context - positioning

hanging - staging work

19 01 11 Textiles - Surface design year 2

recognising how the viewing experience including place/space effects/changes the work, both its meaning and our understanding.

finding/building a context

creating a reference point(s)

materialsprocessideas/conceptsintentionresearch

process

physical elements of materialsappearanceweighttexturecoloursize

meaning of materialsculturalagesex

spacephysical spacespace of an idea

context (maker/viewer) politicalculturalhistorical

Donald Lipskin

taking a position

Freddie Robbins

factors effecting choiceintention - brieffunction - functionalitytimescalebudgetaudience

why are you making work?what do you want from your work? what is your work about?who is your audience?where does the work go?

connections - possible contexts for your making

art history

geography/place

contemporary practice science

other art forms music

dance

writing

contemporary practice the work of others

materials

process

work

methodology

influences

both theirs and yours

where the work is experienced

how the work is experienced

mediated by systems/structures

the gallery

the museum

the fair

on-line

the shop

the home

other systems

Maurio Taliani

research

through design

Ecke Bonk

advertising

television

video

Shirin Neshat, video stills

digital (monitor)

Tony Ousler

digital (projection)

Ruben Ramos Balsa

Ruben Ramos Balsa

new media

documentation - art

Cornelia ParkerYves Klein

Erwin Wurm

Donald Rodney Lawrence Weiner

the photograph

Elinor Carucci

Boyd Webb

artists’ book

performance

tropis

Anne HamiltonElin Strand

Yoko Ono

Joseph Beuys

installation

Gego

Tomas Saraceno

Cornelia Parker Yin Xiuzhen

Stellak

Maurizio CattelanJean Michel Jarre

intervention

Mel Chin - Melrose Place

Trisha Brown

site specific

the wall

Angano Machiko

hanging

Richard Wentworth

Tawney Lenore

Jung Hanna

the floor

the plinth

the spotlight

the vitrine

the diorama

the animators

process

Zoran Todorovic

Moshekwa Langa

Yona Friedman

labels

Forms Without Life

Isolated Elements Swimming in the Same Direction for the Purpose of Understanding

The Physical Impossibility of Death in the Mind of Someone Living

Sometimes I Avoid People

The Acquired Inability to Escape

A Thousand Years

In & Out of Love

In & Out of Love

No Fun I Wanna Be Me

I want to spend the rest of my life everywhere, with everyone, one to one, always, forever, now.