Story Board Finished

Pre Shot

Company Ident Company ident, pan and tracking.

Backing audio. Frame Duration

00:08

Shot No.1 Snapshot one:

Walking hand in hand.

Type of shot, movement and angle.

Shot: Establishing shotMovement: PanAngle: High angle

Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene.

No dialogue.Sound: Foley sound of camera click, gentle score (continues throughout the film)Setting: Perton parkColour: SepiaLighting: DarkMise en scene: ordinary clothing and makeup, happy expressions, positioned= man and woman walking side by side talking to one another.

Frame duration

3 seconds

Shot No. 2 Snapshot two:

Man on his knees proposing to woman.


Shot: Long shotMovement: NoneAngle: High angle


No dialogue.Sound: Foley sound of camera clickSetting: Perton parkColour: Sepia

Frame duration

2 seconds

Lighting: DarkMise en scene: ordinary clothing and makeup, happy expressions, positioned= man on knees and woman standing with hand over mouth.

Editing notesFast cuts, filter effects

Shot No. 3 Snapshot three:

Couple hug in celebration.


Shot: Mid shotMovement: NoneAngle: Straight


No dialogue.Sound: Foley sound of camera clickSetting: Perton parkColour: SepiaLighting: DarkMise en scene: ordinary clothing and makeup, happy expressions, positioned= in each other’s

Frame duration

2 seconds

arms


ShotNo. 4 Snapshot four:

Couple kiss


Shot: Close-upMovement: NoneAngle: Straight


No dialogue.Sound: Foley sound of camera clickSetting: Perton parkColour: SepiaLighting: DarkMise en scene: ordinary clothing and makeup, happy expressions, positioned= in each other’s arms, straight on.

Frame duration

3 seconds


ShotNo. 5 Establishing shot of best friend’s house where car pulls up onto

drive.


Shot: Long shotMovement: None.Angle: Straight on


No dialogue.Sound: Ambient sounds.Setting: Outside best friend’s house.Colour: Normal, natural colours.Lighting: Dark, sepia, flashback effect.Mise en scene: Rule of thirds (car in middle third).

Frame duration

4 seconds

Shot Woman gets out of her car.

Type of shot, Dialogue. Sound. Setting. Colour. Lighting.

No.6 movement and angle.

Shot: Mid shot of her feet and legs. With some of the car in shot.Movement: No movement.Angle: Low angle

Mise-en-scene.

No dialogue.Sound: Ambient sounds and sounds of door opening.Setting: Outside best friend’s house.Colour: Normal, natural colours.Lighting: High lighting, natural.Mise en scene: Jeans/boots for clothing.

Shot No.7

Woman closes doorType of shot, movement and angle.

Shot: Over the shoulderMovement: No movement.Angle: Medium shot


No dialogue.Sound: Ambient sounds and sounds of door closing.Setting: Outside best friend’s house.Colour: Normal, natural colours.Lighting: High lighting, natural.Mise en scene: Jeans/boots for clothing.

Shot No.8

FlashbackWoman has a flashback of her and her best friend together in a



bedroom having a girly night.

Shot: Wide shotMovement: No movement.Angle: Medium shot

No dialogue.Sound: Ambient sounds and sounds of door closing.Setting: Inside best friend’s bedroom.Colour: Normal, natural colours.Lighting: Dark, sepia, flashback effect.Mise en scene: Pyjamas and hot chocolate in mugs.


Shot No.9

Woman locks car, engagement ring in shot.Type of shot, movement and angle.

Shot: Extreme close upMovement: No


No dialogue.Sound: Foley sound of the car locking.

movement.Angle: High angle

Setting: Inside best friend’s bedroom.Colour: Normal, natural colours.Lighting:Mise en scene: Engagement ring, car clicker

Editing notesFast cuts, no filter effects

Shot No.10

FlashbackWoman has a flashback of her and her best friend together.


Shot: Medium shotMovement: No movement.Angle: Straight angle


No dialogue.Sound: Ambient sounds and sounds of door closing.Setting: Inside best friend’s bedroom.Colour: Normal, natural colours.Lighting: Dark, sepia, flashback effect.Mise en scene: Pyjamas and hot chocolate in mugs.

Shot No.11

Woman walks up to houseShot of engaged woman’s feet.


Shot: Mid shotMovement: TrackingAngle: Straight angle


No dialogue.Sound: Footsteps, ambient soundsSetting: Outside the houseColour: NaturalLighting: Natural, normalMise en scene: Normal, casual clothing and domesticated setting. Shoes=boots.

Shot No.12

Woman knocks onto the doorType of shot, movement and angle.

Shot: over shoulder, close upMovement: no movementAngle: straight on


No dialogueSound: ambient sounds and door knocksSetting: outside the house and the doorColour: naturalLighting: natural and normalMise en scene: normal, casual

Shot No. 13 Mistress opens door.



Shot: long shot, over the shoulder of engaged womanMovement: no movementAngle: straight lesson

No dialogueSound: foley sound of door openingSetting: outside the door and houseColour: naturalLighting: natural and normalMise en scene: mistress in provocative dress whilst engaged woman contrasts in casual wear.

Shot No. 14 Mistress and engaged woman hug on doorstep.


Shot: long shotMovement: no movementAngle: straight


No dialogueSound: ambient sounds and continued scoreSetting: outside the house, on the doorstepColour: naturalLighting: natural and normalMise en scene: casual/provocative clothing, housing setting

Shot No. 15 Close up of the engaged woman smiling whilst hugging friend.



Shot: close upMovement: no movementAngle: straight


Shot No. 16

Close up of mistress smiling which then drops to a frown, whilst hugging best friend. No transition.


Shot: close upMovement: no movementAngle: straight



ShotNo. 17 Cut to kitchen


Shot: long shotMovement: pan movementAngle: straight


No dialogueSound: ambient sounds and continued scoreSetting: in kitchenColour: naturalLighting: natural and normalMise en scene: casual/provocative clothing, housing

ShotNo. 18 Mistress has a drink in her hand and sits down to say “so, how did

he propose then?”


Shot: Long/Two shotMovement: No movementAngle: straight


Dialogue here-see screenplaySound: Ambient sounds and continued scoreSetting: in kitchenColour: Natural and brightLighting: Natural and normalMise en scene: casual/provocative clothing, housing

Shot Medium shot of fiancée as she starts to explain her engagement to Shot: Long/Two shot Dialogue here-see screenplay

No.19 her friend.

Movement: No movementAngle: straight

Sound: Ambient sounds and continued scoreSetting: KitchenColour: Natural and brightLighting: Natural and normalMise en scene: casual/provocative clothing, housing

ShotNo.20

Close up shot of best friend’s face – pretending to be happy but secretly worried

Shot: Close upMovement: Fades into a flashbackAngle: Slightly high

Dialogue: Engaged woman talking about proposal (quiet in the background)Sound: Engaged woman’s voice along with distorted sounds and a heightened scoreSetting: In kitchenColour: Darker but still naturalLighting: Darker but still natural and normalMise en scene: Casual/provocative clothing, housing

ShotNo.21 Flash back of mistress and engaged man in a park – pushes mistress

up a tree

Shot: Long shotMovement: No movementAngle: Low angle

No DialogueSound: Distorted sounds of cheating couple and engaged woman continuing to talk about proposalSetting: Perton park/forestColour: Sepia/fadedLighting: Slightly darkMise en scene: Casual/provocative clothing, outside setting

Shot No. 22 Cut back to engaged woman explaining proposal in the kitchen

Shot: mid shotMovement: No movementAngle: high

Dialogue: Continued of proposal explanationSound: Distorted sounds – laughs and talking and heightened scoreSetting: In the kitchenColour: Slightly shadowed - normal coloursLighting: Slightly shadowedMise en scene: Casual clothing, domestic setting.

Shot No. 23

Fade back to flashback of mistress and engaged man – picnic in the park – flirtatious

Shot: Long shotMovement: No movement, but movement in editing.Angle: Straight

Dialogue: continued proposal explanationSound: laughs and talking – distorted – heightened scoreSetting: Perton parkColour: DarkLighting: Low lighting - shadowed

Mise en scene: provocative and casual clothing, outdoor setting

Shot No. 24

Picnic in the park – closer view of them feeding each other

Shot: Two/mid shotMovement: No movementAngle: Straight angle

Dialogue: Continued proposal explanationSound: Laughs and talking – distorted – heightened scoreSetting: Perton parkColour: DarkLighting: Low lighting - shadowedMise en scene: Provocative and casual clothing, outdoor setting

Shot No. 25 Cut back to kitchen scene – we see a worried expression on the

mistress’ face

Shot: Mid shotMovement: No movementAngle: Slightly high

Dialogue: Best friend “Wow, he really out did himself didn’t he?”Sound: Score quietened but tenseSetting: KitchenColour: Normal and naturalLighting: Natural lighting

Mise en scene: Casual/provocative clothing, housing

Shot No. 26 Shot reverse shot – cut to engaged woman smiling

Shot: Mid shotMovement: No movementAngle: Straight

Dialogue: Engaged woman: “I know! Are you ok? You seem a bit pale.”Sound: Score quietened but tenseSetting: KitchenColour: Normal and naturalLighting: Natural lightingMise en scene: Casual/provocative clothing, housing

Shot No. 27 Shot reverse shot – cut to mistress smiling and nodding

Shot: Slightly high and medium close-up.Movement: No movementAngle: Straight

Dialogue: Engaged woman:Sound: Score quietened but tenseSetting: KitchenColour: Normal and naturalLighting: Natural lightingMise en scene: casual/provocative clothing, housing

ShotNo. 28 Home phone rings

“I ought to get that”

Walks out of frame

Shot: Close-upMovement: No movementAngle: Straight

Dialogue: Engaged woman: “I ought to get that.”Sound: Home phone rings.Setting: KitchenColour: Normal and naturalLighting: Natural lightingMise en scene: Casual/provocative clothing, housing

ShotNo. 29 Fiancée sipping drink medium shot.

Shot: Medium shotMovement: No movementAngle: Straight

Sound: Home phone quiet ring, sipping drink.Setting: KitchenColour: Normal and naturalLighting: Natural lightingMise en scene: Casual/provocative clothing, housing

ShotNo. 30 Sound- mobile phone alerts


Sound: Mobile phoneSetting: KitchenColour: Normal and naturalLighting: Natural lightingMise en scene: Casual/provocative clothing, housing

ShotNo. 31 Finacée looks up from drinking her drink. Eyes are main focus in

shot.



ShotNo. 32 Mobile phone is shown to be flashing on the home screen



ShotNo. 33 Finacée leans over to see what is going on with the phone

Shot: Wide shotMovement: No movementAngle: Straight

Sound: Picking up phoneSetting: KitchenColour: Normal and naturalLighting: Natural lightingMise en scene: Casual/provocative clothing, housing

ShotNo. 34 OTS of the phone notifications.

Shot: Over the shoulderMovement: No movementAngle: Straight

Sound: Sound alertSetting: KitchenColour: Normal and naturalLighting: Natural lightingMise en scene: Casual/provocative clothing, housing

ShotNo. 35 Close up of finacée’s eyes and eyebrows. Eyes are open wide.

Shot: Close upMovement: No movementAngle: Straight

Sound: Just film scoreSetting: KitchenColour: Normal and naturalLighting: Natural lightingMise en scene: Casual/provocative clothing, housing

ShotNo. 35

ShotNo. 36 Unlocks phone

Shot: Over the shoulderMovement: No movement

Sound: Unlocks phoneSetting: KitchenColour: Normal and naturalLighting: Natural lighting

ShotNo. 36

Angle: Straight Mise en scene: Casual/provocative clothing, housing

ShotNo. 37 Scrolls through phone and all of the photos of mistress and her

fiancée together.

Shot: Over the shoulderMovement: No movementAngle: Straight


ShotNo. 37

ShotNo. 38 Fiancée has a single tear drop from eye.



ShotNo. 38

ShotNo. 39

Rule of thirds, finacée on side of screen. Inshock

Shot: Wide shot.Movement: No movementAngle: Straight


ShotNo. 39

ShotNo. 40 Focus pull from

sad fiancée to approaching mistress

Shot: Wide shotMovement: No movement, focus pull.Angle: Straight

Sound: Film score begins to build in tempo, introduction of stringed instruments.Setting: KitchenColour: Normal and naturalLighting: Natural lightingMise en scene: Casual/provocative clothing, housing

ShotNo. 40

ShotNo. 41 Mistress grabs knife from kitchen bench


Sound: Film score begins to build in tempo.Setting: KitchenColour: Normal and naturalLighting: Natural lightingMise en scene: Casual/provocative clothing, housing

ShotNo. 41

ShotNo. 35 Close up of finacée’s eyes and eyebrows. Eyes are open wide.



ShotNo. 35

Shot Shot: Close up Sound: Phone drops to floor.

No. 43 Phone drops to floor Movement: No movementAngle: Straight

Setting: KitchenColour: Normal and naturalLighting: Natural lightingMise en scene: Casual/provocative clothing, housing

ShotNo. 44 Fiancée drops to floor


Sound: Quiet audio of fiancée droppingSetting: KitchenColour: Normal and naturalLighting: Natural lightingMise en scene: Casual/provocative clothing, housing

ShotNo. 45 Fiancée on the floor



ShotNo. 46 Mistress walks away

Shot: Low shot of feet walking awayMovement: No movementAngle: Straight


ShotNo. 47 Fiancée on floor in pool of blood



Shot Shot: Close-up Sound: When eyes open, audio cuts out.

No. 48 Finacée’s eyes suddenly open Movement: No movementAngle: Straight

Setting: KitchenColour: Normal and natural, when eyes open, screen goes black.Lighting: Natural lightingMise en scene: Casual/provocative clothing, housing

ShotNo. 49 ‘The Mistress’ on written on screen.

Shot: BlackMovement: No movementAngle: Black

Sound: No soundSetting: Black screenColour: Black screen with ‘The Mistress’ written on it.Lighting: Black screenMise en scene: N/A

Art & Photos

Story Board Finished