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InkInkDrawingDrawing
INK DRAWING IMPLEMENTS
Reed Pens
Bamboo
FeatherQuill Pen
Brass “Dip” PenBrush
Papyrus
Mulberry Paper
Traditional PAPERS used for ink drawing:
PAPYRUS (plant leaf), MULBERRY ( tree bark) SILK (insect cocoons) COTTON RAG VELLUM (animal skin)
Modern WOOD PULP paper dates from the 19th c.
Silk
Victor Hugo (sepia)
Traditional Inks:
•Lamp black: soot or burned bone with animal hide glue or shellac binder
•Sepia: ink from cuttlefish, chemically melanin
•Iron gall: iron salts with tannin from gall nuts
Drawing INK has been used in Egypt from @ 2500 BC, in China from 1700 BC or earlier and inIndia at least since 4th c. BC.
Albrecht Durer (sepia ink)
Vincent Van Gogh (iron gall ink)
PEN AND INK TECHNIQUESPEN AND INK TECHNIQUES
Alice Neel
CONTOURLINEDRAWING
Philip Guston
Moriceau and Mrzyk
HATCHING/ CROSS HATCHING
Pablo Picasso
Rick Lyon
STIPPLING
Scientific Illustrations
Frank Lobdel PEN AND INK WITH INK WASH
RobertLongo
(charcoal, graphite and ink)
Peter Wentworth-Sheilds
Jonathan Borofsky
RESERVED WHITE
StevenCerio
Leonardo DaVinciink and chalk
Ink andColor
Gala Bent
Ink and color
How can
SPACESPACEbe portrayed in a
2-dimensional drawing?*
*overlapping shapes, diminishing sizes of shapes, perspective, foreshortening, aerial perspective, shading for volume, value contrast
Mark Kostabi
SPACE: OVERLAPPING SHAPES
Alberto Gomez Pereira
Ernesto Caivano
detail ofJapanese scroll,brush and ink
SPACE:diminishingsizes of objects in the distance
Noteforeground,middle-ground,background.
William T. Wiley pen/ ink and watercolor
SPACE: (linear) perspective
“Mars Architecture” by Stefan Davidovici
RobertAdam
SPACE: Atmospheric (aerial) perspective(distant objects are lighter in value and lack detail)
SPACE:shading for volume /dimension (hatching, cross-hatching, stippling)
Tom Otternesssketch for sculpture
Robert Brackman
Toyin Odutola
Leonard Baskin
James Abbey
SPACE:value contrast
Nicholas Di Genova
Raymond Pettibone ink drawing
SPACE: foreshortening
BruceConner Ink-blot drawing