The Great Gatsby Themes!. Theme #1 Gatsby’s Self Invention Thoughts? Gatsby’s Self Invention...

The Great GatsbyThe Great Gatsby

Themes!Themes!

Theme #1Theme #1

Gatsby’s Self Invention

Thoughts?

Gatsby’s Self Invention

Thoughts?

Gatsby’s Self InventionGatsby’s Self Invention

Post WW1, American Reality was one of loss, particularly for youth

The American psyche (shared existence) carried a profound sense that life was meaningless

The Pursuit of money now overtook the previous cultural roots of working together for a common good. This was the concept of the American Dream.

Post WW1, American Reality was one of loss, particularly for youth

The American psyche (shared existence) carried a profound sense that life was meaningless

The Pursuit of money now overtook the previous cultural roots of working together for a common good. This was the concept of the American Dream.

Gatsby’s Self InventionGatsby’s Self Invention Fitzgerald embodied this concept in his

creation of his character Gatsby, by imposing on him a sense of rootlessness

Gatsby acts for the characters around him, becoming that person that he wishes to be in their eyes

He is self-invented He started as James Gatz, but created his

name, “Jay Gatsby” before boarding Dan Cody’s yacht.

Fitzgerald embodied this concept in his creation of his character Gatsby, by imposing on him a sense of rootlessness

Gatsby acts for the characters around him, becoming that person that he wishes to be in their eyes

He is self-invented He started as James Gatz, but created his

name, “Jay Gatsby” before boarding Dan Cody’s yacht.

Gatsby’s Self InventionGatsby’s Self Invention

Gatsby confides in Carraway that he misled Daisy five years earlier into believing that he was wealthier than he is, and that he used his army uniform as a guise to hide the fact that he could not afford more expensive clothes.

He hides the illegal source of his wealth (bootlegging and selling stolen or forged bonds). Carraway does not learn the truth until after Gatsby’s death.

Gatsby confides in Carraway that he misled Daisy five years earlier into believing that he was wealthier than he is, and that he used his army uniform as a guise to hide the fact that he could not afford more expensive clothes.

He hides the illegal source of his wealth (bootlegging and selling stolen or forged bonds). Carraway does not learn the truth until after Gatsby’s death.

Gatsby’s Self InventionGatsby’s Self Invention Henry C. Gatz displays an old copy of “Hopalong

Cassidy” showing a schedule Gatsby penned in when he was a boy. This shows that even as a child, Gatsby sought to transform and improve himself.

Material displays define him (ie. The yellow car that Tom Buchanan considered “clownish”)

None of his displays of wealth provide his life with meaning because his love for Daisy goes unfulfilled

Henry C. Gatz displays an old copy of “Hopalong Cassidy” showing a schedule Gatsby penned in when he was a boy. This shows that even as a child, Gatsby sought to transform and improve himself.

Material displays define him (ie. The yellow car that Tom Buchanan considered “clownish”)

None of his displays of wealth provide his life with meaning because his love for Daisy goes unfulfilled

Gatsby’s Self InventionGatsby’s Self Invention

Roger Lewis, a critic, comments that Gatsby sought to recreate the hpast by marrying Daisy, but with his new wealthy persona, in tact.

Lewis states:

Roger Lewis, a critic, comments that Gatsby sought to recreate the hpast by marrying Daisy, but with his new wealthy persona, in tact.

Lewis states:

“When one’s sense of self is self-created, when one is present at one’s own creation, so to speak, one is in a paradoxical position. One knows everything about oneself that can be known, and yet, the significance of such knowledge is unclear, for no outside contexts exist to create meaning. The result is that the self-created man turns to the past, for he can know that. It is an inescapable context. For Gatsby, and for the novel, the past is crucial.”

“When one’s sense of self is self-created, when one is present at one’s own creation, so to speak, one is in a paradoxical position. One knows everything about oneself that can be known, and yet, the significance of such knowledge is unclear, for no outside contexts exist to create meaning. The result is that the self-created man turns to the past, for he can know that. It is an inescapable context. For Gatsby, and for the novel, the past is crucial.”

Any Thoughts?Any Thoughts?

Start to consider the relationship of Gatsby as a Christ-like figure. What connections can

you make?

Start to consider the relationship of Gatsby as a Christ-like figure. What connections can

you make?

Theme #2Theme #2

Love and MoneyLove and Money

Love and MoneyLove and Money Gatsby’s adoration of Daisy is at the heart of

the plot. Gatsby becomes the only character to see

clearly the connection between his quest for the ideal of love and that of wealth

He describes Daisy’s voice by saying, “…her voice is full of money…[she is a] golden girl.”

To Gatsby, her charm and his attraction to her is allied in her wealth.

Gatsby’s adoration of Daisy is at the heart of the plot.

Gatsby becomes the only character to see clearly the connection between his quest for the ideal of love and that of wealth

He describes Daisy’s voice by saying, “…her voice is full of money…[she is a] golden girl.”

To Gatsby, her charm and his attraction to her is allied in her wealth.

Roger Lewis states:“It is true that from Wolfsheim to Nick Carraway,

people are in the East to earn their livings… But Gatsby with his boundless capacity for love, a capacity unique in the sterile world he inhabits, sees the pursuit of money as a substitute for love. He knows himself well enough to see that his own attraction toward love is tied to his love for Daisy. The fact that Gatsby’s money, like his love, should be self-made gives his description of her voice authority and depth.”

Roger Lewis states:“It is true that from Wolfsheim to Nick Carraway,

people are in the East to earn their livings… But Gatsby with his boundless capacity for love, a capacity unique in the sterile world he inhabits, sees the pursuit of money as a substitute for love. He knows himself well enough to see that his own attraction toward love is tied to his love for Daisy. The fact that Gatsby’s money, like his love, should be self-made gives his description of her voice authority and depth.”

Theme #3Theme #3

An Ambivalent Narrator

(Definition- having opposing attitudes or more than one point

of view…)

An Ambivalent Narrator

(Definition- having opposing attitudes or more than one point

of view…)

An Ambivalent NarratorAn Ambivalent Narrator Nick Carraway is a practical character and

therefore is suitable to tell the story Carraway’s character is marked by a need for

order, which, although allowing for the story to be narrated, means that for a majority of the story, he exists in a state of relative ambivalence

He prides himself on his honest: “…I am one of the few honest people I have ever known.”

The reader belives and identifies with him

Nick Carraway is a practical character and therefore is suitable to tell the story

Carraway’s character is marked by a need for order, which, although allowing for the story to be narrated, means that for a majority of the story, he exists in a state of relative ambivalence

He prides himself on his honest: “…I am one of the few honest people I have ever known.”

The reader belives and identifies with him

An Ambivalent NarratorAn Ambivalent Narrator His relative position to the characters

plays a role in his ability to narrate A critic, A.E. Dyson explains, “Carraway

is one middle class character in the novel - vaguely at home in the worlds of both Daisy and Myrtle, but not belonging to neither, and so able to see and judge both very clearly.”

His relative position to the characters plays a role in his ability to narrate

A critic, A.E. Dyson explains, “Carraway is one middle class character in the novel - vaguely at home in the worlds of both Daisy and Myrtle, but not belonging to neither, and so able to see and judge both very clearly.”

An Ambivalent NarratorAn Ambivalent Narrator He seeks to reserve judgment However David Parker, another literary critic

states that “… Nick is slow-thinking. He does not learn immediately from the experiences of Gatsby, but slowly, reluctantly, and in retrospect…The reader… sees him, in the course of the novel, gradually coming to realization… Nick wants the world and the people in it to be cleaner and simpler that they are.” This affects his reliability as a narrator.

He seeks to reserve judgment However David Parker, another literary critic

states that “… Nick is slow-thinking. He does not learn immediately from the experiences of Gatsby, but slowly, reluctantly, and in retrospect…The reader… sees him, in the course of the novel, gradually coming to realization… Nick wants the world and the people in it to be cleaner and simpler that they are.” This affects his reliability as a narrator.

Theme #4Theme #4

Gatsby as a Heroic Romantic

Gatsby as a Heroic Romantic

Gatsby as a Heroic RomanticGatsby as a Heroic Romantic When Fitzgerald was young he fell in love

with a girl named Ginevia King, who he later found out called him the “poor boy”, and it crushed him. This echoes the relationship between Gatsby and Daisy.

Daisy does not share the romantic sentiments of Gatsby and thus “belongs” to Tom, be cause he understands the nature of things, which reflects how she acts.

When Fitzgerald was young he fell in love with a girl named Ginevia King, who he later found out called him the “poor boy”, and it crushed him. This echoes the relationship between Gatsby and Daisy.

Daisy does not share the romantic sentiments of Gatsby and thus “belongs” to Tom, be cause he understands the nature of things, which reflects how she acts.

Gatsby as a Heroic RomanticGatsby as a Heroic Romantic

Daisy’s character is too much like Tom, so she is able to use Gatsby the same way Tom uses Myrtle.

Although Tom’s attitude is realistic, it is hard against Gatsby’s romantic ideas.

The reality shatters the fantasy

Daisy’s character is too much like Tom, so she is able to use Gatsby the same way Tom uses Myrtle.

Although Tom’s attitude is realistic, it is hard against Gatsby’s romantic ideas.

The reality shatters the fantasy

Gatsby as a Heroic RomanticGatsby as a Heroic Romantic The events leading to Gatsby’s death “symbolize…

that [Gatsby’s] downfall, though inevitable, is by no means an unambiguous triumph of moral powers. His death is brought about by Daisy who first lets him shield her and then deserts him: by Tom who directs the demented Wilson to the place where he is to be found; and by Wilson himself- a representative of the ash-grey men who comes to Gatsby, in his disillusionment, as a terrible embodiment of the realities which have killed his dream.” (Dyson)

The events leading to Gatsby’s death “symbolize… that [Gatsby’s] downfall, though inevitable, is by no means an unambiguous triumph of moral powers. His death is brought about by Daisy who first lets him shield her and then deserts him: by Tom who directs the demented Wilson to the place where he is to be found; and by Wilson himself- a representative of the ash-grey men who comes to Gatsby, in his disillusionment, as a terrible embodiment of the realities which have killed his dream.” (Dyson)

Gatsby as a Heroic RomanticGatsby as a Heroic Romantic

Gatsby pays the price of death for his loyalty, but it is his willingness to adhere to his heroic passions that allows Carraway, and the reader, to overlook the faults of Gatsby and to have the most repect for him as a result.

Gatsby pays the price of death for his loyalty, but it is his willingness to adhere to his heroic passions that allows Carraway, and the reader, to overlook the faults of Gatsby and to have the most repect for him as a result.

Other Themes Unexplored:Other Themes Unexplored:

-Nick Carraway’s Price: The Loss of Innocence-The Art of The Great

Gatsby

-Nick Carraway’s Price: The Loss of Innocence-The Art of The Great

Gatsby