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Ink Ink Drawing Drawing

Ink drwg.and space f13

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Page 1: Ink drwg.and space f13

InkInkDrawingDrawing

Page 2: Ink drwg.and space f13

INK DRAWING IMPLEMENTS

Reed Pens

Bamboo

FeatherQuill Pen

Brass “Dip” PenBrush

Page 3: Ink drwg.and space f13

Papyrus

Mulberry Paper

Traditional PAPERS used for ink drawing:

PAPYRUS (plant leaf), MULBERRY ( tree bark) SILK (insect cocoons) COTTON RAG VELLUM (animal skin)

Modern WOOD PULP paper dates from the 19th c.

Silk

Page 4: Ink drwg.and space f13

Victor Hugo (sepia)

Traditional Inks:

•Lamp black: soot or burned bone with animal hide glue or shellac binder

•Sepia: ink from cuttlefish, chemically melanin

•Iron gall: iron salts with tannin from gall nuts

Drawing INK has been used in Egypt from @ 2500 BC, in China from 1700 BC or earlier and inIndia at least since 4th c. BC.

Page 5: Ink drwg.and space f13

Albrecht Durer (sepia ink)

Page 6: Ink drwg.and space f13

Vincent Van Gogh (iron gall ink)

Page 7: Ink drwg.and space f13

PEN AND INK TECHNIQUESPEN AND INK TECHNIQUES

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Alice Neel

CONTOURLINEDRAWING

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Philip Guston

Page 10: Ink drwg.and space f13

Moriceau and Mrzyk

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HATCHING/ CROSS HATCHING

Pablo Picasso

Page 12: Ink drwg.and space f13

Rick Lyon

Page 13: Ink drwg.and space f13

STIPPLING

Scientific Illustrations

Page 14: Ink drwg.and space f13

Frank Lobdel PEN AND INK WITH INK WASH

Page 15: Ink drwg.and space f13

RobertLongo

(charcoal, graphite and ink)

Page 16: Ink drwg.and space f13

Peter Wentworth-Sheilds

Jonathan Borofsky

RESERVED WHITE

Page 17: Ink drwg.and space f13

StevenCerio

Page 18: Ink drwg.and space f13

Leonardo DaVinciink and chalk

Ink andColor

Page 19: Ink drwg.and space f13

Gala Bent

Ink and color

Page 20: Ink drwg.and space f13

How can

SPACESPACEbe portrayed in a

2-dimensional drawing?*

*overlapping shapes, diminishing sizes of shapes, perspective, foreshortening, aerial perspective, shading for volume, value contrast

Page 21: Ink drwg.and space f13

Mark Kostabi

SPACE: OVERLAPPING SHAPES

Page 22: Ink drwg.and space f13

Alberto Gomez Pereira

Page 23: Ink drwg.and space f13

Ernesto Caivano

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detail ofJapanese scroll,brush and ink

SPACE:diminishingsizes of objects in the distance

Noteforeground,middle-ground,background.

Page 25: Ink drwg.and space f13

William T. Wiley pen/ ink and watercolor

Page 26: Ink drwg.and space f13

SPACE: (linear) perspective

“Mars Architecture” by Stefan Davidovici

Page 27: Ink drwg.and space f13

RobertAdam

SPACE: Atmospheric (aerial) perspective(distant objects are lighter in value and lack detail)

Page 28: Ink drwg.and space f13

SPACE:shading for volume /dimension (hatching, cross-hatching, stippling)

Tom Otternesssketch for sculpture

Robert Brackman

Page 29: Ink drwg.and space f13

Toyin Odutola

Page 30: Ink drwg.and space f13

Leonard Baskin

James Abbey

SPACE:value contrast

Page 31: Ink drwg.and space f13

Nicholas Di Genova

Page 32: Ink drwg.and space f13

Raymond Pettibone ink drawing

SPACE: foreshortening

Page 33: Ink drwg.and space f13

BruceConner Ink-blot drawing