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An overview of Russian Pictorialism during the early 20th century
Citation preview
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
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This catalogue is published to accompany the exhibitionQuiet Resistance: Russian Pictorialism. 19001930sat the Fondazione Scientifica Querini Stampalia Onlus, Venice,
April to May 2005.
Curator: Olga SviblovaContributors: Sergey Burasovsky, Mikhail Golosovsky,Elena Misalandi, Anastasia Chernenkova
Compiled and edited by Elena MisalandiDesigned by Artur DiaghilevTranslated by Dmitry FedosovProof-read by Olga Kanunnikova
Multimedia Complex of Actual Arts, GUK, Moscow,publication, 2005 Olga Sviblova, text, 2005 Dmitry Fedosov, translation, 2005
All rights reserved. No part of this book may be reproducedin any form without written permission from the publisher
119034, Moscow, Ostozhenka St., 16Tel.: (095) 231 3326, 231 3327Fax: (095) 202 4346
e-mail: info@mdf.ru
We thank the following lenders to the exhibition:Mikhail Golosovsky, Union of Photo-Artists of Russia,Andrey Baskakov, Varvara Rodchenko, Aleksandr Lavrentyev,Ludmila Mashanskaya, Aleksey Andreyev
Photo on front cover: Alexander Grinberg. Study of Movement. 1926
. 19001930- . FondazioneScientifica Querini Stampalia Onlus, ,
2005
: : , , ,
: : : :
. , , 2005 , , 2005 , , 2005
.
119034, , . , 16.: (095) 231 3326, 231 3327: (095) 202 4346
e-mail: info@mdf.ru
: , , , , ,
: . . . 1926
. 1900 1930- .:. .: . , 2005. 192 .
ISBN 5-93977-019-3
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.
Published by Multimedia Complex of Actual Arts, GUK, MoscowMoscow House of Photography Museum
QUIET
RESISTANCE
19001930-
RussianPictorialismofthe19
00s1930s
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1936, 5-6, . 17.3 . , 1936, 5-6, . 32.4 . . ., 1996, . 199-200.5 . , . 282.
,
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R
ussian photographic Avant-Garde of the 1920s and1930s, represented by Aleksandr Rodchenko, El Lissitzky,Boris Ignatovich and others, in spite of persecution and
repressive measures of the totalitarian regime, becamea classic part of Russian and world art. Moreover, it became a sym-bol of the powerful energy and innovative spirit of Soviet Russia inthe first years after the October revolution of 1917. But few peoplerealize that at the very same period there was another, pictorialtrend in Russian photography, which strove to approximate pho-tography to painting, using mainly soft lenses and special, oftenvery sophisticated printing techniques. Pictorial photography chal-lenged documentary shots and, just like painting, sought to conveythe emotional side of things, and to express the individual sensesand meanings implied by the artist in his work.
The masters of Russian pictorial photography, AlexanderGrinberg, Yury Yeremin, Nikolai Andreev, Nikolai Svishchov-Paola and others, were firmly a part of the world art scene.They frequently won gold and silver medals at major internationalphoto shows and salons in Europe, United States and Japan.Pictorialism in world photography, born in the late nineteenth cen-tury, has largely exhausted its aesthetic potential by the mid-1920s.In Soviet Russia, however, it revived just then.
In 1928, at the exhibition 10 Years of Soviet Photography, the so-called old school clearly dominated, if we consider the number of
participants and their works by comparison with the modernists andadherents of the new Soviet reportage. In the same year, despite thefact that rigid ideological pressure on artists, expected to embraceright away the new aesthetics of Socialist realism, was yet to come(in the early and mid-1930s), photographers of the pictorial trendwere branded as bearers of bourgeois ideology, idealist individualsand upholders of the old pre-Revolution ways.
This was actually true insofar as pictorial photo artists went on tolive and work in the new Soviet state, largely adhering to the hal-lowed human values and their own existential and aesthetic experi-
ence. Not all of them rushed to adopt Soviet slogans, whichenforced the priority of the collective over the individual, withexalted rapture for revolutionary achievements.
Their subject matter was mostly confined to traditional pictorialthemes, i.e. landscapes, nudes, shots of old mansion houses, andunpretentious genre scenes. A brilliant sense of composition andvirtuoso technique of execution endeared the pictorialists to organ-isers of international photo shows and salons. Foreign press devot-ed much attention to them and, curiously, just like Soviet critics,regarded them as aesthetic opposition to the militant Soviet ideolo-gy. For instance, after the Paris salon of 1925 a British photo mag-
azine observed that whatever their political convictions, theRussians in the shots they sent firmly stand within traditionalbounds.1
Pictorialist photographers were vehemently attacked by Soviet crit-ics, who vainly pointed out the only righteous way to Socialistrealism. As one author put it in 1936, contemporary Soviet realityis such that laughter, joy and smiles are typical features of our newway of life, so that our life has become really wonderful.2
Photographic debates of the late 1920s were mostly about aesthet-ics, focusing on the advantages of certain compositions and oppor-tunities offered by different optical devices or printing techniques.But by the early 30s aesthetics yielded to ideology. From the late1920s onwards all spheres of Soviet life, including the art of pho-
tography, were haunted by the search for enemies of revolutionarychanges. The enemy image became a foundation for ideologicalpropaganda. On the one hand it paralysed everyones personalitywith fear, on the other, it aimed to consolidate and inspire themasses in their heroic efforts for the sake of radiant future.Thus pictorialists ended up as enemies in photography.They were accused of predilection for the old non-revolutionaryworld, where bourgeois values reigned supreme and ignored classstruggles. Passion for landscapes, old palaces or naked womenwas condemned as Turgenevs stuff (after the nineteenth-centurywriter) and political short-sightedness.
Nevertheless, the more violent the attacks became, the strongerthe quiet resistance. Working with non-Soviet subjects, pictorial-ists defended their aesthetics, which took shape before revolution-ary upheavals, and their outlook, which differed from the newBolshevik mythology. Wrote Yury Yeremin, I am going on myway bravely and calmly. As to reconstruction, for those whoregard it lightly it is very easy to change their ways. 3
In 1935 moral persecution of artists led to physical repressions.Under a ludicrous pretext of dissemination of pornographyAlexander Grinberg was sent to one of Stalins labour camps.The charges followed the exhibition Masters of SovietPhotography, held in 1935, where that master of internationalrenown showed his studies of naked nature. Nudes were purgedfrom Soviet photography. Vassily Ulitin was exiled from the capi-tal, and virtually all pictorialists lost their right to practisetheir profession. Since the late 1930s they were also deprivedof the chance to exhibit their works abroad.
In spite of the crackdown, masters of Russian pictorial photogra-phy persevered in their creative work. For example, Yury Yereminlocked himself up in the bathroom of a big communal flat and
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secretly printed his favourite photos in small format. Any of themwould have been sufficient to condemn him.
In 1928 in Novy LEF magazine Alexander Rodchenko spoke outagainst pictorialists: It is not so much painting we are strugglingwith (it is dying anyway), but rather with photography a la paint-ing We have to experiment.4 But in the mid-1930s, when attackson pictorialism were at their worst, he skilfully used that very stylefor his famous Circus series as well as scenes from classical operasand ballets. Perhaps, this was some kind of resistance too... Gettingtired of non-stop revolutionary changes resulting in a reality so dis-tant from his own original ideals, he remarked in his diary on 12February 1943: Art is serving the people, but the people are leddifferent ways. I would like to lead the people towards art, not to
lead them somewhere through art. Was I born too early or too late?Art must be separated from politics.5
In the late 1930s Soviet photography, like Soviet art as a whole,witnessed the triumph of Socialist realism. Isolated from the outerworld by the iron curtain, it gradually degenerated from the mostimportant of the arts to an accessory of the ideological machine.Most of the original photo prints of that period made by artists,who did not conform to new canons, were neglected, neverappeared in public for over half a century and consequently per-ished. The exhibition Quiet Resistance: Russian Pictorialism, 1900to 1930s presents some vintage prints, but does not aspire to a
complete survey of this trend. It is rather a brief summary,an effort to outline the phenomenon. For the first time it bringstogether photos by masters who worked at the same period, andthus interacted and influenced each other.
From the mid-1980s onwards, Russian modernism, first and fore-most the work of Alexander Rodchenko, was increasingly appreci-ated abroad. Its rediscovery in Russia took place as late as the
mid-1990s. The phenomenon of Russian pictorial photographyonly recently began to attract the attention of experts and histori-ans. This reappraisal is still far from complete, but it already givesus a fuller understanding of the development of early twentieth-century Russian culture and history.
1 Sovetskoie foto, No. 1, 1926, p. 272
P. Bliakhin, Sovetskoie fotoiskusstvo peredovoie v mire, Sovetskoie foto,
No. 5-6, 1936, p. 173 Y. Yeremin, Sovetskoie foto, No. 5-6, 1936, p. 324
A. Rodchenko, Opyty budushchego ( Experiences of the Future),Moscow, 1996, pp. 199-200
5 Ibid., p. 282
Olga Sviblova,Directorn Moscow House of Photography Museum
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/ ANDREI KARELIN8
. . 18701880-
Girls with Albums.From Art Album of Photographs from Nature. 1870s 1880sAlbumen print
Moscow House of Photography Museum
22,217,1
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/ ALEKSEI MAZURIN 9
. 1900-
Untitled. 1900sAlbumen print
Moscow House of Photography Museum
17,422,9
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. 1900-
Untitled. 1900sAlbumen print
Moscow House of Photography Museum
17,322,9
10 / ALEKSEI MAZURIN
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11
. 1900- ,
.
Winter. 1900sGelatine silver print, toning
. Golosovsky collection
14,719,3
/ ALEKSEI MAZURIN
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/ ALEKSEI MAZURIN12
. 1900
.
At the Fireplace. 1900Black gum arabic
. Golosovsky collection
18,816,8
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/ ALEKSEI MAZURIN 13
. 1898 , ,
.
Having a Stroll. 1898Salted paper, painting with honey watercolour, varnish
. Golosovsky collection
21,516,2
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/ NIKOLAI PETROV14
. 1898 ; ,
.
Interesting Letter. 1898Albumen print; silvered paper tinged with gold and platinum
. Golosovsky collection
15,511,5
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/ NIKOLAI PETROV 15
.. -. 1908
.
Portrait of .D. Voronets-ntvid. 1908Phototype
. Golosovsky collection
15,710,2
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/ SERGEI LOBOVIKOV16
. 19071908
.
Muzhiks. 19071908Gelatine silver print
. Golosovsky collection
20,828,8
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/ SERGEI LOBOVIKOV 17
. 1910-
Vagrant Russia. 1910sGelatine silver print
Union of Photo-artists of Russia collection
17,523,6
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/ SERGEI LOBOVIKOV18
. 19071908 ,
.
Off to Get Some Food. 19071908Gelatine silver print, sepia
. Golosovsky collection
2812,8
. 19071908
.
Akulinushka. 19071908Black gum arabic
. Golosovsky collection
28,29,5
/ SERGEI LOBOVIKOV 19
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/ SERGEI LOBOVIKOV 19
. 19071908
.
Widows Thoughts. 19071908Gelatine silver print
. Golosovsky collection
28,522,7
/ SERGEI LOBOVIKOV20
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/ SERGEI LOBOVIKOV20
. 19071908-
.
Visit to Granny. 19071908Reddish-brown gum arabic
. Golosovsky collection
28,818,8
/ SERGEI LOBOVIKOV 21
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/ SERGEI LOBOVIKOV 21
. 19071908-
.
Sunset. 19071908Reddish-brown gum arabic
. Golosovsky collection
26,522,5
/ SERGEI LOBOVIKOV22
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/ SERGEI LOBOVIKOV 23
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3 | . 1903 19091910
.
Teacher. 1903.Gelatine silver print of 1909 1910
. Golosovsky collection
21,529
12
3
1 | . 19091910
.
Housekeeper. 19091910Gelatine silver print
. Golosovsky collection
20,528,7
2 | . 19071908
.
Old Mans Delight. 19071908Gelatine silver print
. Golosovsky collection
21,929,1
/ SERGEI SAVRASOV24
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. 1920-
Landscape. Late 1920sBromoil
Union of Photo-artists of Russia collection
14,820,6
/ SERGEI SAVRASOV 25
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. 1910-
Winter Landscape. Late 1910sPigment print
Union of Photo-artists of Russia collection
16,623
/ SERGEI SAVRASOV26
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. 1910-
Moscow. Late 1910sBromoil
Union of Photo-artists of Russia collection
15,611,7
/ SERGEI SAVRASOV 27
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. 1900-
.
Over the Pond. 1900sBrown gum arabic
. Golosovsky collection
16,511,7
/ ANATOLY TRAPANI28
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. 1915
.
Study. 1915Photoetching
. Golosovsky collection
14,414,8
/ ANATOLY TRAPANI 29
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. 1915
.
Study. 1915Photoetching
. Golosovsky collection
14,49,6
/ ANATOLY TRAPANI30
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. 1917
Portrait of a Man. 1917Photoetching
Union of Photo-artists of Russia collection
29,225
/ BORIS YELISEEV 31
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. 1912
.
St. Petersburg. 1912Ozobrome
. Golosovsky collection
12,718,1
/ MIRON SHERLING32
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. . 1914
Fedor Chaliapin in the Title Roleof the Opera Mefistofele by A. Boito. 1914Photoengraving
Union of Photo-artists of Russia
21,615,6
/ MIRON SHERLING 33
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. . 1913-
.
Fedor Chaliapin as the Miller in the opera Rusalkaby Dargomyzhsky. 1913Mezzo-tintograph
. Golosovsky collection
21,214,8
/ MIRON SHERLING34
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. . 1913-
.
Fedor Chaliapin in the Title Role of the OperaBoris Godunov by M. Mussorgsky. 1913Mezzo-tintograph
. Golosovsky collection
20,914,5
/ MIRON SHERLING 35
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- . . 1913-
.
Fedor Chaliapin in the Title Role of the OperaDon Quixote by J. Massenet. 1913Mezzo-tintograph
. Golosovsky collection
20,514,9
. . 1913-
.
Fedor Chaliapin in the Title Roleof the Opera Mefistofele by A. Boito. 1913Mezzo-tintograph
. Golosovsky collection
2114,7
/ ALEXANDER GRINBERG36
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. 1926
Shadows on Snow. 1926Gelatine silver print
Moscow House of Photography Museum
21,819,1
/ ALEXANDER GRINBERG 37
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. 1926
Landscape. 1926Gelatine silver print
Moscow House of Photography Museum
27,120,6
/ ALEXANDER GRINBERG38
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. 1928
.
Courtyard. 1928Gelatine silver print
. Golosovsky collection
22,429
/ ALEXANDER GRINBERG 39
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. 1926
.
Embankment. 1926Gelatine silver print
. Golosovsky collection
2028
/ ALEXANDER GRINBERG40
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. 1926 ,
Summer Sun. 1926Gelatine silver print, sepia
Union of Photo-artists of Russia collection
19,427,8
/ ALEXANDER GRINBERG 41
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. . . 1920-
Stairs. Kuchino. Russian Country Houses Series. 1920sGelatine silver print
Union of Photo-artists of Russia collection
24,619,8
/ ALEXANDER GRINBERG42
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I. 1923 ,
BacchanaliaI. 1923Gelatine silver print, sepia
Union of Photo-artists of Russia collection
23,730
/ ALEXANDER GRINBERG 43
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. 1923
.
Parting Day. 1923Gelatine silver print
. Golosovsky collection
31,723,7
/ ALEXANDER GRINBERG44
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. . 1926
Oriental Dance. Ballet Dancer Maria Peschanaya. 1926Bromoil
Moscow House of Photography Museum
2920,7
/ ALEXANDER GRINBERG 45
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. 1926
.
Oriental Dance. 1926Bromoil with transfer
. Golosovsky collection
29,223,8
/ ALEXANDER GRINBERG46
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. . 1926
.
Maria Peschanaya. Vera Mayas Studio. 1926Bromoil with transfer
. Golosovsky collection
22,8x26,3
/ ALEXANDER GRINBERG 47
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. 1928
Sitting Girl. 1928Bromoil with transfer
Moscow House of Photography Museum
28,219,3
/ ALEXANDER GRINBERG48
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. 1926
.
Stranger. 1926Gelatine silver print on warm paper
. Golosovsky collection
28,918,3
/ ALEXANDER GRINBERG 49
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. 1920
.
Portrait of an Actress. 1920Gelatine silver print
. Golosovsky collection
37,928,6
/ ALEXANDER GRINBERG50
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. 1925
Study of Movement. 1925Gelatine silver print
Union of Photo-artists of Russia collection
11,327,1
/ ALEXANDER GRINBERG 51
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. 1924 ,
.
Trio Castelio. 1924Gelatine silver print, sepia
. Golosovsky collection
2227,3
/ ALEXANDER GRINBERG52
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. 1928
.
Study of Movement. 1928Bromoil with transfer
. Golosovsky collection
17,628,9
/ ALEXANDER GRINBERG 53
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. . 1928
Study of Movement. Group. 1928Gelatine silver print
Moscow House of Photography Museum
15,929
/ ALEXANDER GRINBERG54
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. 1923
.
Nina Vassilyeva from Vera Mayas Studio. 1923Bromoil with transfer
. Golosovsky collection
28,317,4
/ ALEXANDER GRINBERG 55
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. 19261928
.
Study of Movement. 19261928Gelatine silver print
. Golosovsky collection
22,716,4
/ ALEXANDER GRINBERG56
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. 1926
Nude with Umbrella. 1926Gelatine silver toned print
Private collection
15,59,9
. 1930 ,
Nude with a Ball. 1930Gelatine silver print, sepia
Private collection
3011,6
/ ALEXANDER GRINBERG 57
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. . 1930- ,
.
Nude. Dark Tone. 1930sGelatine silver print, sepia
. Golosovsky collection
27,518
/ ALEXANDER GRINBERG58
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1 | -2. 1928
.
Nocturne-2. 1928Gelatine silver print
. Golosovsky collection
27,138,4
2 | . 1926 ,
Sitting Woman. 1926Gelatine silver print, sepia
Moscow House of Photography Museum
18,529
3 | . . 19261927 , ,
.
Nude. Dark Tone. 1926 1927Gelatine silver print, sepia, varnish
. Golosovsky collection
19,128,9
4 | . 1928
Sitting Woman. 1928Gelatine silver print
Moscow House of Photography Museum
2316,5
123
4
/ ALEXANDER GRINBERG 59
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/ ALEXANDER GRINBERG60
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. 1925
Nude. 1925Bromoil
Private collection
17,228,2
/ ALEXANDER GRINBERG 61
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. 1920-
Nude. 1920sGelatine silver print
Private collection
1018,8
/ ALEXANDER GRINBERG62
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. 1927 ,
Cinema Actor Andrei Fait. 1927Gelatine silver print, toning
Union of Photo-artists of Russia collection
29,821,7
/ ALEXANDER GRINBERG 63
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. . 1930 ,
.
Nude. Dark Tone. 1930Gelatine silver print, sepia
. Golosovsky collection
13,522,6
/ ALEXANDER GRINBERG64
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. 1924 ,
.
Bather. 1924Gelatine silver print, sepia
. Golosovsky collection
33,527,7
/ ALEXANDER GRINBERG 65
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. 1920- ,
Nude. 1920sGelatine silver print, sepia
Private collection
22,230,6
/ ALEXANDER GRINBERG66
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. 1923
.
Portrait of an Actress. 1923Bromoil with transfer
. Golosovsky collection
28,922
/ ALEXANDER GRINBERG 67
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( ). 1923
Portrait (Woman with a Star). 1923Gelatine silver print
Moscow House of Photography Museum
28,222,8
/ ALEXANDER GRINBERG68
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
68/191
. 1928
Sergei Eisenstein. 1928Gelatine silver print
Union of Photo-artists of Russia collection
2922,4
/ ALEXANDER GRINBERG 69
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
69/191
. 1928
Sergei Eisenstein. 1928Gelatine silver print
Private collection
16,512
/ ALEXANDER GRINBERG70
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
70/191
. 1920-
Joy. 1920sToned gelatine silver print
Moscow House of Photography Museum
27,822,7
/ ALEXANDER GRINBERG 71
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
71/191
. 1920-
Portrait of a Man. 1920sGelatine silver print
Union of Photo-artists of Russia collection
3024,7
/ ALEXANDER GRINBERG72
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
72/191
. 1926 ,
.
Study of Movement. 1926Gelatine silver print, sepia
. Golosovsky collection
22,928,5
/ ALEXANDER GRINBERG 73
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
73/191
. . 1930- ,
Nude. Dark Tone. 1930sGelatine silver print, sepia
Moscow House of Photography Museum
10,728,7
. . 1930- ,
Nude. Dark Tone. 1930sGelatine silver print, sepia
Moscow House of Photography Museum
13,529,7
/ YURY YEREMIN74
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
74/191
. 1926 ,
.
In a Cave. 1926Gelatine silver print, sepia
. Golosovsky collection
18,926
/ YURY YEREMIN 75
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
75/191
. 1926 ,
.
Among Cliffs. 1926Gelatine silver print, warm paper
. Golosovsky collection
1924,8
/ YURY YEREMIN76
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
76/191
. 1920-
Herd. Mid-1920sGelatine silver print
Moscow House of Photography Museum
27,838
/ YURY YEREMIN 77
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
77/191
. 1930-
Herd in the Dust. 1930sGelatine silver print
Moscow House of Photography Museum
26,837,7
.78 . 1935
p.78 Herd. 1935Gelatine silver print
Moscow House of Photography Museum
17,334,5
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
78/191
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
79/191
/ YURY YEREMIN80
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
80/191
. 1928
Fence. 1928Gelatine silver print
Private collection
8,913,7
/ YURY YEREMIN 81
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
81/191
. . 1930
Shepherds. Cover for Tourist Magazine. 1930Gelatine silver print
Private collection
11,115,3
/ YURY YEREMIN82
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
82/191
. 1924
Crimea. 1924Gelatine silver print
Private collection
78,4
. 1924
.
Pavilion. 1924Gelatine silver print
. Golosovsky collection
22,715,5
/ YURY YEREMIN 83
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
83/191
. . 1924
Sunrise at Livadia. Crimea. 1924Gelatine silver print
Private collection
139
. . 1924
Miskhor. Crimea. 1924Gelatine silver print
Private collection
8,56
/ YURY YEREMIN84
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
84/191
. 1928
Shoemaker. 1928Gelatine silver print
Private collection
13,18,1
. 1928
Woman with Children near a Wall. 1928Gelatine silver print
Private collection
8,912,9
/ YURY YEREMIN 85
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
85/191
. 1924
Cart on the Road. 1924Gelatine silver print
Private collection
7,86,6
. . 1924
Peasants with a Small Cart. Crimea. 1924Gelatine silver print
Private collection
7,38,1
/ YURY YEREMIN86
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
86/191
. 1920-
Nude. 1920sGelatine silver print
Private collection
11,816,5
/ YURY YEREMIN 87
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
87/191
. 1924 ,
.
Crimea. 1924Gelatine silver print, sepia
. Golosovsky collection
20,328,4
/ YURY YEREMIN88
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
88/191
. 1926
.
Summer. 1926Gelatine silver print
. Golosovsky collection
19,426,3
/ YURY YEREMIN 89
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
89/191
. 1920-
Study. 1920sBromoil with transfer
Union of Photo-artists of Russia collection
28,623,3
/ YURY YEREMIN90
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
90/191
. 1935 ,
Courtyard in Sukhumi. 1935Gelatine silver print, sepia
Union of Photo-artists of Russia collection
38,927,8
/ YURY YEREMIN 91
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
91/191
. 1928 ,
Covered Street in Old Bukhara. 1928Gelatine silver print, sepia
Union of Photo-artists of Russia collection
38,827,2
/ LEONID SHOKIN92
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
92/191
. 1920- ,
Butterflies. 1920sGelatine silver print, sepia
Moscow House of Photography Museum
20,228,1
/ LEONID SHOKIN 93
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
93/191
. 1920
White Geese. 1920Bromoil
Moscow House of Photography Museum
21,416
/ LEONID SHOKIN94
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
94/191
. 1930- . 1940
.
Spreading Flax. 1930sGelatine silver print of 1940
. Golosovsky collection
21,128
/ LEONID SHOKIN 95
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
95/191
. 1940
.
Working Flax. 1940Gelatine silver print
. Golosovsky collection
20,629,1
/ LEONID SHOKIN96
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
96/191
. 1928
.
Winter Trees. 1928Gelatine silver print
. Golosovsky collection
1813,8
/ LEONID SHOKIN 97
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
97/191
. 1930
.
Winter Day. 1930Gelatine silver print
. Golosovsky collection
21,218
/ LEONID SHOKIN98
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
98/191
. 1925
Tackle. 1925Bromoil
Moscow House of Photography Museum
20,125,9
/ LEONID SHOKIN 99
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
99/191
. 1930-
Volga at Night. 1930sGelatine silver print
Moscow House of Photography Museum
22,716,8
/ LEONID SHOKIN100
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
100/191
. 1923
.
Portrait of a Girl. 1923Bromoil
. Golosovsky collection
2216,8
. 1926
.
Gypsy. 1926Bromoil
. Golosovsky collection
2014,9
/ LEONID SHOKIN 101
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
101/191
. 1916
.
Dance. 1916Bromoil with transfer
. Golosovsky collection
22,215,8
. 1921
.
Herdboy. 1921Bromoil with transfer
. Golosovsky collection
22,711,7
/ LEONID SHOKIN102
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
102/191
. 1930
.
Portrait of an Old Man. Ca. 1930Bromoil with transfer
. Golosovsky collection
20,715,7
/ LEONID SHOKIN 103
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
103/191
. 1921
.
Mills. 1921Bromoil
. Golosovsky collection
18,722,9
/ LEONID SHOKIN104
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
104/191
. 1925
Shepherds. 1925Bromoil
Moscow House of Photography Museum
21,326,5
/ LEONID SHOKIN 105
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
105/191
. 1920-. 1939
.
Autumn Landscape. 1920s. Print of 1939Bromoil
. Golosovsky collection
1622,1
/ LEONID SHOKIN106
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
106/191
. 1920. 1925
.
Peddler. 1920. Print of 1925Bromoil with transfer
. Golosovsky collection
2215,3
/ LEONID SHOKIN 107
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
107/191
. 1926
.
Bringing News. 1926Bromoil
. Golosovsky collection
22,617
/ LEONID SHOKIN108
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
108/191
. 1919
.
Kimry. 1919Bromoil
. Golosovsky collection
14,518,5
/ LEONID SHOKIN 109
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
109/191
. . 1930-
On the Volga. Kimry. 1930sGelatine silver print
Moscow House of Photography Museum
27,818,6
- /NIKOLAI SVISHCHOV-PAOLA110
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
110/191
, ( ). 1920-
Keep Quiet (Kamerny Theatre).Late 1920sToned gelatine silver print
Moscow House of Photography Museum
27,320,9
. 1920- ,
Dream. 1920sGelatine silver print, sepia
Moscow House of Photography Museum
28,615,6
- /NIKOLAI SVISHCHOV-PAOLA 111
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
111/191
. 1920-
The Call. 1920sToned gelatine silver print
Moscow House of Photography Museum
34,324,9
. 1920-
On the Raft. 1920sToned gelatine silver print
Moscow House of Photography Museum
26,921,7
- /NIKOLAI SVISHCHOV-PAOLA112
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
112/191
. 1930-
Willow Branch. 1930sToned gelatine silver print
Moscow House of Photography Museum
20,827
- /NIKOLAI SVISHCHOV-PAOLA 113
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
113/191
. 1920-
Boat. 1920sBromoil
Moscow House of Photography Museum
27,335,3
- /NIKOLAI SVISHCHOV-PAOLA114
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
114/191
. 1920-
Guarding the Past. 1920sBromoil
Moscow House of Photography Museum
27,736,6
- /NIKOLAI SVISHCHOV-PAOLA 115
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
115/191
. 1920-
Leningrad. 1920sBromoil
Moscow House of Photography Museum
16,325,7
- /NIKOLAI SVISHCHOV-PAOLA116
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
116/191
. 1920-
Horse with a Bag. 1920sBromoil with transfer
Moscow House of Photography Museum
16,222,4
- /NIKOLAI SVISHCHOV-PAOLA 117
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
117/191
. 1920-
Motherhood. 1920sBromoil
Moscow House of Photography Museum
19,825,4
- /NIKOLAI SVISHCHOV-PAOLA118
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
118/191
. 1910-
Portrait of a Woman. 1910sBromoil
Moscow House of Photography Museum
33,224,5
-. 1920-
Actress Maria Arnazi-Borshak. 1920sBromoil
Union of Photo-artists of Russia collection
3022,4
- /NIKOLAI SVISHCHOV-PAOLA 119
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
119/191
. 1930- ,
Portrait of the Actress Zhukovskaya. 1930sGelatine silver print, sepia
Union of Photo-artists of Russia collection
28,521,5
. 1920--
Portrait of a Woman. 1920sReddish-brown gum arabic
Union of Photo-artists of Russia collection
28,724,4
- /NIKOLAI SVISHCHOV-PAOLA120
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
120/191
. 1920-
Demon. 1920sBromoil
Moscow House of Photography Museum
19,824,7
.121 . 1920-
.121 Study of Movement. 1920sBromoil
Moscow House of Photography Museum
27,815,4
- /NIKOLAI SVISHCHOV-PAOLA 121
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
121/191
/ NIKOLAI ANDREEV122
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
122/191
. 1930-
.
Above the Dome. Early 1930sGelatine silver print
. Golosovsky collection
12,827,5
/ NIKOLAI ANDREEV 123
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
123/191
. 1920- ,
Spring Flood. Late 1920sGelatine silver print, drawing
Private collection
14,423,7
/ NIKOLAI ANDREEV124
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
124/191
. 1924
Too Late. 1924Gelatine silver print
Private collection
22,528,4
. 1930
Stocking Up Timber. 1930Bromoil
Private collection
16,223,3
/ NIKOLAI ANDREEV125
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
125/191
. 1929,
.
Rising Moon. 1929Bromoil, painting
. Golosovsky collection
26,533,7
. 1920-
At the Fence. 1920sGelatine silver print
Private collection
16,322
. 1928
Buturlino. 1928Gelatine silver print
Union of Photo-artists of Russia collection
23,629,3
. 1929
Before the Rain. Before 1929Toned gelatine silver print
Private collection
20,227,3
1
3
2
4
/ NIKOLAI ANDREEV126
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
126/191
. 1920-
.
Last Ray. 1920sBromoil
. Golosovsky collection
19,224,4
. . 1923
Moonlight. Panikovo. 1923Gelatine silver print
Private collection
19,223
/ NIKOLAI ANDREEV 127
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
127/191
. 1920-
Evening. 1920sGelatine silver print
Union of Photo-artists of Russia collection
2229,1
. 1929
Evening. 1929Toned gelatine silver print
Private collection
20,327
/ NIKOLAI ANDREEV128
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
128/191
. 1930 ,
Before the Storm. 1930Gelatine silver print, drawing
Private collection
16,827
/ NIKOLAI ANDREEV 129
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
129/191
. 1920-
First Flowers. 1920sGelatine silver print
Private collection
26,936,2
/ NIKOLAI ANDREEV130
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
130/191
. 1930- ,
Field Cares. 1930sToned gelatine silver print, drawing
Private collection
18,828,2
. 1930- , ,
Reaper. 1930sGelatine silver print, painting, drawing
Private collection
28,724,6
/ NIKOLAI ANDREEV 131
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
131/191
. 1930 , ,
Autumn Cares. 1930Gelatine silver print, painting, drawing
Private collection
2328,9
. 1935,
.
Reaper. 1935Bromoil, drawing
. Golosovsky collection
28,222,3
/ NIKOLAI ANDREEV132
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
132/191
. 1926
Having a Smoke. 1926Bromoil
Union of Photo-artists of Russia collection
37,420,5
/ NIKOLAI ANDREEV 133
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
133/191
. 1920-
Boiling Point. 1920sBromoil with transfer
Union of Photo-artists of Russia collection
37,728,1
/ NIKOLAI ANDREEV134
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
134/191
. 1924
At the Furnace. Before 1924Toned gelatine silver print
Private collection
32,544,4
/ NIKOLAI ANDREEV 135
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
135/191
-. 1930 , ,
Portrait of an Old Intellectual. 1930Gelatine silver print, painting, drawing
Private collection
3425,1
-. 1930
Portrait of an Old Peasant. 1930Bromoil
Private collection
26,219,3
/ NIKOLAI ANDREEV136
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
136/191
. 1920-
,
Untitled. 1920sGelatine silver print, painting
Moscow House of Photography Museum
23,531,6
/ NIKOLAI ANDREEV 137
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
137/191
. 1930-
Lenin Monument. 1930sToned gelatine silver print
Moscow House of Photography Museum
16,220,2
- / SERGEI IVANOV-ALLILUEV138
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
138/191
- / SERGEI IVANOV-ALLILUEV 139
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
139/191
. 1922
Labour. 1922Gelatine silver print
Moscow House of Photography Museum
1239,6
- / SERGEI IVANOV-ALLILUEV140
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
140/191
. 1934
Portrait of Yury Yeremin. 1934Gelatine silver print
Union of Photo-artists of Russia collection
23,128,6
/ EMIL BENDEL 141
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
141/191
. 1910- ,
Portrait of a Woman. 1910sGelatine silver print, drawing
Moscow House of Photography Museum
29,849,7
/ PIOTR KLEPIKOV142
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
142/191
. 1925
Sunrise Over Simeiz. 1925Toned gelatine silver print
Moscow House of Photography Museum
19,329,4
/ PIOTR KLEPIKOV 143
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
143/191
. 1923
Winter Study. 1923Bromoil
Moscow House of Photography Museum
23,617,1
. 1925
Autumn. 1925Bromoil with transfer
Moscow House of Photography Museum
14,36,4
/ PIOTR KLEPIKOV144
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
144/191
. 1928
Near Batumi. 1928Bromoil with transfer
Moscow House of Photography Museum
29,321,7
. 1925
Decorative detail. 1925Bromoil with transfer
Moscow House of Photography Museum
21,8
/ PIOTR KLEPIKOV 145
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
145/191
. 1925
,
Marfino. 1925Gelatine silver print, sepia
Moscow House of Photography Museum
16,229,2
/ PIOTR KLEPIKOV146
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
146/191
. 1925
Winters End. 1925Bromoil
Moscow House of Photography Museum
23,128,1
/ PIOTR KLEPIKOV 147
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
147/191
. 1923
,
Snow. 1923Gelatine silver print, sepia
Moscow House of Photography Museum
24,428,1
/ PIOTR KLEPIKOV148
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
148/191
-. 1924
Nikolskoye-Uriupino. 1924Bromoil
Union of Photo-artists of Russia collection
19,322,3
/ PIOTR KLEPIKOV 149
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
149/191
. 1920-
Church Entrance. Late 1920sBromoil with transfer
Union of Photo-artists of Russia collection
24,428,3
. 1925
Ruins. 1925Bromoil
Moscow House of Photography Museum
23,524,2
/ PIOTR KLEPIKOV150
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
150/191
. . 1925
Kremlin Silhouettes. Moscow. 1925Tricoloured bromoil
Union of Photo-artists of Russia collection
28,222,4
/ PIOTR KLEPIKOV 151
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
151/191
. . 1940
Red Square. Moscow. 1940Gelatine silver print
Moscow House of Photography Museum
38,328,6
/ VASSILY ULITIN152
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
152/191
. 1928
Winter. 1928Bromoil
Union of Photo-artists of Russia collection
23,725,7
/ VASSILY ULITIN 153
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
153/191
. 1926
.
Summer Day. 1926Gelatine silver print
. Golosovsky collection
19,728,2
/ VASSILY ULITIN154
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
154/191
. 1928
.
Threshing. 1928Bromoil with transfer
. Golosovsky collection
20,622,3
/ VASSILY ULITIN 155
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
155/191
. 1928
.
Harvest. 1928Bromoil with transfer
. Golosovsky collection
24,523,1
/ VASSILY ULITIN156
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
156/191
. 1919
.
Portrait of a Young Woman. 1919Gelatine silver print
. Golosovsky collection
26,620
/ VASSILY ULITIN 157
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
157/191
. 1920-
Babushka. 1920sGelatine silver print
Moscow House of Photography Museum
17,322,9
/ VASSILY ULITIN158
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
158/191
. 1926
Gypsy. 1926Resinotype
Union of Photo-artists of Russia collection
27,120,8
/ VASSILY ULITIN 159
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
159/191
. 1930
.
Portrait. 1930Bicoloured bromoil
. Golosovsky collection
27,718,9
/ VASSILY ULITIN160
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
160/191
. 1919. 1922
,
.
Portrait of Guzeev, Actor of the Moscow Art Theatre. 1919.Print of 1922
Gelatine silver print, sepia
. Golosovsky collection
2922,1
/ VASSILY ULITIN 161
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
161/191
. 1926
.
Fisherman Lev Lashchilin. 1926Bromoil
. Golosovsky collection
23,424,4
/ VASSILY ULITIN162
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
162/191
. 1932
.
Flame of Paris. 1932Bicoloured bromoil
. Golosovsky collection
27,538,5
/ VASSILY ULITIN 163
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
163/191
. 1933
.
Ballerina. 1933Photoengraving
. Golosovsky collection
38,527,5
/ VASSILY ULITIN164
5/26/2018 Quiet Resistance - Russian Pictorialism 19001930s (Photography Art eBook)
164/191
. 1926
.
White Sea Study. 1926Gelatine silver print
. Golosovsky collection
19,426,6
/ VASSILY ULITIN 165
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. 19261927
North. 1926 1927Gelatine silver print
Moscow House of Photography Museum
21,529,2
1 | . 1930
Untitled. 1930Gelatine silver print
Moscow House of Photography Museum
5,57,7
2 | . 1924
Untitled. 1924Gelatine silver print
Moscow House of Photography Museum
5,98,1
3 | . 1930
123 4
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Untitled. 1930Gelatine silver print
Moscow House of Photography Museum
6,67,6
4 | . 1930
Untitled. 1930Gelatine silver print
Moscow House of Photography Museum
6,97,9
/ VASSILY ULITIN 167
1 2
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1 | . 1930
Untitled. 1930Gelatine silver print
Moscow House of Photography Museum
7,48,1
2 | . 1930
Untitled. 1930Gelatine silver print
Moscow House of Photography Museum
7,68,2
3 | . 1930
Untitled. 1930Gelatine silver print
Moscow House of Photography Museum
7,68,1
1 23
/ VASSILY ULITIN168
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. 1920-
Kovda River. 1920sToned gelatine silver print
Moscow House of Photography Museum
29,123,3
/ VASSILY ULITIN 169
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. 1920-
Untitled. 1920sToned gelatine silver print
Moscow House of Photography Museum
23,621,9
/ VASSILY ULITIN170
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. 1920-
Rookery. 1920sToned gelatine silver print
Moscow House of Photography Museum
22,922,6
/ VASSILY ULITIN 171
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. 1926
.
Ships at Low Tide. 1926Gelatine silver print
. Golosovsky collection
32,230,2
/ VASSILY ULITIN172
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. 1926 1927
Lake Kovda. 1926 1927Toned gelatine silver print
Moscow House of Photography Museum
20,528,2
/ VASSILY ULITIN 173
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.1928 ,
.
Before the Storm. 1928Gelatine silver print on warm paper, varnish
. Golosovsky collection
23,627,5
/ VASSILY ULITIN174
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. . 1925
.
Pines. Crimea. 1925Bromoil
. Golosovsky collection
34,822,7
/ VASSILY ULITIN 175
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. 1929
.
Zlatoust Works. 1929Gelatine silver print
. Golosovsky collection
27,822,7
/ ALEXANDER RODCHENKO176
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. 1940
Acrobat. 1940Gelatine silver print
Private collection
40,727
/ ALEXANDER RODCHENKO 177
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. 1940
Vladimir Durov with Sea Lions. 1940Gelatine silver print
Private collection
41,528,7
/ ALEXANDER RODCHENKO178
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. 1940
Juggler. 1940Gelatine silver print
Private collection
24,129,1
/ ALEXANDER RODCHENKO 179
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. . . 1937
Opera Ruslan and Ludmila.Bolshoi Theatre. Moscow. 1937Gelatine silver print
Moscow House of Photography Museum
22,930,3
/ ALEXANDER RODCHENKO180
12
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1 | . . . 1937 ,
Ballet La Fille Mal Garde.Bolshoi Theatre. Moscow. 1937Gelatine silver print, sepia
Moscow House of Photography Museum
28,940,4
2 | . . . 1937
Opera Ruslan and Ludmila.Bolshoi Theatre. Moscow. 1937Gelatine silver print
Private collection
19,340
/ ALEXANDER RODCHENKO 181
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. 1938
Parterre Acrobats. 1938Gelatine silver print
Private collection
3041,5
182
1837 .1847 .18571864 - ; .1865 ; . .1866 , 1869 . .
18701900- .18701880- .1878 .1886 .1895 () .1902 (), .1906 .
1846 . --. 1869 .
arelin Andrei Osipovich1837 born in Soldatskaya Sloboda, Tambov province.1847 studied under an icon-painter in Tambov.18571864 studied at the St. Petersburg Academy of Arts;took up photography.1865 moved to Kostroma; worked in the photo studio of . Nastiukov.1866 moved to Nizhny Novgorod, where in 1869 he launched his ownstudio Photography and Painting.
1870s1900s participated in numerous photo exhibitions in Russiaand abroad.1870s1880s produced his Art Album of Photographs from Nature.1878 member of French National Academy of Arts.1886 completed his photo album Views of Nizhny Novgorod.1895 honorary member of the Russian Photographic Societyin Moscow.1902 photographed slums and their inhabitants for the productionof Maxim Gorkys play The Lower Depths at the Moscow Art Theatre.1906 died in Nizhny Novgorod.
azurin Aleksei Sergeevich
1846 born in Moscow.Studied at the Commercial School, Frankfurt-am-Main.From 1869 member of the board, Reutovo Manufacture Co.Took painting lessons.Early 1880s took up photography.
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. 1880- .18821883 . 1889 ; .1890- ();18951896 .
. - -; . 1915 .
1876 .1890- 1910- .1900 ; . ().
1903 .19051920 . 1906 V ().19061911 -.1910- , .19111915 ; ,
().1914 , . .
18821883 travelled in Europe.From 1889 took part in photo exhibitions in Russia and abroad;mastered genre photography.1890s member of the Russian Photographic Society,and in 18951896 member of its board. Was among the first in Russiato use the technique of gum-arabic print. Corresponding memberof the Hamburg Society of Amateur Photographers; member
of the French National Academy of Arts.After 1915 died in Moscow.
Petrov Nikolai Alexandrovich1876 born in Yelets.1890s1910s took part in numerous exhibitions in Russia and abroad.1900 graduated from the Riga Polytechnic Institute; studied photogra-phy under Professor F. Schmidt in Karlsruhe, Germany.From 1903 lived in Kiev.19051920 taught photography at the Kiev Polytechnic Institute.From 1906 head of department, Kiev Branch of the Imperial RussianTechnical Society.
19061911 chairman of the Daguerre Society of Amateur Photographers.1910s published over forty works on photography in Russian, Germanand English.19111915 joint editor and head of art section of the magazineVestnik Fotografii; founder of the Kiev Art Salons, honorary memberof the Russian Photographic Society.
183
1920 , 1930 ; - .1940 .
1870, 19 .
1877 ; 1880 . , 1882 . . 1884 . .1885 .1892 .1893 -; . , . . , .18941896 ; .1899
.1900 ; , ,, , .1900-
1914 member of the Young Art group, established by . Trapani.From 1920 taught at the Photographic Institute, from 1930 also profes-sor of the Kiev Institute of Cinematography; headed the photo labof forensic examination.1940 died in Kiev.
Lobovikov Sergei Alexandrovich1870, 19 June born in the village Belaya, Glazov district, into an
Orthodox deacons family.1877 entered village school, and in 1880 the Glazov Religious School,which he quit in 1882 because of illness. In 1884 his parents died.1885 became apprentice to a photographer in Viatka.1892 drafted for military service.1893 moved to St. Petersburg; became a pupil of . Bulla, and thena retoucher in his studio. Met the photographer . Karelin, on whoseadvice he began to work independently.18941896 returned to Viatka and launched a small photo studioof his own.1899 took part in a competition of the St. Petersburg Photographic Society.
1900 awarded bronze medal at the Paris World Exhibition for his genre
works; travelled to Germany, Belgium, France, Switzerland and Austria.1900s participated in many photographic contests in Russia andabroad.1908 established the Viatka Art Group.1909 put much effort into the creation of the Art and History Museumi Vi k di b f h D d S i f h
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.1908 .1909 - ; - .1910 .1913 .
1919 3- .1920 . .19201930- .1925 .1926 ().1934 ; , ( 1936 .) .
(- ) .1941, 27 .
.1910 (); 1912 .19131917 , . .1917 .1922 ( ).
1928 - - (). 1928 .
in Viatka; corresponding member of the Dresden Society for theDevelopment of Amateur Photography.1910 honorary member of the London Society of Fine Arts.1913 honorary member of the Russian Photographic Society.1919 dispatched as photographer to the headquarters of the 3rd Armyon the Eastern front.1920 received a safe-conduct from Narkompros. Started to lecture
at the Institute of Peoples Education.1920s1930s exhibited in Soviet Russia and abroad.1925 elected honorary member of the board, Viatka State RegionalMuseum.1926 became member of the Association of Artists of RevolutionaryRussia (KhRR).1934 received academic pension for life; moved to Leningrad, wherehe worked until 1936 in the photo and film laboratory of the SovietAcademy of Sciences. Later employed in special tasks (macro- and micro-filming) for the Institute of Botany, Soviet Academy of Sciences.1941, 27 November died in Nazi-besieged Leningrad.
Savrasov Sergei IvanovichDate of birth unknown.1910 full member of the Russian Photographic Society, and from 1912member of its board.19131917 member of the Young Art group, founded by . Trapani.1917 on the editorial board of the magazine Vestnik Fotografii.
184
1881 . 1910- , ; .1910 (); 1912 . .1910- .1913 , 1916 . , .1918 ; . . 1920- ; .
.1910 (). 1910- ; ; .1910-
.1913 -. 1918 .
1922 member of the board of the Aerophoto photographic platefactory (formerly Pobeda).1928 founding member of the All-Russian Society of ProfessionalPhotographers.Died after 1928.
rapani Anatoly Ivanovich1881 born in Odessa into a family of Italian immigrants.Early 1910s studied at the Moscow School of Painting, Sculpture andArchitecture; worked for Dore Photo Studio in Moscow.1910 became member of the Russian Photographic Society, and from1912 member of its board.1910s contributed to the magazine Vestnik Fotografii.1913 established the Young Art society, which existed until 1916.Invented a positive process, which he called radiant gummi.1918 emigrated to Paris; worked for the atelier of E. Markovitch.Late 1920s moved to the U.S.; worked as cameraman in Hollywood.
Yeliseev Boris Sergeevich
Date of birth unknown.
1910 became member of the Russian Photographic Society.Early 1910s contributed to the magazines Vestnik Fotografii andFotograficheskiye Novosti; published the essay On PaintedPhotography; dealt with the problem of photographic terminology.1910s took part in Russian and international photo exhibitions.1913 p bli h d hi Anth l g f Pra ti al Ad i f r Tra lling
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1880 -.1900 . ; 19001905 . ;
.1910- - ;
, ; .1913 - . ( .. ).19131916 , . . 1917 .1958 .
1885 .
1905 ; .19051912 - .1906 ().1913 .1914 . , . .19151918 ; - .1918 , , .
1919 41- ; .1921 .
1913 published his Anthology of Practical Advices for TravellingAmateur Photographers.After 1918 died in Petrograd.
Sherling Miron Abramovich1880 born in St. Petersburg.1900 studied photography under B. Pashkevich; in 19001905,
at the Munich Photographic Institute under Eugene Smith; attendedthe studio of the sculptor Emile Bourdelle in Paris.1910s worked as freelance portrait photographer; commissioned by
The Sun of Russia to portray famous figures in the arts, sciences and poli-
tics; took part in photo exhibitions in St. Petersburg and Nizhny Novgorod.
1913 published his catalogue album M. Sherlings Exhibitionof Art Photography (Art Bureau of N.. Dobychina).19131916 member of the Young Art group, founded by . Trapani.After 1917 carried on as portrait photographer.1958 died in Leningrad.
Grinberg, Alexander Danilovich
1885 born in Moscow.1905 graduation from high school. He attended drawing classes at theStroganoff Institute.19051912 studied Physics and Math at Moscow University.1906 became a member of the Russian Photography Society.1913 invited to teach at the Russian Photography Society.
185
19231930 ( ).19251928 ; .1930 .1932 ( ) 15- .1934 .1935 ; .. .1936 - .19361939 ; - ; .1939 .1939 1941 - - .1945 ; .1979 .
1881 .1890- .1900
1914 organized the photo-department at A. Hanzhonkov's film studio.Work as a cinematographer. Called up to the Army.19151918 POW in Germany. He translated several books on photo-chemistry.1918 cinematographer at the Moscow studios of Haritonov, Ermolyev,and Biofilm.1919 cinematographer of the political department of the 41st divisionof the Red Army. Afterwards he worked at the Odessa studios.1921 work at the All-Russian Department of Cinema.19231930 head of the film-technology faculty at GTK (State CinemaPolytechnic).19251928 cinematographer at the 1st Goskino Studio. Participation inexhibitions of 'Art of Movement'.1930 work in organizations for designing photo-labs.1932 award from the Central Executive Committee of the USSR on the15th anniversary of Soviet cinema.1934 taught photography at the Moscow Society of Photographers.1935 participation in the Masters of Soviet Photo-Art exhibition inMoscow. He worked on the photo-design ofthe Lenin Museum.1936 arrest and sentence to five years of labour camp as an element
dangerous to society.19361939 served time in the NKVD camp, worked as a photographerin the Photo-Bureau of the camp, and taught photography.1939 released for good conduct.19391941 work as a photographer in the museum of the formerTrinity-Sergei monastery
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1900 , .. .1905 , ; .19071914 , , ,, ; .1907
.1908 .1910 ().1913 ; ; .1914 Secession.1915 .1918 ; .19191947 ;
.1920- , , ; (), .19251928 .1928 10 ; 135 , .19281948 .1931 .
1935 .1936
Trinity Sergei monastery.1945 retirement. He continued to worked as a free-lance portraitist.1979 died in Moscow.
Eremin, Yuriy Petrovich1881 born in Kazanskaya on the Don.1890 took part in short-term courses for drawing teachers
at the Noverchakasskaya Teacher's Seminary.1900 entered Moscow Art School. A. M. Vasnetsov's class.1905 graduated as a free artist. He worked in the Crimea.19071914 traveled in Germany, Austria, Switzerland, France, Italy.He began to be interested in photography.1907 Participation in the International Exhibition of Art Photographyin Nice.1908 Participation in an international photography exhibition in Naples.1910 became member of the Russian Photography Society.1913 Participation in the creative group Young Art. Interestin engravings. Experiments with difficult photographic techniques:bromine and gummy Arabic.
1914 opens Secession photo-studio in Moscow.1915 called up into the Army as a photo-reporter.1918 return to Moscow where he worked in the Moscow Departmentof National Education.19191947 series of views of Moscow; photographs of monumentsin the Moscow suburbs. 1920s taught photography at the House of
186
.1937 ; .1930-, () .1948 .
1895 .1910 .1912 .1915 ; .1918 () .1925 .1928 10 .1930 .1941 () . 5000 .1941 1945 ;
Printing, Three-Hills Manufacture, Dobrolet and the House of Pioneers.Trained a group of photographers for the Moscow Police Force.Organised the Police Forces photo-museum.19251928 participation in 4 exhibitions of Art of Movement.1928 participation in the 10 Years of Soviet Photography exhibitionwith 135 works. He received a first-class award.19281948 founded and lead a circle for art photographyat the Moscow House of Scientists1931 began teaching at the Architecture Institute.1935 worked for Izvestia newspaper.1936 At a discussion at the House of Cinema on the developmentof photography, Eremin is harshly criticized for leaning to the right,and returning to pictorialist traditions.1937 Photographs of the Moscow-Volga Canal. He started to workon Peoples of the USSR.Late 1930s worked for the All-Soviet Agriculture Exhibitionand the TASS archive.1948 died in Moscow.
Shockin, Leonid Vladimirovich1895 born in the village of Kimri. His father was a shoemaker.1910 His father gives him a photo-camera.1912 first photos published in the magazine Russian Illustration.1915 finished school for aerial photography. Photographed in the armyon the Austrian front.1918 became a member of the Russian Photography Society, head
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; .1945 1950- .1962 .
- 1874 ,
; . 1888 . . .. , . , .1895 ; - (), - .1906 .1908
. , . ; . 1910- -.19101920- . ; , .19251928 , ().1928 -
(); . .
g p y y,of its Kimrskoye department.1925 participated in an international photo-exhibition in Canada.1928 participation in the exhibition 10 years of Soviet photography.1930 photo-correspondent of the Soyuzphoto agency.1941 When the front reached Kimri, a large part of Shokin's archive,over 5000 photos, was destroyed in the presence of an NKVD officer.
19411945 head of the photo lab in the army. He received two medals.19451950 photo-reporter for Kimrskaya Life newspaper.1962 died in Kimri.
Svishchov-Paola Nikolai Ivanovich
1874 born in Moscow into a family of a petty merchant who owneda small linen shop; he helped in his fathers business. In 1888 his motherdied. The shop was shortly sold to ..Ovcharenko who owned a photostudio on Tverskaya street, where Nikolay Svishchov was accepted asassistant retoucher, then assistant to the photographer ikhail Yakovlev.1895 opened his own studio on Sukharevsky market and practisedphotography on porcelain and glass in the Aquarium garden; attended
the meetings of amateur photographers at the Russian PhotographicSociety, but soon fell out with Society members, and ceased to come.1906 rejoined the Russian Photographic Society.1908 met the editor of the magazine Vestnik Fotografii, NikolayKrotkov, who offered him employment in Krotkovs studio Paolaon Kuznetsky Most; in December Svishchov bought the Paola firm
187
19301940- .19561957 . , .1964 .
1882 .18901893 ; , , .1901 , . 1906 ; .1908 ().1909 ().19141919 , , .1919 - .1921 .19231927 - .1924 - ; .19271937 .
and studio from Krotkov, complete with equipment.From the early 1910s he assumed the surname Svishchov-Paola.1910s1920s took part in photo exhibitions in Russia and abroad. Elected
member of the board of the Russian Photographic Society; he ran the Societys
photo lab, and led tours for amateur photographers in the Moscow region.
19251928 participated in Art of Movement exhibitions,held by the State Academy of Artistic Sciences.1928 one of the founders of the All-Russian Society of ProfessionalPhotographers; ran practical training for public courses on photography.Brought up several photographers for Soviet secret police (GPU).1930s1940s directed the photo section at the Moscow MunicipalHouse of Pioneers.19561957 one-man show at the Gorky Literary Institute, Moscow.1964 died in Moscow.
Andreev, Nikolai Platonovich
1882 born in Serpuhov.18901893 attended the local school. From the age of eight he workedfor his father, a hairdresser.1901 began to draw and take photographsFrom 1906 participation in exhibitions in Russia and abroad; openedan studio in Serpuhov1908 received a award at the Russian Photography Society exhibition;he became a member of the RPS.1909 award and favorable reviews in Dresden.19141919 mobilized at the very beginning of the war. He fought in com-
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1927 ().1928 10 .1929 - .
1935 .1937 , . .1946 .1947 .
-
1891 . 12- . 1910- .1916 , . -.
19181920 .1920 ; (). 1923 , , . 1930- .1971 .1979 .
1870 .1900- . ().
bat and was injured. After a stay in a hospital, he returned to Serpuhov.1919 production designer at the Serpuhov Theatre.1921 return to photography.19231927 photographer at the Serpuhov Museum of History.1924 gold medal at the Exhibition of Decorative and Applied Artsin Paris. He re-opened his photo-studio.
19271937 photographer at the Serpuhov branch of the Institute ofScientific Research of the Textile Industry.1927 gold medal at an international exhibition in Zaragosa.1928 honorary award at the 10 Years of Soviet Photographyexhibition in Moscow1929 solo exhibition at the Serpuhov Museum of History.1935 participation in the Masters of Soviet Photography exhibition.1937 award at the first Pan-republican Exhibition of Photographyat the Pushkin Museum.1946 participation in the international photo salon Focus in Amsterdam.1947 died in Serpuhov.
Ivanov-Alliluev Sergei Kuzmich1891 born in Petergof. Took up photography at the age of 12.From the early 1910s permanent participant in photo shows in Russiaand abroad.1916 publication of the colour Atlas of Fruit of the Middle Volga,with photos by Ivanov-Alliluyev.
188
1908 .19261927 .1928 - (); 10 .1948 .
1884 .1897 . 1905 , .1901 .1905 .1910 .1912 .19121918 ;19181931 - , .1918 .1924 .1928 10 . - (), .
19181920 served in the Red Army as a photographerat the headquarters of the Urals command.1920 moved to Moscow and joined the Russian Photographic Society.From 1923 for over twenty years worked as photographer at various Soviet
cinema studios, i.e. Mezhrabpomfilm, Lenfilm, Mosfilm and others.
From 1930s wrote reviews for Soviet Photo magazine.1971 published his book Photography of Landscape.1979 died in Moscow.
Bendel Emil Sigizmundovich1870 born in Moscow.1900s owned a photo studio on Kuznetsky Most in Moscow.Member of the Russian Photographic Society.1908 the Bendel Photo Studio was awarded bronze medalat the International Photo Exhibition in Moscow.19261927 contributed to the Photographer magazine.1928 headed the cultural commission of the All-Russian Societyof Professional Photographers; participated in the exhibitionSoviet Photography Over 10 Years.1948 died in Moscow.
lepikov Piotr Vladimirovich1884 born into a peasant family.1897 worked as a boy in a store in Archangel. Until 1905 successivelyemployed as a salesman, clerk and accountant.1901 took up photography.
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19221935 , , -, , ,, , , , , , ,.1935 .1939 .19401950- - . .1960 .
1888 . .1905 .1907 - .1909 .
.1911 , -
, , .1919 . 1922 .19221930 , ,, , -, , , , .1920- () ().1926 ,
.19281930 , , .
1905 enlisted for military service.1910 graduated from the Chuguyev Infantry School.1912 graduated from the Sevastopol Flying School.19121918 served as pilot in the army;19181931 served in the Red Army Air Force, practising aerialphotography.1918 took up art photography.1924 issued his book Notes on Aerial Photography.1928 member of the board and jury of the exhibitionSoviet Photography Over 10 years. Worked on editorial boardof the Photographer magazine issued by the All-Russian Societyof Professional Photographers, contributing numerous articles to it.19221935 took part in many exhibitions in the USSR and abroad,including London, New York, Batavia, Paris, Turin, Toronto, Zaragoza,Stockholm, Pittsburgh, Vienna, Tokyo and Warsaw.1935 worked in the Photo Department of Intourist.1939 published his books Positive Processes and Positive Processeswith Chromium Salts.1940s1950s
employed by the State Shchusev Museum of Architecture.1960 died in Moscow.
Ulitin, Vassily Ivanovich1888 born in Serpuhov. In childhood he developed an interest in artand photography.
189
1931 ( - ); , , . . 1934 .1935 . 1930- , ; .1976 .
1891 .
19111914 , .1916 , , , ; .1917 -.19181922 ; - .19201924 , .1920 1930 1922
1905 graduation from a business school in Moscow.1907 graduation from the Chemical-Technological School in Kostromaas a colourist.1909 work in the zinc-graphics department at I. Sitin's publishing house.1911 began to work at Karl Fisher's photo studio, specialisingas a portraitist. He mastered difficult printing techniques: bromine,pigment, gummy Arabic.1919 photograph of the School for Armoured Cars.From 1922 work as a portraitist.19221930 participated in large-scale international photo exhibitions.He received medals and awards in Paris, London, Berlin, LA, Toronto,Tokyo, Bogota, Rome.1920s member of the board of the Russian Photography Societyand the All-Russian Society of Photographers.1926 participated in the founding of the magazine Photograph.Member of the editorial board.19281930 taught Basics of Mastery at trade union photo-clubsfor chemists, metallurgists, and tradesmen.1931 organised the first photo-school at the Moscow Cooperative-Trade
Union. He began to teach photography at the Moscow Institute of Polygraphy,
where he developed the technique of three-colour positive printing, and other
complex methods of printing. Taught courses on Zinc Graphics and Photo-
Composition. From 1934, lecturer at the Moscow Institute of Polygraphy.
1935 participation in the exhibition Masters of Soviet Photography.late 1930s Arrest. He served time in labour camps and was then sentto Balahna.1976 di d i M
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19201930 ; 1922 . .1922 ; - . 1923 - , ); . , ; .1924 : , .19261928 : , , ,, ; ; .19291930 ; !,
.1929 . . .1930 .1932 , .1933 - ; .19331940 . 20 , 10 , , , ,
.1935 .
1976 died in Moscow.
Rodchenko, Alexander Mikhailovich
1891 born in St. Petersburg. His father a theatre-props maker, hismother a laundress.19111914 studied at the Kazan Art School, where he met his futurewife Varvara Stepanova.1916 move to Moscow. Participation in Moscow avantgarde exhibitions.
He enrolled at the Stroganoff Art School. He is called up to the army.1917 one of the organizers of the Union of Artists.19181922 worked for the fine-arts department of the PeoplesCommissary for Public education as head of the Office for Museums andas a member of the Art Collegiate. Development of a series of abstract-geometric designs.19201924 member of Institute for Artistic Culture; co-founder of thefirst Constructivist group.19201930 professor at the College of Fine Arts. From 1922 deanof metallurgical faculty.
1922 designed the credits for Dziga Vertovs Kinopravda. Work forAlexey Gans Kino-Foto magazine.from 1923 member of the group for art and literature LEF. Coverdesigns for the magazines LEF and New LEF. Work in advertising withV.Mayakovsky. Illustrations in the manner of photo-montage forMayakovskys poem About This. Work as a graphic designer.
190
1924 began to photograph: portraits, perspective views of buildings .19261928 work in film. He designed furniture, decorations and costumes
for the films Moscow in October, The Journalist, Doll with Millions.Editor of the Photo in Film section of the magazine Soviet Film. Wrote
articles about experimental photography for the New LEF magazine.19291930 co-foundeer of the photo-section of the October group.Work for the magazines Daiesh, Red Student.1929 designed the plays Klop at the Meyerhold Theatre and Ingaat the Theatre of the Revolution.1930 lectures on photography at the Institute of Polygraphy.1932 photo-correspondent for Izogi, where he published a seriesof views of Moscow.1933 photo-correspondent for the construction of the Belomor-BalticCanal.The photographs were used in the magazine USSR underConstruction and the album Belomosstroi.19331940 Together with V. Stepanova, he designed 20 editionsof the magazine USSR Under Construction, the photo-album 10 Yearsof Uzbekistan, Moscow Rebuilt, The First Cavalry, Red Army,Soviet Aviation, etc.1935 artist and participant in Masters of Soviet Photography exhibition.19351941 created a documentary series on the sports parade on RedSquare, the theatre, and the circus.19411942 evacuated; work in the Ocherskaya Studio for agit-posters.19431950 Together with V. Stepanova, he designed exhibitionsfor Mosinformbureau, the photo albums From Moscow to Stalingrad(unpublished), 25 Years of Kazakhstan, Central Museum of V.I. Lenin,5 Years of Labour Reserves (gift edition) and Moscow(unpublished)
19351941 , , , .19411942 ; .19431950- . , ( ), XXV , 5 ( ), .. ( ).1954 ( ) 1951 .1956 .
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5 Years of Labour Reserves (gift edition), and Moscow (unpublished).1954 reinstated as a member of the Moscow Department of SovietArtists, after expulsion in 1951.1956 died in Moscow.
Circolo Queriniano
Comune di VeneziaFondazione di VeneziaRegione del VenetoMinistero pe
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