysis to evaluation :creation, management,industrial production,accompany and helpingconsulting ; responsability ;determination.We will work together for your success.
Yvan TEYPAZProfile
Mini-Maousse, Paris, 2006EVR, Habana, 2003
Fête des Allobroges, 2001
Exhibitions
Best Production Interior - Interior Motives, 2006Winner “Futuristic & Technoid” - Möbus, 2005
Recognitions
Resume
2008 : Master 2 Professional “Cities& Territories”Nantes’ Architecture School, Legislation University and Geographic Insitute
Memory : Product identity of the city : how can a local authority developits attractiveness and services with good urban and space designs.
2006 : Industrial Designer, 5 years degree, 4th of pomotionThe Nantes Atlantique School of Design
Project : Truck cab, with Renault Trucks.Best Production Interior (Interior Motives Design Awards 2006).
Education
Since 2007 - references : Nantes Habitat, city of Cholet, AIC-InternationalMissions for plan and strategy design._ I am part of a new approach for social housing districts._ I propose new visions for urban environment._ I prepare bases for a streetscape’s guidance._ I develop the data architecture for commercial launch.
Designer-urbaniste
2006-2007 - references : L'Action Auto-Moto (HachetteFilipacchi Presse), AIC-International, Mediaworks,CIMaCo - P.L.I. Packaging, Musicampus, …Consulting, external design and charged of creation._ I create and develop products and graphic identitiesfor local and multinational firms._ I help the new design process for Chanel Watches._ I imagine and draw the « new 2cv » interior fornational press magazine L’Action Auto-Moto.
Freelance Designer
2005-2006 - societies : Siemco et SCAO (Fr)Smurfit Kappa group, european first in cardboard packaging._ I solve a conception problem after 6 failed attemptsfrom other originators._ I perform technical cosmetic, food and household packagings.
Originator-volumist
2002 - 2004 - agencies : Design Office (Lyon, Fr),Mal de Ojo (Habana, Cuba), NECTART Créations (Annecy, Fr)Training periods during Industrial Designer dergree._ I create and develop two knives rangeschosen by Carrefour Europe after a world consultation._ I create interior designs and graphics for local and multinational firms._ I study popular creations in Cuba and nomadic way of life in France.
Industrial Designer
Yvan TEYPAZ74 rue Appert, 44100 Nantes, France
Tel. : +33 9 54 37 98 16Fax : +33 9 59 37 98 16Mob. : +33 6 81 10 48 60
[email protected]://yvanteypaz.free.fr
A bientôt !