2. Install battery Install memory Use the Quickstart guide for
identificationpurposes Set Correct date and time
3. Find the page in your manual that shows youan example of the
icons that will appear onyour lcd display for different functions
VERYUSEFUL!
4. Zoom feature zoom out (w), zoom in (t) W stands for wide
zoom and t stands for telezoom Press shutter button halfway for
perfect focus(camera will probably double beep) Press shutter
button down fully to takepicture Use Playback button to view
picture You can zoom in and out while in playback Pres DISPLAY
button to show different views thumbnails, etc.
5. To delete a picture View the picture in playback and click
on thegarbage can To delete ALL pictures Go to playback menu and
press the menu button select erase frame or ALL frames
6. Go into Playback menu Press your menu key Select
protect
7. DSLR Mode DialPoint and Shoot Mode Dial Auto The camera
makes the settings. Thisis the easiest mode for creating crisp
andclear shots.
8. Portrait Use this mode to get beautiful skintones and soft
overall tone. DSLR & Point and Shoot Cameras
9. Natural Light This mode produces beautifulimages that retain
the natural ambience whenshots are taken in low-light conditions.
Thismode is also ideal for shooting indoor orsituations where the
flash cannot be used. Natural This mode shoots 2 imagescontinuously
without flash and with flash. This is a feature of my point and
shoot camera your camera may or may not have this feature
10. Landscape Use this mode for shootingscenery in daylight and
to provide crisp, clearshots of scenery such as buildings
andmountains flash cannot be used in thismode. Used with both DSLR
& Point and Shoot Cameras
11. Sport Use this mode to take pictures of amoving subject. It
gives priority to fastershooting speeds. Used with both DSLR &
Point and Shoot Cameras
12. Night Use this mode for shooting eveningand night scenes. A
picture is taken with aslow shutter of up to 3 seconds should usea
tripod to prevent camera shake/blurring. Used with both DSLR &
Point and Shoot Cameras
13. Fireworks Use this mode to shoot fireworks. Itis effective
for taking more vivid shots offireworks with a slow shutter. This
is an available shooting mode on point and shootcameras DSLRs dont
usually have a fireworks mode. On a DSLRcamera Shutter speeds of
Bulb and Time can beused for long time-exposure photographs of
movinglights, the stars, night scenery, or fireworks. To
preventblurring caused by camera shake, use a tripod or anoptional
Wireless Remote Control.
14. Sunset Use this mode to shoot sunset orsunrise, making the
colors more vivid.
15. Snow Use this mode to prevent darkeningimages and provide
crisp, clear shots, whenshooting a snowy scene where the
wholescreen appears white. Beach Use this mode to prevent
darkeningimages and provide crisp, clear shots, whenshooting at
beach under strong sunlight.
16. Museum Use this mode for taking picturesin places such as
museums where the use offlash and making an operation sound and
ashutter sound are restricted. Like a schoolconcert? Make sure
photography IS permitted if it says no photos in the Museum,
itmeans no photos!! This is a setting available on my point and
shootcamera, your camera may or may not have thismode. Not
generally available on DSLR
17. Party Use this mode for shooting at indoorweddings and
parties. This mode producesbeautiful images that retain the
naturalambience when shots are taken in low-lightconditions.
Available on most point and shoot cameras Usually not available on
DSLR camera
18. Flower Use this mode to take clear close-upshots when
zooming up a flower or plant. Itis effective for taking more vivid
shots of aflower petal. Available on Point and Shoot Cameras and
DSLR(Use of a tripod is recommended to preventblurring.)
19. Text Use this mode to shoot documents andwhite board text.
It is effective for takingclearer shots of letters. This is a mode
available on my point and shootcamera this may or may not be
available on yourcamera.
20. Anti-Blur Picture stabilization. Use thismode to select a
fast shutter speed thatreduces camera shake and
moving-subjectblurring.
21. Manual Mode Lets the photographer chooseall the
settings!
22. Every photo is made up of dots. The more dots you have, the
higher quality your photograph will be. Mega = million Pixel = Dots
Megapixel = million dotsIf you multiply the number of pixels across
the bottom bythe number of pixels up the side of a photo, you will
havethe total number of pixels in the photograph, also known
asresolution.2048 x 1536 Pixels = 3.1 Million Dots = 3.1
Megapixels
23. When shopping for cameras, youll notice thatthe
higher-priced cameras also tend to havemore megapixels. The higher
megapixelcameras allow you to PRINT much largerimages.
Professionals and artists need higherresolution cameras in order to
print wall-sized images with good quality. Higher Resolution = More
Dots = HigherQuality = Larger Prints
24. Digital cameras let the photographer changeresolution
settings. The resolution icon canbe found in the menus. Use the
arrow keysto change resolution/quality.
25. F or fx mode best to set to 3:2 you arestill getting the 6
megapixels and this settingwill print perfect 4 x 6 photos Saves on
thefile size so you can fit more on your memorycard (except
nowadays since memory cardcapacities are so much higher, you
usuallydont have to worry about how much you canfit on a
card!)
26. Quality Mode Sample uses Number of files (depending on
memory card)12M F(4000 x 3000) Printing at up to 10R 373 to 596 (10
x 12 inches)/ A3 Size3:2 (4224 x 2816)Printing at up to 10R 596 (10
x 12 inches)/A3 Size6M (2848 x 2136) Printing at up to 10R 1167 (10
x 12 inches)/A4 Size3M (2048 x 1536) Printing at up to 6R (6 2194 x
8 inches)/A5 size2M (1600 x 1200) Print at up to 4R (4 x 6 2743
inches/A6 size03M (640 x 480)To use for e-mail or13719 web
site
27. You can always reduce the quality level of apicture but you
can NEVER increase it!! When in doubt, use a higher
resolution!
28. When in Auto Mode usered eye when takingpictures of people
andanimals Use Force Flash for thingsthat cause shadows trees,
hats, etc. Use Suppressed Flash forkids this washes outpeoples
features whenflash cant be used.
29. Red eye is caused by thelight reflecting off of theinner
surface of youreye. The red eye flashsetting gives an extraflash
before it takes thepicture. This causes youriris to close down
andminimizes the reflection.
30. Bend down on one knee to take a picture and the red eye
reflection will travel above the cameras lens and minimize the
problem. Use a Hot Shoe Flash attachment. This separates the flash
from the lens and lessens the reflection. Higher end cameras have
Hot Shoe capabilities.*TIP: When taking animportant shot, take one
withflash and one without. Look atthem on your computer anddecide
which one is best
31. Most digital camerashave both digitalzoom and opticalzoom.
Multiplytogether the strengthof both types ofzoom to determinethe
total range of thezoom of your camera.
http://www.photoxels.com/digital-photography-tutorials/optical-digital-zoom/
32. Most cameras offer at least 3X optical zoomand some boast
an optical zoom as high as15X. But sometimes salesmen tout a
hightotal zoom that includes digital zoom, whichyou should
disregard. Digital zoom producesphotos that are inferior to those
producedwith an optical zoom.
33. Click on the timer (probably looks like a clock) Press
halfway to focus Press all the way to art the self-timer Seconds
will vary (mine has 2 settings)
34. Change to Movie mode Hold down theshutter to record (cant
zoom DURINGrecording) hold shutter halfway down to stop.
35. Go into menu Setup LCD brightness (Mine was under Power
Management Display)
36. Composing a great photograph involvesseeing the subject
with your eye as well asyour mind. Some basic composition rules
willfollow
37. Perspective Bend your knees or even lay onthe ground to
make the subject look larger.
38. Leading Lines Add depth to yourphotographs by capturing
hard lines thattravel off into the distance.
39. Turn the Camera Sideways If your subject isvertical, turn
the camera sideways so theaspect ratios match.
40. Rule of Thirds Cut your photointo thirds andplace your
subjecton one of theintersections ofthese lines. Placehorizon lines
onthe thirds insteadof straight acrossthe middle.
41. ForegroundInterest Whenshootingscenes, capturing
somethingvery close tothe camera canadd depth.
42. Change Position Move closer to yoursubjects so they fill
the screen.
43. You can activate your menus by pressing theOK or Menu
button. Your cameras menus willappear on the monitor on the back of
thecamera. Use arrows to navigate directionallythrough the
menus.
44. IMPORTANT There are different menus forpicture taking and
playback. Some camerashave different menus for EVERY setting on
theMODE DIAL!!!
45. Compression is how much the digital cameracompresses an
image. When a digital cameratakes a picture, a very large file is
created thatholds the image. In fact, a picture produced froma
2-megapixel camera will produce a file sizearound 6MB - which is a
very large file indeed. Inorder to fit more images on a memorycard,
digital cameras compress these image files.The amount of
compression a digital cameradoes to an image can usually be set by
the user.Standard compression modes on digital camerasusually
include either: Normal, Fine, Superfine OR Good, Better, Best
46. For most digital cameras, the default will beeither
"better" or "fine". While the amount ofcompression a camera does
will vary fromcamera to camera, generally a
"good/normal"compression setting will compress an imageat a ratio
of 16:1. A "better/fine" setting willcompress an image at a ratio
of 8:1. A"best/superfine" setting will compress animage at a ratio
of 4:1. The higher thecompression ratio is, the more images maybe
fit onto the memory card.
47. Using these generalized numbers, you cansee that having a
"good/normal" compressionsetting allows you fit many more images on
amemory card. However, when an image iscompressed, detail is lost
of the image. Themore compression you do to an image, theless
detail will be found on the image. Highlycompressed images can also
come outlooking fuzzy and blocky at times, too.
48. For this reason, most digital cameras comewith a default
setting of "better/fine". It hasbeen my experience with my Canon
A40 thatunless you plan on printing out images orneed very high
definition photographs, the"better/fine" setting works extremely
wellwhile still allowing you to put lots of imageson the memory
card.
49. This is the sensitivity setting of your camera. Use this to
specifyrequired sensitivity of the ambient light around the
subject. What ISO denotes is how sensitive the image sensor is to
theamount of light present. The higher the ISO, the more
sensitivethe image sensor and therefore the possibility to take
pictures inlow-light situations. (higher iso for low-light! Lower
iso forbright-light) And, where you would have needed to physically
change to adifferent roll of film if you wanted a different ISO
speed, digitaltechnology allows you to simply dial one in. In this
way, you canrecord images taken at different ISO speeds on the
samememory card. If you want to take pictures indoors where light
may not besufficient and in other low-light situations, then you
would needto supplement existing light with flash or studio lights.
Eitherthat, or select a higher ISO. Of course, depending on your
digitalcamera, a higher ISO may mean a noisy image.
50. The most common ISO speed settings are:100, 200, 400 and
800. Depending on yourdigital camera model you may also have themin
the range of 64, 100, 160, 200, 400, 640,800, 1600. Use an ISO of
100 or 200 when takingphotographs outside in sunny conditions. If
the sky is overcast or it is evening time,then use an ISO within
the range of 400 to800. Night time or in cases of low light you
mightneed to set your digital camera ISO to 1600.If you dont then
your photo will appear toodark if at all.
51. If you set your digital camera to a low ISO, forexample
100, the resulting photograph willbe better quality than one set at
1600. Thehigher the ISO the more grainy the photo willlook.
Therefore go for a low ISO numberwhenever possible.
52. A manual mode some use quite often iscalled Program AE.
With Program AE you canchoose the ISO you wish to photograph inand
the digital camera then sets the shutterspeed and aperture
(exposure) automaticallyto suit. Think of it as being similar to an
ISOpriority option. To use Program AE changeyour mode dial to P (or
look up for yourcamera.)
53. If you want to ensure the highest qualityphotograph
possible.The lower the ISO the better the quality. AnISO of 100 or
200 will give you a betterquality photograph than one set at 1600.
Ifthe image is destined for website display,then this may not
matter. However, if youwish to print the photograph, then youll
wantto keep the ISO low. Otherwise it will lookgrainy or noisy (as
its also referred to).
54. If you want to take a photograph in darksituations and not
use a tripod.For example, if you were on a tour through amountain
cave or at an aquarium, a tripod may notbe feasible. In these cases
you could up your ISO toat least 800. This way, your camera
willautomatically keep to a fast enough shutter speedfor you to
hand hold your camera. Yet still allowenough light in to your
cameras sensor for areasonable night shot. This will cause a
grainyphotograph. However, in some circumstances anyphoto is better
than none.
55. If you want to take photographs in darkersituations other
than outdoors, without theuse of a flash.For example, if you were
taking images in amuseum or theatre, camera flash could
beprohibited. Or if you were photographing achild blowing out their
birthday cake candles.A bright flash could ruin the atmosphere.
Inthis case you would keep the ISO at around800.
56. If you want to take a photograph indoors of amoving
subject.For example, if you were taking photographsof a basketball
game at an indoors sportscenter. In these circumstances there
isntalways enough natural light to take a goodphoto, while at the
same time the playersarent going to stand still long enough foryou
to shoot at a slower shutter speed either.Therefore, you could up
your ISO to around800. Again, this would allow enough light into
your cameras sensor for a reasonableshot.
58. http://www.photoxels.com/tutorial_iso.html Find more
information on ISO at the aboveweb site
59. The main function of a camera lens is tocollect light. The
aperture of a lens is thediameter of the lens opening and is
usuallycontrolled by an iris.The larger the diameterof the
aperture, the more light reaches thefilm / image sensor. For more
information on aperture, see theweb site below:
http://www.photoxels.com/tutorial_aperture.html
60. The ratio of the focal length to the aperture
http://www.brighthub.com/multimedia/photography/articles/1462.aspx
61. DOF is the zone of acceptable sharpness, thearea in front
of, and behind, a focusedsubject that appears in focus.
http://www.photoxels.com/tutorial_dof.html
63. The speed at which a digital cameras shutter exposes the
imagesensor to light. A shutter speed of 1/60 means that the sensor
isexposed to light for 1/60th of a second. Faster shutter speeds
aregood for "freezing" fast-moving action; slow ones allow you
tointentionally blur the movement of your subject to
emphasizemotion, such as water traveling over a set of falls (these
types of shotsmay require a tripod, since the human hand cannot
hold a camerasteady for very long). Simple digital cameras may have
very littleshutter speed adjustment; more sophisticated cams often
havebetween 9 and 15 shutter speeds.
http://www.ephotozine.com/article/Camera-Shutter-Speeds-explained
http://www.digicamhelp.com/taking-photos/advanced-techniques/shutter-speed-chart.php
64.
http://www.slrphotographyguide.com/camera/settings/shutter-speed.shtml
the amount of time a digital cameras shutteris held open for when
taking a photograph.Shutter speed allows light to reach thecameras
image sensor.
65. ISO, shutter speed andaperture affect whatyour photos look
like A change in one of thethree elements affectsthe others
Resource:http://digital-photography-school.com/learning-exposure-in-digital-photography
67. You can set up your shortcut key to fit yourneeds. For
example, if you always want yourcamera set up for a particular
situation, youcan use your shortcut key for those settings.On the
other hand, maybe there is a settingyou always forget, you can use
yourshortcut key for that setting.
http://photography-on-the.net/forum/showthread.php?t=986130
68. Adjust white balance to get the colors in yourimages as
accurate as possible. Different sources of light have a
differentcolor (or temperature) to them. Fluorescent lighting adds
a bluish cast tophotos whereas tungsten(incandescent/bulbs) lights
add a yellowishtinge to photosRead more: @
http://digital-photography-school.com/introduction-to-white-balance#ixzz2Ja9lwgNj
69. Examples of how lightingaffects your shotsCool Bluish Tint
Mid-Range Tint Warm Yellowish Tint
70. Auto Tungsten Fluorescent Cloudy Flash Shade
71. This usually means Exposure Bracketing You may want to
change your exposuresettings and take a number of shots todetermine
which photo turns out the best. Some cameras have a setting to do
thisautomatically: http://www.hdr-photography.com/aeb.html Good
example of exposure bracketing
inWikipedia:http://en.wikipedia.org/wiki/Bracketing
72. Single-lens Reflex - An SLR, or single-lensreflex, camera
is named for its picture-takingmechanism. In a film SLR, the
viewfinder uses a 45-angled mirror to see through the lens; that
mirror snapsout of sight quickly when you press the shutterbutton,
to let light enter and expose the film. A digital SLR (DSLR) works
the same way, except that theshutter is opening to let the CCD
record the image. SLRs arerevered by serious photographers because
they permit theuse of many different specialized lenses and
flashes, andprovide faster response time and higher continuous
shootingspeed than most point-and-shoot cameras. P&S Point
& Shoot Cameras usually smaller than DSLRswith pre-set modes
and not as much control over settingmanual options.
76. Scale your copies down Use your operating system Directions
on this web
site:http://graphicssoft.about.com/cs/digitalimaging/qt/emailpictures.htm
77. Continuous shot mode, also known as burstmode, is a digital
camera feature where theunit captures a set number of photos in
ashort amount of time. For example, in onetype of burst mode, a
digital camera mightcapture 10 photos in three
seconds.http://cameras.about.com/od/digitalcameraglossary/g/continuous_shot.htm
78. Most compact digital cameras have a burstmode to take a
series of shots in rapidsuccession.
http://www.digicamhelp.com/camera-features/shooting-modes/burst-mode/
85. Attach or insert the image into the e-mail Some people will
not open attachments due to computerviruses being spread by opening
e-mail attachments To insert a photo into an e-mail so it just
appears, the e-mail needs to use html format Some photo editing
programs have this e-mail featurebuilt-in to simplify this process
Be sure to send images in a format, such as JPEG, that moste-mail
programs support. To share a large collection of photos by e-mail
you can Zipthem using programs such as WinZIP or Stuffit. This puts
allof the images into a single file that can then be unzippedby the
recipient.
86. SLR camera that uses film Point & Shoot also called SLR
(but is digital) dont have interchangeable lenses DSLR Digital
Cameras haveinterchangeable lenses
http://answers.yahoo.com/question/index?qid=20080112142036AAybARO
87. Performs basic operations ageneral knowledge of
thesesettings is needed before movingon to more advanced
operations.
88. The shooting information display will showhow many
exposures you have left.
89. At default settings, image quality is set tojpeg normal and
image size is set to Large (L) These settings can be set
differently to freeup more room on the memory card.
90. When the camera is turned on, the shootinginformation
display will be shown as below:
91. Press to switch from shooting info.display to quick
settings display to monitor off(will always do in this order)
92. Highlight desired setting (use multi selector) Display
options for highlighted setting Highlight desired setting Select
option
93. Select Image Size from the Quick settingsdisplay to adjust
the setting. Choose an image size depending on the sizeat which the
photos will be printed.
94. White balance ensures that colors areunaffected by the
color of the light source. Auto is recommended for most light
settings If necessary, other values can be selectedwhen using P, S,
A, or M Modes.
95. Choose from black and white, sepia andcyanotype.
96. ND60 - Skylight, warm filter, red intensifier,green
intensifier, blue intensifier, crossscreen, and color balance.
97. Combines two existing RAW photographs intoone image.
98. Pictures taken with slow shutter settings areprone to
blurring. If ISO is raised above thedefault 100 setting, the same
pictures can beachieved at faster shutter speeds, diminishingblur.
ISO sensitivity can be set between ISO 100 &ISO 1600 in steps
of 1 EV with a furtherhigher setting of Hi 1(ISO 3200)
99. Digital Vari-program modes also offer anAuto setting that
allows the camera toautomatically raise sensitivity when lighting
ispoor or lower sensitivity when lighting isbright.
100. ISO sensitivity is the digital equivalent of filmspeed.
The higher the ISO, the less light needed tomake an exposure,
allowing higher shutterspeeds and smaller apertures. Just as higher
speed films tend to producegrainy pictures, photos taken at high
ISOsettings can produce grainy pictures
101. Select Release Mode from the quick settingsdisplaySingle
frame (default setting)Continuous (burst mode) camerarecords photos
at 3 frames per second whilethe shutter button is pressed. Self
Timer Delayed Remote Quick Response Remote
102. Select Focus Mode from quick settings Choose how the
camera focuses AF-S and AF-C are only available in P,S,A orM
modes
103. Select from quick settings display D60 has three of these
settings:closest subject (this is default for P,S, A, & Mmodes
and automatic for Auto mode) dynamic area (user sets focus point
manually;good for erratically moving subjects this is thedefault
AF-Area setting for Sport.)single point (user selects focus point
with multiselector camera focuses on subject in selectedfocus point
only used with stationary subjects this is the default AF-Area
setting for Close up)
104. Select metering from the quick settingsdisplay The
metering method determines how thecamera sets exposure Can only
adjust in the P, S, A, and M modes Matrix (default setting) This
isrecommended in most settings. The camerameters a wide area of the
frame and instantlysets exposure according to distribution
ofbrightness, color, distance, and compositionfor natural
results.
105. Center-weighted (Camera meters entireframe but assigns
greatest weight to centerarea. Classic meter for portraits!) Spot
(Camera meters exposure in activefocus point only. Ensures that
subject will becorrectly exposed, even when the backgroundis much
brighter or darker.)
106. ND60 use the built-in flash for: Built-in flash cannot be
used, nor can flashmode be changed in sport, no-flash orlandscape
modes. To use the built-in flash in P, S, A, and Mmodes, you must
press to raise.
107. Using the Command Dial The flash mode can also be selected
by rotating thecommand dial while pressing
108. Select from quick settings display Exposure compensation
is used to alterexposure from the value suggested by thecamera,
making photographs brighter ordarker. On ND60, it is available in
P, S, and A modesand is most effective when used with
center-weighted or spot metering.
109. Can also be adjusted using the command dialwhile
pressingonly in P, S, and A modes.
110. Select Flash Compensation from the QuickSettings Display
Flash Compensation is only available in P, S,A, and M modes. Used
to alter flash output changing thebrightness of the subject
relative to thebackground. Flash output can be increased to make
themain subject appear brighter or reduced toprevent unwanted
highlights or reflections.
111. Select from Quick Settings Display When Active D-Lighting
is enable beforeshooting, the camera automatically appliesActive
D-Lighting Compensation. Thispreserves details in highlights and
shadingwhich creates photos with natural contrast. Use for high
contrast scenes for example,when shooting brightly lit outdoor
scenerythrough a door or window or shooting ofshaded subjects on a
sunny day.
112. Flexible Program and the camera settings inthe Quick
Settings Display can be restored todefaults by pressing andtogether
formore than two seconds.
113. Digital Print Order Format
114. In this mode, the camera automaticallyadjusts shutter
speed and aperture foroptimal exposure in most situations. This
mode is recommended for snapshotsand other situations in which you
want toleave the camera in charge of shutter speedand
aperture.
115. In P mode, different combinations of shutterspeed and
aperture can be selected byrotating the command dial aka
flexibleprogram. While flexible program is in effect, indicatorsare
shown in the viewfinder and Shootinginformation display.
116. Rotate the command dial to the right for largeapertures
(small f-numbers) that blur backgrounddetails or fast shutter
speeds that freeze motion. Rotate the command dial to the left for
smallapertures (large f-numbers) that increase depth offield or
slow shutter speeds that blur motion.
117. To restore default shutter speed and aperturesettings,
rotate the command dial until theindicators are no longer
displayed, chooseanother mode, or turn the camera off.
118. In aperture-priority auto mode, YOU choosethe aperture
while the camera automaticallyselects the shutter speed that will
producethe optimal exposure. Small apertures (high f-numbers)
increasedepth of field, bringing both the main subjectand
background into focus. Large apertures (low f-numbers)
softenbackground details.
119. Rotate mode dial to A. Rotate the command dial to choose
the desired aperture. Aperture displayed in the viewfinder will
change. Setaperture to the desired value. The minimum and maximum
apertures available dependupon the lens. Aperture can also be
displayed in the Shooting informationdisplay by pressing.
120. In shutter-priority auto mode, YOU choosethe shutter speed
while the cameraautomatically chooses the aperture that willproduce
the optimal exposure. Use slow shutter speeds to suggest motionby
blurring moving objects. Use high shutter speeds to freeze
motion.
121. Turn the mode dial to S Rotate the command dial to choose
the desired shutterspeed. Shutter speed displayed in viewfinder
will change. Set shutter speed to desired setting between 1/4000 s
and30 s. Shutter speed can also be displayed in the
shootinginformation display by pressing
122. In manual exposure mode, YOU control BOTHshutter speed and
aperture. This mode can also be used for longerexposures, with
which the shutter can be heldopen indefinitely necessary for
shootingfireworks and stars.
123. Long Time-Exposures Shutter speeds of bulb and time can be
used forlong time-exposure photographs of moving lights,the stars,
night scenery, or fireworks. To prevent blurring caused by camera
shake, use atripod or an optional Wireless Remote Control
ML-L3
124. Bulb Shutter remains open while the shutter-releasebutton
is held down, and closes when the shutter-release button is
released. Shutter speed is set to bulb. You will see thisdisplayed
in the viewfinder:
125. Watch the electronic analog exposure displaywhile rotating
the command dial to setshutter speed and aperture.
126. Command Dial
127. Aperture displayed in the viewfinder will change as
thecommand dial is rotated whileis pressed.Set aperture to the
desired value. Shutter speed and aperture can be displayed in the
shootinginformation display by pressing
128. CPU Lens have CPU chips in them all newerdslr cameras have
them. The CPU will tell the camera what aperture itsset at,
focusing distance, what lens isattached. The CPU lenses have a row
of little metalbumps to make contact with the camera body Non-CPU
Lens have manual focus (so if youbought a used lens from someone it
could bea Non-CPU lens.)
129. Photographs are framed in theviewfinder. Before
shootingmake sure the display in theviewfinder is in clear focus.
The viewfinder can be focusedby removing the lens cap andsliding
the diopter control upand down until the focus pointsare in sharp
focus.
130. Whileis held down, information oncurrent shooting
conditions, and help formenus, are displayed on the monitor
(lcdscreen). To scroll the display, press the multi selectorup or
down A blinking icon on the monitor or ablinking icon in the
viewfinder indicatesthat help on an error or other problem can
beviewed in the monitor by pressing
131. Not all lenses have a VR (VibrationReduction) switch. The
image abovedoes not have one.
132. Be sure the camera is OFF when exchangingor removing
lenses. To remove the lens, press and hold down thelens-release
button (1) while turning the lensclockwise (2)
133. Before inserting or removing memory cards,make sure your
camera is off. When you format a memory card in thecamera, it will
delete all files (pictures) off ofthe card. It is better to format
the memory card in thecamera instead of in your
computer.Performance can be affected if you format itin the
computer.
134. Memory cards are equipped with a write-protect switch to
prevent accidental loss ofdata. When the switch is in the
lockposition, photos cannot be recorded ordeleted and the memory
card cannot beformatted.
141.
http://digital-photography-school.com/forum/other-digital-photography-technique-discussion/97081-help-w-settings-pictures-inside-gym.html
http://www.digital-photography-school.com/photographing-a-wrestling-tournament-case-studyNeat
Tip: http://www.uglyhedgehog.com/t-10059-1.html - follow directions
here http://www.flickr.com/people/les_stockton/- do search
here
142. Sony Mavica 1981 saved to 2 video floppy disk
143. Used the popular 3.5 floppy disks for storageHistory of
the camera:http://en.wikipedia.org/wiki/History_of_the_camera
