Introduction;In 2005, Cyrus was cast as the lead in the Disney series Hannah Montana (2006), about a teen leading a double life as a pop star. Again her father acted alongside her. The show was a smash and hit records, sell-out tours and merchandising deals soon followed. Cyrus became a teen superstar. Following the success of Hannah Montana (2006), Cyrus made the move into other roles - including playing Ronnie Miller in The Last Song (2010) and Lola in LOL (2012) alongside Demi Moore.

Her typical genre is: pop rock, rock, and pop country

Miley’s first album as ‘Miley’ was called breakout and it was released in 2008.

Miley’s second album was called the time of our lives and was released in 2009.

Miley’s third album was called Can’t be tamed, and was released in 2010.

Miley’s most recent album, 4th, is called bangerz, and was released in 2013.

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Break out: 7 Thingshttp://www.youtube.com/watch?v=Hr0Wv5DJhuk&feature=kp

The time of our lives: Party in the U.S.Ahttp://www.youtube.com/watch?v=M11SvDtPBhA&feature=kp

Cant be tamed: Cant be tamedhttp://www.youtube.com/watch?v=sjSG6z_13-Q

Bangerz: We cant stop http://www.youtube.com/watch?v=LrUvu1mlWco

Her image;

Miley Cyrus started of as a well known Disney Star ‘Hannah Montana’. She appeared on the hit show Hannah Montana, created her own movie and released albums and performed concerts as Hannah Montana. She then decided she wanted to portray herself using her own talents, so changed to Miley Cyrus and over the years her image has change drastically. She went from Hannah Montana to Miley Cyrus, but by what we have seen there is several different sides to Miley Cyrus. Everyone had their own perspective of her, a sweet innocent Disney girl, so when she changed her image in time for the Bangerz album, everyone was stunned by her actions. People were horrified, and she gained a mix of positive and negative views, but everyone was so shocked due to her previous career of being in Disney and she was thousands of young girls role models.

Her first music videos;In Miley’s first videos, she was still seen as a Disney idol that all young girls look up to. In most of Miley’s early music videos she performs her song, singing to the camera and dancing whilst putting on a performance to entertain the audience. She is still portrayed as the Disney girl and everyone still associated her with Hannah Montana.

The middle of her music videos;Miley is still known as a Disney character, but she is not putting on her own spin and her own risky edge. She is starting to wear less clothing and starting to perform more ‘sexier’ dance moves for the audience to see. Her music videos still involve performance, but using more grown up dance moves and more serious lyrics.

Present;Throughout the years Miley has change drastically, and some people agree positively but a lot of the population are disturbed by what they see her doing in recent time. An outrage that was a worldwide shock was her performance on the 2013 VMA awards with Robin Thicke. She was shown wearing barely any clothing and performing very sexual moves. Her music videos also followed on to be just like this.

Album Reviews- Breakout Technically, Breakout is Miley Cyrus' second album, but her first was part of the two-disc set Hannah Montana 2/Meet Miley Cyrus, which attempted to capitalize on Cyrus' huge popularity as The Disney Channel's pop star in disguise and establish her as a real pop star under her own name. Though she scored a tween-pop hit with "See You Again," the songs Cyrus recorded as herself on Meet Miley Cyrus weren't significantly different than her Hannah Montana fare. She takes another step toward having her own pop identity with Breakout, the first album credited to Miley Cyrus alone. Breakout is possibly the most generic title this set of songs could have, but it expresses the album's purpose nicely: Miley sheds the confines of her Hannah Montana image for an identity that is just as stylized and calculated as her alter ego. As with all Disney music, nothing has been left to chance. Breakout hits all the marks that a 2008 pop album should, right down to a dance remix and a song about saving the environment; cunningly, "Wake Up America" is one of the album's catchiest moments. These songs were written and produced by committee, designed to present the feisty, carefree Miley (the title track's schoolgirl rebellion) and the sensitive Miley ("The Driveway," "Goodbye") to the widest audience possible. Truth be told, these sides of Miley still aren't drastically different from Hannah Montana's music -- "Full Circle," with its bubbly melody and playful lyrics, plays like a slightly more sophisticated Hannah Montana single. Cyrus' sound is still a mix of Avril Lavigne-esque sass and Michelle Branch-like vulnerability, served with a bright sheen borrowed from new wave, which she nods to with an oddly rushed, strings-driven cover of Cyndi Lauper's "Girls Just Wanna Have Fun." Cyrus' voice is deeper and rougher than when she's singing as Hannah, and there are a few more reflective moments here than there would be on her other project, but only a handful of songs truly break out from the Montana mold. "Bottom of the Ocean" is so polished and restrained that it could be a hit on triple-A radio, while "7 Things" is a twangy, clever piece of love-hate pop that feels descended from Shania Twain's flirty mix of rock and country. The controlling boyfriend putdown "Fly on the Wall" goes in a completely different direction, playing like a G-rated version of Britney Spears' "Toxic" with fuzzed-out guitars and keyboards that lead into girlishly snotty vocals. Even if these songs are derivative of much more established pop divas, they provide clues to the kind of company Cyrus aims to keep. And while Breakout isn't as much of a breakthrough as it could be, it still moves Miley closer to an identity and career outside of Hannah.

Album Reviews-The time of our lives

If Breakout began to establish Miley Cyrus as a singing star in her own right, free of Hannah Montana baggage, then this Walmart Exclusive EP is another confident step in that direction. The Time of Our Lives still boasts a couple of frothy, Hannah-esque party anthems, the title track and "Party in the USA." Though Cyrus' voice borders on shrill on both songs, they'll please Montana fans (that goes double for the live version of "Before the Storm" with the Jonas Brothers). However, when she lets her inner rock chick and ballad-singing diva come to the fore, Cyrus really shines: the lead track "Kicking and Screaming" has more guts and swagger than anything else she has recorded, and "Talk Is Cheap" underscores that she has a real flair for rock -- albeit of the well-groomed, Disney-fied variety. She is just as accomplished on the EP's ballads, particularly "Obsessed." Cyrus has always sounded older than her years, and as she leaves her teens, that's a good thing -- especially since The Time of Our Lives shows her music is catching up to her pipes.

Album Reviews- Can’t be tamedMiley Cyrus' Time of Our Lives EP spawned the carefree mega-hit “Party in the U.S.A.,” but on her second album, she does just about everything she can to distance herself from that look and sound to announce that she has grown up. On Can’t Be Tamed’s cover, she’s clad in black from her heavily lined eyes to the tips of her toes, sporting pale skin and chestnut hair several shades darker than Hannah Montana blonde. The album’s sound is several shades darker too, but within reason; while none of these songs sounds like it belongs on one of her alter ego’s albums, Can’t Be Tamed was released by Hollywood Records, Disney’s more mature imprint. So while “Liberty Walk's” bold synths and beats and rapped verses sound edgier than any of Cyrus' previous work, upbeat lyrics like “Don’t live a lie/This is your life” keep the song Radio Disney-friendly. She also tries this dance floor-ready sound out for size on “Who Owns My Heart,” the stomping title track, and “Permanent December,” which apes the Auto-Tuned rapping of Kesha's “Tik Tok” minus that song’s mindless fun, which is actually a recurring problem on Can’t Be Tamed: too often, Cyrus equates grown-up with joyless, and songs like “Scars” reach for an emotional depth that isn’t there. Though pop was Cyrus' bread and butter during her Hannah years, the album’s synth-dominated tunes don’t jell with her voice; she sounds more natural and more grown-up on the songs that straddle rock and country, including the revved-up cover of Poison's “Every Rose Has Its Thorn” and the anthemic “Two More Lonely People,” which makes the most of her voice and appeal as they are. Even occasionally overwrought ballads like “Stay” and “Take Me Along” are a more organic fit for the singer she has been and could become. At times Can’t Be Tamed feels perfunctory, doing the job of showing Cyrus is growing up without making her too mature for her still-young fan base and little else. She’s taken another step away from Hannah here, but there should be room for fun even in more adult musical territory.

Album Reviews- BangerzAfter the release of Can't Be Tamed, Miley Cyrus took a break from singing and focused on her film career for a few years, allowing her to make a big comeback to music at the tender age of 20. Like so many Disney starlets, Cyrus needed to distance herself from her tween pop past; Can't Be Tamed tiptoed toward a more adult persona, but Bangerz kicks down the doors. This is her first non-Disney album, and in many ways it feels like a debut, an R&B and hip-hop-tinged coming-out party that introduces Miley as an A-list pop star. Bangerz's guest list is packed with star producers, including Pharrell Williams and Mike WiLL Made It, and vocalists like Britney Spears, who cameos on the fizzy "SMS (Bangerz)." Cyrus has taken cues from more established pop stars in the past -- Can't Be Tamed often evoked Ke$ha -- but one of the models for this album is clearly Rihanna. Miley's summer 2013 hit "We Can't Stop" was even originally offered to Rihanna, and they share a nasally buzz in their singing and a commitment to partying in their songs (if possible, "Love Money Party" sounds even more like a Rihanna-be than "We Can't Stop"). Bangerz's take on R&B is most convincing when it's balanced with Cyrus' country and pop roots, as on the Pharrell productions "4x4," an improbable but entertaining piece of country-rap featuring Nelly, and "#GETITRIGHT," which is so bouncy it almost sounds innocent despite Miley's insistence that she wants to be naughty. Cyrus and company also spend plenty of time sampling other early-2010s trends, whether it's the wobbly, dubstep-like synths on "Drive" or the EDM-leaning ballad "Someone Else," but on every track, she sounds more mature than ever before. Despite its flashier moments, there are also plenty of ballads, something hinted at by the album's second single, "Wrecking Ball." Bangerz even opens with a slow song (the unabashedly romantic "Adore You"), which in its own way is almost as bold a move as the publicity events that preceded the album's release. Brassy empowerment jams like "Maybe You're Right," "Do My Thang," and "FU" sell Cyrus as an independent woman, and the album accomplishes that mission: Bangerz transforms Miley into a pop star who won't -- and can't -- be ignored as she rings in her twenties.

Conclusion;

As I have previously stated a lot of times, Miley’s image has changed enormously throughout her career. She started as a Disney Idol, and changed into a rebellious pop star. Everyone was so surprised by her change due to the fact that she did use to be a Disney star who was many young girls idol ‘Hannah Montana’ and her change to her look in the Bangerz album shocked the whole world because of who she used to be and the image she used to portray to young girls. Now she has completely changed into a different image, and I believe her image will keep developing throughout the years to shock the population.