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AFTER THE GROWTH? JORIS JANSSENS, 21 JANUARY 2016 TRENDS IN PERFORMING ARTS PRODUCTION & MOBILITY

After the Growth? Trends in Performing Arts Production and Mobility

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AFTER THE GROWTH?

JORIS JANSSENS, 21 JANUARY 2016

TRENDS IN PERFORMING ARTS PRODUCTION & MOBILITY

TODAY

- Facts & figures about performing arts from Flanders since 2001

- International touring

- Funding: the Arts Decree

- International coproduction

- Position of artists in the field

- Future prospects

FACTS & FIGURES

FACTS & FIGURES# 0: ABOUT THE DATA

OUR DATABASE

OUR DATABASE

OUR DATABASE

OUR DATABASE

‘Credits’ for companies & (co)producers

OUR DATABASE

DE BASIS ZIJN PRODUCTIES

‘Credits’ for artists

DE BASIS ZIJN PRODUCTIES

Performances abroad

PRODUCTIONS PER SEASON

Reruns

Creations

FACTS & FIGURES# 1: INTERNATIONAL TOURING

PERFORMANCES ABROAD

PERFORMANCES ABROAD

GREATEST HITSCircus Ronaldo

Needcompany

Berlin

Alain Platel

Ontroerend Goed

Rosas

Peeping Tom

Ontroerend Goed

Peeping Tom

Jan Fabre / Lisbeth Gruwez

THE LIFESPAN OF HITS

FACTS & FIGURES# 2: (INTERNATIONAL) FUNDING

STRUCTURAL FUNDING

2001-2005: Performing Arts Decree

2006-2015: Arts Decree

PURCHASING POWER

2001-2005: Performing Arts Decree

2006-2015: Arts Decree

INTERNATIONAL PROJECT FUNDING

0 €

1.000.000 €

2.000.000 €

3.000.000 €

4.000.000 €

2009 2010 2011 2012 2013 2014

Arts Decree projects Top down projects

FACTS & FIGURES# 3: INTERNATIONAL COPRODUCTION

N° OF FOREIGN (CO-)PRODUCERS

ORIGIN OF FOREIGN (CO-)PRODUCERS

TYPE OF FOREIGN (CO)PRODUCERS

FACTS & FIGURES# 4: PERFORMING ARTISTS

NUMBER OF PERFORMERS

FRAGMENTED EMPLOYMENT

MORE FREELANCERS

FUTURE PROSPECTS

- Shifting modes of production & touring

- Companies > flexible production units

- Freelancers from different disciplines and countries join forces to make a production

- They assemble a transnational network of coproducers, where they show the work

SHIFTING PRACTICES

TRANSNATIONAL SYSTEM

- mobility of artists and works has increased a lot since the 1980’s

- a transnational system for production and presentation

- the role of international networks

- the development of national policies

- the development of EU policy

- More productions

- More shows abroad

- More artists

- Less funding, but more foreign coproducers

- annual growth ratio of 11% (average)

- exponential growth: doubling each 6,15 years

GROWTH

FUTUROLOGY

YEAR N° coproducers2020 10902026 21802032 43602038 87202044 174402050 348802056 697602062 1395202068 279040

HOW SUSTAINABLE IS THE GROWTH?

- pressure on transnational system

- pressure on arts policies

- debate about legitimacy of arts funding

- decreasing budgets & purchasing power

- organisations fragment the budgets

- Artists are weak link in the production chain

- Freelancers & flex workers

- Financial & social insecurity

- How to develop a consistent body of work in a fragmented trajectory of ad hoc projects and ‘hypermobility’?

HOW SUSTAINABLE IS THE GROWTH?

- the need for transformation and transition

- to put artists back in the centre of practices and policies

- to rethink the production & touring system

- to rethink national and EU policies (= coming to terms with the ‘transnational’)

- to re-value the arts in society

POLICY CHALLENGES