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Reinterpretation of Liliana Bounegru's essay 'Interactive media artworks for public space'
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Interactive Media Artworks for Public Space
공공 공간을 위한 인터랙티브 미디어 아트작품
The potential of art to influence consciousness & behav-iour in relation to public spaces
공공 공간과 관련된 의식과 행위에 영향을 미치는 예술의 가능성
author : Liliana Bounegru, speaker : Dong Seop Kim
author Liliana Bounegru
url lilianabounegru.org
facebook www.facebook.com/profile.php?id=571103740
profile European Journalism Centre 의 프로젝트 코디네이터 ,University of Amsterdam 연구석사
Interest blogging, networks, search engines, Google, locative media, protocol, augmented reality, and media art from a media theory perspec-tive, as well as classical media theory
contents
Introduction
Art Installations using the Body as Interface
Media Artworks which Mark up the Public Space with Text
Reappropriating Urban Space through Participatory Media Art ?
Artistic Precedents and Critique of the Modern Urban Space
Situatinism Rediscovered or Situationism Subverted?
1. Introduction
Two types of artistic strategies
The Body as Interface Textual information
Augmented Reality technology Social Media
Aim
to analyses these two types of artistic strategies with the purpose of assessing their potential to influence human consciousness and behaviour in public space,
the Situationist legacy.
Situationist InternationalGuy Debord, <The Society of the Spectacle>
http://www.ubu.com/film/debord_spectacle.html
http://www.bopsecrets.org/SI/debord.films/spectacle.htm
http://en.wikipedia.org/wiki/Situationist_International
http://www.cddc.vt.edu/sionline/
http://www.youtube.com/watch?v=2SvdWk8zRrI
Spectacle
주요 개념
전유 , 전용 Détournement
건설된 상황 constructed situation
심리지리학 Psychogeography
일원적 도시주의 unitary urbanism
표류 Dérive
2. Art Installations Using the Body as Interface
Virtual Reality Augmented Reality
Obsolete Body Body Involvement
Merleau-Ponty
primary access to the world
the vehicle of being in the world
The Body
Myron Krueger
concept : Responsive Environments’http://cva.ap.buffalo.edu/courses/f07/dms543/files/f07/dms543/readings/Krueger.pdf
work : Videoplacehttp://www.youtube.com/watch?v=dmmxVA5xhuo
mirroring
inputted actions
transformation
interactive
Communication with the self
shaping the meanings
David Rokeby
Rafael Lozano-Hemmer,Body Movies
http://www.youtube.com/watch?v=ENyOj26hmH0
Lozano-Hemmer’s relational architecture
physical location
the body as an interface with technology
possibilities forcollective interaction &individual performance
the body
disembod-iment
the body of other
(re)embodiment
Lozano-Hemmer’s relational architecture
Technological Mediation
exploring relations with other people
a different state of consciousness and self-awareness
recuperation from depersonal-ization through thedeepest form of human commu-nion
collective gene-sis
Rafael Lozano-HemmerPulse Park
http://www.youtube.com/watch?v=rxUYIxXie4c
Rafael Lozano-Hemmer,Under Scan
http://www.youtube.com/watch?v=GQxLcxQAvOY
3. Media Artworks which Mark up the Public Space with Text
Public Space
mobile bubble
mobile bubble
mobile bubble
mobile bubble
Georg Simmel
Hello World
breaking the ‘mobile bubble’
Jason LewisCitySpeak
http://www.youtube.com/watch?v=HJu1hLpS_64
stefhan caddick storyboard
Johannes GeesHelloWorld
http://www.youtube.com/user/snowmaster60#p/u/7/2DUZ-NTKgB4
creatingparticipatoryspectacle
collective re-appro-priation
4. Reappropriating Urban Space through Participatory Media Art?
supplementing a culture of ‘specta-cle’ and entertainmentwith more participatory models of generating spectacular ‘representa-tions’.
dismissing the ‘specta-cle’ of commodities and their reification of socialrelationships
Situationist(Guy Debord)
criticizing the society of the spectacle
Participatory Media Art
5. Artistic Precedents and Critique of the Modern Urban Space
creating zones of expanded con-
sciousness and an awareness
of the relational po-tential of public en-
vironments
alienation,routinisation, nonin-
tervention,passivity
public space
the spectacle :commercial culture, advertising,and entertainment
spontaneous,imaginative and playful practices.
The structure of media dominated consumer society
passive subject(spectatorship)
The Body as Inter-face
Textual information
Technology Augmented Reality Social Media
Interactive Method
Body involvement Text Messaging
Way of en-gagement
Direct Indirect
Focus Relation Communication
Tech Multi-sensory Milieu Internet
6. Situationism Rediscovered or Situationism Subverted?
Comparison of two strategies
Situationist(1952-1972)
Collective Genesis(1990’S & 2000’S)
AIM Reinvigorate public space through artworks
ATTITUDE TO THE SPECTA-CLE
Destroying the spectacle,Art as being separated form everyday life,Incapable of producing social change
Utilizing the spectacle,
TACTICS Détournement, constructed situations, psychogeography, Dérive ->collective production
Collective Engagement, Collective Indi-vidualization,Collective appropriation, Collective genesis->collective production
METHODS & TOOLS
Temporary political art to shift to form of a revolution (Books, paintings)
Aesthetic art, less politicalInteractive media art installations,Relational Aesthetics(digital media , large digital displays, surveillance tech, mobile tech & the In-ternet)
BACK-GROUND
Marxism, Communism Democracy
the interactive media art installations reappropriating parts of the Situationist theory