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..--~.---. -.----~- -- ..-- .- - - _ -_--._ ---.-.-. ---\
THE SMITHS
REEL AROUND THE FOUNTAIN8
YOU'VE GOT EVERYTHING NOW13
MISERABLE LIE18
PRETTY GIRLS MAKE GRAVES23
THE HAND THAT ROCKS THE CRADLE26
STILL ILL31
HAND IN GLOVE34
WHAT DIFFERENCE DOES rr MAKE?36
I DON'T OWE YOU ANYTHING40
SUFFER LITTLE CHILDREN45
THIS CHARMING MAN48
li'nis songaoo .- _ ~ = - - - ~ _ _ _ _ _ ! : _ S : : _ ; : I.:.rL.l- Bemers Streea L-Oll an WU'3D .
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sITSMITHS BIOGRAP
Contrived by Johnrr; -~ester, The Smiths evo ed when Marr un-earthed Morrissey a r-: ~:S~ _~ a collaboration. The idea as to produce
songs which were orT,~·~F =-~o_"'"''-' ' '" eous and listenable also provoking
deep thought; to rnesz ords with Marr's music in a sound which,
above all, would stanc ,,~ - - einq inaccessible or eso eric. The guitar-
based songs would' . out havoc, as the words - born out of
absolute physical necess :. rug at the straps of cultu el straiightjackets.
Christened 'The Smit
need only a pretentio
completed with And;
had previously served -
other three members
e to a prevalent idea ina modern groups
- arne to validate their artisrn, the band wasguitar) and Mike Joyce (the drums). Joyce
er of healthily depraved groups, whilst the
previous serious musical involvement.
The Smiths first surfaoadic - they were dete'·,_..,....;_"....··
At their seventh gig ae ---
Trade Records staff and , -- -: - _
that this unpretentiousc; G. . . .. : o . __ - - - =
82 - their live appearances were spor-
elr moves be surefooted and worthwhile.
I of London Union, a c utch of Rough
producer John Waherswere convincedwere something special.
Rough Trade, amidst -..: ""_~_ ;:
Smiths as its first seriousbooked them for what
Peel and two for David je&ZS2i:~
times since July '83.
~ - 'on from four major labels, signed The
_ mitment to any band. Producer Walters_ of five Radio One sessions (three for John
.::::."ast count, have been broadcast sixteen
The first Smiths single recc ~"Hand In Glove" b/w "Han -~
Inq ensued for a follow-up --
member Troy Tate produd g -
met former Roxy Music bass
ere thrown together for a Ra -
produced by the band themselves, was-. released in May '83. Extensive record-
um, with ex-Teardrop Explodes/Fashion-' ay through those sessions The Smiths
ducer John Porter when the two parties
avid Jensen session.
The Smiths were so impressed er's grasp of their sound and songs thatilhe Tare-produced tracks were 5 e . and the entire repertoire was re-recorded
·ith JlOhn Porter in charqe, From ose sessions came the second single, "ThisCharming Man", b/w "Jeane'" (the 10 I Tate-produced track to be released), in
October '83.
ens' 'e gigging, massive Radio One exposure, a big Rough Trade push, and-e- - ic magic of the Morrissey and arr composition made "This Charming
.~ ~ a . surprise hit of 1983. With their national reputation established, and
:s: op Of The Pops under their belts, the single peaked at number 25 inI e space of six months, The Smiths had become a household
'as well mapped-out for The Smiths. A comprehensive six-
ed only by Morrissey's bout with bronchitis) finished on"me their debut LP, "The Smiths", entered the U.K.
_a d he band have since received "gold records" for
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ril 1984 saw the release of another milestone record, £I collaboration of mutual
mlration between veteran superstar Sandie Shaw and The Smiths which was a
~ockin' version of "Hand In Glove" b/w "I Don't Owe You Anything" featuring
nJilY,Mike and Andy playing with Sandy belting out Morrissey's lyrics.
die's "Hand In Glove" rose into the top thirty whilst adding a new dimension
respect for the potent and prolific pens of the Morrissey and Marr songwriting
ream,
T 0 other Smiths' singles since "This Charming Man" have bolstered the
Smiths' advance towards their eventual rightful position at the very top of the
charts. "What Difference Does It Make?", released just prior to the album,
reached number twelve and "Heaven Knows I'm Miserable Now" (May'84) ended
up in the top ten thanks to the ever burgeoning ranks of Smiths' supporters.
At the time of this writing (August '84) The Smiths are fully committed to writing
new material for their second album which they realise must be twice as good as
their first. "William, ItWas Really Nothing" is released 24 August, - the first of
two singles planned for the rest of '84, the second will be "Nowhere Fast". With
only half of the next LP composed, The Smiths will avoid serious touring in the
U.K. until the beginning of 1985 when they can present an entirely new and
different kind of show. This does not mean you will be seeing less of The Smiths,
though, television appearances alone will ensure that. ... just don't expect to see
any 'promo videos'.
Stay tuned.
(August 1984)
THE SMITHS DISCOGRAPHY (UK RELEASES ONLy)
Hand in Glove/Handsome Devil
This Charming Man/Jeane
This Charming Man/Wonderful Woman/Accept Yourself
What Difference Does It Make?/Back To The Old House
What Difference Does It Make?/IBack To The Old Housel
These Things Take TimeROUGH 61 The Smiths
RT130 *Hand In Glove/l Don't Owe You Anything
RIT130 "Hand In Glovel II Don't Owe You Anything/Jeane
RT156 Heaven Knows I'm Miserable Now/Suffer little Children
RIT156 Heaven Knows I'm Miserable NowllGirl Afrajd/Suffer little
Children
RT131
RT136
RIT136
RT146
RIT146
RT166 William, It Was Really Nothing/Please Please Please Let Me
Get What I Want
William, ItWas Really NothingllHow Soon Is Now? IPlease
Please Please Let Me Get What I WantRTIt66
" Wi1b. Sandie Sha,w
7" May'83
7" October '83
12" October '83
7" January'84
12" January '84
LP February '84
7" April '84
12" April '84
7" May'84
12" May'84
7" August '84
12" August '84
of.
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8
REEL AROUND THE FOU,NT
C o i F f e :,A E
0 0 r m um - - - -
E '( f P r e . e ~etime the tale of how~ you took :::.
o
1 m
A : " A - ffIomade __
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r m u
it's time the tale were told __ 1:......,- _of how__ you took a
© 1983/1984 Morrissey and Man Songs Limited.
WARNER BROS. MUSIC LTD., 17 Berners Street, London WIP 3DD.All. Rights Reserved. International Copyright Secured.
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D
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Fif - teen min-utes with L you LL
welI _ Iwould-n't say no oh pea-
10
(MIDDLE)
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VERSE 1 + CHORUS: (Repeat) CHOR U& Meet me at the fountain
Shove me on the patio
I'll take it slowly.IDDLE: Fifteen minutes with you
Oh Iwouldn't say no
People see no worth in you
Oh but Ido
MIDDLE: (Repeat as 2°)
VERSE 2: I dreamt about you last night
And I fell out of bed twice
You can pin and mount me like a butterfly
But take me to the haven of your bed
Wassomething that you never said
Two lumps, please
You're the bee's knees
But so am T.
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YOU'VE GOT EVERYTHING NOW
Words by MORRlSSEY
Music by JOHNNY MARR.E7(+9)
D7(+9)
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-- - - - - - © 1983/1984 Morrissey and Marr Songs Limited,
WARN-"ER BROS, MUSIC LTD" 17 Berners Street, London \VIP 3DD._ . ! t r . !Ri~ts Reserved_ International Copyright Secureri,
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14
F~m7
e
Back at old grey school I would win and youhe
F#m7
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(CHORUS)
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a nil m e'-.......-
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you've got ev - ery - thing.Lc.. now,
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you've got ev -ery-thing now _ and L what a
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. . . _ _ _ _
ter - ri - ble rness __ I've made _' _ of my___ life _
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16
C#m7
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de
made of_ my~_ Iife_
(MIDDLE)
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mit
jobo I've ne- ver had a be - cause ne-verwant - ed
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I've seen you smile ne-ver real - ly heardut I've
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But Idon't want a loverIust want to be seenIn the back of your car
(C#m7)
MIDDLE:(cant)
So who is rich and who is poor?Icannot say,
You are your mother's only sonAnd you're a desperate one
Did Iever tell you, by the wayI never did like your face
VERSE 2: A friendship sadly lost?Well, this is true .... and yet, it's false
CHOR US: (Repeat)
MIDDLE: No, I've never had a jobBecause I'm too shyI've seen you smileBut I've never really heard you laughSo who is rich and who is poor?Icannot say
You are your mother's only sonAnd you're a desperate oneBut Idon't want a loverIust want to be tiedTo the back of your car.
(fade on E I D / A I C I D)
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18
MISERABLE LIEW ords by M OR RISSE
Mu sic by JOHNNY M_J\
o
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r ,_ there's some-thing a-gainst L • us, it's not time-
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20
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-yo urs _ _ you laugh a t mine and
22
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VERSE 2 :-
t Cont.l
You have destroyed my flower-like lifeNot once - but twiceYou have corrupt my innocent mind
Not once - but twiceI know the wind-swept mystical airItmeans: I'd like to see your underwearI recognise that mystical airItmeans: I'd like to seize your underwearWhat do we get for our trouble and pain?Just a rented room in Whalley RangeInto the depths of the criminal worldI followed her ... .
(cont) I need advice, I need adviceBecause nobody ever looks at me twice
I'm just a country-mile behindThe world
I'm just a country-mile behindThe whole world
So take me when you go.
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PRETTY GIRLS MAKE GRAVESWords by MORRISSEY
Music by JOHNNY :\L-\?~
Bm D A Bm
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1. Up - on the sand _ up - on the bay_
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© 1983/1984 Morrissey and Marr Songs Limited,WARN'ER BROS. MUSIC LTD., 17 Berners Street, London WI P 3DD,
-~ RigBll> Reserved, International Copyright S~,
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24
Bm
am I'm
o
anot the man you think am _
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sor-row's na tive__ son he
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and pret- ty girls make graves. ___
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(BRIDGE)
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VERSE 2: End of the pier, end of the bayYou tug my arm and say: "Give in to lust,Give up to lust, oh heaven knows we'llSoon be dust .... "
"I'm not the man you think I amI'm not the man you think Im."
And Sorrow's native sonHe will not rise for anyone
'And pretty girls make graves.
BRIDGE. (Repeat)
VERSE 3.· I could have been wild and I could havebeen free
But Nature played this trick on me
She wants it NowAnd she will not waitBut she's too roughAnd I'm too delicate
Then, on the sandAnother man, he takes her hand
A smile lights up her stupid face(And well, it would)
Iost my faith in WomanhoodIost my faith in WomanhoodI lost my faith
BRIDGE: (Repeat) + Ad Lib Vox on F#7(fade: F#m / D
F~
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Words by MORRISSEYMusic by JOHNNY MARR
26
THE HAND
THAT ROCKS THE CRADLE
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27
AD A E
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28
D
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play tricks on your_ sa- ered mind__
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to tease, tor - ment and_ tan - ta - lise_
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AD E A D
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30
A E
IIID E A D
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As long as the hand_ that rocks the era - dIe is
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VERSE 2: Ceiling shadows shimmy by (cont.)
And when the wardrobe towers like a beast
of prey
There's sadness in your beautiful eyes
Your untouched, unsoiled, wonderous eyesMy life down I shall lie
Should restless spirits try
To play tricks on your sacred mind
[ once had a child, it saved my life.
But whom I never even gavea name
I just looked into his wonderous eyes
And said, "Never never never again."
Alltoo soon I did return
Just like a moth to a flame
So rattle my bones all over the stones
Because I'm only a beggar-manwhom
nobody owns
See how words as old as sin
Fit me like a glove
I'm here and here I'll stay
Together we lie, together we pray
There never need be longing in your eyes
As long as the hand that rocks the cradle
is mine.
+ Climb upon my knee sonny boy
Although you're only three sonny boy
(etc Ad Lib Vox to fade)
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STILL ILLWords by )!O~:us=~ ~
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32
A Ct:m C#rn7 ;\
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but ask _ me why _ and I'll __ . spit in your eye, _
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VERSE 2: Does the body rule the mind
Or does the mind rule the body?
Idunno ....
Under the iron bridge wekissed
And although Iended up with sore lips
Itjust wasn't like the old days anymore
No, it wasn't like those days
Am I s till ill?
VERSE 3: Does the body rule the mind
Or does the mind rule the body?
Idunno ....
Ask me why, and I'll die
Ask me why, and I'll die
And if you must go to work tomorrow
Well,if I were you I wouldn't bother.
VERSE 4. For there are brighter sides to life
And Ishould know because I've seen them
But not very often ....
Under the iron bridge we kissed
And although Iended up with sore lips
It just wasn't like the old days anymore
No, it wasn't like those daysAmIstill ill?
BRIDGE: E / A / B I qm / E / A / B
+ Oh amIstill ilJ?
INTRO.· (Repeat) - END on C~m7
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3.
HAND IN GLOVE
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1. Hand in glove
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35
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This one is differ-ent be -cause it's us.
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Wecan gowherever weplease
And everything depends upon
How near you stand to me
VERSE 3: And if the people stare
Then the people stare
Ireally don't know and Ireally don't care
INTRO: (Repeat)
VERSE 4: Hand in gloveThe Good People laugh
Yes, we may be hidden by rags
But we have something they'll never have
VERSE 5: Hand in glove
The sun shines out of our behinds
Yes we may be hidden by rags
But we've something they'll never have
VERSE 3+ INTRO: (Repeat)
VERSE 6: So, hand in glove I stake my claim
I'llfight to the last breath
If they dare touch a hair on your headI'llfight to the last breath
VERSE 7: The Good Life is out there, somewhere
So stay on my arm, you little charmer
But Iknow my luck too well
And I'llprobably never see you again.
INTRO: (Repeat) to END on Gm7(sus4)
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36
I.
WHAT DIFFERENCEDOES IT MAKE?
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Words by MORRISSEY
Music by JOHNNY MARR
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so let it be known __ for we have been through hell
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37
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38
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(CHORUS)
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bul-Iet for you. ~ __ Sowhat dif ference_ does .L it_ make?_
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VERSE 2.· The devil will find work for idle hands to doItole and Iied, and why? Because you asked me toNow you make me feel so ashamed because I've only got two hands
Well I 'm still fond of you.
CHOR US: So what difference does it make?
So what difference does it make?Itmakes noneBut you have goneAnd your prejudice won't keep you warm tonight.
VERSE 3: The devil will find work .... me toBut now you know the truth about meYou won't see me anymoreWell I'm still fond of you, oh, oh, oh,
CHOR US: But no more apologies
No, no more apologies
I'm too tiredI'm so sick and tiredAnd I'm feeling very sick and ill today
But I'm still fond of you, oh, oh,
39
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40
Words by MORRISSEYMusic by JOHNNY MARR
I DON'T OWE YOU ANYTHING. /\.rVG\
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41
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42
I ~ F r c g"Oh don't_ear you say_
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to - night.'~'
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43
C#m7 Dmaj7
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I I
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VERSE 2: You should never go to themLet them come to you
Just like Ido
You should not go to themLet them come to youJust like I do
CHORUS.· (Repeat)
VERSE 3.· Too freely on your lipsWords prematurely sadOh but I know what will make you smile tonight.
Life is never kindLife is never kindOh but I know what will make you smile tonight.
E:YD: Emaj' E maj I Dmaj7IB
IErnaj7
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45
SUFFER' LITTLE CHILDREN
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take me to the moors~_
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46
Dmai?Amaj7(+6)
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Les ley Anne __ and your pret - ty white beads_ oh
a shal - !ow__ grave laynd I'll medown
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John you'll ne- ver be a man_ and you'll ne - vet
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see_ Y0ill"_
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47
Em7E G#m7 G
mE mi m 8H . - . . , ~ ~ I
home home a - gain __
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VERSE 2: Edward, see those alluring lights? VERSE 5: We will haunt you when you laughTonight will be your very last night. Yes, you could say we're a team
A woman said, "I know my son is deadYou might sleep
I'll never rest my hands on his sacredBUT YOU WILL NEVER DREAM!
head."VERSE 6: Oh Manchester, so much to answer for
Hindley wakes and Hindley says: Oh Manchester, so much to answer for"Wherever he has gone, I have gone." Over the moor, I'm on the moor
The child is on the moor.VERSE 3: But fresh lilaced moorland fields
Cannot hide the stolid stench of death (etc + Ad lib Vox + Gtr Solo) - Fade
Hindley wakes and Hindley says:"Whatever he has done, I have done."
VERSE 4: But this is no easy rideFor a child cries:
"Oh find me . ... find me, nothing moreWe're on a sullen misty moorWe may be dead and we may be goneBut we will be right by your side
Until the day you die
- This is no easy ride_'
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48
THIS CHARMING MANWords by MORRISSEY
Music by JOHNNY MARR
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49
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50
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- ing man. 2. Why
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(MIDDLE')
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turn the ring (he knows so much a -
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52
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