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Western Europe During WWI Picturing the Waste Land Left Side

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Western Europe During WWI

Picturing the Waste Land

Left Side

Marcel Janco

Mask

1919

Paper, cardboard, string, gouache, and pastel

17-3⁄4 × 8-5⁄8 × 2”

Musée National d’Art Moderne, Centre d’Art et de Culture Georges Pompidou, Paris

[Fig. 10-01]

Sophie Taeuber

Rythmes Libres

(Free Rhythms)

1919

Gouache and watercolor on vellum

14-3⁄4 × 10-7⁄8”

Kunsthaus, Zurich

[Fig. 10-04]

Jean (Hans) Arp

Fleur Marteau

(Hammer Flower)

1916

Oil on wood

24-3⁄8 × 19-5⁄8”

Fondation ArpClamart, France

[Fig. 10-06]

Marcel Duchamp

Bicycle Wheel

New York, 1951(third version, after lost original of 1913)

Assemblage: metal wheel25-1⁄2” diameter, mounted on painted

wooden stool

23-3⁄4” high;overall 50-1⁄2 × 25-1⁄2 × 16-5⁄8”

The Museum of Modern Art, New York

[Fig. 10-09]

Marcel Duchamp

The Passage from Virgin to Bride

Munich

July–August 1912

Oil on canvas

23-3⁄8 × 21-1⁄4”

The Museum of Modern Art, New York

[Fig. 10-07]

Marcel Duchamp

The Bride Stripped Bare by Her Bachelor Even

or The Large Glass

1915–23

Oil, lead wire, foil, dust, and varnish on glass

8’ 11” × 5’ 7”

Philadelphia Museum of Art

[Fig. 10-12]

Man Ray

Seguidilla

1919

Airbrushed gouache, pen and ink, pencil, and colored pencil on paper

board

22 × 27-7⁄8”

Hirshhorn Museum & Sculpture Garden

Smithsonian Institution

Washington, D.C.

[Fig. 10-16]

Man Ray

Untitled

1922

Gelatin-silver print (Rayograph)

9-3⁄8 × 7”

The Museum of Modern Art, New York

[Fig. 10-18]

Hannah Höch

Cut with the Kitchen Knife Dada Through the Last

Weimar Beer Belly Cultural Epoch of Germany

1919–20

Photomontage

44-7⁄8 × 35-1⁄2”

Staatliche Museen zu Berlin, Preussischer Kulturbesitz,

Nationalgalerie

[Fig. 10-20]

Max Ernst

Celebes

1921

Oil on canvas

51-1⁄8 × 43-1⁄4”

Tate, London

[Fig. 10-26]

Käthe Kollwitz

Lamentation: In Memory of Ernst Barlach (Grief)

1938

Bronze

height 10-1⁄4”

Hirshhorn Museum and Sculpture Garden,

Smithsonian Institution, Washington, D.C.

[Fig. 10-29]

George Grosz

Fit for Active Service (The Faith Healers)

1916–17

Pen, brush, and India ink, sheet

20 × 14-3⁄8”

The Museum of Modern Art, New York.

Art

[Fig. 10-31]

Otto Dix

The Skat Players—Card Playing War Invalids

1920

Oil and collage on canvas

43-5⁄16 × 34-1⁄4”

Staatliche Museen zuBerlin, Preussischer

Kulturbesitz, Nationalgalerie

[Fig. 10-33]

Otto Dix

Dr. Mayer-Hermann

1926

Oil and tempera on wood

58-3⁄4 × 39”

The Museum of Modern Art, New York

[Fig. 10-35]

Max Beckmann

Self-Portrait in Tuxedo

1927

Oil on canvas

55-1⁄2 × 37-3⁄4”

Busch-Reisinger Museum, Harvard University Art

Museums, Cambridge, MA

[Fig. 10-39]