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The Class of 2020Lectures inthe Historyof Art
INSCRIBING AND DELIMITING SPACES
Emily Perlmutter KamenSPIRAL THOUGHT:Polychronic Histories in Fremont Landscapes
Helman Alejandro Sosa TemplosMURALES EFÍMEROS:A Personal Understanding of Walls
Isabel Casso SOMETHING I DON’T KNOW:Gala Porras-Kim’s Work of Translation and Preparation
HISTORIES OF THE BODY
Jonathan OddenSHE REPRESENTS!Legible Identities in the Work of Jeanne Mammen
Mallory Cohen“INEFFACEABLE WOUNDS:”Considering Colonial Trauma through Kader Attia’s Open Your Eyes
Sinclair SpratleyUNBELIEVABLE, VIOLENT, AND BEAUTIFUL THINGS:Alvin Baltrop’s Pier Photographs
ORIGINS AND ENDS OF THE EARTH
John DamstraRUSKIN’S ROCKS:Stones and Spirituality in Victorian Britain
Emma Nell JacobsEXILE AND EXEMPLAR:Clyfford Still in the Atomic Age
Andrew KensettTHE VOLCANO AND THE CELL:Two Models of Animacy in the Work of Edward Steichen
ANIMALITY AND POSTHUMANISM
Cole GruberTHREE MILLION YEARS OF ART?:From the Manuport to the Readymade
Savannah MarquardtOF GODS AND GOATS:The Prehistory of Greek Sacrifice
Elyse Dianne MackIMAGINING DRAGONS:A New Perspective on Animal-Human Rendering
MAKING AND MATERIALS
Emily MadrigalREVERSE PYGMALIONS:Plaster in Édouard Dantan’s Atelier Paintings
Nidhi GandhiBODILY ENCOUNTERS AND BORDER SPACES in Reena Saina Kallat’s Verso-Recto-Recto-Verso
Eliza Woods HarrisonREFABRICATING, REFIGURING:Troy Michie’s Queer Collages
Watch the Lectures ongradart.williams.edu
June 12 to July 13
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