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YOU CAN WATCH this presentation with MUSIC on the link: http://www.authorstream.com/Presentation/sandamichaela-2322394-taste-autumn1/ Thank you and please see also: http://www.slideshare.net/michaelasanda/taste-of-autumn2 Cultivation of quince may have preceded apple culture, and many references translated to "apple", such as the fruit in Song of Songs, may have been a quince. Among the ancient Greeks, the quince was a ritual offering at weddings, for it had come from the Levant with Aphrodite and remained sacred to her. Plutarch reported that a Greek bride would nibble a quince to perfume her kiss before entering the bridal chamber, "in order that the first greeting may not be disagreeable nor unpleasant". It was with a quince that Paris awarded Aphrodite. It was for a golden quince that Atalanta paused in her race. The Romans also used quinces; the Roman cookbook of Apicius gives recipes for stewing quince with honey, and even combining them, unexpectedly, with leeks. Pliny the Elder mentioned the one variety, Mulvian quince, that could be eaten raw. Columella mentioned three, one of which, the "golden apple" that may have been the paradisal fruit in the Garden of the Hesperides, has donated its name in Italian to the tomato, pomodoro. Toamnă cu aromă de gutui. Cultivarea gutuiului poate fi anterioară mărului, și este posibil ca mărul citat în Cântarea Cântarilor să fi fost în realitate un gutui. Vechii greci ofereau gutui la nunți, ritual care a venit din Orient împreună zeița Afrodita. Plutarh relatează ca miresele în Grecia mușcau dintr-o gutuie pentru a parfuma sărutul înainte de a intra în camera nupțială "ca primul sărut să nu fie dezagradabil" ("Întrebări romane" 3.65). Era o gutuie premiul pe care Paris l-a dat Afroditei. Cel mai bun tip de gutui venea din regiunea Cydonia, pe coasta nord-estică a insulei Creta, fruct cunoscut de greci ca "Mela kudonia" sau " măr de Cydonia" de unde provine de asemenea și numele ei stiințific.
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http://www.authorstream.com/Presentation/sandamichaela-2322394-taste-autumn1/
“The quince (Cydonia oblongata) is native to the Caucasus and northern Persia, but cultivation spread to the eastern Mediterranean basin. Many suppose that the forbidden fruit of the Garden of Eden was a quince. In Greek legend Helen of Troy bribed Paris to award a quince to Aphrodite as the prize in a beauty contest, starting the Trojan War.
Medieval cooks regarded the quince as the most useful of fruits and spiced it with pepper, ginger, cloves, cinnamon and nutmeg. At medieval courts and banquets, nobles enjoyed quince jelly for dessert: cotignac in France, cotogna in Italy, and carne de membrillo in Spain, all still popular. In Tudor and Stuart times, quince marmalade, wrapped in gold foil, was regarded as an aphrodisiac.” David Karp
Nora Heysen (1911 - 2003) Interior, 1935
Tomas Hiepes (1600 - 1674) Still Life With Bowls Of Fruit (1642)
Tomas Hiepes (1600 - 1674) Still-Life with Fruit and Flowers
Adam Bãlţatu (1899 - 1982)Naturã staticã cu gutui
Adriana Johanna Haanen (1814 – 1895) Quinces on a Ledge
Adolphe Monticelli Still Life, Fruit c.1878-82The National Gallery, London
Henri Fantin-Latour (1836 – 1904) Still Life 1866 National Gallery of Art, Washington D.C
Henri Fantin-Latour (1836 – 1904) Still Life 1866 (Fragment)
Henri Fantin-Latour (1836 – 1904) Flowers and Fruit Musée d'Orsay
Henri Fantin-Latour (1836 – 1904) Flowers and Fruit Musée d'Orsay (detail)
Henri Fantin-Latour (1836 – 1904) Flowers and Fruit Musée d'Orsay (detail)
Henri Fantin-Latour (1836 – 1904) Fruits and Flowers-1866 The Bowes Museum England
Henri
Fanti
n-L
ato
ur
(18
36
– 1
90
4)
Flo
wers
and f
ruit
A
rt G
alle
ry o
f N
ew
South
Wale
s
Henri Fantin-Latour (1836 – 1904) Flowers and fruit (detail) Art Gallery of New South Wales
Henri Fantin-Latour (1836 – 1904) Still Life with Flowers and Fruit Metropolitan Museum of Art
Henri Fantin-Latour (1836 – 1904) Still Life with Flowers and Fruit (detail) Metropolitan Museum of Art
Henri Fantin-Latour (1836 – 1904) Still Life with Flowers and Fruit (detail) Metropolitan Museum of Art
Henri Fantin-Latour (1836 – 1904) Still-Life, Hyacinths and Fruit
Private Collection
Elena Muller Stãncescu
Gutui
In 1997, Julian Merrow-Smith lost his job at London's Lumière cinema. An art-school graduate, he bought a ticket to the south of France and began painting for a living
Julian-Merrow Smith - Delft vase with quince
Julian-Merrow Smith
Antonio Guzmán Capel (1960) Quince
Antonio Guzmán Capel (1960) Still life
Antonio Guzmán Capel (1960) Still life with jar
Azat Galimov (1958, Kazan) Bouquet
Azat Galimov (1958, Kazan) Lilies and Fruit
Azat Galimov (1958, Kazan) Still Life with quince
Cecilia Gilabert
(1943)Still life on
quince with stem
Constantin Mihalcea-Bragã
(1903 - 1978) Naturã staticã
cu gutui şi crizanteme
Dm
itry
Sevry
ukov (
19
69
, B
ela
rus)
Quin
ce
Florin Mugur
Popa, Gutui şi cãtinã,
2013
Elizabeth Jane Lloyd - Quinces in a
Delft Bowl.
Elizabeth Jane Lloyd (British,1928-1995)Tureen of Quinces
Elizabeth Jane Lloyd
Bounty of Quinces
Alexandru Mohi (1902 - 2001) Naturã Staticã cu Gutui
Maria Bãnicã-Orãscu (1908 - 1991)Naturã staticã cu gutui si lãmâie
Aurel Ciupe (1900 – 1985) Naturã staticã cu gutui I
Emanuel Tancãu (1966) Gutui
Em
anuel Tancã
u (
19
66
) Flo
are
de G
utu
i
Em
il C
ioco
iu n
. 1
94
8,
Natu
ră s
tati
că c
u v
ase
și
cr
ini.
Mihai Cotovanu (1967) Naturã staticã cu struguri şi gutui
Mihai Cotovanu (1967) Naturã staticã
Fra Juan Sánchez Cotán Quince, Cabbage, Melon and
Cucumber,1602, San Diego Museum of Art
Francisco de Zurbarán (1598–1664)
Still Life with Dish of Quince
Gabi IoaniciuNaturã staticã cu gutui, 2013
Galeria de artã Radu Ionescu, Autor necunoscut, Naturã staticã cu ceainic
Leon Viorescu (1886-1936) Naturã staticã cu gutui si ceainic
Sound: Nicu Alifantis - Emotie de toamnã (Versuri - Nichita Stãnescu)
Text and pictures: Internet
Copyrights of the photos belong to each photographer
Presentation: Sanda Foişoreanu
www.slideshare.net/michaelasanda
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