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TCOM 4170 Spring 2014 Video Production Amani Channel, MA Lecture #2

TCOM 4170, Spring 2013 Lecture 2

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Page 1: TCOM 4170, Spring 2013 Lecture 2

TCOM 4170 Spring 2014Video Production

Amani Channel, MALecture #2

Page 2: TCOM 4170, Spring 2013 Lecture 2

Agenda

Review

Production Positions

Planning to Shoot

Using your Camera

Composition

Photo Essay In Class Assignment

Page 3: TCOM 4170, Spring 2013 Lecture 2

Quiz

1. Explain the difference between HD and SD

2. Name 3 video formats (types of cams/acquisition)

3. Explain what nonlinear editing is

4. What is workflow?

5. Explain why composition is important

Page 4: TCOM 4170, Spring 2013 Lecture 2

Remember

• Goal is to create interesting stories• Tell narratives• Learn professional video production

techniques• Composition• Lighting • Audio• Editing

Page 5: TCOM 4170, Spring 2013 Lecture 2

Case Study

Alfred Hitchcock

Hitchcock’s Rule “The size of an object in a frame should be directly related to its importance in the story at that very moment.”

Hitchcock Techniqueshttp://www.youtube.com/watch?v=u5cxBHJ9_i4http://www.youtube.com/watch?v=Eg6velhQxGs

Page 6: TCOM 4170, Spring 2013 Lecture 2

The Filmmakers Eye

High/low anglesHigh-camera above eye level = weakness, powerless, passiveLow-below eye level = power, control, confidence

Focal PointsCenter of interest in a compositionCreate compositions that will be understood

180 Rule Maintains spatial continuityThe camera should always be placed on one side of an imaginary linehttp://www.youtube.com/watch?v=27KCpefUMxU

Page 7: TCOM 4170, Spring 2013 Lecture 2

The Filmmakers Eye

Field of ViewHow much space along the x and y axis a lens will include in a frame, wide angle, normal, telephoto. Short focal length = greater field of view

Focal length is a measurement (millimeters) from the optical center to the recording surface.

Depth of fieldDistance along along the z axis that will be in sharp focus

Page 8: TCOM 4170, Spring 2013 Lecture 2

Basic Production Positions

Above the line: writer, producer, director, talentBelow the line: everyone else (most production positions)http://en.wikipedia.org/wiki/Below_the_line_(filmmaking)

Executive Director/Client: FinanceProducer: Budget/Logistics/Keeps project on trackDirector: Calling the shots/cameraAudioDP: Lights/CameraPA: Assists with equipment

Page 9: TCOM 4170, Spring 2013 Lecture 2

Video Production Formula

Plan: Preproduction. Write proposal, treatment, script, determine production needs; location, equipment, crew, edit, budget

Shoot: Production. Capture video, talent takes according to script

Edit: Postproduction (polish video with music, color correction, sweeten audio, motion graphics, special fx, render.

Share: Distribution.

Page 10: TCOM 4170, Spring 2013 Lecture 2

Workflow

Step-by-step management of a complex projectProcess by which you efficiently plan, shot, and edit a video/film project.

What camera & video format?

Where is the video stored?

What editing program?

How will it be archived?

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Getting to know the camera

How to turn it on

Connect to tripod

Audio

White balance

Focus

Watch zooms

Page 12: TCOM 4170, Spring 2013 Lecture 2

Storytelling Goals

Tell a story

Beginning/middle/end

Good audio

Good video

Good pictures

Emotion is good

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The first step

Writing the proposal. The concept of the story, what is the plot, goal, or reason why the film/video is being created.

Who is the talent? Shoot location(s), props?

What equipment? Camera, mics, special needs?

Timeline, shoot dates, deadlines

Final deliverable (format, DVD, media file?)