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PHILSHOTTON
RIBA Part-I Architecture Portfolio
PHILSHOTTON
Contact
Who Am I
E-mail: p.shotton@live.co.uk
LinkedIn: philshotton1
Telephone: +44 (0) 7921450093
Address: 104 Harley Close, Telford. TF1 3LF
Education
- University of Sheffield
BA Architecture [2.1][RIBA Part-I]
- University of Loughborough:
BTEC Diploma in Foundation Art & Design (One year full-time course) [Merit] - Specialised 3D Design
- Adams’ Grammar School:
A-Level:Maths [A*] Physics [A*] Art [A*] Product Design [A]
GCSE: 10[A*] - 1[A]
20112015
20102011
20032010
RIBA Part-I
I am a graduate of Sheffield School of Architecture, with a long-term ambition to establish a career in the architectural field of sports and entertainment venue architecture. I am currently seeking employment as a Part-I Architectural Assistant in a challenging and envigorating professional environment, that will allow me to test and apply the skills I have developed this far, while learning and progressing alongside those around me.
My personal ambition comes from a desire for a holistic approach to social, cultural and contextually sustainable design that focuses primarily on celebrating strong social interactions and communal activity.
This approach is rooted firmly in my vast and passionate experiences of sport - as both a competitor and spectator. I have a growing fascination with the architectural significance of sports stadiums and cultural entertainment venues in encompassing communal activity, that engages a socially diverse mass in a shared experience. I wish to contribute and combine my own experiences with real world architectural practice, as part of a creative team working across all areas of architecture, urban design and master planning.
Experience - Professional
- Cape Reed Group of Companies, Dubai
Architectural Assistant - August/DecemberSubmitted drawings at all stages of design, developed greater confidence discussing proposals with clients on site, progressed skills in Autocad + gained vast experience of bespoke timber construction in practice.
2014
Experience - Interests
003/
- Dubai; Mega-events, Globalisation and a Sustainable Future.
In 2015 I completed a 30,000 word research document concerned with the effects that staging global ‘mega-events’ can have on our urban environments. With an overid-ing focus on Dubai World Expo 2020, the study explored the nature of the experi-ence economy and globalisation within our modern consumer orientated cities.
The study was conducted by attending nu-merous conferences + communicating per-sonally with the architects, urban planners + relevant industry professionals working within the Gulf region. It was invaluable in progressing my confidence + ability to network, learn and to contribute within a professional and foreign environment.
Software + Skills
AutocadVectorworks
Adobe Creative SuitesSketchupLaser Cutting
Technical DrawingModel Making
3D PrintingDiagrammingGraphic Design
2015
- Track & Field Atheltics: As a junior I competed at the highest national level of Track & Field; England Championships, UK School Games finalist + Midland Counties Champion (400mH). Throughout 2011 I trained alongside top level athletes at Loughborough University.
20062012
001/
002/
- Professional Projects:
Sofitel Dubai The Palm Resort, Dubai:Full conceptual design + technical draw-ings for extension of existing timber pago-la poolside bars
Dubai Safari, DubaiAssisted in speculative technical drawings for the lucurative, succesful Dubai Safari construction bid - to be completed in 2016
Nikki Beach Club Resort + Spa, Dubai:Assisted in the design + submitted full tech-nical drawings for timber poolside resort decor and thatched roof sun gazebos.
Katara Marine Jetty Dining, QatarSubmitted full construction design, tech-nical drawings + material quantities for 5000sqm, 5* Hotel off the coast of Doha consisting of marine chalets + restaurant.
Residential - Various locations, UAEMet with clients at site to discus proposals and submitted speculative, conceptual + technical drawings.
- London Olympic Stadium:In May 2012 I was fortunate enough to compete as part of a 4x400m team infront of 46,000 spectators during the official opening of the London Olympic Stadium.
2012
- 2014 Fifa World Cup, Brazil:In 2014 I explored my passion for travel, stadium architecture and the staging of mega-events on a global scale. I travelled to 9 of 12 host cities of the 2014 World Cup, across 6 weeks in Brazil
2014
Links
Portfolio - Issuu: www.issuu.com/philshotton/docs / Google Drive: https://goo.gl/qFWkIv Dubai; Mega-events, Globalisation and a Sustainable Future: www.issuu.com/philshotton/docs
References
- ProfessionalAndre Van HeerdenManaging Partner & General ManagerCape Reed Ground of Companies, DubaiAndre@capereed.com
- AcademicSimon Chadwick.Head of Undergraduate StudiesUniversity of SheffieldSimon.chadwick@sheffield.ac.uk
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Restoring The City Buildings
Level: Year Three
Location: Manchester
Date: September 2015
Tutor: David Britch
A Grade II Listed structure originally built in 1886 for - The City Buildings have long been a defining point in the urban grain of Manchesters City Centre. However for more than 20 years, despite its prime location, the site has remained vacant.The City Buildings themselves have fallen into disrepair and remain abandoned.
The Manchester Institue of Productivity aims to rejuvinate the historic site, creat-ing a centre of social and cultural importance to the whole city and promoting health and wellbeing amongst those who live and work within the city centre.
Manchester Institute of Enhanced Productivity
1Academic
Scale 1:1250
Manchester - Site Context
Located to the North of Manchester City Centre the site sits within the main commercial, lesiure + entertainment district of the city. It also sits at the heart of the NOMA development, which will transform the surrounding area into a major commercial business district over the next 5 years.
The site provides close and easy access to workers from all areas of the urban makeup and is at a vital location to have a significant cultural and social impact on the working conditions of the city.
Its position at the entrance of Manchester Victoria Station also makes it a point passed by thousands of comuters each day - utilising a site that already forms part of the daily work cycle.
Commercial/Office
Culture + Entertainment
Retail
Residential
Residential + Retail
Industrial
Travel
Site Building Usage:
Urban Agriculture + An Inner City Nap Centre
The Institute of productivity aims to promote a healthi-er and more productive city through the education of its population on the benefits of optimised sleep cycles, dai-ly napping and an imrpoved quality of sleep.
It aims to achieve this through the implementation of:
1
2
3
Inner city nap-centre:
Providing spaces within the city to rest, sleep + nap throughout the working day
Urban Essential-Oil Farm
Creating urban agri-culture accomodating the growth, harvest and distillation of Essential Oils used to create sleep enhancing remedies
1
2
Monophasic Byphasic Everyman Dymaxion Uberman
Our bodies are able to function through a number of varied combinations of sleep and wakefullness. The human circadian rhythm has been adapted to many formations to achieve optimised productivity
Our modern urban environments and the regulated 40 hour working week have restricted our bodies to function predominantly on a block of 8hrs sleep and 16hrs wakefullness.
Sleep Cycles
1
34
2
Sunpath
SW W
inds
5
Corporation Street
Todd Street
Metrolink Line Contextual site considerations
3
6 South-east along Corporation Street - Main city centre entrance route
Historic cultural approach from the West - Victoria station facade
North from Cathedral Gardens and Urbis - significant cultural landmark
Alive at night - site connects to popular entertainment district Printworks
The site is heavily exposed to a SW wind tunnel along Victoria station
The site is landlocked to pedestrianised public spaces with heavy footflow
1
2
3
4
5
6
Site Strategies
Above + Below
Public Realm
Varying Enclosures
Heavy/Light
Four Frontages
Public Passageway
Framing Views
Solid/Void
1
2
3
4
5
6
7
8
Public RealmAbove and Below Varying enclosure
Framing ViewsFour frontages Public passageway Solid/Void
Heavy/Light
5 6 7 8
Public RealmAbove and Below Varying enclosure
Framing ViewsFour frontages Public passageway Solid/Void
Heavy/Light1 2 3 4
Perforating the facade
Glazing used to emphasise the perforation of the concrete ground stucture perforating the exterior facade
Di�used lighting
Polycarbonate used to di�use light, creating a calming and dreamy internal atmosphere, while allowing su�cient light to penetrate for optimal growing conditions of plants
Glowing at night
Arti�cial lighting used within the greenhouse at night creates a glow-ing external polycarbonate facade, connecting the building to the surrounding Cathedral gardens and leisure industries at night
Victoria Station view in
Glazing on the west facade opens the verticrop growing trays up to pedes-trians arriving from Victoria station allowing views directly into the building. The growing trays enclose the internal space themselves
1 2 3 4
Perforating the facade
Glazing used to empha-sise the perforation of the concrete ground stucture perforating the exterior fa-cade
Diffused lighting
Polycarbonate used to dif-fuse light, creating a calm-ing internal atmosphere, while allowing light to pen-etrate for optimal growing conditions of plants
Glowing at night
Artificial lighting creates a glowing external facade, connecting the building to the surrounding Cathedral gardens and Printworks centre at night
Victoria Station view in
The west facade opens up to pedestrians arriving from Victoria station al-lowing views directly into the growing trays that en-close the internal space.
Polycarbonate Facade
1
2
3
4
Building Concept
The Institute of Productivity functions through an overlapping of the continuous cycles of essential oil production and the daily sleep pattern of manchesters workers. The two functions come together in the form of individual nap pods situated below an overhanging Verticrop growing system.
The Verticrop growing system is formed of hundreds of trays that circulate throughout a large polycarbonate greenhouse on a large steel frame conveyor belt. The nap pods are formed through pre-cast concrete formwork, containing individual S-shaped rest-ing beds, with glazed ceilings.
Three tiered system of circulation
1
23
4
5
1
2
3
4
5A three tiered system creates three levels of nap-pods, waking us-ers after three varied circulation intervals of 15, 30 or 60 minutes.
Circulating across three different tiers of the greenhouse, the space allows optimal environmental conditions for plant growth. Light filtrates across the whole planting area, and plants circulate for equality of air, humidity and flucturating internal conditions.
Concrete pillar
Nap-pod + adjustable bed
Verticrop perforated track
Verticrop grow trays
Nap-pod raised walkway
1
2
3
4
5
Construction Detail:
Concept Detail
Verticrop Conveyor Belt
Steel Frame Greenhouse
Inserted Floorplates
Hanging Harvest Trays
Lightwell Circulation
Stone Masonry Facade
1
2
3
4
5
6
Power nap - 15mins
Fact nap - 30mins
Full cycle nap - 60mins
2
Assemble Disassemble
Relocating to the historic market town of Ilkeston
The town of Ilkeston has been home to its own chartered fair since 1252 and has strong historical links to the collections of the National Fairground Archive. The NFA is to be relocated to Ilkeston with a responsibility to engage the town with its collec-tions and to celebrate the traditional fairground activities of the wider community.
The Ilkeston Charter Fair is held annuannlly for 4 days at the end of October. It is a key date in the social and cultural identity of the small town. Originally concerned with trade, and the gathering of trades people upon the Ilkeston market square, the fair has had to grow and adapt to both the changing urban grain of the town cen-tre, and the changing cultural and technology involved in staging a modern fair.
Level: Year Three
Location: Ilkeston
Date: December 2013
Tutor: Ming Chung
The National Fairground Archive
Academic
Assembly Drawing
Archive workspaces - design + construction details
Three points of contact - between public archive users and private archivist staff at three levels
Double height ceilings open up enclosed workspaces - while maintaining the required protection
Internal Exposed steel strucurally frames the archive - compartmentalising spaces and collections
Floorplate openings connect archive workspaces vertically - creating a culture of shared learning
1
2
3
4
2
1 2
3
1
Private archivist workspace
Public archive workspace
a
b
a
3
4
b
Structural Assembly
Zinc panel roof
Masonry roof cladding
Oakwood interior panel
Internal plasterboard
Single unit DG window
1
2
3
4
5
1
1
2
34
56
7
6 Perforated black masonry
7 Insitu Concrete ramp
National Fairground Archive at Night
At night, when the Ilkeston Char-ter fair engulfs the towns ur-ban grain, the perforated facade comes alive with colour, light and digital projects of the collections inside
Light cannnons and projectors project digitsed documents and images that filter through the perforated brick, creating a glow-ing facade and exciting alleyway of colour that extends the fair down into a controlled exhibition and performance space to the rear of the site. of light screens as seen throughout the fair.
Set within a deep valley of the Peak District, the village of Haversage is accessed through a cliff edge opening know as ‘Surprise View’.
On first visit to the site the landscape was set within deep fog. The site immediatley became about navigation; guidance and understanding of the landscape, limited to a restricted view.
A progression of smaller thresholds defined by distantly visible natural and man made protrusions sat alone in the landscape, guide you along - stone walls, protrusions in the cliff edge.
The Architecture of the flight centre was imagined as a continuation of this; navigation inbetween visual thresholds, - moments to stop.
3
Level: Year Two
Location: Haversage
Date: January 2013
Tutor: Paul Testa
Haversage MicrolightFlight Centre
Academic
Forming an axis along the cliff edge landscape
The initial approach to the site was about linear movement through the land-scape, defined upon the axis of an existing stone wall left behind by the sites grindstone quarrying past.
A series of timber units are constructed upon this axis, defining a journey through to the final microlight flight and as a tool for guiding walkers along the cliff edge and into the valley. The timber construction allows for efficient assembly + dissasembly leaving minimal impact on the landscape.
1
2
3
4
5
Visitor club-house
Changing facilities
Microlight storage hanger
West viewing platform
North viewing platform
1
2
3
4
5
Plan index:
1
2
3
4
5
1
2
3
5
1
2
3
4
5
1
2
3
5
Defining thresholds along the cliff edge landscape
Physical thresholds
Visual thresholds
1
2
Thresholds:
1 Thresholds defined visually, by views framed by walls in the distant landscape - for naviga-tion and exploration across the cliff edge.
Thresholds defined physically, by entering and leaving a building or meeting a wall that create a series of moments + pauses.
2
Microlight Visitor Centre
Staff offices
Changing facilities
Visitor Centre
Raised Entrance
Air field
1
2
3
4
5
The design consists of the compact timber microlight visitor centre that takes on the existing step in the ground. The exist-ing stone wall is built up and extended outswards and passes through the outer wall drawing the external to the internal.
The walls are designed to frame the natural landscape and guide the user into and through the building to the external landscape. It forms a passageway for microlight flyers to en-ter from the landscape and through into the cliffe edge site.
a
1
2
3
4
5
View from the Microlight visitor centre towards air field
Internal view into Microlight visitor centre
Main raised visitor entrance to the Microlight visitor centre
a
b
c
b
c
4
Level: Year Two
Location: York
Date: June 2013
Tutor: Simon Chadwick
St. Georges ParkHousing Scheme
Academic
ground floor first floor second floor
masterplan1:1250
internal plans1:200
A
A
section A-A
N SITE PLAN1:100
St.Georges Park planning strategy
Flood Resistant Housing
Ground Floor1 First Floor2 First Floor2 2 Second Floor
The project aimed to create a boating inspired housing scheme situated within the City of York, sat in St.Georges public park within the floodplain of the River Ouse.
The Housing schemes location offers desirable views South out to the River Ouse and North-east onto York Castle and York Minster beyond.
The housing has a responsibility to look after the safety and wellbeing of its occupants and their belongings in the probable event of a flood and provides sufficient systems and construction techniques to live around these occasions. The hosuing units utilise a concrete base ground floor opening up to its riverside location, as sacrificial boat stor-age. Alternative access is provided at a raised (above flood level) of 1.5m above ground, connecting the housing units to St.Georges Park and the City of York to the rear.
ST.GEORGES PARK HOSUING SCHEME, YORK
A boating inspired housing scheme situated within the City of York, sat within the floodplain of the River Ouse within St.Georges public park, offering desira-ble views out to the view and North-east onto York Castle and York Minster beyond. The housing has a responsibility to look after the safety and wellbeing of its occupants and their belongings in the proba-ble event of a flood and provides sufficient systems and construction techniques to live around these occasions, utilising the concrete base ground floor of its riverside location as sacrificial boat storage, providing alternative access at a raised 1.5m level.
Role: Architectural Assistant
Location: Dubai - UAE
Date: August - December 2015
Projects: High-End commercial + residential
Cape Reed Dubai
ProfessionalExperience
Cape Reed is a world leader in the design, construction and installation of exclusive tailor made timber and thatch structures, with regional offices across the globe. The companies mission is to design, supply and construct high-quality African themed structures with natural sustainable materials, sourced from the Cape region of South Africa from which the companies primary construction material (Cape Reed) takes its name.
I worked within the companies primary office in Dubai. I was responsible for com-pleting speculative technical drawings for the client; presenting the conceptual design, structural strategy and materials costing for a wide variety of high-end commercial and residential projects across the Middle-East.
I gained vast experience working on lucrative commercial projects involving large global brands such as Sofitel, Niki Beach, Katara, and Dubai Safari. Residential proj-ects involved meeting clients at site to discuss proposals to assist in the design and conceptualisation of a bespoke luxury product such as pool bars/gazebos.
Reference
Andre Van HeerdenManaging Partner & General ManagerCape Reed Ground of Companies, Dubai
Andre@capereed.com
001/
Personal Responsibilties
7250
12050
3200
6650
Ø100-150
4150
Ø185
3500
2550
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2200 3600 3000 1700
1649
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6085
Ø180
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.581
2.5
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-210
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650
Ø180 PRESSURE TREATED PINUSRADIATA TIMBER UPRIGHT & MINILLADECORATIVE ROPEWORK
Ø75 PRESSURE TREATED PINUSRADIATA TIMBER RAFTER
Ø20-35 PRESSURE TREATEDSALIGNA LATH
Ø250 PRESSURE TREATED PINUSRADIATA TIMBER BORDER POST
RC SLAB - STRUCTURAL ENGINEERSPECIFIED
200MM CONCRETE FORMWORKTRADITIONAL WALL STRUCTURE
Ø150 PRESSURE TREATED PINUSRADIATA TIMBER SUPPORT
Ø150 PRESSURE TREATEDPINUS RADIATA TRIM BEAM
Ø75 PRESSURE TREATED PINUSRADIATA TIMBER SUPPORT
Ø100MM PRESSURE TREATEDDECORATIVE TIMBER SCREEN
RC SLAB - STRUCTURAL ENGINEERSPECIFIED
150MM WIDTH TIMBER DECKING
Ø250 PRESSURE TREATED PINUSRADIATA TIMBER BORDER POST
PRESSURE TREATED SALIGNA LATHDECORATIVE CEILING SLAB
Ø250 PRESSURE TREATED PINUSRADIATA TIMBER RAFTER
Ø150 PRESSURE TREATED PINUSRADIATA TIMBER RAFTER
Location: Doha, Qatar
Date: September 2014
Project aim: To create a unique marine dining experience with an offshore luxury restaurant and various occupancy sleeping units.
Katara Marine Jetty Dining Resort
1 Sample Project
Unit A - Roof Plan - 1:100
7250
12050
3200
6650
Ø100-150
4150
Ø185
3500
2550
10500
2200 3600 3000 1700
1648.7500
3200
6085
Ø180
2310
1112.5
812.5
1800-2100
650
Roof Structure Plan Ground Floor Plan
Front Section ElevationSide Section Elevation
Unit Type A - Scale:
Ø180 PRESSURE TREATED PINUSRADIATA TIMBER UPRIGHT & MINILLADECORATIVE ROPEWORK
Ø75 PRESSURE TREATED PINUSRADIATA TIMBER RAFTER
Ø20-35 PRESSURE TREATEDSALIGNA LATH
Ø250 PRESSURE TREATED PINUSRADIATA TIMBER RAFTER
CONCRETE COLUMN
Ø150 PRESSURE TREATED PINUSRADIATA TIMBER RAFTER
Ø150 PRESSURE TREATED PINUSRADIATA TIMBER RAFTER
Ø20-35 PRESSURE TREATEDSALIGNA LATH
Ø20-35 PRESSURE TREATEDSALIGNA LATH
Ø250 PRESSURE TREATED PINUSRADIATA TIMBER RAFTER
Ø250 PRESSURE TREATED PINUSRADIATA TIMBER RAFTER
Ø20-35 PRESSURE TREATEDSALIGNA LATH
Ø20-35 PRESSURE TREATEDSALIGNA LATH
Ø20-35 PRESSURE TREATEDSALIGNA LATH
Ø250 PRESSURE TREATED PINUSRADIATA TIMBER RAFTER
Ø150 PRESSURE TREATED PINUSRADIATA TIMBER RAFTER
7250
12050
3200
6650
Ø100-150
4150
Ø185
3500
2550
10500
2200 3600 3000 1700
1648.7500
3200
6085
Ø180
2310
1112.5
812.5
1800-2100
650
Roof Structure Plan Ground Floor Plan
Front Section ElevationSide Section Elevation
Unit Type A - Scale:
Ø180 PRESSURE TREATED PINUSRADIATA TIMBER UPRIGHT & MINILLADECORATIVE ROPEWORK
Ø75 PRESSURE TREATED PINUSRADIATA TIMBER RAFTER
Ø20-35 PRESSURE TREATEDSALIGNA LATH
Ø250 PRESSURE TREATED PINUSRADIATA TIMBER RAFTER
CONCRETE COLUMN
Ø150 PRESSURE TREATED PINUSRADIATA TIMBER RAFTER
Ø150 PRESSURE TREATED PINUSRADIATA TIMBER RAFTER
Ø20-35 PRESSURE TREATEDSALIGNA LATH
Ø20-35 PRESSURE TREATEDSALIGNA LATH
Ø250 PRESSURE TREATED PINUSRADIATA TIMBER RAFTER
Ø250 PRESSURE TREATED PINUSRADIATA TIMBER RAFTER
Ø20-35 PRESSURE TREATEDSALIGNA LATH
Ø20-35 PRESSURE TREATEDSALIGNA LATH
Ø20-35 PRESSURE TREATEDSALIGNA LATH
Ø250 PRESSURE TREATED PINUSRADIATA TIMBER RAFTER
Ø150 PRESSURE TREATED PINUSRADIATA TIMBER RAFTER
Unit A - Floor Plan - 1:100
Unit A - Roof Plan - 1:100
Unit D - Section A - 1:125
Unit D - Roof Plan - 1:125
12225
82251900 2100
3000
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5
3100
5950
1112
.511
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5950
4900
2310
1810
0
140008600
Ø180 PRESSURE TREATED PINUSRADIATA TIMBER UPRIGHT & MINILLADECORATIVE ROPEWORK
200MM CONCRETE FORMWORKTRADITIONAL WALL STRUCTURE
Ø75 PRESSURE TREATED PINUSRADIATA TIMBER RAFTER
Ø20-35 PRESSURE TREATEDSALIGNA LATH
Ø150 PRESSURE TREATED PINUSRADIATA TIMBER SUPPORT
Ø250 PRESSURE TREATED PINUSRADIATA TIMBER BORDER POST
Ø125 PRESSURE TREATED PINUSRADIATA TIMBER SCREEN
150MM WIDTH TIMBER DECKING
RC COLUMN - STRUCTURAL SUPPORTSUBMERGED IN JETTY
Ø150 PRESSURE TREATEDPINUS RADIATA TRIM BEAM
Ø75 PRESSURE TREATEDPINUS RADIATA SUPPORT
RC SLAB - STRUCTURAL ENGINEERSPECIFIED
Ø100MM PRESSURE TREATEDDECORATIVE TIMBER SCREEN
Ø150 PRESSURE TREATED PINUSRADIATA TIMBER BEAM
Ø75 PRESSURE TREATED PINUSRADIATA TIMBER RAFTER
Ø250 PRESSURE TREATED PINUSRADIATA TIMBER BORDER POST
Ø100MM PRESSURE TREATEDDECORATIVE TIMBER SCREEN
PRESSURE TREATED SALIGNA LATHDECORATIVE CEILING SLAB
Ø75 PRESSURE TREATED PINUSRADIATA TIMBER RAFTER + Ø20-35SALIGNA LATH
Unit D - Section B - 1:125
Unit D - Floor Plan - 1:125
12225
82251900 2100
3000
1722
5
3100
5950
1112
.511
12.5
5950
4900
2310
1810
0
140008600
Ø180 PRESSURE TREATED PINUSRADIATA TIMBER UPRIGHT & MINILLADECORATIVE ROPEWORK
200MM CONCRETE FORMWORKTRADITIONAL WALL STRUCTURE
Ø75 PRESSURE TREATED PINUSRADIATA TIMBER RAFTER
Ø20-35 PRESSURE TREATEDSALIGNA LATH
Ø150 PRESSURE TREATED PINUSRADIATA TIMBER SUPPORT
Ø250 PRESSURE TREATED PINUSRADIATA TIMBER BORDER POST
Ø125 PRESSURE TREATED PINUSRADIATA TIMBER SCREEN
150MM WIDTH TIMBER DECKING
RC COLUMN - STRUCTURAL SUPPORTSUBMERGED IN JETTY
Ø150 PRESSURE TREATEDPINUS RADIATA TRIM BEAM
Ø75 PRESSURE TREATEDPINUS RADIATA SUPPORT
RC SLAB - STRUCTURAL ENGINEERSPECIFIED
Ø100MM PRESSURE TREATEDDECORATIVE TIMBER SCREEN
Ø150 PRESSURE TREATED PINUSRADIATA TIMBER BEAM
Ø75 PRESSURE TREATED PINUSRADIATA TIMBER RAFTER
Ø250 PRESSURE TREATED PINUSRADIATA TIMBER BORDER POST
Ø100MM PRESSURE TREATEDDECORATIVE TIMBER SCREEN
PRESSURE TREATED SALIGNA LATHDECORATIVE CEILING SLAB
Ø75 PRESSURE TREATED PINUSRADIATA TIMBER RAFTER + Ø20-35SALIGNA LATH
Marine Dining Restaurant - Section A - 1:200
23000
2300
0
1840
0
17500
4010
29500
565040105500
CAPE REED CAPPING +CAPPING NIP DETAIL
Ø150 PRESSURE TREATED PINUSRADIATA TIMBER RAFTER
Ø20-35 PRESSURE TREATEDSALIGNA LATH
CONCRETE EXTERIOR COLUMN
RC SLAB - STRUCTURAL ENGINEERSPECIFIED
Ø150 PRESSURE TREATED PINUSRADIATA TIMBER BEARER
RC COLUMN - PRIMARY STRUCTURALSUPPORT
CAPE REED FLAME + WATERRESISTANT THATCH
9180
Ø75 PRESSURE TREATED PINUSRADIATA TIMBER LATH
Ø20-35 PRESSURE TREATEDSALIGNA LATH
Ø75 PRESSURE TREATED PINUSRADIATA TIMBER RAFTER
RC COLUMN - STRUCTURAL SUPPORTSUBMERGED IN JETTY
RC BEAM - MAIN STRUCTURALSUPPORT MEMBER
200MM CONCRETE FORMWORKTRADITIONAL WALL STRUCTURE
Ø250 PRESSURE TREATED PINUSRADIATA TIMBER BORDER POST
Ø180 PRESSURE TREATED PINUSRADIATA TIMBER UPRIGHT & MINILLADECORATIVE ROPEWORK
1150
Ø180 PRESSURE TREATED PINUSRADIATA TIMBER RAFTER KING
150MM TIMBER DECKING
Marine Dining Restaurant - Roof Plan - 1:200
23000
2300
0
1840
0
17500
4010
29500
565040105500
CAPE REED CAPPING +CAPPING NIP DETAIL
Ø150 PRESSURE TREATED PINUSRADIATA TIMBER RAFTER
Ø20-35 PRESSURE TREATEDSALIGNA LATH
CONCRETE EXTERIOR COLUMN
RC SLAB - STRUCTURAL ENGINEERSPECIFIED
Ø150 PRESSURE TREATED PINUSRADIATA TIMBER BEARER
RC COLUMN - PRIMARY STRUCTURALSUPPORT
CAPE REED FLAME + WATERRESISTANT THATCH
9180
Ø75 PRESSURE TREATED PINUSRADIATA TIMBER LATH
Ø20-35 PRESSURE TREATEDSALIGNA LATH
Ø75 PRESSURE TREATED PINUSRADIATA TIMBER RAFTER
RC COLUMN - STRUCTURAL SUPPORTSUBMERGED IN JETTY
RC BEAM - MAIN STRUCTURALSUPPORT MEMBER
200MM CONCRETE FORMWORKTRADITIONAL WALL STRUCTURE
Ø250 PRESSURE TREATED PINUSRADIATA TIMBER BORDER POST
Ø180 PRESSURE TREATED PINUSRADIATA TIMBER UPRIGHT & MINILLADECORATIVE ROPEWORK
1150
Ø180 PRESSURE TREATED PINUSRADIATA TIMBER RAFTER KING
150MM TIMBER DECKING
Marine Dining Restaurant - Section B - 1:200
Marine Dining Restaurant - Floor Plan - 1:200
PHILSHOTTON
E-mail: p.shotton@live.co.uk
LinkedIn: philshotton1
Telephone: +4407921450093
Address: 104 Harley Close, Telford. TF1 3LF
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