Upload
michaelasanda-
View
380
Download
1
Embed Size (px)
Citation preview
Jinshan Island and West Lake Kano Sanraku (Japanese, 1559–1635)Six-panel folding screen
“Butterflies” (“Kochō”), Chapter 24 from The Tale of Genji (Genji monogatari)Momoyama period (1573–1615)Six-panel folding screen
“The Jeweled Chaplet” (Tamakazura), from The Tale of Genji (Genji monogatari)Circle of Tosa Mitsuyoshi (Japanese, 1539–1613)
41-volume handwritten copy of Taiheiki Edo period (1615–1868)
Amida Nyorai ca. 1250
Fudō Myōō (Achala-
vidyārāja) 12th century
Sha
kyam
uni (
Seo
kka)
Tria
d Jo
seon
dyn
asty
, 156
5 H
angi
ng s
crol
l
Arh
at fr
om a
ser
ies
of s
ixte
en A
rhat
s 14
th c
entu
ry
Sat
suba
ri, th
e S
econ
d of
the
Six
teen
Arh
ats
late
14t
h ce
ntur
y
Atte
ndan
t Bod
hisa
ttva
Kan
non
late
12t
h–13
th c
entu
ry
Atte
ndan
t Bod
hisa
ttva
Sei
shi l
ate
12th
–13t
h ce
ntur
y
Toba
tsu
Bis
ham
onte
n la
te 1
0th–
early
11t
h ce
ntur
y
Bo Ya Plays the Qin as Zhong Ziqi Listens Circle of Kano Motonobu (ca. 1476–1559)
Book Cabinet (Shodansu) for a set of A Chronicle of the Great Peace (Taiheiki) Edo period (1615–1868)
Cicada on a Grapevine
Bokurin Guan (Japanese, active late 14th century)
Zheng Huangniu and Yushanzhu
Kano Naizen (Japanese, 1570–
1616)
Designer Hanae Mori (Japanese, born 1926)
Five Dishes with Wave Design Edo period (1615–1868)
Freshwater jar (Mizusashi) Edo period (1615–1868)
Shigaraki Jar (Tsubo) Edo period (1615–1868)
Jar (Tsubo) with Chrysanthemums Kamakura period (1185–1333)
Lobed incense burner with metal cover; Edo period, 17th century Minneapolis Institute of Art
Six of the Twelve Divine Generals (Jūni shinshō) 14th century
Incense Box (Kōgō) with Cartwheels Submerged in Water Muromachi period (1392–1573)
Incense Box (Kōgō) with Interlinked Circles (Shippō) Pattern early 17th century
Inkstone (Suzuri) with Gourd Vine Momoyama period (1573–1615)
Sou
ther
n S
ong
dyna
sty
(112
7–12
79)
Writing brush and cover
Ming dynasty (1368–1644)Writing Box (Suzuribako) with “The Lady of the Bridge” Design Edo period (1615–1868)
Shelf stand with scenes from Eight Views of Ōmi Meiji period, early 19th century
Minneapolis Institute of ArtEdo period, 19th century Minneapolis Institute of Art
Boxed set for shell-matching game
Set for shell-matching game Edo period, 19th century Minneapolis Institute of Art
Box and case for Noh flutes named “Winter Wind” Edo period, 18th century Minneapolis Institute of Art
Comb and pin with cranes Meiji period, 19th century, Minneapolis Institute of Art
Illustrated Legends of the Origins of the Kumano Shrines (Kumano engi emaki)Momoyama period (1573–1615)Set of three handscrolls
Yanji with Orchids and Yang Guifei
with Peonies Genki (Komai
Ki) (Japanese, 1747–1797)
Pair of hanging scrolls
Mandala of Wakamiya of Kasuga Shrine (Kasuga wakamiya mandara) early 14th century
Nanban cabinet with geometric patterns and deerMomoyama period, early 17th century. Minneapolis Institute of Art
Noh Robe (Karaori) with Autumn Flowers and Grasses Edo period (1615–1868)
Orchid Pavilion Gathering; Autumn Landscape Ike Taiga (Japanese, 1723–1776)
Orchid Pavilion Gathering; Autumn Landscape Ike Taiga (Japanese, 1723–1776)Pair of six-panel folding screens
The Tale of Sumiyoshi (Sumiyoshi monogatari)
late 13th century
Peaceful Practices, Chapter 14 of the Lotus Sutra (Myōhōrenge-kyō, or Hoke-kyō) ca. 1667
Pheasants among Trees Flowers of the Four Seasons Kano Shōei (Japanese, 1519–1592)
Portable chest (sagetansu) with wisteria. Edo period, 17th–18th century Minneapolis Institute of Art
Sake container with ducks Edo period, 17th–18th century Minneapolis Institute of Art
Scene from The Illustrated Sutra of Past and Present Karma (Kako genzai e-inga-kyō; Matsunaga Version) late 13th century
Scene from The Illustrated Sutra of Past and Present Karma (Kako genzai e-inga-kyō; Matsunaga Version) late 13th century
Scene from The Illustrated Sutra of Past and Present Karma (Kako genzai e-inga-kyō; Matsunaga Version) late 13th century
Scenes in and around the Capital Edo period (1615–1868)Six-panel folding screen
Six Jewel Rivers (Mu-Tamagawa) Sakai Ōho (Japanese, 1808–1841)
Six Jewel Rivers (Mu-Tamagawa) Sakai Ōho (Japanese, 1808–1841)
Six Jewel Rivers (Mu-Tamagawa) Sakai Ōho (Japanese, 1808–1841)
Six Jewel Rivers (Mu-Tamagawa) Sakai Ōho (Japanese, 1808–1841)
Six Jewel Rivers (Mu-Tamagawa) Sakai Ōho (Japanese, 1808–1841)
Six Jewel Rivers (Mu-Tamagawa) Sakai Ōho (Japanese, 1808–1841)
Six Jewel Rivers (Mu-Tamagawa) Sakai Ōho (Japanese, 1808–1841)
Six Tamagawa Rivers from Various Provinces (Shokoku Mu Tamagawa)Utagawa Hiroshige (Japanese, 1797–1858 )
Stacked Food Box (Jūbako) with “Whose Sleeves” (Tagasode) Design Edo period (1615–1868)
Stacked food boxes (jūbako) with stripes, 17th century Minneapolis Institute of Art
Storage box for monk’s robe (kesabako) Edo–Meiji period, 19th century Minneapolis Institute of Art
Arrival of the Europeans Edo period (1615–1868)
Sweetfish in Summer and
Autumn Maruyama
Ōkyo (Japanese,
1733–1795)
Three Gods of Good Fortune Visit the Yoshiwara; or “Scenes of Pleasure at the Height of Spring” Chōbunsai Eishi (Japanese, 1756–1829)
Three Gods of Good Fortune Visit the Yoshiwara
Three Gods of Good Fortune Visit the Yoshiwara
Three Gods of Good Fortune Visit the Yoshiwara; or “Scenes of Pleasure at the Height of Spring” Chōbunsai Eishi (Japanese, 1756–1829)
Three Gods of Good Fortune Visit the Yoshiwara; or “Scenes of Pleasure at the Height of Spring” Chōbunsai Eishi (Japanese, 1756–1829)
Three Gods of Good Fortune Visit the Yoshiwara; or “Scenes of Pleasure at the Height of Spring” Chōbunsai Eishi (Japanese, 1756–1829)
Text & pictures: InternetCopyright: All the images belong to their authors
Presentation: Sanda Foişoreanuwww.slideshare.net/michaelasanda
Sound: James Galway – Into the Forest 2016